- 12 hours ago
Do Me, My Sexy Male Stripper & Detailed Version - Full Movie
Category
🎥
Short filmTranscript
00:00:00Hey baby, tell me, who do you love more? Me or Vanessa?
00:00:26I love you more. There she is. There she is. Ever since she got those horrible scars, I'm just...
00:00:37Are you on the other hand?
00:00:56Please, don't stop on my account. I've never filmed a porno, especially not one starring my own boyfriend and sister.
00:01:13All right, give me the camera. Come on now, delete that shit.
00:01:19Why? You always said you wanted fame. This will make you go super viral.
00:01:25Vanessa, fame's the company's top model. If this gets out, we're all finished. Dad's never gonna forgive you.
00:01:33Now give me that damn camera! Fine.
00:01:40Wise. Wise. Because you know what? Shooting sexually explicit content of your boyfriend and your sister,
00:01:50that's probably gonna damage your career a lot more than a real ass.
00:01:59Oh! Vanessa!
00:02:01Oh! Ah! That fucking face!
00:02:05Well, Blaine, you've gone where you wanted! It's over!
00:02:17Nicole, you were the one who turned Blaine from nothing to a top model.
00:02:22And now he's messing about with Abby? I don't get how he could do that to you.
00:02:26Doesn't matter. We've already separated.
00:02:30It's because you've not been with enough guys.
00:02:34I've got the perfect stripper lined up for you.
00:02:38He's a real wizard in the bedroom.
00:02:48This. Adam.
00:02:51Just hang tight. It'll be your shame.
00:02:56Speaking of, Dad looks like the guy I booked.
00:02:59So just wait for Adam.
00:03:01He'll be wearing a suit and tie.
00:03:04He's gonna blow your mind.
00:03:07Cassie, I work with the most beautiful people in the world.
00:03:11It takes a true stunner to impress me.
00:03:13You can keep him.
00:03:27Mr. Todd.
00:03:28Still no updates on the woman with a scar on her arm.
00:03:31The running answer, please.
00:03:35Look, just expand the search radius.
00:03:37Okay, I need to find her. Now.
00:03:42You're late.
00:03:44That's not very professional.
00:03:45Yeah, excuse me. I'm in a rush.
00:03:46You shouldn't be so rude to your customers.
00:03:48Look, I'm losing my patience.
00:03:55It's, it's you.
00:03:57Yes. It's me.
00:04:00So.
00:04:02Are we fucking here?
00:04:03Or do you want to go to the hotel?
00:04:04Finally.
00:04:05I found you.
00:04:06Finally.
00:04:07I found you.
00:04:10I found you.
00:04:31It's alright.
00:04:33It doesn't matter.
00:04:37Fine. I'm depressed.
00:04:38I'm depressed.
00:04:39No.
00:04:41No, I don't care.
00:04:43No.
00:04:45No, I'm afraid of it.
00:04:46No, no, no.
00:04:50No, no, no, no, no.
00:04:51No, no.
00:04:53I'm sorry.
00:04:58No, no, no.
00:05:01No, no, no.
00:05:02No, no, no.
00:05:04No, no.
00:05:05Oh, my God.
00:05:32Are you okay?
00:05:33Can you get up?
00:05:36Come on, stay with me.
00:05:43Okay, come on.
00:05:48Come on.
00:05:52I'll get you out of here.
00:05:56From now on, I'll look out for you.
00:06:03Good morning.
00:06:06Good morning.
00:06:11Does it bother you?
00:06:13No, not at all.
00:06:16It's a symbol of your bravery.
00:06:19Well, you certainly know how to try a woman.
00:06:22And please her.
00:06:32Last night was, um, it was really good.
00:06:37Here's a little something for you.
00:06:39I don't want your money.
00:06:44Why are you...
00:06:44No.
00:06:45Keep it.
00:06:46You earned it.
00:06:50Wait a minute.
00:06:53You don't remember me?
00:06:58You don't remember me?
00:06:59I'm the one...
00:07:02Sorry.
00:07:03One second.
00:07:06Yeah?
00:07:07What's up?
00:07:08Vanessa, bad news.
00:07:09Blaine's throwing a tantrum about the shoot.
00:07:12What should I do?
00:07:13Um, okay.
00:07:14Calm down.
00:07:15I'm on my way.
00:07:16Shit.
00:07:18This is for the Todd group.
00:07:19Shoot.
00:07:20If this goes sideways, that nightmare Mr. Todd is going to be on my case again.
00:07:24Me?
00:07:25A nightmare?
00:07:26Right, um...
00:07:29Thank you for last night.
00:07:31I will see you, I guess.
00:07:33Hey, yeah.
00:07:46Alright.
00:07:47Find out which studio Vanessa's at, okay?
00:07:59Vanessa!
00:08:00Thank goodness, Blaine is flipping out.
00:08:02He's saying his arm is broken.
00:08:05I'm sure you know how to handle that spoiled brat.
00:08:08Yeah, I'll handle that.
00:08:10Blaine, are you seriously going to throw away this deal?
00:08:13It's not like I want to.
00:08:16You broke my arm.
00:08:18And you tell me how I'm meant to shoot if I can't even strike the pose.
00:08:24If you said I broke your brain, I'd believe you.
00:08:27What's that got to do with your arm, though?
00:08:29Give it a rest, will you, love?
00:08:31How's this?
00:08:33If you publicly apologize to me.
00:08:37Not happening.
00:08:40It's on you, remember?
00:08:42Today's the last day for shooting.
00:08:43If you can't pull this off, can you really deal with the top group's wrath?
00:08:46Vanessa, if we lose the top group's decline, I can't please in serious trouble.
00:08:59There must be some other models available.
00:09:01I reached out.
00:09:02All the top models are booked today.
00:09:04Christ, fine.
00:09:06I'll apologize.
00:09:08Blaine, I'm so sorry.
00:09:09Can you come back for the shoot?
00:09:11Oh, you know, I would really like to, but there is one little stipulation.
00:09:17I'll be here.
00:09:18It's got to be behind.
00:09:20Camera.
00:09:20Abbie is an amateur photographer.
00:09:24She's not ready for the top group.
00:09:26Blaine and I went over all the details last night.
00:09:28The top group are going to love it.
00:09:32So you two are just here to cause trouble?
00:09:35As if you haven't messed me about enough already?
00:09:38Since this shoot is a bust, I might as well take the heat.
00:09:52So your arm's broken?
00:09:53Yeah.
00:09:54You can't move it?
00:09:55No.
00:09:56Oh, looks like it's working perfectly fine.
00:10:06It's you.
00:10:08You know what?
00:10:12I'm not doing the shoot period.
00:10:14Do you know why?
00:10:15Because I want to see how you clean up this little mess.
00:10:22If you won't shoot, Blaine, I'll find someone who will.
00:10:29If you won't shoot, Blaine, I'll find someone who will.
00:10:34Where are you going to find a new model in, like, two seconds?
00:10:38Guess what?
00:10:47Here's my new model.
00:10:50Wait, what, me?
00:10:51Ha!
00:10:51I'll pay double the standard rate.
00:10:55Just help me out, I'm desperate.
00:11:00Yeah, okay, all right?
00:11:02Awesome.
00:11:02You're going to be great.
00:11:04You two can scram now.
00:11:05You really think you can just snatch someone off the street to replace Blaine?
00:11:09Modeling isn't just about looking pretty.
00:11:12He might freeze up and make a fool of himself in front of the camera.
00:11:16Vanessa, he might have the looks, but he's got no experience.
00:11:19This flops, we might lose the Todd group as a client.
00:11:23I wouldn't be where I am now if I didn't take a few risks.
00:11:26Let's start with this.
00:11:36Keep his makeup natural.
00:11:37Highlight his features and contours.
00:11:40Let's make him glow.
00:11:42Got it.
00:11:47Sticky forever.
00:11:48Where's any outlets?
00:11:50He's probably pissing his pants.
00:11:51He's not a star.
00:11:52Unlike Blaine.
00:11:53I just don't believe it's some random nobody off the street if you're not close to that.
00:12:06Okay?
00:12:06Yeah, of course.
00:12:23Damn.
00:12:42He's gorgeous.
00:12:44It's not just his face.
00:12:45His whole vibe screams top model.
00:12:47He could steal anyone's spotlight.
00:12:48Oh, for fuck's sake.
00:12:51Anyone can look good with a bit of makeup and a blazer with no shirt.
00:12:56Come on.
00:12:57I want to see.
00:12:58I want to see how he crashes and burns when the lights start flashing.
00:13:03That's what I want to see.
00:13:08Better than I expected.
00:13:09It's okay to be a little nervous before your first shoot, but I'm here.
00:13:17Just trust me.
00:13:18You're going to be great.
00:13:21Okay.
00:13:22Lights.
00:13:23Let's shoot.
00:13:25Yeah.
00:13:27That's so sweet.
00:13:29Okay.
00:13:30That's so good.
00:13:32For real.
00:13:32It's so good.
00:13:35Open up your shirt a little bit.
00:13:37Yeah.
00:13:37Yeah.
00:13:39Wow.
00:13:39Maybe pick up the magazine.
00:13:41Have a look through there.
00:13:42Yeah.
00:13:43You're a black model.
00:13:45You're so good.
00:13:47Okay.
00:13:47That's it.
00:13:48Joyce, let's get his next look ready.
00:13:59This is the L.A. premium brand shoot, Blaine.
00:14:02Sort of taking you to the next level.
00:14:04It's too bad.
00:14:05You're such a whiny little bitch.
00:14:07You're both messed up.
00:14:10Big time.
00:14:11Oh, I can't believe that this shoot has just landed on this random gobshine slap.
00:14:35Would you do something about it?
00:14:38Chill.
00:14:39I'm working on it.
00:14:40No way, he's new.
00:14:42Look at him go.
00:14:43His outfit is practically perfect.
00:14:45It's, like, made for him.
00:14:47It's going to sell out in no time.
00:14:49I used to put Blaine on Pedal Store, but he's nowhere near it now.
00:14:52Exactly.
00:14:52He was the company's top guy, but now he's got outshone by a newbie.
00:14:56Wow, babe, you've crushed it.
00:15:01These shots are turning out better than anyone would have expected.
00:15:05Sure you're not thinking of ditching your job, Mom?
00:15:08Hey, look, I'm just glad I didn't screw it up.
00:15:10I was actually wondering, are you free tonight?
00:15:14I was thinking we could go on, like, an actual live date for...
00:15:17Ah, is this yours?
00:15:18Your phone's been going off.
00:15:19Oh, thanks.
00:15:21Thanks.
00:15:27Six-pack strippers.
00:15:31Gaspi know how he pays his bills.
00:15:33Dude's a stripper.
00:15:35A cheap one, too.
00:15:41He's got that serious look, but he's in that line of work.
00:15:46Vanessa's pretty cozy with that male stripper.
00:15:49Could she be his regular?
00:15:52Who knew she would be living that kind of life behind the scenes?
00:15:59You have no shame.
00:16:01And I thought you were a professional bringing a stripper to work.
00:16:08Nothing short of fucking embarrassing, love.
00:16:12Don't.
00:16:13Show me about professionalism, Gwyn.
00:16:16Oh, it concerns him now.
00:16:19When the talk group finds out you need to use a stripper for their campaign,
00:16:23think they'll be cool with that?
00:16:26Is the chute still not wrapped?
00:16:28Why are you guys dragging your feet?
00:16:30Mr. Dale, the chute's done.
00:16:32The photographer insisted on using a stripper as their model.
00:16:37This could really hurt the talk group's image.
00:16:40What?
00:16:41A stripper?
00:16:44Who's the photographer?
00:16:46Where's this guy?
00:16:48Bring him here.
00:16:49That's them.
00:16:50Look, it has nothing to do with him.
00:16:54It's all on me.
00:16:57No one messes with the talk group and walks away with it.
00:16:59Let's see what the stripper thinks.
00:17:05Mr. Todd.
00:17:08Mr. Todd.
00:17:09You didn't tell me you were coming in tonight.
00:17:13The hell?
00:17:14Why did he just call you Mr. Todd?
00:17:17No, no, no.
00:17:17You've misheard him.
00:17:19She mentioned hating Mr. Todd before.
00:17:21If she figures out who I really am,
00:17:23she won't come near me at all.
00:17:25What he meant to say was
00:17:27Mr. Todd doesn't judge people on their occupations, right?
00:17:31Exactly.
00:17:36This guy's got it all.
00:17:38He perfectly embodies the brand's executive vibe.
00:17:43I'm sure Mr. Todd will be delighted with this one.
00:17:51Lawrence, you have an eye for talent.
00:17:54I'll show you the shots.
00:17:55He absolutely nails his outfit.
00:17:57How could he not?
00:17:58The brand is perfectly made for the...
00:18:00Mr. Lawrence,
00:18:05by the way,
00:18:07I was the original model
00:18:08and if this shoot had been done with me,
00:18:10if I was given a chance,
00:18:11it would have been a lot fucking better.
00:18:16Exactly.
00:18:17Blaine's a pro.
00:18:18He's light use ahead of these amateurs.
00:18:21Aren't you the ones who turned it down?
00:18:24Let me get back to that now.
00:18:27But if you guys can't show some respect,
00:18:30what's the point being a pro?
00:18:34You're messing up the shoot.
00:18:35What?
00:18:35Both of you,
00:18:37get out.
00:18:38Lawrence,
00:18:39I'm Abby Hart.
00:18:40Get them out.
00:18:41Just listen.
00:18:43You man's my slipper.
00:18:44Take it.
00:18:52Mr. Dale,
00:18:53you should take a look at these photos.
00:18:54No need.
00:18:56I was just stopping by to take a quick look.
00:18:58I'll let you get back to it.
00:19:02Why are the Todd group reps being so nice all of a sudden?
00:19:06Are they usually that bad?
00:19:08You have no idea how picky Mr. Todd is.
00:19:12He is a total perfectionist,
00:19:15moody,
00:19:16just asshole.
00:19:18Okay,
00:19:19there was one time,
00:19:20everything was arranged on set,
00:19:22but he nitpicked every single tiny detail.
00:19:25He had me pulling all letters.
00:19:26And one time,
00:19:27he fired someone.
00:19:29Just randomly,
00:19:30out of the blue,
00:19:31because he was in a bad mood.
00:19:32So yeah,
00:19:32I don't like him at all.
00:19:34He's a jerk.
00:19:35I swear to God,
00:19:37if I ever meet him,
00:19:38I'm gonna give him a piece of my mind.
00:19:40Maybe it was a
00:19:41misunderstanding?
00:19:44You've never met this guy.
00:19:46And you're singing these things?
00:19:48Yeah,
00:19:49don't bring him up again.
00:19:51She's got the wrong impression here.
00:19:52I need to fix this.
00:19:54These shots are amazing.
00:19:56Have you ever thought about ditching your job from modeling?
00:20:00Ditching my job?
00:20:01Well,
00:20:02yeah,
00:20:02you can't be a stripper forever,
00:20:03right?
00:20:04What?
00:20:05No,
00:20:06no,
00:20:06Vanessa,
00:20:06I am not a stripper.
00:20:08Luke,
00:20:08come on.
00:20:09You've got the look,
00:20:10you've got the charm,
00:20:11you kill it in front of a camera.
00:20:14I'll sign you up.
00:20:16Whatever deal you want.
00:20:17Really?
00:20:18Whatever deal I want.
00:20:29So,
00:20:30this is it.
00:20:32Are you sure
00:20:33you're cool with staying here?
00:20:35Um,
00:20:36yeah,
00:20:37not really feeling it.
00:20:38You got any other options?
00:20:40Nope.
00:20:42Master bedroom's off limits,
00:20:44obviously.
00:20:45This place isn't a mansion.
00:20:47I don't know why you insist on staying here.
00:20:50Well,
00:20:50I switched jobs for you.
00:20:51I don't have anywhere to go.
00:20:53Come on,
00:20:53have me back here.
00:20:57All right,
00:20:58look,
00:20:59if I'm being honest,
00:21:00I'd,
00:21:00uh,
00:21:01rather stay with you.
00:21:04Stop.
00:21:06I'm your boss now.
00:21:08You gave me a roof.
00:21:10All right,
00:21:10I'll pay it back.
00:21:12Yeah,
00:21:12well,
00:21:12you're not a strip right anymore.
00:21:14So,
00:21:14you can't stop it that way.
00:21:16All right.
00:21:18Just get some rest,
00:21:19okay?
00:21:19We have somewhere to be tomorrow.
00:21:21Where are we going?
00:21:23We'll find out when we get there.
00:21:24Mr. Todd,
00:21:34Ms. Clark sent over the L.A.'s final promo shots.
00:21:37Want to take a look?
00:21:38I have to admit,
00:21:39you've got a knack for this modeling thing, sir.
00:21:41The photos turned out amazing.
00:21:43No,
00:21:44no,
00:21:44no,
00:21:44listen,
00:21:44just,
00:21:45just,
00:21:45just get someone else to redo the shoot,
00:21:46okay?
00:21:47What about Ms. Clark?
00:21:49I don't know.
00:21:49I'll tell her that the brand postponed the campaign or something,
00:21:52but look,
00:21:53these photos cannot leak,
00:21:54okay?
00:21:55If they do,
00:21:56people might figure out who I really am,
00:21:58right?
00:21:59Figure out what?
00:22:04Um,
00:22:05my,
00:22:06my secret side job,
00:22:07yeah.
00:22:09Um,
00:22:10I'm worried that it might cause you some problems.
00:22:14Uh,
00:22:14why did Jim come back?
00:22:15Do you mind?
00:22:19Want to stay another night with me?
00:22:22Sweet dreams.
00:22:33All right,
00:22:33what's going on?
00:22:34Why are we here?
00:22:35Clothes.
00:22:36Duh.
00:22:37You're my new model.
00:22:38I need you to look sharp.
00:22:40Welcome.
00:22:41Hi.
00:22:43These two.
00:22:43Okay,
00:22:44we need these ASAP.
00:22:45Why can't?
00:22:47Absolutely.
00:22:47Um,
00:22:48just a sec.
00:22:51Wait,
00:22:52wait,
00:22:52wait.
00:22:53Hold on.
00:22:55I want to buy those outfits.
00:22:57Mr. White,
00:22:58what brings you here?
00:23:00I'm afraid we'll have to prioritise Mr. White's order.
00:23:05Yours will have to wait.
00:23:07But we've ordered first.
00:23:09Isn't it first come,
00:23:10first serve?
00:23:12In this world,
00:23:13please.
00:23:13Lane's at the top.
00:23:17So yeah,
00:23:18he comes first.
00:23:27So,
00:23:27you're waiting or not?
00:23:30Is this how you treat your customers?
00:23:32Yeah,
00:23:32I'd like to talk to your manager.
00:23:34Manager's tied up.
00:23:35If you insist on causing trouble,
00:23:37I'll have security to show you out.
00:23:38What seems to be the problem?
00:23:56It's them.
00:23:57They're trying to mess up Mr. White's order.
00:24:02Mr.
00:24:03Yeah,
00:24:03start talking now.
00:24:06Of course.
00:24:11You're done.
00:24:14Fired.
00:24:15Now get out.
00:24:16I am so sorry about all this.
00:24:25We'll get your order processed right away
00:24:27and throw in
00:24:28an 100% discount for your trouble.
00:24:31How does that sound?
00:24:32What a load of shit!
00:24:43That's mad!
00:24:44He's a no-name,
00:24:46no-fame
00:24:46and you're treating him like this?
00:24:47How we run this place
00:24:48is not your concern.
00:24:50From now on,
00:24:52the two of you
00:24:52are blacklisted.
00:24:56Don't expect
00:24:57any future collaborations
00:24:58with us.
00:25:04Bye.
00:25:16What a day, huh?
00:25:17Yep.
00:25:18Abby and Blaine
00:25:18were practically glowing with envy.
00:25:20You've got my back,
00:25:21but are you not
00:25:22worried about
00:25:23pissing off the brand?
00:25:24No.
00:25:25No?
00:25:25No, not at all.
00:25:27No, there's plenty
00:25:27of other luxury brands
00:25:28out there.
00:25:41What are you looking at?
00:25:43I'm just
00:25:43looking at you.
00:25:45I feel the weight
00:25:47behind my eyes
00:25:51lean towards
00:25:54the color that lies within
00:25:57I've been waiting
00:26:02I've been waiting
00:26:06It's late.
00:26:09We have work for now.
00:26:11We should get some rest.
00:26:12Good morning.
00:26:24Good morning.
00:26:25Thought you might want to start
00:26:26your day right.
00:26:27Get a grip, Vanessa.
00:26:41He's your model now.
00:26:42Now it's some wild fling.
00:26:47Morning.
00:26:49So, you made all this?
00:26:51I thought you might be hungry.
00:26:56Try it.
00:27:07Yeah?
00:27:08Yeah, it's better than I expected.
00:27:13Wow, confident.
00:27:14Yeah, don't get used to it.
00:27:15You try it.
00:27:23Really?
00:27:24Is that what it's going to be like
00:27:26having you in my house?
00:27:28Well, thank you.
00:27:38Morning, everyone.
00:27:39Morning, Vanessa.
00:27:40Wait a second.
00:27:41Isn't that the same guy you brought
00:27:42in a few days ago?
00:27:45Yeah.
00:27:46He's my new model.
00:27:47Hey, guys.
00:27:47I'm Jason.
00:27:48I look forward to working
00:27:49with you all.
00:27:52I thought you said your name
00:27:53was Farrell.
00:27:55I said.
00:27:56So, you two arrived together.
00:27:59What?
00:27:59Are you living together, no?
00:28:01Joy, seriously.
00:28:02Let's just get this done.
00:28:04Okay, are the cameras ready?
00:28:06She really signed that cool boy
00:28:08into the company.
00:28:09Just wait.
00:28:11This is going to be fun to watch.
00:28:17Vanessa, over here, now.
00:28:22All right, everyone.
00:28:23Take five.
00:28:30It's one thing messing around
00:28:31in your personal life,
00:28:32but bringing a stripper
00:28:34into the company.
00:28:38You ready to deal with the fallout
00:28:39if this backfires?
00:28:41Dad, I didn't pull this out
00:28:42of thin air.
00:28:43Jason is talented.
00:28:44Talented.
00:28:46He's playing you
00:28:47with smooth talk.
00:28:50I've let you run things
00:28:52your way,
00:28:52but hiring him,
00:28:54that's where I draw the line.
00:28:56You need to fire him now.
00:28:58I'm not going to fire him.
00:29:02I promise he's really talented.
00:29:05Just look at him.
00:29:08You're really going to take sides
00:29:09against your father.
00:29:10Sis, Dad's only trying
00:29:12to protect the company's reputation.
00:29:14Just do what's right
00:29:15and let him go.
00:29:18Abby, stay out of this.
00:29:19It's none of your business.
00:29:23Dad, can you please
00:29:24just trust me for once?
00:29:25I've been pulling in
00:29:27projects first for you.
00:29:28Dad, when another client,
00:29:30Vertex Group,
00:29:31finds out you've let her
00:29:32use a stripper for the shoot,
00:29:34they're going to flip.
00:29:35Abby's got a point.
00:29:36Either he goes,
00:29:38or Abby and Blaine
00:29:39take over.
00:29:40Your choice.
00:29:46Either he goes,
00:29:47or Abby and Blaine
00:29:48take over.
00:29:49Your choice.
00:29:50I appreciate it, Dad.
00:29:51I've always led
00:29:52the Vertex Group shoots.
00:29:55And you're just going to
00:29:56let Abby take it
00:29:56just like that?
00:29:58You took it for granted, Vanessa.
00:30:01Don't blame Abby.
00:30:02Abby, if you think
00:30:03you can steal this shoot from me,
00:30:05you better know
00:30:05how to handle it.
00:30:08You know what, actually?
00:30:10Let's make this interesting.
00:30:13Let's split into teams.
00:30:15Let the Vertex Manager
00:30:15choose the winner.
00:30:16And you want a competition.
00:30:18Fine by me.
00:30:19Just don't cry if you lose.
00:30:21What would I be losing?
00:30:23Your model's an amateur.
00:30:26And he's going to run
00:30:26circles around him.
00:30:28We'll see.
00:30:30Hey.
00:30:31You good?
00:30:32Yeah, I'm fine.
00:30:35Alright, listen.
00:30:36The Vertex shoots
00:30:37in three days.
00:30:39You got a plan yet?
00:30:40No, not yet.
00:30:43Alright, well.
00:30:44Vertex is all about
00:30:45the bowl jewelry design, right?
00:30:48So,
00:30:49why don't we work with that?
00:30:51Like, like this.
00:30:56Oh, yeah.
00:30:57That's it.
00:30:59What is the idea
00:31:00around the Eternal Night Rose?
00:31:01You know,
00:31:02dark, edgy.
00:31:05Allison can pull off
00:31:06some really killer outfits.
00:31:07Eternal Night Rose?
00:31:08It sounds cool,
00:31:11but will I look right in that?
00:31:13Are you kidding?
00:31:15Black is your vibe.
00:31:17Look, this is going to be great.
00:31:19Can you just please trust me?
00:31:22Dark theme, huh?
00:31:24Nice move, Vanessa.
00:31:25But I'm still going to outshine you.
00:31:27Still forcing that stripper
00:31:38to be a model, huh?
00:31:40This is getting embarrassing.
00:31:43Maybe you don't worry
00:31:44about yourself
00:31:44for months.
00:31:47I can't wait
00:31:48to see you crash
00:31:48and burn today.
00:31:50Hi.
00:31:59I'm Abby Clark,
00:32:00the lead photographer
00:32:01for this project.
00:32:03Vanessa Clark.
00:32:04Good to see everyone.
00:32:06At Vertex,
00:32:06we only care about results.
00:32:08and trust both of you
00:32:12will deliver.
00:32:19My shoot
00:32:20is inspired by Vertex's
00:32:22latest feature,
00:32:24Eternal Night Rose,
00:32:26centered around the themes
00:32:28of darkness
00:32:29and the duality of man.
00:32:36This works for me.
00:32:38definitely fits the brand.
00:32:44This is stunning.
00:32:47I'm already seeing
00:32:48the partnership potential.
00:32:58What are these, sis?
00:33:02Did we both go
00:33:03for the same thing?
00:33:08Well, what do you know?
00:33:14We both also went
00:33:16for the Eternal Night Rose theme.
00:33:18No, are you serious?
00:33:20You copied me.
00:33:22But I decided
00:33:23to take it a step further.
00:33:26I've gone for a more
00:33:27gothic theme,
00:33:29creating a real
00:33:29sensual beauty.
00:33:31Darker, more sensual.
00:33:32I know our customers
00:33:36are going to want this.
00:33:42These are absolutely
00:33:44incredible.
00:33:46The detail,
00:33:47the mood,
00:33:48it's...
00:33:48It's all perfect.
00:33:52The model nails it.
00:33:56It brings the right
00:33:56kind of balance,
00:33:58the right energy.
00:33:59With him,
00:34:00you can actually
00:34:01see the jewelry,
00:34:02not just the model.
00:34:02This set
00:34:04fits our brand
00:34:05to a tee.
00:34:07It's both.
00:34:08The other
00:34:09previous one
00:34:11just doesn't
00:34:12have the same
00:34:13in the way.
00:34:16This got me up.
00:34:18Looks like you might
00:34:19have to pull
00:34:19your kisses.
00:34:23All right.
00:34:24Well, after our discussion,
00:34:25we're all in agreement.
00:34:30We'll go with
00:34:30the second set.
00:34:31Miss Vanessa Carl.
00:34:35Looking forward
00:34:36to collaborating with you.
00:34:37Amazing.
00:34:38Thank you so much.
00:34:39Love you.
00:34:46God.
00:34:47You know,
00:34:49you really
00:34:50can't steal
00:34:51what someone
00:34:51just has
00:34:52naturally.
00:34:55True creativity
00:34:56comes from within.
00:34:58Yes.
00:35:00Better luck
00:35:00with someone.
00:35:01Right.
00:35:04I'm off.
00:35:06To celebrate.
00:35:08Have a good day.
00:35:09Bye.
00:35:10Bye.
00:35:15Look at you.
00:35:16Come on,
00:35:17I knew you had it.
00:35:19You're my lucky charm.
00:35:21So, what are we
00:35:22celebrating?
00:35:23I was thinking
00:35:24I'd take you out.
00:35:25I know the best sushi restaurant.
00:35:27What, just sushi?
00:35:28What else were you expecting?
00:35:30I don't know,
00:35:31something a little more
00:35:32silent.
00:35:37Take it early, then.
00:35:38All right, fine.
00:35:38I don't know.
00:35:39I don't know.
00:35:40I'm sorry.
00:35:40Maybe you're not
00:35:40dead.
00:35:40I don't know.
00:35:41I don't know.
00:35:42Maybe you've got one
00:35:43but I don't know.
00:35:43I don't know what that means.
00:35:44Cassie! Oh my god, I missed you so much!
00:35:52Oh, this is Cassie, my bestie.
00:35:55Hi, nice to meet you.
00:35:56Hi, nice to meet you too.
00:35:57It's so nice.
00:35:58I thought you were so mysterious about that...
00:36:01Well, I got you.
00:36:03Looks like you've upgraded.
00:36:05So, come on, this is Phil.
00:36:06How did you two meet?
00:36:07How long has this been going on?
00:36:09That stripper, the other night, that wasn't him.
00:36:16That stripper, the other night, that wasn't him.
00:36:25No way.
00:36:26The guy that I hired just called me and said he couldn't find you.
00:36:30I assumed you'd bailed or something.
00:36:32Look, to be fair, you were the one, you know, coming on to me that night, but...
00:36:38Yeah, you mixed me up with someone else.
00:36:42But you were the one who was asking me to do the whole thing.
00:36:46That's enough.
00:36:48That's enough of that.
00:36:50Um, maybe it's a sign, Vanessa.
00:36:54I mean, he's not bad.
00:36:56Why don't you give him a shot?
00:36:58Yeah, it's not like that.
00:37:01He's just my model.
00:37:03Oh, looks like everyone's gone to lunch, so we can just go.
00:37:13Hey.
00:37:14Jason, what are you doing?
00:37:16Vanessa, what are we?
00:37:19Like, are you seriously telling me there's nothing between us?
00:37:24What are you talking about?
00:37:27You know exactly what I'm talking about.
00:37:40Vanessa, we've got a problem.
00:37:42The Vertex Group announced their collaboration with the Clark Group.
00:37:45Yeah, I know.
00:37:46They picked my pitch earlier.
00:37:48I didn't think they'd move this fast, though.
00:37:50They did use your photos.
00:37:52But Abby's the official photographer.
00:37:55What?!
00:37:57Hey!
00:38:04You better knock this Vertex deal out of the park.
00:38:07Don't let your old man down.
00:38:10I won't, Dad.
00:38:12I've got this.
00:38:16Ever thought of knocking, Vanessa?
00:38:18What's this, hon?
00:38:19You couldn't come up with your own ideas.
00:38:21I had to steal mine.
00:38:22Is that what we're doing now, Abby?
00:38:24That's enough!
00:38:26I don't know what you're talking about.
00:38:29This wasn't her doing.
00:38:30It was mine.
00:38:32What are you saying?
00:38:34Abby's fresh.
00:38:35She needs this high profile project to boost her career.
00:38:39I made the call, and she's getting it.
00:38:42Are you serious?
00:38:44That was my idea.
00:38:45Why should she take all the credit?
00:38:47It's all staying in the family, Vanessa.
00:38:50Whether it's Abby or you, the company benefits.
00:38:54We're family.
00:38:56Don't be so selfish.
00:38:59Selfish?
00:39:00Do you know how many hours my team spent working on this project?
00:39:06As chairman of this company, my word is final.
00:39:11If you have a problem with that, we'll have to leave.
00:39:18Fine.
00:39:19I don't want to work here anymore, anyway.
00:39:29Vanessa, are you really leaving?
00:39:31It's your company.
00:39:33Yeah, but there's more out there for me.
00:39:36Don't worry, it won't affect you guys.
00:39:38Oh, I'm coming with you.
00:39:40I've literally had it with this place.
00:39:42Way too much drama.
00:39:43Count me in, I only sign off because of Abby, Vanessa.
00:39:47I'm not staying here without you.
00:39:49I've been itching to start out on my own.
00:39:51Let's start a studio.
00:39:53We're with you, Vanessa.
00:39:54I'm with you as well.
00:39:55Yeah.
00:39:56You guys!
00:39:58Hey, what about me?
00:40:00I switched jobs for you, remember?
00:40:02You owe me one.
00:40:04Alright.
00:40:06I will let you down.
00:40:07Let's start a studio together.
00:40:11Yay!
00:40:13Woo!
00:40:14Woo!
00:40:15Alright, let's get out of here.
00:40:27Dad.
00:40:28Those people who approached were really letting Vanessa take them?
00:40:32They're loyal to Vanessa.
00:40:35If they want to go, there's not much I can do to stop them.
00:40:39So she's just going to go off and compete against us now?
00:40:41Don't worry.
00:40:43I'll make sure people know.
00:40:45If they work with her, they're crossing us.
00:40:48She'll learn quickly.
00:40:50Without us, she won't get far.
00:40:51Since we've launched the Phoenix Studios, we haven't landed a single deal.
00:41:03Every brand we've reached out to either thinks we're amateurs or flat out ignores us.
00:41:09How do we fix this?
00:41:10Just trust me.
00:41:11I'll figure something out.
00:41:12That's it for today.
00:41:13Meeting dismissed.
00:41:14You alright?
00:41:16My father's told every big brand not to work for me.
00:41:18If we don't learn something soon, Phoenix will die before it's even taken off.
00:41:19Hey, come on.
00:41:20It's going to get better.
00:41:21But it's late.
00:41:22You should go home and get some rest.
00:41:23No.
00:41:24No.
00:41:25It's going to get better.
00:41:26But it's late.
00:41:27You should go home and get some rest.
00:41:28No.
00:41:29No.
00:41:30No.
00:41:31No.
00:41:32No.
00:41:33No.
00:41:34No.
00:41:35No.
00:41:36No.
00:41:37No.
00:41:38No.
00:41:39No.
00:41:40No.
00:41:41No.
00:41:42No.
00:41:43No.
00:41:44No.
00:41:45No.
00:41:46No.
00:41:47No.
00:41:48No.
00:41:49No.
00:41:50No.
00:41:51No, I can't give up that easy.
00:41:54You go ahead though.
00:41:56I'll make some more calls.
00:41:59Yeah, alright.
00:42:01So, can I see Mr. Scott?
00:42:16No.
00:42:17Just five minutes of his time.
00:42:18He has already made it clear he's not interested in your studio.
00:42:22Please don't come back.
00:42:24Sis, without the family behind you, you've really hit rock bottom, huh?
00:42:28What?
00:42:29It's none of your business, Abby.
00:42:34Look at this.
00:42:35An invite to the Todd Group Banquet.
00:42:39They're announcing their collaboration with the Clark Group there.
00:42:42Too bad you're not invited.
00:42:45The Todd Group Banquet?
00:42:47Why didn't I think of that?
00:42:50Don't get too excited.
00:42:52The Todd Group is picky with their photographers.
00:42:54I'm not sure you're up to it.
00:42:58What's going on here?
00:43:07Oh, I'm...
00:43:10I'm making invites to the Todd Group Banquet.
00:43:13Well, pretty convincing, right?
00:43:15I'm just hoping they don't notice it's...
00:43:17fake.
00:43:19Wait, why?
00:43:21Why?
00:43:22Yeah, why?
00:43:23Because it's the Todd Group?
00:43:26There's going to be major players from all over the place.
00:43:29I could land some killer collaborations from this.
00:43:33Yeah, but you know that's risky, right?
00:43:36Yeah.
00:43:37Of course I know.
00:43:40But...
00:43:42I'm all out of options.
00:43:45It's this or nothing.
00:43:46So, are you coming with me?
00:43:51With me?
00:43:52To the Todd Group Banquet?
00:43:55Yeah?
00:43:57Uh...
00:43:58Yeah, I...
00:44:00No, I actually...
00:44:01I have something I need to handle that day.
00:44:04Um...
00:44:05But to answer your question, yeah, that does look...
00:44:09Real.
00:44:12I'm just... I gotta...
00:44:13Yeah.
00:44:22This is my shot.
00:44:24If this doesn't work,
00:44:26my studio's done.
00:44:32Invitation, please.
00:44:34Invitation, please.
00:44:46Go ahead.
00:44:51Mr. Todd?
00:44:52She's going inside.
00:44:55That was way too easy.
00:44:57Did I just pull this off?
00:44:59Guess the Todd Group's security isn't as tight as their reputation.
00:45:03Vanessa!
00:45:09Why the hell are you here?
00:45:11What, you get to Watson and I don't?
00:45:13How did she get an invite?
00:45:15You didn't...
00:45:16sneak in, did you?
00:45:18I'm too busy for this, Abby.
00:45:19Court red-handed, huh?
00:45:21You really think you can crash the Todd Group's banquet without an invitation?
00:45:24It's fake.
00:45:25Nice try, though.
00:45:27Vanessa!
00:45:28Did you really sneak in with a fake invite?
00:45:30A fake invite?
00:45:31A fake invite?
00:45:32She must really be desperate.
00:45:33Can you believe that?
00:45:34No one will want to work with her after this.
00:45:35What makes you so sure it's fake?
00:45:36Well, because the real ones.
00:45:37I've got a code right here in the corner.
00:45:38Yours?
00:45:39It's missing.
00:45:40Care to explain?
00:45:41Mrs. Simpson!
00:45:42Mrs. Simpson!
00:45:43Just the man I need.
00:45:44It's missing.
00:45:45Care to explain?
00:45:46Mrs. Simpson!
00:45:47Just the man I need.
00:45:48How can I help?
00:45:49Someone crashed the party.
00:45:50Can you help her find the doll?
00:45:51No one will really be desperate.
00:45:52Can you believe that?
00:45:53No one will want to work with her after this.
00:45:54What makes you so sure it's fake?
00:45:55Oh!
00:45:56Because the real ones.
00:45:57I've got a code right here in the corner.
00:46:01Yours?
00:46:02It's missing.
00:46:04Care to explain?
00:46:08Mrs. Simpson!
00:46:10Just the man I need.
00:46:12How can I help?
00:46:13Someone crashed the party.
00:46:15Can you help her find the doll?
00:46:18Pipsy?
00:46:25I'm afraid if you don't have a legitimate invitation,
00:46:27you're lucky.
00:46:35Mrs. Clark!
00:46:37Just wait a second.
00:46:39Danny Rogers?
00:46:41Mr. Todd's personal assistant.
00:46:45I've been sent here to collect you.
00:46:47Are you sure you didn't mix things up, Mr. Rogers?
00:46:50She wasn't invited.
00:46:51She snuck in with a fake invite?
00:46:55Look.
00:46:57There's no number.
00:46:59Mrs. Clark here is one of Mr. Todd's honoured guests.
00:47:04The reason why it doesn't have a code on there is because I personally sent her the invitation.
00:47:08She's Mr. Todd's honoured guest.
00:47:09She's Mr. Todd's honoured guest.
00:47:14How the heck is that even possible?
00:47:18Who is she?
00:47:20Why does she get to be one of Mr. Todd's VIPs?
00:47:22Even Mr. Rogers is giving her respect.
00:47:24That bitch always steals my spotlight.
00:47:38After careful consideration, we've chosen our partner for the upcoming season.
00:47:53Let's get to the moment we've all been waiting for.
00:47:55Mr. Simpson, there better not be any slip-ups. Remember our little deal?
00:48:04Chill out, Miss Clark. Everything's locked in. I do the business deals around here.
00:48:11No one can change my mind unless it's Mr. Todd.
00:48:16And he doesn't usually get involved in this.
00:48:19Good to know.
00:48:21Vanessa, no matter how hard you crash this banquet, you'll always be in my shadow.
00:48:26Once I nailed this partnership with the Todd Group, let's see how you deal with the fallout.
00:48:31The partner for the Todd Group is...
00:48:35Thank you, Todd Group, for selecting...
00:48:38Phoenix Studios.
00:48:42What?
00:48:44What?
00:48:45How is this happening?
00:48:53How is this happening?
00:48:56What makes your thing shape me part of the Todd Group?
00:48:59You're cringing this project.
00:49:05I've got a project that may catch your eyes.
00:49:08Wow, thank you.
00:49:11Didn't you say everything was set?
00:49:14Are you playing me?
00:49:15No!
00:49:17No, I...
00:49:20Danny?
00:49:22What the hell happened?
00:49:24There's no mistake.
00:49:26The Todd Group chose Vanessa's studio to be our partner.
00:49:31You're corrupt, Colleen.
00:49:34So you're out.
00:49:35Yes.
00:49:36Danny, come on.
00:49:37I messed up.
00:49:38But I won't do it again.
00:49:39After all I've done for you, can you not cut me some slack?
00:49:41Mr Todd is cutting you some slack by not calling the police.
00:49:44So, are you living on your own, or do I need to call security?
00:49:45Miss Clark?
00:49:46If you'd like to follow me?
00:49:47Our contracts are ready.
00:49:48Let's make this official.
00:49:49Let's make this official.
00:49:51Miss Clark?
00:49:52Miss Clark?
00:49:53Miss Clark?
00:49:54If you'd like to follow me.
00:49:55Our contracts are ready.
00:49:56Let's make this official.
00:49:58Miss Clark?
00:49:59Miss Clark?
00:50:00There's the contract.
00:50:01Have a look through.
00:50:02If everything's in order, then feel free to sign.
00:50:05So, are you living on your own, or do I need to call security?
00:50:09Miss Clark?
00:50:10If you'd like to follow me.
00:50:11Our contracts are ready.
00:50:12Let's make this official.
00:50:19Miss Clark?
00:50:20There's the contract.
00:50:21Have a look through.
00:50:22If everything's in order, then feel free to sign.
00:50:26So, um, what made the Todd group sign with the Phoenix Studios?
00:50:31Temple?
00:50:32It's your talent.
00:50:34It speaks for itself.
00:50:36Well, you won't be disappointed.
00:50:47Excuse me, may I ask who that is?
00:50:51Oh, that is, uh, Mrs. Todd.
00:50:54Mr. Todd.
00:50:55Um, Mr. Todd's mother.
00:50:56She's the chairwoman.
00:50:57After Mr. Todd's father passed, she took over just to keep the business thriving.
00:51:03That's really impressive.
00:51:13How come he looks just like Jason?
00:51:15I don't know how you could throw away such a major deal.
00:51:16She's only after your money, and the Todd next is.
00:51:17I don't know how you could throw away such a major deal.
00:51:18She's only after your money, and the Todd next is.
00:51:20So, any more questions about the contract?
00:51:21No, all set.
00:51:22I look forward to working with the Todd group again.
00:51:23Great.
00:51:24I don't know how you could throw away such a major deal.
00:51:25She's only after your money, and the Todd name.
00:51:26No, all set.
00:51:32I look forward to working with the Todd group again.
00:51:34Great.
00:51:39I don't know how you could throw away such a major deal.
00:51:43She's only after your money and the Todd name.
00:51:47Jason, what's he doing here?
00:51:50And who's that woman?
00:51:51He doesn't even know who I really am.
00:51:55No way.
00:51:56Isn't that the chairwoman of the Todd group?
00:52:01I can't believe you'd throw away such a major deal.
00:52:04All for some woman.
00:52:06She saved my life, Mom.
00:52:09She's not just some woman.
00:52:10Some woman.
00:52:12You could have just written her a check and called it a day.
00:52:14I have my reasons.
00:52:16So stay out of it.
00:52:17What's she done to make you so obsessed?
00:52:20She's only after your money and the Todd name.
00:52:23That's all it was.
00:52:25It'd be easier.
00:52:26What?
00:52:26Nothing, Mom.
00:52:27Look, just what you were afraid of won't happen.
00:52:31Okay, she doesn't even know who I really am.
00:52:33But when you say her, you see her.
00:52:36I won't say anything.
00:52:38Okay?
00:52:39Yeah?
00:52:40Only you could fool something this obvious.
00:52:46Yeah.
00:52:46All right.
00:52:46And don't you have a meeting?
00:52:47Come on.
00:52:48Go, go, go.
00:52:48Go, go.
00:52:48Oh, hey, are you, uh, are you done with work?
00:53:01The chairwoman of the Todd group.
00:53:05How do you know her?
00:53:07Don't.
00:53:09You were laughing with her?
00:53:10What are you talking about?
00:53:17No, no.
00:53:18I just, I ran into her and I thought maybe I'd help you secure the Todd deal.
00:53:25Oh, I'm sorry.
00:53:27So I was with.
00:53:28Yeah.
00:53:30But I have good news.
00:53:32I secured the Todd group deal.
00:53:34No way.
00:53:35That's huge.
00:53:36I honestly didn't even think my studio would be in the running for it.
00:53:39Yeah, well, you deserve it.
00:53:41Come on.
00:53:43So, uh, where do you want to go?
00:53:45Studio?
00:53:46Yeah.
00:53:47Or do you want to go for some feet?
00:53:55To us and to our company for nailing that Todd group collaboration.
00:54:00You know what?
00:54:00Cheers, everyone.
00:54:01Woo!
00:54:02Cheers!
00:54:03And I see you're a genius.
00:54:06You really made it happen with the Todd group.
00:54:08And that's not all.
00:54:10We had calls from big brands that want to work with us too.
00:54:13Well, tomorrow's a big shoot.
00:54:14So let's crush it.
00:54:15More deals are just around the corner.
00:54:18Woo!
00:54:19Okay, drinking is fun and all, but let's switch it up.
00:54:23Truth or dare?
00:54:24All right, truth.
00:54:35Do you have a girlfriend?
00:54:41Not yet.
00:54:43Ah, not yet.
00:54:44Does that mean there's one on the horizon?
00:54:47That's your next question.
00:54:48Looks like you're not off the hook.
00:54:56So, is there anyone you have your eye on?
00:55:04Yeah.
00:55:05Yeah, I do.
00:55:06All right, all right.
00:55:12Quit tearing at me.
00:55:14Just please spin the bottle again.
00:55:21Oh, what?
00:55:22So, this is the master bedroom?
00:55:23Okay.
00:55:24All right.
00:55:25I thought this was off limits.
00:55:27Not anymore.
00:55:27No?
00:55:28No.
00:55:28I don't want it to.
00:55:41I don't want it to.
00:55:45I don't want it to.
00:55:58He's passionate, and he knows how to make a girl feel special.
00:56:22Why aren't we prepping yet?
00:56:24It's almost time to shoot.
00:56:25We've been waiting for over an hour.
00:56:27What's the hold up inside?
00:56:29Are you Vanessa?
00:56:31Yes, that's me.
00:56:32Hi, Mr. Bailey.
00:56:36Can we get started?
00:56:38Just keep waiting.
00:56:39Can you see?
00:56:41I'm not ready.
00:56:43But we said we'd start at nine, and it's past that, so what are we waiting for?
00:56:48If you can't be patient, you really think you're ready for a partnership with the Todd group.
00:56:51I don't understand why Mr. Todd partners with all these small studios.
00:56:58Famous studios might be small, but we can handle ourselves against a big company.
00:57:03You think we can compare with the big boys?
00:57:07What do you have?
00:57:08Pretty face?
00:57:11What did you...
00:57:12You slept your way into this job.
00:57:16Huh, shocking.
00:57:24A big company like the Todd group can't get timing right.
00:57:28Or show basic respect to its partners.
00:57:31If that's how it's going to be, we're out.
00:57:32Oh, you're leaving so soon.
00:57:36I've hit the nail on the head, and you're feeling guilty.
00:57:40See, you can't take the heat.
00:57:42If you want the chute to keep going, I suggest that you beg me for it, and nicely.
00:57:51Your mouth is fucking foul.
00:57:53Consider that free mouthwash.
00:57:55No need to thank you.
00:57:56You bitch!
00:57:57Just you wait, I'll...
00:57:58Yo, Mr. Todd.
00:58:06Long time to see you.
00:58:08Do you want to tour the studio?
00:58:11Where's everybody from Vanessa's studio?
00:58:14When they meant to shoot today?
00:58:16It was a total disaster.
00:58:17She had to wait a little bit longer, and then she splashed water on the floor and left.
00:58:21What?
00:58:23You drove her away?
00:58:24Mr. I...
00:58:26I didn't...
00:58:27This is truly outrageous.
00:58:34What's our next move, Vanessa?
00:58:35Let's just head back for now.
00:58:41Miss Clark, I'm so sorry for the trouble.
00:58:43It's on us at the Todd Group for dropping the ball with our team.
00:58:47Edwin's been let go.
00:58:48We'd be so grateful if you'd reconsider and come back for the shoot.
00:59:00Great!
00:59:00Okay, thank you.
00:59:01You're all done.
00:59:03Well, I think we got it.
00:59:05Scamming.
00:59:06Amazing.
00:59:07We'll see you later.
00:59:08Bye, guys.
00:59:09Miss Clark!
00:59:11Hi.
00:59:11Um, I just wanted to come by personally and apologize for what happened earlier on.
00:59:18Um, I hope that doesn't change your view on the Todd Group.
00:59:21No way.
00:59:22I'm really appreciative to the Todd Group for this opportunity.
00:59:25Good.
00:59:26Good.
00:59:27And Mr. Todd is, uh, very impressed with your skills.
00:59:33You'd afford to see what you do next.
00:59:35I really appreciate your help today.
00:59:38The shoot turned out way better than I expected.
00:59:40Good.
00:59:40I'm glad.
00:59:42And, uh, if you need any help in the future, just let me know.
00:59:50Danny's been stepping up for me, helping out more than I expected.
00:59:57So, uh, how was today?
01:00:00Smooth sailing?
01:00:02Hey.
01:00:04Oh, I'm sorry.
01:00:05What did you say?
01:00:06I asked how today was.
01:00:07You seemed kind of out of it.
01:00:10It's nothing.
01:00:13I'm probably just overthinking, but, uh, I think Danny might have a crush on you.
01:00:20Wait, what?
01:00:24I think Danny might have a crush on you.
01:00:28Wait, what?
01:00:29Yeah, he's always coming in, like, last minute to save me.
01:00:34I mean, why else would he be so attentive?
01:00:36Look, I swear, if you start swooning over other guys,
01:00:39I'm going to turn green.
01:00:41Swooning?
01:00:41Yeah.
01:00:42I don't like Danny at all.
01:00:46Well, then who do you like?
01:00:49I like...
01:00:50You're trying to trap me into saying something.
01:00:56Well, yeah, I've been very obvious about how I feel about you, Vanessa.
01:01:01Like, I want to be with you.
01:01:02Like, forever.
01:01:03Do you not see that?
01:01:19But come on, I know you feel something for me, too.
01:01:21I guess...
01:01:27I am kind of into you.
01:01:31I want to take the longest trip with you.
01:01:37The one that starts right when we say I do.
01:01:43Guess what?
01:01:52The Todd Group loved our promo shot.
01:01:58Our studio is making waves.
01:02:00We've got brands lining up to collaborate with us.
01:02:04You guys are killing it at the moment.
01:02:05So I say we head to the shooting gallery.
01:02:08You're the best.
01:02:08Oh, my God!
01:02:18The shooting stuff is way harder than it looks.
01:02:21If I'd have known, I would have chosen something less intense.
01:02:25Nah, don't worry.
01:02:25I'll show you the ropes.
01:02:27Ha, ha, ha!
01:02:30Look who's trying to be a sharp shooter.
01:02:33Well, if you think you can do better, why don't you give it a shot?
01:02:35Seriously, you think you can stack up against Blaine?
01:02:39He's got the second best aim in the city, right after Mr. Todd.
01:02:44Mr. Todd?
01:02:46Yeah, this place is owned by Mr. Todd.
01:02:49He's got the top score, but watch out.
01:02:52Blaine's gunning for that record.
01:02:55You didn't know that, no, Vanessa?
01:02:58And what, you just thought you'd stroll in here and embarrass yourself?
01:03:03You think you can beat the record?
01:03:10Aye.
01:03:12You can't even beat me.
01:03:15Oh.
01:03:24Very confident.
01:03:25All right, then, how's about we make ourselves a little deal?
01:03:31You lose, you run over your portion of the Todd Groove partnership today, eh?
01:03:36So, when you can't win Fernsquare, you research you're cheating.
01:03:40Classic Blaine.
01:03:43Come on, let's go.
01:03:44No, no, no, no.
01:03:45I can take you on.
01:03:46But if you lose, what's your game plan?
01:03:50Lose.
01:03:52Lose me.
01:03:54You think you can just walk in here and break a record like it's a walk in the park?
01:04:00We'll see.
01:04:01Oh.
01:04:02All right.
01:04:03Very confident.
01:04:05My goodness, I have never seen somebody so eager to get embarrassed.
01:04:11You can't even swing that thing, man.
01:04:14I'm not buying it either.
01:04:15But how about this?
01:04:17If you beat Blaine, Vanessa can take any project from you.
01:04:22I'm only sure about this.
01:04:23You don't have to do it just to prove all that we need.
01:04:26Relax.
01:04:28Your boyfriend's got this.
01:04:29Baby, you're on fire.
01:04:41Ah, yes.
01:04:43Even better than last time.
01:04:44Indeed.
01:04:45You know something?
01:04:46I think you should just throw in the towel to save yourself a bit of embarrassment.
01:04:52Not a chance.
01:04:54I believe in Jason.
01:04:55I believe in Jason.
01:05:25Did I just see that?
01:05:28Ten shots.
01:05:29Ten hits.
01:05:30Ah, you just broke the record.
01:05:32Someone just beat Mr. Todd's record.
01:05:35Beat Mr. Todd's record?
01:05:36How's that even possible?
01:05:38How's that possible?
01:05:39Who are you?
01:05:41Breaking Mr. Todd's record and sharing his last name.
01:05:45Could he be?
01:05:48How are you so good?
01:05:50You just shattered Mr. Todd's record.
01:05:52It's nothing.
01:05:53And I just, uh, picked it up in college.
01:05:55You know, I was shooting champ every year.
01:05:59Okay.
01:05:59I'm definitely overthinking this.
01:06:02He's just a regular guy.
01:06:03There's no way he could be Mr. Todd.
01:06:06Remember.
01:06:07You owe us a project.
01:06:08Why should I?
01:06:09These projects I've got some of my boxes.
01:06:11He's just a kid.
01:06:12No way.
01:06:13You've obviously cheated.
01:06:15You've obviously done something for the guns.
01:06:17Or something like that.
01:06:19Not a chance I would lose.
01:06:21Why is it really that hard to just admit someone's better, Blaine?
01:06:24I'm going to get you two.
01:06:34You're so good.
01:06:36I thought Blaine and Abby were going to explode.
01:06:39Yeah, look.
01:06:39I'm done letting them push you around.
01:06:41Yeah, you're the best.
01:06:43You know, today's been my lucky day.
01:06:45I learned how to shoot and secured projects for free.
01:06:49Well, what if Abby goes back on a deal?
01:06:51Then I'll snatch the projects from her.
01:06:54Lion gets under my skin.
01:06:56What if you find out I've been hiding something?
01:07:01I dare you to try me.
01:07:03If Vanessa discovers I've been keeping my true identity a secret,
01:07:07will she walk away?
01:07:09I need to tell her soon.
01:07:15Vanessa.
01:07:21What's going on?
01:07:22I'm here to apologize.
01:07:26Come back with me.
01:07:28I've saved a spot for you at the Clark Group.
01:07:31You kicked me out.
01:07:33Remember, Dad?
01:07:35I've been much happier since I left.
01:07:37So why would I come back?
01:07:38The Clark Group is struggling.
01:07:40We need your talent.
01:07:42Sounds like you can't handle it, Abby.
01:07:45If Dad's here begging for my help,
01:07:47things must be bad.
01:07:49You do.
01:07:54Vanessa.
01:07:56What will it take to bring you back?
01:08:00I'll give you half the company's shares.
01:08:02How does that sound?
01:08:03Dad, are you serious?
01:08:04That's not fair.
01:08:09I'll think about it.
01:08:11Excellent.
01:08:11Give it some serious thought.
01:08:14I'll be waiting for you at the Clark Group.
01:08:18Get out of my fucking way.
01:08:19The shares are meant for me, Vanessa!
01:08:21Just wait.
01:08:23I'll make sure you never enjoy them.
01:08:24You know, I like your car.
01:08:34It's a smooth ride, like you.
01:08:40Stop it.
01:08:41Are you sure you can't come to dinner?
01:08:42No, I can't.
01:08:46I've got something to do tonight.
01:08:47But call me when you're done, and I'll pick you up.
01:08:51What could you possibly have to do at night?
01:08:54You better not have another client.
01:08:55I can't.
01:09:04You know where to have the energy?
01:09:05Good.
01:09:06We've got to keep that way.
01:09:13I can't.
01:09:14I can't.
01:09:18I can't.
01:09:19I can't.
01:09:21I can't.
01:09:21I can't.
01:09:22I can't.
01:09:22I can't.
01:09:22I can't.
01:09:22I can't.
01:09:23I can't.
01:09:23I can't.
01:09:24I can't.
01:09:24I can't.
01:09:25I don't know.
01:09:55I'm here for Jason. He was in a car accident. Where is he?
01:10:17He's down in the hall to your left.
01:10:19Thanks.
01:10:24Jason.
01:10:25Are you okay? Are you seriously hurt?
01:10:29No, I'm fine. Just a scratch. Nothing major.
01:10:34Thank God. You scared the life out of me. How did this happen?
01:10:39Someone cut the brakes, Vanessa. This was your car. They're aiming for you.
01:10:47It's Abby. It has to be. It's all about the shares. She's trying to take me out. I'm so sorry. It's all my fault you got her. I promise I'll get to the bottom of this.
01:11:04Oh, my God. Are you all right, dear? Are you all right, dear?
01:11:12Uh, Mrs. Todd? What are you, uh, doing here?
01:11:19Oh, you must be here to see Mr. Todd, right?
01:11:22Wait. The nurse just told me he's across the hall. Yeah, yeah. He's fine. Just a few scratches.
01:11:31Wait. Mr. Todd got in a car accident, too?
01:11:41Yeah. Yeah. Yeah, thanks. That's right.
01:11:46So, so you and Mr. Todd in a car accident at the same time?
01:11:52Yeah? Crazy coincidence, huh?
01:11:56Should I go and see him? He's been so good to the studio.
01:11:59No, no, no. Are you okay?
01:12:02Where does it hurt? Should I call someone?
01:12:03No, no. I just, I need, I need you.
01:12:07You know, a spoonful of sugar and all.
01:12:10Even now, you're talking nonsense.
01:12:13I'm glad you're safe.
01:12:15Okay, if this was you,
01:12:17I don't, I don't know what I'd do.
01:12:22You're so stupid.
01:12:24Look, it's late.
01:12:26I'll go get you something to eat.
01:12:28Just rest, okay?
01:12:46I have a question.
01:12:49Okay.
01:12:49How would you feel if, like, someone close to you
01:12:53told you a lie?
01:12:58Depends on the lie.
01:13:00And if they had good reason?
01:13:03Um, I mean, I'd, I'd still be upset.
01:13:06A lie's a lie.
01:13:08They just really have to make it up to me.
01:13:10Uh, why are you asking?
01:13:12Are you lying to me?
01:13:13No, no.
01:13:14I'm just, um,
01:13:16just wondering.
01:13:20Wondering if you want to go out sometime.
01:13:23I mean, we've not been on a real date
01:13:24since we got together.
01:13:26That's true.
01:13:27Okay, so,
01:13:28we'll go on one after you've been discharged.
01:13:31All right, deal.
01:13:32I'll, uh, make a plan.
01:13:34All right.
01:13:36Surprise me.
01:13:37Surprise you?
01:13:38You're so dumb.
01:13:45It's in your hair.
01:13:46Mm-hmm.
01:13:47Where are we?
01:13:53Jason, why all the suspense?
01:13:56Yeah.
01:13:56Yeah.
01:13:57Oh, my God.
01:14:08He's in.
01:14:09You like him?
01:14:09Yeah.
01:14:10Yeah.
01:14:19You really know how to treat a woman, don't you?
01:14:24Vanessa,
01:14:25I can't keep hiding this from you.
01:14:28Tonight,
01:14:29I'll tell you everything.
01:14:31And then,
01:14:33I'll propose.
01:14:37Vanessa,
01:14:37Vanessa,
01:14:41I love you.
01:14:44And I want to be with you forever.
01:14:51I love you, too.
01:14:52Actually, there's something that I've been, like,
01:15:00dying to tell you, and...
01:15:02Oh, my God.
01:15:03They're so pretty.
01:15:15I love you, too.
01:15:16Vanessa,
01:15:18What's that? I've got a secret, okay?
01:15:22Okay.
01:15:23I hope that you won't be upset.
01:15:24You're really hiding something?
01:15:27Just say it, Ernie.
01:15:29Actually...
01:15:39I am...
01:15:41Shit.
01:15:46Shit.
01:15:48Jason, Grandpa's very ill. You need to come home now.
01:16:06Um, I've got some, like, personal stuff that I have to handle. Can you head home?
01:16:11So you... you can't stay tonight?
01:16:14What's going on that's so urgent?
01:16:16It's really important, but...
01:16:18I'll tell you when I'm home.
01:16:19Alright?
01:16:20Here.
01:16:21Okay.
01:16:23I don't get it. What's the rush?
01:16:25Shhh.
01:16:34So, this is your urgent matter? Comforting the other woman?
01:16:38What's really between you and Mrs. Todd?
01:16:41Why the closeness?
01:16:42Why the closeness?
01:16:58What?
01:16:59Hey, Vanessa, are you in there?
01:17:02Hey, Allison.
01:17:03Yeah.
01:17:04Hey, have you seen Vanessa?
01:17:05Is she at the office?
01:17:06She wanted me to tell you.
01:17:07You're fired.
01:17:08What?
01:17:09Seriously?
01:17:10Why?
01:17:11Yeah.
01:17:12She seemed really upset.
01:17:13Good luck, okay?
01:17:14Upset?
01:17:15Hey, Allison, hey!
01:17:16Hey, Vanessa, hey!
01:17:17Hey, what's going on?
01:17:18Hey, everything was fine yesterday.
01:17:19What happened?
01:17:20You're asking me?
01:17:21You're asking me?
01:17:22You're asking me?
01:17:23You're asking me what's wrong?
01:17:26When was I ever-
01:17:27Who's asking me?
01:17:28No.
01:17:29You said she was in there!
01:17:30But why?
01:17:31Yeah.
01:17:32She seemed really upset.
01:17:33Good luck, okay?
01:17:34Upset?
01:17:35Hey, Allison, hey!
01:17:36Hey, Allison!
01:17:37Hey!
01:17:38Hey, what's going on?
01:17:39Hey, Allison, hey!
01:17:40Hey, what's going on?
01:17:44You're asking me?
01:17:45You were with some other woman.
01:17:46And you're asking me what's wrong?
01:17:48When was I ever...
01:17:54Mrs. Todd? No, I can explain that...
01:17:56I saw it with my own eyes!
01:17:58I don't need you to explain, just let go!
01:18:00No, I'm not moving!
01:18:02Let go!
01:18:10Come on Vanessa, don't start feeling sorry for a playboy.
01:18:14The Todd Group is hosting a photography competition, Max Bud.
01:18:18Where's we get a chance at a long-term strategic partnership?
01:18:22A long-term partnership?
01:18:24If I can nail this competition, my studio's future is set.
01:18:28Vanessa, what brings you to the national photo contest hosted by the Todd Group?
01:18:44Aren't you just a little ashamed to show your face here?
01:18:46Ashamed? Please.
01:18:48Speaking of shame, look in the mirror.
01:18:50This is a national contest, Abby, remember?
01:18:52Better not play any plagiarism stunts.
01:18:54You'll be blacklisted quicker than you can cry about it.
01:18:56You bitch!
01:18:58Go ahead, say one word I dare you.
01:19:00Welcome, ladies and gentlemen, to the annual photo contest for the Todd Group.
01:19:12Just wait, when the results are in, I'll make sure you're crushed beneath my feet.
01:19:16Oh, I'll be right here, eagerly waiting for the fallout.
01:19:20Let's pick things off by welcoming our first contestants.
01:19:30Hey, everyone. The photos I'm sharing today are from my incredible travels.
01:19:40This show is breathtaking. I give it 98 points out of 100.
01:19:44I'm in love with this. This file is truly a star on the rise, 99 points.
01:19:48Vanessa, get ready to be beneath my feet.
01:19:54I need to report this work.
01:19:56Vanessa, are you seriously doing this out of spite?
01:19:58This photo clearly shows signs of AI generation,
01:20:02and stealing the work of the renowned photographer Feliciano Bowe.
01:20:08You're lying. This is a set-up.
01:20:12I have the original shot right here.
01:20:14What's your excuse now, Abby?
01:20:16Don't listen to her. She's just out to get me.
01:20:20Two photos don't prove anything.
01:20:22Yeah, I heard they're not exactly the best of buds,
01:20:26and now this is ruining the competition.
01:20:28The judges have thoroughly vetted this work.
01:20:30Miss Vanessa Clarke, please do not disrupt the competition.
01:20:34But this is clearly AI generated. I want a judge to review this.
01:20:40Come on, sis. Everyone knows that you're just jealous and trying to make me look bad.
01:20:44Give it a rest.
01:20:46Vanessa, please do not disrupt the competition.
01:20:50You see, I had the Todd Group's tech team run the numbers.
01:20:54Abby's work?
01:20:56Total AI generation.
01:20:58Now that breaks the rules.
01:21:00So, I'm announcing Abby's disqualification,
01:21:04and banning her from working with the Todd Group and any of their associates.
01:21:08Jason? What's he doing here?
01:21:12Who do you think you are? You can't just ban me.
01:21:14The Todd Group tech team isn't your personal squad.
01:21:18Get a load of this guy. Some stripper playing Mr. Todd.
01:21:24Imagine that.
01:21:29Get a load of this guy. Some stripper playing Mr. Todd.
01:21:34Imagine that.
01:21:38Mr. Rogers, he's here to cause chaos.
01:21:40Get him out of here, fast.
01:21:42Using AI to cheat, hmm?
01:21:44Seems like you're the real troublemaker here.
01:21:46Shit. It looks like Jason's really got Mr. Todd backing him.
01:21:50Even Mr. Rogers is in his corner.
01:21:52Mr. Rogers.
01:21:54That man is a male stripper.
01:21:56What's all for for this?
01:21:58Shit.
01:21:59The judges here have been bribed by Abby.
01:22:01I mean, she's ruining the contest and the whole industry.
01:22:04I mean, the Todd Group's not gonna touch this.
01:22:11I'm looking for Abby Clark.
01:22:13You're under arrest on the suspicion of attempted murder.
01:22:16Yeah.
01:22:17No, you've mistaken me for someone else.
01:22:19Easy.
01:22:20Let me go.
01:22:21I didn't kill anyone.
01:22:22I'm being framed.
01:22:23It's Vanessa. She's setting me up again.
01:22:25You mess in my car.
01:22:27You put lives at risk.
01:22:28Do I need to show everyone the proof, Abby?
01:22:31I can't believe she'd go this far against her own sister.
01:22:35Sister?
01:22:36They're half-sisters, remember?
01:22:38I'm not going to be afraid of this.
01:22:39You're gonna pay for this, you bitch!
01:22:40Blaine, help me.
01:22:41Officer, I have nothing to do with this.
01:22:42It was all Abby.
01:22:43Blaine!
01:22:44You're a grateful jerk!
01:22:45I did everything for you!
01:22:46How could you betray me like this?!
01:22:47Are you okay? She hurt me?
01:22:48I'm sorry.
01:22:49I'm sorry.
01:22:50I'm sorry.
01:22:51I'm sorry.
01:22:52I'm sorry.
01:22:53I'm sorry.
01:22:54I'm sorry.
01:22:55I'm sorry.
01:22:56I'm sorry.
01:22:57I'm sorry.
01:22:58I'm sorry.
01:22:59I'm sorry.
01:23:00I'm sorry.
01:23:01I'm sorry.
01:23:02I'm sorry.
01:23:03I'm sorry.
01:23:04I'm sorry.
01:23:05I'm sorry.
01:23:06Are you okay? She hurt you?
01:23:08Don't touch me.
01:23:09Okay, look, Vanessa.
01:23:11There's something I need to say, and it's not-
01:23:13No need for explanations.
01:23:15I already know what's going on.
01:23:17You're cozying up to Mrs. Todd, right?
01:23:20The tech team is all ears when you're around!
01:23:22No, no, no, Vanessa.
01:23:23You got this wrong.
01:23:24Mrs. Todd is my mom.
01:23:26Like my mom.
01:23:27What?
01:23:29So...
01:23:31So Jason Todd, the CEO of the Todd Group,
01:23:35Is it fun to play games with me, Jason?
01:23:38Watching me get played like some sort of idiot?
01:23:41Hey, hey, just listen!
01:23:43Mom!
01:23:44I don't need your explanation!
01:23:45Don't follow me!
01:23:56He knew I can't stand lies.
01:23:58Yet he strung me along like a puppet.
01:24:00I can't believe I fell for it.
01:24:02I fell for it!
01:24:07You think you can just walk away, don't you?
01:24:11Not a chance.
01:24:12Not a chance.
01:24:18Oh, Vanessa, my dear.
01:24:20You...
01:24:21You...
01:24:22Have walked over my life.
01:24:25And now...
01:24:27You, my darling...
01:24:29Are coming today.
01:24:30...
01:24:51Calm down the smoke.
01:24:52Let's go!
01:24:53Lisa!
01:24:54Who are you?
01:25:02What the hell?
01:25:10Is Blaine out of his mind? He can't seriously be trying to burn me alive.
01:25:14Help! Is anyone there? I'm trapped!
01:25:19Scared me this way.
01:25:21Vanessa! What are you there?
01:25:23Jason! Jason, please come in and help me! I'm trapped!
01:25:28Sorry it took me so long. Are you okay?
01:25:30I thought I lost you.
01:25:32Hey, hey, hey, hey! Come on, let's get out of here!
01:25:48Hey, hey, you're awake, hey. Are you okay? Are you hurt?
01:25:52Yeah, I'm okay.
01:25:56But what were you thinking rushing into the fire like that?
01:26:00Look, if something happened to you, I would lose my mind.
01:26:04Don't think playing the hero makes me forget that you lied to me.
01:26:09Look, I messed up. I didn't know who I was. I know that.
01:26:13I'm sorry. Could you give us a moment?
01:26:17Yeah, of course.
01:26:18Thanks.
01:26:22Look, you can hate me if you want.
01:26:25But don't walk away from me.
01:26:27You had a million chances to tell me who you really were.
01:26:30But you kept me in the dark.
01:26:33You made me think that you and Mrs. Todd were together.
01:26:37The only person that I love is you.
01:26:40Then why are you hiding your identity?
01:26:42And then stick around?
01:26:43This wasn't just some love at first sight thing, was it?
01:26:52You still don't remember who I am, do you?
01:26:59You really don't remember who I am, do you?
01:27:01Oh my God! Are you okay?
01:27:12Can you get up?
01:27:15Come on, stay with me!
01:27:24It was you.
01:27:26You were the one I saved from the fire.
01:27:28I've been looking for you.
01:27:32For years.
01:27:37There was so much smoke and fire.
01:27:41I didn't see anything except your arm.
01:27:46And when I met you at the club,
01:27:49I saw the scar on your arm.
01:27:53I knew it was you.
01:27:55Jason, you don't owe me anything.
01:27:59I'm not here because you saved me.
01:28:03I'm here because I love you.
01:28:14Vanessa.
01:28:15Marry me.
01:28:25Yeah.
01:28:27I'll marry you.
01:28:45I'll marry you.
01:28:47See you later.
01:28:48Matt!
01:28:50Bye-bye.
01:28:52Bye!
01:28:54Bye!
01:28:57Bye!
01:29:02Bye!
01:29:04Bye.
01:29:06Bye!
01:29:08Bye!
01:29:09Bye!
01:29:10Bye!
01:29:11Bye!
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