- 11 hours ago
Full Episode of In Other Words, I Love You
Category
🎥
Short filmTranscript
00:00:01I've always described the world in words.
00:00:05People, moments, places.
00:00:08But in that moment, I forgot them all.
00:00:12Be careful. You're talking about the king of Ashford.
00:00:15He's hot.
00:00:16I don't find bullies attractive.
00:00:18Good morning!
00:00:19He's lonely and kind of pathetic.
00:00:21Breathe the room before opening your mouth.
00:00:24American.
00:00:26She said you'd be moving in today.
00:00:28There's been some kind of misunderstanding.
00:00:31I'm not staying here.
00:00:32You must stay.
00:00:35I heard you stay to the whole thing for attention.
00:00:39Charles, we need to talk.
00:00:41If you don't do anything about it,
00:00:43it's only going to get worse.
00:00:46You're lying to everyone, including her.
00:00:49You didn't have to come.
00:00:51Don't tell me what I have to do.
00:00:58I've always described the world in words.
00:01:06People, moments, places.
00:01:09All through metaphors and margins.
00:01:12You okay?
00:01:13Like my mom.
00:01:15Self-made, stubborn and never wrong.
00:01:18Almost there.
00:01:20You excited for your first day?
00:01:21She calls this a fresh start.
00:01:23I call it terrifying.
00:01:31You've got this.
00:01:32Just be yourself.
00:01:33That's kind of the problem.
00:01:35I'm stuck in space.
00:01:45Start a daydream.
00:01:46Run into my brain everyday.
00:01:48Heaven in my dead.
00:01:50World of war.
00:01:51I'm stuck in space.
00:01:52Start a daydream running through my brain everyday.
00:01:54Heaven in my dead.
00:01:57Okay.
00:01:58Morning, class.
00:02:07And you're not seated because?
00:02:11I don't have a seat.
00:02:14Ah, a new transfer.
00:02:16Alice Keaton, right?
00:02:18Let's see.
00:02:19There's a spot.
00:02:20Next to Charles.
00:02:21Charles hates charity.
00:02:22Seriously?
00:02:23A charity case sitting next to Charles?
00:02:24God, what is she?
00:02:25Quiet, Charles.
00:02:26I've always had words for everything, but in that moment, I forgot them all.
00:02:49Charles, move your things.
00:02:57I'd rather not.
00:02:58She'll be a distraction.
00:03:00From what?
00:03:01Sleeping.
00:03:02From everything.
00:03:03If anything, Charles, Miss Keaton will be a positive influence on you.
00:03:07She was top of her class at her previous school.
00:03:10With all due respect, sir, her previous school was American.
00:03:15I highly doubt that.
00:03:18That's enough.
00:03:19She can sit here.
00:03:21It's fine.
00:03:22Back to Goldie.
00:03:27You got it.
00:03:28I'm Sherry Vaughn.
00:03:29Alice Keaton.
00:03:30It's very important that we look at the UNT team.
00:03:33What he's talking about, their experience of the time.
00:03:40Wait.
00:03:41You sat next to Charles?
00:03:42She didn't.
00:03:43You totally shut her down.
00:03:44Ah, knew it.
00:03:45Don't take it past me.
00:03:46He's impossible.
00:03:47Can everyone stop acting like the goal was getting into his pants?
00:03:51What?
00:03:52He's hot.
00:03:53Everyone kind of is.
00:03:56I've seen hotter.
00:03:58He's not my type.
00:03:59You're joking.
00:04:00I don't find bullies attractive.
00:04:02Hey.
00:04:03Be careful.
00:04:04You're talking about the king of Ashford.
00:04:06The what?
00:04:07His family basically own the school.
00:04:10And the town.
00:04:11Maybe even the country.
00:04:12Yeah.
00:04:13Everyone's tried to get close.
00:04:14No one can get past his ego.
00:04:16You're not the first to get iced.
00:04:18Okay.
00:04:19First of all, I wasn't iced.
00:04:20It's more like a mutual decision.
00:04:23And second, I think he's arrogant, cold, thinks he's untouchable.
00:04:28But if you really look at Charles, he just seems isolated, like he's faking out.
00:04:33Honestly, I just think he's lonely and kind of pathetic.
00:04:37What?
00:04:38No.
00:04:39Go on.
00:04:40You were saying I'm lonely and pathetic.
00:04:43Next time, read the room before opening your mouth, American.
00:05:02We're not in Kansas anymore, Alice.
00:05:06Hey, how was your first day?
00:05:23Uh, good.
00:05:25Anything exciting happen?
00:05:27Not really.
00:05:28Super uneventful.
00:05:29Really?
00:05:30How was your new job?
00:05:32Yeah, all right.
00:05:33Get this?
00:05:34They said we can stay in the servant's wing.
00:05:36Seriously?
00:05:37Hmm.
00:05:38Apparently, the young master won't mind the company.
00:05:40The young master.
00:05:42This is your boss's house.
00:05:46Yeah?
00:05:47Isn't that incredible?
00:05:48I mean, I wouldn't call it a house.
00:05:51It's a museum with better landscaping.
00:05:55Wait here.
00:05:56I'll talk to the butler.
00:06:01I'm in the room.
00:06:02I'm in the room.
00:06:03I'm in the room.
00:06:04I'm in the room.
00:06:05Bye.
00:06:06Bye.
00:06:07Guys.
00:06:08Wow.
00:06:09Rich people.
00:06:09You've topped yourselves again.
00:06:14Stephen King.
00:06:15First edition!
00:06:18Oh my god!
00:06:19I'm breaking and entering now.
00:06:28How American of you.
00:06:30I...
00:06:49You can get up now.
00:06:54I... I'm trying.
00:06:56Wait!
00:06:58Are you serious?
00:07:00Well, you said you were trying.
00:07:03What is wrong with you?
00:07:05Funny.
00:07:05I was about to ask you the same thing.
00:07:08What are you doing in my house?
00:07:11You...
00:07:11Wait.
00:07:13Your house?
00:07:15My house.
00:07:15My library.
00:07:17And now, apparently...
00:07:19My unwanted guest.
00:07:22Ah, Master Charles.
00:07:24You must be Miss Alice, Anne's daughter.
00:07:26She said you'd be moving in today.
00:07:28She what?
00:07:28There...
00:07:29There's been some kind of misunderstanding.
00:07:31You see, I'm not actually moving in.
00:07:34Is that so?
00:07:35Yeah.
00:07:36I'm not staying here.
00:07:37Like, at all.
00:07:38That's a shame.
00:07:39Your mother seemed quite pleased with the arrangement.
00:07:41Well, I just don't think it's appropriate.
00:07:44Well, if you're sure, then absolutely not.
00:07:49Come on, Alice.
00:07:51You must stay.
00:07:54It'll be fun.
00:07:56My dear classmate.
00:08:00I'm dead.
00:08:02Like mentally, socially, and actually dead.
00:08:05Just trying to figure out how exactly my life went off the rails.
00:08:17Get it together, Alice Keaton.
00:08:19You've been through hell.
00:08:20I was sure I'd never find someone to make my head spin around.
00:08:24Actually, no.
00:08:26This is hell.
00:08:30Uh, good morning.
00:08:31Uh, good morning.
00:08:39Wow.
00:08:46Sir, is that Miss Keaton?
00:08:49Well, f***ing doesn't know.
00:08:50That's often closed for months.
00:08:52She's going to be late.
00:08:53Hey, how long is this thing going to take?
00:09:02Maybe I'll just walk?
00:09:03Five miles to school.
00:09:07Okay.
00:09:08If I sprint, maybe I'll make it before first period.
00:09:12Or die of exhaustion on the way.
00:09:17Or die of exhaustion on the way.
00:09:19What are you doing here?
00:09:22Didn't you already leave?
00:09:26Wait.
00:09:27Did you come back for me?
00:09:30Relax.
00:09:32I forgot my textbook.
00:09:34Don't flatter yourself.
00:09:36Wait.
00:09:38Since you're already here,
00:09:41maybe you could be a decent person and give me a ride?
00:09:47No.
00:09:47Seriously?
00:09:49Your car is huge.
00:09:52Yeah.
00:09:53And I'm not a fan of sharing.
00:09:56Says the guy who forced me to live in his house.
00:10:03Unbelievable.
00:10:13Ashford Institute, please.
00:10:17Who needs an entitled brat anyway?
00:10:22Sir, you called the cab.
00:10:24Why not just give Miss Keaton a lift?
00:10:31Why not just give Miss Keaton a lift?
00:10:33And have the whole school go crazy.
00:10:36She's new.
00:10:37Everybody's already talking.
00:10:39So you're worried about her?
00:10:40You're overthinking.
00:10:41I just don't like drama.
00:10:50Asshole.
00:10:51Hey.
00:10:53Morning, Kloss.
00:10:55Back to Golding.
00:10:57Remind me what he's saying through Lord of the Flies.
00:10:59Mr. Kenwood, care to share what you found so amusing?
00:11:08Not particularly.
00:11:10Oh, I insist.
00:11:11You seem very entertained by Golding.
00:11:14I'm not entertained by Golding, sir.
00:11:17On the contrary.
00:11:18I think his ending is weak.
00:11:23Wait, wait.
00:11:24You actually read it?
00:11:25Quiet.
00:11:25That's an interesting take.
00:11:29Explain.
00:11:32He had the set up for something brutal.
00:11:35Something honest.
00:11:36But in the end, he backed out.
00:11:38He could have left the boys on the island.
00:11:40Forced them to confront the collapsible morality.
00:11:43Let them choose survival.
00:11:44Or death.
00:11:45But instead, he gave them a rescue boat.
00:11:49Slapped a happily ever after on a book about savagery.
00:11:55It's a waste.
00:11:57Don't you think?
00:11:58I'm delightfully surprised, Charles.
00:11:59Didn't think you had such strong literary opinions.
00:12:03I'm always a model student, sir.
00:12:05Let's not get ahead of ourselves.
00:12:08So, a critique of Golding's mercy.
00:12:12Anyone disagree?
00:12:15I think Golding knew exactly what he was doing by ending the book that way.
00:12:32It's not mercy, it's irony.
00:12:35How so?
00:12:38The rescue isn't a happy ending.
00:12:40You don't just walk back into society and forget you're a monster.
00:12:43Golding didn't save them, he left us with the discomfort of pretending they could be saved.
00:12:48That's an interesting take, Miss Keeter.
00:12:50You still think it's a harsh critique?
00:12:53In some ways, but not harsh enough.
00:12:57Yes, it's a critique of toxic masculinity, but still, Golding sympathized with them.
00:13:02And the civilized world?
00:13:04Toxic, violent, he didn't call that out nearly as much.
00:13:07So, yeah, I don't think Golding pushed far enough, but I think it's unfair to call it a happy ending.
00:13:16Thank you, Miss Keeter.
00:13:17Well said.
00:13:19Anyone else?
00:13:22Both opinions are valid.
00:13:24Okay, that's kind of epic.
00:13:25Golding faced major backlash when he first published the book.
00:13:30Good literature will always divide opinion.
00:13:35What's happening to me?
00:13:42Okay, what is going on?
00:13:44Why is everyone staring at me?
00:13:46Well, you're new.
00:13:48And apparently had a thing with Charles.
00:13:50A what now?
00:13:51You two are in the middle of this epic feud as you've seen in years.
00:13:55We're not even fighting.
00:13:56Well, according to everyone, you confessed your love on day one, got rejected, begged to sit next to him, got rejected again.
00:14:04And today in class, you broke down crying about not believing in happy endings and stormed out in tears.
00:14:12You were there, Sherry.
00:14:13That is not what happened.
00:14:16Doesn't matter.
00:14:17People believe what they want to believe.
00:14:19And they want Charles to be flawless, untouchable.
00:14:23Wow.
00:14:24Is misogyny like a rich kid thing or just a British specialty?
00:14:27Honestly, both.
00:14:30But seriously, Alice, some people already see you as a threat.
00:14:41Okay.
00:14:42Loaded.
00:14:44Looks like the new girl's in for a rough first semester.
00:14:49Hello?
00:15:02Hello?
00:15:04Hello?
00:15:06Is somebody out there?
00:15:08Oh, come on!
00:15:10Fine.
00:15:23Fine.
00:15:37Seriously?
00:15:38Oh, shit.
00:15:47What the hell?
00:15:49Anne, I thought you were having dinner with Alice?
00:15:52She hasn't come home.
00:15:53Her phone is off.
00:15:54Maybe you've seen her this evening?
00:15:59Yikes.
00:15:59Looks like the new girl's in for a rough first semester.
00:16:02Shit.
00:16:13Alice!
00:16:14Alice!
00:16:15Alice!
00:16:16Mr. Pelton.
00:16:17Charles Kenwood here.
00:16:18I was wondering if I could get the timetable for Alice Keaton.
00:16:21She hasn't come home.
00:16:22I'll have it sent over.
00:16:24Check the common room in the library.
00:16:26I'll take the rest.
00:16:28Alice!
00:16:28Alice!
00:16:28Come on, Alice.
00:16:46Close your eyes and jump.
00:16:48It's fine.
00:16:50You're fine.
00:16:51Hey, Mr. Nonchalant.
00:17:16Are you happy with how we end?
00:17:24What are you doing here?
00:17:29Can you get off me first?
00:17:30Oh, so sad again.
00:17:33Did I ask for two months?
00:17:37Isn't my fault I thought we were polite.
00:17:40You're welcome.
00:17:42I didn't say thank you.
00:17:44I figured saving your life might earn me basic manners.
00:17:46Someone just dumped swamp water on me.
00:17:49Excuse me if I'm not feeling very polite.
00:17:51You smell like a biology experiment.
00:17:54Wow.
00:17:55You should try falling out of a window into someone's arms and getting insulted for it.
00:17:59Wouldn't recommend it.
00:18:00You're heavier than you look.
00:18:03I hope you pull your shoulder.
00:18:10Are you okay?
00:18:12No.
00:18:13But I will be.
00:18:15Someone did this on purpose.
00:18:17What do you think, golden boy?
00:18:20Don't worry, I can handle it.
00:18:21You shouldn't have to.
00:18:26I'm...
00:18:26sorry.
00:18:29Did you just...
00:18:40apologize to me?
00:18:42Don't get used to it.
00:18:43I wouldn't dream of it.
00:18:46Alice?
00:18:48Over here.
00:18:49Oh, my God.
00:18:52You okay?
00:18:52Why are you drenched?
00:18:56Yeah, I just...
00:18:57took a weird shower.
00:18:59Tap exploded.
00:19:02Come on.
00:19:03Let's get you home.
00:19:14Alice Keaton, right?
00:19:15I heard you staged the whole thing for attention.
00:19:19I know how this place works.
00:19:45If you don't do anything about it, it's only going to get worse.
00:19:49I'll look into it.
00:19:52Charles?
00:19:54Good on you.
00:19:56How many here would speak up?
00:20:01I can't believe someone actually locked you in.
00:20:04That's insane.
00:20:05Where the hell was the school when this was happening?
00:20:07Busy protecting their golden boys and trust funds.
00:20:10Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.
00:20:16Please, he just didn't want a lawsuit.
00:20:18Being a scholarship student has its perks, like saving a fortune on tuition and getting into schools that normally wouldn't even let you pass the gates.
00:20:44Hey, we miss you in Paris.
00:20:49Though there are enough Americans to remind us of you.
00:20:51But sometimes, being here means staying behind.
00:20:55And watching Ashford Elites go on a two-week enrichment program you can never afford.
00:21:02Have fun.
00:21:03Bring me something overpriced and unnecessary.
00:21:08The trip cost 20 grand in pounds, which translates to mom's salary for half a year.
00:21:16So, yeah, I didn't go.
00:21:18What are you doing here?
00:21:41Do you not believe in shirts?
00:21:43Do you not believe in dignity?
00:21:45It's comfortable.
00:21:46You look like a rejected Ewok.
00:21:48This, this is not even your kitchen.
00:21:50And this is not even your house.
00:21:52And yet, you're here, dressed like this.
00:21:55Just don't, look, go away.
00:21:57Hard not to, when you're walking around dressed like that.
00:22:00What do you guys call it?
00:22:02Um, buzzkill?
00:22:05Cockblock.
00:22:06You're insufferable.
00:22:07You're the one cosplaying at breakfast.
00:22:09You know what?
00:22:10I don't get it.
00:22:11Why didn't you go on that tour?
00:22:12I thought rich people live for that kind of thing.
00:22:14Why do you think?
00:22:18How would I go?
00:22:22I could practically recite the itinerary in my sleep.
00:22:27Florence.
00:22:28Walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian.
00:22:32Or Tiziana, if you want to sound extra pretentious.
00:22:36Then Venice, because everybody loves a good canal and getting lost in the most confusing city on earth.
00:22:42Next stop, Napoli, marvel at Pompeii.
00:22:45Pretend you're shocked, ancient people had plumbing.
00:22:48The final stop, Paris, the ultimate city of romance.
00:22:54And, naturally, Woody Allen's favourite city outside of New York.
00:23:01That's word for word.
00:23:04I told you, I've done this tour so many times I could run it.
00:23:07OK, but still, it's Europe. Most people would kill for that chance.
00:23:11Most people haven't had their phones stolen in Paris. Twice.
00:23:16Also, I hate the accommodations.
00:23:18Aren't they all five-star hotels?
00:23:20Standard rooms in five-star hotels. No, thank you.
00:23:25Wow. Some were born in Rome, huh?
00:23:27Well, that's unfortunate. It's a very chaotic city.
00:23:30One word of advice? Shut up.
00:23:32That's two words.
00:23:33You're weird. You're loud. You're annoying.
00:23:37You're in my kitchen. You have three other kitchens.
00:23:40And I prefer this one. Just for today.
00:23:43Come back when you've got a shirt on.
00:23:45Come back with normal clothes on.
00:23:46You didn't have to come.
00:23:47Don't tell me what I have to do.
00:23:57Master Charles, roads are flooded. Staff won't make it tonight.
00:24:00Will you be alright sorting dinner?
00:24:03I've got it sorted.
00:24:18Jesus, what are you doing?
00:24:20Relax.
00:24:23I'm here to make a deal.
00:24:25What deal? You nearly gave me a heart attack.
00:24:31You'll survive.
00:24:32I'm not selling my body.
00:24:39I'm not selling my body.
00:24:45Wow.
00:24:46I am deeply offended.
00:24:49That thought disgusts me.
00:24:51Then what are you doing?
00:24:52The staff's off tonight.
00:24:54I'm buying dinner.
00:24:55Did you seriously think I'd spend a hundred pounds on...
00:25:00No, I'm...
00:25:01Jesus.
00:25:03Wait.
00:25:04You think I'm not worth one hundred pounds?
00:25:08I'm not spending one hundred pounds to snort Chewbacca.
00:25:11You know what?
00:25:12Dinner's cancelled.
00:25:13Are you sure about that?
00:25:19I present to you.
00:25:21Meatball spaghetti, stir-fried veggies, and french fries.
00:25:24You're welcome.
00:25:25Interesting combo.
00:25:27Well, I know we're not in Italy or France, but this will do.
00:25:29It's good.
00:25:39Was that a compliment?
00:25:41Although, I am obliged to inform you.
00:25:44Meatball spaghetti isn't Italian.
00:25:46It's American.
00:25:47And french fries, likely born in South America.
00:25:50You should read more.
00:25:53Put it down.
00:25:55I paid for it.
00:25:56You really just have to win every argument, don't you?
00:25:58To be fair, you make it very easy.
00:26:02It's only easy because it costs you a hundred pounds.
00:26:06You know, if you'd ask for more, I probably would have given it to you.
00:26:08I'll make sure.
00:26:19Okay, Alice, it's fine.
00:26:26You're fine.
00:26:34911, what's with your emergency?
00:26:41911, what's with your emergency?
00:26:42It's my dad.
00:26:43He needs help.
00:26:44He just had a stroke.
00:26:45Okay, miss.
00:26:46Hurricane's constant traffic.
00:26:47Shut down.
00:26:48We'll get to you as soon as we can.
00:26:49Please, he's not well.
00:26:51I understand.
00:26:52Can you confirm your address?
00:26:55Dad, yes, I'm right here.
00:26:57All right.
00:26:59My daughter.
00:27:01Please stay with me, Dad.
00:27:02Please.
00:27:07No.
00:27:09Please, wake up.
00:27:14Dad, please.
00:27:16Please don't leave me.
00:27:19Please, I'll leave me.
00:27:20Please, I'll leave me.
00:27:49what are you doing here you were crying loudly kind of hard to ignore right sorry
00:28:03for the noise wait no snarky come back not tonight I'm too tired if you're here
00:28:11to argue knock yourself out you were calling for your dad right hurricane hit New York power
00:28:21went down traffic froze dad had a stroke but he couldn't get help in time I sat there with a candle
00:28:32oh he laid there peaceful he was asleep but he wasn't so that's why you and your mom moved here
00:28:47this used to be our hometown after dad left we had nowhere else to go
00:28:55what are you doing
00:29:01come on
00:29:06wait I thought the power was out
00:29:24it is we have our own generator wow rich people houses huh just for tonight I'll allow it
00:29:33allow what you can call this place your house so enjoy it Stephen King's first edition Alan
00:29:41Gisberg's handwritten letters Jane Austen's notes all yours
00:29:46this is your home Alice Keaton
00:29:54careful almost sounded sweet don't push it okay then I have one request what is it
00:30:13are you ever going to make a move wait give me a second I'm thinking you had one wish anything in the world and in the middle of a thunderstorm inside a literal mansion you chose chess
00:30:22yeah got a problem it's just so cool like spies or genius villains in movies it's literally a
00:30:31board game says the guy who owns a custom set wait does the night go diagonally for the 10th time it moves in an L shape
00:30:39one two and turn there happy
00:30:48ecstatic
00:31:00ecstatic
00:31:02good
00:31:04good
00:31:04that's suicide or a brilliant long-term sacrifice you are playing checkers at a
00:31:08chessboard still beating you in sarcasm you literally
00:31:11We haven't won any past arguments.
00:31:13Golding disagrees.
00:31:14It's going to take a long night.
00:31:16Oh my, no.
00:31:18Why? What's going on?
00:31:19You can't do that.
00:31:20We're not acting like that as well.
00:31:21No, no, oh my god.
00:31:41Maybe he's not so awful after all.
00:31:52Um, who are you?
00:31:59What are you doing here?
00:32:00Well, your parents said you were still at home.
00:32:02Thank god you skipped that boring grand tour.
00:32:05Who needs Italy and France again, right?
00:32:07When did you get back?
00:32:08Last night, from Zurich.
00:32:10You didn't answer my messages.
00:32:14I missed you.
00:32:15Anyway, thought I'd come surprise you.
00:32:17Apparently, I'm transferring to Ashford.
00:32:20Your parents were so thrilled.
00:32:22They didn't tell me about this.
00:32:24I wanted to deliver the happy news myself.
00:32:26They said it'd be lovely for us to reconnect.
00:32:29You know, considering the engagement and all.
00:32:32Engagement?
00:32:34Oh, did no one tell you?
00:32:37He's promised.
00:32:39Old money stuff.
00:32:41Very retro.
00:32:42I didn't agree to that.
00:32:43You didn't have to.
00:32:44It's never up to us.
00:32:47Where did you find this little toy?
00:32:49Serena?
00:32:50I didn't hear you, you know.
00:32:51Oh, an American.
00:32:53How refreshing.
00:32:59Goodbye.
00:33:00Wait.
00:33:01Where are you going?
00:33:02You still owe me breakfast.
00:33:15You only paid for dinner.
00:33:16I had homework.
00:33:17Goodbye.
00:33:18Your little toy has quite the temper.
00:33:19Serena, can you please just stop?
00:33:20What?
00:33:21Teasing the help.
00:33:23That's her.
00:33:24That's her.
00:33:25That's her.
00:33:26That's the one from Kenwood's house.
00:33:28Was she, like, the maid or something?
00:33:29Was she, like, the maid or something?
00:33:30Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
00:33:31Hey, you say, Mary?
00:33:32Ah, she came in, baby?
00:33:33Yeah, she made every thing about it.
00:33:35Like, hey, it's.
00:33:36No, call her.
00:33:37Thank you, Mary.
00:33:40She's gonna hang off here.
00:33:45No, no, no, no, no.
00:33:47Hi, cuatro.
00:33:49Please give me a microphone, darling.
00:33:52Call your hand experts at my office.
00:33:57OK, ooh, no, no, no.
00:33:58Nice to have a petition.
00:33:59Don't miss Ctrl someone.
00:34:00oh my god what's wrong with people they're saying you live with Charles
00:34:05oh and Serena what about her well apparently she told everyone you were
00:34:10caught sneaking into his room of course she did
00:34:15careful Alice you're starting to look desperate
00:34:28come to the music room
00:34:45urgent I just remembered I need to check something
00:34:49you guys go ahead
00:34:50yeah okay
00:34:51is someone there seriously this is getting old
00:35:02wait
00:35:14music room what
00:35:16James is anybody in here earlier just Miss Serena said she was waiting for you
00:35:24sir
00:35:26sir it's raining
00:35:28come on Alice you're fine you're not that girl again
00:35:44wait can you remind me one more time
00:35:53rooks move in straight lines
00:35:57bishops move diagonally
00:35:59and knight
00:36:00the knight's a weird one
00:36:02rooks
00:36:08straight lines
00:36:10bishops
00:36:11diagonally
00:36:14hello
00:36:15the text
00:36:35are you okay
00:36:37are you hurt
00:36:38I'm okay I saw the text and I thought
00:36:43I didn't see the message
00:36:44Serena took my phone I didn't know
00:36:47I'm sorry
00:36:48I'm okay
00:36:49you're gonna catch a cold
00:36:52you're freezing
00:36:53you didn't have to come
00:36:54don't tell me what I have to do
00:36:59give me hope that feels like hope
00:37:05that wasn't a mistake if that's what you're about to say
00:37:25I wasn't going to
00:37:29I'm really bad at this you know
00:37:42what kissing
00:37:44hiding feelings
00:37:46all right
00:37:47all right
00:37:47dump those Ewok pyjamas
00:38:09oh you wish
00:38:12seriously
00:38:14it's a cock block
00:38:15you kissed me
00:38:18that's basically consent to everything
00:38:23dangerous words Keaton
00:38:28I might hold you to that
00:38:30you'll be working in pairs on your comparative essays
00:38:42the list is on the board
00:38:441, 2, 3, 4
00:38:48paper planes
00:38:51are you okay
00:38:52fly me to outer space
00:38:56that's where I'll see your face
00:39:01and have you with me
00:39:04it may seem dark
00:39:10but you always light my spark
00:39:15in my heart
00:39:19you're welcome
00:39:22they're either enemies
00:39:27we're secretly married
00:39:29honestly
00:39:30brave
00:39:32I was sure I'd never find someone
00:39:36to make my head spin around
00:39:38no one's ever gonna be the thing I need
00:39:40they all just let me down
00:39:42but baby
00:39:43you saved me
00:39:45until I'm brand new
00:39:48everything's so different
00:39:50now
00:39:51so the night goes in an L shape right?
00:39:55why is that the only one you remember?
00:39:58because it's weird
00:39:59and I like weird
00:40:02check
00:40:10you're cheating
00:40:16I'm winning
00:40:17there's a difference
00:40:19you are very distracting
00:40:20and you like it
00:40:23I'll be there for you
00:40:24I'll be there for the darkest days
00:40:30I'll hold you in my arms
00:40:33Charles
00:40:33we need to talk
00:40:36I expected poor judgement
00:40:46but this in my house
00:40:48it isn't what it looks like
00:40:49no
00:40:51kissing a servant's daughter
00:40:52in the family library
00:40:54enlighten me then Charles
00:40:56we came back tonight
00:40:57after speaking with Serena
00:40:59imagine our surprise
00:41:00walking in on
00:41:02this
00:41:03she isn't just
00:41:03you have no right
00:41:05to barge in
00:41:06on my property
00:41:07I care about her
00:41:12I'm not ashamed
00:41:13that's enough
00:41:14why do you care?
00:41:18we're protecting our son's future
00:41:20and our name
00:41:23you think this protects me?
00:41:24we think
00:41:25she does not belong
00:41:27in your world
00:41:28then maybe I don't either
00:41:33you're ready to give up everything
00:41:36for a girl
00:41:37you barely know
00:41:38yes
00:41:42then
00:41:43are you sure
00:41:44she's ready
00:41:46I'm asking you
00:41:53do you think
00:41:54she's ready
00:41:55to lose everything
00:41:56regardless of how little
00:41:57that is
00:41:58just to be with you
00:42:00what are you talking about?
00:42:02you left us no choice son
00:42:03you shouldn't disobey your father
00:42:05Pelton
00:42:08it's Frederick Kenwood
00:42:10ah
00:42:11Mr Kenwood
00:42:12how can I help?
00:42:13if a scholarship student
00:42:15were to violate
00:42:16our behavioural code
00:42:18in a public setting
00:42:19with photographic evidence
00:42:21would that warrant a review?
00:42:23yes sir
00:42:24so
00:42:27answer me again
00:42:29do you think
00:42:31she's ready
00:42:31to lose everything
00:42:32just to be with you?
00:42:34Charles
00:42:45what happened?
00:42:47did your parents say something?
00:42:48are they mad?
00:42:48is everything okay?
00:42:50pack your things
00:42:51you can't stay here anymore
00:42:54what?
00:42:57my parents fired your mother
00:42:58she's leaving
00:43:00so you
00:43:01wait
00:43:01why?
00:43:02is it because of us?
00:43:04we can fix this
00:43:05I'll get a job
00:43:06stop it
00:43:06you don't get it
00:43:07if I don't walk away from this
00:43:10they'll cut me off
00:43:11okay?
00:43:13no card
00:43:14no trust
00:43:15no support
00:43:15nothing
00:43:17then
00:43:18then we'll figure it out
00:43:20we don't need all that
00:43:21do you really think
00:43:24I'm going to live like that?
00:43:28so that's what this was
00:43:29just
00:43:30fun until it got inconvenient
00:43:32what did they promise you?
00:43:38nothing
00:43:39they just reminded me
00:43:43of what's
00:43:43real
00:43:44Charles
00:43:48I'm not stupid
00:43:49you don't just turn into a cold stranger
00:43:52because of one conversation
00:43:53what did they threaten you with?
00:44:00what did they threaten you with?
00:44:02this is the difference between me and you
00:44:04what?
00:44:05you think you know me
00:44:06or what I have
00:44:08or what I have
00:44:08you don't
00:44:09Alice
00:44:10you're still lying
00:44:12I'm not
00:44:12Alice
00:44:13look around you
00:44:14this mansion
00:44:16you thought was a museum
00:44:17it's my house
00:44:20my world
00:44:21I was bored
00:44:23I was bored into this
00:44:23I am not choosing
00:44:24between this
00:44:26and something I picked up
00:44:30for a moment
00:44:31of fun
00:44:31don't do this Charles
00:44:35you don't mean it
00:44:37it was fun
00:44:38but you
00:44:39you don't compare to what I own
00:44:42I'll survive the loss
00:44:46right
00:44:49I should have known
00:44:52guys like you
00:44:55don't end up with girls like me
00:44:56you play with them
00:45:00then you throw them away
00:45:01go to sleep Alice
00:45:04this fall is a little more
00:45:17than I expected
00:45:19in so deep I can barely see myself
00:45:25the air around me feels so heavy
00:45:30but depleted
00:45:31but I find this the place
00:45:36to test myself
00:45:37oops
00:45:47oh sorry
00:46:05didn't see that
00:46:06then again
00:46:07nobody does
00:46:08move please
00:46:10try begging
00:46:13you know what
00:46:19keep it
00:46:20poor thing
00:46:26so dramatic
00:46:27don't
00:46:29excuse me
00:46:31I warned you
00:46:32walk away Serena
00:46:34last week's group assignments were mostly forgettable
00:46:58but one pair surprised me
00:47:00in a good way
00:47:01Charles Kenwood
00:47:03and Alice Keaton
00:47:04would you mind giving us a short summary
00:47:07she loves the sound of her own voice
00:47:09better have it
00:47:11I couldn't stay
00:47:12I couldn't wait
00:47:13I thought that you should know that I would have
00:47:17can hang around
00:47:18our essay explored what happens when two fundamentally different voices meet
00:47:23like logic and chaos
00:47:25or silence and noise
00:47:27different worlds
00:47:29different rules
00:47:30at first glance
00:47:33they clash
00:47:34but what makes the story interesting
00:47:37is what happens next
00:47:38confusion
00:47:39curiosity
00:47:40but in the end
00:47:42some stories aren't about staying
00:47:43and yes
00:47:45there is no such thing as a happy ending
00:47:57and yes
00:47:57there is no such thing as a happy ending
00:47:59is she still talking about the essay
00:48:03Miss Keaton
00:48:06dramatic as always
00:48:09all right
00:48:10thank you Alice
00:48:11that was
00:48:13later
00:48:14are you okay
00:48:16a reminder
00:48:17that good literature
00:48:19always stirs something
00:48:21hello
00:48:24hi
00:48:25here's Alice Keaton
00:48:26this is Whitmore Press
00:48:27we've been following your work
00:48:28we'd like to offer you a long term publishing contract
00:48:30name your price
00:48:31we'll make it work
00:48:33sorry what
00:48:34that's
00:48:44kind of
00:48:45insane
00:48:46who's behind this
00:48:48your sponsor wishes to remain anonymous
00:48:50can
00:48:51can I meet them
00:48:53I want to
00:48:55please
00:48:57or at least tell me a name
00:48:59sorry
00:49:03they wish to stay in office
00:49:04so their only interest in words
00:49:06not the person
00:49:07I'd really like to meet them
00:49:08I'm sorry
00:49:09Miss Keaton
00:49:09they were very good
00:49:10I think the most generous
00:49:11talk we've ever given
00:49:12is if you wrote them
00:49:13I see
00:49:15congratulations again
00:49:16you got the interview
00:49:22it's just an interview
00:49:23I haven't gotten in yet
00:49:24still
00:49:24Alice Keaton at Oxford
00:49:26that's iconic
00:49:28you okay
00:49:37yeah
00:49:39I'm so excited
00:49:41it's done
00:49:54it's done Mr. Kenwood
00:49:55Miss Keaton signed the contract
00:49:56good
00:49:58it's a generous deal
00:50:00you sure you don't want it to know
00:50:02no
00:50:03no
00:50:05it's better if I stay out of her life
00:50:07I will be for you
00:50:10I'll be there in your darkest days
00:50:16congratulations
00:50:17Alice Keaton
00:50:19go live the life
00:50:20you were always meant to
00:50:22your engagement announcement
00:50:29should align perfectly
00:50:31with the Foundation Gala
00:50:32and the Browns already offered
00:50:35to host the London reception
00:50:36it's all coming together
00:50:39beautifully
00:50:41I've lost my appetite
00:50:44I'll go check on him
00:50:49what's your problem Charles
00:50:56disengagement
00:51:00it's not happening
00:51:02it's not up to you
00:51:03you know that
00:51:04Serena we're not doing this
00:51:05you've changed
00:51:08or maybe I finally just stopped
00:51:13pretending
00:51:14I'll go check on him
00:51:44You've been funding Alice Keaton this whole time.
00:51:49So?
00:51:51You lied to everyone, including her.
00:51:54I protected her.
00:51:57You loved her.
00:51:59Still do.
00:52:02Let it go, Serena.
00:52:05There's no point.
00:52:15I need a favour.
00:52:16Find out when the Oxford interview is.
00:52:20And make sure Alice Keaton won't show up.
00:52:27Anything? No?
00:52:29She's not answering.
00:52:31The interview's almost over.
00:52:32Well, she won't just not show up.
00:52:34Something's wrong.
00:52:37Where's Alice?
00:52:39When was the last time you heard from her?
00:52:40From last night.
00:52:41She said she was prepping all evening.
00:52:44James, track someone for me.
00:52:51Wait, where are you going?
00:53:00Chill, okay?
00:53:01It won't hurt you.
00:53:03Yeah, we're just supposed to keep you away from the interview.
00:53:05That's it.
00:53:14Shit!
00:53:15Come back!
00:53:19ANN
00:53:42I remember how it meant
00:53:46Didn't need a second guess
00:53:50Hey, hey, hey, Alice, Alice
00:53:56Alice, hey, hey, stay with me, stay with me, stay with me, Alice
00:54:00Alice
00:54:06You're awake?
00:54:09Where, where am I?
00:54:11Local clinic
00:54:12Passer-by brought you in
00:54:13Passer-by
00:54:15He found you on the side of the road
00:54:18He had to leave, he didn't leave a name
00:54:19Oh
00:54:22The interview, what time is it?
00:54:26Easy, it's okay
00:54:27Someone already contacted the university
00:54:29And sent in your writing samples
00:54:32They've rescheduled your interview for tomorrow
00:54:34Wait, what, who?
00:54:35No idea, but it's all taken care of
00:54:40What did you say?
00:54:42Nothing
00:54:43I just
00:54:44Had a dream
00:54:47I got him!
00:54:59I got him!
00:54:59Oh, I knew it
00:55:04Too bad Charles isn't here to watch you crush it
00:55:07He's not here
00:55:09Oh, you didn't know
00:55:12Know what?
00:55:14He left
00:55:14A few days ago, yeah
00:55:16Everyone doesn't really know where he went
00:55:18Honestly, Astra's been quieter without him
00:55:21It's probably for the best
00:55:22Come on
00:55:22Tell us
00:55:24I couldn't stay
00:55:25I couldn't wait
00:55:26I thought that you should know
00:55:29Tell us
00:55:29The summer I met Charles Kenwood was loud
00:55:35Chaotic
00:55:37Unexpected
00:55:39And with his absence
00:55:43Come on
00:55:43It ended quietly
00:55:46Like summers always do
00:55:51Phantasy
00:55:52Did you feel it from across the room
00:55:56Did you feel a little enchanted
00:55:59And joining us today
00:56:05The decade's most unexpected literary phenomenon
00:56:09Alice Keaton
00:56:10Thank you for having me
00:56:11Now, your words moved millions
00:56:14They say your stories feel real
00:56:17Especially the ones about love
00:56:19Thank you
00:56:19Which brings us to the most obvious question
00:56:22How's your dating life like these days?
00:56:24No comment
00:56:25A little bird told me that the past four years
00:56:28Has been just writing and working
00:56:31Not even a single date
00:56:32Let me guess a bird named Sherry
00:56:34She caught me
00:56:35Still no comment
00:56:36Alright, alright
00:56:37No matter what you say
00:56:39You write love like someone who's lived it
00:56:43If you're so real
00:56:44Because once I did
00:56:46With someone who felt like chaos and clarity
00:56:48Behind Alice Keaton
00:56:50And no one ever quite matched the light after that
00:56:53And let's give it up for Alice Keaton one more time
00:56:57Congratulations Alice
00:57:08The numbers just came in
00:57:09You broke your own record
00:57:11That's incredible
00:57:14We're thinking celebration
00:57:15Press
00:57:16Photos
00:57:17Maybe tonight
00:57:18Actually
00:57:19There's something I'd rather do
00:57:21I'd like to meet with the person who
00:57:24Believed in me first
00:57:26My sponsor
00:57:27You're sure?
00:57:29Yeah
00:57:29Just once
00:57:31Tonight
00:57:327pm
00:57:33Good evening
00:57:45Good evening
00:57:50May I sit?
00:57:54Hey Mr. Nonchalant
00:58:00Hi
00:58:03Hi
00:58:05You look well
00:58:08And you look like you just stepped out of a GQ cover
00:58:13And you look like you just stepped out of a GQ cover
00:58:13You always did
00:58:15You were expecting someone else
00:58:18I was
00:58:20Hoping
00:58:22But I guess I always knew
00:58:24I didn't come here to confuse you
00:58:27Or to reopen anything
00:58:29I just wanted to say congratulations
00:58:33Oh
00:58:35Oh
00:58:35Thank you
00:58:37Thanks for keeping us
00:58:39Didn't know you're still reading
00:58:40You're rich enough not to do so
00:58:43Always
00:58:45Either way
00:58:46Your sponsorship started my career
00:58:49So
00:58:50No
00:58:50No
00:58:50No
00:58:51You earned everything
00:58:52Every word
00:58:57Every page
00:58:58Every reader
00:59:01That's what I came to say
00:59:03It was good to see you again
00:59:09I hope
00:59:09Charles
00:59:10Can you just
00:59:13Wait a little longer
00:59:16I think I knew it was you
00:59:24There was one email
00:59:27You said something
00:59:29It felt familiar
00:59:31Really?
00:59:32Kind of had that
00:59:33Rich asshole with a conscience energy
00:59:35Very on brand
00:59:37I should have anonymized my grammar
00:59:39Too late
00:59:40Your semicolon usage gave you away
00:59:42Still the only girl I know
00:59:45Who flirts through punctuation
00:59:46Still the only guy I know
00:59:48Who uses wiles unironically
00:59:49You've changed
00:59:53But
00:59:55Not really
00:59:57You haven't changed
01:00:00But
01:00:01Maybe you've grown into
01:00:03Who you really were
01:00:03Anyway
01:00:06I wanted to say
01:00:08Thank you
01:00:10And
01:00:12Thanks for being here tonight
01:00:14You didn't have to come
01:00:16Don't tell me what I have to do
01:00:19You didn't have to come
01:00:23Don't tell me
01:00:25What I have to do
01:00:27If you could go back
01:00:48If you had the chance
01:00:49To do it all again
01:00:50Would you do anything differently
01:00:51No?
01:00:52No
01:00:53No
01:00:57No
01:00:58No
01:01:03I see
01:01:08I know my answer now
01:01:13I didn't have the power
01:01:14Back then
01:01:14Not enough to protect you
01:01:17I couldn't watch you
01:01:18I couldn't watch you get crushed
01:01:19Because of me
01:01:19Because of my name
01:01:22My family
01:01:23I didn't want to be the reason
01:01:26You lost everything
01:01:27So you just disappeared
01:01:29Without a word
01:01:31If you had the chance
01:01:35To see the world
01:01:36Without me weighing you down
01:01:37If you still chose me
01:01:40After that
01:01:40You keep saying
01:01:45You wanted to give me a choice
01:01:46But you made a choice for me
01:01:49Did it ever cross your mind
01:01:53That maybe
01:01:54I would have chosen you anyway
01:01:58I didn't think I was the smart choice
01:02:05You weren't
01:02:07But I never claimed to be that smart
01:02:12This is me
01:02:21Right
01:02:22I'm still mad at you
01:02:31You know
01:02:31I'm still in love with you
01:02:35You know
01:02:35Do you want to come in for a bit
01:02:45You're asking your ex
01:02:49Who you haven't seen in four years
01:02:51To come into your hotel
01:02:53At approximately 11pm
01:02:55You were right
01:02:58You never were that smart
01:03:00You don't have to come
01:03:02Don't tell me
01:03:03What I have to do
01:03:04Stop quoting yourself
01:03:20I recycle
01:03:21It saves energy
01:03:22This feels wildly irresponsible
01:03:26You sound like a disclaimer
01:03:27You're the one who wants
01:03:28Called romance a distraction
01:03:30I said that
01:03:31Yeah
01:03:31Before calling Wuthering Heights overrated
01:03:33Still is
01:03:35You're lucky you're a good kisser
01:03:37That is cute to me
01:03:42Don't you dare quote poetry
01:03:44I wasn't going to
01:03:45I forgot all of it the day you left
01:03:48Then shut up
01:03:49And prove it
01:03:52I still can't believe this is happening
01:03:59I told you
01:04:00They're either worst enemies
01:04:02Or secretly married
01:04:03And I told you
01:04:04They're both
01:04:05I vowed to always tell you the truth
01:04:21I vowed to always tell you the truth
01:04:25Except for when you ask how your cooking was
01:04:36Then I lie
01:04:38Respectfully
01:04:39I vowed to keep choosing you
01:04:43Loudly
01:04:45Quietly
01:04:46Always
01:04:48Even when you forget to do the laundry
01:04:51Is he actually good at this
01:04:55I mean
01:04:56He did beat her at song
01:04:57I vowed to argue with you at least twice a week
01:05:03Especially over Shakespeare
01:05:05I vowed to write you into every story
01:05:08Even when I say I didn't
01:05:10You will always be part of my life
01:05:13If she quotes Austen in this toast
01:05:16I'm out
01:05:16No you're not
01:05:17You're going to cry harder
01:05:18No you're not
01:05:19You're going to cry harder
01:05:20While your eyes don't lie
01:05:22While your eyes don't lie
01:05:23While your eyes don't lie
01:05:26While your eyes don't lie
01:05:27I can't believe you picked Paris
01:05:44Such a cliché honeymoon destination
01:05:46Guard your phone
01:05:49Relax
01:05:50Just don't dress like a walking inheritance
01:05:52And you'll be fine
01:05:53You are not wearing that on our honeymoon
01:05:58Please Alice go change
01:06:01Don't tell me what I have to do
01:06:03No
01:06:08No no no no
01:06:10That is not an invitation
01:06:11Do not take off these clothes
01:06:13Overruled
01:06:13You look much better without them
01:06:16To the ones who loved in silence
01:06:23In chaos
01:06:24In chapters
01:06:25You will find your way home
01:06:28Sometimes I want to be on my own
01:06:34But I don't want to die alone
01:06:37Go
01:06:38It's up to us to make sure that we can gain what's been passed through these books
01:06:43It's up to us to make sure that we can gain what's been passed through these books
01:06:45Help us develop, learn and grow
01:06:59And kasih
01:07:00And I'll be gone by the more
01:07:00And I'll be gone by the more
01:07:05It's up to us to make sure that we can gain what's been passed through these books
01:07:08Help us develop, learn and grow
01:07:11And I'll be gone by the more
01:07:11So, I'll be gone by the more
01:07:13And I'll be gone by the more
01:07:15And I'll be gone by the more
01:07:17A-Wheel
01:07:17And I'll be gone by the more
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