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Transcript
01:00Thank you, brothers, all media brothers, and especially Amma, Nana, Thambudu, we're all here to announce this movie.
01:11It's an emotional and inspirational story of a true Indian soldier.
01:23I'm going to tell you what I'm saying.
01:25I'm going to tell you, how much I'm going to be a normal person.
01:31I'm going to tell you, how much I'm going to be a normal person.
01:35I'm going to tell you, how much I'm going to be a normal person.
01:37I'm going to tell you, how much I'm going to be a normal person.
01:41I'm going to tell you, how much I'm going to be a normal person.
01:51I'm going to tell you, how much I'm going to be a normal person.
01:55100% of the people who put it in the same way,
01:58who put it in the same way,
02:00who put it in the same way.
02:03That's the intention of this movie taking.
02:06This is the pan-India level.
02:09Maybe in our future meets,
02:12we'll have better information for you.
02:33If you don't want to go to Murali,
02:37we'll have to choose Gautam Babu.
02:42Do you want to go to Murali?
02:46I'm talking about Murali and Daddy.
02:50Sir, please.
02:52Please, just tell us.
02:58Tell us about Murali.
03:04I'm ofroans Musa.
03:06We need to change this country.
03:07I think about Murali.
03:09I'm ofroans Musa.
03:11I'm so sorry.
03:13Well, I know, Murali,
03:16what we've done is.
03:18I'm so sorry about Murali and I am so sorry about the story of Murali,
03:19To raise the land of Mureli Gurinch's life, I have met a point in Bambayana, including the 1st of Bambayana.
03:28My name is Mureli Gurinch.
03:32My name is Godamgaru.
03:35My country is, in my country, in my country, in my country, in my country, in my friends, in my country, all my country, in my country,
03:48We have seen more than one film about the movie about Gotham Babu and we have seen more movies about Gotham Babu in the series.
04:03We have seen more movies about the movie about Gotham Babu.
04:11I am a child of Murali, I am a child of Murali.
04:16This movie is a movie that we are living in the world.
04:20We are living in the world and living in the world.
04:23This movie is a movie that is the most important part of my life.
04:26I am a child of Murali.
04:31I am a child of Murali.
04:36I am a child of Murali.
04:41He is a child of Murali.
04:45I am a child of Murali.
04:50I'm a child of Murali.
04:56Thank you very much.
05:26Thank you very much.
05:56Thank you very much.
06:26Thank you very much.
06:56Thank you very much.
06:58Thank you very much.
07:28Thank you very much.
07:30Thank you very much.
07:32Thank you very much.
07:34Thank you very much.
07:36Thank you very much.
07:38Thank you very much.
07:40Thank you very much.
07:44Thank you very much.
07:46Thank you very much.
07:48Thank you very much.
07:50Thank you very much.
07:52Thank you very much.
07:56Thank you very much.
07:58Thank you very much.
08:00Thank you very much.
08:02Thank you very much.
08:04Thank you very much.
08:06Thanks.
08:07Thank you very much.
08:09Thank you very much.
08:11Thank you very much.
08:15Thank you very much.
08:17Thank you very much.
08:19Thank you very much.
08:21We are looking at a biopic in a TelugunΓ©.
08:25So, this is the first ever biopic of a Telugu soldier and this is not just a Telugu film, we are shooting it in Telugu, Hindi, Tamil, Kannada, Malayalam
08:35and in our sources, we have a lot of money in our country, we have a lot of money in our country, we have a lot of money in our country
08:46So, actually, my last film, Solo Boy trailer launch, like, parents, Murlinayagar, parents, Sanma, so, first time, I had a proper one-to-one interaction
08:59So, in that moment, I was interacting with them, I was talking about the stage, I was talking about the kind of, like, I was talking about Murlinayagar, I was talking about Murlinayagar
09:09So, I think, to see the details here, a good icon on the island, which is, that was on the island of Gorantla Mandala, a good icon on a good icon on the island
09:19Having a good icon on the island after his parents, they would never get you there
09:24So, I mean, like, you could see, have a church in the middle of the island of Rashid, or find a study on the island, you could use this, even the children of the island
09:30and even the children of the island, you could learn some of the cases in the future, you could come and talk about it
09:32So, I mean, like, how many of the people have been on the island
09:35So, there is a seed in the army. He is just 22 years old. He also has a voice. He has a voice. He has a voice.
09:49We are looking at a youngster who is trying to judge selfish reasons.
10:06They are fighting for our country. Every person, they are the real heroes.
10:12So, when we fight on the border, we are going to talk a little bit about it.
10:17We are going to talk a little bit about how happy our families are here.
10:25We are going to talk a little bit about it.
10:28So, this film is not just about the story of Muralin Ayagari.
10:32This film is the main point of the film.
10:37So, we are one of the biggest democracies in the world.
10:46India is one of the biggest democracies in the world.
10:48So, the army is so strong.
10:55Indian army is one of the finest.
10:58Indian army is one of the bravest.
11:00Indian army is one of the toughest army to fight with.
11:03And, mainly, like, when we have the first government.
11:08So, for example, when we have the URI operation,
11:12or operation Sindhuur.
11:14So, these are one of the major milestones in Indian politics.
11:17At the same time, when we are the strongest movements if we can do this, if we can do this, when we begin to get through the restaurant.
11:24Then we understand what I was going through.
11:28When we fight in a fight, we have a person who is a Telugu person, a 22-year-old guy.
11:36So, when we talk about this, we can talk about this story.
11:42So, regular fictional subjects, and I also have further subjects,
11:47I am talking about how much I am in this industry.
11:54So, the subject of that power has definitely been able to bring these people,
11:59and after a seed in the city,
12:01they have been functioning with their parents,
12:03in the area they are planning,
12:06but within one moment,
12:08you can keep with us from doing anything,
12:10you don't care about them,
12:12you are a children of mine,
12:14you are a child,
12:17you know all you know,
12:19then if you understand that view of the country,
12:20or when you understand that view of the country is a part of a event,
12:22In this country, there are a lot of things in this country that we talk about in our lives and talk about it.
12:30So, we will talk about the great stories in this country.
12:35So, we need to support every single person, every media person support, every single person in Telugu, India-wide.
12:42We need to support every single person in this movie.
12:46Because this is not a fictional subject, this is not a normal subject.
12:50He is the real hero.
12:52So, if we want to support, we will take a look at this.
12:56This is the main purpose of Suresh Bhavgaru.
12:59So, in the construction field, IT sector, like, what kind of style do we have now?
13:06So, all of us are the only businessmen.
13:12We have to concentrate on with the money.
13:16That's what I wanted to do.
13:18It's a way of creating a country.
13:21Now, I can't fight on the border.
13:25But I can't fight on this country.
13:30So, I can't afford resources.
13:33This has to be a pan-Indian film.
13:37And even for example,
13:41we're going to do a launch event in a small place.
13:47Murli Nayaki is not a normal person.
13:50You say, this is a big film.
13:54This is a grand film.
13:56And now,
13:58I'm going to take a subject to an upcoming actor.
14:01So, I'm going to take a look at you.
14:03You're exactly what I wanted.
14:05You saw in the trailer,
14:06I was going to take a look at Murli Nayaki's parents.
14:08I was going to take a look at you.
14:11You're going to take a look at me.
14:13So, I am going to take a look at Murli Nayaki.
14:16So, definitely,
14:17you should have to pay attention to what you've done.
14:19You should have to pay attention to all the resources.
14:21You should have to pay attention to all the technicians.
14:23You should have to pay attention to all the actors.
14:25And I have to pay attention to all the actors.
14:27So, I want to talk to you definitely
14:28a pan-Indian film.
14:31I support you.
14:33Firstly, thank you.
14:34Thanks a lot.
14:36And mainly,
14:38the parents of Murali Nayak.
14:40Because,
14:42when they get to the IUD,
14:44there are many things
14:46that they are doing.
14:48They are doing so much
14:50and they are doing so much.
14:52They are doing so much
14:54and they are doing so much.
14:56They are doing so much.
14:58So, they are doing so much.
15:00Thank you. Thanks a lot.
15:02Like, in this time,
15:04I have been talking about the people
15:06who are talking about the people.
15:08And, they are doing so much.
15:10They are doing so much.
15:14This is not just a film.
15:16This is not just a film.
15:18This is an emotion
15:20that nation needs to know.
15:22This is an emotion that nation needs to be proud of.
15:24This is not just a film.
15:26This is our Indian emotion.
15:28So,
15:30We have a father.
15:32From the UK,
15:33We have a mother of India.
15:35The world is created.
15:36Every girl,
15:37every soldier,
15:38every army,
15:40every army,
15:41every force person,
15:42every person,
15:43a duty is the utmost
15:45form of self-satisfaction.
15:46We don't go through our families.
15:48The people are doing so much.
15:50For them,
15:51they are the real heroes.
15:53So, they are the real heroes.
15:55At the moment, we will be able to convey the movie.
15:58And not just emotion, not just like a message.
16:02There is a lot of drama in life.
16:04There is an extraordinary character.
16:08A normal person.
16:10Every person is a person.
16:12In our country, it is a person who is a person who is a person who is a person who is a person who is a person who is a person.
16:21There is a lot of respect.
16:25We are not sure who thinks of a person.
16:27We are not sure who is a person.
16:30We are not sure who is a person.
16:31We are not aware of the work of a person.
16:33So, this is a very small life.
16:35We can't have any good questions and answers.
16:39We can't have any good questions.
16:41We can't answer any questions.
16:43And I have done everything in this world and I have done everything in our country and I have done everything in our country.
16:52So, I am very, very honored and I feel very responsible.
16:58I will definitely live up to it.
17:01And I will show you an extraordinary pan-Indian film. Thank you.
17:08No, sir.
17:09There are no conditions in the world.
17:10They are only in the world.
17:12They have done a lot of work in our country.
17:17So, we know that our children are in the media.
17:21We know that we are in a small event.
17:24We know that we are in a small place.
17:26We know that we are in a small place.
17:29We know that we are in a small place.
17:39We know that we are in a small place.
17:42We know that we are not resources.
17:44We are not resources.
17:46We are not family background.
17:49We have a lot of income.
17:51We have a lot of income.
17:53We are a lot of money on our country.
17:57So, we know that we are in a small place.
18:00We know that we are in a small place.
18:02And in our country, this story needs to be told to us.
18:06One of our conditions is that you have to do it as a pan-India film.
18:10Because he is not a soldier.
18:13He is not a soldier.
18:14He is not a Tamil, Tamil, Malayalam.
18:16He is an Indian soldier.
18:17So, India needs to know his story.
18:20So, that is the only condition from their parents' side.
18:23That is the only condition of government.
18:25From your friends, Tamil, Tamil, Tamil, Malayalam and Kannada.
18:29That is the only condition we are in a small place.
18:31Then it is not only that he has an respect.
18:35Even if he is the only condition of the parents.
18:36But our children also are the only one that has 100% accepted.
18:38And we have the first vision of this film.
18:40In this film?
18:41Yes, I am.
18:43There were a lot of videos about how to do the equipment, exercise, and how to do the work.
18:52I was looking at how to do the motivation for this person's army.
18:58I was talking about how to do it.
19:01When I was brought up, when I was in an operation,
19:06If you're walking to be a man who can't breathe,
19:08you're going to bring him to be a man.
19:10We're going to bring him to be a man.
19:12When he comes to be a man,
19:18he's not a man.
19:22He says that he's a man in Hindi.
19:26He's a man in Hindi.
19:28But he seems to be a man in the most difficult times.
19:33Besides, I had passed away by my parents.
19:38They have a family, have a family,
19:42a family, a family,
19:44or a family.
19:48They can't help me.
19:50They're very important.
19:52They し covariates,
19:55but they are like cars.
19:59They have to know this.
20:02I don't care about them.
20:03I asked for the first time I was at the age of 30.
20:09I was only a man who was wearing a woman.
20:13I was not aware of that.
20:16I was also aware that the same day,
20:20that I was aware of.
20:22I was aware of that.
20:24Even an army job I was aware of.
20:27Even a couple of times I was aware of.
20:30I was aware of that.
20:32I said to my dad, she was a job.
20:37She took care of me, I would have told them.
20:40Why are you not telling me?
20:42Why are you telling me?
20:45I have to farm in the village.
20:48I have to work with them.
20:50I have to sit with them and sit with them.
20:53If I am to work with them, I have to farm in the village.
20:57I won't make people own, nobody will have to live anything.
21:01I'm not going to be able to do anything like that.
21:04I'm not going to be able to do anything like that.
21:08Gautam Gar.
21:09Gautam Gar.
21:11Direct Tales very soon, we will reveal the next event.
21:14So, this is the launch event.
21:16And we will be able to do this film at Vishan Film Factory.
21:20So, this is production number one.
21:22So, we will reveal the technical details very, very soon.
21:25We will reveal the technical details very, very soon.
21:30Okay, you are responsible.
21:32This is the original hero of the Indian Army.
21:36What is your responsibility?
21:38What is your responsibility?
21:39What is your responsibility?
21:41I am responsible for this film.
21:42I am responsible for one film.
21:45I am responsible for this film.
21:48Because of the person who has a portrait,
21:53I am going to start to start the pinpoint detail.
21:59I am responsible for that film.
22:00I am responsible for one end of month.
22:05I am responsible for the family.
22:07I am responsible for it.
22:08So, my main motto is be to grow the soul.
22:13So, more than anything, what is Murali Nayya,
22:15I am going to grow the soul.
22:17So, the original character, the tattwa, the guna,
22:21I don't know.
22:23But after that, when we talked about the cinema,
22:25we talked about one end-of-month travel.
22:29So, there was a tattwa in Ramudu.
22:32So, you can see a lot of details in the movie.
22:35You can see a lot of details in the movie,
22:37in the event, trailer, teaser, and review.
22:40So, in short, there was a tattwa in Ramudu.
22:43So, there was a lot of details in the movie.
22:46So, you can see a lot of details in the movie.
22:49So, it's the most important part of it.
22:52So, it's the most important part of it.
22:54The most important part of it is,
22:56sacrifice is the utmost form of duty in the movie.
22:58So, you can see a lot of things.
23:00Surishkar, you can see a scale of movies.
23:03Experience direct.
23:05Yeah, 100%.
23:07You have started in the first time in production.
23:09You have been in software and real estate.
23:11So, you have started in production.
23:14I don't really like it.
23:15So, you have started that game?
23:17You don't have the first thing.
23:18You don't really like it.
23:20So, you have started launching it?
23:23No, you haven't.
23:24So, you have started launching it?
23:26So, what do you think about Moralee?
23:30I think about Moralee.
23:32I think it's all about Reels.
23:34I think it's all about everything.
23:36In other words, if you have Reels,
23:39it's a little bit advanced.
23:43We travel to our parents,
23:45we have a darling touch,
23:47we have a detailed name,
23:50and we have friends with contact.
23:53So, that's more realistic.
23:55It's all about Reels.
23:57It's all about Reels.
23:59But we did a lot of homework
24:02before launching this event.
24:05What did you shoot?
24:07Very soon, everything is ready.
24:11It's script-wise.
24:13So, the audience will start.
24:15I think.
24:16It's all about the birth card.
24:18It's all about the last episode.
24:20It's all about the cinematic texture.
24:22It's all about the cinematic texture.
24:24It's all about the cinematic liberty.
24:26It's all about the cinematic liberty.
24:28It's all about the cinematic liberty.
24:30It's all about the two hours.
24:31There's a little bit of cinematic liberty.
24:34But it's all about the cinematic.
24:36It's all about the 90% to 95%.
24:39We want to retain the original thing only.
24:42Actually, if you have a story, there is no drama in this film.
24:49There is no drama in this film.
24:54So, if you want to add anything, add anything, or elevate anything,
25:00you don't have to worry about it.
25:03So, if you choose a scene-wise,
25:06it might be a little bit of cinematic liberty.
25:10Like, 95% of the film will be intact.
25:13The original game is exactly the same.
25:15Events, everything.
25:16If you want to talk about it, this is very soon to reveal.
25:22But, everything will be.
25:2495% of the film will be intact.
25:27Only 4-5%.
25:29So, there is no cinematic liberty.
25:31So, every film needs that.
25:33Because we will talk about it in two hours.
25:35Actually, I don't want to talk about it.
25:38So, if you want to talk about it in two hours,
25:41you can create all anti-scenarios.
25:44Even though you are also a power and you are fine.
25:46So, this type will be mentioned.
25:49I don't want to talk about it in two hours.
25:50So, I will talk about it in two hours.
25:51So, this is very soon to reveal all those things.
25:55But, further, yeah.
25:56All the very best.
25:59Thanks a lot.
26:00I will talk about it in two hours.
26:01Sir.
26:02I will talk about it in two hours.
26:03Yes, sir.
26:04So, I will talk about it in two hours.
26:05So, the permission procedure is very important.
26:07I will talk about it in two hours.
26:08Yes, sir.
26:09Normally, first, I will take family permissions.
26:12Then, after the Central Government, Army, State Government.
26:15Then, for example, in particular I was working for artillery regiment.
26:21So, I was working for that regiment.
26:22Then, shooting permissions, for example,
26:24To the surface of the story of Kashmir,
26:27for version of the original locations,
26:29I will shoot from the original locations to keep the film lively.
26:34This film is lively, so we can choose the permission of that.
26:39The producer?
26:40Sure.
26:42Murlinaki is the hero of this film.
26:44So, there is a market in the market. So, no worries.
26:48Okay.
26:49I'm a cinema artist, and I feel like you're in the background.
26:52What are your conditions?
26:58Murali is doing money as an author.
27:07floralization.
27:08Murli is doing money, and he's doing a dream of losing the black people.
27:23Murli is a creative director.
27:24The only sees a guy's property, and I'll cover his own beliefs.
27:27It's about Gautam.
27:29It's about the rights.
27:31I work with Indian Army.
27:35They are family.
27:37So, you have to do a family.
27:43You don't have to do a family.
27:45You are free.
27:47I don't know if you have a family.
27:49I don't know if I have a family.
27:51I don't know if I have a family.
27:53We don't know the family.
27:55I don't know if I can have a family.
27:57So, they want to do a family without me.
27:59For a lot of me, it's only perfectly.
28:01It would absolutely be to work with a family.
28:03We got rid of the family.
28:05So, the family, would be made by our family.
28:07So, definitely.
28:09We are not a big deal with a family.
28:11We're talking about films as well.
28:13I'm on a team.
28:15So, we are totally satisfied with them.
28:17You know how many of us are.
28:19We've already spent our unied.
28:21and they, so, that's all like a very like minute thing in the project, that is the main,
28:28they never thought commercially, they only, what's the thing about, like, the family is
28:35like a lot of people are playing, but my mom is like, I don't know, I don't know, I don't
28:40know, I don't know.
28:42My name is like, I don't know, I don't know, I don't know, I don't know.
28:46There are a lot of parents, like directors, like Bollywood approach.
28:51If you don't like Gautam Babu and my children,
28:56I will do it.
28:57I will tell you that.
28:58If it's normal, I will tell you about the movie events.
29:03So, I'm telling you about Gautam's challenge.
29:05Thank you very much, Amadha.
29:07Why?
29:08There is no problem with well-known places.
29:12There is no problem with the characters.
29:14So, you are doing that character.
29:16So, you are taking a lot of father and mother.
29:18They are involved in their involvement.
29:21So, you can take a lot of them as a mother and father.
29:24You can take a lot of them as a mother and father.
29:25You can take a fresh face.
29:28Or else, you can take a lot of people in the industry.
29:31So, definitely.
29:32And the casting will be very soon announced.
29:34And this is a pan-India subject.
29:36So, pan-India reach, like we are roping in Bollywood actors
29:41and actors from different industries.
29:43And this is an army subject.
29:46So, there is a lot of scope.
29:47There is a lot of scope.
29:50So, we will launch a lot of people in 30 to 40.
29:54And already, we have seen a lot of people across the industry.
29:59So, it will be like a very fresh film you have seen in recent times.
30:03This films are a lot of fresh ones.
30:07Okay.
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