Sightless 2020 – Full Movie - video Dailymotion

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In this gripping psychological thriller, Ellen Ashland, a woman blinded after a brutal attack, retreats from the world to heal. However, her recovery is shattered by a terrifying paranoia as she becomes convinced her assailant has returned, hiding in plain sight. Can she convince anyone of the danger before it's too late?  sightless thriller psychological-thriller horror mystery blindness paranoia 2020-film  #SightlessMovie #ThrillerFilm #PsychologicalThriller #FullMovie

Transcript

00:00:00Transcribed by ESO, translated by —

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00:06:00I can't believe that —

00:06:02This is what it takes for us to talk?

00:06:04I guess so.

00:06:06I've hired your care for two months until I'm back.

00:06:09He's on the line with us.

00:06:11Mr. Haley, you there?

00:06:12Clayton, please.

00:06:14Miss Ashland, hello.

00:06:15I was just about to tell you, I was just about to tell my sister, I was just about to tell my sister how you come highly recommended.

00:06:18Your specialty, people transitioning into a new...

00:06:24Handicap?

00:06:25Lifestyle.

00:06:26I think I found you an apartment near downtown.

00:06:29I can tell you all about it, but just know that it's safe, quiet.

00:06:34What you need.

00:06:36I can tell her.

00:06:43I can tell you.

00:06:44I can tell her.

00:06:48Over there.

00:06:49I can tell her.

00:06:49Her children's house...

00:06:50I can tell her, it's not about it.

00:06:51I can tell her.

00:06:52I can tell her.

00:06:53My daughter's wife, you're right.

00:06:54I can tell her, I can tell her.

00:06:54I can tell her.

00:06:55You're right.

00:06:56yes we spoke yesterday i'm clayton i hope i didn't startle you i let myself in where am i home

00:07:14for now it's apartment 902 i can come back later it's no problem wait come in

00:07:26it's nice to meet you miss ashland sun's out today but you're happy to be out of the hospital

00:07:36this place kind of reminds me of that story the film i think it's by bradbury what this family

00:07:44and their luxurious home and anything the kids imagine the house brings to life how did i get

00:07:50here you took a town car to the city right now well these would kick a linebacker's ass

00:08:01brother described photos living room kitchen

00:08:08but in here bathroom straight ahead hallway on the right window on your left

00:08:14colors of this room are shades of blue meant to soothe and you who do i want to be today

00:08:25if i said a young brando would that make it easier maybe for you look i know you hate this and you

00:08:32can hate me too but i am the easiest part of this puzzle i graduated top of my nursing class i've

00:08:38worked with plenty of patients like you before legally blind deaf young old i'm the ferrari of personal

00:08:44care

00:08:49how does lunch in 30 sound not very you gotta eat take it in here

00:08:55this place is nice but it isn't the reds kitchen in 30.

00:09:12this place is nice but i'm going to be here i am very small because i'm happy to be here

00:09:23to be a day

00:09:29here

00:09:59There she is.

00:10:08Don't do that.

00:10:10Sorry, you stuck up on me.

00:10:13On you?

00:10:14Why don't you have some of this garlic pané, and then we'll get a lay of the land.

00:10:22I'm here weekdays 11 to 2 for now. Rejoice or shudder at that thought.

00:10:26I'll let myself in. I'll tend to cooking, some cleaning, but I'm mostly here to help in the capital A adjustment department.

00:10:33Losing your sight doesn't mean you have to lose yourself.

00:10:36You can do all the things you love, that you're good at, and more.

00:10:40And down the line I'll teach you braille, your cane, dictation software.

00:10:4411 calls building security. 22 gets my cell programmed here and the master bedroom.

00:10:53I am off to the finicky Mr. Hudson on Mercer Island, unless you need anything else.

00:10:59It's been my pleasure, Ms. Ashland. Hasta mañana.

00:11:04Hi, you've reached Sasha. I'll get back to you.

00:11:20Third time trying.

00:11:22I can't reach my brother.

00:11:25His work, time zones, I get it.

00:11:28But you, where are you?

00:11:34I hate it here.

00:11:37It feels so empty.

00:11:42Is it home?

00:11:45I miss you.

00:11:46I miss you.

00:12:14Oh

00:12:44I got you something

00:13:14I can take her back

00:13:18Oh, no

00:13:19What color?

00:13:23What do you want it to be?

00:13:25It doesn't matter what I want

00:13:27Sure it does

00:13:27I mean, you see her in your head

00:13:30So your imagination's either free in there, or

00:13:34Opposite of free is captive

00:13:37Which

00:13:39You would know something about?

00:13:42Mm-hmm

00:13:43Other than you as my soulmate

00:13:45I've had to use my imagination

00:13:48Might as well redecorate the whole place in my head while we're at it

00:13:54What color is she?

00:13:59Baby blue

00:14:00You going to name her?

00:14:09We just did

00:14:10Put a mirror in there, will you?

00:14:13Want to recognize something?

00:14:15Sure

00:14:16Come here

00:14:20How come I can hear all this?

00:14:35Still loud and clear

00:14:36If it's overkill

00:14:38Shh

00:14:39But here

00:14:46This is thicker glass

00:14:55Faces west and wind coming off the bay

00:15:00You got a voicemail?

00:15:03Miss Ashlyn

00:15:07It's Detective Bryce

00:15:08I've looked into the clients of your husband

00:15:11And everyone checks out so far

00:15:14Forensics couldn't pull any unusual fingerprints from your car

00:15:17But there are boot treads we're looking into

00:15:19Think of anything

00:15:20Call me

00:15:21Your brother told me how it happened

00:15:30Hey

00:15:34It's okay, you're safe

00:15:35No one's going to find you here

00:15:36Castle Keep

00:15:37Heard that before

00:15:40Bennett

00:15:44The ex?

00:15:46His words?

00:15:47You hang with me, you're safe with me

00:15:49You googled us?

00:15:52None of my business

00:15:53Maybe

00:15:56It's kind of the first thing I did

00:16:00You tend to find yourself on scorched earth when you steal other people's life savings

00:16:04Except Sasha

00:16:06She's the only friend who stuck around

00:16:09Even after what we did to her

00:16:12We?

00:16:14The kind of money he made for everyone

00:16:16Nobody questioned it

00:16:18I didn't want to

00:16:18And now he's

00:16:20Serving 15

00:16:21I just have someone who can't get to him

00:16:24So they're after me instead

00:16:25If I couldn't see them the first time

00:16:28Okay, enough

00:16:29Sit

00:16:31Look, I know it's hard

00:16:40But no amount of anger is going to save you

00:16:43Optimism

00:16:45Passion

00:16:45Who you were

00:16:47Before him

00:16:48Ended

00:16:48Music

00:16:51The violin

00:16:54Your album went gold

00:16:56I saw the videos

00:16:58Child prodigy

00:16:59Sells out London

00:17:00Prague

00:17:00Moves people to tears

00:17:02Who you were

00:17:03The original

00:17:04Eleanor

00:17:05Ended with it

00:17:06Can we not?

00:17:14All I'm saying is you might not know

00:17:16What she meant

00:17:17Definitely not the Ritz

00:17:22Salt

00:17:34I'm sorry

00:17:45I have no good like this

00:18:04I am going to leave you

00:18:07With this

00:18:08Because I value my personal safety

00:18:11I wouldn't dare force a lesson on you just yet

00:18:13Au revoir

00:18:14All I'm saying is you might not know

00:18:44죄송ody

00:18:47lends

00:18:48m

00:18:50lends

00:18:52lends

00:18:54lNING

00:18:54lends

00:18:55lends

00:18:56lends

00:19:01lends

00:19:03lends

00:19:06lends

00:19:09lends

00:19:10I don't know.

00:19:40I don't know.

00:20:11You've reached the security office of the Laguna Center.

00:20:14Hi, you've reached Sasha.

00:20:28I'll get back to you.

00:20:29I'll get back to you.

00:20:59I'll get back to you.

00:21:29I'll get back to you.

00:21:59I'll get back to you.

00:22:09I'll get back to you.

00:22:10I'll get back to you.

00:22:19You okay?

00:22:26Didn't mean to.

00:22:27Thanks.

00:22:29Hello?

00:22:41Hello?

00:22:54Hello?

00:22:55I'm not going to kill you again.

00:23:04I'm not going to kill you again.

00:23:16I'm not going to kill you again.

00:23:17I'm not going to kill you again.

00:23:18I'm not going to kill you again.

00:23:27Do you have to kill her?

00:23:28Help!

00:23:29Help!

00:23:30Help!

00:23:34I told you to stay away from you.

00:23:44I told you to stay away!

00:23:46Your senses have gone into...

00:23:54I swear it was like she was in here.

00:23:56Into overdrive.

00:23:57You told me I could reach security if I dialed 11.

00:24:00That's what security told me.

00:24:02Did you hit the right button?

00:24:04Okay, I'll talk to someone.

00:24:07Do yourself a favor.

00:24:08Focus on this side of the wall.

00:24:10And if you hear anything else, Seattle's finest.

00:24:12I was thinking we could brave the lunch crowds and take a walk to the water.

00:24:21No.

00:24:23Sure.

00:24:25You can hit like a train if you're not ready.

00:24:29World outside.

00:24:36World inside.

00:24:42World inside.

00:24:43World inside.

00:24:44World inside.

00:24:45World inside.

00:24:46World inside.

00:24:47World inside.

00:24:48World inside.

00:24:49World inside.

00:24:50World inside.

00:24:51World inside.

00:24:52World inside.

00:24:53World inside.

00:24:54World inside.

00:24:55World inside.

00:24:56World inside.

00:24:57World inside.

00:24:58World inside.

00:24:59World inside.

00:25:00World inside.

00:25:01World inside.

00:25:02World inside.

00:25:03World inside.

00:25:04World inside.

00:25:05World inside.

00:25:06World inside.

00:25:07World inside.

00:25:08World inside.

00:25:09World inside.

00:25:10I don't know.

00:25:40I don't know.

00:26:10I don't know.

00:26:40I don't know.

00:26:42I can't do it.

00:26:44Maybe she was incapacitated.

00:26:46Okay, where do you get these ideas?

00:26:48Uh, so hit return to start and stop.

00:26:52That'll read your email.

00:26:54To Ellen Ashland, from Easton Ashland, I'm writing you from another rainy night in Tokyo.

00:27:15Want to learn this, or not?

00:27:21Bo

00:27:23Mode

00:27:29Duck, you

00:27:32Okay, let's go to voice command mode.

00:27:36Voice command mode?

00:27:43So, why this line of work?

00:27:46Um...

00:27:47Money can't be good enough to put up with me.

00:27:50My mother.

00:27:52She was sick since I was little.

00:27:58Couldn't get out of bed.

00:28:01My dad didn't have to work like me, inheritance.

00:28:05So, the only thing he ever really got good at was drinking.

00:28:15And when you grow up that way, looking after her and losing her to that, you want to make yourself useful.

00:28:26Your imagination get you through?

00:28:27She'd pass the days by making bird cages from her bed.

00:28:36These huge, ornate things.

00:28:40And if it was exotic, she had to have it.

00:28:42African greys, macaws, I'd give them names and personalities.

00:28:48And I'd make my sister act out all these stories with me.

00:28:53The whole flock.

00:28:54But it's weirder still, the job's not so different now.

00:28:59Every client requires something tailor-made.

00:29:02Mr. Nielsen and Ballard gets one Clayton.

00:29:06Mrs. Woodson on the water requires another.

00:29:08And part of me just feels I have to be all these things for all these people.

00:29:12Mrs. And which Clayton do I get?

00:29:17Uh, that's the scary part.

00:29:20I think you get me.

00:29:42What are we looking at?

00:29:48Um...

00:29:52There's a couple walking their sheep dog.

00:29:55Past the car that's been parallel parking since the ice age.

00:29:59But looking up, countless windows.

00:30:07Can I see you?

00:30:12What does this?

00:30:26Is tricking you.

00:30:29Ogg.

00:30:31A little bit of a mug.

00:30:34What do different thing you need?

00:30:37TheBLES

00:30:39Um, it's half past two, I should go, uh, sorry, I didn't, speak, from Easton Ashland.

00:31:02How are you settling in?

00:31:04I'm going to find a weekend to fly home.

00:31:06Stop.

00:31:07Who is it?

00:31:11You left me a note?

00:31:14Next door?

00:31:30I'm Lana.

00:31:32Brought tea.

00:31:35I don't.

00:31:37I can't see.

00:31:41I'm Ellen.

00:31:44I'm coming up with some water on.

00:31:46Fancy art.

00:31:55Matches the music.

00:31:58You know I used to play?

00:32:01Classical stuff I heard.

00:32:03Russo's got a painting like this one.

00:32:07Wasn't cheap.

00:32:08Russo?

00:32:10My husband.

00:32:12You just got here.

00:32:15Hm?

00:32:16It's just temporary for me here.

00:32:18My brother's in business on Japan.

00:32:19My brother's in business on Japan.

00:32:21My brother's in business.

00:32:23Mind if I?

00:32:25Not inside, thanks.

00:32:28There'll be smokes in this city.

00:32:31Even my brother quit.

00:32:33Otherwise you'd have a cancer partner when he visits.

00:32:36Smoking partner.

00:32:43Excuse me.

00:32:46You said smoking partner.

00:32:48Here.

00:32:50I said my brother.

00:32:52I miss him.

00:32:57I think he misses you.

00:33:01Of course he does.

00:33:03He must.

00:33:05Why?

00:33:09Did it...

00:33:12Did it hurt?

00:33:14What?

00:33:16Your eyes.

00:33:17Losing them.

00:33:18I...

00:33:20Didn't...

00:33:21Lose them.

00:33:22Your sight.

00:33:23I mean...

00:33:24I didn't lose...

00:33:25Anything.

00:33:26It was taken from me.

00:33:28I...

00:33:29I didn't mean...

00:33:30I should probably...

00:33:31How'd you know I ever had my sight?

00:33:34I didn't.

00:33:35It's...

00:33:37Just I wondered...

00:33:39Who put those bruises there?

00:33:42You're right.

00:33:43It's none of my bruises.

00:33:44Oh, I didn't say that.

00:33:46No.

00:33:48I'm making another mess.

00:33:49What do you mean, mess?

00:33:50It's nothing.

00:33:51It's nothing.

00:33:52What do you mean, mess?

00:33:54You know, you heard me scream.

00:33:57My husband goes out of town sometimes and I get sad.

00:34:02You're shaking.

00:34:07How old are you?

00:34:09I know your business.

00:34:13Forty-eight.

00:34:14Wait.

00:34:15Why are you lying to me?

00:34:16Why are you lying to me?

00:34:22I don't...

00:34:23Trust...

00:34:24Anyone.

00:34:32Wait.

00:34:35Wait!

00:34:36What?

00:34:37It's him.

00:34:38What?

00:34:39What's this?

00:34:40Yes.

00:34:41A scar.

00:34:42Fresh stitches.

00:34:43Her husband did that to her.

00:34:44I met him.

00:34:45When?

00:34:47Today.

00:34:48Left your place as he was getting in.

00:34:53He asked if I was seeing the guest in 902.

00:34:54He seemed nice enough.

00:34:55Of course he did.

00:34:56When she saw him, you didn't hear the fear in her voice.

00:34:59He apologized for the noise.

00:35:00He said his wife hadn't been well.

00:35:02He speaks for her and you just believe him?

00:35:05Exactly.

00:35:07I'm sorry.

00:35:08Detective Bryce.

00:35:34Detective Bryce.

00:35:38Hi there. My name is Officer Neiman. I'm responding to a noise complaint at this address.

00:35:59Officer Neiman said she was lucid, calm, didn't convey she was in danger.

00:36:04She was terrified.

00:36:05I did a little digging and I'll confide. Mrs. Latch has a bit of a history. She's hurt herself.

00:36:11I heard her scream. She came to me frightened. The stitches?

00:36:17Stitches?

00:36:19Her face?

00:36:20Her scar? Long heel, or so Neiman says. I thought it was a birthmark.

00:36:26No. I know what I felt.

00:36:31How old is she?

00:36:33Neiman said 48. She didn't tell you he hit her.

00:36:39She said, don't trust anyone.

00:36:42Does that sound like a well person to you?

00:36:45Two days ago. Same car. Same alarm. Same time.

00:36:51How do you know?

00:36:53Happened right when you got here. 11am. Heard the alarm as you rang the bell.

00:36:57Same siren?

00:37:13Alarm?

00:37:15Forget it.

00:37:19Look, I believe you. It's a big city. It's got lots of alarms. You heard it all the way up here?

00:37:24Overdrive?

00:37:26Where do you want the slider?

00:37:29I don't... It's not my...

00:37:34I mean, it was just sitting right here.

00:37:3710.57am.

00:37:4911.02am.

00:37:51You hungry?

00:38:05Shh! Get in here.

00:38:08What kind of car?

00:38:13You were right. It's the same time.

00:38:18Why'd it stop?

00:38:21Some guys getting in.

00:38:24Same time. Every other day.

00:38:29Looking for patterns where there are none.

00:38:34It is a pattern.

00:38:35I get here for my job as he takes off for his.

00:38:39Hey, you've got to take it easy on yourself.

00:38:42Okay?

00:38:43The thing that saves you isn't out there, or at the bottom of a cocktail glass.

00:38:47It's...

00:38:49Pure.

00:38:51Your eyes won't ever be what they were.

00:38:58But...

00:38:59Once the rest of you heals, you won't need them too.

00:39:21Once the rest of you arrives is killed.

00:39:22The third four-year-old Lona Knight and Kalia have done it.

00:39:24Here's the question.

00:39:25Hey do the rest of you?

00:39:26Would you say we're the rest?

00:39:27I've got some help.

00:39:30Once again.

00:39:31Hold up!

00:39:35yoga!

00:39:40Baby!

00:39:41Feel free!

00:39:44harmonious Souvenants

00:39:47RHONMA

00:39:49brackets

00:39:50To be continued...

00:40:20We'll be back.

00:40:50Search results for Russo Latch

00:41:05Image results for Russo Latch

00:41:08Video results for Russo Latch

00:41:20Video results for Russo Latch

00:41:27Can I apologize for the other day?

00:41:32Are you alright?

00:41:36Hey

00:41:39What?

00:41:41I'm sorry, I...

00:41:44You're her husband, aren't you?

00:41:48I can hear you breathing

00:41:52Answer me!

00:41:55Speak!

00:41:56Search results for Russo Latch

00:41:58Image results for Russo Latch

00:42:00Video...

00:42:02I know she was here

00:42:04Don't come any closer

00:42:05Shut up

00:42:06Guess it was too much to ask for a normal neighbor

00:42:08I think I'll speak to building management about the policy on intrusive resident behavior

00:42:12Because personally I feel like this place is better off with one less paranoid bitch

00:42:18Yes?

00:42:19I've been outside the past half an hour working up the nerve to call

00:42:37He was here

00:42:39Just now

00:42:40What?

00:42:41He threatened me

00:42:42I'll talk to him right goddamn hell

00:42:43No!

00:42:44Just...

00:42:45Wait...

00:42:46You were outside working up the nerve to do what?

00:42:47Ellen what did he say to you?

00:42:48The nerve to call and tell me what?

00:42:49Nothing

00:42:50Clayton!

00:42:51I can't accept payment from you as your caretaker

00:42:52I...

00:42:53I can't work for you if I have feelings for you

00:43:06Look it's...

00:43:12It's...

00:43:13Unprofessional

00:43:14I know

00:43:15But it's the truth

00:43:17And that's what you deserve

00:43:19I can't have you relying on me

00:43:23You can call it a crush

00:43:24You can call it whatever you want

00:43:26I'll call you an asshole

00:43:28Please just

00:43:30For making me say this

00:43:37I...

00:43:40I like...

00:43:41Ferrari

00:43:50We can still do the same things

00:43:52I can help you

00:43:53I can make sure that you're safe

00:43:55And you're starting with the asshole next door

00:44:01We can do that

00:44:02As friends

00:44:04Or maybe...

00:44:06Maybe something more

00:44:15I can't

00:44:16I've been wrong about everything

00:44:17I'm sorry

00:44:18I'm sorry

00:44:19I didn't...

00:44:20I'm sorry

00:44:21About next door?

00:44:22About you?

00:44:23We've got to start over

00:44:24Professionally

00:44:27I need to rely on you

00:44:29More than...

00:44:31Whatever...

00:44:32This...

00:44:34Is...

00:44:35Ellen...

00:44:36I made a mistake

00:44:37Don't...

00:44:54Hi...

00:44:55You've reached Sasha

00:44:56I'll get back to you

00:44:58Clayton?

00:44:59Yeah...

00:45:00You've reached Sasha

00:45:01uu...

00:45:02She said

00:45:15I'll get back to you

00:45:16So...

00:45:18You've reached Sasha

00:45:18I'm sorry

00:45:30I don't know how to do this

00:45:34I can't get a hold of anyone

00:45:36No one visits me

00:45:38Please stay

00:45:40Don't make me apologize twice

00:45:44Clayton?

00:45:53What do you want?

00:45:57Clayton?

00:45:59Come on!

00:46:10911, what's the nature of your emergency?

00:46:14911, I'm a paramedic

00:46:27911, can you hear me?

00:46:34You were bleeding from your wrist

00:46:36But I bandaged you up

00:46:38Are you feeling alright?

00:46:43Your neck?

00:46:44It hurts

00:46:45Not seeing anything

00:46:48Are you looking at it?

00:46:53I'll be right back

00:46:54I shouldn't have left you

00:47:08What happened?

00:47:11It's okay

00:47:12You're alright

00:47:14Detective Bryce drove in

00:47:18I told him about next door

00:47:20No, it wasn't him

00:47:22No, it wasn't him

00:47:22It was the man from that night

00:47:25Do you need to tell me anything before you talk to him?

00:47:31You've been drinking

00:47:32I've been worried about the drinking

00:47:35We've all felt lost at some point

00:47:38Wait, wait, wait

00:47:39No, no, no, no, stop

00:47:40Do you know where they take you?

00:47:42Do you really want to be anywhere but here in your condition?

00:47:52He wants to talk to you alone

00:47:54Then get him

00:47:54And get everyone else out of here

00:47:56It's just the front door

00:48:08No sign of forced entry

00:48:10Clayton locked it behind him

00:48:12I heard it

00:48:13Lock

00:48:14And

00:48:15Unlock

00:48:16Usually the one I would suspect here is the caretaker of the blind woman

00:48:21Wasn't him either

00:48:21I said usually

00:48:23How long have you known Sasha Crinlin?

00:48:27Three years

00:48:28Rather, how well do you know her?

00:48:31She's a good friend

00:48:32The boot treads we pulled from beside your car

00:48:35Were half a shoe size smaller than yours

00:48:38After I first spoke to Miss Crinlin

00:48:41We haven't been able to locate her

00:48:42Left town in a rush

00:48:44But not without leaving ample shoe prints outside her property

00:48:48I won't ask you to guess what size they were

00:48:50What are you saying?

00:48:52A restraining order was taken out against her

00:48:55Six years ago

00:48:56Vancouver

00:48:56For stalking a co-worker's wife

00:48:59Charges were filed

00:49:00Aggravated assault

00:49:02She couldn't

00:49:03But she has reason to

00:49:04Oh my god

00:49:07This is not your fault

00:49:09But tonight

00:49:12She was wearing that mask again

00:49:14You saw it?

00:49:16I heard it

00:49:16I heard her breathing through it

00:49:18That mask was the last thing I ever saw

00:49:22And it'll be the first thing you see when you review the security footage

00:49:24I have

00:49:25For the hallway

00:49:26Lobby

00:49:27Stairwells

00:49:28Your caretaker left this unit at 8.05pm

00:49:31A few minutes later he let himself back in

00:49:33With a man from lobby security

00:49:35After 9-1-1 dispatch alerted them of your call

00:49:38And?

00:49:38Cameras show no one else coming into this unit tonight

00:49:42By all accounts

00:49:43You've been alone

00:49:44You just said it was her

00:49:48That night

00:49:48We think

00:49:49But tonight

00:49:50Someone broke in here

00:49:52Attacked me again

00:49:54My god

00:49:56Next door

00:49:57Ask them

00:49:58They told me they heard nothing

00:49:59No shared wall with this room

00:50:02The van

00:50:03They were playing my music

00:50:06You know that?

00:50:07Look there's either a glitch

00:50:08With the camera

00:50:09Or

00:50:10She was in here

00:50:11She could have come in through the balcony

00:50:14We reviewed the tapes from the roof

00:50:16The space above you is empty

00:50:17I can't do this

00:50:20This intruder didn't enter by force

00:50:28Didn't take anything

00:50:29Didn't say anything

00:50:31Did they?

00:50:35That window doesn't make a sound

00:50:36I keep the same alarm

00:50:39At the same time

00:50:41Lana's stitches

00:50:43Now

00:50:45No one believes me

00:50:46I can't

00:50:47This is what she wants

00:50:50Isn't it?

00:50:51I'll let you rest

00:50:52And I'll

00:50:53Check the cameras again

00:50:54Thank Mr. Haley

00:50:57For going to bat for you

00:50:58Without him

00:50:59I'd recommend you be put on suicide watch

00:51:01And if I may offer

00:51:05The simplest explanation

00:51:06In your virgin state

00:51:08Of being sightless

00:51:09Perception won't always be reality

00:51:12Perception is my only reality

00:51:27I'm sorry

00:51:43Didn't mean to wake you

00:51:46Make it up to you with an omelet

00:51:50Take the day off

00:51:52I'm going to

00:51:56Call my brother

00:51:59Call my brother

00:51:59We've all felt lost at some point

00:52:16I'll drop by later

00:52:26Make a special

00:52:27Take care of you dinner

00:52:29Easton

00:52:48You were right about my marriage

00:52:51And I was wrong to put this distance between us

00:52:54I'm sorry to do this to you

00:52:57But it has nothing to do with you

00:53:01Clayton

00:53:03You've hardly come to know one another

00:53:05But you deserve someone stronger than I am

00:53:09Forgive me for bringing you into this

00:53:13Sasha

00:53:15I chose not to see what he was doing

00:53:19Stealing

00:53:21From you

00:53:22Maybe I've had a hand on what you've done to me

00:53:27But may you pay for what you've done

00:53:30I know I am

00:53:33I'm afraid to fall asleep at night

00:53:36Terrified of the days in between

00:53:39Unable to convince anyone of anything I believe

00:53:43Myself

00:53:47Which is what scares me most

00:53:54Next door

00:54:02Anna

00:54:04Might be in trouble

00:54:05Maybe now someone who can make sense of it all will

00:54:13Because I can't

00:54:15Because I can't

00:54:17Not while I'm locked in my own head like a house with no windows

00:54:28But for any truth I look for

00:54:35I can't

00:54:40I can't

00:54:41I can't

00:54:42Find

00:54:42I'm sorry.

00:55:06And...

00:55:12Goodbye.

00:55:36Goodbye.

00:56:06Goodbye.

00:56:36Goodbye.

00:57:06Goodbye.

00:57:36Goodbye.

00:58:06Goodbye.

00:58:36Goodbye.

00:59:06Goodbye.

00:59:36Goodbye.

01:00:06...

01:00:26Clayton.

01:00:28Ellen.

01:00:34How are you?

01:00:35your husband around he's waiting for me down in the lobby down in the lobby

01:00:49trouble finding your keys in here somewhere i think i'd have heard them by now

01:00:57you know it was nothing anyway

01:01:01unless there's something i can help you with you left something in my place

01:01:20darn give me a hand would you

01:01:21i went over the balcony lana what is this place home

01:01:36their head and cameras aren't there microphones lana of course and to make phone calls

01:01:44sasha my brother where did he think he was sending me why are you helping them what clayton

01:01:53and the men helping him how many of them are there why are they doing this it's all for you

01:02:00what did i do to them to them you saved them

01:02:06i have to go

01:02:17wait how do i get out of here

01:02:20honey what are you doing here sorry car's waiting let's go goodbye ellen

01:02:50who's there

01:02:57it's your personal chef one special dinner coming up going to take care of me

01:03:06if you'll let me

01:03:06your hand can i take a look at that

01:03:22do i have to ask if that's an accident

01:03:24is this about lana i think it'd be wise if you had less interaction with her you saw her just

01:03:34now with her husband yeah i think if we look out the window right now we'll see them getting into their

01:03:38car i'd assume they'd be gone by now he told me they're going up north for a few weeks he's taking

01:03:45her away or so or whatever his name is because she was about to tell me more what are you going

01:03:51to do to her what what else oh detective bryce that cop neiman you've all been lying to me since

01:03:57the moment you brought me maybe you should call your brother or your doctor this place is a

01:04:01fucking lie and i want to know why lana wasn't taken anywhere her husband checked her out

01:04:06what they're reevaluating her treatment and next they're going to talk about reevaluating yours

01:04:13what do you think this is alan alcatraz people visit alcatraz what did lana tell you this was all

01:04:20for me patients like you and her paid for by your brother you told me you see patients all over the

01:04:28city because i do this isn't the only program that i work for you stood at that window and told me all

01:04:33about the world out there of course i did with you to make it as real as possible you're lying to

01:04:39ease your transition back into the real world no matter how unorthodox it may stop lying you suffer

01:04:45from ptsd and you're newly blind is that a lie ellen i am sorry about this downturn in your recovery

01:04:53really i am i failed you but that i don't believe you all this place is is to keep you safe i tried to

01:04:59kill myself you tried alan alan you are hurt you need help right i know that's what we're here for

01:05:29i'll freshen up before dinner i'll get started on that and the surprise that makes it special

01:05:59oh

01:06:29Have a seat.

01:06:59Put out your hands.

01:07:22Had it tuned and everything.

01:07:26I don't know what to say.

01:07:30Say nothing.

01:07:31Try playing.

01:07:34Why did you ever stop?

01:07:36My husband.

01:07:38But if there was ever a way back to her, isn't this it to that original Alan?

01:07:51This is all part of the treatment?

01:07:53You know any of my music?

01:07:55Oh sure, your rendition of the Kreutzer Sonata.

01:08:18Back in two blanks.

01:08:24Back in two blanks.

01:08:27Usually the one I suspect here is the caretaker of the blind woman.

01:08:31Wasn't him either.

01:08:32She said usually.

01:08:34My mother.

01:08:36She was sick since I was little.

01:08:40Is that really necessary?

01:08:42She passed the days by making birdcages from her bed.

01:08:48I'd give them names, personalities.

01:08:52Part of me just feels I have to be all these things for all these people.

01:08:57The whole flock.

01:08:59Whole flock.

01:09:00Whole flock.

01:09:01It's not really necessary.

01:09:02I'm not sure.

01:09:03Detectors on TV do it?

01:09:05Back in two blanks.

01:09:08I'm a paramedic.

01:09:10Alan?

01:09:11Can you hear me?

01:09:13The one I suspect here is the caretaker of the blind woman.

01:09:18I feel like this place is better off with one less paranoid bitch.

01:09:23And which Clayton do I get?

01:09:29That's the scary part.

01:09:31I think you get me.

01:09:34Don't trust anyone.

01:09:38You look like you've seen a ghost.

01:09:41Exactly what I was thinking.

01:09:43Drinks?

01:09:44Special dinner, isn't it?

01:09:48Have a seat.

01:09:51Before the food calls off.

01:10:08Didn't tell you, did I?

01:10:12Finished your story.

01:10:14The Velt had the computer read it to me anyway.

01:10:18There's hope for you yet?

01:10:20Didn't even know the Velt meant the Plains in Africa.

01:10:24So that's what the kids want.

01:10:25And their house brings it to life.

01:10:27In the nursery.

01:10:29Heat.

01:10:30Tall grass.

01:10:31And that ending.

01:10:32The lions.

01:10:34Kind of depraved, isn't it?

01:10:40Don't you think?

01:10:42What?

01:10:48That the kids lock mom and dad in the nursery?

01:10:52Or that the lions eat mom and dad?

01:10:54No, no.

01:10:55The kids watch it happen.

01:10:59We smiled on their faces.

01:11:02Parents got what they deserved.

01:11:04I'm sorry.

01:11:15I got it.

01:11:20Ah!

01:11:50Oh, my God.

01:12:20Oh, my God.

01:12:50Oh, my God.

01:13:20Oh, my God.

01:13:50Oh, my God.

01:14:00Lana?

01:14:02Oh, my God.

01:14:32Oh, my God.

01:14:33Wait.

01:14:37You didn't kill him, did you?

01:14:49No.

01:14:50Oh, my God.

01:14:52Oh, my God.

01:14:53Oh, my God.

01:14:56I can't help you.

01:14:58This is home.

01:15:03Anna, what are you talking about?

01:15:05It's all the family I have.

01:15:08You're a sister.

01:15:10This isn't what you want.

01:15:12You tried to warn me.

01:15:14I tried to stay quiet.

01:15:16But we got you here.

01:15:18You were so real.

01:15:20You can't save me like you saved him.

01:15:23What did I save him from?

01:15:25Where you are now.

01:15:28The dark.

01:15:36I know what it feels like to be under someone else's control.

01:15:40Believe me, I've been there.

01:15:43But I'm going to take my hand away.

01:15:46We're going to get out of here.

01:15:48And he never gets to hurt you again.

01:15:51Leave me alone.

01:15:58The only one way out.

01:16:03For one of us.

01:16:04No. Together.

01:16:06Go back the way you came.

01:16:08There's a vent in his room.

01:16:10I hid it from him.

01:16:12The only way out.

01:16:15Go.

01:16:17Go, Earl Scream.

01:16:19What are you going to do?

01:16:21No.

01:16:22The only way out.

01:16:24No.

01:16:26Go.

01:16:28Go.

01:16:29Go.

01:16:30Go.

01:16:31Go, Bill.

01:16:32Go.

01:16:33Go, Bill.

01:16:34Go, Bill.

01:16:35Go, Bill.

01:16:36Go, god.

01:16:37Go, Bill.

01:16:38Go, Bill.

01:16:39Go, Bill.

01:16:40Go, Bill.

01:16:41I don't know.

01:17:11Cleet, what happened to you?

01:17:32Everything changed the day my mother died.

01:17:36My father made us watch as he smashed our birdcages with the bird still inside.

01:17:45That made me angry.

01:17:50So he dragged me by my hair into the cellar.

01:17:59And he locked me down there for three and a half years.

01:18:03My only lifeline to the outside was my imagination.

01:18:08And what I thought, there was no end in sight.

01:18:13What I heard on the walls and the fence.

01:18:20What my sister will play for me when she could sneak it.

01:18:24The same music I used to listen to with my mother.

01:18:35My music?

01:18:38My music.

01:18:40And you would never know that you were the light for me in that black hole until I could be the same for you.

01:18:45I had this place built for you.

01:18:53But you made it real.

01:18:56And now you need to make it real again.

01:18:59As you did before.

01:19:03Where you are.

01:19:05You sit in your head.

01:19:09Doesn't have to be Seattle outside the windows either.

01:19:11I can take you anywhere.

01:19:15And I can be...

01:19:18Anyone.

01:19:20Everyone.

01:19:21Everyone.

01:19:21I'll make it real.

01:19:37Me and you.

01:19:38And only you.

01:19:55What?

01:19:57Alice, can I know you're real?

01:20:00Clayton isn't part of...

01:20:02They belong to me.

01:20:03I don't belong to them.

01:20:05You and me, what?

01:20:07Get rid of them?

01:20:09You can't, can you?

01:20:11They were all you had in the dark.

01:20:14You were all I had.

01:20:15Then help me.

01:20:17Clayton.

01:20:18Be that original Ellen.

01:20:22Why can't the man I'm falling for be himself with me?

01:20:27And only himself.

01:20:35Delaney.

01:20:38Elin!

01:20:39Elin!

01:20:56Elin!

01:20:56ELIN!

01:20:57The next есть?

01:20:57Elin!

01:20:58Elin!

01:20:59Elin!

01:21:00Elin!

01:21:01The next чтобы...

01:21:02Elin!

01:21:04Elin!

01:21:04Come here.

01:21:34The only way out.

01:22:04Ellen?

01:22:07Ellen?

01:22:09Ellen?

01:22:11Oh!

01:22:13Oh, my God.

01:22:20Oh, my God.

01:22:25Oh, my God.

01:22:32Oh.

01:22:34Back in your cage, little bird.

01:22:52What did you do?

01:23:04What did you do?

01:23:34No, no, no.

01:23:46Clayton.

01:23:48Where is she?

01:23:54Where is she?

01:23:56You let her go.

01:24:02Give her back to me.

01:24:06Give her back.

01:24:08You don't leave me.

01:24:10You promised you wouldn't leave me.

01:24:12You promised you wouldn't leave me.

01:24:16Not like this, not like this.

01:24:18Don't leave me.

01:24:22What's happening?

01:24:24What's happening?

01:24:26Go!

01:24:28Go!

01:24:30Go!

01:24:32Go!

01:24:36Go!

01:24:38Go!

01:24:40Go!

01:24:42Go!

01:24:44Go!

01:24:46Go!

01:24:48Go!

01:24:50Go!

01:24:52Go!

01:24:56Go!

01:24:58Go!

01:25:00Go!

01:25:02Go!

01:25:04Go!

01:25:08Go!

01:25:10Go!

01:25:12Go!

01:25:14Go!

01:25:16Go!

01:25:18Go!

01:25:20Go!

01:25:22Go!

01:25:24Go!

01:25:26Go!

01:25:28Go!

01:25:30Go!

01:25:32Go!

01:25:42Go!

01:25:44Go!

01:25:46Go!

01:25:48Go!

01:25:50Go!

01:25:52Go!

01:25:54Miss Ashland, do you need a hand?

01:26:24Miss Ashland, do you need a hand?

01:26:54Miss Ashland, do you need a hand?

01:27:24Miss Ashland, do you need a hand?

01:27:54Miss Ashland, do you need a hand?

01:28:24Miss Ashland, do you need a hand?

01:28:54Miss Ashland, do you need a hand?

Sightless 2020 – Full Movie

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