Mumbai: During an exclusive conversation with actress Rituparna Sengupta and director Nitin Vaidya, where they discussed on their horror film 'Kaal Trighori', an intelligent and layered story about a rare cosmic alignment unleashing a dark force. Then, Rituparna, who played Madhuri, was drawn to the script's complexity and depth. After that, Nitin aimed to create a unique Indian horror experience. The film features Arbaaz Khan and explored the themes of fear, mythology, and human psychology.
05:26I was really surprised that I was very surprised to be able to take Arvaz Di's role.
05:30I was kind of surprised that Arvaz Di's role has been the best.
05:34In my own roles, I was like, my son is the best for me.
05:40You have asked him the doctor's role and asked him, and I was like, that he is the best for me.
05:45You have seen it personally.
05:49Which is your favorite genre?
05:52Which horror movie is your favorite?
05:56Tell me about it.
05:57I don't see much horror movies.
05:59I don't see much horror movies.
06:02But there are some movies that have been with us.
06:05In my childhood, we watched Exorcist,
06:09which is very interesting to now.
06:12Then Omen, then 777, then Nightmare on Elm Street.
06:17And we watched Friday the 13th,
06:22all of these horror films.
06:25And also, in Hindi, I think it was very good in 1920.
06:29And that's a different concept altogether.
06:31Like we were talking about love story,
06:33but recently, there was also a horror comedy in 3-2.
06:38So, it was good in 3.
06:41But our horror movie is completely different.
06:45It was completely different.
06:47It was completely different.
06:48It was completely different.
06:50It was completely different.
06:51Before we take a break,
06:53we have no knowledge about it.
06:59We have no idea about it.
07:01So, this is also a very interesting topic.
07:05What is the most challenging scene emotionally or physically?
07:12In this detail,
07:14used way,
07:19especially to say psychological,
07:21it was also better for the movie.
07:22It was a little challenging
07:23that we had to deal with both genres.
07:26And that was a bit tough.
07:28One way of it was it,
07:28I think it was totally emotional quotient, psychological and also physical, I think there was a lot of physical effort in each scene because there was a different dynamics.
07:43It was emotional and physically we had to work hard in the jungle, we had to walk away from the night, we had to walk away from the night, we had to walk away from the night, we had to walk away from the night.
08:00It was an interesting person in the film, we had to walk away from the night, we had to walk away from the night, we had to walk away from the night and we had to walk away from the night.
08:14As you can see on the screen, you can see a lot of horror in the screen, so you can see some of your experiences in the time of shooting.
08:32When the night of the haveli was lit up, the whole haveli was lit up,
08:43the whole haveli was lit up, and the whole haveli was lit up.
08:55So the situation of the haveli was very scary.
09:02The horror genre is more than scary moments, but in this film there is a deeper social or emotional message.
09:10Of course.
09:11Of course.
09:12That's why I said earlier that there is a lot of layers that will reveal a little bit.
09:17And the revelations are such that there are a lot of explanations in our lives.
09:24But when we see it, we see it, the beauty of it, the nature of it, the nuances of it, it will be found.
09:36Ritma, you have a lot of diverse roles, but in the horror genre, what approach do you do in the performance of the horror genre?
09:47That was our director, because our director explained to Madhuri that I am always following my director's instructions.
09:56Because I think he is the captain of the ship and what we envision the director, we don't do it.
10:02Because we have a character, but the director has a film in his mind, in his mind.
10:08So obviously, there are many materials that we don't have.
10:13We work on the reflection of the character and the director.
10:19That's why they have guided me about Madhuri.
10:23And I think it's a very small thing that Nitin Ji told me about Madhuri's work.
10:30It's a little bit like that.
10:32The time of Madhuri will react like that.
10:35The time of Madhuri will react like that.
10:37And the time of Madhuri reacted like that.
10:39So the divisions of the roles were very nicely done.
10:43The divisions of the timings of the roles have been very well done.
10:48And that's what they understand.
10:51If I have told them that acting is wrong, but you need to watch the scene,
10:57you need to watch the scene in the first time.
10:59You need to understand that if you're in your heart,
11:02what should you do?
11:03What should you do?
11:04If you don't fear, you're thinking something else.
11:06So what should you do?
11:07What should you do in the film?
11:10Nitin sir, as a director, horror genre,
11:12what is the biggest risk of the story, VFX or audience response?
11:16Horror genre, the risk is the biggest risk.
11:21That people are just the moment,
11:24which is better than they are.
11:26And in the rest of the time,
11:28if you don't engage them,
11:30you have to understand the wrong thing.
11:32And in that sense,
11:33they will be wrong.
11:34So people will forget that they are a little scared.
11:36Yeah, it's a shame.
11:37This is the first one.
11:38This is a risk.
11:39This is a risk for the horror.
11:40You have to do a story for the horror.
11:41And then you have to make a story,
11:43so you have to show them.
11:44But the other stories have not engaged.
11:46So they are so disappointed.
11:47So they are very disappointed.
11:49It's not a risk for the horror genre.
11:51This is a film.
11:52In India, horror genre,
11:55has been now an existing angle.
11:58Mythology, folklore, psychology and comics,
12:01so do you think Karl Trigori?
12:03We are not talking about it.
12:05It's not a good thing for our mind.
12:07Every child is a good thing.
12:09We have a new angle in horror,
12:12which we have seen in horror,
12:14when you see a suspense thriller,
12:16after you have to make a movie about it.
12:19How do you feel about the future of the horror genre in India in the future?
12:26And can this be a strong part of mainstream cinema?
12:29No, why not?
12:31It can be a strong part of the film.
12:33I feel that after watching this film,
12:36people's thoughts and thoughts can come in a new way.
12:43Our director has been doing a lot of research.
12:47So, I feel that there are some problems in this film.
12:52Sir, what do you mean?
12:54What do you mean?
12:55The genre is extended.
12:58The horror genre especially.
12:59People don't take so serious about the horror genre.
13:02Actually, what happens is that all genres are better.
13:05The genre's story gets better than the genre,
13:08and makes it better than the public.
13:11Then, one thing happens in mass,
13:14that the horror is happening.
13:16We all go to the horror genre.
13:18But when it happens,
13:19when it happens,
13:20when it happens,
13:21it's better than the public.
13:22It depends on the story.
13:23The story.
13:24If you have a romantic story,
13:25one thing is better,
13:26or three things are better,
13:27then you say,
13:28romantic is going on.
13:29Actually, I'm wrong.
13:30It's not going on.
13:31It's going on.
13:32It's going on.
13:33It's going on.
13:34It's going on.
13:35It's going on.
13:36It's going on.
13:37It's going on.
13:38It's going on.
13:39It's going on.
13:40It's going on.
13:41It's going on.
13:42It's going on.
13:43It's going on.
13:44It's going on.
13:45It's going on.
13:46It's going on.
13:47It's going on.
13:48It's going on.
13:49It's going on.
13:50It's going on.
13:51It's going on.
13:52It's going on.
13:54If you want to see,
13:55if this movie turns out,
13:57and the movie turns out,
13:58we are terrified.
13:59This is the right thing.
14:01So,
14:02it's gonna be for a very good hour.
14:04If it seems to be possible for aincture
14:05as hell,
14:06the movie turns out and behind that.
14:08How is it?
14:09So,
14:11it's going on.
14:12It's the one thought
14:13that,
14:14it's going on.
14:15What do you want to say?
14:45What do you want to say?
15:15What do you want to say?
15:45What do you want to say about the fans?
15:52What do you want to say about the fans?
15:59What do you want to say about the fans?
16:06What do you want to say about the fans?
16:13What do you want to say about the fans?
16:20What do you want to say about the fans?
16:27Please watch this film in the theater.
16:29What do you want to say about the fans?
16:31What do you want to say about the fans?
16:32What is the fans?
16:33What do you want to say about the fans?
16:35What is the fans?
16:38It's good.
16:39But what happens is that when we go on a ride or sometimes, we see a thrill of thrill.
16:46It's a big one.
16:47You've got a rush, you've got a rush.
16:49You've got a message.
16:51You've got a fun.
16:52In horror genre, there are some things that you've got to find.
16:55You've got to be a fun.
16:56You've got to be a fun.
16:57Like when you're in the sky diving, you've got to be a message.
17:01But the thrill of horror is a thrill.
17:04And I hope that in our movie, you'll see a thrill.
17:07Lastly, ma'am, what are your future projects?
17:10Well, I'm very engaged in this film.
17:14I'm very impressed with this film.
17:16I think it's a very different and unique film for my career.
17:21So, I'm very much charged with the release of the film.
17:24Now, there's another film in the release.
17:29It's a film on the other that is known as Namkine.
17:32Of the film with Namkine,
17:34and another film is about the return of you.
17:37And Jihad…
17:39So, there's a little line up you.
17:41And Bengali films are about three to four movies.
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