- 51 minutes ago
After The Divorce, The Heiress Takes It All & Detailed Version - Full Movie
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Short filmTranscript
00:00Congratulations to Dorothy for winning the Best Original Screenplay at the Rice and Stars
00:16Movie Awards.
00:18You did it.
00:20Three years ago, I was the most sought after screenwriter.
00:25Three years later, I fell in love with Drake.
00:28Give me my identity a secret for the sake of his pride.
00:32I thought we were happy until...
00:38Hi.
00:46Where the hell have you been?
00:48I told you that Stephanie was coming to help set up for my brother's birthday,
00:51and instead of helping us, he just disappeared.
00:54What, did you bail so you could go and laze around or something?
00:56You know, people say that the only reason you're allowed to stay by Drake's side
01:01is because you're nothing more than a free maid.
01:04Otherwise, why would someone like you be allowed to marry my brother?
01:08What?
01:09A maid?
01:10I just hid my identity for the sake of this marriage.
01:14Well, I think Drake's idea is great, and it could be really good for us.
01:18But the risk is way too high.
01:23Dad.
01:24Please.
01:27Okay.
01:28And I'm sure you don't want him to know the real reason why I'm investing.
01:32Think about it, Dorothy.
01:38Since he got married, has he ever even touched you?
01:40How often does he actually come home?
01:43He doesn't even want to look at you.
01:46Let alone sleep with you.
01:47That's enough, Ellie.
01:49We're all here to celebrate Drake's birthday.
01:51I'm sure he wouldn't be happy to see us like this.
01:53Everybody knows that if it weren't for her, you would be married to Drake
01:57instead of being my late brother's widow.
01:59Ellie!
02:01Whatever happened between me and Drake is all in the past.
02:04Besides, I'm carrying Nick's baby.
02:10It's the perfect time.
02:14Oh my god, oh my god, I missed it.
02:16Dorothy just put Stephanie into the pool.
02:18What?
02:23Quick, save Stephanie.
02:26She's carrying Nick's baby.
02:31Quick, get in there.
02:45He chose Stephanie over me.
02:50My baby.
02:51My baby is gone.
02:54Why would you do this to me?
02:57How dare you?
02:59You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:03Are you happy now that Stephanie's baby's gone?
03:05I didn't do it.
03:06I know you don't want me here.
03:08I told you whatever happened between me and Drake is in the past.
03:11You can hate me however you want to,
03:13but how could you be so cruel as to kill my unborn child?
03:16I didn't do it.
03:17You know me, I would never do that to Stephanie.
03:19Let's apologize to Stephanie.
03:23I'm not going to apologize for something I didn't do.
03:25Apologize to Stephanie right now or I will divorce you.
03:35Divorce.
03:35If you apologize right now,
03:39then I'm willing to give you another chance.
03:45It's been three years, Drake.
03:48I gave up everything to be your wife.
03:50I've always kept to the shadows, Dorothy.
03:54I already have a life.
03:55And right now I just want to focus on being.
03:58Am I married to Drake?
04:02I thought you would always be by my side,
04:04but I was wrong.
04:06The only reason you're allowed to stay by Drake's side
04:09is because you're nothing more than a free maid.
04:11Since you got married, has he ever even touched you?
04:13He doesn't even want to look at you.
04:18Fine.
04:18Let's get a divorce.
04:29There's nothing left in my heart.
04:31Drake's nothing without me.
04:35My ring!
04:37My ring is gone!
04:39Well, you must have taken it.
04:41Why would I take her ring?
04:43Well, look how quickly you packed your suitcase.
04:45You're probably seeing someone else.
04:47Dorothy.
04:47We were married for three years.
04:52Were you seeing someone else?
04:53Of course she was.
04:54She'd probably been cheating on you for a really long time.
04:57Couldn't wait for the divorce.
04:59So what if I was, huh?
05:01And what about you?
05:02Still hung up on your so-called sister-in-law?
05:05What gives you the right to talk about me?
05:08I only look after Stephanie because she's my brother's widow.
05:11But you were actually seeing someone else.
05:14Who is he?
05:15Big talk!
05:16Don't bring me down to your level.
05:19I'm not like you.
05:21Since your sister-in-law lost her ring,
05:23Why don't you take...
05:28This one.
05:36You've been waiting for this for a long time, haven't you?
05:43Bye.
05:43And so I left.
05:54This is ridiculous!
05:57We, the Bennett family, are one of the four major production companies in the world.
06:00I let him marry my daughter, and even invest him in his business.
06:05How dare that Drake do this to my daughter!
06:09Look, it's actually good from Dad.
06:13Now we know who he really is, and he has no idea who I am.
06:17Still, you're my daughter.
06:19I can't let him do this to you.
06:21If it weren't for you, I would not have considered investing in his company.
06:24We're gonna pull our investment immediately.
06:26Yes.
06:27It's time to cut him off.
06:29He doesn't deserve you.
06:30I'm over Drake.
06:33If we withdraw the plans now, it's going to hurt the family business.
06:37He's not worth it.
06:40Honey.
06:42Why don't you just take a vacation?
06:45Or just put all this aside and take some time out for yourself?
06:49Yeah.
06:52No.
06:56I've wasted too much time with Drake over the three years.
07:00You know, now I want to focus on something that actually matters.
07:04You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:11Universal, Paramount, every major studio wants this.
07:18Liar's Game.
07:19Your story on the big screen.
07:21If you're in, I'd be happy to be the one headlining it.
07:24Oh.
07:25So that's why they're making it.
07:27Because of you.
07:28I'm sorry, Christopher Santoro.
07:30See?
07:31They're not funding the film.
07:33They're funding you.
07:34Wrong.
07:35They're funding the story.
07:38It's more than good.
07:40It's phenomenal.
07:42Christopher is right.
07:44I'm taking my life back.
07:45I'm going to adopt it myself.
07:53You are?
07:54Yes.
07:55I will.
07:57Good for you.
07:59I won't tell anyone I'm asking you.
08:00Congratulations to Aria Wong for winning the Best Director.
08:19This is my close friend from college.
08:21Aria, I need your help.
08:23I want to adopt the Liar's Game myself.
08:25And I want you to direct it.
08:28Of course.
08:29Alright then, okay.
08:32Just one thing.
08:33I want to keep my identity as the writer a secret.
08:37I don't want anyone to know.
08:40Especially not the team.
08:41SQ.
08:42Are you sure?
08:43But why keep it a secret?
08:45I just want people to focus on the story itself.
08:49Got it.
08:49Your secret's safe with me.
08:51Hey.
08:53Oh my god.
08:54That's so weird.
08:57Jeff.
08:58It's a bit weird.
08:59Ever since news got out about our movie, my phone has not stopped ringing.
09:05Really?
09:12It's Stephanie.
09:13Yeah, just take it.
09:21Hello?
09:22Hello, Miss Wong.
09:24I've heard Liar's Game is being made into a movie.
09:26I'm interested in playing the lead.
09:28Can we arrange an audition?
09:32I'll speak to the writer and I'll let you know.
09:35Thank you, Miss Wong.
09:36What do you think?
09:41Anyone can audition, right?
09:43As long as they're right for the role.
09:45What happened between me and Stephanie is not important here, so...
09:49Okay.
09:52I'll call her back and let her know.
09:53What about me?
10:05Can I be your hero?
10:08Oh, you mean, uh, a film, right?
10:17I've never considered anyone else.
10:23I have to take this.
10:25Hi.
10:26You know, I'm not just talking about the film, Dorothy.
10:35It's okay.
10:37I can wait.
10:40I've waited this long.
10:41Well, well, well, look who it is.
10:51Why are you here?
10:53Oh, I see.
10:54You're the production assistant.
10:57Well, do your job.
10:59Get me a water.
11:02Stephanie.
11:04Get your own water.
11:06I'm not your PA.
11:07Look.
11:08It's my first day on set
11:10and I want to buy coffee for the crew.
11:12Why don't you be a doll
11:14and mark down everyone's order?
11:16Are you deaf?
11:17I'm not a PA.
11:20Here's a tip.
11:22Go on.
11:24Show some respect, Stephanie.
11:26Do you know who she is?
11:29What were you doing?
11:31Oh, no.
11:32She can't know I'm askew.
11:37I want to keep my identity as the writer.
11:40Secret.
11:40I don't need anyone to know,
11:42especially not the team.
11:47What do you mean?
11:49Who is she?
11:52No one but a lower PA, I'm sure.
11:54Isn't that right?
11:59Well, actually, she's...
12:02She's...
12:04Just a PA.
12:06You're right.
12:08So why don't you show me a lower PA?
12:11Your acting skills.
12:13Maybe I'll be impressed even by her the copies myself.
12:16Watch this.
12:17I loved you once.
12:25Or so I thought.
12:28But now I see that it was all just a lie.
12:31A beautiful...
12:34Painful lie.
12:36You took everything from me.
12:44My dreams.
12:46My future.
12:50See?
12:51There's no soul.
12:53That's not acting.
12:54It's just...
12:55reciting lines.
12:58When are you show her how it's done?
12:59What?
13:01Go on.
13:05Go on.
13:27I loved you once.
13:29So I thought.
13:33But now I can see.
13:35It was all a lie.
13:38A beautiful, painful lie.
13:42You took everything from me.
13:47My heart.
13:49My dreams.
13:52My future.
13:54And for what?
13:55For your own personal gains.
14:10How is that possible?
14:12Dorothy.
14:13That was perfect.
14:15The role is yours if you want it.
14:17No.
14:20This role is mine.
14:22I've been with the investment.
14:24Without me, there's no funding for this movie.
14:26Your investment?
14:27Do you even know who she is?
14:29Who is she?
14:36Who is she?
14:37As you know, no one but a PA.
14:41Dorothy.
14:42This movie is important to Stephanie.
14:44I mean, why are you here?
14:45You're not a real actress.
14:46What are you doing?
14:47You're trying to ruin her career.
14:48You're trying to get back at me by ruining her career.
14:50I'm not ruining anything.
14:52If she can't handle the role, that's on her, not me.
14:56You can't blame this on anyone else.
14:58You embarrassed her in front of everyone.
15:01I mean, I know what you're doing.
15:02You're the one pulling all the strings here.
15:04You're trying to make her fail so you can take her place.
15:06She's using this whole thing to get to you, Drake.
15:09She's been jealous from the start.
15:10Trying to ruin my chances to get back to you.
15:13Okay, no.
15:14I don't want to fight anymore.
15:15Well, I'll just take a look at the script
15:17so maybe we can work something out.
15:20And you are just so damn selfish.
15:23You only care about yourself.
15:25Just give Stephanie her role back.
15:28You know what?
15:30I don't want to do this.
15:32But I will.
15:33I'll take the role.
15:35I'll play the lead.
15:39I'll play the lead.
15:41No way.
15:41You can't be serious.
15:42She's not even a real actress.
15:47Dorothy's performance was far stronger than yours.
15:50Almost everyone in the room can see it.
15:54I'm so glad you've agreed to do the role.
15:58Right.
15:59It's settled then.
16:00The lead roles go to Christopher and Dorothy.
16:04I will double my investment
16:06if you give Stephanie a role.
16:09You two are just such...
16:18Okay, look.
16:32If the money's on the table, there's no reason to turn it down.
16:38Let's just give her a part.
16:41We have nothing to lose.
16:43I guess that'll be fine.
16:45I'll talk to SQ.
16:47Your father's production company
16:54is already the biggest investor in your movie.
16:56So why take Drake's money?
16:57You don't...
16:59You still have feelings for Drake, do you?
17:01No.
17:03He's an asshole.
17:05Come on.
17:07I've got an idea.
17:07Why don't we just give her a character?
17:12That'll make her miserable.
17:15Wow, Mrs. Sontaro.
17:17I feel bad now.
17:24I only wish she didn't have feelings for Drake anymore.
17:29How did she land herself the role?
17:31She's practically a nobody.
17:33No fan base, no real experience.
17:35Just one good scene.
17:37It doesn't make sense.
17:41Find out everything you can about Dorothy.
17:44I want all the dirt.
17:52Director, there must be a mistake.
17:54I'm only a side character
17:55and not even in the main scene.
17:57You wanted a role.
17:59We gave you a role.
18:01I came in with an investment.
18:03Well, you're more than welcome
18:05to take it back and leave the set.
18:09Even a small role in SQ's film
18:11is going to do great things for your career.
18:13Now is not the time for you to be messing around.
18:17Fine.
18:24Two, take one.
18:26Action.
18:27Lily, you are my best friend.
18:28How could you do this to me?
18:29I'm sorry, but this is a...
18:31Oh!
18:34What the hell are you doing?
18:36It's part of the scene!
18:41Okay, take it again from the slap.
18:44Action.
18:49Cut!
18:50Stephanie, why aren't you saying your lines?
18:53You have to keep going in the scene.
18:54I think you've had enough for today.
18:58We'll just try again tomorrow.
19:07Did you see her face?
19:09Absolute gold.
19:11I mean, she got what she wanted.
19:13She asked for a role
19:14and that's what we gave her, so...
19:15Seriously, her performance
19:17is all over the place.
19:19Maybe we should just
19:20cut down on her screen time.
19:22And we all know the film's better
19:24without her slowing us down.
19:27You're right.
19:29I'm not gonna let anyone
19:30ruin your story.
19:36So if you can just give me something
19:38that's a bit more...
19:40something about her job.
19:48What's going on with my scenes?
19:50Why have so many of them been cut?
19:51It's a collective decision.
19:55Fuck that!
19:56Let me talk to the writer!
19:58The writer is as cute
19:59and as you know,
20:00they never show their face
20:01so their decision is final.
20:06I'll see you on set in five.
20:07Now it all makes sense.
20:22Yeah.
20:25Oh!
20:25Now it all makes sense.
20:29That's the head of the production company.
20:32No wonder she got the role.
20:33Let's see how John's wife
20:36feels about that.
20:46Everyone, I have an announcement to make.
20:49Today will be Stephanie's
20:50last day on set.
20:52You really think I don't see through
20:58your little gaze?
21:00Somebody will be walking out that door today
21:01but it won't be me.
21:05You really think you can get away with this?
21:08Sleeping your way up?
21:09John's wife is on her way.
21:14Let's see how you talk your way out of this one.
21:16Slut.
21:21That's enough!
21:26So were you the one who was stalking
21:27and secretly taking photos?
21:29What?
21:30Scared the truth is going to come out?
21:32Someone had to expose her
21:34for who she really is.
21:35So you admit it.
21:37You did it.
21:38Damn right I did.
21:40And I'd do it again if I had to.
21:43You don't know who you just crossed!
21:45Oh, I know.
21:47Just some rich old bastard
21:49throwing a tantrum.
21:50I sent those photos to your wife too.
21:52And now your mistress
21:53is about to be exposed.
21:56Yeah.
21:57Security.
21:59Stephanie is banned from the studio.
22:01Make sure she never sets foot here again.
22:03You can't just do that!
22:05Oh, this is insane!
22:06What?
22:07I have rights!
22:07I was only telling you the truth!
22:09She is a mistress!
22:10A loose woman!
22:11A lady of the night!
22:20Is it true that Dorothy is John's sugar baby?
22:23Otherwise, why would he come onto the set
22:24and get me banned from the movie?
22:27That's unbelievable.
22:28And he humiliated me.
22:30He had me dragged off the set like a criminal.
22:32You should have seen it!
22:33I'm not going to let her
22:35just ruin her reputation like this!
22:38I mean, this whole mess is
22:39she's making us look like fools!
22:42Dorothy's always been trouble.
22:44I mean, first she goes off with a married man
22:46and now this!
22:48Don't know how you put up with her for three years.
22:51You should have got a divorce earlier.
22:53Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:59It's the only explanation!
23:01She's clearly nothing but a slut!
23:03Oh!
23:05Drake, Stephanie is your sister-in-law.
23:10Now you need to take care of her
23:11and forget about Dorothy.
23:13Can't you see she's the one behind all of this?
23:16She was sleeping her way to the top
23:18killing Stephanie's unborn child
23:21and John dragging her off the set.
23:24You should be sticking up for Stephanie.
23:30I'm not going to let her do this to you.
23:32Do you think you can just walk away
23:47from what you did like nothing happened?
23:49I didn't walk away from anything.
23:51You did.
23:52You chose Stephanie over me.
23:54Remember this one?
23:55She's my sister-in-law.
23:56I'm so sick of hearing this.
23:59You have feelings for her
24:01and I'm just tired of it.
24:03You're out of your mind
24:04if you think I'm going to let you get away with this.
24:06You do what you want to do.
24:08For now, get out!
24:11Why?
24:17We were married for three years.
24:19We never...
24:20You damn fucking might let go of me!
24:31No wonder you want me to go!
24:34I...
24:34Just look at yourself.
24:37You're not half the man Christopher is.
24:41Get out.
24:42Or I will call the cops.
24:45Just go!
24:46Are you okay?
24:55Are you okay?
25:01Ready?
25:02Yeah.
25:02Remember, safety first.
25:05The lifeguard's right there if you need him.
25:07Okay.
25:10Anything you need, let the AD know.
25:12Okay.
25:13Got it.
25:13Got it.
25:14Here's a coffee for you.
25:24It's still early before the shoot.
25:26Take your time.
25:27Bye.
25:39Hey.
25:39Hey.
25:40Hey.
25:40Hey.
26:11Something's wrong.
26:24That's not acting.
26:26She's in trouble.
26:33Where's the lifeguard?
26:38Where's the lifeguard?
26:41Where the fuck is the lifeguard?
27:01Come on, Dorothy.
27:11Come on, Dorothy.
27:11I'll do anything for you, Dorothy.
27:35Why did you do that?
27:38I'll do anything for you, Dorothy.
27:43Christopher risked everything without hesitation.
27:47How could I have been so blind?
27:58I wasn't expecting that.
28:16Where were you?
28:22I'm sorry.
28:22I'm sorry.
28:22They could have drowned.
28:23I'm sorry.
28:23I had a stomachache.
28:25I had to look at her back.
28:26Make sure it doesn't happen again.
28:32Do you think that I should call Dorothy just to make sure she's okay?
28:36Are you still hung up on her?
28:38It's not like that.
28:42I'm just trying to be helpful.
28:43Don't you remember, Drake?
28:45She's the one who had me kicked out of the movie.
28:49She's the one who killed my baby.
28:51Not just my baby, but Nick's baby.
28:54I know I just have a sister-in-law.
28:56Whatever happened between us is in the past.
28:58But I have no one now.
29:01No husband.
29:03No baby.
29:05The fuck I have left is you.
29:09Haven't you seen through Dorothy yet?
29:11She's nothing but a slut sleeping away from the top.
29:14You don't know that.
29:16You know I'm right.
29:18Why else would John come onto the set and stand up for her?
29:21Not just John, but Christopher too.
29:23She's sleeping around with anyone she can find.
29:25She's a whore.
29:26Shut up!
29:36You want war?
29:39I'll give you war.
29:43Do it.
29:46Make sure Dorothy feels every little bit.
29:53Breaking news.
29:54Unknown actress seduces Hollywood heartthrob.
29:57Rising star or opportunist.
29:59Actress Dorothy's shocking affair with Christopher.
30:02Christopher's new flame or a heartless gold digger.
30:05Dorothy!
30:06Liar!
30:07Hey, bitch!
30:10This is getting out of hand.
30:13Maybe we should just reveal her real identity.
30:16Let everyone know she's not just some random actress.
30:18Bruce.
30:23Christopher, no.
30:24Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:28There's someone behind us.
30:30And whoever they are, I'll make them pay.
30:38Fuck off.
30:39This can't be right.
30:51I die in the second scene.
30:54This must be Dorian and John forcing SQ to cut me out.
30:58They won't get away with this.
30:59Trank, can you believe this?
31:07They've completely written me out of the script.
31:09Do you remember when Nick was lying in that hospital bed?
31:13You promised him you'd look after me.
31:15I've already lost my husband and my baby.
31:18I can't lose my career too.
31:19Don't worry.
31:21I'll get you your character back.
31:22There's a tape of a documentary that apparently SQ has always wanted.
31:43So, we win this bid and we gift it to them.
31:46We should be able to get you your role back.
31:48Up next, a rare gem.
31:54The original film documentary chronicling the creative journey of none other than herself.
32:00Legendary screenwriter, Margaret Lane.
32:03$50,000.
32:05What's she doing here?
32:08I don't know.
32:10I'm not going to let her win this.
32:12$60,000.
32:13$70,000.
32:21$100,000.
32:25This is my grandmother's documentary.
32:27It's her legacy.
32:29She's the one who inspired me to become a screenwriter.
32:32I can't let her fall into the wrong hands.
32:36$500,000.
32:37$100,000.
32:43I'm trying to get you your role back.
32:52Don't worry.
32:53I've got it covered.
32:55Ladies and gentlemen.
32:57We are down to the final bid.
32:59Standing at a whopping $500,000.
33:03$500,000 going once.
33:06$500,000 going twice.
33:09Sold.
33:10To the lady in the blue dress.
33:11I can't believe this.
33:21You have no right to take that film reel with you.
33:28You have no right to take that film reel with you.
33:34What's going on?
33:35Ladies and gentlemen, I've just been informed that Miss Dorothy is in fact not an invited
33:47guest.
33:48Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
33:54This is ridiculous.
33:56I was invited.
33:56Well, in that case, may I see your invitation?
34:06I did have it, I swear.
34:08I'm sorry, Miss Dorothy.
34:09If you do not have the invitation at hand, the documentary reel has to go to the second
34:13highest bidder.
34:14This is the protocol.
34:15I don't understand.
34:16I'm sorry.
34:36I'm sorry.
34:37These are the rules.
34:39The documentary reel will go to the honourable couple.
34:41Stephanie, wait.
35:03Just sell it to me.
35:05Name your price.
35:06I'll pay you anything you want.
35:07It's really important to me, please.
35:10Why are you doing this?
35:12You're just trying to get my attention by going after something that Stephanie wants.
35:16No, you don't understand.
35:18Just let me buy this.
35:21Whatever it takes.
35:23Dorothy.
35:24You think this is about money?
35:26Please.
35:27This isn't something you can just buy.
35:30Dorothy.
35:31What the hell are you doing?
35:33Why do you always have to go against her like that?
35:34This reel is important to Stephanie.
35:36She can use this to help her career.
35:39Her career?
35:41Is this about your role being cut from the air?
35:45Is that why you're doing this?
35:49I'm the writer.
35:50I'm going to fix this.
35:52Then you write the story and bring your character back.
35:54Just let me have the real person.
35:58You're the writer.
36:00Are you telling me that you're SQ?
36:04You, the writer-esque you.
36:08Can you give us a break?
36:09Look, this reel is important to Stephanie.
36:13End it.
36:14Don't make this harder than it has to be.
36:17You've been with Dorothy for so long,
36:19and you don't even know her.
36:20Oh, and you do.
36:22A hell of a lot more than you.
36:23What the fuck do you think you are?
36:24Both of you, calm down.
36:25Ah!
36:25Ah!
36:26Ah!
36:26Ah!
36:26Ah!
36:27Ah!
36:27Ah!
36:28Ah!
36:28Ah!
36:29Ah!
36:29Ah!
36:30Ah!
36:30Ah!
36:31Ah!
36:31Ah!
36:32Ah!
36:32Ah!
36:33Ah!
36:33Ah!
36:34Ah!
36:39Scratched!
36:39All over!
36:40It's ruined!
36:41Not even fit to be a gift anymore!
36:43I can fix this.
36:45Stephanie, I know someone who can restore it.
36:47Just sell it to me.
36:48Please, just name your price.
36:52Even if I had no use for it,
36:54I'd never give it to you.
36:56I want to be a writer like you, Grandma.
37:05I want to be a writer like you, Grandma.
37:07I want to make movies like you do.
37:08This reel has more than pictures and sound on it.
37:08Really?
37:09Hmm.
37:09An entire world I've captured.
37:11But it's just one way of seeing things.
37:12I want to have nothing.
37:13Oh!
37:14Oh!
37:15Oh!
37:16I want to have more.
37:17Oh!
37:19Oh!
37:20Oh!
37:21Oh!
37:22Oh!
37:23Oh!
37:24And I want to be a writer like you, Grandma.
37:26Oh!
37:27like you do. This reel has more than pictures and sound on it. Really? An entire world I've captured. But it's just one way of seeing things. The magic is creating it yourself. Someday you will.
37:46Dorothy. I need you to go apologize to Stephanie and give her her rollback. Apologize? To her? She destroyed the reel. And she wouldn't have done that if you hadn't pushed her. So go apologize or I'm pulling my funding.
38:16Look, Dorothy. Let's be real here. Without Stephanie, Barry's going to invest. Even the production company will pull out if they hear that she's not involved anymore. Her name carries weight. Let's not pretend that your reputation is exactly stellar right now. Christopher's fans hate you. Stephanie's fans hate you. Even if you actually make this film, no one's going to support you. You will be buried.
38:42But if you apologize to Stephanie even now, I can help you. I can control the press. I can control the narrative. I can actually give you a chance.
38:58What's so funny?
39:01What's so funny?
39:02Pull your funding?
39:04Do it. You'll see it does nothing for the movie.
39:08Okay. So what if I tell the production head to pull his funding too? Didn't I tell you that I know Mr. Bennett?
39:15No. Go ahead. Quiet.
39:18You want me to call?
39:20Mm-hmm.
39:21Fine.
39:23Hi, Mr. Bennett. It's Drake. Drake Mossbacher. Yeah, I'm pulling my funding from Liar's Game and I suggest that you do the same thing. I've seen it and it's a sinking ship.
39:35You're pulling out? Great. I'll take full control of the investment. Not a problem.
39:42Not a problem.
39:49So you slept with him?
39:53That's why he's supporting you, isn't it?
39:58Is this how you see me? The type of woman who would use her body to get what she wants?
40:01What other explanation do you have?
40:04You know nothing about Dorothy.
40:06Apologize to Stephanie. Cut ties with Mr. Bennett and end this. Dorothy, come back to me. Whatever he's offering you, I'll match it. I'll double it.
40:17You must be ill to your fucking mind.
40:20What makes you think I would ever go back to that living hell?
40:24Living hell?
40:25You heard me!
40:26Being married to you was a fucking nightmare.
40:29You made me believe you loved me.
40:33And then you had me waiting in vain for three years, Drake!
40:37You said you'd always protect me, but then when I need you the most...
40:41You just turned your back on me.
40:44You chose your sister-in-law over your wife.
40:50I've had enough, Drake. You were my prison.
40:53So just go back to your precious Stephanie.
40:56Let's just go.
41:10Why are you hurt?
41:12Are you okay?
41:19What are you, Steph? What are you doing?
41:21Well, you want me, don't you? Just kiss me. I'm all yours.
41:24Steph! You're Nick's wife. I've always thought of you like a sister.
41:28Sister?
41:30Funny.
41:32Don't you remember when you came to me the night Nick and I got married?
41:35Don't you remember what you said?
41:38Remember this?
41:39Yeah. Why not marry Stephanie?
41:42God.
41:43You were practically begging me not to marry Nick.
41:45No, I shouldn't have said that. I shouldn't have said that.
41:46I don't want to see that.
41:47I don't want to see that.
41:49What's that?
41:52Oh, it's nothing.
41:53No, what is that?
41:54No, Drake, no. Please.
41:58You lied about this.
42:02You lied about this.
42:06You said that Dorothy pushed you into the water, but this shows you shoving her in.
42:10It's a glitch.
42:12A glitch.
42:14Sorry, do you actually expect me to believe that?
42:17What's this?
42:19Buying pills off the black market?
42:23Tell them I hit your pregnancy.
42:25It was you.
42:26First time when you blamed Dorothy like some sort of scapegoat and she was innocent the whole time.
42:31Don't tease me, you have to believe me.
42:33I didn't...
42:34I've always thought of you like your sister.
42:37I've always taken care of you.
42:38I even thought that I loved you once, but that was before you were Nick's wife.
42:43You've changed.
42:47You've changed.
42:49You're not the person I thought you were.
42:54I only looked after you because I thought it was my duty as Nick's brother to look after his widow.
42:59I guess there's no need to look after you anymore, huh?
43:02But what does that mean?
43:04You're just going to throw me away?
43:06I'm not going to throw you away.
43:08But this is my house.
43:11You want to back over? We're gone.
43:14But you can't just walk away from me like that.
43:16I've said everything that I need to say.
43:18Now I'm going to go find the person that I actually care about.
43:24Oh, Dorothy.
43:26This is all your fault.
43:28Fault.
43:32Let's take this bitch down.
43:33Do you want me to say please?
43:34No.
43:35No.
43:37I was wrong.
43:38I misunderstood everything about you and about us.
43:42Can you please just hear me out?
43:43You think you can just come here and apologise?
43:44After everything.
43:45I didn't mean to hurt you.
43:46I didn't mean to hurt you.
43:47Look, I understand what I did but it was just because it was definitely an anyone.
43:48I didn't mean to hurt you.
43:49I didn't mean to hurt you.
43:50Look, I understand what I did but it was just because it was definitely an anyone.
43:51Can you please just forgive me?
43:52Can you please just forgive me?
43:53I don't need your apology.
43:54No.
43:55No.
43:56No.
43:57No.
43:58No.
43:59No.
44:00No.
44:01No.
44:02No.
44:03No.
44:04No.
44:05I was wrong.
44:06I misunderstood everything about you and about us.
44:07No.
44:08I didn't mean to hurt you.
44:09No.
44:10No.
44:11No.
44:12No.
44:13No.
44:14I lost it but it was just because it was definitely an anyone.
44:16No.
44:17Can you please just forgive me?
44:18No.
44:19No.
44:20No.
44:21No.
44:22No.
44:23No.
44:24No.
44:25No.
44:26No.
44:27No.
44:28No.
44:29No.
44:30No.
44:31No.
44:32No.
44:33No.
44:34No.
44:35No.
44:36I can fix this. I can fix it. I can do anything or anything, please.
44:42No.
44:44You were never the person I thought you were.
44:47And I'm not either.
44:49I've moved on.
44:52I don't need you.
44:57Not like I used to.
44:59Just stay back.
45:01After everything.
45:02Yeah, that's it.
45:06I just have better than this.
45:17I just have better than this.
45:47You should know, Dorothy is nothing but a homewrecker.
45:51What's going on?
45:53A glorified mistress who's been playing the part of a wonderful actress when all she's really done is ruin lives.
46:01This is so adorable. You're involved with a married man. What's your response to Stephanie's claim?
46:06This is ridiculous.
46:11Let's talk about how she got here, shall we?
46:15She didn't get here off her talent.
46:17Oh, no. She got here by clinging to powerful men.
46:21No real experience. No skill.
46:24Just a man's name and a man's money.
46:27Security! Get her out of here.
46:29Wait.
46:30If she has something to say, let's hear it.
46:33Dorothy, it's a trap.
46:35I'm not afraid of the truth.
46:38Let's see what she's got.
46:42What's going on?
46:44So tell us, Dorothy.
46:45How did you get here?
46:48Did you use your relationship with John Bennett to land the part?
47:07A homework, are you saying?
47:09Is there something wrong with me appearing with my own dad?
47:13You're the one who sent me this photo, right?
47:15How about you take another one?
47:17This time, of my lovely family of three.
47:20Dorothy, Dorothy, Dorothy.
47:21Are you really John Bennett's daughter?
47:23Yes.
47:24I bet you never ask my last name.
47:26It's Bennett, by the way.
47:29So, Dorothy is the producer's daughter.
47:33Dorothy, so did you use your father to get the part?
47:36Oh, so it's just nepotism, then.
47:44Well, even if she didn't fuck her way to the top,
47:46she still only got here through her connections.
47:48Whether you like it or not,
47:49my performance speaks for itself.
47:51And everyone here saw it.
47:53She was actually really good.
47:54Yeah, she handled the movies.
47:56Oh, are you saying that everyone here is wrong?
47:58You think you're so clever, don't you?
48:02Fine.
48:03You can act a little bit.
48:04But let's be real.
48:06You didn't land this role on your own.
48:08You just snapped your bony little fingers
48:10and let Daddy give you a role.
48:12How else would a nobody like you
48:14have landed yourself the lead otherwise?
48:16Dorothy isn't just a nobody.
48:20She wrote Liar's Game.
48:23She is SQ.
48:28Dorothy is SQ.
48:29How can that be possible?
48:32Liar's Game is a masterpiece.
48:34There's no way you could have written it.
48:35You don't have to believe me.
48:37Just let the credit speak for itself.
48:43How can this be true?
48:44Dorothy Van Eyck, you're the daughter of the producer
48:52and the famous writer SQ.
48:54Why did you keep your identity a secret so long?
48:59Why did you keep your identity a secret so long?
49:01Stephanie Marsbecker, Linda Marsbecker,
49:03and Ellie Marsbecker,
49:04I'm arresting you on suspicion of defamation.
49:06No, no, no, no, no, I didn't do anything wrong.
49:08This was all Stephanie's idea.
49:09I didn't do anything.
49:17This whole time she was actually telling the truth.
49:21Dorothy's SQ.
49:24She cheated.
49:26That's why she always had a book in her hand.
49:31Always writing something on her laptop,
49:33always lost in her thoughts.
49:36Didn't you ever see her?
49:40Guess I was blind all along.
49:43I don't deserve her.
49:48I think you...
50:03I've missed this place.
50:06Don't you remember?
50:08Of course I do.
50:10We saw so many films here.
50:12We would just stay in our seats and talk about life and everything.
50:20But you just made me feel like I could face...
50:22Or anything, really.
50:27God, I used to be so nervous back then.
50:29About everything.
50:31About the future.
50:32But you just made me feel like I could face...
50:36Or anything, really.
50:39No.
50:41Someone had to be there to make sure you didn't overthink everything.
50:44I remember you used to unpick every little detail like it was a life or death situation.
50:48You know, Dorothy...
50:54Life's not been the same without you.
51:02Even when we parted ways, I...
51:04I always knew that we would find each other again.
51:07I don't care what we've been through.
51:12I don't care what's happened.
51:14All I know...
51:15Is that I need you now.
51:20More than ever.
51:21And the award for Best Adapted Screenplay goes to...
51:40Dorothy Bennett with Liar's Game!
51:42Wow.
51:47Best screenplay.
51:49What, shall I start calling you Your Majesty?
51:51I think that's a great idea.
51:54Why don't I start now?
51:56You deserve this.
51:58Your Majesty.
52:00Every bit of it.
52:02Now.
52:04Since you've won, I think this calls for a reward.
52:08Oh, yeah?
52:09And what would that be?
52:15Me.
52:15Me.
52:15Me.
52:15Me.
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52:49
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