Dulquer Salmaan Speech @ Kaantha Movie Kerala Pre Release Event

Mana entertainment

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Transcript

00:00In the next day, I am the leader of my team

00:05Bhakia Shri with our swatham, Thulka Salma

00:12Hello Kocchi

00:15I have to tell you about my sound

00:18What's up?

00:20I am shooting the IM game

00:24The IM game is a big action

00:26As if you see the alarm, you will hear the sound

00:30In the last few years, I am not saying anything that I am not saying anything.

00:35I think I am a game, you all have to meet and exceed.

00:43That's why we are doing all the best.

00:47I think we will do a few more shots.

00:50Okay, you are going to sing.

00:52In my career, I was very ambitious.

00:58I was very excited to have the script for the first time.

01:04I was very excited to have a full-time narration.

01:12I was going to dinner with a 5-6-6-7-7-7.

01:17I was going to dinner with a 10-8-8-8-8-8-8-8-8-8-8-8-8-8.

01:21Sir, who was a 10-8?

01:22I'm looking at this in my first half.

01:25As I said, she wrote a piece that I had drawn in detail.

01:29I also read a piece of a piece the book that he actually intimates.

01:33I found the piece that I had written in the first half.

01:36The piece is a song that I was writing in detail, intricate drama, thrill, romance.

01:46I was concerned about putting something on the subject.

01:48I was concerned about the word that I was running.

01:49I don't want to shoot in Tamil.

01:52I don't want to shoot in Malayal.

01:55I always like to shoot in Tamil films.

02:01Especially in Tamil films.

02:04We are always in the middle east.

02:09This is Abhimanyika.

02:13I've done a lot of scenes.

02:18Scenes and emotions are traveling through the cinema.

02:22My brother, Rana, is in the cinema.

02:28I've been watching a few years.

02:32I've been here to the cinema,

02:36I've been here to the audience,

02:38I've been here to the audience,

02:40I've been here to the audience,

02:43I've been here to the audience.

02:47I've been here to the audience,

02:50Rana,

02:52I've been here to the audience,

02:55I've been here to the audience,

02:56I'm not doing this but it's a little bit of a movie.

03:00I am here to say,

03:02I'm here to tell you,

03:08I love you,

03:10I love you,

03:12I love you,

03:14I love you,

03:16I don't know why it's not a big deal.

03:23I wouldn't say anything.

03:29I wouldn't say anything.

03:34I'd like to say something.

03:39It's dear to me.

03:43For three minutes, you can see the scenes and sequences of these two films.

03:55Our directors have a great talent.

04:01We have a great talent in Tamil and Tamil.

04:05We have a great filmmaker.

04:09We are now busy with post-production, but we are still in the middle of this project.

04:13We are still in the middle of this project, Hunt for Europe and Netflix.

04:17This is a documentary series.

04:21This is a full-length feature film.

04:24In the scripting, in a short period of shooting, in a short period of post-production,

04:33we are not able to do so much effort.

04:37We are not able to do so much effort.

04:40We are not able to do so much effort.

04:45But, every moment, every second we spent on this film has been absolutely worth it.

04:51We are still in the middle of this film.

04:56We are still in the middle of this film.

04:58We are still in the middle of this film.

05:03We are still in the middle of this film.

05:12We have a team.

05:13We are also in the end of this film.

05:16We have some pirates.

05:18We were also in the middle of this film.

05:21This is a big star. I think there are other advantages of everything...

05:32of the talent and performance.

05:36This is time to come back home, but I feel like the other thing is also…

05:42In this case I don't miss any fans,

05:46the production team, Prashanth and Joe Berghese,

05:49I had a lot of decisions in the back,

05:53but now, I was able to do not only artistically work,

05:56but also shoot a financial side of my own,

06:02and I figured out there is space by bringing me away.

06:07I was able to get this experience in the beginning,

06:10because I did not have to worry about it.

06:12Why don't everyone please stop me?

06:14Why don't everyone get to the boys.

06:16So please give it a chance.

06:24You have to ask you this.

06:32You have watched Dhulkar's films.

06:34Tell me some of your favorite Dhulkar films.

06:36There are so many, but Telugu, he's got a pattern.

06:41I want you to identify the pattern.

06:43Sometimes.

06:44The pattern?

06:45Yeah.

06:46I mean, the only pattern is he chooses the best script, I would say.

06:50Yeah.

06:51Okay.

06:52I think he has a thing for, like, the retro period.

06:56Retro star.

06:58I mean, Mahanati.

07:00Yeah.

07:01So I am the only thing about Mahanati.

07:02Ah!

07:03What is it?

07:04Actually, in this film, I've been talking about Mahanati.

07:09Yeah.

07:10Yeah.

07:11So I am the only thing about Mahanati.

07:12I am the only thing about Mahanati.

07:13I am the only thing about Mahanati.

07:14I am the only thing about Mahanati.

07:15But I am the only thing about Mahanati.

07:16I am the only thing about Mahanati.

07:17I also feel like Mahanati.

07:18I don't want to be a period star, a retro star, but I don't want to be a no.

07:25You are so.

07:29I think we are both suckers for great cinema.

07:35In any genre or repeat, I don't want to do love stories.

07:41I don't want to be a no.

07:48So, this is Chitram.

07:49Kanta is described as a period noir drama thriller.

07:54What is this?

07:57I don't want to be a no.

08:03It's a big deal for me.

08:07I don't want to be a no.

08:10I'm a no.

08:12I don't want to be a no.

08:14I don't want to be a no.

08:19It's a big deal.

08:22I want to ask you now, Bagashree, Dhulkar Salman is one of the most celebrated actors in our country right now, whichever language it be.

08:42Vijay Devara Konda, done. Dhulkar Salman, done. Who next would you like to share the screen with? Anywhere?

08:52Oh, yeah. You can wish, no? Is there an actor you want to really work with? Malayalam to London, even better for us.

09:03Pakshay, you can say whoever.

09:05I mean, I would love to work with DQ again and then there is…

09:09You can take some other names, we don't have to be diplomat. We still like it.

09:12I really admire Prithviraj sir too from Malayalam, so yeah.

09:17You really admire? Prithviraj.

09:19Oh, Prithviraj, of course.

09:21Of course.

09:22My DQ.

09:23He's like, how are you going to check it out?

09:25How are you going to check it out?

09:26How are you going to check it out?

09:27Just come.

09:28Oh, you.

09:29Why are you going to check it out?

09:30Bagashree, come join us.

09:32Terrible.

09:33Terrible.

09:34Terrible behaviour.

09:36Happy eye?

09:37Happy eye.

09:38Happy eye.

09:39Happy eye.

09:40Happy eye.

09:41Happy eye.

09:42Happy eye.

09:43Happy eye.

09:44Happy eye.

09:45Happy eye.

09:46Like I thought they'll kill me.

09:47Okay.

09:48The!

09:49Okay.

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