- 2 weeks ago
Giuseppe, who returns to his native Sicily and rekindles a romance with his former lover, Caterina, a widow with a teenage daughter, Graziella.
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Short filmTranscript
00:00:00The
00:00:30Oh
00:01:00Sino a giorno
00:01:02Mi voto e mi rivoto
00:01:10Suspirando
00:01:12Passo
00:01:17Puli notti
00:01:19Interi
00:01:20Senza sonno
00:01:22E
00:01:26Pergizzo
00:01:28Io contemplando
00:01:32Le passo
00:01:36Di la notte
00:01:38Sino a giorno
00:01:40Petti
00:01:42Io non posso
00:01:44Ora
00:01:46Dormirei
00:01:48Magino
00:01:50Una nave
00:01:52Sì
00:01:54Sì
00:01:56Sì
00:01:58Sì
00:02:00Sì
00:02:02Sì
00:02:04Sì
00:02:06Sì
00:02:08Sì
00:02:10Sì
00:02:12Sì
00:02:14Sì
00:02:16Sì
00:02:18Sì
00:02:20Sì
00:02:22Quando la vita mia
00:02:24Finisce
00:02:26Morì
00:02:28Sì
00:02:30Sì
00:02:32Sì
00:02:34Sì
00:02:36Sì
00:02:38Sì
00:02:40Sì
00:02:42Sì
00:02:44Sì
00:02:46Sì
00:02:48Oh, oh, oh.
00:03:18I've missed you, Maria.
00:03:27I've kept everything just as it was, but nothing ever stays the same.
00:03:32You have.
00:03:48I've kept everything just as it was.
00:04:17She always spoke of you, and how it was important that you would come back someday to this house.
00:04:23I've kept everything.
00:04:25I've kept everything.
00:04:29I've kept everything.
00:04:35I've kept everything.
00:04:37I've kept everything.
00:04:39I've kept everything.
00:04:40I've kept everything.
00:04:41I've kept everything.
00:04:42I've kept everything.
00:04:43I've kept everything.
00:04:44You dirty old rascal.
00:04:53How the holy hell did they ever let you back here?
00:04:56How do you know?
00:04:57Oh, by the way, that's a very dangerous game to play.
00:05:01I mean it.
00:05:02Guys have been killed for doing that.
00:05:04So don't joke around, or next time you'll end up in the family morgue.
00:05:07That'd be part too cruel, especially for the ladies, huh?
00:05:10Tell me, what was your average in Paris?
00:05:12Come on, how many?
00:05:13Probably two a day, huh?
00:05:14I've heard the French are eliminating adultery.
00:05:16They refuse to get married at all.
00:05:18And if they do, the husband will be given a maid to help out in case the dear wife gets a headache.
00:05:22Is that true?
00:05:23You've become just as pernicious as an old rake.
00:05:25Well, I always liked a little bit of variety and I was born horny.
00:05:30I have no control over it.
00:05:32Well, let's have a look at you.
00:05:33You have the mark of the international traveler.
00:05:36You wear it well.
00:05:37Do I really?
00:05:38As a matter of fact, I've managed to do a little jet setting too.
00:05:4025 lure days in Turkey.
00:05:42Of course, it doesn't have the same charms as Paris.
00:05:45Well, well.
00:05:46So you've come back to blow your horn and bang it around.
00:05:50No, no.
00:05:51I have no match for the competition here, don't worry.
00:05:53It's only for a week or two.
00:05:55I should go before the end of the month.
00:05:56Ah, I'm selling the horse.
00:05:58You've done well.
00:05:59I see you're good.
00:06:00Well, in short, modestly my success is also.
00:06:03And not only in the trade.
00:06:05Ah, yes?
00:06:06Yes.
00:06:07You see, I don't have the vocation of the scapolo.
00:06:11But I don't even have the cornudu.
00:06:13Because cornudu can't even go without vocation.
00:06:16But today, the probability is in increase.
00:06:19Eh, mon cher, la femme.
00:06:21O è santa?
00:06:22O è puttana?
00:06:23È nel nostro giro di santa.
00:06:25Io conosco solo la Sant'Agata.
00:06:27Beh, allora fammi un po' l'elenco delle vecchie amiche.
00:06:30Quelle puttana, eh, le sante lasciamole perdere.
00:06:33Dunque, Rosa, Rosetta, Rosina, sono riuscito ad andarci a letto
00:06:37solo dopo che si sono sposate.
00:06:39Sì, perché prima si erano rifiutate per una questiona di onestà .
00:06:42Ah, con la D'Amico, invece, non ci sono riuscito
00:06:45perché si è sposata in Sud America con una lavatora di bovine.
00:06:49Una produzione da connescatola.
00:06:52Rita Favazza, invece, l'ha perso un poco di vista,
00:06:55ma mi risulta che ha sposato come marito un fenomeno, sai,
00:06:59un potente completo.
00:07:00Ma non è che è un fenomeno perché è impotente,
00:07:02ma perché è impotente con sette figli.
00:07:04Invece, Mariella Lorusso non la vedo da molto tempo,
00:07:08ma so che non ha affatto un marrimone molto fortunato.
00:07:10Dicono che ha un marito un poco cornuto.
00:07:13Mi stai a sentire?
00:07:14Ah, sì, sì.
00:07:15E...
00:07:16E a Caterina, vuoi dire, eh?
00:07:18Beh, che è rimasta vedova, lo sai, no?
00:07:20Sì, sì.
00:07:21Senti, ma non mi dirai che sei tornato qui apposta per lei?
00:07:25Diciamo che non me la sono mai dimenticata.
00:07:29E allora?
00:07:31Allora, vedi, Caterina,
00:07:33è una che non saprei se mettere o no nell'elenco.
00:07:36Ma tu la frequenti?
00:07:38Sì, sì, ci ho provato, ma...
00:07:40niente da fare.
00:07:41È l'unica sconfitta della mia carriera.
00:07:43E d'altronde a Napoleone,
00:07:44che era Napoleone un pezzo a Badalù.
00:07:46E ci ho provato a marito vivo e a marito morto, sai,
00:07:49mica solo io.
00:07:50Ah, rien a faire.
00:07:51Allora è una santa.
00:07:53E come no.
00:07:54Sono sicuro che a letto farà maragola.
00:07:59Comunque, se non è una santa è una furba,
00:08:01che è più probabile.
00:08:03Mi piacerebbe incontrarla per caso.
00:08:05Ah, è per questo non è che te devo preoccupare.
00:08:08Tu dammo un giorno di tempo che te lo organizzo io apposta.
00:08:10Un incontro per caso.
00:08:12È un incontro per caso.
00:08:13È un incontro per caso.
00:08:15In Catania,
00:08:16l'unica sconfitta.
00:08:17l'unica sconfitta.
00:08:18L'unica sconfitta.
00:08:19L'unica sconfitta.
00:08:20L'unica sconfitta.
00:08:21In totale.
00:08:22L'unica sconfitta.
00:08:23L'unica sconfitta.
00:08:24L'unica sconfitta.
00:08:25L'unica sconfitta.
00:08:26be the end. And that end is near. Yes, but it's true. I mean, it's evident to him now.
00:08:34Do you realize they're getting stronger each day? We'll all suffer. We ought to have a
00:08:38sense of responsibility to those same traditions that they want to abolish. The two of us went
00:08:44into the dining room and she stood there waiting to see what I would say. Only what the hell
00:08:48could I say to her? She loved it. She thinks she's getting in style. On Sunday, the moving
00:08:53vans came. And the next morning, they got their son registered in school. Really? Oh, I
00:08:57must tell you. Well, Daddy is rather pitiful. His poor mind is vague. He gets mixed up.
00:09:05Well, this pretty girl is asking for information. You know, perfectly ordinary sort of routine
00:09:09question. So she asks him what the child's name is and he says, Claire. Odd name. Sex, she
00:09:15says, enormous.
00:09:23I'm losing, unfortunately. Don't worry. It's against the law.
00:09:53Giuseppe.
00:09:55Caterina.
00:09:56Luisa, do you know Giuseppe Lagana? No, but I certainly did know your mother. Sit down,
00:10:00please.
00:10:02It's over 15 years, isn't it?
00:10:06And a lot more. Well, it's like being a witness to an historic meeting. When I write my memoirs,
00:10:12I can say I was there. Notice I'm going to the bar discreetly.
00:10:16Well, I imagine I look different. As a matter of fact, no. You've changed a lot, you know, then. Well, yes. Why shouldn't I use to take their toll? What can we do? You were merely pretty. Now you're stupendous. People are looking at us. Do you notice? Do you really care? Oh, maybe.
00:10:45Oh, maybe. I know who the gossips are. They're all here fishing. And a girl should consider her honor.
00:10:52We're all a little absurd with our sense of honor, aren't we? I was joking. Are you staying through the summer? Well, that depends, I guess, on you.
00:11:04Louisa, wait. What for?
00:11:08I just want to look at you without anyone around, that's all.
00:11:12Well, go ahead then. But hurry before any of our friends comes and notices why they think I was flirting while my husband's in Milan for four whole days. Time is up.
00:11:21I see. No, I don't. I want you. You must know that. I...
00:11:26You're mad. You mustn't say that anymore.
00:11:30You haven't taken your vitamin C. You're a love. But this kind of conversation is offensive, mere sentimental muck.
00:11:40Forced to hear it from my husband, and that's certainly ample. And you must admit that you've got no right to assume that I choose to sacrifice his trust in me.
00:11:47I know that, but I'm... It makes me unhappy you're so cold and cruel to me, yet I still adore you.
00:11:53I mean, you flouted as if it were nothing. Many times I thought of you being all alone, and...
00:11:59If I could come and talk. I like to talk, you know. Nothing ever important, but...
00:12:03Not a chance. I know your reputation. And when actually measured, who cares?
00:12:10Only this is there to say to you. So long, it's been nice, and in case I see you at the bar. And let's just say...
00:12:18Luisa, meet me tomorrow at 6.45.
00:12:31Alfredo. You break a blood vessel or something.
00:12:34Well, I had the impression you were rather a timid soul.
00:12:41You seem so years ago. As soon as you walked in the room. I don't know...
00:12:46It wasn't by accident. I was looking for you.
00:12:55How good is your memory?
00:12:57Don't worry. I don't forget a thing.
00:12:592 1 6 8 9 0 7.
00:13:02Here I am again.
00:13:06Sorry about that. Am I too soon?
00:13:09Oh, I think we've said it all. You can stay.
00:13:12I'll bet.
00:13:13Giuseppe, you're quite a character.
00:13:15They said so at the bar. It seems you have the status of a celebrity here at Catania.
00:13:19That you live in Paris. Only this I already knew.
00:13:22That you were the first and more platonic, that is, of Catarina.
00:13:25But no one ever taught me that.
00:13:27Luisa.
00:13:28I said platonic.
00:13:30I have to go now. I'll call you.
00:13:32I hope so.
00:13:34Well, Luisa.
00:13:35It was very pleasant.
00:13:36I hope. I'll see you again.
00:13:37You will, darling. Whenever you decide.
00:13:39Au revoir.
00:13:40Au revoir.
00:13:43A death for a woman.
00:13:45Affectionate, intelligent, handsome. What more is there?
00:13:49And a bachelor?
00:13:51I don't know.
00:13:52You're being sly.
00:13:54But that's not important, is it?
00:14:01You forgot it, I know.
00:14:032-1-6-8-0-9-7.
00:14:08Merci.
00:14:13Pronto.
00:14:14Catalina, it's Giuseppe.
00:14:17Well, hello.
00:14:18Didn't you think I'd call?
00:14:21Why not? You said you would.
00:14:23No way.
00:14:25Well, thank you.
00:14:27A little tired.
00:14:29You know, since I saw you last night, I haven't been able to think about anything else.
00:14:35I... I know.
00:14:38That's how I feel.
00:14:40Are you alone now?
00:14:43Yes.
00:14:45Can I come over?
00:14:47No, not here, no.
00:14:49Where then?
00:14:50Well, I don't know.
00:14:54Can you come tomorrow?
00:14:55How's your coffee?
00:14:56Not bad.
00:14:58I have lunch, but...
00:14:59Can I come in too?
00:15:01I do.
00:15:20You've got an admirer.
00:15:28You've been hiding things.
00:15:30I pray.
00:15:31Oh, Giuseppe.
00:15:39It's a very special friend your mama grew up with.
00:15:43Giuseppe and I went to school together.
00:15:45He was very important to me, almost like a beau.
00:15:50Doesn't it mean something special to receive roses from someone, Mama?
00:15:53Well, yes and no.
00:15:55Depends on the roses.
00:15:57Depends on the woman.
00:15:58Depends on the person who sends them, and your aunt doesn't appreciate dirty nails.
00:16:02I don't feel like going there.
00:16:03I'll end up hating some of the vacations if I'm forced to spend them there all the time.
00:16:13Graziella.
00:16:14Oh, come on.
00:16:17She's very anxious to see you.
00:16:19It's not the whole summer.
00:16:20It's only a few days.
00:16:22Trade your big red rose for a smile.
00:16:29Is the man saying to a woman that he loves her when he sends her some flowers?
00:16:32Well, I know it says something.
00:16:35I suppose he's just saying...
00:16:38There's the car.
00:16:39Go ahead. Now, don't keep them waiting.
00:16:40Hurry up.
00:16:44Hey.
00:16:46And I've got to stay there all next week or what?
00:16:49Listen, you stay out of trouble.
00:16:51Then Sunday I'll phone, I'll talk to your aunt, and tell her you to come back early Tuesday morning.
00:16:56Bye, Bella.
00:17:24Bye.
00:17:26He just about ran into my daughter.
00:17:28They've got to meet her later.
00:17:34I didn't thank you for the roses, they were lovely.
00:17:47Will you have something to drink?
00:17:50All right.
00:17:55We are doing nothing wrong.
00:17:56You haven't any reason to worry.
00:17:57We are doing nothing wrong.
00:17:58You haven't any reason to worry.
00:17:59You haven't anyone.
00:18:00All right.
00:18:01Just from one hour
00:18:03Let them ministry and be there.
00:18:06I can stand when you say smoke and be now.
00:18:13Let them food out.
00:18:45You see, that's my point, to choose, not to get entangled.
00:19:13The entire world is full of women.
00:19:15Why?
00:19:16For us to enjoy life, Alucard.
00:19:20Oh, well.
00:19:22Tell me, tell me the truth.
00:19:24What is it you expect to find here?
00:19:26Who knows?
00:19:27It's the feeling you could find looking back.
00:19:33I don't know.
00:19:36An old tree in a park, a book I read, a sudden memory.
00:19:40For a minute I'm there before I know to go.
00:19:46Mysticism.
00:19:47Go away.
00:19:48You're in love.
00:19:49You're trapped.
00:19:49I knew it would happen.
00:19:50The object is to stop on this danger.
00:19:52Yes?
00:19:53The sound of pride.
00:19:55Did you hear that?
00:19:56His sense of pride is abused.
00:19:58Even pools have pride.
00:20:00I've got a little hair right up inside this nostril.
00:20:02It bothers me.
00:20:03Fine, can you?
00:20:04No, no, no.
00:20:06Not that one.
00:20:06This one has been itching for a whole hour.
00:20:10Ah, that's better.
00:20:14Ah, to get up in a fine morning.
00:20:16To begin to prepare for the intoxicating task of choosing between all the flowers in my meadow.
00:20:21And I'm happy because I have the freedom of choice.
00:20:24You, you plan to trade it for one old-fashioned perennial.
00:20:27That's a bad joke.
00:20:28I know.
00:20:29It's not funny to you because you know I'm right.
00:20:31Although you won't admit it.
00:20:33But to break a date like that.
00:20:35I came up with those two for tonight and you're spoiling it.
00:20:37Now, where is there any harm in spending a few innocent hours with a pair of strippers from Hamburg?
00:20:41No complications, no responsibilities.
00:20:46Very relaxing time.
00:20:48But it's not for me.
00:20:50You can come or not.
00:20:51I don't care.
00:20:52I'll just have to squire both of them around by myself.
00:20:54But don't let that influence your decision.
00:20:56All right, I'll come then.
00:20:57Since I'm all busy and eating.
00:20:59You must be joking.
00:21:00I could easily handle both and you know it.
00:21:02Nobody has equaled my past record for epic womanizing that I know of.
00:21:05I'm far out front.
00:21:08No, I mean, that's enough.
00:21:09That's fine.
00:21:10Come tonight if you can.
00:21:12You'll be doing me a favor, all right?
00:21:13Don't worry.
00:21:14I'll meet you about 11.
00:21:14I have a sneaky suspicion that you're going to forget.
00:21:18I won't forget.
00:21:19No, no, no.
00:21:20I was referring to women.
00:21:21You should look at things the way I do.
00:21:23A man's freedom is a gift not to be taken lightly.
00:21:26And that's something the youth of today understand.
00:21:29You got a lot of girls?
00:21:30I got four kids.
00:21:31What's so funny?
00:21:34He doesn't change anything.
00:21:35He's an exception, that's all.
00:21:37He's a little rabbit, this one.
00:21:42You're not a fool.
00:21:44The point is, you should try a new tactic, darling.
00:21:52Why bother?
00:21:53I'm not important to him.
00:21:55It's stupid to expect anything more.
00:21:56What's the point in tactics?
00:22:06We grew up together.
00:22:07After all, I went to school with Giuseppe.
00:22:09I knew his best friend.
00:22:13It seems so pointless to play games.
00:22:15I'm sure that's what he's doing, love.
00:22:17If you forget your pride.
00:22:18It's not pride at all, Louisa.
00:22:22We always have to start right back at zero.
00:22:26Mind as a child.
00:22:30Love.
00:22:31We start all over again each time.
00:22:33You're not making sense, darling.
00:22:35To jump to conclusions is silly.
00:22:37I know it's true.
00:22:38He could tell a thought.
00:22:39But it's hardly a tragedy.
00:22:41Who's making it a tragedy?
00:22:47Except I'm so mad at myself.
00:22:50I know you feel dreadful.
00:22:52You only.
00:22:54Come on, the truth now.
00:22:55Listen.
00:22:57I know I'm a bit of a tired.
00:22:59To put it nicely.
00:23:01Or you could save a penchant for wickedness.
00:23:03But fun is fun, I say.
00:23:05When you're going to fall, then you're going to fall, darling.
00:23:08Of course, it may be injurious to your pride.
00:23:11If you get used to it.
00:23:13Then you'll forget it.
00:23:13Well, you're lucky.
00:23:22There's a spider in my room.
00:23:24I really mean it.
00:23:25It's a spider.
00:23:26Oh, what?
00:23:26I thought it went out of the closet.
00:23:28Ooh.
00:23:29I wonder if he gets...
00:23:30Yes, all right.
00:23:30I'll be right there.
00:23:32Don't.
00:23:32I'm not going to stay.
00:23:33Ciao, Louisa.
00:23:34And don't worry, love.
00:23:36Auntie Cassandra says tomorrow we'll telephone.
00:23:39Ciao.
00:23:40That's your mind, do you?
00:23:40Ciao.
00:23:42All right.
00:23:43Where'd our spider go?
00:23:44It's a big lie.
00:23:46It's a big lie.
00:23:46What did you say that for?
00:23:49I wanted her to leave and I thought that would happen.
00:23:54I know she bores you, but then you don't understand her.
00:23:59Mama, tell me, do you still get flowers from that man?
00:24:03Get into your bed.
00:24:04Go ahead.
00:24:05Do you hear me?
00:24:06Uh-huh.
00:24:08No, he hasn't sent me anymore.
00:24:11All right.
00:24:13Tell me.
00:24:15Yeah.
00:24:17It doesn't matter.
00:24:18I'll come over there.
00:24:21No, don't worry.
00:24:22No one will see me.
00:24:23I'll be careful.
00:24:25You've got to trust me.
00:24:28Because I want to show you something.
00:24:31Why not?
00:24:33I know, but don't worry.
00:24:37I want you to see it.
00:24:39Fine.
00:24:39I want you to wear it, please.
00:24:40I want you to wear it, please.
00:24:41I want you to wear it, please.
00:24:45But this is priceless.
00:24:46But this is priceless, I can't.
00:24:56It belongs to my mother.
00:24:57I want you to wear it, please.
00:24:58I want you to wear it, please.
00:25:01I want you to wear it, please.
00:25:05It's great.
00:25:29Were you with the girl all this time?
00:25:33I was with Alfredo. Alfred will be taught.
00:25:36Ah, with two girls, then.
00:25:42But I realized you're what I was looking for, Catalina.
00:25:52And I think about those you without you.
00:25:57All empty, useless, meaningless.
00:26:02I go to others and try to find you.
00:26:07I remember a girl.
00:26:12And she used to pray for this, you know?
00:26:15Forgot to make Giuseppe hers.
00:26:17Did she?
00:26:19And now you're mine.
00:26:21Mine.
00:26:23Mine.
00:26:25And you're mine.
00:26:30I love you.
00:26:32I love you.
00:26:34I love you.
00:26:36I love you.
00:26:40Goodie, goodie.
00:26:41No school today, Mama.
00:26:43Why not?
00:26:44Because you forgot to set your alarm and it's after nine.
00:26:49Oh, God. What have I done?
00:26:52Mamma Mia.
00:26:53Did he give that to you?
00:26:57Oh, darling.
00:26:58That man.
00:26:59I mean, the one that likes you, did he?
00:27:07Did you see him again?
00:27:09And in Paris, people think most of money.
00:27:14A desperate pace.
00:27:16A peculiar way of living.
00:27:19One learns to adjust to it.
00:27:21Yet the tourist, after seeing the tour Eiffel in the Arc de Triomphe,
00:27:26is sure he knows all Paris.
00:27:29Yes, but I heard the girls are a lot prettier.
00:27:32Where do you hear that?
00:27:34I know.
00:27:36They're often plain there.
00:27:39Here they're all pretty.
00:27:40Ah, and the French can be so gallant.
00:27:43You've managed to emulate that, I noticed.
00:27:45How come you took down the picture of your father?
00:27:48Ah!
00:27:49We've got it in the other room.
00:27:50It's a lot better suited for a desk than hanging against a wall.
00:27:53Mom, we're going in my room.
00:27:54Ciao.
00:28:00Mamma Mia.
00:28:03There's a mom that's fast.
00:28:06She's no dope.
00:28:08I like her.
00:28:10Very important. You like her.
00:28:11That and more.
00:28:13I bet I've adored her anyway.
00:28:14I thought it was my idea.
00:28:16And she was the one to run to the rescue.
00:28:20It was a silly idea.
00:28:22She really adored Antonio.
00:28:25Maybe I had no right to take it down.
00:28:28I think she probably understands what you wanted.
00:28:31And she loved him.
00:28:34And then the last time.
00:28:37Ah.
00:28:38The power of love can change the weather, I see.
00:28:42It's too early to tell.
00:28:43Well, let's hope to progress.
00:28:44I know, señora.
00:28:45I suddenly realized something.
00:28:52It's not so terribly important what others think.
00:28:55You have a daughter, and what concern for her?
00:28:58She could have misunderstood.
00:29:01That's what I was afraid of.
00:29:02The others aren't important.
00:29:03They mean nothing.
00:29:04Nothing.
00:29:05Nothing.
00:29:06It was in there.
00:29:07Yes.
00:29:08It was in there.
00:29:09Yes.
00:29:10It was in there.
00:29:11Yes.
00:29:12It was in there.
00:29:13Yes.
00:29:14Yes.
00:29:15It was in there.
00:29:16Yes.
00:29:17And your father and my father went in study.
00:29:18It was in there.
00:29:19Yes.
00:29:20It was in there.
00:29:21Yes.
00:29:22And your father and my father went in study as soon as it came out.
00:29:25It was in there.
00:29:26Yes.
00:29:27It was in there.
00:29:28Yes.
00:29:29And your father and my father went in study as soon as it came out.
00:29:30No one realized that we've been left alone.
00:29:31I was here in the dark looking out the window.
00:29:32And then I saw you come in.
00:29:33Yes.
00:29:34Yes.
00:29:35Yes.
00:29:36Yes.
00:29:37Yes.
00:29:38Yes.
00:29:39Yes.
00:29:40Yes.
00:29:41Yes.
00:29:42Yes.
00:29:43Yes.
00:29:44Yes.
00:29:45Yes.
00:29:46Yes.
00:29:47Yes.
00:29:48Yes.
00:29:49Yes.
00:29:50Yes.
00:29:51Yes.
00:29:52Yes.
00:29:53Yes.
00:29:55Yes.
00:29:56Yes.
00:29:57Yes.
00:29:58.
00:30:18Mom, is it okay if I go for a swim?
00:30:28Go ahead, as long as you're not late.
00:30:31Do you mind?
00:30:32Of course not.
00:30:33Yeah, thank you.
00:30:34Good afternoon.
00:30:37You know, I think she likes treating you as a father.
00:30:40I hope that doesn't terrify you.
00:30:44No.
00:30:47You going to sleep here?
00:30:48You really want me to stay?
00:30:53Yes, I want you to.
00:30:56Good night, Christine.
00:30:57Good night.
00:30:57Good night.
00:31:11Oh, come on?
00:31:20Oh, come on?
00:31:22Oh, come on?
00:31:28Oh, come on?
00:31:29Mamma mia, che rumore!
00:31:31Ragazze, abbassate il volume!
00:31:34Oh, come on?
00:31:35Arriba, arriva!
00:31:36Girls, the volume!
00:31:38I'll go make some calls.
00:31:40Hey, John!
00:31:42No, so yeah, come together.
00:31:45If they get on your nerves, you can't get up on it.
00:31:48Oh, no!
00:31:50That's so loud, I thought.
00:32:10I had to know, oh Victor, thank you, thing which blah-bye-do.
00:32:17I'm sitting it all.
00:32:18Listen to me.
00:32:19Oh, wait, I thought I'd go back.
00:32:21Let's take it back.
00:32:28Kitty, tell me I have a time, Lord.
00:32:30Oh.
00:32:51Do you want the banana?
00:33:04Oh, you've done the floor.
00:33:18Oh.
00:33:21Oh.
00:33:49Oh.
00:33:50Oh.
00:33:50Oh.
00:33:50Oh.
00:33:51Oh.
00:33:51Why are you carrying that basil around?
00:34:03Aphrodisiac.
00:34:04My condolences.
00:34:06No, it's not for me.
00:34:07It's for the others, the dear souls.
00:34:09What souls? Male or female?
00:34:11My boy, aside from you and me, there isn't a worthy cock on the walk.
00:34:14They pass from adolescence directly into senility.
00:34:17They're all hopelessly entounted.
00:34:19Female, the female.
00:34:20Now, I feel it's our duty to help them.
00:34:24And what about you?
00:34:26Are you fighting the boredom?
00:34:28Deeply in love.
00:34:30Deeply.
00:34:31Naturally.
00:34:32Of course, for a cynic, it must be a bore.
00:34:35Yeah, you seem down, though.
00:34:37You're way off the mark. I'm in an excellent mood.
00:34:40It's not exactly euphoric, I would say.
00:34:43I wonder why.
00:34:44Your lover's a widow, therefore no infidelity, no crime of passion.
00:34:47A perfect setup, you know, I mean that.
00:34:49And to think that you live there, and with the blessing of a rather hot-blooded daughter.
00:34:54Graziella.
00:34:55Yes, but I only suggested that her interests were unusually mature.
00:35:00I didn't call her a putain.
00:35:02I think it's better if we just change the subject, Alfredo.
00:35:05She's a charming girl.
00:35:09Who says she's not?
00:35:11No, you've got to get yourself out of that situation.
00:35:14Please, I'm worried about you.
00:35:15No, let me explain.
00:35:16You're living dangerously.
00:35:17You don't consider the possibilities.
00:35:20How do you mean?
00:35:20I'll make it plainer.
00:35:24No man is a cuckold as long as he's not married, true?
00:35:27But a lover leaves an opening for a husband, so your status is fragile unless you marry Catalina.
00:35:32Let's say you do, but then she could choose to be untrue when they're inclined to, so it doesn't make sense to entertain the thought.
00:35:38Therefore, while you remain as her lover, cuckold, yet when she sleeps with him, she's being true to you.
00:35:43And even though you're single, you suffer as a true cuckold.
00:35:46You see, it's all hopeless because two cuckolds coexisting in the same household you can't have.
00:35:51So all this leads to a fight, each for the other under arrest.
00:35:53Either way, you lose.
00:35:57That has to be Pirandello.
00:36:05Catalina.
00:36:08Why are you being rude?
00:36:18Didn't you hear me call?
00:36:19It did not apply to me.
00:36:22And when I read, I'm usually concentrating.
00:36:35What is that?
00:36:36Nothing.
00:36:38How long has your mother been gone?
00:36:55Long time.
00:37:08Well, let's go.
00:37:09What?
00:37:29Okay.
00:37:30I'll see you next time.
00:38:00I'll see you next time.
00:38:31Hmm, she's a fat now, then I don't mind.
00:38:34If you can't stand, then you shouldn't take a bus.
00:38:36And I'm including the old and the pregnant, for they should have bothered to plan things a little bit better.
00:38:40What about the routine we go through?
00:38:41Please, senora, sit down, and so forth.
00:38:44It's idiotic and stupid, right?
00:38:45A woman makes love.
00:38:47And it's a known fact that most fine pleasure as we do, no?
00:38:50Fine, but what's the point of this farce?
00:38:51You call a woman up, candy, flowers.
00:38:53She meets you at two o'clock in the morning, and then you get less than a half hour together.
00:38:56It's a waste of time, no?
00:38:58If they want to call, let them call.
00:39:00I'm here and they know it.
00:39:02Oh, of course, they call me every day, because I got them spoiled.
00:39:05Pronto, joyeux de la femme.
00:39:07Pronto, Alfredo, it's Louisa.
00:39:08Oh, child, darling, are you all right?
00:39:12What do you mean?
00:39:12I'm fine.
00:39:13I couldn't.
00:39:14Besides, you told me you were willing to wait until Thursday or Friday.
00:39:17What's the matter with you, man?
00:39:18What's happening to you?
00:39:19Listen, if you...
00:39:20It's impossible.
00:39:21No, I told you yesterday when you called, I thought we had a little understanding, my pet,
00:39:25that you tried to be just a teeny-weeny bit more patient.
00:39:28Please, listen.
00:39:29I never called you, Alfredo.
00:39:30And if we have an understanding, it's that you were going to repair my pewter palm for me.
00:39:35Do you remember?
00:39:37Yes, I know.
00:39:37Only I can't tonight.
00:39:39But, no, tomorrow I'm going home.
00:39:41You want to play the proper jackass, huh?
00:39:43Well, there are those who appreciate it, but I'm immune.
00:39:46I can make it.
00:39:48I'll come over later.
00:39:50I just got through saying I'm immune.
00:39:53Don't be a fool.
00:39:55Your heart can take it.
00:39:56I'm sure it's not broken.
00:39:58Now, don't cry.
00:39:59Please, my pet, don't cry.
00:40:01You know what that does to me.
00:40:02I'm going to get very angry in a moment.
00:40:04Calm yourself.
00:40:05All X level is to bamboo.
00:40:07Vanessa's catch so big sop-sop.
00:40:12I know you do.
00:40:13All right.
00:40:13I'll be there after midnight, though.
00:40:16She's going insane, I tell you.
00:40:18She's going mad.
00:40:21Giuseppe.
00:40:24Wake up.
00:40:25Here's your coffee.
00:40:27Hey, wake up, you.
00:40:29Hey, I said to wake you before I left.
00:40:46See you after that.
00:40:47Ciao.
00:40:47I'm going fine.
00:41:07Hey.
00:41:08Bye.
00:41:08Hey.
00:41:08Hey.
00:41:38You look so comfortable there.
00:42:08I bet I could sleep a whole week.
00:42:29I bet I could sleep a whole week.
00:42:59I bet I could sleep a whole week.
00:43:29I bet I could sleep a whole week.
00:43:59I bet I could sleep a whole week.
00:44:29I bet I could sleep a whole week.
00:44:59I bet I could sleep a whole week.
00:45:01I bet I could sleep a whole week.
00:45:03I bet I could sleep a whole week.
00:45:05I bet I could sleep a whole week.
00:45:07I bet I could sleep a whole week.
00:45:11I bet I could sleep a whole week.
00:45:13I bet I could sleep a whole week.
00:45:15I bet I could sleep a whole week.
00:45:19I bet I could sleep a whole week.
00:45:25I bet I could sleep a whole week.
00:45:27I bet I could sleep a whole week.
00:45:31I bet I could sleep a whole week.
00:45:33I bet I could sleep a whole week.
00:45:35I bet I could sleep a whole week.
00:45:37I bet I could sleep a whole week.
00:45:39I bet I could sleep a whole week.
00:45:41I bet I could sleep a whole week.
00:45:43I bet I could sleep a whole week.
00:45:45I bet I could sleep a whole week.
00:45:47I bet I could sleep a whole week.
00:45:49I bet I could sleep a whole week.
00:45:51I know I must sleep a whole week since the day.
00:45:53I don't have to sleep.
00:45:55Don't eat her plan.
00:45:57I want to sleep a whole week.
00:45:58I don't have to sleep.
00:46:00Don't eat her plan.
00:46:01All right.
00:46:02I was just telling Catalina that you look somewhat pale.
00:46:04He could get me into trouble.
00:46:08I'll take him when you're finished with him.
00:46:10If there's anything left.
00:46:13I mean it, darling.
00:46:24Coming.
00:46:29Child, I forgot my lighter.
00:46:32Mama's not here.
00:46:33She's flanking ass.
00:46:34I see.
00:46:35Why did she leave here?
00:46:36I don't know. About three, I suppose.
00:47:02You tired?
00:47:02No.
00:47:04No.
00:47:04No.
00:47:05Yeah.
00:48:14You men, look at the mess we got to clean up.
00:48:19Want some help?
00:48:21No.
00:48:24What do you say?
00:48:25Is there no more untidy?
00:48:27Everyone I know.
00:48:28That's not true.
00:48:31I'm not.
00:48:32Oh, yes, you are.
00:48:34Come here.
00:48:35No.
00:48:40Hand me that magazine, will you?
00:48:46Here.
00:48:46Sit down a lot.
00:48:50I got too much to do.
00:48:53Why don't you rest?
00:48:55Can you clean up later?
00:48:56No.
00:48:57No.
00:48:59Oh.
00:49:12Senta di te il concerto a me non importa.
00:49:14Non è vero.
00:49:15Comunque vengo con voi se preferisci.
00:49:17I'll meet you both when it's over, huh?
00:49:23Don't bother.
00:49:24I'll just take a taxi home, I don't mind.
00:49:27I'll bet he's got a date.
00:49:29If I were you, darling, I would get suspicious about now.
00:49:32You're on my waiting list for an appointment.
00:49:35Ciao.
00:49:36I could catch him in the dark.
00:49:39Yeah, it's so easy to have.
00:49:40You'll let me...
00:49:41Oh, what have we here?
00:49:43Hey, I think you've got something caught under your nose, Orlando.
00:49:46Is that a mustache?
00:49:48It's my first dash.
00:49:52There's no point in your making it so painfully blatant.
00:49:56When you kiss a woman, she must feel the mere hint of hair, not a rose garden.
00:50:00My lips are free, see, but your lips are denied completely their right to the joys of the sun.
00:50:06The pulp must be bare.
00:50:08Yes, sir.
00:50:09My wife says the same thing.
00:50:11I knew that heaven was so complicated and shaving it off.
00:50:14Yeah, yeah, yeah, get rid of it.
00:50:16Shave it all off.
00:50:17It's better.
00:50:17Yes, sir.
00:50:18Thank you, sir.
00:50:20Another marriage sale.
00:50:25Giuseppe!
00:50:25He's someone you should know.
00:50:31Born and raised in Catania.
00:50:33And one of the most famous fornicators in Europe.
00:50:36That was honed for many years in Paris.
00:50:39Mon Mar, Taspigal, the Latin Quarter.
00:50:41They named it the Latin Quarter because there you find the greatest Latin lovers of the world.
00:50:46And that's where they're noted for their bravura.
00:50:48And you can guess what that one's noted for.
00:50:52Sit down, Giuseppe.
00:50:54Enjoying this informal assembly of time wasters here.
00:50:57Giuseppe, tui.
00:51:00Now, you see, we are gathered here spontaneously to exchange perspectives, to talk of, uh...
00:51:04The femme.
00:51:05No, no, no, no, no, no.
00:51:06Actually, we aren't talking of women.
00:51:08Ah.
00:51:08No, it's psychology this time.
00:51:09Oh, good.
00:51:10Yes, the psychology of women.
00:51:11Very intriguing.
00:51:12Well, it is.
00:51:13You make love to one, and then afterwards, she sees you in the street.
00:51:16You know, she never even notices you.
00:51:20Look, look.
00:51:21Oh, that one.
00:51:22Oh, don't turn around.
00:51:23She'll know what I'm talking about.
00:51:25She had an attack the 24th time.
00:51:28What?
00:51:29The 24th time.
00:51:31Ah, Vincent.
00:51:32Nothing serious.
00:51:33A slight case of overstimulation.
00:51:34Now she passes without the slightest recognition.
00:51:38Female, I hate thee.
00:51:40And Shakespeare said it so well.
00:51:44Honorable villain.
00:51:45Damned it.
00:51:46Saint.
00:51:47Insidious.
00:51:47Perfidious.
00:51:48That one was for the sixth.
00:51:50A very improper remark.
00:51:51Someone could hear you.
00:51:53And take offense.
00:51:53Or worse.
00:51:56It may be offensive, but she's married to a very small man.
00:51:59Now, you see, risks are no problem for suave seducer.
00:52:03A man gets old when he doesn't want to take them.
00:52:05He laughs instead.
00:52:10Who's long for death?
00:52:11Never is he.
00:52:13Giuseppe, you are being followed.
00:52:16No, no, don't turn around.
00:52:17It's Graciela.
00:52:19A cornucopia of child.
00:52:22Mediocrity is going to spoil that.
00:52:24Why?
00:52:26Because my friend she'll end up married to a waiter.
00:52:30And listen, what is going on?
00:52:33Is she spying on you?
00:52:35Or is it the other way around?
00:52:37Excuse me.
00:52:40What did I say?
00:52:41Did I say anything?
00:52:43I didn't say anything at all.
00:52:52Giuseppe.
00:52:54I thought you decided to go to the concert.
00:53:04I never said I was.
00:53:05I was sure you would.
00:53:07I'm not going to stay out because I got a lot to study.
00:53:10You want me to take you home, don't you?
00:53:12Yes, but only as far as the door.
00:53:14See you later.
00:53:15Bye.
00:53:24Bye.
00:53:37Is that your boyfriend?
00:53:38Oh, nobody's so bad at the moment.
00:53:41How would you say?
00:53:42I see him sometimes, that's all.
00:53:44Is it just a friend or the one that...
00:53:46Yeah, that's the one, but I haven't known him for very long.
00:53:50Were you planning to come here together?
00:53:53He did ask, that's true, but I said no.
00:53:56I told him things weren't like they were before.
00:53:58Before what?
00:54:04Let's go up, do you want to?
00:54:06Hey, wait.
00:54:09Ciao, Mama.
00:54:10I was having ice cream with Bebe and we bumped into Giuseppe.
00:54:13Really?
00:54:14That was the problem.
00:54:15Beethoven.
00:54:26It's sad, how we get so lost.
00:54:32Go on.
00:54:33Because it's only by luck that you learned to love.
00:54:39You understand that, though?
00:54:44I'm lucky.
00:54:45All the same.
00:54:47Knowing I could have missed that is frightening.
00:54:50Our meeting.
00:54:51You looked and you said, poor little ragdoll,
00:54:53and that was the first thing you said.
00:54:57And you might never have said it.
00:54:59I've forgotten.
00:55:04You have a good memory.
00:55:09Catch me, please.
00:55:29I'll see you next time.
00:56:46It's nothing.
00:56:48Shh.
00:56:49It was only a window, that's all.
00:56:54Your mother.
00:56:56Get out of this house.
00:57:12Catalina, let me explain.
00:57:14Nothing to blame.
00:57:15Get out of this house, I said.
00:57:17But nothing's happened.
00:57:19We haven't done what you think.
00:57:21Fine.
00:57:22Fine.
00:57:23Of course it was all a game, just kid stuff.
00:57:26I mean hell, if you did nothing, if you never took your pants down.
00:57:29Listen to me.
00:57:30I'm not trying to excuse myself.
00:57:34I only know I love you.
00:57:36And you and I have got to remain the same.
00:57:40But this is evil.
00:57:45What you've done is evil.
00:57:47But why?
00:57:48Why, Graciela?
00:57:50My God, what's happening to me?
00:57:53What's happening?
00:57:55You've done this to a child of my own blood.
00:57:59Yet that meant very little, I imagine.
00:58:02Oh God, how can I?
00:58:04I trusted you.
00:58:05All right, calm down.
00:58:07At least try it.
00:58:09We'll get nowhere if you go on like this.
00:58:12I offered to love you and it seemed right.
00:58:15All I, all I had.
00:58:18I didn't hold back.
00:58:20It was too much to keep inside.
00:58:23So much love for you.
00:58:26And yet I know it hasn't gone.
00:58:29Only it's confused so.
00:58:32With loathing you and the sick feel of nausea.
00:58:35But I know it's here inside me.
00:58:38Because you can't expect love to go away in a second.
00:58:41It dies slowly.
00:58:47It takes a while.
00:58:49And when it dies.
00:58:51Whatever happens, I know.
00:58:54I'll feel only empty inside.
00:58:56Just empty death.
00:58:58All right, I promise to go away from here.
00:59:00Just empty.
00:59:01But, please, I beg you.
00:59:04Forgive me, Gatini.
00:59:06You've got to forgive me.
00:59:09No, it's not that easy.
00:59:11No, that doesn't solve a thing.
00:59:13You can't get off that easy.
00:59:14My God, can't you keep it under control any longer?
00:59:17You bang it up there and you imagine everything's all right again?
00:59:20I love you just the same.
00:59:21You love an object, God damn it.
00:59:22You had the love of a woman, only it seems to have meant nothing.
00:59:25Meant nothing.
00:59:27It's all the same to you, isn't it?
00:59:30I'm only where you put it.
00:59:33Whenever it gets cold, huh?
00:59:36Love.
00:59:38Being in love for you is using that.
00:59:40Only you don't understand.
00:59:41Whatever the hell it's for, love doesn't mean that.
00:59:43No, my dear sir, get that into your head.
00:59:45No, that's not all there is.
00:59:48No.
00:59:49No, it's more.
00:59:51I thought you realized that you knew what it means.
00:59:54But I couldn't have invented it all.
00:59:58You made a choice, so did I, because I needed you.
01:00:01I needed you.
01:00:02I needed you.
01:00:03Oh, I...
01:00:07I know, of course.
01:00:08For the modern man, the word fidelity is out of use.
01:00:12But I trusted you entirely.
01:00:14And that's the one thing you ignored.
01:00:16You canceled everything.
01:00:17Just like that.
01:00:18But what's the use?
01:00:20When does it matter anymore?
01:00:22I'll get over this somehow.
01:00:24I'm old enough to take care of myself.
01:00:26But Gratella, no!
01:00:28Gratella, no!
01:00:29You see, I don't worry about me.
01:00:33But she...
01:00:34She's only a baby.
01:00:36She's got the right to be young a little while longer.
01:00:39You have to spoil that too.
01:00:42Another woman, that's easy.
01:00:43All right, I know.
01:00:44I understand.
01:00:45You took my daughter, though.
01:00:47How am I to forget that?
01:00:48A mere child, can't you see that?
01:00:50Only a small child.
01:00:51I mean, is there a reason that your body demands the body of a baby?
01:00:56Because it never can't mean the same thing.
01:00:58They suffer inside.
01:01:00Their minds, their hearts are open.
01:01:02Do you know what that means?
01:01:04She doesn't know what these things are.
01:01:06She's incapable of that.
01:01:07She's incapable.
01:01:08That's enough.
01:01:09She's only a baby, can't you understand?
01:01:11It's time for her to learn.
01:01:12It's time for her to understand.
01:01:14It's time.
01:01:15It's time.
01:01:16It's time.
01:01:39Get dressed.
01:01:40You're going away.
01:01:54You don't want me to go to school?
01:01:57That's right.
01:01:58Not today.
01:01:59Where am I going?
01:02:00I'll stay with your aunt.
01:02:02At least until I find you a decent boarding school.
01:02:07I'm going to pee my pants.
01:02:11I'm not going away to any school.
01:02:15You're being nasty, that's all.
01:02:17I promise that I'll be good, Mama, but if I have to go away.
01:02:23Graciela.
01:02:26I don't think you realize.
01:02:31I don't think you know what you've done, do you?
01:02:33I do.
01:02:34And I'm very sorry about it.
01:02:36I don't think I can count on it.
01:02:37Then you'll have to count on Giuseppe.
01:02:38Giuseppe has nothing to do with it.
01:02:39We're not speaking of Giuseppe.
01:02:40Giuseppe won't be coming back.
01:02:41You won't be seeing Giuseppe at all.
01:02:42Understand?
01:02:43You and I were talking about what happened last night.
01:02:44What you've done and what you've done to me.
01:02:45Do you have any idea?
01:02:46You're hurting me.
01:02:47Mama.
01:03:16Say...
01:03:19Let's talk, eh?
01:03:23Let's talk, let's talk.
01:03:33Graziella, I don't want to punerti.
01:03:35It's not that I want to.
01:03:37But what happened is very serious.
01:03:42Very serious.
01:03:44It's a grave.
01:03:50If there was your father...
01:03:53If there was my father, not there would be Giuseppe.
01:04:03It's true, you're right.
01:04:06I've wronged everything, everything.
01:04:09But now I'll go.
01:04:14Now I'll defend myself and defend myself.
01:04:18A cost of suffering.
01:04:21A cost of staying alone like a cat.
01:04:25A cost of leaving you.
01:04:27Giuseppe will not allow you to leave me.
01:04:40Giuseppe will do everything I say.
01:04:44It's true!
01:04:45If you will make me a cat, he will defend me.
01:04:49Graziella!
01:04:51I'm hungry.
01:04:52Can I make a latte or not?
01:04:57Graziella!
01:05:00He won't defend me.
01:05:02I'll defend myself.
01:05:05Mom, why don't you tell me the truth?
01:05:09Ma cosa intendi per la verità ?
01:05:14A me sembra che hai ragione essere arrabbiata con me e con Giuseppe per quello che abbiamo fatto.
01:05:20Ma se adesso ti promettiamo di non farlo più...
01:05:22Graziella, ascolta.
01:05:34Ascolta, amore.
01:05:37Io non sono arrabbiata.
01:05:39Sono addolorata.
01:05:41E non solo per quello che pensi tu.
01:05:44Io...
01:05:46Vedi, io devo ragionare per te.
01:05:47Anche a costo di sembrarti cattiva.
01:05:51Mamma, senti.
01:05:53Io...
01:05:54Ti giuro che sono pentita.
01:05:56Che non ti voglio più far soffrire.
01:05:59Che...
01:06:00Tutto può tornare come prima, mamma.
01:06:02Cosa intendi dire come prima?
01:06:06Cioè...
01:06:08No, come prima.
01:06:10Quando...
01:06:12Quando...
01:06:14Non era successo niente.
01:06:15Quando...
01:06:16Quando...
01:06:17Non era successo niente.
01:06:18Quando...
01:06:19Nim HP ...
01:06:20Se a casa intendola?
01:06:21Non...
01:06:22Ma...
01:06:23Non è stata finita.
01:06:24È tutto nell'escrizione.
01:06:25È semplice.
01:06:26È semplice.
01:06:27No.
01:06:28Non quando...
01:06:29l'escovito e scopo.
01:06:30È scopo.
01:06:33È semplice.
01:06:35It happened. That's all. We must accept it. It's that simple.
01:06:41No. Not when there's suffering and agony.
01:06:47I think he should come back here right away.
01:06:50Come back here? What do you mean by that? You mean that he should stay here?
01:06:54I promise you nothing will happen.
01:06:57Please don't make me leave here or you wish you hadn't.
01:07:00Touch with each other.
01:07:02It's very easy to get letters to a friend.
01:07:05We'll see each other.
01:07:07You won't force me into anything.
01:07:10Sending me away isn't going to help, Mama.
01:07:13I thought you could be trusted alone again.
01:07:21You can trust us.
01:07:24I mean it.
01:07:26I do. I swear I do.
01:07:33If you mean it.
01:07:35If you mean it, darling.
01:07:40Don't ever let me down.
01:07:43E lui?
01:07:53E lui?
01:07:57Lui deciderà come vuole.
01:07:59Vuoi un caffè?
01:08:07No.
01:08:10No, grazie.
01:08:12Graziella non è innamorata di me.
01:08:14Era un gioco per lei.
01:08:15E sono caduto in basso.
01:08:17Ma sapendo quello che c'è stato fra di noi,
01:08:19credi veramente che questo abbia l'importanza che gli dai tu?
01:08:21Un gioco.
01:08:22Un gioco.
01:08:23Not to me.
01:08:24No joke.
01:08:26I only know that I'm in love with you.
01:08:28You're everything to me.
01:08:29But you're now suggesting something that is utterly stupid.
01:08:32Stupid, stupid.
01:08:33If we have to go on this way, on Graziella's terms,
01:08:35then let's forget everything.
01:08:36It's pointless.
01:08:37It can only destroy you and destroy her and destroy me.
01:08:40You're shouting, Giuseppe.
01:08:42You ought to have seen your face just now.
01:08:44But this is no solution.
01:08:45To me it makes no sense, Caterina.
01:08:47Fine, go ahead.
01:08:48Let's talk of sense.
01:08:49You've no more brains than a peacock.
01:08:51Do you think I wanted this?
01:08:53Not at all.
01:08:54I don't believe it at all.
01:08:56But it'll be worse without you.
01:08:58She'll suffer even more.
01:08:59This I know.
01:09:01This I know.
01:09:03And so we just forget about us.
01:09:05Is that it?
01:09:06Sure.
01:09:07Each go his own way.
01:09:08You can write the book.
01:09:10We have nothing left anymore.
01:09:14Don't be silly.
01:09:15I know that Mama knows that I see you here.
01:09:17I don't believe.
01:09:18It's very true.
01:09:19It's just that she realized what she'd rather not say.
01:09:22I tell you, she does know.
01:09:23And I don't care.
01:09:25Why don't you care?
01:09:30Because I feel my mother's a perfect knucklehead.
01:09:32You shouldn't talk like that.
01:09:33Then you still love my mother?
01:09:36Yes.
01:09:37Even more.
01:09:39And me.
01:09:40Do you love me more than her?
01:09:41It's not the same thing.
01:09:44I decided I don't want you to love anyone else.
01:09:46You gotta love only me.
01:09:48Better wait till you know what it means.
01:10:08It's not the same thing.
01:10:21You gotta do it.
01:10:26It's not the same thing.
01:10:28You gotta buy it.
01:10:31It's not the same thing.
01:10:33It was the time when the newspaper had sent me to Korea.
01:10:45It remained a year.
01:10:48But what I made the most interesting is a reportage in Africa.
01:10:54You can talk about it, no?
01:11:04Why don't you tell me what you've done yesterday?
01:11:08It's fun!
01:11:10It's been more fun than being here.
01:11:13Even if you don't enjoy it.
01:11:16I don't say anything, I'm not interested in what she says.
01:11:19Excuse me, Giuseppe.
01:11:24I'm serious.
01:11:26I'm joking.
01:11:31Let's go to the cinema, do you?
01:11:33No, I have to do it.
01:11:36And you would like to study a little bit.
01:11:39No, you don't have to do it with your dad.
01:11:41Why don't you tell her that you're going to enjoy it?
01:11:44When you come back?
01:11:46We'll call you.
01:11:49Stupida!
01:11:54No, I mean, I understand that there's a tension.
01:11:59But you know how it's Katerina.
01:12:01And then...
01:12:03Maybe you're right.
01:12:05But it's not that Katerina has a lot of me for serious confession?
01:12:10I trust her, Luisa.
01:12:15I need a courtesy.
01:12:17I need to speak.
01:12:20I'm not sure if you ever speak with me.
01:12:21And I think that someone who's not being here,
01:12:24is that I am here.
01:12:25Ok, that's the one I can talk.
01:12:29Here I am here.
01:12:30Here, Katerina, I'm going to go ahead like this.
01:12:35Ah!
01:12:36The situation for me has become unsustainable, but I don't care anymore.
01:12:41Good, so we need to do.
01:12:43Don't worry about it.
01:12:46It's that things are complicated.
01:12:50Too much.
01:12:52And as I thought about it, I think it's not that I'll close.
01:12:58But, Luisa, it's just this that Caterina...
01:13:06...sì, si rifiuta di capire, lei pensa che non l'ami più.
01:13:12Ma benedetto Giuseppe, ma perché non se ne è rimasto a Parigi?
01:13:17In ogni modo io sono dalla sua parte.
01:13:20A Caterina posso cercare di parlare io, ma...
01:13:23...a chi sa lei, chi è che l'ho fatto?
01:13:27Senti Giuseppe, io non so niente, non ci capisco niente, non ci voglio capire niente...
01:13:30...e alla fine non me ne frega niente.
01:13:32E non te ne deve fregare niente.
01:13:33E poi, scusa, non è bello che devo sapere le cose dagli altri.
01:13:36Lasciami in pace, eh?
01:13:36No, I'm no prude, you know.
01:13:38I mean debauchery in triangles, quadrangles, orgies.
01:13:41I've done it all, but...
01:13:42...but you're playing with a baby, with a child.
01:13:44You're being lovage with them both.
01:13:45It's immoral, immoral, absolutely wanton and depraved.
01:13:49No, you listen, you.
01:13:50I know what I've done.
01:13:51You might not understand me, but I didn't expect you to.
01:13:54You don't have to.
01:13:55Only please don't judge me either.
01:13:56I will answer for what I did.
01:13:58All your indignation is only worth his talk.
01:14:01You and that playboy provincial morality, you, you're joking.
01:14:03Yes, I know.
01:14:17I'm going out of my mind, I tell you.
01:14:18I can't take it.
01:14:21I know, of course, the simplest thing to do is to go away.
01:14:24I haven't got that kind of courage.
01:14:26But what I frankly haven't gotten into my head yet.
01:14:28And I, no matter how hard I try, I can't understand how you...
01:14:34...or someone as innately intelligent as you...
01:14:37...how could you ever get entangled in a situation of this kind?
01:14:40I don't understand it either.
01:14:41That's the whole point.
01:14:43I find that after living as I've lived all these years...
01:14:46...I've probably lost all the good sense I had.
01:14:48So by the time I realize that I let myself become a Charles Toy, it's too late.
01:14:53Graziella isn't going to suffer.
01:14:55She was only play-acting anyway.
01:14:56But I told you the truth.
01:14:57I love Katarina.
01:14:59I want her to believe me.
01:15:03God.
01:15:06I don't know what I'm doing.
01:15:08Do you understand?
01:15:09I don't know what to do.
01:15:10I don't know what to do.
01:15:23Passo le notti interi senza sonno
01:15:34E' difficile io contemplarlo
01:15:42Le passo di la notte sino a giorno
01:15:50Perchè io il cuore signora che io dormire
01:15:58Pagino in nabì che io saprì tu cori
01:16:07Sai quando che io dico alla salì
01:16:15Quando la vita mia finisce morì
01:16:23Sai quando che io dico alla salì
01:16:31Quando la vita mia finisce morì
01:16:37I don't care what you do but I will not see her in agony
01:16:43Graziella no not her
01:16:45I don't believe she is she's a young girl after all
01:16:49They suffer no more forget about this bit of dramatics
01:16:53How do you know they're not tough inside they suffer and horribly
01:16:57As a matter of fact she's hardly a child anymore thanks thanks again
01:17:00What do you want from me just to go on fighting
01:17:03I want you to continue to see her call her and ask her if she's all right
01:17:06Don't let her think you don't want to see her don't always neglect her
01:17:09You're the one I miss
01:17:11I don't want to talk about her
01:17:15There's nothing more
01:17:19What would you do with the pieces
01:17:21A woman demoralized without the respect of her own child
01:17:25I deserve it I admit that
01:17:29It's all your imagination I'm certain of that why worry
01:17:31I've lost it
01:17:33But you're wrong to feel that
01:17:35No Giuseppe don't you think I know
01:17:37I don't know how I'm going to regain it
01:17:39But yet all this is proof to mean much more than that
01:17:43I know no one's as guilty as I because I deluded myself
01:17:46But you're wrong wrong wrong you're not responsible not in any way
01:17:50You're saying that isn't going to help me
01:17:53Spare me your charitable manner
01:17:56Why should you make my excuses
01:17:58Listen Giuseppe
01:18:02I only ask you to do this
01:18:04Be nice to Graziella
01:18:05That's all be nice to her
01:18:07You don't sacrifice anything you owe her that much
01:18:10Even if it's a lie
01:18:11Don't let her feel you want to avoid her
01:18:13You've got to make her feel that she matters to you
01:18:15That she means something to you
01:18:16Please
01:18:17To me that's useless, hopeless
01:18:19To put an end to her to be sure in the simplest way
01:18:21Can't we be honest?
01:18:23God how you talk
01:18:26Could you explain yourself better?
01:18:29Oh I see you're being honest because it suits you
01:18:31It's got to end sometime
01:18:32You ended it
01:18:33I got my notice by messenger
01:18:35You imagine by sending Louisa you can ease and soften my pain
01:18:38That's amusing
01:18:39And happily we end the story
01:18:42Well it was nice
01:18:43Pity it's ended
01:18:44Bravo
01:18:45Molto bravo
01:18:46The man offers condolences a dozen roses
01:18:48And on he goes
01:18:49So that's why we're here
01:18:52You told me to meet you
01:18:54But you didn't make that clear
01:18:56I thought you came to talk about Graziella
01:18:59Forgive me
01:19:00Forgive me
01:19:01Yeah
01:19:05Yeah
01:19:36Thank you, Swim.
01:19:59Or are you waiting for Graciela?
01:20:01I feel more like reading.
01:20:04You're not afraid of me, are you?
01:20:06I'm being funny.
01:20:08I wouldn't like to feel I'm boring.
01:20:13Where's Graciela?
01:20:15It's too early.
01:20:17And if she sees the two of us alone?
01:20:19Why should it matter to Graciela if we're alone here?
01:20:22You and I know that.
01:20:24Yes, I know the whole thing.
01:20:26Why are you saying this?
01:20:27What are you hinting at?
01:20:29Watch now what you say, because I'm on to your game.
01:20:33Graciela tells me all.
01:20:34It's juicy, lurid fact.
01:20:38If you let me use your cabin, I might let you buy me ice cream and candy.
01:20:43I love you.
01:20:46I love you.
01:20:50I love you.
01:20:58I love you.
01:21:02Oh, I love you.
01:21:03Oh!
01:21:04You gone bats, huh?
01:21:14Why didn't you tell me you were my friend?
01:21:15Giuseppe doesn't care about you.
01:21:16He can't.
01:21:17He doesn't mean anything to you.
01:21:19What did you do it for?
01:21:22I've been hoping to test this guy, but that can't affect you.
01:21:25He was fun, but thank you, good old-fashioned.
01:21:27Anyway, he was your mother's lover before, and you didn't seem to care about that.
01:21:30You didn't know anything about it.
01:21:32Giuseppe loves me alone.
01:21:33Giuseppe loves me.
01:21:36He's mine.
01:21:39She really made a scene.
01:21:42Really belted it to Hong Kong.
01:21:44Giuseppe's mine.
01:21:45I don't want to hurt her anymore.
01:21:47Don't worry.
01:21:49She'll get over it.
01:21:51What do you care anyway?
01:21:52It's about time she grew up.
01:21:53She's not a little girl.
01:22:06I don't want to hurt her.
01:22:08Don't worry.
01:22:09She'll get over it.
01:22:10She's not a little girl.
01:22:11She's not a little girl.
01:22:11I don't want to hurt her.
01:22:12She's not a little girl.
01:22:13Oh
01:22:43Why are you crying?
01:22:44Tell me
01:22:45Come on, please tell me
01:22:47What is it?
01:22:50Tell me
01:22:51I can't say anything, Mama
01:22:55What do you mean?
01:22:57Try
01:22:57Come on, don't be afraid to tell me
01:23:04I don't want to see you like this
01:23:06Please don't
01:23:07Don't cry, Gracie
01:23:08She was there
01:23:11I stood from his house
01:23:15Who?
01:23:20Rosita
01:23:21Rosita
01:23:24I want him to love me and he hurt
01:23:33And I give me more money
01:23:37Grazie all'ascolto
01:23:38A te more money than I did
01:23:40Non devi più pensare a lui
01:23:41E nemmeno io
01:23:42Dobbiamo dimenticarlo
01:23:43Tu sei grande, riprenditelo tu
01:23:44Calma di tesoro
01:23:46Tu sei grande
01:23:48You're not gonna treat me like that
01:23:50Mia
01:23:51Devi farlo per...
01:23:54Don't, it's alright
01:23:55No, don't cry
01:24:02No, don't cry
01:24:03Cosas devo far
01:24:10No, don't cry
01:24:11No, don't cry
01:24:13Do you know what I'm doing
01:24:14No, don't cry
01:24:15Oh, don't cry
01:24:17Fox
01:24:19Vem
01:24:33I
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01:26:21Vivo tu en mi vivas tus piranhas,
01:26:32a su unirá tinte, senza sol.
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