Let Me Go, Mr. Dracula Full Movie

Summertime Love Drama

#shortdrama #romanticdrama #dramaseries #engsub #lovestory #fullepisode #trendingnow #mustwatch #plottwist #shortfilm #drama #usa #emotional #toptrending

Transcript

00:00Guess who's back, bestie? Did you miss your lovely roommate?

00:07Neil, why are you here? Missed you like crazy, babe!

00:12Tracy sent you to welcome me, huh?

00:15Flo, Flora?

00:21Tracy?

00:22Six months abroad and you turn into a fiancé thief.

00:25This is how you thank me for renting you my apartment.

00:28Neil proposed already.

00:31We're engaged!

00:34When? How?

00:37Day after your flight. Forgot to mail your wedding invite.

00:41Thought you couldn't handle it.

00:44You! My best friend and my boyfriend.

00:48Ex-boyfriend. Now he's my fiancé.

00:52You'll pay for this! Both of you!

00:55Hm, you wish!

00:58Yours came first!

01:02Those designs were mine! You stole my portfolio!

01:05And guess what? That design firm is owned by my dad's golf buddy.

01:10They've already issued a statement calling you a serial plagiarist.

01:14Give it up, Flora. You can't win this.

01:17Okay. May your love last forever. In hell!

01:24Good luck, bestie. You're blacklisted from the design world.

01:28New time...

01:32Remember this, Flora.

01:35Someday, you'll have to make them pay.

01:38Yulsa, if only you were still alive, we could watch the city lights together.

01:52Let's go, Yulsa, to the place we first met.

01:59Neil, that spineless bastard!

02:02He used you to get close to Tracy and used her to stand firm in the Morelli family.

02:08I've lived with Tracy since college days.

02:11I even rented her house because I worried she had no friends around.

02:16Forget that!

02:18Want a way to make Neil suffer?

02:21What way?

02:22Rumor says the Morellis have this veto guy.

02:25Neil's uncle.

02:26A real mystery.

02:28Ever thought about becoming your ex-boyfriend's aunt for revenge?

02:32Hey, are you still listening?

02:34I spot a sweet treat.

02:46His gaze is irresistible.

02:50Such a dangerous man.

02:52Got it.

03:05Time to try something spicy.

03:07More than your boring missionary position.

03:10Just need some sweet treat to heal my broken heart.

03:24Suited guy.

03:25Tonight, you're mine.

03:28Any objections?

03:30You sure you know what you're doing?

03:31Your eyes, so unique.

03:39Final warning.

03:40Back off.

03:45But your skin's so cold.

03:49Your stare says you want me.

03:51You...

04:07What are you?

04:08And you...

04:09What are you?

04:13Madam, you're drunk.

04:1580 years.

04:18Could that be possible?

04:20How can you look exactly the same?

04:23Is fate giving me a sign?

04:27Oh...

04:28Where am I?

04:31My place.

04:33You!

04:34You are the suited guy from last night...

04:36I'm not usually...

04:39The breakup messed me up.

04:41Let's pretend nothing.

04:42I'm not like that, trust me.

04:45Just think I've lost it a bit...

04:47After the breakup.

04:48It meant nothing.

04:49Right!

04:50I thought something might have happened.

04:53Maybe I'll just...

04:55Leave?

04:56Wait.

04:57We spent one night together.

04:59At least give your name.

05:01Uh...

05:01Flora Rose?

05:03You?

05:03Vito Morelli.

05:05Sounds like a mafia's name.

05:07And...

05:08To be honest, Mr. Morelli...

05:10Your place is creepy, too.

05:12Wait!

05:13You're Vito Morelli?

05:16Rumor says the Morellis have this Vito guy.

05:19Neil's uncle.

05:21I have an idea.

05:23What is it?

05:24Let's get married!

05:29Let's get married!

05:31What do you say?

05:32Grab your documents.

05:35City Hall.

05:363pm.

05:37Seriously?

05:38No background check?

05:40You are not selling my kidneys, right?

05:43Either so, or get out.

05:47Just a paper marriage.

05:49See you at 3pm, Mr. Morelli.

05:51I see her again.

06:06Ilsa, she looks exactly like you.

06:09I cannot stop approaching her.

06:12Who are you, really?

06:15Flora Rose.

06:16I guess it's time to walk in sunlight again.

06:26Uh, ma'am?

06:29What?

06:30Does my smile look fake?

06:32Uh, how come your fiancé is not in the frame?

06:36What?

06:37Let me see.

06:45Camera glitch.

06:46I know these stuff.

06:47Let me assist.

06:48Uh, ma'am?

06:53Say it's fine and finish shooting.

06:55Now.

06:57What's wrong?

07:00No, everything's fine.

07:02Perfect shot.

07:07Mr. Morelli, I'm a bit confused.

07:10What is it?

07:12Is he some wanted criminal?

07:15Oh, no, no, that.

07:16Your ID says you were born in 1903.

07:19You'll be 120.

07:22Do I look 120 years old to you?

07:25There must be some mistake.

07:27I might need to double check.

07:30Will that affect our marriage?

07:32Of course not.

07:43You are legally married now.

07:52You can go now.

07:53Since we're married, shouldn't I move in to your place?

07:58My place?

07:59I don't live with humans.

08:00But I'm your wife, and I'm homeless now, and I don't have a job.

08:06Where should I...

08:08Stop.

08:10Perhaps getting closer to her helps me figure out the truth.

08:15Fine.

08:16But stay away from my study.

08:17Thank you, my Prince Charming.

08:20Time to go.

08:21I hate sunlight.

08:23I'll send you the address.

08:26Seriously?

08:27What a gentleman.

08:28Don't forget to leave the key, loser.

08:34You guys stay in this shabby apartment as long as you wish.

08:37I'm going to live a good life.

08:41You?

08:41I know you so well.

08:43You are just a workaholic that no one wants.

08:47Flora, don't be such a kid.

08:48I need Tracy's family connections to possibly gain the approval of my Grandpa Frank.

08:53I'm going to live a good life here.

08:58Madam, Master sent me to pick you up.

09:01Huh?

09:06Oh, my sweet puppy.

09:09I know he's not leaving me with all of this.

09:12Tell him I crave Pokemon tonight.

09:15Yes, Madam.

09:15You better find a urologist.

09:25That tiny target need...

09:28Microsurgery.

09:33Flora!

09:34Father, it has been a decade since last time we met.

09:52My dear father, you still look the same.

09:55I'm just a poor bat in the dark.

10:01You're already the terrifying godfather, Frank, of the whole city.

10:09Father, don't say that.

10:11I'm always the orphan who craved in the garbage dump 60 years ago.

10:15You gave me my name.

10:17You are always the real owner of the Morelli family.

10:20Let's be straightforward.

10:23There is something that I need to stand up to.

10:25And I need you to provide convenience for me.

10:29Of course, no problem.

10:31But what is it that is worth your appearance?

10:34A woman.

10:35I'm very curious about her.

10:38And I am approaching her.

10:45I've seen this face.

10:47Isn't this...

10:48Aunt Ilsa?

10:50Look closely.

10:52She's not Ilsa.

10:54This can't be possible.

10:56How can they look exactly the same?

11:00Her name is Flora Rose.

11:04I want every information about her.

11:07Of course, father.

11:10One more thing.

11:11You know a Morelli kid named Neil?

11:16Neil?

11:17That's one of my grandchildren.

11:20What about him, father?

11:22Nothing.

11:23Just a little annoying.

11:30So, how was your married life?

11:33You don't look happy to be Neil's aunt.

11:36Vito never touches me.

11:39Not even holding my hand.

11:44I feel like he doesn't even want to show up with me.

11:48How can I embarrass Neil?

11:49He's a little male?

11:50You know a MOL.

11:51His big shots might have married you on a whim.

11:53People like them like excitement.

11:56He's as cold as ice.

11:59Of course, he sent a car to pick me up in front of Neil.

12:03That was nice.

12:06Look at you. You're in love again.

12:09No.

12:09It's only been a few days and he gives me a really gloomy feeling.

12:17I think he's a little evil.

12:20For example, in what aspects?

12:23He looks like a vampire.

12:27So, are you Van Helsing, the vampire hunter?

12:33I feel very depressed living in his house.

12:40And he doesn't let me enter his study.

12:42I feel something is wrong.

12:44Maybe he is an SM lover?

12:47No!

12:53Come on, Flora.

12:58No!

12:59Maybe he is an SM lover?

13:06No!

13:08I need to find a way to change the status quo.

13:11Change his attitude towards me.

13:14Since he likes to control,

13:16you're thinking of...

13:19Tame him!

13:26Ha ha ha ha ha ha ha!

13:28What have you done?

13:43Help decorating the house!

13:45People living in a black space every day could cause depression.

13:49I like black.

13:54Don't be stubborn.

13:56Come and try this pajama I designed for you.

13:59See if it fits.

14:06You'd better get my house back to normal before I kick you out.

14:10Or...

14:10What is it?

14:26What is it?

14:32Come on!

14:36Listen to some music!

14:38I don't need this thing.

14:40Don't be so rigid.

14:42Life needs a little romance.

14:56The doctor said you need to rest.

14:58I want to leave you a gift.

15:03When you miss me in the future,

15:05just play a song.

15:07Let me transform you.

15:09We can be together forever.

15:11I need you, Ilsa.

15:13You can transform me,

15:15but I am scared of the darkness.

15:17It is better to disappear in the sun

15:19than to live in the dark.

15:21Don't be so rigid.

15:29Life needs a little romance.

15:32We can do it.

15:58ILSA

16:11Who is ILSA?

16:18It has nothing to do with you.

16:19I don't like music.

16:21And your flower exhibition ends right now.

16:25I can tell you like flowers very much.

16:29There is a big rose painting on the wall.

16:35That's Dracula's Kiss.

16:37My only hope.

16:39I have been looking for it all my life.

16:42I hope it leads me out of the darkness.

16:45Dracula's Kiss?

16:47So you do like flowers.

16:49You can open a studio with me.

16:51And be my angel investor.

16:55What is it?

17:03I found out about Flora Rose, father.

17:06I'll come over now.

17:12Can you give me a ride to 78 Ridge Avenue?

17:15I'm scouting for my studio.

17:18I'm busy.

17:19Vivi, please, please.

17:23Don't call me that.

17:24Why are you still standing there?

17:31Go.

17:33You're the best, Vivi.

17:34The DNA comparison results are out.

17:52Flora Rose is indeed related to Iltha.

17:56But they are very distant, so it's not strange that she looks similar to her collateral ancestor.

18:03Doppelganger.

18:03Let me transform you, please.

18:11I can't lose you.

18:13Don't let me hate you, Vito.

18:16You're remaining life is very long, so long that it makes people painful and crazy.

18:24But you will definitely meet another girl, she will replace my existence.

18:30She will bring you happiness, instead of burdening you and causing you pain, like me.

18:38If she appears.

18:39If she appears.

18:40Promise me.

18:41No.

18:42No.

18:43No.

18:44I will never fall in love with no one else.

18:46Promise me.

18:48If you meet her, cherish her, hold her hand, and let her lead you out of the darkness.

18:55Goodbye, Vito.

19:00Go find the girl who can let you stand in the sun.

19:10No, it can't be her.

19:12She just wants to use me for revenge.

19:15I'm gonna expose her tricks.

19:18Father, I also found some other information.

19:24Say it.

19:25Father, I checked, the girl is indeed a floral designer, and she is pretty well known in

19:36the industry.

19:37So?

19:38We can invest in her studio.

19:41Not impossible.

19:43We can see whether she is a liar, or has some real skills.

19:47Let's arrange it.

19:52Hello, Flora speaking.

19:53What?

19:54Investing in my studio?

19:55Of course.

19:56I can sign the contract with him in person.

20:00No problem.

20:01Did you hear that?

20:02Someone wants to invest in me.

20:04My talent has finally been seen.

20:05Yeah.

20:06Is that all you want to say?

20:08What do you want me to say?

20:09What do you want me to say?

20:10At least say congratulations.

20:11Congratulations.

20:12You are so boring.

20:13I don't want to talk to you anymore.

20:14I don't want to talk to you anymore.

20:15I'm going to celebrate with Regina.

20:16Sorry, you are not allowed to enter.

20:21Why?

20:22Sorry, you are not allowed to enter.

20:23Why?

20:24Sorry, you are not allowed to enter.

20:25Why?

20:26Sorry, you are not allowed to enter.

20:27Why?

20:28All the private booths are reserved for VIPs tonight.

20:29But I clearly made a reservation.

20:31Mr. Morelli just reserved the booth.

20:32Restaurant membership priority.

20:33What?

20:34What do you want me to say?

20:35What do you want me to say?

20:36What do you want me to say?

20:37Why?

20:38Why?

20:41Why?

20:42Why?

20:43Why?

20:44Why?

20:48Why?

20:49All the private booths are reserved for VIPs tonight.

20:54But I clearly made a reservation.

20:56Mr. Morelli just reserved the booth.

20:58Restaurant membership priority.

21:00priority. Forget it. Let's go to another one. Oh, isn't this the bankrupt Miss Rose?

21:08Why are you here? Can you afford it? Let's go, Regina. They are too disgusting.

21:15I can let you eat in the kitchen. There should be some leftovers today. Don't worry, I have

21:20this privilege in the restaurant, where the Morelli family hold shares. Bastard, are you

21:26looking down on me? Today, I will eat in the private booth I reserved. Otherwise, I will...

21:33Security! No one messes around on Morelli's domain. Clear them out! You are breaking the

21:40law.

21:40Who dares to touch my wife?

21:57Why is he here?

22:04Are you okay?

22:05Your sexy husband comes for rescue.

22:09Oh, I didn't want them to meet so soon.

22:12Wife, are you Flora's husband?

22:15Vito Morelli.

22:18Morelli, I've never seen you.

22:20Didn't you say he's a big shot? What is this? Neil doesn't even know him.

22:29I told you it was a rumor. I can't remember where I heard that from.

22:35Do you really expect your husband to give you a good life? He's just a worthless waste without

22:39even a name.

22:41Your grandfather, Frank, will teach you a lesson.

22:45How dare you call Godfather that?

22:47Get them all out!

22:49Mr. Neil, this, isn't he from the Morelli family?

23:07Get them all out!

23:09Frank, I'm at Morelli's E-City Restaurant.

23:20Your grandson says he wants to teach me a lesson and is being very disrespectful to my wife.

23:28I hope you're still alive in a minute.

23:31Who do you think you are?

23:33Yes, yes, Godfather.

23:41Of course, of course, I just want my life to be spared.

23:45Throw these two idiots out!

23:51Are you crazy?

23:52I am Master Neil!

23:54I said, no one dares to touch my wife.

24:00Wow, you really have a way!

24:03Master Vito, madam, please forgive us.

24:12It seems that there is an old acquaintance.

24:14Don't be angry with the idiots.

24:23At least the wine here is good.

24:25Vito, my old friend.

24:27Is the stock at home stale?

24:29Why come to the restaurant to eat?

24:31Huey.

24:34Are these two beautiful ladies your prey?

24:37Hey, this is my wife, Flora, and her good friend.

24:41Hi, Seedheart, I'm Regina.

24:43What?

24:45Funny-duddy.

24:46Are you married?

24:48Is this your friend, Vito?

24:50We are more than friends.

24:52We are the same kind.

24:55Shut up.

24:57Well, I am just surprised that you would marry someone for me.

25:00Did he tell you about Ilsa?

25:03Huey, I'm warning you.

25:05You have crossed the line.

25:07Okay, I will leave now, but...

25:10But I'm taking this beauty with me.

25:13If that's okay, Regina?

25:17Flora, enjoy the world of you, too.

25:20Hey!

25:23Music time!

25:29Ilsa, his name appears twice already.

25:34For your bravery just now.

25:37It's just a piece of cake, comparing with the effort you put into marrying me.

25:45You...

25:45You know everything?

25:47Neil is my ex-boyfriend.

25:58I used you to get revenge on him.

26:00Now that you know, we can divorce at any time.

26:04Do you think I will let you go that easily?

26:07Ladies and gentlemen, let's dance.

26:12Shall we dance?

26:16Or is Mr. Morelli scared?

26:21Mind your good-for-nothing son.

26:24And don't do evil under the name of the Morelli.

26:27What happened, father?

26:29Did he get into trouble?

26:31Remember the name, Vito Morelli.

26:35And warn your son not to offend him ever again.

26:39Actually, I know that you have someone in your heart that you can't let go of.

27:00What?

27:10Who is Ilsa?

27:13None of your business.

27:14There were a few times when I thought I might have a story with you.

27:23I forgot what I did when I first saw you.

27:26Your eyes, so unique.

27:30But your skin's so cold.

27:33Your stare says you want me.

27:37The next day, you unexpectedly agreed to my marriage proposal.

27:44I was just curious about what you wanted to do.

27:47When Tracy kicked me out, you set a limousine to pick me up and rescue me decently.

27:51I was very grateful to you at that time.

27:58Madam, Master sent me to pick you up.

28:00And just now, at the door of the restaurant, it was the first time someone stepped up to protect me.

28:09At that moment, I had the illusion of love.

28:14But I guess I can't replace the Ilsa you're talking about.

28:19Yes, Ilsa.

28:21Who can replace her?

28:23So I won't get stuck in it anymore.

28:26You should go find your Ilsa.

28:28Ilsa is dead.

28:30I'm sorry.

28:31I don't have to tell you this much.

28:33Have you lost your mind?

28:51Mentioning Ilsa in front of her?

28:53Hey, calm down.

28:55It was just a joke.

28:56Don't test my limits.

29:01There are things I need to confirm.

29:03Confirm what?

29:04Confirm that you have a crush on her?

29:07I just broke up, and I almost made the same mistake again, and I was jealous of someone else's deceased ex-girlfriend.

29:21Ilsa, cheers.

29:23I've got to move out tomorrow.

29:27Man means nothing.

29:29Career is...

29:31Laura, get it together.

29:45Stop getting stuck in it.

29:50Goodbye, Vito.

30:01Go find the girl who can let you stand in the sun.

30:05Why is it her?

30:11Why now?

30:14What are you drinking?

30:24What are you drinking?

30:29You...

30:30You are a vamp...

30:32You have never been to my study.

30:41Morning.

30:43Morning.

30:44Don't worry.

30:45I will move out of your house as soon as possible.

30:48I have my senses, and will not bother you.

30:51And never asked you to leave.

30:54Frankly speaking, in the future, try not to give a woman this ambiguous illusion.

30:59Women always fall into it.

31:00If you're not planning to leave your house, don't bring others in.

31:07You wanted to move in?

31:09I didn't bring you in.

31:11Oh my god.

31:12The house is a metaphor.

31:14A metaphor!

31:15I'm talking about feelings!

31:16Forget it.

31:17You men are really unreasonable.

31:19That bastard dared to contact father.

31:25Who does he think he is?

31:27But father, he seems to have a close relationship with grandpa.

31:33Shut up!

31:33Father never brought him up to the family.

31:36That means he is nothing.

31:38However, unknown enemies are the most terrifying.

31:43I will not let him threaten me.

31:45The future leader of the Morelli family can only be me.

31:51What should we do?

31:51Isn't your ex-girlfriend, Flora, already his wife?

31:56Let's start with her.

31:57A week later, right?

32:05No problem.

32:07Ashley!

32:08We got the annual banquet project!

32:11Oh my god.

32:12That is a million dollar order you're talking about.

32:15What's wrong?

32:22It's okay.

32:23Go prepare the contract first.

32:29It's been 12 hours.

32:31Did this woman die outside?

32:33Miss Rose, see you tomorrow.

32:55See you tomorrow!

32:58I'm so tired.

33:01I haven't eaten anything today.

33:04It's all Vito's fault.

33:06But how can I go back to his house after saying all that to him?

33:11Let me order some tickets.

33:21Why are you here?

33:25Why are you sending me food?

33:27Are you caring about me?

33:29I was just passing by.

33:31Oh my god.

33:35It took me ages to order this cake.

33:43Mmm.

33:44Yummy, yummy.

33:47Come on, Vivi.

33:48Take a bite.

33:49No, I've eaten.

33:50Okay.

33:51I'm charged again.

33:53I'm going to go back to work.

33:57I'm, I'm not that busy.

33:59I can stay here a little longer.

34:30What are you doing?

34:33Oh, hey, please.

34:35I know women like to do this whole hard-to-get thing,

34:38but isn't getting married while you're really here?

34:41Excuse me?

34:42You can cut the act.

34:43The Franklins need a son-in-law who's a politician

34:47to help clean up their new money image,

34:50or else the Joneses are just going to leave them behind.

34:53Multiple strangers.

34:56Various hotels.

34:58And only in one month.

34:59I'm the best candidate to be the next governor.

35:02So, I'm here with you.

35:03They donate $5 million to help support my campaign,

35:07and everybody wins.

35:08Everybody wins.

35:10You know, I'm so sorry you seem to have it twisted.

35:13Honestly, Miss April, I don't think you're my type of woman.

35:15But if my family wasn't breathing down my neck,

35:18forcing me to get married...

35:21And I'm not going to marry you.

35:22You spied on me?

35:23Fine.

35:25Don't beg me to marry into your family.

35:27I wouldn't have even bothered to show up.

35:30Besides,

35:32that is the ugliest sweater I've ever seen.

35:36Let's see how you solve your problems yourself.

35:39He looks cute.

35:52He looks cute.

35:52It's you.

36:06I've moved for three years and never found you.

36:12Looks like we're in the same boat.

36:13So, what do you say?

36:17Why don't you and I get married?

36:24I must be dreaming right now.

36:26I mean, it's a win-win, right?

36:29Look, if you're in, meet me at the courthouse for your luck.

36:35Oh, by the way, name's a link.

36:37Sir, things went south with Miss Epps.

36:46Mrs. Jones is not going to be pleased.

36:49Don't worry about my mother.

36:51Yes, sir.

36:52Look into a woman by the name of Elaine.

36:59You are playing hard to get, aren't you?

37:01Since we're here for me already,

37:03why don't we just send me up and get married?

37:05Let go of me!

37:06Come on!

37:07Sorry, I'm late.

37:14How do you want me to deal with this is trash?

37:16Don't waste your time on him.

37:21You're going to regret this.

37:25Oh, excuse me.

37:26What?

37:27Vincent.

37:29My name is Vincent.

37:31Okay, Vincent.

37:32Let's go.

37:33Let's go.

37:37Mom, hi, what's up?

37:47How dare you walk out on a perfect man we've chosen for you?

37:51Apologize, Mr. Browner.

37:53You are kicked out of this family for good.

37:55He was far from perfect.

37:57I mean, he practically tried to molest...

37:58I mean, he practically tried to molest...

37:59So?

38:04Well, since we're married now, I thought that we could live together.

38:09Oh, it's cozy and warm in here.

38:23I like it.

38:24But maybe I should keep my identity under wraps to keep things simple.

38:29I thought I would really convince people we're married, you know.

38:31If I'm not mistaken, there's only one bedroom.

38:51And geez, newlyweds.

38:54I feel like it's probably only natural that we share of that.

39:05I mean, I don't know.

39:06What do you think?

39:10I really...

39:12If you want, I...

39:13So, just kidding.

39:16This is your place.

39:17Obviously, you can have the bed.

39:19I'll stay on the couch.

39:20Uh, no.

39:23You have the bedroom.

39:25Really?

39:27Thanks.

39:38Wow.

39:41Good morning.

39:42Breakfast is ready.

39:44Oh, well, I love pink eggs.

39:47Good.

39:50Oh, this is even better than my chef's cooking.

39:55You have a chef.

39:58No, um, I meant my mom.

40:01It's better than what my mom makes.

40:09Uh, sorry.

40:12So good.

40:15Where the hell have you been?

40:17I thought you told me not to come home yesterday.

40:22By the way, I got married.

40:25You get nuts!

40:27I'm serious.

40:29I really don't.

40:30Elaine, our rivals and Jones are looking more and more powerful.

40:33We need this marriage alliance to secure our position.

40:36Even without a marriage alliance,

40:39I can handle the Jones family.

40:40I'm sorry.

40:55I have to go take care of something for work.

40:57That's okay.

40:59Go.

40:59I'll be fine by myself.

41:03I'll be back soon.

41:04Just leave the dishes in the sink.

41:05Okay.

41:06Okay.

41:07Okay.

41:08Okay.

41:09Okay.

41:10Okay.

41:20Elaine, as requested.

41:23She's an assistant to some director.

41:27Are you sure she's the one you want to be with?

41:29She's the one I've been looking for all along.

41:32What?

41:34Then why don't you put her up with you?

41:36Why doesn't she stay in the Jones mansion?

41:38Because there's a traitor in the Jones family.

41:41I can't get her involved in that mess.

41:57So, you really married Vincent.

42:00Is he some small-time worker?

42:02Listen, Henry.

42:06As long as it's not my mother's pick, I don't really care who I marry.

42:11Madame only wants what's best for the family.

42:14And I just want my mother to understand that my worth is not about getting married.

42:21If you'll keep me updated on the Jones family, I'd appreciate it.

42:25Please bring by my stuff later.

42:26I'll be staying here.

42:27Now, if you'll excuse me, I have to get ready for my day.

42:31Where are you going, ma'am?

42:32Find my new lesbian.

42:33Hi.

42:47I got a gift from my wife.

42:50Sir, do you have a membership with us?

42:53Um, no.

42:54I don't think so.

42:57First time at a place like this, I assume?

42:59This is our cheapest item.

43:03And even these are a thousand bucks a ton.

43:11Sir, I believe you're in the wrong store.

43:14You should try the thrift store a few blocks down.

43:16You'll probably find something affordable there.

43:18And how do you know what I can afford?

43:21I've seen plenty of you.

43:23Big shots with empty pockets.

43:25I can sell you a bag with our logo on it.

43:29It'd be perfect for your secondhand clients.

43:32Your wife will know the difference.

43:34Do you know who I am?

43:40Oh, can't afford it?

43:42So you're playing the rich guy act on me?

43:45Please.

43:45I work for the Franklin family.

43:47The wealthiest family in town.

43:49Your spare change won't do any good in here.

43:51Why don't you go ahead and take off?

43:53The Franklins.

43:54Miss Franklin.

43:55This entire store was a gracious gift from Mrs. Franklin.

43:59And I'm the manager she assigned for you.

44:02The beautiful windows you see are actually something that the store is very well known for.

44:07May I introduce the director of design?

44:09That's all right.

44:10I'm just looking.

44:11You can carry on with your usual work.

44:14Very well.

44:21Vincent.

44:22The Franklins.

44:26They're nothing in my eyes.

44:28Hey, hey, babe.

44:30Hey.

44:31What are you doing here?

44:35Hey.

44:35What are you doing here?

44:37Finding someone a wedding gift.

44:39You?

44:41Same.

44:42I'm doing the same thing.

44:44Did y'all lose your way to the dollar store?

44:46Please, don't touch anything in here.

44:48You're stinking up the place.

44:52You little bitch!

44:53I'll kill you!

44:55Bitch, do you know who I am?

44:56I work for the Franklins.

44:58Oh, yeah?

44:59Call them.

45:00Call them right now and tell them to get on over here.

45:02You know, that was really impressive, but, uh, why don't you leave stuff like that to me next time?

45:12Mm-hmm.

45:14You better pray they go easy on you.

45:16On both of you.

45:17Now go block the door.

45:18Don't let anyone out.

45:21Ooh, you nervous?

45:22You kidding?

45:24Two days of marriage and a front row seat to this?

45:26Lucky me.

45:27Well, since we're stuck here, we might as well look around.

45:35Oh, I like this one.

45:39Hey, please don't touch if you can't afford it.

45:44Keith?

45:45Well, I won't.

45:57Take some guys over.

46:06I have a few pets to take care of.

46:09You're dead, bitch.

46:10These two trashed our store, and they insulted the Franklins.

46:26Is that so?

46:27Well, just toss them to the ocean and let the fish happen.

46:29Jack, how lovely it is to see you again, and in such short time.

46:39Now, tell me, who is it that you were going to fly into the ocean?

46:42Miss Franklin.

46:43What did you call her?

46:45Idiot.

46:47This is the Franklin family heiress.

46:50Miss Franklin.

46:52I'm so sorry.

46:52Please, please, please forgive me.

46:54Please, please, please.

47:24I almost forgot.

47:26I can't drive him for any of his less.

47:28Let's go.

47:41The Jones are getting out of hand.

47:43Making the ceiling in broad daylight.

47:46It's all over now.

47:50Let's go.

47:55What?

47:56So they not only thrashed our store, but they hurt our people?

48:01Fine.

48:03Let's send the Jones a little gift.

48:14Yep.

48:16Director Andrea, our biggest investor just pulled out of the film.

48:20What?

48:22Um, okay, don't panic, okay?

48:25I'm going to handle this.

48:26Mm-hmm.

48:33Mom?

48:34How could you pull the funding for my film without even telling me?

48:38You've got to tell me why you can't I pull the funding for my film without even telling me?

48:42Oh.

48:54Thanks.

48:59What's wrong?

49:00Is the food not good?

49:01No, it's delicious.

49:04Um, it's just the film I'm working on just lost its biggest investor.

49:14So there's a good chance it might never be made.

49:17What's the movie called?

49:21A Midsummer Woman.

49:25Well, food's not going to eat itself, so have a bite.

49:35Anything else for you, sir?

49:37Talk to the producers of A Midsummer Woman.

49:39Put some money into it, but...

49:41Make sure no one knows it's me.

49:43I don't want my name involved.

49:44You're doing this for Elaine, aren't you?

49:49Because that's a, uh...

49:51It's a really good move.

49:52Anything Andrea directs, it's top of the box office.

49:55It's a mysterious woman, though.

49:57No one's ever seen her.

49:59No, it's not even images online.

50:01Has anything...

50:02I'm not interested in this, too, but...

50:05I just want to learn how it works.

50:07Right.

50:08Hello?

50:22Andrea!

50:23Guess what?

50:23We got a new investor for the film.

50:26What?

50:26Oh, that's fantastic.

50:28Thank you so much.

50:28I'm really looking forward to it.

50:30How was your day?

50:35My film got new funding.

50:38We're back in production.

50:40That's amazing.

50:41Congrats.

50:43Oh, I have to go pack.

50:45Of course.

50:52Two-year movies, success.

50:54One-year movies, man.

51:16Oh, man.

51:17Oh, man.

51:17I leave for set tomorrow, and we're probably not going to see each other for a while.

51:29I think we should make up for our lost wedding night.

51:47If my identity wasn't what you think it is, it would probably get you in danger.

51:59Would you still stay?

52:17Ashes on the ground

52:30Colors on the ground

52:40Elaine's film is in production?

52:44Yes, ma'am.

52:45Well, she sure has grown wings, hasn't she?

52:50Find out who's funding her.

52:54Here's to a midsummer woman!

53:00All right, everybody, thank you, back to work, we have a long day.

53:11Thank you, thank you for being here.

53:12Okay, cut!

53:18That is a wrap today, everybody.

53:22Thank you for your hard work.

53:31Go home, get some rest.

53:32See you bright and early.

53:33I have a few questions about my role.

53:42Can we talk about it?

53:43Yeah, let's go to the lounge.

53:47But anyway, I'm here to see Elaine, she's the assistant director.

53:52I'm sorry, bud, there's no Elaine here.

53:54What?

53:55I'm sorry, bud, there's no Elaine here.

53:59What?

54:00I can't be.

54:01Bro, you seriously think you can make up a name and sneak into our set?

54:06Why don't you guys get out of here before I ruin our shoot, huh?

54:11How dare you talk to the boss like that, huh?

54:13Yeah.

54:14Oh, your boss?

54:15What is this, a little skit, a little buddy action, huh?

54:18Yeah.

54:19Well, it's set now.

54:25What do you think you're doing?

54:26We cannot mess with this man.

54:28Now get him in disguise, immediately.

54:33He's right this way, sir.

54:37Hey!

54:42I love you.

54:45What did you just say?

54:47Yeah, this is the part I don't really get.

54:49I've gone through so much betrayal and anger.

54:53I mean, what was my character's emotion when saying this line?

54:56Well, obviously a lot of pain and sadness, but you can always add your own interpretation

55:02as well.

55:04There's a kissing scene coming up.

55:08You want to help me practice?

55:10King, what are you doing?

55:13Get off of me!

55:15I've got to do this!

55:16Stop it!

55:17Enough!

55:18Enough!

55:19Enough!

55:20Enough!

55:21Enough!

55:22Enough!

55:23What are you doing here?

55:24What's going on?

55:25You and him.

55:26I know.

55:27No!

55:28Hey, what's going on?

55:29What are you doing here?

55:30What's going on?

55:31You and him.

55:32You and him.

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