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  • 18 hours ago
Niagara_1953_X264_4000Kb
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00:04:41Good morning.
00:04:46Good morning.
00:04:47What is your destination in Canada?
00:04:49Niagara Falls.
00:04:50What's the name of the place?
00:04:52The Rainbow Cabot.
00:04:53What is your name?
00:04:54Mr. and Mrs. Ray Cutler.
00:04:55And where do you live?
00:04:56Toledo, Ohio.
00:04:58Where were you born?
00:04:59Toledo.
00:04:59And where were you born?
00:05:00Seattle, Washington.
00:05:02Are you bringing in anything besides your clothes and personal belongings?
00:05:05No.
00:05:06How long do you plan to be here?
00:05:08Three days.
00:05:09Honeymooner?
00:05:10That's right.
00:05:12That isn't liquor you have in that case under your coat, is it?
00:05:15Uh, books.
00:05:16I'm going to catch up on my reading.
00:05:18Reading?
00:05:18Fine thing.
00:05:27I tell him we're on our honeymoon and you drag out a copy of Winston Churchill.
00:05:31He must think I'm a pretty hot article.
00:05:33You should have told him we're on a delayed honeymoon.
00:05:35Delayed or not, we agreed to treat it like a regular one, didn't we?
00:05:43I'm game.
00:05:44It'll be just as good as a regular honeymoon.
00:05:46It should be better.
00:05:49I've got my union card now.
00:06:01Fine.
00:06:02Fine.
00:06:03Where are the Cutlers?
00:06:04We wired for reservations.
00:06:06Oh, yeah.
00:06:09Let's see how you have the Cutlers, huh?
00:06:12Room overlooking the Falls.
00:06:13We've got you down for cabin B.
00:06:14Look, honey, you can see it from here.
00:06:17The Falls are that way.
00:06:19He's talking about the Shredded Wheat Pack.
00:06:21I worked for him, but I'm seeing the joint for the first time,
00:06:24where breakfast food became a national institution.
00:06:27Why don't they have that down in that book of yours?
00:06:30Say, has there been a call for me?
00:06:31A call?
00:06:32Nope.
00:06:32Well, I'd better phone over and tell him I'm here.
00:06:35Why don't you have him show you the cabin, honey?
00:06:38There's a phone in my office.
00:06:39Oh, thank you.
00:06:47Oh, it's a beautiful view.
00:06:50Cabin B is ours.
00:06:51The folks in there haven't checked out yet.
00:06:53Then we can't move in.
00:06:55Come on.
00:06:56I told them last night.
00:06:58Hello?
00:06:58I wonder if I could talk to Mr. Kettering, please.
00:07:01Well, this is Ray Cutler from the Toledo branch.
00:07:04No, I'm not speaking from Toledo.
00:07:06I'm right here in Niagara.
00:07:07Mr. Kettering wrote me to get in touch with him when I arrived.
00:07:10I'm the guy that won the cash prize for the most imaginative sales campaign.
00:07:18Are you there, Mrs. Loomis?
00:07:19Shh!
00:07:25Stop knocking, please.
00:07:25My husband's asleep.
00:07:26What is it?
00:07:27The new folks are here.
00:07:29You were supposed to be out this morning.
00:07:30Just a second.
00:07:51I'm often sorry about the cabin, but my husband hasn't been feeling too well.
00:07:55Please don't make me move him right now.
00:07:57He's finally fallen asleep.
00:07:59First could sleep his head more than a week.
00:08:00Uh, is he sick, Mrs. Loomis?
00:08:03Well, he's not quite himself.
00:08:05He just sits around and, well, like last night, he suddenly got up and wandered around somewhere
00:08:10at three or four o'clock.
00:08:12I was frantic.
00:08:13Have you seen a doctor?
00:08:15Yes.
00:08:15Lately we've seen quite a few.
00:08:17But I don't want to bore you.
00:08:19You're here to have a good time, Mrs. Cutler?
00:08:21We had a good time, too, a couple of years ago.
00:08:25We were here on our honeymoon.
00:08:26And so I thought it would do him some good when he got out of Letterman.
00:08:29It was a mistake.
00:08:30I'm awfully sorry, Mrs. Loomis, but this cabin is promised.
00:08:33Well, that's all right.
00:08:34We'll take another cabin.
00:08:35You don't care, do you, honey?
00:08:36Looks like we got here the wrong time all around.
00:08:38No cabin, no Mr. Kettering.
00:08:40He won't be back till the first of the week.
00:08:41It doesn't make the least bit of difference.
00:08:43Honestly, it doesn't.
00:08:43Thanks for being so nice.
00:08:45I sure appreciate it.
00:08:47And, Mr. Kuo, I've got to run down to the market while George is asleep.
00:08:50I wonder, would you keep an eye out for him?
00:08:52Of course.
00:08:54Thanks.
00:08:57Well, it's up to you folks.
00:08:59Cabin K is vacant.
00:09:00Well, does it look down at the falls?
00:09:01Kind of looks around at them, but gets plenty of sun.
00:09:04Okay.
00:09:04Let's go.
00:09:10I'll get the key.
00:09:11Thanks.
00:09:12I'll do it, honey.
00:09:14She said her husband was in Letterman.
00:09:16What's that?
00:09:17It's an army hospital.
00:09:19Mostly psycho.
00:09:20Oh.
00:09:42I'll do it.
00:09:42I'll do it.
00:09:42I'll do it.
00:09:43I'll do it.
00:09:43I'll do it.
00:09:43I'll do it.
00:09:43I'll do it.
00:09:43I'll do it.
00:09:49Come on aboard.
00:09:51Lead of the mist's most famous boat in America.
00:09:54Next tour starts in two minutes.
00:10:10I'll do it.
00:10:11Oh, my God.
00:10:41Oh, my God.
00:11:11Oh, my God.
00:11:41Oh, my God.
00:12:11You ready, honey?
00:12:13Oh, my God.
00:12:43Oh, my God.
00:13:13Oh, my God.
00:13:43Oh, my God.
00:14:13Oh, my God.
00:14:14Oh, my God.
00:14:15Oh, my God.
00:14:17Oh, my God.
00:14:18Oh, my God.
00:14:19Oh, my God.
00:14:20Oh, my God.
00:14:21Oh, my God.
00:14:23Oh, my God.
00:14:25Oh, my God.
00:14:57Exciting you up too, Georgie.
00:15:16Mmm, that feels good.
00:15:18Drive my back.
00:15:22A bunch of kids must have checked in.
00:15:24Sounds good to hear a laugh for a change.
00:15:26Hey, I thought you forgot how to dance.
00:15:54Oh, there's still some shredded wheat in my joints.
00:15:56I'm thirsty.
00:15:57You are?
00:15:58Come on.
00:16:05Hi, Mr. Qua.
00:16:06Having supper?
00:16:07No.
00:16:08Great steak.
00:16:09Half one.
00:16:09Best physique anybody ever had?
00:16:11No, thanks.
00:16:11It's just a coat.
00:16:23Hey, get out the fire hose.
00:16:25Why don't you ever get a dress like that?
00:16:42Listen, for a dress like that, you've got to start laying plans when you're about 13.
00:16:46Would you mind playing this?
00:16:59Yeah.
00:17:00Sure thing, lady.
00:17:02Kiss.
00:17:02Kiss me.
00:17:06Kiss me.
00:17:10Won't you kiss me?
00:17:15Oh, kiss.
00:17:19Kiss me.
00:17:20Say you miss.
00:17:23Miss me.
00:17:24What about it, lady?
00:17:25Kiss me, kiss me, kiss me, love with heavenly affections.
00:17:42Playing coke or did you just buy them?
00:17:43No, just playing.
00:17:44Would you like one?
00:17:46Nothing.
00:17:46You kind of like that song, don't you, Mrs. Loomis?
00:17:54There isn't any other song.
00:17:55With all your heart's protection
00:18:00This is a moment of thrill
00:18:07Thrill me, thrill me
00:18:10Take me, take me
00:18:16Take me in your eye
00:18:18And make my life
00:18:24Perfection
00:18:25Perfection
00:18:29Take me, darling
00:18:35Don't forsake me
00:18:39Kiss me, hold me tight
00:18:44Love me, love me
00:18:49Do not
00:18:50Gee, I'm sorry.
00:19:16He was okay before.
00:19:17I think he cut his hand.
00:19:18And if you want, we have some McCure crime.
00:19:21I wouldn't dare go in there right now.
00:19:23Well, if you don't mind, I'll do it.
00:19:25Well, thanks.
00:19:29Your husband doesn't seem to like music.
00:19:33Depends.
00:19:34You could write down and dig if you give him a rocking chair
00:19:36and a corny old tune like in The Gloaming.
00:19:38What is it?
00:19:56I brought you some McCure Chrome for your hand.
00:19:59I'm Polly Cutler.
00:20:00I suppose she sent you to find out if I cut it off.
00:20:04Well, tell her I didn't.
00:20:06Do you want me to fix it or not?
00:20:07I guess it was silly what I did.
00:20:18But that song, she didn't tell you about that, I bet.
00:20:23Of course not.
00:20:26She didn't tell you where she first heard it or with who.
00:20:28Well, she didn't tell me either.
00:20:31Hold still, please.
00:20:33Berating around, showing herself off in that dress.
00:20:36Cut down so low in front you can see her kneecaps.
00:20:39It's a stunning dress.
00:20:42Would you wear it?
00:20:44I'm not the kneecap type.
00:20:46She's a pretty girl.
00:20:47Why hide it?
00:20:48Don't worry about that.
00:20:51She'd like to wear that dress where everybody could see her,
00:20:53right in the middle of the Yankee Stadium.
00:20:55She's a tramp.
00:20:59I'll tell you now, so you won't have to ask her.
00:21:02You love her very much, don't you?
00:21:06What do you know about it?
00:21:10You're stuck on her.
00:21:13Otherwise, you'd walk off and forget her.
00:21:18Aye.
00:21:20I guess so.
00:21:22That's some confession to make, isn't it?
00:21:25Here.
00:21:27Let me fasten the end of it.
00:21:34What's that?
00:21:368.30.
00:21:37Look out the window.
00:21:39Let's go out with the others.
00:22:03I can't see anybody now.
00:22:08I feel goofy after what happened.
00:22:13Let me tell you something.
00:22:16You're young.
00:22:17You're in love.
00:22:19Well, I'll give you a warning.
00:22:20Don't let it get out of hand like those falls out there.
00:22:27Up above it.
00:22:29Did you ever see the river up above the falls?
00:22:31It's calm and easy.
00:22:34You throw in a log, it just floats around.
00:22:39Let it move a little further down and it gets going fast.
00:22:42It hits some rocks and in a minute it's in the lower rapids and nothing in the world, including God himself, I suppose, can keep it from going over the edge.
00:22:50It just goes.
00:22:53Don't worry.
00:22:55I'm one of those logs that just hang around in the calm.
00:23:00Hi.
00:23:01Hey, Polly, come on, you're missing the big show.
00:23:04Got myself a inside table.
00:23:06Look at those.
00:23:11A couple of colors I've never heard of before.
00:23:13This is my husband, Mr. Loomis.
00:23:15Hello.
00:23:16You got yourself quite a girl.
00:23:18Well, she'll do for a while.
00:23:21Hi.
00:23:24We better be going.
00:23:32What's that?
00:23:33Well, it's a 1907 match, William.
00:23:37Well, you make different models from little kits.
00:23:40Look kind of nice on a mantle.
00:23:42Don't you have a mantle?
00:23:43Oh, it's cute.
00:23:44It'd be all right if I don't foul it up.
00:23:46I generally foul things up.
00:23:48Don't be silly.
00:23:49Well, I have lately, anyway.
00:23:51Everything I've touched ever since Duluth.
00:23:54I met her in a big beer hall.
00:23:56She was the most popular waitress they had.
00:23:59I guess it was the way she put the beer on the table.
00:24:03Up in the land, I ran a pretty good sheep ranch.
00:24:06Then all of a sudden, the sheep went dumb.
00:24:08Or I did.
00:24:10That winter had kept snowing, and the sheep kept dying.
00:24:13Everybody gets a run of bad luck.
00:24:15That won't cover it.
00:24:16I entered it to another rancher.
00:24:18He had worse winters and made out all right.
00:24:21It's just that she was bored with the rancher.
00:24:23We spent half our time in town, bars, nightclubs.
00:24:28After that, I followed up a couple more jobs.
00:24:32Then career.
00:24:33I went just to show I was young enough.
00:24:35They made me a company clerk and sent me home with battle fatigue.
00:24:37So don't tell me I can't foul up a 19-cent match.
00:24:40It didn't do any good to fix that hand.
00:24:45You like to suffer.
00:24:47Maybe.
00:24:50My wife told you I was neurotic, didn't she?
00:24:52She just said you weren't feeling very well.
00:24:54Well, she'd like everybody to believe I'm crazy.
00:24:56Don't be silly.
00:24:56Why would she want people to think you're crazy?
00:24:57I don't know, but she's got a reason.
00:24:59You can bet on that.
00:25:00She's got a reason.
00:25:03Got your peace.
00:25:03Hello, is this the bus terminal?
00:25:31I'd like to know what time the bus is leaving tomorrow for Ottawa.
00:25:33No, no, no.
00:25:35You got the wrong number.
00:25:37This is McGran's boarding house.
00:25:40Why don't you look up the right number before you dial?
00:25:44I'm sorry.
00:25:47Now, Mrs. McGran, that wasn't for me?
00:25:50No, someone asked him for that bus terminal again.
00:25:52It's the fourth time in two days.
00:25:54Must have changed the number or something.
00:26:03Hello.
00:26:10Hello.
00:26:11You called.
00:26:13Listen, it's got to be tomorrow.
00:26:15Do you hear me?
00:26:16Tomorrow.
00:26:17He just made a big row in front of everyone.
00:26:19After this, nothing's going to surprise anyone.
00:26:21It's made to order.
00:26:23Can you get him there?
00:26:25There's always a way to handle George.
00:26:28Be at the place as soon as it opens.
00:26:30Okay, kid.
00:26:32It's a date.
00:26:34Good luck, darling.
00:26:35Good luck, Dad.
00:26:58But we go to Chicago, you know what we're going to do?
00:27:13No.
00:27:13We're going right straight to Marshall Field.
00:27:15I'm going to buy you the slinkiest, meanest, laciest evening gown they've got.
00:27:21Price, no object.
00:27:23Yeah.
00:27:23When I put it on, we're all set to step.
00:27:25Who put one of his jealous fits and locked the door?
00:27:28I don't know about that stuff.
00:27:29You wait and see.
00:27:31I'll take you any dance place you want, and we'll have fun.
00:27:33The both of us.
00:27:35You know what I'm going to do?
00:27:39I'm going to take some lessons.
00:27:40They tell me that Arthur Murray in six hours can end you doing the rumba, the samba.
00:27:46Georgie, this is quite a change.
00:27:47What brought this on?
00:27:48You know what?
00:27:55It's getting late.
00:27:57Hand me my slink.
00:27:58I hate to move.
00:27:59When we have a fight and make up that way, I never want to leave your side.
00:28:03Give me some orange juice, Georgie.
00:28:05You know, I'm sorry we're leaving today.
00:28:19Just as well.
00:28:20Wish we'd brought the car.
00:28:31Driving hope we could take our time on the road and stop any place we please.
00:28:34Well, what are you getting all dressed up for?
00:28:45I'm going to pick up the bus tickets.
00:28:46Pick up the bus tickets?
00:28:48We'll buy them when we get to the terminal.
00:28:50I'm not going to stand all the way to Chicago.
00:28:51I want reservations.
00:28:52There are no reservations.
00:28:54We just go early and get aboard early.
00:28:58You're getting all dressed up to go out and buy tickets.
00:29:02Why?
00:29:02Where are you going?
00:29:04Here we go again.
00:29:06All right.
00:29:07I'm not going to the bus station.
00:29:08Does that make you feel any better?
00:29:09You smell like a dime store.
00:29:10I know what that means.
00:29:11Sure.
00:29:12I'm meeting somebody.
00:29:13Just anybody handy.
00:29:15As long as he's a man.
00:29:17How about the ticket seller himself?
00:29:18I could grab him on my way out.
00:29:20Or one of the kids with a phonograph.
00:29:22Anybody suits me.
00:29:23Take your pick.
00:29:24Okay, okay.
00:29:25So I don't know this guy.
00:29:27This guy you sing to.
00:29:28Hum to.
00:29:29Uh.
00:29:32Build you, Maxwell.
00:29:35I'll be back.
00:29:36I'll be back.
00:29:36All right.
00:29:37Hold you.
00:29:37Bye-bye.
00:29:42All right.
00:29:51All right.
00:29:51Bye-bye.
00:29:51How about the ticket seller?
00:29:52I'll be back.
00:29:53Bye-bye.
00:29:53Bye-bye.
00:29:53Here we go.
00:29:54Bye-bye.
00:29:55Bye-bye.
00:29:55Bye-bye.
00:29:56Bye-bye.
00:29:56Bye-bye.
00:29:57Bye-bye.
00:29:59Bye-bye.
00:29:59Bye-bye.
00:29:59Bye-bye.
00:30:04Bye-bye.
00:30:05Whoa-bye.
00:33:05Now, swing around.
00:33:11We'll get a profile.
00:33:12Come on, Polly.
00:33:13Profile.
00:33:18That's it.
00:33:20Now, inhale.
00:33:21You've got nothing to hide.
00:33:24You've got nothing to hide.
00:33:24Then inhale.
00:33:29That's right.
00:33:33What?
00:33:34Oh, just a minute, please.
00:33:38Would you mind your shadow?
00:33:40I'm sorry, but have you seen my husband?
00:33:42No, I haven't.
00:33:43Isn't he in the cabin?
00:33:45Well, that's just it.
00:33:46You see, I left for the bus station, and when I got back, Mr. Quar hasn't seen him either.
00:33:51Oh, he probably went across the street to get a magazine or something.
00:33:54He wouldn't do that.
00:33:55He knows we're supposed to be at the bus station at 11 o'clock.
00:33:58Well, you've still got 40 minutes.
00:34:00I shouldn't have left him alone, especially after last night.
00:34:04He was so upset and everything.
00:34:07Well, you saw it.
00:34:07I'm sorry.
00:34:13There's nothing to worry about.
00:34:15He's over on the other side getting one for the road.
00:34:18I don't know.
00:34:20I think I'd be worried.
00:34:22All right.
00:34:23Now get back into that same pose again.
00:34:37Oh, Sam, bring in the missing persons file.
00:35:08All right, sir.
00:35:17Anything important?
00:35:19Might be.
00:35:19What have we got this recent?
00:35:22Mrs. Verna McGuire.
00:35:24She says her 18-year-old daughter has been missing since yesterday noon.
00:35:27She's always missing.
00:35:28Some fraternity house down at Rensselaer.
00:35:29What else?
00:35:31A man called George Loomis.
00:35:34A transient.
00:35:35Got to call at four.
00:35:36People named Cutter phoned in for his wife.
00:35:44Call back.
00:35:45Tell him to meet me at Table Rock House.
00:35:46Souvenir shop.
00:35:47Very well, sir.
00:35:48Good afternoon.
00:36:01Good afternoon.
00:36:17Which of you is Mrs. Loomis?
00:36:18I am.
00:36:19Oh, my name is Starkey.
00:36:20I work at the police station.
00:36:21Where is he?
00:36:22You know something about my husband?
00:36:24You're the Cutlers?
00:36:25Yes.
00:36:25You've heard something about my husband?
00:36:27Just that he is your husband.
00:36:29Tell me, Mrs. Loomis, is there any chance he could have come here today?
00:36:32Here?
00:36:33Yes, here.
00:36:34No, not possibly.
00:36:35He hates the phones.
00:36:37What are we doing here?
00:36:48Wasting your time, I hope.
00:36:53Hello, Mr. Starkey.
00:36:54Oh.
00:36:55Did you check again?
00:36:56Yes, sir, I did.
00:36:57And there's still one missing.
00:36:58We're over here.
00:36:59Let me see him.
00:37:08Remember anything you told about the man?
00:37:09No, sir, I don't.
00:37:15Ever seen these before?
00:37:19They're his.
00:37:22But why is everyone standing around?
00:37:24Do something.
00:37:25Look for him.
00:37:26Find him.
00:37:27Listen, Mrs. Loomis, you better go home.
00:37:31Have you got anyone to take care of you?
00:37:32Any friends or close relatives?
00:37:34No.
00:37:35Well, that is no one except these people.
00:37:37No one.
00:37:38No one?
00:37:38What about them alone?
00:37:40Will you be able to take her home?
00:37:41Sure.
00:37:43Come on.
00:37:43Come on.
00:37:43No one.
00:37:44Come on.
00:37:59You've been very kind but thanks. I'd rather walk.
00:38:29You've been very kind.
00:38:59Hold on. Wait a minute.
00:39:16I think we've got him. Yes. On the far side. It's hard to say. I imagine he's putting me down.
00:39:24Okay. We'll run him down to the morgue.
00:39:29Why didn't those friends of yours bring you the cutlass?
00:39:49I'm all right. Where is he?
00:39:51Now listen. This isn't going to be pleasant.
00:39:52I don't expect it to be. Please wait.
00:39:55I don't expect it to be.
00:39:57I don't expect it to be.
00:40:10Mrs. Loomis, do you identify this body as that of your husband, George Loomis?
00:40:40I'm sorry, I put in everything I thought she'd need.
00:41:10I want to leave her here.
00:41:17I want to get away.
00:41:25I want to get away.
00:41:29What's all this?
00:41:34I want to talk to her.
00:41:36Come around in the evening. She'll be out till then.
00:41:43I want to get away.
00:41:50Yeah, pretty good.
00:41:51Booked up for about a month ahead.
00:41:52How many accommodate here?
00:41:54About 50.
00:41:55How's the food?
00:41:56Oh, it's good.
00:41:57Well, here she is anyway.
00:41:58Hi, Mrs. Cutler.
00:41:59Hi.
00:42:00Well, well, well, hello there.
00:42:02Hey, hey.
00:42:03Sense to see you belong to the shredded wheat family.
00:42:05I'm Jess Canary.
00:42:06Oh, I want you to meet the big boss.
00:42:08How are you doing?
00:42:09How are you doing?
00:42:10Oh, sure.
00:42:11Sorry we weren't here when you first arrived.
00:42:12We'd have red carpet all over the bridge.
00:42:14Oh, here's a little spinach for you by way of apology.
00:42:18Hey, hey, where's that prize-winning husband of yours?
00:42:21What a boy, turkey stuffed with shredded wheat.
00:42:25Had it right the next day and I loved it, loved it, loved it.
00:42:28Better move out of range, dear.
00:42:29Jess likes to make his voice.
00:42:31Oh, no.
00:42:32Well, this is very sweet of you.
00:42:34They're just lovely.
00:42:36Isn't my husband back yet?
00:42:38He's been in and out all morning.
00:42:40Tell you what we'll do.
00:42:41We'll take you along in our car.
00:42:42Leave word for that no-good husband to join us.
00:42:44And before we're through, you'll see the cave of the winds,
00:42:47Gold Island, the old fort,
00:42:49and we're going to get in some of the best fishing you ever did.
00:42:52Just wait till you see that little boat of ours.
00:42:54Now, look, Kettering, look.
00:42:55Mrs. Cutler would rather wait for her husband.
00:42:57And speaking of Niagara, you and I could both do with a shower bath.
00:43:00We've been driving since 6 this morning.
00:43:02Why don't we all do that?
00:43:03And the minute Ray gets back, we'll call you.
00:43:05You bet.
00:43:06Well, toodaloo for now.
00:43:08Pip-pip.
00:43:09Ha-ha.
00:43:19Oh, not that way, Mrs. Cutler.
00:43:20I put your things in cabin B.
00:43:21And I told your husband I'm not going to charge you one cent more.
00:43:22You waited long enough.
00:43:24The key's in the door.
00:43:26The key's in the door.
00:43:27Oh, no.
00:43:28Look.
00:43:29I'm not going to be here.
00:43:30I don't know.
00:43:31Hear me.
00:43:32I'm not good.
00:43:33You're going to be here.
00:43:34Just wait.
00:43:36I want you to go.
00:43:37No, you're not going to be here.
00:43:40What if you want to be here?
00:43:42Click on the door, put your things in cabin B.
00:43:43And I told your husband I'm not going to charge you one cent more.
00:43:45You've waited long enough.
00:43:50The key's in the door.
00:45:56Polly.
00:45:57Are you in there, Polly?
00:46:00Polly!
00:46:09What's the matter, honey?
00:46:10Ray.
00:46:11What's the screaming about?
00:46:12Ray.
00:46:12Now get organized, baby.
00:46:14What's wrong?
00:46:15I was half asleep.
00:46:17Yes?
00:46:18Oh, now look, darling, it was probably just a nightmare.
00:46:21Now calm yourself down.
00:46:23I'll get you a glass of water.
00:46:27It's all right.
00:46:28She's okay.
00:46:32Ray, don't!
00:46:33Don't go in there, Ray.
00:46:35Oh, come on, honey.
00:46:36Wake up.
00:46:36He's in there.
00:46:37Who?
00:46:38He's alive.
00:46:39He was standing right here looking at me.
00:46:40Polly, you're still half under.
00:46:42Who was looking at you?
00:46:43Mr. Loomis.
00:46:44Mr. Loomis.
00:46:45Don't...
00:46:46No, Polly, I've got to prove it to you.
00:46:50Well, where is he?
00:46:51Under the icebox?
00:46:52Under the sink?
00:46:53Oh, Polly.
00:46:56Mr. Loomis.
00:46:57If I hear that name once more, I'll start yelling myself.
00:46:59No wonder he got you.
00:47:00We wait three years for a honeymoon and spend it with a couple of spooks.
00:47:03Here, drink this.
00:47:09Mr. Loomis.
00:47:10From the time we get here, we're patting his hand, looking for him, burying him, and her
00:47:14running around sobbing, yelling, asking if we'll pick out a tombstone.
00:47:18Why, it's enough to drive anybody nuts.
00:47:20Well, we're going to kiss off this place right now.
00:47:23Give me a hand with this stuff, will you, honey?
00:47:26Sport clothes.
00:47:27All we needed here was a couple of shrouds.
00:47:33Oh, sorry, Winnie.
00:47:36What's this thing?
00:47:38Oh, the flowers.
00:47:40The Kettering's brought them.
00:47:41The Kettering's?
00:47:42Yes, they stopped by.
00:47:43Here?
00:47:44Yes.
00:47:45We're supposed to see the sights and have dinner with them.
00:47:47Well, what do you know?
00:47:48J.C. Kettering himself?
00:47:50Yes.
00:47:51Well, it's out.
00:47:52The way you feel, the whole idea's silly.
00:47:56Oh, J.C., king of the VPs.
00:47:59He seems to think you're pretty hot stuff, too.
00:48:02He does?
00:48:03Well, that doesn't alter this one way or the other.
00:48:07Still, we'd have to eat somewhere.
00:48:09Just a bite, maybe.
00:48:11I'll tell you what.
00:48:11You lie down, and I'll get a shave, and we'll decide later.
00:48:14Okay?
00:48:15Now, lie down.
00:48:16Now, lie down.
00:48:16Now, lie down.
00:48:28Hello, police department.
00:48:53Will you put me through to Mr. Starkey, please?
00:48:58Well, do you know I can reach him. I'm Mrs. Cutler.
00:49:02No, I can't be reached either. I'm leaving now.
00:49:05We're going out with some people to see the falls.
00:49:07But would you tell Mr. Starkey when he gets back to stay there?
00:49:10I've got to talk to him. It's about Mr. Loomis.
00:49:14Here.
00:49:28All right. Now, everybody, listen to me.
00:49:53That's it. The Cave of the Wind.
00:50:02A great risk to life and limb. These bridges were built in 1885.
00:50:07A world-famous attraction ever since.
00:50:10Now, everyone, button up your cones real good and follow me. Let's go.
00:50:14It wasn't 1885. It was 1881.
00:50:16Don't pay any attention to him. I'll show you.
00:50:18Come on, Ray Boy. Follow me.
00:50:19Get him to the mountain climbers. You know what we're going to do?
00:50:24We're not going to have a smoke.
00:50:26After all, it's just a lot of water.
00:50:28Yeah. I think I'll stay here. You go on ahead.
00:50:30You don't mind. I will.
00:51:19Alright, let's go.
00:53:51Come on.
00:53:53Come on.
00:53:54We've got a lot more to see.
00:53:55Come on.
00:53:57Come on.
00:53:59Come on.
00:54:01Come on.
00:54:03Come on.
00:54:05Come on.
00:54:07Come on.
00:54:09Come on.
00:54:11Come on.
00:54:13Come on.
00:54:17Come on.
00:54:19Come on.
00:54:21Come on.
00:54:23Come on.
00:54:25Come on.
00:54:27Come on.
00:54:29Come on.
00:54:31Come on.
00:54:33Come on.
00:54:39Come on.
00:54:41Come on.
00:54:43Come on.
00:54:45Come on.
00:54:47Come on.
00:54:57Come on.
00:54:59Come on.
00:56:33Okay, five o'clock in the morning, right here.
00:56:35Olive oil is afraid to say.
00:56:38Thanks a lot.
00:56:40Bye.
00:56:41Bye, Mr. Gary.
00:56:42Sure did.
00:56:43Have a good time.
00:56:44Bye.
00:56:44You take this and I'll check on the mail.
00:56:55Hello.
00:57:15Hello.
00:57:15Hello.
00:57:16I've been using your view.
00:57:18Is anything wrong?
00:57:20You just stole my question.
00:57:22At 2.45, the sergeant took a message.
00:57:24You wanted to see me about the Loomis case.
00:57:26It was urgent.
00:57:28The sergeant's exaggerating.
00:57:30It wasn't that important.
00:57:31Just a silly question.
00:57:32I hope maybe that you'd heard from Mrs. Loomis.
00:57:34How could I?
00:57:37She'll be unconscious for the rest of the day.
00:57:39Mrs. Cutter, the doctor says only panic or fear could have broken through that drug.
00:57:45But what could have scared her so much that she came to and skipped?
00:57:48Skipped?
00:57:48Yeah, skipped.
00:57:49Gone.
00:57:50Disappeared from the hospital.
00:57:52No mail, though.
00:57:55What is this?
00:57:56What do you want?
00:57:57Wait a minute.
00:57:57Look, if it's another funeral, have the corpse leave his name at the desk.
00:57:59We're busy.
00:58:00Ray, Loomis is trying to kill his wife.
00:58:02He's alive.
00:58:02Oh, honestly, Polly, you ought to have your head examined.
00:58:05She had a nightmare.
00:58:06She thinks this Loomis is alive, that he was here.
00:58:09Now, I thought we had this out.
00:58:10Now, you bring it up again.
00:58:11It wasn't a nightmare.
00:58:12He is alive, and his wife knows it, too.
00:58:14Oh, please, Polly.
00:58:15Mr. Starkey, I'm sick of this whole thing.
00:58:17Look what it's done to her.
00:58:19Now, look, if you've got a problem, take it someplace else.
00:58:21We're washed up.
00:58:22We're through with it.
00:58:23Sure.
00:58:23Good night.
00:58:23Good night.
00:58:2410 percent.
00:58:31I bought your tickets for Chicago.
00:58:33Can I have a refund in one?
00:58:36Sure.
00:58:41That's $12.50.
00:58:42Thanks.
00:58:47Well, what is it?
00:59:12Are we leaving, or are they going to keep us here all day?
00:59:14They say there's going to be a little delay.
00:59:16The police are checking up on everybody's identification.
00:59:18Checking up?
00:59:18Why?
00:59:19The bus is supposed to leave at 5.55.
00:59:21Well, at this rate, we'll never get home.
00:59:23It won't take long.
00:59:24They're looking for some dame.
00:59:25The bus will make up for lost time once we get started.
00:59:27Let's visit Niagara Falls.
00:59:31I'm sure I ever mentioned it.
00:59:42Hop in.
00:59:43Say, what I want to know is, can you get me to the bus station on the American side?
00:59:46If you're not in too much of a hurry, they've got some kind of a roadblock up there at the
00:59:50bridge, smugglers or something.
00:59:51Well, that's no good, Nick.
00:59:52What about the sidewalk where you walk?
00:59:54Can I get through that way?
00:59:56Could be.
00:59:57Take that walk over there, just to the right side of the gate.
01:00:00Thanks.
01:00:01Thanks.
01:00:01Thanks.
01:00:22Now, the tower is under control of both countries.
01:00:38Just the same, a lot of Americans claim them bells don't play the Star Spangled Banner as
01:00:42well as they do God Save the Queen.
01:00:44Now, right over there on June 30th, 1859, Blondine, a French tightrope walker, made his
01:00:51famous walk right over the falls.
01:00:52If you follow me, I'll show you a little better where it happened.
01:00:54Hello, hello, please.
01:01:18Please.
01:01:24Bye.
01:01:37Bye.
01:01:45Bye.
01:01:49Bye.
01:02:24I can't play it for you now, Rose.
01:02:54I can't play it.
01:03:24I can't play it.
01:03:54I can't play it.
01:04:24I can't play it.
01:04:54I can't play it.
01:05:24I can't play it.
01:05:36I loved you, Rose.
01:05:37You know that.
01:06:06I can't play it.
01:06:36I can't play it.
01:07:06I can't play it.
01:07:36I can't play it.
01:08:06I can't play it.
01:08:36Just to keep things moving, you run up and get five or six bottles of beer.
01:08:38All right, now, everybody rush around, do your job, jump to it.
01:08:42Just try to get things organized.
01:08:43I can't play it.
01:08:45I can't play it.
01:08:47Come on, honey, cheer up.
01:08:50I'm all right.
01:08:52Come on, come on, kids.
01:08:53We haven't got all day.
01:08:54Those fish are just dying to get at our bait.
01:08:56This little Canadian town of Chippewa
01:09:02Great Revolutionary War Battles
01:09:04The British Whipkers
01:09:05All right now, the very nice people
01:09:09Oh, Polly, get the bear in there, huh?
01:09:11Come on, boss, you've got to get the liver down here
01:09:20You the one who phoned?
01:09:21Yeah, then I heard about it on the news later
01:09:23There was a fella here who seemed an awful lot like that Loomis they're looking for
01:09:27Had a scar and everything
01:09:28How long ago?
01:09:29Well, maybe ten o'clock
01:09:30He come and asked, could he rent a boat?
01:09:32I didn't have nothing except a twelve-footer wasn't due back till three o'clock
01:09:35He's trying to reach the American side
01:09:36Yeah, didn't happen to notice which way he went
01:09:39No, I was working on some tackle
01:09:40But he seemed awful anxious to get himself a boat
01:09:43Thanks
01:09:44If he shows up again, phone us
01:09:46All right
01:09:47Go, go, go, go
01:09:48Go, go, go, go
01:09:49Go, go, go, go, go, go
01:10:50Hey!
01:10:52What's wrong over there?
01:10:54Hey!
01:10:55What's wrong over there?
01:11:25What's wrong over there?
01:11:28What's wrong over there?
01:11:32What's wrong over there?
01:11:34What's wrong over there?
01:11:37What's wrong over there?
01:11:39What's wrong over there?
01:11:43What's wrong over there?
01:11:47What's wrong over there?
01:12:23Get off this boat.
01:12:44Get off the boat.
01:12:46You're insane.
01:12:48You must be insane.
01:12:53Get off the boat.
01:13:23Get off the boat.
01:13:32Hello.
01:13:33Give me the police.
01:13:41No.
01:13:42I don't know whose boat it is.
01:13:44Yeah, it just shoved off towards the river.
01:13:46Yeah, there's some girl on the boat.
01:13:47Yeah.
01:13:48Yeah.
01:13:48Yeah.
01:13:48Yeah.
01:14:18I'm sorry you wouldn't get off.
01:14:42Are you all right?
01:14:43Of course I'm all right.
01:14:44You turn this boat around.
01:14:49Go back to the police and give yourself up.
01:14:51It's a little late for that now.
01:14:53Talk to the police.
01:14:54Tell them it wasn't your fault.
01:14:56You should have done it two days ago.
01:14:58Are you afraid to stand up and defend yourself?
01:15:00I can't.
01:15:03Not anymore.
01:15:04I killed Rose.
01:15:14Any other boat in the inlet?
01:15:30No, there's nothing fast enough.
01:15:33Sorry.
01:15:33Sorry.
01:15:33United States River Patrol.
01:15:39Morris on United States River Patrol.
01:15:41Where are you?
01:15:42Come in.
01:15:43River Patrol.
01:15:45Morris speaking.
01:15:46We're a beam of Navy Island.
01:15:48Try the interceptor power launch standing out of Chippewa Slip.
01:15:51She's a 20-footer.
01:15:52Probably on her way to Buffalo.
01:15:53George Loomis is aboard.
01:15:56Yes, sir.
01:15:56We're a beam of Navy Island.
01:16:26He isn't crazy enough to head downstream, is he?
01:16:34He isn't crazy enough to head downstream, is he?
01:16:34I don't know.
01:17:04I don't know.
01:17:34There must be some gas on board.
01:17:45I don't think so.
01:17:46There must be some gas on board.
01:17:58They're being pulled right into the main current, sir.
01:18:05That's a 12-knot drift.
01:18:06What does that mean?
01:18:07It means they're in real trouble.
01:18:08I can't.
01:18:29You'll be torn to pieces.
01:18:31Can't you tell them to hurry up on that police boat?
01:18:33Can't they get there?
01:18:35Morris, on United States River Patrol.
01:18:37Can you reach them?
01:18:39No, sir.
01:18:40We're a thousand yards past the limit now.
01:18:42We're turning back.
01:18:43Scuttle it.
01:18:55Scuttle it.
01:18:58Scuttle it.
01:19:00We can take on enough water to ground.
01:19:23Scuttle it.
01:19:36Scuttle it.
01:19:42Let's go.
01:20:12Let's go.
01:20:42Let's go.
01:21:12Let's go.
01:21:42Let's go.
01:22:12Let's go.
01:22:42Let's go.
01:23:12Let's go.
01:23:42Let's go.
01:24:12Let's go.
01:24:14Let's go.
01:24:42Let's go.
01:24:44Let's go.
01:24:48Let's go.
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