- 7 hours ago
In Other Words I Love You
#hotdrama#
#hotdrama#
Category
🎥
Short filmTranscript
00:00:00I've always described the world in words people moments places all through
00:00:10metaphors and margins okay like my mom self-made stubborn and never wrong
00:00:18almost there you excited for your first day she calls this a fresh start I call
00:00:23it terrifying
00:00:31you've got this just for yourself that's kind of the problem
00:00:53okay
00:01:04morning class
00:01:07and you're not seated because
00:01:11I don't have a seat
00:01:14ah a new transfer Alice Keaton right
00:01:18let's see
00:01:20now there's a spot next to Charles
00:01:24Charles case sorry
00:01:26seriously a charity case sitting next to Charles
00:01:29God why is she
00:01:31quiet
00:01:32Charles
00:01:34I've always had words for everything
00:01:39but in that moment
00:01:41I forgot them all
00:01:45Charles move your things
00:01:56I'd rather not she'll be a distraction
00:02:00from what sleeping
00:02:02from everything
00:02:04if anything Charles
00:02:05Miss Keaton will be a positive influence on you
00:02:07she was top of her class at her previous school
00:02:09with all due respect sir
00:02:12her previous school was American
00:02:14I highly doubt that
00:02:17that's enough
00:02:20she can sit here
00:02:22it's fine
00:02:23back to Goldie
00:02:27thank you
00:02:27you got it
00:02:28I'm Sherry Vaughn
00:02:29Alice Keaton
00:02:30it's very important
00:02:31the moment that we look at New York
00:02:33and continue
00:02:33what he's talking about
00:02:35their experience of the time
00:02:37wait
00:02:40you sat next to Charles
00:02:42she didn't
00:02:43you totally shut her down
00:02:44oh knew it
00:02:45don't take it personally
00:02:47he's impossible
00:02:48can everyone stop acting like the goal
00:02:50was getting into his pants
00:02:51what
00:02:52he's hot
00:02:53everyone
00:02:54kind of is
00:02:55I
00:02:57I've seen Connor
00:02:58he's not my type
00:03:00you're joking
00:03:01I don't find bullies attractive
00:03:03hey
00:03:03be careful
00:03:04you're talking about the king of Ashford
00:03:07the what?
00:03:08his family basically own the school
00:03:11and the town
00:03:12maybe even the country
00:03:13yeah
00:03:14everyone's tried to get close
00:03:15no one can get past his ego
00:03:17you're not the first to get iced
00:03:19okay
00:03:19first of all
00:03:20I wasn't iced
00:03:21it's more like
00:03:23a mutual decision
00:03:24and second
00:03:25I think he's arrogant
00:03:27cold
00:03:27thinks he's untouchable
00:03:29but if you really look at Charles
00:03:31he just seems isolated
00:03:32like he's faking out
00:03:34honestly
00:03:35I just think he's lonely
00:03:36and kind of pathetic
00:03:37what?
00:03:42no go on
00:03:43you were saying I'm lonely
00:03:50and pathetic
00:03:51next time
00:03:57read the room
00:04:00before opening your mouth
00:04:02American
00:04:02we're not in Kansas anymore
00:04:06Alice
00:04:07hey
00:04:23how was your first day?
00:04:25uh
00:04:25good
00:04:26anything exciting happen?
00:04:28not really
00:04:28super
00:04:29uneventful
00:04:30really?
00:04:32how was your new job?
00:04:34yeah
00:04:34alright
00:04:34get this
00:04:35they said we can stay
00:04:36in the servant's wing
00:04:37seriously
00:04:38apparently the young master
00:04:40won't mind the company
00:04:41the young master
00:04:43this is your boss's house
00:04:47yeah
00:04:48isn't that incredible?
00:04:50I mean I wouldn't call it a house
00:04:52it's
00:04:52a museum
00:04:54with better landscaping
00:04:56wait here
00:05:01I'll talk to the butler
00:05:02wow
00:05:08rich people
00:05:09you've topped yourselves again
00:05:12Stephen King
00:05:16first edition
00:05:18breaking and entering now
00:05:29how American of you
00:05:31I
00:05:32you can get up now
00:05:55I
00:05:56I'm trying
00:05:57wait
00:05:58are you serious?
00:06:02well you said you were trying
00:06:03what is wrong with you?
00:06:06funny
00:06:07I was about to ask you the same thing
00:06:09what are you doing in my house?
00:06:13you
00:06:13wait
00:06:14your house
00:06:16my house
00:06:17my library
00:06:18and now
00:06:19apparently
00:06:20my unwanted guest
00:06:22oh master Charles
00:06:25you must be miss Alice
00:06:26Anne's daughter
00:06:27she said you'd be moving in today
00:06:29she what?
00:06:30there
00:06:31there's been some kind of misunderstanding
00:06:33you see
00:06:33I'm not actually moving in
00:06:35is that so?
00:06:37yeah
00:06:37I'm not staying here
00:06:39like at all
00:06:40that's a shame
00:06:41your mother seemed quite pleased with the arrangement
00:06:42well I just don't think it's appropriate
00:06:45well if you're sure then absolutely not
00:06:48come on Alice
00:06:51you must stay
00:06:55it'll be fun
00:06:57my dear
00:07:00classmate
00:07:01I'm dead
00:07:03like mentally
00:07:04socially
00:07:05and actually dead
00:07:07just trying to figure out
00:07:16how exactly my life went off the rails
00:07:18get it together Alice Keaton
00:07:20you've been through hell
00:07:22I was sure I'd never find someone
00:07:23to make my head spin around
00:07:25actually no
00:07:27this is hell
00:07:30but baby
00:07:31you saved me
00:07:32good morning
00:07:33wow
00:07:41sir is that miss Keaton?
00:07:50what thing doesn't know
00:07:52that stop's been closed for months
00:07:53she's going to be late
00:07:55okay
00:08:01how long is this thing gonna take?
00:08:04maybe I'll just walk?
00:08:05five miles to school
00:08:08okay
00:08:09if I sprint
00:08:11maybe I'll make it before first period
00:08:12or die of exhaustion on the way
00:08:20or die of exhaustion on the way
00:08:22what are you doing here?
00:08:25didn't you already leave?
00:08:29wait
00:08:30did you come back for me?
00:08:33relax
00:08:34I forgot my textbook
00:08:37don't flatter yourself
00:08:38wait
00:08:39since you're already here
00:08:44maybe you could be a decent person
00:08:46and give me a ride
00:08:47no
00:08:50seriously?
00:08:53your car is huge
00:08:54yeah
00:08:55and I'm not a fan of sharing
00:08:58says the guy who forced me
00:09:01to live in his house
00:09:02unbelievable
00:09:06asher institute please
00:09:18thank you
00:09:19who needs that entitled brat anyway
00:09:25sir
00:09:26you called the cab
00:09:27why not just give miss Keaton a lift?
00:09:30why not just give miss Keaton a lift?
00:09:35why not just give miss Keaton a lift?
00:09:37and have the whole school go crazy
00:09:38she's new
00:09:40everybody's already talking
00:09:42so you're worried about her?
00:09:44you're overthinking
00:09:45I just don't like drama
00:09:47asshole
00:09:54who?
00:09:57morning class
00:09:58back to Golding
00:10:00remind me what he's saying
00:10:02through lord of the flies
00:10:03Mr Kenwood
00:10:09care to share what you found so amusing?
00:10:12not particularly
00:10:13oh
00:10:14I insist
00:10:15you seem very entertained by Golding
00:10:17I'm not entertained by Golding sir
00:10:20on the contrary
00:10:22I think his ending is
00:10:24weak
00:10:26wait wait
00:10:27you actually read it?
00:10:29quiet
00:10:29that's an interesting take
00:10:33explain
00:10:33he had the set up for something brutal
00:10:38something honest
00:10:39but in the end
00:10:41he backed out
00:10:42he could have left the boys on the island
00:10:44forced them to confront
00:10:45the collapse of all morality
00:10:46let them choose survival
00:10:48or death
00:10:49but instead
00:10:51he gave them a rescue boat
00:10:52slapped a happily ever after
00:10:54on a book about savagery
00:10:56it's a waste
00:11:00don't you think?
00:11:01I'm delightfully surprised Charles
00:11:03didn't think you had such strong literary opinions
00:11:06I'm always a model student sir
00:11:08let's not get ahead of ourselves
00:11:10so
00:11:13a critique of Golding's mercy
00:11:15anyone disagree?
00:11:16I think Golding knew exactly what he was doing
00:11:35by ending the book that way
00:11:36it's not mercy
00:11:37it's irony
00:11:39how so?
00:11:42the rescue isn't a happy ending
00:11:44you don't just walk back into society
00:11:47and forget you're a monster
00:11:48Golding didn't save them
00:11:49he left us with the discomfort
00:11:51of pretending they could be saved
00:11:52that's an interesting take
00:11:53Miss Keita
00:11:54you still think it's a harsh critique?
00:11:57in some ways
00:11:58but not harsh enough
00:12:00yes
00:12:01it's a critique of toxic masculinity
00:12:03but still
00:12:04Golding sympathized with them
00:12:06and the civilized world
00:12:08toxic
00:12:09violent
00:12:09he didn't call that out
00:12:10nearly as much
00:12:11so yeah
00:12:12I don't think Golding pushed far enough
00:12:14but I think it's unfair
00:12:15to call it a happy ending
00:12:16thank you Miss Keaton
00:12:21well said
00:12:23anyone else?
00:12:26both opinions are valid
00:12:28okay
00:12:28that's kind of epic
00:12:30Golding faced major backlash
00:12:32when he first published the book
00:12:34good literature will always divide opinion
00:12:37what's happening to me?
00:12:44okay what is going on?
00:12:58why is everyone staring at me?
00:13:01well
00:13:01you're new
00:13:02and apparently had a thing with Charles
00:13:04a what now?
00:13:06you two are in the middle of the most epic feud
00:13:08Asher's teen in years
00:13:10we're not even fighting
00:13:11well according to everyone
00:13:12you confessed your love on day one
00:13:14got rejected
00:13:15begged to sit next to him
00:13:17got rejected again
00:13:18and today in class
00:13:20you broke down crying about
00:13:22not believing in happy endings
00:13:23and stormed out in tears
00:13:25you were there Sherry
00:13:28that is not what happened
00:13:29doesn't matter
00:13:31people believe what they want to believe
00:13:34and they want Charles to be flawless
00:13:36untouchable
00:13:37wow
00:13:38is massage any like a rich kid thing
00:13:41or just a British specialty?
00:13:42honestly
00:13:43both
00:13:44but seriously Alice
00:13:46some people already see you as a threat
00:13:48okay
00:13:56loaded
00:13:57looks like the new girl's in for a rough first semester
00:14:01hello
00:14:16hello
00:14:18hello
00:14:19hello
00:14:20is somebody out there
00:14:22oh come on
00:14:24fine
00:14:38fine
00:14:39seriously
00:14:53oh shit
00:14:57what the hell
00:15:03Anne
00:15:05I thought you were having dinner with Alice
00:15:07she hasn't come home
00:15:08her phone is off
00:15:09maybe you've seen her this evening
00:15:11yikes
00:15:14looks like the new girl's in for a rough first semester
00:15:18shit
00:15:23Alice
00:15:29Alice
00:15:30Alice
00:15:31Mr. Pelton
00:15:32Charles Kenwood here
00:15:33I was wondering if I could get the timetable for Alice Keaton
00:15:36she hasn't come home
00:15:37I'll have it sent over
00:15:38check the common room in the library
00:15:40check the common room in the library
00:15:41I'll take the rest
00:15:42Alice
00:15:45Alice
00:15:46come on Alice
00:15:48close your eyes and jump
00:16:02it's fine
00:16:04you're fine
00:16:06you're fine
00:16:06you're fine
00:16:11I'll somebody
00:16:12but I'll be there
00:16:13oh
00:16:16you're funny
00:16:17I've seen that
00:16:18I've been watching them
00:16:18I'll be there
00:16:19해야
00:16:30Hey, Mr. Nonchalant
00:16:35Are you happy with how we end?
00:16:40What...what are you doing here?
00:16:44Can you get off me first?
00:16:56You're welcome.
00:16:58I didn't say thank you.
00:16:59I figured saving your life might earn me basic manners.
00:17:02Someone just dumped swamp water on me.
00:17:04Excuse me if I'm not feeling very polite.
00:17:06You smell like a biology experiment.
00:17:09Wow.
00:17:10You should try falling out of a window into someone's arms and getting insulted for it.
00:17:14I wouldn't recommend it. You're heavier than you look.
00:17:19I hope you pull your shoulder.
00:17:26Are you okay?
00:17:27No.
00:17:28I will.
00:17:29But I will be.
00:17:31Someone did this on purpose.
00:17:32What do you think, golden boy?
00:17:35Don't worry, I can handle it.
00:17:37You shouldn't have to.
00:17:38I'm sorry.
00:17:40I'm sorry.
00:17:50Sorry.
00:17:55Did you just apologize to me?
00:17:57Don't get used to it.
00:17:58Don't get used to it.
00:17:59I wouldn't dream of it.
00:18:03Alice?
00:18:04Over here.
00:18:05Oh my god.
00:18:08You okay?
00:18:11Why are you drenched?
00:18:12Yeah.
00:18:13I just took a weird shower.
00:18:15Tap exploded.
00:18:18Come on.
00:18:19Let's get you home.
00:18:30Alice Keaton, right?
00:18:31I heard you staged the whole thing for attention.
00:18:32I heard you staged the whole thing for attention.
00:18:34I know how this place works.
00:18:35If you don't do anything about it.
00:18:36It's only going to get worse.
00:18:37I know how this place works.
00:18:39If you don't do anything about it.
00:18:40It's only going to get worse.
00:18:41I'll look into it.
00:18:58Charles?
00:19:00I know how this place works.
00:19:02If you don't do anything about it,
00:19:03it's only going to get worse.
00:19:05I'll look into it.
00:19:06I look into it.
00:19:09Charles, good on you.
00:19:13How many here would speak up?
00:19:18I can't believe someone actually locked you in.
00:19:20That's insane.
00:19:22Where the hell was the school when this was happening?
00:19:24Busy protecting their golden boys and trust flags.
00:19:27Well, for what it's worth,
00:19:29I heard Charles looked pretty freaked out
00:19:31when he ran out last night.
00:19:33Please, he just didn't want a lawsuit.
00:19:36Please, I don't know.
00:19:38I'm not a guy.
00:19:40I don't know.
00:19:42I'm not a guy.
00:19:44I'm not a guy.
00:19:52Being a scholarship student has its perks,
00:19:55like saving a fortune on tuition
00:19:58and getting into schools that normally wouldn't even
00:20:00let you pass the gates.
00:20:02Hey! We miss you in Paris!
00:20:05Though there are enough Americans to remind us of you.
00:20:08But sometimes, being here means standing behind.
00:20:12And watching Ashford Elites go on a two-week enrichment program you can never afford.
00:20:18Have fun. Bring me something overpriced and unnecessary.
00:20:27The trip cost 20 grand in pounds, which translates to mom's salary for half a year.
00:20:32So, yeah, I didn't go.
00:20:56What are you doing here? Do you not believe in shirts?
00:21:00Do you not believe in dignity?
00:21:02It's comfortable.
00:21:03You look like a rejected Ewok.
00:21:05This is not even your kitchen.
00:21:07And this is not even your house. And yet, you're here, dressed like this.
00:21:12Just don't look. Go away.
00:21:14Hard not to, when you're walking around dressed like that.
00:21:17What do you guys call it? Buzzkill? Cockblock.
00:21:23You're insufferable.
00:21:24You're the one cosplaying at breakfast.
00:21:25You know what? I don't get it. Why didn't you go on that tour? I thought rich people live for that kind of thing.
00:21:31Why do you think?
00:21:38Where would I go? I could practically recite the itinerary in my sleep.
00:21:43Florence. Walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian.
00:21:49Or Titian, if you want to sound extra pretentious.
00:21:53Then Venice, because everybody loves a good canal and getting lost in the most confusing city on earth.
00:21:59Next stop, Napoli. Marvel at Pompeii. Pretend you're shocked. Ancient people had plumbing.
00:22:05The final stop, Harry. The ultimate city of romance. And, naturally, Woody Allen's favourite city outside of New York.
00:22:18That's word for word.
00:22:21I told you. I've done this tour so many times, I could run it.
00:22:24Okay, but still, it's Europe. Most people would kill for that chance.
00:22:28Most people haven't had their phones stolen in Paris. Twice. Also, I hate the accommodations.
00:22:35Aren't they all five-star hotels?
00:22:37Standard rooms in five-star hotels? No, thank you.
00:22:42Wow. Some were born in Rome, huh?
00:22:44That's unfortunate. It's a very chaotic city.
00:22:47One word of advice? Shut up.
00:22:49That's two words.
00:22:52You're weird.
00:22:53You're loud.
00:22:54You're annoying.
00:22:54You're in my kitchen.
00:22:55You have three other kitchens.
00:22:57And I prefer this one.
00:22:59Just for today.
00:23:00Come back when you've got a shirt on.
00:23:02Come back when normal clothes on.
00:23:03You didn't have to come.
00:23:04Don't tell me what I have to do.
00:23:15Master Charles. Roads are flooded. Staff won't make it tonight.
00:23:18Will you be alright sorting dinner?
00:23:23I've got it sorted.
00:23:24Jesus, what are you doing?
00:23:38Relax.
00:23:40I'm here to make a deal.
00:23:42What deal? You nearly gave me a heart attack.
00:23:48You'll survive.
00:23:49I'm not selling my body.
00:23:56I'm not selling my body.
00:24:02Wow.
00:24:03I am deeply offended.
00:24:06That thought disgusts me.
00:24:08Then what are you doing?
00:24:09The staff's off tonight.
00:24:11I'm buying dinner.
00:24:12Did you seriously think I'd spend a hundred pounds on...
00:24:17No, I'm...
00:24:18Jesus.
00:24:20Wait.
00:24:22You think I'm not worth one hundred pounds?
00:24:25I'm not spending one hundred pounds to snort Chewbacca.
00:24:28You know what?
00:24:29Dinner's cancelled.
00:24:33Are you sure about that?
00:24:34I present to you.
00:24:38Meatball spaghetti, stir-fried veggies, and french fries.
00:24:41You're welcome.
00:24:43Interesting combo.
00:24:44Well, I know we're not in Italy or France, but this will do.
00:24:48It's...
00:24:49good.
00:24:50Was that a compliment?
00:24:58Although, I am obliged to inform you.
00:25:01Meatball spaghetti isn't Italian.
00:25:03It's American.
00:25:04And french fries, likely born in South America.
00:25:08You should read more.
00:25:10Put it down.
00:25:12I paid for it.
00:25:13You really just have to win every argument, don't you?
00:25:16To be fair, you make it very easy.
00:25:18It's only easy, because it costs two hundred pounds.
00:25:23You know, if you'd ask for more, I probably would have given it to you.
00:25:25I'll make sure that.
00:25:41Okay, Alice.
00:25:42It's fine.
00:25:44You're fine.
00:25:489-1-1, what's with your emergency?
00:25:589-1-1, what's with your emergency?
00:26:00It's my dad.
00:26:01He needs help.
00:26:02He just had a stroke.
00:26:03Okay, miss.
00:26:03Hurricane's constant traffic.
00:26:05Shut down.
00:26:05We'll get to you as soon as we can.
00:26:07Please, he's not well.
00:26:08I understand.
00:26:09Can you confirm your address?
00:26:12Yes.
00:26:13Daddy.
00:26:13Yes, I'm right here.
00:26:15Hi.
00:26:15My daughter.
00:26:18Please, stay with me, Dad.
00:26:20Please.
00:26:24No.
00:26:26Please, wake up.
00:26:32Dad, please.
00:26:33Please don't leave me.
00:26:35Please.
00:26:35Dad, please.
00:26:56you what are you doing here
00:27:09you were crying loudly kind of hard to ignore right sorry for the noise wait
00:27:23no snarky come back not tonight I'm too tired if you're here to argue knock
00:27:29yourself out you were calling for your dad right hurricane hit New York power
00:27:38went down traffic froze dad had a stroke we couldn't get help in time I sat there
00:27:48with a candle while he laid there peaceful but he was asleep but he wasn't so
00:28:03that's why you and your mom moved here this used to be your hometown after dad
00:28:09left we had nowhere else to go what are you doing come on
00:28:39wait I thought the power was out it is we have our own generator Wow rich people
00:28:47houses her just for tonight I'll allow it what you can call this place your house
00:28:55so enjoy it Stephen King's first edition Alan Gisberg's handwritten letters Jane
00:29:01Austin's notes all yours this is your home Alice Keaton
00:29:16careful almost sounded sweet don't push it okay then I have one request what is it
00:29:31are you ever going to make a move wait give me a second I'm thinking you had one wish
00:29:45anything in the world and in the middle of a thunderstorm inside a literal mansion
00:29:51you chose chess yeah got a problem it's just so cool like spies or genius villains in movies
00:30:00it's literally a board game says the guy who owns a custom set wait does the night go diagonally
00:30:08for the tenth time it moves in an L shape one two and turn there happy excited
00:30:19suicide or a brilliant long-term sacrifice you are playing checkers at a chessboard still beating you
00:30:28and sarcasm you literally haven't won me after arguments golding disagrees it's going to be a
00:30:33long night oh my no you can't do you can't do that
00:30:38maybe he's not so awful after all
00:31:03um who are you
00:31:12what are you doing here well your parents said you were still at home thank god you skipped that
00:31:23boring grand tour who needs Italy and France again right when did you get back last night
00:31:28from Zurich you didn't answer my messages I missed you anyway thought I'd come surprise you
00:31:37apparently I'm transferring to Ashford your parents were so thrilled they didn't tell me about this
00:31:43I wanted to deliver the happy news myself they said it'd be lovely for us to reconnect you know
00:31:49considering the engagement and all
00:31:52oh did no one tell you he's promised old money stuff very retro I didn't agree to that
00:32:02you didn't have to it's never up to us
00:32:04where did you find this little toy Serena
00:32:09I didn't hear you you know oh an American how refreshing
00:32:15goodbye
00:32:19wait
00:32:20where are you going you still owe me breakfast you only paid for dinner I have homework goodbye
00:32:44your little toy has quite the temper Serena can you please just stop what teasing the help
00:32:53that's her that's the one from Kenwood's house was she like the maid or something
00:33:04oh my god what's wrong with people they're saying you live with Charles oh and Serena what about
00:33:27her well apparently she told everyone you were caught sneaking into his room of course she did
00:33:32careful Alice you're starting to look desperate
00:33:47come to the music room urgent I just remembered I need to check something you guys go ahead yeah okay
00:34:10tell up is someone there seriously this is getting old
00:34:21wait music room what
00:34:36James James is anybody in here earlier just Miss Serena said she was waiting for you
00:34:43sir sir it's raining
00:34:47come on Alice you're fine
00:35:00you're not that girl again
00:35:03wait can you remind me one more time
00:35:12okay rooks moving straight lines yeah bishops move diagonally and knight the knight's the weird one
00:35:21huh
00:35:22I'm sorry I'm sorry you're fine with me
00:35:28brooks it's straight lines you're just diagonally
00:35:36hello
00:35:39hello
00:35:42hello
00:35:44The text.
00:35:55Are you okay?
00:35:57Are you hurt?
00:35:58I'm okay.
00:36:00I saw the text and I thought...
00:36:02I didn't see the message.
00:36:04Serena took my phone.
00:36:05I didn't know.
00:36:06I'm sorry.
00:36:07I'm okay.
00:36:10You're gonna catch a cold.
00:36:11You're freezing.
00:36:12You didn't have to come.
00:36:14I, I...
00:36:15Don't tell me what I have to do.
00:36:18Give me hope that feels like hope...
00:36:24That wasn't a mistake.
00:36:42If that's what you're about to say.
00:36:45I...
00:36:46Wasn't going to.
00:37:00Really bad at this, you know.
00:37:02What?
00:37:03Kissing?
00:37:04Hiding feelings.
00:37:05I don't like that.
00:37:06Do you want to dance?
00:37:07Turn up and I'm over her head.
00:37:09Bless the stuff we're giving.
00:37:12I'm flying in the unknown.
00:37:14Tell me what you said.
00:37:15Tell me where you want to go.
00:37:17You can't be happy.
00:37:22Dump those Ewok pyjamas.
00:37:29Oh, you wish.
00:37:32Seriously.
00:37:33It's a cock block.
00:37:35You kissed me.
00:37:38That's basically consent to everything.
00:37:46Dangerous words, Keaton.
00:37:47I might hold you to that.
00:37:49Pfft.
00:37:50Pfft.
00:37:50Pfft.
00:37:51Pfft.
00:37:51Pfft.
00:37:52Pfft.
00:37:52Pfft.
00:37:52Pfft.
00:37:52Pfft.
00:37:52Pfft.
00:37:52Pfft.
00:37:52Pfft.
00:37:52Pfft.
00:37:53Pfft.
00:37:53Pfft.
00:37:53Pfft.
00:37:53Pfft.
00:37:53Pfft.
00:37:53Pfft.
00:37:53Pfft.
00:37:53Pfft.
00:37:53Pfft.
00:37:53Pfft.
00:37:55Pfft.
00:37:55Pfft.
00:37:55Pfft. Pfft.
00:37:59You'll be working in pairs on your comparative essays.
00:38:02The list is on the board.
00:38:03One, two, three, four.
00:38:08Paper planes.
00:38:11Are you okay?
00:38:12Apply me to outer space.
00:38:16That's where I'll see your face and have you with me.
00:38:27Pfft.
00:38:28You're distracting.
00:38:29You're distracting.
00:38:33You're welcome.
00:38:34They're either enemies or secretly married.
00:38:48Honestly?
00:38:49Both?
00:38:50I was sure I'd never find someone to make my head spin.
00:38:55Someone to make my head spin around.
00:38:57No one's ever gonna be the thing I need.
00:39:00They all just let me down.
00:39:02But baby, you saved me.
00:39:05Till I'm brand new.
00:39:07Everything's so different now.
00:39:11So, the night goes in an L shape, right?
00:39:15Why is that the only one you remember?
00:39:17Because it's weird.
00:39:19And I like weird.
00:39:29Check.
00:39:35You're cheating.
00:39:36I'm winning.
00:39:37There's a difference.
00:39:38You are very distracting.
00:39:39And you like it.
00:39:40Charles.
00:39:41We need to talk.
00:39:55I expected poor judgement.
00:39:56But this in my house?
00:39:57It isn't what it looks like.
00:39:58No.
00:39:59Kissing a servant's daughter in the family library.
00:40:00Enlighten me then, Charles.
00:40:01We came back tonight after speaking with Serena.
00:40:02Imagine our surprise walking in on this.
00:40:04She isn't just...
00:40:05You have no rights to barge in.
00:40:06On my property.
00:40:09I care about her.
00:40:10I'm not ashamed of her that I...
00:40:11That's enough!
00:40:12I can't spare her.
00:40:13I can't spare her.
00:40:14I can't spare her.
00:40:15You are terrible.
00:40:16I can't spare her.
00:40:17I can't spare her.
00:40:18I can't spare her.
00:40:19I can't spare her.
00:40:20I'll spare, you have a baby.
00:40:22She can't spare her.
00:40:23But when I'm off the table.
00:40:24I can't spare her.
00:40:25I don't care.
00:40:26If I can spare her, it's fine.
00:40:27I care about her. I'm not ashamed of that.
00:40:33That's enough!
00:40:36Why do you care?
00:40:38We're protecting our son's future. And our name.
00:40:42You think this protects me?
00:40:44We think she does not belong in your world.
00:40:50Then maybe I don't either.
00:40:52You're ready to give up everything for a girl you barely know?
00:41:01Yes.
00:41:02Then are you sure she's ready?
00:41:12I'm asking you, do you think she's ready to lose everything regardless of how little that is just to be with you?
00:41:20What are you talking about?
00:41:21You left us no choice, son. You shouldn't disobey your father.
00:41:28Pelton, it's Frederick Kenwood.
00:41:30Ah, Mr. Kenwood. How can I help?
00:41:33If a scholarship student were to violate our behavioural code in a public setting with photographic evidence, would that warrant a review?
00:41:43Yes, sir.
00:41:44So, answer me again. Do you think she's ready to lose everything just to be with you?
00:41:53Charles, what happened? Did your parents say something? Are they mad? Is everything okay?
00:42:08Pack your things. You can't stay here anymore.
00:42:14What?
00:42:15My parents fired your mother. She's leaving. So are you.
00:42:20Wait, what? Why? Is it because of us? We can fix this. I'll get a job, anything.
00:42:25Stop, stop it. You don't get it. If I don't walk away from this, they'll cut me off. Okay? No card. No trust. No support. Nothing.
00:42:37Then... Then we'll figure it out. We don't need all that. We can...
00:42:43Do you really think I'm going to live like that?
00:42:48So that's what this was? Just fun until it got inconvenient.
00:42:54What did they promise you?
00:42:58Nothing.
00:43:01They just reminded me of what's real.
00:43:07Charles, I'm not stupid.
00:43:09You don't just turn into a cold stranger because of one conversation.
00:43:12What did they threaten you with?
00:43:20What did they threaten you with?
00:43:22This is the difference between me and you.
00:43:24What?
00:43:25You think you know me.
00:43:27Or what I have.
00:43:29You don't, Alice.
00:43:31You're still lying.
00:43:32I'm not, Alice.
00:43:33Look around you.
00:43:34This mansion you thought was a museum.
00:43:38It's my house.
00:43:40My world.
00:43:42I was bored into this.
00:43:43I am not choosing between this...
00:43:48...and something I picked up for a moment of fun.
00:43:54Don't do this, Charles.
00:43:55You don't mean it.
00:43:56You don't mean it.
00:43:57It was fine.
00:43:59But you?
00:44:01You don't compare to what I own.
00:44:05I've survived the loss.
00:44:09Right.
00:44:11I should have known.
00:44:14Guys like you don't end up with girls like me.
00:44:16You play with them, then you throw them away.
00:44:23Go to sleep, Alice.
00:44:24I'll get to sleep...
00:44:30Oh good.
00:44:31Who's up?
00:44:33No.
00:44:35This fall is a little more than I expected
00:44:39In so deep, I can barely see myself
00:44:45Yeah, around me feel so heavy but depleted
00:44:47Yeah, around me feels so heavy but depleted
00:44:53But I find that's the place to test myself
00:45:06Oops!
00:45:17Oh sorry, didn't see you there
00:45:27Then again, nobody does
00:45:29Move please
00:45:31Hmm, try begging
00:45:38You know what, keep it
00:45:41Poor thing, so dramatic
00:45:48Don't
00:45:50Excuse me
00:45:51I warned you, walk away Serena
00:46:11Last week's group assignments were mostly forgettable
00:46:19But one pair surprised me, in a good way
00:46:22Charles Kenwood and Alice Keaton
00:46:25Would you mind giving us a short summary?
00:46:28She loves the sound of her own voice, better have it
00:46:31I couldn't stay, I couldn't wait
00:46:34I thought that you should know that I would have
00:46:38Can hang around
00:46:39Our essay explored what happens when two fundamentally different voices meet
00:46:44Like logic and chaos, or silence and noise
00:46:48Different worlds, different rules
00:46:52At first glance, they clash
00:46:55But what makes the story interesting is what happens next
00:46:58Confused, confusion, curiosity
00:47:01But in the end, some stories aren't about staying
00:47:04And yes, there is no such thing as a happy ending
00:47:17And yes, there is no such thing as a happy ending
00:47:21Is she still talking about the essay?
00:47:26Miss Keaton
00:47:27This reason
00:47:30dramatic is always
00:47:31alright, thank you Alice
00:47:32that was
00:47:34Vale
00:47:36are you okay...?
00:47:37the reminder
00:47:38that good literature
00:47:39always stirs something
00:47:44are you OK?...
00:47:45how'm
00:47:46Hi, here's Alice Keaton
00:47:46This is Whitmore Press
00:47:48We've been following your work
00:47:49We'd like to offer you a long term publishing contract
00:47:51name your price, we'll- we'll make it work
00:47:53Sorry, what...
00:47:57That's kind of insane. Who's behind this?
00:48:02Your sponsor wishes to remain anonymous.
00:48:04Can... can I meet them?
00:48:08I want to. Please. Or at least tell me a name.
00:48:17Sorry, they wish to stay in office. So they're only interested in words, not the person.
00:48:21I'd really like to meet them.
00:48:22I'm sorry to meet them. They were very sweet. I think it's the most generous offer we've ever given a disability right now.
00:48:28I see.
00:48:29Congratulations again.
00:48:35You got the interview.
00:48:36It's just an interview. I haven't gotten it yet.
00:48:38Still, Alice Kean at Oxford. That's iconic.
00:48:42You okay?
00:48:51Yeah.
00:48:52I'm so excited.
00:48:54I'm so excited!
00:48:56It's done, Mr. Kenwood. Miss Keaton signed the contract.
00:49:12Good.
00:49:13It's a generous deal. You sure you don't want it to know?
00:49:17No.
00:49:19No, it's better if I stay out of her life.
00:49:21I will be for you, babe.
00:49:26I'll be there in your darkened states.
00:49:31Congratulations, Alice Keaton.
00:49:34Go live the life you were always meant to.
00:49:36Your engagement and announcement should align perfectly with the Foundation Gala.
00:49:46And the Browns already offered to host the London reception.
00:49:51It's all coming together beautifully.
00:49:57I've lost my appetite.
00:50:01I'll go check on him.
00:50:03What's your problem, Charles?
00:50:13Disengagement.
00:50:15It's not happening.
00:50:16It's not up to you. You know that.
00:50:17Serena, we're not doing this.
00:50:21You've changed.
00:50:25Or maybe I finally just stopped pretending.
00:50:33You're the sponsor.
00:50:34You've been funding Alice Keaton this whole time.
00:50:35You're the sponsor.
00:50:36You've been funding Alice Keaton this whole time.
00:50:37So?
00:50:38You lied to everyone, including her.
00:50:39You're the sponsor.
00:50:40You've been funding Alice Keaton this whole time.
00:50:43So?
00:50:44You lied to everyone, including her.
00:50:47I protected her.
00:50:48You loved her.
00:50:49Still do.
00:50:50Let it go, Serena.
00:50:51You're the sponsor.
00:50:52You're the sponsor.
00:50:53You're the sponsor.
00:50:54You're the sponsor.
00:50:55You've been funding Alice Keaton this whole time.
00:50:57So?
00:50:58You lied to everyone, including her.
00:51:00I protected her.
00:51:01You loved her.
00:51:02Still do.
00:51:03Let it go, Serena.
00:51:05There's no point.
00:51:12I need a favour.
00:51:21No way!
00:51:23I need a favour. Find out when the Oxford interview is. And make sure Alice Keaton won't show up.
00:51:40Anything? Myra?
00:51:43She's not answering. The interview's almost over.
00:51:46Well, she won't just not show up. Something's wrong.
00:51:50Where's Alice? When was the last time you heard from her?
00:51:54Last night. She said she was prepping all evening.
00:52:00James, track someone for me.
00:52:04Wait, where are you going?
00:52:13Chill, okay? Who won't hurt you?
00:52:16Yeah, we're just supposed to keep you awake from the interview, that's it.
00:52:28Shit! Come back!
00:52:46I remember how it meant. Didn't need a second guess.
00:53:07Hey, hey, hey, Alice. Alice?
00:53:10Alice, stay with me. Stay with me, Alice.
00:53:12Alice!
00:53:13Alice!
00:53:20You're awake?
00:53:22Where... where am I?
00:53:24Local clinic. Passerby brought you in.
00:53:27Passerby?
00:53:29He found you on the side of the road. He had to leave. He didn't leave a name.
00:53:34Oh.
00:53:36The interview! What time is it?
00:53:39Easy. It's okay. Someone already contacted the university.
00:53:43Anne sent in your writing samples. They've rescheduled your interview for tomorrow.
00:53:47Wait, what? Who?
00:53:49No idea, but it's all taken care of.
00:53:54What did you say?
00:53:56Nothing. I just... had a dream.
00:53:59I got him!
00:54:00Oh, I knew it!
00:54:02Oh, too bad Charles isn't here to watch you crush it.
00:54:03He's not here.
00:54:04Oh, you didn't know?
00:54:05Know what?
00:54:06He left.
00:54:07A few days ago, yeah, everyone doesn't really know where he went.
00:54:08Honestly, Asher has been quieter without him. It's probably for the best. Come on.
00:54:10I couldn't stay, I couldn't wait.
00:54:11I couldn't stay, I couldn't wait.
00:54:13I couldn't stay, I couldn't wait.
00:54:15I couldn't wait.
00:54:17Oh, I knew it.
00:54:18Too bad Charles isn't here to watch you crush it.
00:54:21He's not here.
00:54:23Oh, you didn't know?
00:54:25Know what?
00:54:27He left.
00:54:29A few days ago, yeah, everyone doesn't really know where he went.
00:54:32Honestly, Asher has been quieter without him. It's probably for the best.
00:54:35Come on.
00:54:36I couldn't stay, I couldn't wait.
00:54:40I thought that you should know what I would have and hang around.
00:54:46The summer I met Charles Kenwood was loud.
00:54:50Chaotic.
00:54:51Unexpected.
00:54:55And with his absence,
00:54:56Come on!
00:54:58It ended quietly.
00:55:02Like summers always do.
00:55:06You feel it from across the world.
00:55:09Did you feel a little enchanted?
00:55:16And joining us today, the decade's most unexpected literary phenomenon, Alice Keaton.
00:55:22Thank you for having me.
00:55:23Now, your words moved millions. They say your stories feel real, especially the ones about love.
00:55:33Which brings us to the most obvious question. How's your dating life like these days?
00:55:37No comment.
00:55:39A little bird told me that the past four years has been just writing and working, not even a single date.
00:55:44Let me guess a bird named Sherry.
00:55:46Oh, she caught me.
00:55:48Still no comment.
00:55:49Alright, alright.
00:55:50No matter what you say, you write love like someone who's lived it.
00:55:56If you're so real.
00:55:57Because once, I did.
00:55:59With someone who felt like chaos and clarity.
00:56:02And no one ever quite matched the light after that.
00:56:05And let's give it up for Alice Keaton one more time.
00:56:20Congratulations, Alice. The numbers just came in. You broke your own record.
00:56:24That's incredible.
00:56:27We're thinking celebration, press, photos, maybe tonight.
00:56:31Actually, there's something I'd rather do.
00:56:33I'd like to meet with the person who believed in me first.
00:56:39My sponsor.
00:56:41You're sure?
00:56:42Yeah.
00:56:43Just once.
00:56:45Tonight, 7pm.
00:56:57Good evening.
00:56:58May I sit?
00:56:59Hey, Mr. Nonchalant.
00:57:00Hi.
00:57:01Hi.
00:57:02You look well.
00:57:04And you look like you just stepped out of a GQ cover.
00:57:05You always did.
00:57:06You were expecting someone else.
00:57:07I was.
00:57:08Hoping.
00:57:09But I guess I always knew.
00:57:10But I guess I always knew.
00:57:11You were expecting someone else.
00:57:12I was.
00:57:13Hoping.
00:57:14But I guess I always knew.
00:57:15You were expecting someone else.
00:57:16I was.
00:57:17Hoping.
00:57:18Hoping.
00:57:19I was.
00:57:20Hoping.
00:57:21I was.
00:57:22Hoping.
00:57:23But I guess I always knew.
00:57:24I didn't come here to confuse you.
00:57:25Or to reopen anything.
00:57:26Hope you liked the attention.
00:57:27I just wanted to say congratulations.
00:57:28Oh.
00:57:30Didn't know you were still reading.
00:57:31I was.
00:57:32I just wanted to say congratulations.
00:57:33Oh.
00:57:35I didn't know you were still reading.
00:57:36You were rich enough not to do so.
00:57:37Always.
00:57:38Either way.
00:57:39Your sponsorship started my career.
00:57:40So.
00:57:41No.
00:57:42No.
00:57:43You weren't everything.
00:57:44I just wanted to say congratulations.
00:57:45But I guess I always knew.
00:57:46I didn't come here to confuse you.
00:57:47Or to reopen anything.
00:57:48Hope you liked the attention.
00:57:49I just wanted to say congratulations.
00:57:50Oh.
00:57:52I didn't know you were still reading.
00:57:53You were rich enough not to do so.
00:57:55Always.
00:57:56Either way.
00:57:57Your sponsorship started my career.
00:57:58So.
00:57:59No.
00:58:00No.
00:58:01You earned everything.
00:58:02Every word.
00:58:03Every page.
00:58:04Every reader.
00:58:05That's what I came to say.
00:58:07It was good to see you again.
00:58:08I hope.
00:58:09Charles.
00:58:10Can you just.
00:58:11Wait a little longer.
00:58:12No.
00:58:13No.
00:58:14No.
00:58:15No.
00:58:16No.
00:58:17You earned everything.
00:58:18Every word.
00:58:19Every page.
00:58:20Every reader.
00:58:21That's what I came to say.
00:58:22It was good to see you again.
00:58:23I hope.
00:58:24Charles.
00:58:25Can you just.
00:58:26Wait a little longer.
00:58:28I think I knew it was you.
00:58:38There was one email.
00:58:42You said something.
00:58:43It felt familiar.
00:58:44Really?
00:58:45Kinda had that.
00:58:46Rich asshole with a conscience energy.
00:58:49Very on brand.
00:58:51I should have anonymized my grammar.
00:58:53Too late.
00:58:54Your semicolon usage gave you away.
00:58:56Still the only girl I know who flirts through punctuation.
00:58:59Still the only girl I know who uses Wiles unironically.
00:59:03You've changed.
00:59:07But.
00:59:08Not really.
00:59:10You haven't changed.
00:59:13But.
00:59:14Maybe you've grown into who you really were.
00:59:17Anyway.
00:59:19I wanted to say.
00:59:22And.
00:59:23Thanks for being here tonight.
00:59:24You didn't have to come.
00:59:25Don't tell me what I have to do.
00:59:26I do.
00:59:27You didn't have to come.
00:59:28Don't tell me what I have to do.
00:59:30I do.
00:59:31You didn't have to come.
00:59:33Don't tell me what I have to do.
00:59:34You didn't have to come.
00:59:37Don't tell me what I have to do.
00:59:59If you could go back, if you had the chance to do it all again,
01:00:03would you do anything differently?
01:00:10No.
01:00:16No.
01:00:21I see.
01:00:25I know my answer now.
01:00:26I didn't have the power back then.
01:00:28Not enough to protect you.
01:00:30I couldn't watch you get crushed because of me.
01:00:33Because of my name.
01:00:35My family.
01:00:38I didn't want to be the reason you lost everything.
01:00:40So you just disappeared.
01:00:42Without a word.
01:00:44If you had the chance to see the world without me weighing you down.
01:00:51If you still chose me after that.
01:00:57You keep saying you wanted to give me a choice.
01:01:00But you made a choice for me.
01:01:02Did it ever cross your mind that maybe...
01:01:07I would have chosen you anyway.
01:01:17I didn't think I was the smart choice.
01:01:19Yes.
01:01:20You weren't.
01:01:23But I never claimed to be that smart.
01:01:34This is me.
01:01:35Right.
01:01:36I'm still mad at you, you know.
01:01:43I'm still in love with you, you know.
01:01:48Do you want to come in for a bit?
01:01:53You're asking your ex, who you haven't seen in four years, to come into your hotel at approximately 11pm.
01:02:10You were right.
01:02:12You never were that smart.
01:02:14You don't have to come.
01:02:16Don't tell me what I have to do.
01:02:23Stop quoting yourself.
01:02:34I recycle.
01:02:35It saves energy.
01:02:38This feels wildly irresponsible.
01:02:40You sound like a disclaimer.
01:02:41You're the one who wants called romance a distraction.
01:02:44I said that?
01:02:45Yeah.
01:02:46Before calling Wuthering Heights overrated.
01:02:48Still is.
01:02:50You're lucky you're a good kisser.
01:02:53That is cute to me.
01:02:56Don't you dare quote poetry.
01:02:58I wasn't going to.
01:03:00I forgot all of it the day you left.
01:03:02Then shut up.
01:03:04And prove it.
01:03:12I still can't believe this is happening.
01:03:13I told you, they're either worst enemies or secretly married.
01:03:16And I told you, they're both.
01:03:18They're both.
01:03:19I'm so sorry right now, now, you're not going to talk about, what happens.
01:03:20Love you, you've got to think about.
01:03:21So.
01:03:22God, praise God.
01:03:35I hope.
01:03:36What happens when I know what the fuck might be at most of your friends,
01:03:40Is it, Dux Who, Ranna?
01:03:42No, Can't prevent.
01:03:46Always tell you the truth, except for when you ask how your cooking was, then I lie, respectfully.
01:03:55I vow to keep choosing you, loudly, quietly, always, even when you forget to do the laundry.
01:04:07Is he actually good at this?
01:04:09I mean, he did beat her at soccer, though.
01:04:11I vow to argue with you at least twice a week, especially over Shakespeare.
01:04:20I vow to write you and your every story, even when I say I didn't, you will always be a part of my life.
01:04:28If she quotes Austen in this toast, I'm out.
01:04:30No, you're not. You're going to cry harder.
01:04:32I can't believe you picked Paris.
01:04:53I can't believe you picked Paris.
01:04:58Such a cliche honeymoon destination.
01:05:02Guard your phone.
01:05:03Relax. Just don't dress like a walking inheritance and you'll be fine.
01:05:09You are not wearing that on our honeymoon.
01:05:13Please, Alice, go change.
01:05:15Don't tell me what I have to do.
01:05:17No, no, no, no, no, no, that is not an invitation to, do not take off these clothes.
01:05:26Overruled.
01:05:28You look much better without them.
01:05:35To the ones who loved in silence, in chaos, in chapters, you will find your way home.
01:05:42To the ones who loved in silence, in a moment, in a moment, in a moment, in a moment, in a moment.
01:05:49But I don't want to die alone.
01:05:55Really?
01:06:03Oopsie.
01:06:05My king.
01:06:08Okay.
01:06:09Okay.
01:06:10Okay.
01:06:12It's up to us to make sure that we can gain what's been passed through these books.
01:06:22Help us develop, learn, and grow.
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