In Other Words, I Love You

Zeus Thunder

In Other Words, I Love You Full Movie Full Episode In Other Words, I Love You

Transcript

00:00:00I've always described the world in words people moments places all through

00:00:10metaphors and margins okay like my mom self-made stubborn and never wrong

00:00:18almost there you excited for your first day? she calls this a fresh start I call it

00:00:24terrifying

00:00:30you've got this just for yourself that's kind of the problem

00:00:48my brain every day heaven in my dead now world's over but I'm day anyway I wanna say

00:01:03okay

00:01:04morning class and you're not seated because I don't have a seat

00:01:14ah a new transfer Alice Keaton right let's see

00:01:22no there's a spot next to Charles Charles case sherry seriously a charity case sitting next to

00:01:29Charles god what is she quiet Charles

00:01:37I've always had words for everything but in that moment

00:01:41I forgot them all

00:01:45Charles move your things I'd rather not she'll be a distraction from what sleeping

00:02:02from everything if anything Charles miss Keaton will be a positive influence on you she was top of her class at a previous school

00:02:11with all due respect sir her previous school was American

00:02:16I highly doubt that

00:02:17She can sit here it's fine

00:02:25back to Golding thank you you got it

00:02:28I'm Sherry Vaughan Alice Keaton

00:02:30it's very important that we look at

00:02:34what he's talking about their experience of the time

00:02:37wait you sat next to Charles she didn't you totally shut her down

00:02:44oh knew it don't take it personally he's impossible

00:02:48can everyone stop acting like the goal is getting into his pants

00:02:52what he's hot everyone kind of is

00:02:56I I've seen Connor he's not my type

00:03:00you're joking I don't find bullies attractive

00:03:03hey be careful you're talking about the king of Ashford

00:03:07the what his family basically own the school and the town maybe even the country

00:03:13yeah everyone's tried to get close no one can get past his ego

00:03:17you're not the first to get iced okay first of all I wasn't iced it's more like a mutual decision

00:03:24and second I think he's arrogant cold thinks he's untouchable but if you really look at Charles

00:03:31he just seems isolated like he's faking out honestly I just think he's lonely and kind of pathetic

00:03:41what no go on

00:03:49you were saying I'm lonely and pathetic

00:03:54you

00:03:57next time read the room before opening your mouth American

00:04:05we're not in Kansas anymore Alice

00:04:11hey how was your first day

00:04:24uh good

00:04:26anything exciting happen

00:04:28not really super uneventful

00:04:31really

00:04:32how's your new job

00:04:33yeah all right

00:04:34get this

00:04:35they said we can stay in the servant's wing

00:04:37seriously

00:04:39apparently the young master won't mind the company

00:04:42the young master

00:04:43this is your boss's house

00:04:47yeah

00:04:48isn't that incredible

00:04:50i mean i wouldn't call it a house

00:04:52it's

00:04:54a museum

00:04:55with better landscaping

00:04:56wait here i'll talk to the butler

00:05:08wow rich people

00:05:10you've topped yourselves again

00:05:15stephen king

00:05:17first edition

00:05:23breaking and entering now

00:05:30how american of you

00:05:39you've been paying rent

00:05:41you've been paying rent

00:05:43here in my head

00:05:45tried to fight it hard

00:05:47you can get up now

00:05:55i i'm trying

00:05:57wait

00:06:00are you serious

00:06:01well you said you were trying

00:06:05what is wrong with you

00:06:06funny i was about to ask you the same thing

00:06:09what are you doing in my house

00:06:12you

00:06:14wait

00:06:15your house

00:06:16my house

00:06:17my library

00:06:18and now apparently

00:06:20my unwanted guest

00:06:24ah master charles

00:06:25you must be miss alice

00:06:26anne's daughter

00:06:27she said you'd be moving in today

00:06:29she what

00:06:30there there's been some kind of misunderstanding

00:06:33you see i'm not actually moving in

00:06:36is that so

00:06:37yeah i'm not staying here like at all

00:06:40that's a shame

00:06:41your mother seemed quite pleased with the arrangement

00:06:43well i just don't think it's appropriate

00:06:46well if you're sure then absolutely not

00:06:50come on alice

00:06:52you must stay

00:06:56it'll be fun

00:06:57my dear

00:07:00classmate

00:07:02i'm dead

00:07:04like mentally

00:07:05socially

00:07:06and actually dead

00:07:07just trying to figure out

00:07:16how exactly my life went off the rails

00:07:19get it together alice keaton

00:07:21you've been through hell

00:07:26actually no

00:07:26it's gonna be the thing i need

00:07:28they all just let me

00:07:28this is hell

00:07:32uh good morning

00:07:41wow

00:07:41sir is that miss keaton

00:07:51what thing doesn't know

00:07:52that stops been closed for months

00:07:54she's going to be late

00:08:01okay how long is this thing gonna take

00:08:03maybe i'll just walk

00:08:05five miles to school

00:08:09okay if i sprint maybe i'll make it before first period

00:08:14or die of exhaustion on the way

00:08:20or die of exhaustion on the way

00:08:24what are you doing here didn't you already leave

00:08:26wait did you come back for me

00:08:33relax

00:08:35i forgot my textbook

00:08:37don't flatter yourself

00:08:39wait

00:08:42since you're already here

00:08:44maybe you could be a decent person and give me a ride

00:08:50no

00:08:52seriously your car is huge

00:08:54huge

00:08:55yeah

00:08:56and i'm not a fan of sharing

00:08:59says the guy who forced me to live in his house

00:09:06unbelievable

00:09:16ashford institute please

00:09:18thank you

00:09:19who needs that entitled brat anyway

00:09:25sir you called the cab

00:09:27why not just give miss keaton a lift

00:09:35why not just give miss keaton a lift

00:09:37and have the whole school go crazy

00:09:39she's new

00:09:40everybody's already talking

00:09:42so you're worried about her

00:09:44you're overthinking

00:09:46i just don't like drama

00:09:49i just don't like that

00:09:50i just don't like that

00:09:53asshole

00:09:55hey

00:09:57morning claus

00:09:59back to golding

00:10:01remind me what he's saying through lord of the flies

00:10:08mr kenwood care to share what you found so amusing

00:10:12not particularly

00:10:13oh i insist

00:10:15you seem very entertained by golding

00:10:18i'm not entertained by golding sir

00:10:21on the contrary

00:10:22i think his ending is

00:10:25weak

00:10:27wait wait

00:10:28you actually read it

00:10:28quiet

00:10:31that's an interesting take

00:10:32explain

00:10:33he had to set up for something brutal

00:10:38something honest

00:10:40in the end he backed out

00:10:42he could have left the boys on the island

00:10:44forced them to confront the collapse of vulnerability

00:10:46let them choose survival

00:10:48or death

00:10:50but instead he gave them a rescue boat

00:10:52slaps a happily ever after on a book about savagery

00:10:59it's a waste

00:11:00don't you think i'm delightfully surprised charles

00:11:03didn't think you had such strong literary opinions

00:11:07i'm always a model student sir

00:11:08let's not get ahead of ourselves

00:11:12so a critique of golding's mercy

00:11:16anyone disagree

00:11:22i think golding knew exactly what he was doing by ending the book that way

00:11:36it's not mercy it's irony

00:11:39how so

00:11:42the rescue isn't a happy ending

00:11:45you don't just walk back into society and forget you're a monster

00:11:48golding didn't save them he left us with the discomfort of pretending they could be saved

00:11:52that's an interesting tape miss keaton

00:11:55you still think it's a harsh critique in some ways but not harsh enough

00:12:01yes it's a critique of toxic masculinity but still golding sympathize with them

00:12:06and the civilized world toxic violent he didn't call that out nearly as much

00:12:11so yeah i don't think golding pushed far enough but i think it's unfair to call it a happy ending

00:12:16thank you miss keaton well said anyone else

00:12:26both opinions are valid okay that's kind of epic

00:12:30golding faced major backlash when he first published the book

00:12:34good literature will always divide opinions

00:12:40what's happening to me

00:12:44okay what is going on why is everyone staring at me

00:13:01well you're new and apparently had a thing with charles

00:13:04a what now you two are in the middle of the most epic feud i should've seen in years we're not even

00:13:10fighting well according to everyone you confessed your love on day one got rejected begged to sit next

00:13:17to him got rejected again and today in class you broke down crying about not believing in happy endings

00:13:23and stormed out in tears

00:13:25you were there sherry that is not what happened

00:13:31doesn't matter people believe what they want to believe and they want charles to be flawless untouchable

00:13:38wow is massaging like a rich kid thing or just a british specialty

00:13:42honestly both but seriously alice some people already see you as a threat

00:13:55okay loaded

00:13:57looks like the new girl's in for a rough first semester

00:14:16hello hello is somebody out there

00:14:22oh come on

00:14:38fine

00:14:50seriously

00:14:56oh shit

00:15:02what the hell

00:15:04ann i thought you were having dinner with alice

00:15:07she hasn't come home her phone is off maybe you've seen her this evening

00:15:14yikes looks like the new girl's in for a rough first semester

00:15:20she's

00:15:31mr pelton charles kenwood here i was wondering if i could get the timetable for alice keaton

00:15:36she hasn't come home i'll have it sent over check the common room in the library i'll take the rest

00:15:42i'll have it

00:15:45come on alice

00:15:46come on alice

00:15:59Close your eyes and jump

00:16:02It's fine

00:16:04We're fine

00:16:29Hey, Mr. Nonchalant

00:16:32Are you happy with how we end?

00:16:40What are you doing here?

00:16:44Can you get off me first?

00:16:56You're welcome

00:16:57I didn't say thank you

00:16:59I figured saving your life might earn me basic manners

00:17:02Someone just dumped swamp water on me

00:17:04Excuse me if I'm not feeling very polite

00:17:07You smell like a biology experiment

00:17:08Wow

00:17:10You should try falling out of a window

00:17:12Into someone's arms and getting insulted for it

00:17:15Wouldn't recommend it

00:17:15You're heavier than you look

00:17:17I hope you pull your shoulder

00:17:20Are you okay?

00:17:28No

00:17:28But I will be

00:17:30Someone did this on purpose

00:17:33What do you think, golden boy?

00:17:36Don't worry, I can handle it

00:17:37You shouldn't have to

00:17:38I'm sorry

00:17:43Sorry

00:17:50Did you just apologize to me?

00:17:58Don't get used to it

00:17:59So I couldn't dream of it

00:18:00I couldn't dream of it

00:18:01Alice?

00:18:02Over here

00:18:04Oh my god

00:18:05You okay?

00:18:06Why are you drenched?

00:18:07Why are you drenched?

00:18:08Yeah, I just took a weird shower, tap exploded

00:18:16Come on, let's get you home

00:18:20Alice Keaton, right?

00:18:31Alice Keaton, right?

00:18:33I heard she staged the whole thing for attention

00:18:35I know how this place works

00:18:47If you don't do anything about it, it's only going to get worse

00:19:05I'll look into it

00:19:07I can't believe someone actually locked you in, that's insane

00:19:21And where the hell was the school when this was happening?

00:19:23They're busy protecting their golden boys and trust funds

00:19:26Well, for what it's worth

00:19:28I heard Charles looked pretty freaked out when he ran out last night

00:19:32Please, he just didn't want a lawsuit

00:19:52Being a scholarship student has its perks

00:19:55Like saving a fortune on tuition

00:19:58And getting into schools that normally wouldn't even let you pass the gates

00:20:01Hey, we miss you in Paris

00:20:05Though there are enough Americans to remind us of you

00:20:08But sometimes, being here means staying behind

00:20:11And watching Ashford Elites go on a two-week enrichment program you can never afford

00:20:16Have fun

00:20:19Bring me something overpriced and unnecessary

00:20:25The trip cost 20 grand in pounds

00:20:29Which translates to

00:20:30Mom's salary for half a year

00:20:32So yeah, I didn't go

00:20:35Uh, what are you doing here?

00:20:58Do you not believe in shirts?

00:21:00Do you not believe in dignity?

00:21:02It's comfortable

00:21:03You look like a rejected Ewok

00:21:05This, this is not even your kitchen

00:21:07And this is not even your house

00:21:09And yet, you're here, dressed like this

00:21:11Just don't, look, go away

00:21:14Hard not to

00:21:15And you're walking around dressed like that

00:21:17What do you guys call it?

00:21:19Um, buzzkill?

00:21:21Cockblock

00:21:22You're insufferable

00:21:24You're the one cosplaying at breakfast

00:21:25You know what?

00:21:27I don't get it

00:21:28Why didn't you go on that tour?

00:21:29I thought rich people live for that kind of thing

00:21:31Why do you think?

00:21:38Where would I go?

00:21:40I could practically recite the itinerary in my sleep

00:21:43Florence, walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian

00:21:49Or Titian

00:21:50If you want to sound extra pretentious

00:21:53Then Venice

00:21:54Because everybody loves a good canal

00:21:56And getting lost in the most confusing city on earth

00:21:59Next stop

00:22:00Napoli

00:22:01Marvel at Pompeii

00:22:02Pretend you're shocked

00:22:04Ancient people had plumbing

00:22:05The final stop

00:22:06Harry

00:22:07The ultimate city of romance

00:22:11And naturally

00:22:12Woody Allen's favourite city

00:22:15Outside of New York

00:22:16That's

00:22:18Word for word

00:22:20I told you

00:22:21I've done this tour so many times

00:22:23I could run it

00:22:24Okay, but still

00:22:25It's Europe

00:22:26Most people would kill for that chance

00:22:28Most people haven't had their phones stolen in Paris

00:22:30Twice

00:22:32Also, I hate the accommodations

00:22:34Aren't they all five-star hotels?

00:22:37Standard rooms in five-star hotels

00:22:39No thank you

00:22:41Wow

00:22:42Some were born in Rome, huh?

00:22:44That's unfortunate

00:22:45It's a very chaotic city

00:22:47One word of advice?

00:22:48Shut up

00:22:49That's two words

00:22:50You're weird

00:22:53You're loud

00:22:54You're annoying

00:22:54You're in my kitchen

00:22:55You have three other kitchens

00:22:56And I prefer this one

00:22:58Just for today

00:23:00Come back when you've got a shirt on

00:23:01Come back with normal clothes on

00:23:03You didn't have to come

00:23:04Don't tell me what I have to do

00:23:05Master Charles

00:23:07Roads are flooded

00:23:07Staff won't make it tonight

00:23:08Will you be alright sorting dinner?

00:23:10I've got it sorted

00:23:12I've got it sorted

00:23:23Jesus, what are you doing?

00:23:25Relax

00:23:27I'm here to make a deal

00:23:40I'm here to make a deal

00:23:41What deal?

00:23:42You nearly gave me a heart attack

00:23:43You'll survive

00:23:45You'll survive.

00:23:50I'm not selling my body.

00:23:56I'm not selling my body.

00:24:02Wow.

00:24:03I am deeply offended.

00:24:06That thought disgusts me.

00:24:08Then what are you doing?

00:24:09The staff's off tonight.

00:24:11I'm buying dinner.

00:24:14Did you seriously think I'd spend a hundred pounds on-

00:24:17No, I-

00:24:18Jesus.

00:24:19Wait, you think I'm not worth one hundred pounds?

00:24:26I'm not spending one hundred pounds to snort Chewbacca.

00:24:28You know what?

00:24:29Dinner's cancelled.

00:24:30Are you sure about that?

00:24:36I present to you, meatball spaghetti, stir-fried veggies and french fries.

00:24:41You're welcome.

00:24:43Same combo.

00:24:44Well, I know we're not in Italy or France, but this will do.

00:24:47It's good.

00:24:56Was that a compliment?

00:24:57Although, I am obliged to inform you.

00:25:01Meatball spaghetti isn't Italian.

00:25:03It's American.

00:25:04And french fries, likely born in South America.

00:25:07You should read more.

00:25:10Put it down.

00:25:11I paid for it.

00:25:13You really just have to win every argument, don't you?

00:25:15To be fair, you make it very easy.

00:25:18It's only easy because it costs two hundred pounds.

00:25:22You know, if you'd ask for more, I probably would have given it to you.

00:25:27Okay, Alice.

00:25:28It's fine.

00:25:29You're fine.

00:25:31You're fine.

00:25:32You're fine.

00:25:33You're fine.

00:25:34You're fine.

00:25:36You're fine.

00:25:37You're fine.

00:25:43You're fine.

00:25:44You're fine.

00:25:50911, what's for your emergency?

00:25:53911, what's for your emergency?

00:25:58911, what's for your emergency?

00:26:00It's my dad.

00:26:01He needs help.

00:26:02He just had a stroke.

00:26:03Okay, miss.

00:26:04Hurricane constant traffic shut down.

00:26:05Get to you as soon as we can.

00:26:06Please, he's not well.

00:26:07I understand.

00:26:08Can you confirm your address?

00:26:10Dad.

00:26:11Yes, I'm right here.

00:26:12All right.

00:26:13My daughter.

00:26:14Please stay with me, Dad.

00:26:15Please.

00:26:16No.

00:26:17Please wake up.

00:26:18Dad, please.

00:26:19Please don't leave me.

00:26:20Dad, please don't leave me.

00:26:24No.

00:26:25Please wake up.

00:26:27Dad, please.

00:26:28Please don't leave me.

00:26:32Dad, please.

00:26:33Please don't leave me.

00:26:35Bye.

00:27:05you what are you doing here you were crying loudly kind of hard to ignore

00:27:19sorry for the night wait no snarky come back not tonight I'm too tired if you're

00:27:28here are you knock yourself out you were calling for your dad right

00:27:34hurricane hit New York power went down traffic froze dad had a stroke we couldn't get out in time

00:27:45I sat there with a candle while he laid there peaceful like he was asleep but he wasn't

00:27:59so that's why you and your mom moved here this used to be our hometown after dad left

00:28:10we had nowhere else to go

00:28:13what are you doing

00:28:19come on

00:28:24wait I thought the power was out it is we have our own generator Wow rich people houses

00:28:48just for tonight I'll allow it what you can call this place your house so enjoy it Stephen King's first

00:28:58edition Alan Gisberg's handwritten letters Jane Austen's notes all yours this is your home Alice Keaton

00:29:12I'm careful almost sounded sweet don't push it okay then I have one request

00:29:28are you ever going to make a move wait give me a second I'm thinking you had one wish anything in the world and in the middle of a thunderstorm inside a literal mansion you chose chess yeah got a problem

00:29:55it's just so cool like it's just so cool like spies or genius villains in movies it's literally a board game says the guy who owns a custom set

00:30:02says the guy who owns a custom set wait does the night go diagonally for the tenth time it moves in an L shape one two then turn there happy

00:30:17happy ecstatic

00:30:24suicide or a brilliant long-term sacrifice you are playing checkers at a chess board

00:30:27still beating you in sarcasm you literally haven't won the past arguments

00:30:30Golding disagrees

00:30:32it's going to be a long night

00:30:34was

00:30:36I'm at the end of my life

00:30:37you can't do that

00:30:38I can't do that

00:30:39no no oh my goodness

00:30:41you had to shop and tip I'm about it of all

00:30:44I'm trying to pull you in close as we're locked on your phone

00:30:47not yet I'm not okay

00:30:49so we're not bad

00:30:50the word

00:30:54holding your heart

00:30:57there inside your hands

00:30:59Maybe he's not so awful after all.

00:31:10Um, who are you?

00:31:17What are you doing here?

00:31:19Well, your parents said you were still at home.

00:31:21Thank God you skipped that boring grand tour.

00:31:24Who needs Italy and France again, right?

00:31:26When did you get back?

00:31:27Last night, from Zurich, you didn't answer my messages.

00:31:33I missed you.

00:31:34Anyway, thought I'd come surprise you.

00:31:36Apparently, I'm transferring to Ashford.

00:31:39Your parents were so thrilled.

00:31:41They didn't tell me about this.

00:31:42I wanted to deliver the happy news myself.

00:31:45They said it'd be lovely for us to reconnect.

00:31:48You know, considering the engagement and all.

00:31:51Engagement?

00:31:53Oh, did no one tell you?

00:31:56He's promised.

00:31:58Old money stuff.

00:31:59Very retro.

00:32:00I didn't agree to that.

00:32:01You didn't have to.

00:32:02It's never up to us.

00:32:05Where did you find this little toy?

00:32:07Serena?

00:32:08I didn't hear you, you know.

00:32:09Oh, an American.

00:32:12How refreshing.

00:32:18Goodbye.

00:32:19Your little toy has quite the temper.

00:32:35Serena, can you please just stop?

00:32:36What?

00:32:37Teasing the help.

00:32:38That's her.

00:32:39That's the one from Kenwood's house.

00:32:40Was she like, the maid or something?

00:32:41What?

00:32:42That's the one from Kenwood's house.

00:32:43Was she like, the maid or something?

00:32:44ok

00:32:46Is that the girl?

00:32:47Is that the one from Kenwood's house.

00:32:48She was like, the maid or something?

00:32:50What? Teasing the help?

00:32:58That's her. That's the one from Clemwood's house.

00:33:02Was she, like, the maid or something?

00:33:04Oh, my God! What's wrong with people?

00:33:22They're saying you live with Charles.

00:33:24Oh, and Serena.

00:33:26What about her?

00:33:27Well, apparently she told everyone you were caught sneaking into his room.

00:33:30Of course she did.

00:33:34Careful, Alice. You're starting to look desperate.

00:33:59Yeah.

00:34:00Can you help me?

00:34:011066.

00:34:02Yeah.

00:34:03Come to the music room. Urgent.

00:34:05Uh, I just remembered I need to check something. You guys go ahead.

00:34:08Yeah, okay.

00:34:15Hello! Is someone there? Seriously! This is getting old!

00:34:20Wait. Music room? What?

00:34:37James?

00:34:38Was anybody in here earlier?

00:34:40Just Miss Serena. Said she was waiting for you.

00:34:43Sir?

00:34:45Sir, it's raining!

00:34:46Come on, Alice. You're fine.

00:35:00You're not that girl again.

00:35:02Wait, can you remind me one more time?

00:35:07Okay.

00:35:08Rooks move in straight lines.

00:35:10Yeah.

00:35:11Bishops move diagonally.

00:35:12And knights...

00:35:13The knights...

00:35:14The knight's the weird one.

00:35:16Rooks move in straight lines.

00:35:17Bishops move diagonally.

00:35:18And knights...

00:35:19The knights' the weird one.

00:35:27Rooks...

00:35:28Straight lines...

00:35:29Bishops...

00:35:31Diagonally.

00:35:32Hello?

00:35:33Hello?

00:35:53The text

00:35:55Are you okay? Are you hurt?

00:35:58I'm okay. I saw the text and I thought...

00:36:02I didn't see the message. Serena took my phone. I didn't know. I'm sorry.

00:36:07I'm okay. You're gonna catch a cold.

00:36:11You're freezing.

00:36:12You didn't have to come.

00:36:15Don't tell me what I have to do.

00:36:32That wasn't a mistake, if that's what you're about to say.

00:36:45I...

00:36:46wasn't going to.

00:36:48I see the smiles

00:36:52Spreading like a wildfire

00:36:56Burning in the dark

00:37:00I'm really bad at this, you know.

00:37:03What? Kissing?

00:37:04Hiding feelings.

00:37:05I don't like that.

00:37:27Dump those Ewok pajamas.

00:37:29Oh, you wish.

00:37:32Seriously.

00:37:33It's a cock block.

00:37:35You kissed me.

00:37:38That's basically consent to everything.

00:37:46Dangerous words, Keaton.

00:37:48I might hold you to that.

00:37:49You'll be working in pairs on your comparative essays.

00:38:02The list is on the board.

00:38:06One, two, three, four...

00:38:11Are you okay?

00:38:12Fly me to outer space

00:38:16That's where I'll see your face

00:38:21And have you with me

00:38:27It may seem dark

00:38:30But you always lie in my spark

00:38:33You're distracting.

00:38:34You're welcome.

00:38:46They're either enemies or secretly married.

00:38:49Honestly?

00:38:51Right?

00:39:04You're welcome.

00:39:05You're welcome.

00:39:06You're welcome.

00:39:07You're welcome.

00:39:08You're welcome.

00:39:09You're welcome.

00:39:11So...

00:39:12The night goes in an L shape, right?

00:39:15Why is that the only one you remember?

00:39:17Because it's weird.

00:39:19And I like weird.

00:39:29Check.

00:39:35You're cheating.

00:39:36I'm winning.

00:39:37There's a difference.

00:39:38You are very distracting.

00:39:41And you like it.

00:39:52Charles!

00:39:54We need to talk.

00:39:56I expected poor judgement.

00:40:05But this in my house?

00:40:07It isn't what it looks like.

00:40:09No.

00:40:11Kissing a servant's daughter in the family library.

00:40:14Enlighten me then, Charles.

00:40:16We came back tonight after speaking with Serena.

00:40:19Imagine our surprise walking in on this.

00:40:22She isn't just...

00:40:24You have no right to barge in.

00:40:26On my property.

00:40:30I care about her.

00:40:32I'm not ashamed of her.

00:40:33That's enough.

00:40:37Why do you care?

00:40:38We're protecting our son's future.

00:40:41And our name.

00:40:43You think this protects me?

00:40:45We think she does not belong in your world.

00:40:47Your world?

00:40:51Then maybe I don't either.

00:40:54You're ready to give up everything?

00:40:57For a girl you barely know?

00:41:01Yes.

00:41:03Then...

00:41:05Are you sure...

00:41:07She's ready?

00:41:08I'm asking you.

00:41:10Do you think she's ready?

00:41:12To lose everything, regardless of how little that is.

00:41:14Just to be with you.

00:41:16What are you talking about?

00:41:18You left us no choice, son.

00:41:20You shouldn't disobey your father.

00:41:22Pelton.

00:41:24It's Frederick Kenwood.

00:41:25Ah, Mr. Kenwood.

00:41:26How can I help?

00:41:27If a scholarship student were to violate our behavioral code in a public setting with photographic evidence, would that warrant a review?

00:41:43Yes, sir.

00:41:47So, answer me again.

00:41:49Do you think she's ready to lose everything just to be with you?

00:42:05Charles!

00:42:06What happened?

00:42:07Did your parents say something?

00:42:08Are they mad?

00:42:09Is everything okay?

00:42:11Pack your things.

00:42:13You can't stay here anymore.

00:42:15What?

00:42:17My parents fired your mother.

00:42:19She's leaving.

00:42:20So are you.

00:42:21Wait, what?

00:42:22Why?

00:42:23Is it because of us?

00:42:24We can fix this.

00:42:25I'll get a job, anything.

00:42:26Stop, stop it.

00:42:27You don't get it.

00:42:29If I don't walk away from this, they'll cut me off.

00:42:32Okay?

00:42:33No card.

00:42:34No trust.

00:42:35No support.

00:42:37Nothing.

00:42:38Then...

00:42:39Then we'll figure it out.

00:42:40We don't need all that.

00:42:41We can...

00:42:43Do you really think I'm going to live like that?

00:42:47So that's what this was.

00:42:50Just fun until it got inconvenient.

00:42:54What did they promise you?

00:42:58Nothing.

00:43:01They just reminded me of what's real.

00:43:07Charles, I'm not stupid.

00:43:10You don't just turn into a cold stranger because of one conversation.

00:43:13What did they threaten you with?

00:43:20What did they threaten you with?

00:43:22This is the difference between me and you.

00:43:24What?

00:43:25You think you know me.

00:43:27Or what I have.

00:43:29You don't, Alice.

00:43:31You're still lying.

00:43:32I'm not, Alice.

00:43:33Look around you.

00:43:35This mansion you thought was a museum.

00:43:38It's my house.

00:43:40My world.

00:43:42I was bored into this.

00:43:44I am not choosing between this and something I picked up for a moment of fun.

00:43:51Don't do this, Charles.

00:43:55You don't mean it.

00:43:57It was fun.

00:43:59But you?

00:44:01You don't compare to what I own.

00:44:05I've survived the loss.

00:44:07Right.

00:44:11I should have known.

00:44:14Guys like you don't end up with girls like me.

00:44:19You play with them, then you throw them away.

00:44:23Go to sleep, Alice.

00:44:24Great.

00:44:25This fall is a little more than I expected.

00:44:43In so deep I can barely see myself.

00:44:47Yeah, around me feels so heavy but depleted.

00:44:53But I find that's the place to test myself

00:44:58Oops

00:45:23I'm sorry didn't see that then again. Nobody does move, please

00:45:32Try begging

00:45:38You know what keep it

00:45:45Poor thing so dramatic

00:45:49Don't excuse me. I warned you

00:45:53Walk away, Serena

00:46:15Last week's group assignments were mostly forgettable

00:46:18But one pair surprised me in a good way

00:46:21Charles Kenwood

00:46:23And Alice Keaton

00:46:25Would you mind giving us a short summary?

00:46:27She loves the sound of her own voice

00:46:29Better have it

00:46:31I couldn't wait

00:46:33I thought they used to know that I would have

00:46:37Can hang around

00:46:39Our essay explored what happens when two fundamentally different voices meet

00:46:43Like logic and chaos

00:46:45Or silence and noise

00:46:47Different worlds

00:46:49Different rules

00:46:51At first glance

00:46:53They clash

00:46:55But what makes the story interesting is what happens next

00:46:57Confusion

00:46:59Curiosity

00:47:01But in the end some stories aren't about staying

00:47:03And yes there is no such thing as a happy ending

00:47:05And yes there is no such thing as a happy ending

00:47:17And yes there is no such thing as a happy ending

00:47:19Is she still talking about the essay?

00:47:21Is she still talking about the essay?

00:47:25Miss Keaton

00:47:27Dramatic as always

00:47:29Alright

00:47:31Thank you Alice

00:47:32That was

00:47:33Laid

00:47:35Are you okay?

00:47:37A reminder

00:47:38That good literature

00:47:39Always stirs something

00:47:43Hello?

00:47:44Hi this is Alice Keaton

00:47:45This is Whitmore Press

00:47:46We've been following your work

00:47:47We'd like to offer you a long term publishing contract

00:47:49Name your price

00:47:51We'll make it work

00:47:52Sorry what?

00:47:57That's

00:47:58Kind of

00:47:59Insane

00:48:00Who's behind this?

00:48:01Your sponsor wishes to remain anonymous

00:48:03Can

00:48:04Can I meet them?

00:48:08I want to

00:48:09Please

00:48:10Or at least tell me a name

00:48:16Sorry they wish to stay in office

00:48:18So they're only interested in words not the person

00:48:20I'd really like to meet them

00:48:21I'd really like to meet them

00:48:22I'm sorry Miss Keaton

00:48:23The name was very good

00:48:24I think it's the most generous one we've ever given a Disney writer

00:48:26I see

00:48:28Congratulations again

00:48:34You got the interview?

00:48:35It's just an interview

00:48:36I haven't gotten it yet

00:48:37Still

00:48:38Alice Keaton at Oxford

00:48:40That's iconic

00:48:41You okay?

00:48:42Yeah I'm just done

00:48:43I'm so excited!

00:48:44It's done Mr. Kenwood

00:48:46Miss Keaton signed the contract

00:48:47Good

00:48:48It's a generous deal

00:48:49You sure you don't want it to know?

00:48:50No

00:48:51No

00:48:52No

00:48:53It's better if I stay out of her life

00:48:54I'll be fine

00:48:55I'll be fine

00:48:56I'll be fine

00:48:57I'll be fine

00:48:58I'll be fine

00:48:59I'll be fine

00:49:00I'll be there in your darkened states

00:49:18No, it's better if I stay out of her life.

00:49:30Congratulations, Alice Keaton. Go live the life you were always meant to.

00:49:40Your engagement and advancement should align perfectly with the Foundation Gala.

00:49:45And the Browns already offered to host the London reception.

00:49:51It's all coming together beautifully.

00:49:56I've lost my appetite.

00:50:01I'll go check on him.

00:50:07What's your problem, Charles?

00:50:09This engagement is not happening.

00:50:15It's not up to you. You know that.

00:50:17Serena, we're not doing this.

00:50:20You've changed.

00:50:24Or maybe I finally just stopped pretending.

00:50:26I've just stopped pretending.

00:50:27I'm so tired.

00:50:28I'm so tired.

00:50:29It's in a party to live.

00:50:30And I'm so tired.

00:50:31I'm so tired.

00:50:32I'm so tired.

00:50:33I'm so tired.

00:50:35I'm so tired.

00:50:36I'm so tired.

00:50:38Stop, no.

00:50:41I'm so tired.

00:50:42I'm so tired.

00:50:43I have to relax.

00:50:44You're so tired.

00:50:45And I'm so tired when I'm so tired.

00:50:46You don't know how to get a pair.

00:50:47I've lost my hands.

00:50:48I need to find you, uprising.

00:50:49You just can't lose my mind.

00:50:51But you don't know how to help.

00:50:52Tars, you're the sponsor. You've been funding Alice Keaton this whole time.

00:51:03So?

00:51:04You lied to everyone, including her.

00:51:07I protected her.

00:51:11You loved her.

00:51:13Still do.

00:51:15Let it go, Serena.

00:51:18There's no point.

00:51:22I need a favour. Find out when the Oxford interview is.

00:51:33And make sure Alice Keaton won't show up.

00:51:40Anything? No?

00:51:43She's not answering. The interview's almost over.

00:51:46Well, she won't just not show up. Something's wrong.

00:51:50Where's Alice?

00:51:52When was the last time you heard from her?

00:51:54Last night. She said she was prepping all evening.

00:52:01James, track someone for me.

00:52:04Wait, where are you going?

00:52:13Chill, okay?

00:52:14We won't hurt you.

00:52:15Yeah, we're just supposed to keep you awake from the interview. That's it.

00:52:28Shit!

00:52:28Come back!

00:52:29Come back!

00:52:29I remember how a man...

00:52:45I remember how a man...

00:52:47I remember how a man...

00:52:59Didn't need a second guess.

00:53:03Hey, hey, hey, hey, Alice.

00:53:09Alice?

00:53:10Alice, stay with me.

00:53:11Stay with me.

00:53:12Stay with me, Alice.

00:53:13Alice!

00:53:20You're awake.

00:53:22Where...

00:53:22Where am I?

00:53:24A local clinic.

00:53:25Passer-by brought you in.

00:53:27Passer-by?

00:53:28He found you on the side of the road.

00:53:31He had to leave.

00:53:32He didn't leave a name.

00:53:34Oh.

00:53:37The interview!

00:53:37What time is it?

00:53:38Easy.

00:53:40It's okay.

00:53:41Someone already contacted the university.

00:53:43Anne sent in your writing samples.

00:53:45They've rescheduled your interview for tomorrow.

00:53:47Wait, what?

00:53:47Who?

00:53:47No idea.

00:53:49But it's all taken care of.

00:53:53What did you say?

00:53:55Nothing.

00:53:57I just...

00:53:59had a dream.

00:54:00I got him!

00:54:15Oh, I knew it!

00:54:18Too bad Charles isn't here to watch you crush it.

00:54:21He's not here.

00:54:23Oh, you didn't know?

00:54:25Know what?

00:54:26He left.

00:54:27A few days ago, yeah, everyone doesn't really know where he went.

00:54:31Honestly, Ashford's been quieter without him.

00:54:34It's probably for the best.

00:54:35Come on.

00:54:41Alice?

00:54:45The summer I met Charles Kenwood was loud.

00:54:50Chaotic.

00:54:51Unexpected.

00:54:54And with his absence...

00:54:55Come on!

00:54:57It ended quietly.

00:54:59The feeling of your eyes on me.

00:55:01Like summer's always do.

00:55:05Did you feel it from across the room?

00:55:09Did you feel a little enchanted?

00:55:12I'm sorry.

00:55:13I'm sorry.

00:55:17And joining us today, the decade's most unexpected literary phenomenon, Alice Heaton.

00:55:22Thank you for having me.

00:55:24No, your words moved millions.

00:55:27They say your stories feel real, especially the ones about love.

00:55:32Which brings us to the most obvious question.

00:55:35How's your dating life like these days?

00:55:37No comment.

00:55:39A little bird told me that the past four years has been just writing and working, not even

00:55:44a single date.

00:55:45Let me guess a bird named Sherry.

00:55:46She caught me.

00:55:47Still no comment.

00:55:49All right, all right.

00:55:50No matter what you say, you write love like someone who's lived it.

00:55:56If you're so real...

00:55:57Because once, I did.

00:55:58That's why today we're here sharing the story behind Alice Keaton's love.

00:56:03And no one ever quite matched the light after that.

00:56:05And let's give it up for Alice Keaton one more time.

00:56:19Congratulations, Alice.

00:56:21The numbers just came in.

00:56:22You broke your own record.

00:56:25That's incredible.

00:56:27We're thinking celebration, press, photos, maybe tonight.

00:56:31Actually, there's something I'd rather do.

00:56:33Well, I'd like to meet with the person who believed in me first.

00:56:39My sponsor.

00:56:41You're sure?

00:56:42Yeah.

00:56:43Just once.

00:56:45Tonight, 7pm.

00:56:57Good evening.

00:57:02Good evening.

00:57:03Hey, Mr. Nonchalant.

00:57:16Hi.

00:57:17Hi.

00:57:20You look well.

00:57:23And you look like you just stepped out of a GQ cover.

00:57:27You always did.

00:57:29You were expecting someone else.

00:57:31I was...

00:57:32I was...

00:57:34Hoping.

00:57:36But I guess I always knew.

00:57:38I didn't come here to confuse you.

00:57:41Or to reopen anything.

00:57:44I just wanted to say congratulations.

00:57:48Oh.

00:57:52Didn't know you're still reading.

00:57:54You're rich enough not to do so.

00:57:55Always.

00:57:57Always.

00:57:58Either way, your sponsorship started my career, so...

00:58:03No.

00:58:04No, you've...

00:58:04You earned everything.

00:58:08Every word.

00:58:10Every page.

00:58:13Every reader.

00:58:15That's what I came to say.

00:58:16It was good to see you again.

00:58:22I hope.

00:58:22Charles.

00:58:25Can you just...

00:58:27Wait a little longer?

00:58:28I think I knew it was you.

00:58:39There was one email.

00:58:42You said something.

00:58:43It felt familiar.

00:58:44Really?

00:58:45Kind of had that...

00:58:46rich asshole with a conscience energy.

00:58:49Very on brand.

00:58:51I should have anonymized my grammar.

00:58:53Too late.

00:58:54Your semicolon usage gave you away.

00:58:55Still the only girl I know who flirts through punctuation.

00:58:59Still the only girl I know who uses wiles unironically.

00:59:05You've changed.

00:59:08But...

00:59:09Not really.

00:59:11You haven't changed.

00:59:14But maybe you've grown into who you really were.

00:59:19Anyway.

00:59:20I wanted to say...

00:59:23And...

00:59:25Thanks for being here tonight.

00:59:28You didn't have to come.

00:59:30Don't tell me what I have to do.

00:59:32I do.

00:59:35You didn't have to come.

00:59:37Don't tell me what I have to do.

00:59:40If you could go back,

01:00:01if you had the chance to do it all again,

01:00:03would you do anything differently?

01:00:04Don't tell me.

01:00:10No.

01:00:16No.

01:00:20I see.

01:00:25I know my answer now.

01:00:26I didn't have the power back then.

01:00:29Not enough to protect you.

01:00:30I couldn't watch you get crushed because of me.

01:00:34Because of my name.

01:00:35My family.

01:00:38I didn't want to be the reason you lost everything.

01:00:41So you just disappeared.

01:00:43Without a word.

01:00:44If you had the chance to see the world,

01:00:49without me weighing you down,

01:00:52if you still chose me after that...

01:00:55You keep saying you wanted to give me a choice.

01:01:01But you made a choice for me.

01:01:05Did it ever cross your mind that maybe...

01:01:07I would have chosen you anyway.

01:01:17I didn't think I was the smart choice.

01:01:20You weren't.

01:01:23But I never claimed to be that smart.

01:01:33This is me.

01:01:35Right.

01:01:37I'm still mad at you, you know.

01:01:47I'm still in love with you, you know.

01:01:57Do you want to come in for a bit?

01:02:01You're asking your ex,

01:02:03who you haven't seen in four years,

01:02:05to come into your hotel

01:02:07at approximately 11pm.

01:02:10You were right.

01:02:12You never were that smart.

01:02:14You don't have to come.

01:02:16Don't tell me what I have to do.

01:02:18It's almost like you say,

01:02:21last thing's better going.

01:02:33Stop quoting yourself.

01:02:34I recycle.

01:02:35It saves energy.

01:02:37This feels wildly irresponsible.

01:02:40You sound like a disclaimer.

01:02:41You're the one who once called

01:02:42romance a distraction.

01:02:44I said that.

01:02:45Yeah, before calling

01:02:46Wuthering Heights overrated.

01:02:48Still is.

01:02:49You're lucky you're a good kisser.

01:02:55That is cute to me.

01:02:57Don't you dare quote poetry.

01:02:58I wasn't going to.

01:03:00I forgot all of it the day you left.

01:03:02Then shut up.

01:03:03And prove it.

01:03:11I still can't believe this is happening.

01:03:13I told you,

01:03:14they're either worst enemies

01:03:15or secretly married.

01:03:17And I told you,

01:03:18they're both.

01:03:18I vow to always tell you the truth.

01:03:48Except for when you ask

01:03:49how your cooking was.

01:03:51Then I lie.

01:03:52Respectfully.

01:03:55I vow to keep choosing you.

01:03:58Loudly.

01:03:59Quietly.

01:04:01Always.

01:04:03Even when you forget

01:04:04to do the laundry.

01:04:07Is he actually good at this?

01:04:09I mean,

01:04:10he did beat her at song, Heather.

01:04:14I vow to argue with you

01:04:16at least twice a week.

01:04:17Especially over Shakespeare.

01:04:20I vow to write you

01:04:21and your every story.

01:04:22Even when I say I didn't.

01:04:25It will always be part of my life.

01:04:28If she quotes Austen in this toast,

01:04:30I'm out.

01:04:30No you're not.

01:04:31You're going to cry harder.

01:04:32I can't believe you picked Paris.

01:04:53I can't believe you picked Paris.

01:04:58Such a cliche honeymoon destination.

01:05:01Guard your phone.

01:05:03Relax.

01:05:04Just don't dress like a walking inheritance

01:05:06and you'll be fine.

01:05:09You are not wearing that on our honeymoon.

01:05:13Please, Alice, go change.

01:05:14Don't tell me what I have to do.

01:05:21No.

01:05:22No, no, no, no.

01:05:23That is not an invitation.

01:05:25Do not take off these clothes.

01:05:26I'm overruled.

01:05:28You look much better without them.

01:05:29To the ones who loved in silence,

01:05:37in chaos, in chapters,

01:05:40you will find your way home.

01:05:42I'll be right back.

01:06:03Oopsie!

01:06:03I'm sorry!

01:06:04Oopsie!

01:06:04I'm sorry!

01:06:05My king!

01:06:08Okay!

01:06:09Okay.

01:06:10Okay.

01:06:12It's up to us to make sure that we can gain what's been passed through these books.

01:06:22Help us develop, learn and grow.

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