- 1 day ago
Στην Αγκαλιά του Φάνη - 06/11/2025
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00:17:28Let's go for a better day, where are we going?
00:17:31If you were to go to Xenitia, it was a different thing from now.
00:17:35When Kazanjidis wrote about the Xenitia and all the songs...
00:17:39You want to learn the Xenitia.
00:17:41Then you had to go to the phone where you put something in your phone.
00:17:46If you had a letter, you had to go to 0 again and you had to go to the letter.
00:17:52Now you're going to go to Xenitia and you're going to go to the other.
00:17:56The new kids came out of the Xenitia.
00:17:59I'll have to go to Xenitia.
00:18:02We got to the Xenitia and we got to the EuroBasket.
00:18:06You were going to go to the Xenitia.
00:18:09You were going to go to the Xenitia.
00:18:12We had to go to the Xenitia.
00:18:15We had to go to the Xenitia.
00:18:17My father was a great hope to be able to get out.
00:18:20You were going to go to the Xenitia.
00:18:23Yes, that was a great time.
00:18:24We came here and we came from the Pizzo-Dromes.
00:18:28The Gazon, the Gazon, the Ostroum.
00:18:30We had a local village with a Turkish village.
00:18:35We had a family with Italians, Helvetians and all the people.
00:18:41We had a family.
00:18:42We came to Dubai to the Xenitia in the Xenitia.
00:18:45It was the 1987.
00:18:46Oh, oh, oh.
00:18:47It was heavy metal.
00:18:48And you know Floretta from the Helvetia, and now it was a political shock.
00:18:55But I think it helped me a little help.
00:18:59With all this, how do you think you still believe in Agio Vasilis?
00:19:02If you don't believe in Agio Vasilis, you don't believe in Agio Vasilis.
00:19:06Have you seen anything, Agio Vasilis?
00:19:08Why? Because I don't have to say anything.
00:19:11No, you have to say that you believe in Agio Vasilis.
00:19:13And you believe in Agio Vasilis, you believe in Agio Vasilis?
00:19:16And your team, you believe in Agio Vasilis.
00:19:21Oluf.
00:19:23You know what, you know, you're a star.
00:19:26Can you tell me the next question?
00:19:31How did you know Marilou and how did you do your role in Agio Vasilis?
00:19:34Ohhhhh!
00:19:37It was an overnight, I was Vasilis at an optimistic level.
00:19:41It's a situation.
00:19:42And I asked him to send him a girl.
00:19:46Because, as he said to me,
00:19:48we are a little lazy.
00:19:51And we need someone to get our hands.
00:19:55And how did you do that?
00:19:57This time I was sitting in the room.
00:19:59How did you do that?
00:20:01I was sitting in the room.
00:20:02I was sitting in the room for a while.
00:20:04I was thinking about guitars,
00:20:06and you,
00:20:07and you,
00:20:08and you,
00:20:10and I had something very romantic.
00:20:13I would give you a style of a pants.
00:20:15What do you mean?
00:20:16I don't know.
00:20:17It's a style of a...
00:20:18What do you mean by this?
00:20:19Let me tell you.
00:20:20Can I tell you?
00:20:21I'm a bit more of a message.
00:20:23So,
00:20:24the proposal of the GAMES
00:20:25should be coming out of a place.
00:20:28And I didn't want you to get any camera on the GAMES.
00:20:30I didn't want you to get any more.
00:20:32I have to give you six years.
00:20:35I'm good.
00:20:36It's so good.
00:20:37It's so good.
00:20:38I don't want you to get any more faces.
00:20:40I'm going to get any more faces.
00:20:41Yeah, I'm getting any better.
00:20:43But I'm...
00:20:44Oh!
00:20:45Ava Siliis!
00:20:46He...
00:20:47He saw it,
00:20:48Ava Silii.
00:20:49What did you do with my mum?
00:20:50Did you have a good guy?
00:20:51Did you get any more?
00:20:52Yes.
00:20:53Did you get any more?
00:20:54Yes.
00:20:55What did you do?
00:20:56What do you think?
00:20:57Did you expect this?
00:20:58Who?
00:20:59To give it to him.
00:21:02You didn't tell him to give it to him.
00:21:05What are you talking about?
00:21:07With the big one, very much.
00:21:09First of all, as a second child,
00:21:12there is a tremendous difference
00:21:14between the first and the second child, right?
00:21:17Because they all have the anger.
00:21:19Yes.
00:21:20And then you have the anger
00:21:22and you have the anger.
00:21:24So you have the anger.
00:21:26And the second child,
00:21:28which is amazing.
00:21:30He's a great guy.
00:21:31He's a good guy.
00:21:33He's a great guy.
00:21:34You know, you know,
00:21:36you know,
00:21:38you're a little bit drunk and you're just doing something.
00:21:41It's about five minutes.
00:21:42Yes.
00:21:43I'll tell you about it.
00:21:44I'll give you a phone.
00:21:46You have to get a phone.
00:21:47From the big one,
00:21:48you'll know the big one of the gods.
00:21:50So, what do you think?
00:21:51The name is Pano's Muzurakis.
00:21:53I don't know if you want to go to Pano's Muzurakis.
00:21:56It's the same name.
00:21:57It's the same name as Pano's Muzurakis.
00:22:00Look at that.
00:22:01The name is Evelenis.
00:22:04It comes from my father and my father.
00:22:07It's Evangelos and Eleni.
00:22:09The second name is Pano's Muzurakis.
00:22:12It has two names.
00:22:14It's the father of Pether Muzurakis.
00:22:17It's the father of Pano's Muzurakis.
00:22:19It's the father of Pano's Muzurakis.
00:22:21So the answer was Giorgiotti.
00:22:25Giorgopanos.
00:22:29Pano-Giorgas.
00:22:31And what else?
00:22:33Yes.
00:22:35We didn't have to go to Pano's Muzurakis.
00:22:37We didn't have to go to Pano's Muzurakis.
00:22:39We were to go to Pano's Muzurakis.
00:22:41The second one was the choice.
00:22:43I didn't have to go to Pano's Muzurakis.
00:22:45I said he was going to go to Pano's Muzurakis.
00:22:47That's what I said about the Eleanor.
00:22:49Yes.
00:22:51That's what I said about the Eleanor.
00:22:53That's what he decided to go to Pano's Muzurakis.
00:22:55I think Pano's Muzurakis.
00:22:57Pano's Muzurakis.
00:22:59Pano's Muzurakis.
00:23:01Pano's Muzurakis.
00:23:03Pano's Muzurakis.
00:23:05Pano's Muzurakis.
00:23:07Pano's Muzurakis.
00:23:09Pano's Muzurakis.
00:23:11Pano's Muzurakis.
00:23:13Pano's Muzurakis.
00:23:15Pano's Muzurakis.
00:23:17Pano's Muzurakis.
00:23:19Pano's Muzurakis.
00:23:21Pano's Muzurakis.
00:23:23Pano's Muzurakis.
00:23:25Pano's Muzurakis.
00:23:27Pano's Muzurakis.
00:23:29Pano's Muzurakis.
00:23:31Pano's Muzurakis.
00:23:33Pano's Muzurakis.
00:23:35Pano's Muzurakis.
00:23:37Pano's Muzurakis.
00:23:39Pano's Muzurakis.
00:23:41Pano's Muzurakis.
00:23:43Pano's Muzurakis.
00:23:45Pano's Muzurakis.
00:23:47Pano's Muzurakis.
00:23:49Pano's Muzurakis.
00:23:51And we'll be able to make it.
00:23:53Pano, a muzzurraki!
00:23:56Don't get out of the way, man.
00:23:57Don't get out of the way.
00:24:00I don't get out of the way now.
00:24:03Yes, you can do it.
00:24:05Give it a bit of air.
00:24:09So, Pano, are you ready?
00:24:12No.
00:24:15I'm not. I don't care.
00:24:16So, Pano, the first melody that you will need is to make it in your head
00:24:20is with music and rock.
00:24:23The words that I give you are three.
00:24:25Suvlaki,
00:24:27foros, eforia.
00:24:32Rock, pavlogeira?
00:24:35Opa, drums, let's go.
00:24:38Opa, let's go.
00:24:39Let's go.
00:24:41Let's go.
00:24:43Opa, let's go.
00:24:49I'll tell you what I've seen.
00:24:50I've seen Jimmy Fallon, I've seen it with the metal.
00:24:52How do you get out of the way?
00:24:54They don't have the same tibana.
00:24:56Oh, I'll tell you the tibana now.
00:24:57Yes.
00:25:00Yes, my friends.
00:25:01Yes, let's go.
00:25:03I don't care.
00:25:18All a nice
00:25:20To go to work
00:25:22To take a tour
00:25:26Because I'm not paying
00:25:28From the carat
00:25:32Yes, yes, yes
00:25:34Yes, yes, yes
00:25:36Look at me, let's see
00:25:38What's the fate
00:25:40The effort
00:25:42The form of art
00:25:44They are
00:25:46Now
00:25:48It's time to open the company
00:25:50Yes
00:25:52So, good
00:25:54Rock wasn't it
00:25:56But this was the song
00:25:58It was my own
00:26:00No, it was bad
00:26:02Can I get another one?
00:26:04No, so
00:26:06The melody, the music
00:26:08Is Tziftetelli
00:26:10And the word is
00:26:12Tziftetelli
00:26:16And the
00:26:18The
00:26:19The
00:26:20The
00:26:22The
00:26:23The
00:26:24The
00:26:26The
00:26:28The
00:26:30The
00:26:32The
00:26:34The
00:26:36The
00:26:40The
00:26:41The
00:26:42The
00:26:43Where are you going?
00:26:59This is really good!
00:27:13I'll do the same with the music.
00:27:15We're going to rap.
00:27:17I'm sorry I don't hear you.
00:27:19I'm sorry about you.
00:27:21I'm sorry.
00:27:23So, the music is rap.
00:27:25And the word is R.E.V.M.A.R.T.A.D.A.P.E.
00:27:29Rap.
00:27:31Yo, yo.
00:27:33You can hear me.
00:27:35You can hear me.
00:27:37I'm sorry.
00:27:39But I will be right here.
00:27:41I will say.
00:27:43I have a few hours left.
00:27:45I have some money.
00:27:47But I didn't have the machine.
00:27:49I have the music.
00:27:51I put the card to the O.P.
00:27:53I'm sorry.
00:27:55I'm sorry.
00:27:57I have a lot of money.
00:27:59I don't have any money.
00:28:01Sas tl.
00:28:03Tefataid tot doonu tui in Nea Dymokraketiii
00:28:06Defeataid o Miitsotakis
00:28:07que outei eifooriai
00:28:09Ftaidii boude dulepses
00:28:10Te de na gynys dichiboros
00:28:12Na gynys kai yadros
00:28:13Na m'y se trooi o foiros
00:28:14Na poulis na kleibys
00:28:16lephtaa audio kia on kii
00:28:17Na m'y se piánuun
00:28:18Ya ty n'e hazyi
00:28:20Na kais te scepweines
00:28:22粉opos to syssti ma pro stha zi
00:28:23Oπως i'alli
00:28:24Kains...
00:28:28Unde ksa punka pianii ha lázzii
00:28:31Yeah!
00:28:36That's amazing!
00:28:38One big time!
00:28:47I was like this!
00:28:55Do you understand which one song is?
00:28:57It's really...
00:29:01Thank you very much.
00:29:31It's a vinylium, but it's a vinylium that has a specific value for me and for you, please.
00:29:37This is incredible, because you know that Kostisio Marabeggias, as a nonos...
00:29:43Yes, yes, yes, as a nonos, as a nonos, he said that he will pay for his money.
00:29:51He will be every Christmas, every Christmas, every Christmas, and every Christmas.
00:29:55He will be a vinylium.
00:29:56POPO, to the kid, how beautiful it will be with vinylium.
00:29:59He's very... very pink floyd.
00:30:02What are you saying, Marabeggias, Pink Floynd?
00:30:05To be honest, you can't make pink floyd.
00:30:08When you grow up, you grow up and grow up.
00:30:11Yes, you have to be a vinylium.
00:30:15I have to be a vinylium.
00:30:16I'll give you the simple stuff, pistols, carabines.
00:30:19You have to be a vinylium.
00:30:20You have to be a vinylium.
00:30:21You have to be a vinylium.
00:30:23You have to be a vinylium.
00:30:24Five of mad chicken.
00:30:25More, it will be a vinylium.
00:30:29luck
00:30:45in your face
00:30:48it's such a false
00:30:51as
00:30:52it's such a great
00:30:54it's such a very
00:30:55incredible
00:30:56ante
00:30:58Yes, we have the next one.
00:31:00Tell us about it.
00:31:02Tell us about it.
00:31:04I don't feel like we're doing something nice today.
00:31:06You can't take a while to see it.
00:31:08So, it was a problem.
00:31:10It was a problem.
00:31:12He was a little bit.
00:31:14He was on the floor.
00:31:16He didn't go on the floor.
00:31:18Yannis...
00:31:20So,
00:31:22friends and friends,
00:31:24one person.
00:31:26The next one.
00:31:28One of my friends.
00:31:30One of them.
00:31:32One of them.
00:31:34One of them.
00:31:36One of them.
00:31:38Let's go.
00:31:40Let's go.
00:31:42And...
00:31:44I will see you now.
00:31:45He has my hand right away.
00:31:50As soon as he goes back,
00:31:52you are out of your hand.
00:31:54You are out right?
00:31:56You are out of your hand.
00:31:58Take care, buddy.
00:32:02Take care.
00:32:04Take care.
00:32:06Take care.
00:32:08Help me.
00:32:10We are here in the sky, in the sky, what are you doing?
00:32:22From the most beautiful people who have known, despite the name of Fona Clou,
00:32:26just like me, if you know, if you speak in front of the camera,
00:32:30friends and friends,
00:32:32the one, the most, the most, the most, the most,
00:32:36not the most,
00:32:38the one, the most, the most, the most, the most, the most, the most, the most, the most, the most, the hρυσα rata!
00:32:46Colors!
00:32:56That's all very widespread!
00:33:02I started talking about a lot of people and then I was like, okay, okay.
00:33:07I don't care about what you're talking about.
00:33:10Why did you say that?
00:33:12Here we are.
00:33:14You're a man who doesn't speak at all.
00:33:18Yes.
00:33:19I do roles that I speak and I speak.
00:33:23But I have to pay for it.
00:33:25Why do you speak?
00:33:27It's exhausting.
00:33:29Because I speak and I speak.
00:33:31So, listen, listen, I said, I had a lot of people.
00:33:35But I went and I asked you to study.
00:33:38You studied at Ecole International de Mimondrame de Marcel Marceau in Paris.
00:33:49Only Paris, I understand.
00:33:53To Ecole, you have to do with the weight of your success?
00:33:56To the gym, to the Likio.
00:33:58Yes.
00:33:59Yes.
00:34:00Yes.
00:34:01Yes.
00:34:02Yes.
00:34:03Yes.
00:34:04Yes.
00:34:05Yes.
00:34:06Yes.
00:34:07Yes.
00:34:08Yes.
00:34:09Yes.
00:34:10Yes.
00:34:11Yes.
00:34:12Yes.
00:34:13Yes.
00:34:14Yes.
00:34:15Yes.
00:34:16It's in weeks.
00:34:17Yes.
00:34:18Yes.
00:34:19Yes.
00:34:20I
00:34:26Let me tell you all the name of the school and then I'll tell you what to say.
00:34:29School de Mimodram de Marcel Marceau de Paris.
00:34:38The only thing I know is Zinedine Vidal.
00:34:41I'm not sure what I know.
00:34:44You've been in Paris and you've been in Paris.
00:34:47Very good.
00:34:48Tell me, Fanny, you're the best.
00:34:50I'll give you one sentence.
00:34:52You're the best.
00:34:54You're the best.
00:34:56You're the best.
00:34:58You're the best.
00:35:00Fanny, you're very good.
00:35:02My name is Zinedine Vidal.
00:35:04You're the best.
00:35:06You're the best.
00:35:08You're the best.
00:35:10You're the best.
00:35:12You're the best.
00:35:14Why do you like it?
00:35:16It's a great, great, great.
00:35:18It's a great way to hear you.
00:35:20I think you're the best.
00:35:22I think you're the best.
00:35:24I don't have any questions.
00:35:26You're the best.
00:35:28You're the best.
00:35:30It's a great way to hear you.
00:35:32What did you do in France?
00:35:34I was the best.
00:35:36I was from 8am to 8am at a school.
00:35:38I was at a school.
00:35:40I was working on a Sunday.
00:35:42I was a dog.
00:35:44I was a dog.
00:35:46Yeah, she'd get Solo.
00:35:48She was family.
00:35:50You couldn't stay.
00:35:52Yeah, because they gave me our house.
00:35:54So unfortunately, because, in any way,
00:35:56you got to the house and decisifying your home.
00:35:58I got a walk.
00:35:59Okay.
00:36:00I got the kids to the morning, but at the morning I was at 7am in the bus to go to school.
00:36:05You were on the bus and to go to school?
00:36:07Yes.
00:36:08So I was going to go to school?
00:36:09Yes.
00:36:10Yes.
00:36:11Yes.
00:36:12Yes.
00:36:13Yes.
00:36:14Yes.
00:36:15Yes.
00:36:16Yes.
00:36:17Yes.
00:36:18Yes.
00:36:19Yes.
00:36:20Yes.
00:36:21Yes.
00:36:22Yes.
00:36:23Yes.
00:36:24Yes.
00:36:25Yes.
00:36:26Yes.
00:36:27Oh my gosh, usually.
00:36:28No, I don't know if it is German, I don't know!
00:36:33Yes.
00:36:34Yes, No, No, No, No...
00:36:35Nobody, because of German, there you are a bit brutal.
00:36:37Who said was that?
00:36:39I saw you atドustin' a serial?
00:36:41I saw you at that serial where there, whichgraders paid me!
00:36:43I saw you at law, prior to my personal life, I fear you.
00:36:45I saw you in personal life and I could say yourself on a family,
00:36:48I was like, görg 보 Dawn...
00:36:49I just saw you now at time of it were a glissman!
00:36:51You don't have ever thought that this woman plays such roles.
00:36:57You have to...
00:36:59Tell me another one.
00:37:01One woman has all of us in the head.
00:37:04All of us are in reality.
00:37:05We have to be more healthy.
00:37:08You have to be more...
00:37:10You have to be more...
00:37:10You have to be more...
00:37:12You don't have to be more than a single person.
00:37:14You have to be a weird person.
00:37:15Now you are a weird person who can do the wrong?
00:37:18I don't know.
00:37:18Maybe.
00:37:19I don't know.
00:37:20I don't know this question.
00:37:21That's good.
00:37:22Yes.
00:37:23It's a great feeling.
00:37:24I don't know.
00:37:26Why do you have to be more than a single person?
00:37:29Yes, I've learned five things.
00:37:30What do you think?
00:37:31What do you think?
00:37:32What do you think?
00:37:32What do you think?
00:37:33What do you think?
00:37:34What do you think?
00:37:34What do you think?
00:37:35What do you think?
00:37:36How difficult is it to play a role in which you don't play?
00:37:38You don't play.
00:37:40You don't play?
00:37:41If you don't play it, you don't play it.
00:37:44Okay.
00:37:44It's a personal experience.
00:37:46That's what you say.
00:37:48I want to say, my friend, you can't like all the roles.
00:37:52All the roles.
00:37:53You can't like all the roles.
00:37:54All the roles.
00:37:55You don't have any roles.
00:37:55You can't like all the roles.
00:37:56You have to feel that you don't play it.
00:37:58I didn't say anything.
00:38:00Tell me, I don't say anything.
00:38:02What was that? Was it a-ha-ha-ha-ha-ha?
00:38:04No, there was no such role.
00:38:06So you all liked the roles?
00:38:08Yes, of course.
00:38:10Stop.
00:38:12Stop, you're just a-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha.
00:38:14Stop, stop, stop.
00:38:18But I can't do that with the roles.
00:38:20If you're married, you're going to be 75 and you're still a-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha.
00:38:24I'm very young.
00:38:26Yes, you're very familiar with Manno Psystaki,
00:38:28who wrote his wife's wife.
00:38:30My friend.
00:38:32You can't imagine, he's exactly the same.
00:38:34Manno's is the best.
00:38:36Is he the best? No, he's not.
00:38:38He's also the best.
00:38:40He's the best in general.
00:38:44So, you're going to be like this,
00:38:46you're going to be like this, you're going to be like this.
00:38:48So, what song will you give us?
00:38:50Well, in my opinion,
00:38:52then Alexander,
00:38:54he promised me to play the role of Eleni,
00:38:56of the Zrandu.
00:38:58I didn't have a relationship.
00:39:00I didn't find anything.
00:39:02I didn't find it.
00:39:04Then, something happened there.
00:39:06I turned around in the series,
00:39:08and I took the Aléca.
00:39:10I told him that Aléca,
00:39:12and that's okay.
00:39:14What's your role?
00:39:16Wow!
00:39:17It's a good one.
00:39:18Is he looking for himself?
00:39:19Oh boy, he's sushi.
00:39:21I can't see you.
00:39:22Is he Rima's part of the audience?
00:39:24Yes, he is Répa's part of the audience.
00:39:26He says Répa's part of the audience,
00:39:28I said Répa's part of the audience,
00:39:30because they were working together with Répa's part of the audience,
00:39:33so it's all that.
00:39:35Me neither, he's one of them,
00:39:37What's your role in your life? Will you play for the Reba of Athanasius or for the Riga of Apostol?
00:39:42What happened? Did you say that you were able to play with the Reba of Athanasius and the Riga of Apostol?
00:39:45No, I'll play with you.
00:39:52I asked God to play with the Reba of Athanasius and the Riga of Apostol.
00:39:59I'll play with you. I'll play with you.
00:40:02If you don't play with me, I don't have any answers.
00:40:05I'll play with you.
00:40:07I'll play with you.
00:40:09I'll play with you first.
00:40:10I'll play with you again.
00:40:13I'll play with you again.
00:40:16You have to play with the riga of Apostol.
00:40:18I love you, Chris.
00:40:20You've won the 5th grand the fictional king of Apostol.
00:40:22What are you doing?
00:40:23That's what you're doing now?
00:40:25What are you doing?
00:40:26What are you doing?
00:40:28Unless you're crazy.
00:40:29So Cholini?
00:40:30It's a lie! It's all a lie!
00:40:32You're lying! You're lying!
00:40:34You're lying!
00:40:45I'd like to tell you about the 5th biggest, for you, because it's a personal opinion,
00:40:49the biggest comic book.
00:40:51You're going to get out of here.
00:40:52Who live.
00:40:53Or who live in a way.
00:40:54Yes.
00:40:57My age.
00:40:58Yes.
00:41:00Yes.
00:41:01Yes.
00:41:02Yes.
00:41:03Yes.
00:41:05Yes.
00:41:06Yes.
00:41:07I'm a great fan.
00:41:08I like to do ranking.
00:41:10If I had, I'd say,
00:41:12I'd say,
00:41:13I'd say,
00:41:14I'd say,
00:41:15I'm a great fan.
00:41:17I'm a great fan.
00:41:19I'm a great fan.
00:41:21I've met a young girl in Britain.
00:41:23In the 1984,
00:41:26I think,
00:41:28I remember that I was born.
00:41:29I was born.
00:41:31Yes.
00:41:32Yes.
00:41:33Why don't you call people more new?
00:41:35Let me tell you something.
00:41:36What is the best?
00:41:37What is the best?
00:41:38What is the best?
00:41:39I don't know anything.
00:41:40I've read four stories.
00:41:41One,
00:41:42one,
00:41:43one,
00:41:44one,
00:41:45one.
00:41:46two,
00:41:47one,
00:41:48one,
00:41:49one,
00:41:50three,
00:41:51one.
00:41:52One,
00:41:53In the last few years, I would say that you have lived in other times, very powerful.
00:41:57Do you see the difference in the television of the time and the time?
00:42:00Do you have something different? I know.
00:42:02For the new kids, I would like to ask you more.
00:42:04If you have changed something, yes.
00:42:06I have changed everything.
00:42:09You have a personal experience, not from that.
00:42:11I don't have a personal experience.
00:42:12I didn't love the television television as a serial.
00:42:16I did five serial, which...
00:42:18Okay, I don't have a personal experience, but for the theater, I'm sorry, I'm sorry.
00:42:25But you don't have a personal experience.
00:42:26Do you know what you love from the world, from that serial?
00:42:29No, I didn't have the experience.
00:42:30I love it, I love it.
00:42:33I love it.
00:42:34I love it.
00:42:35I love it, you don't like it, you don't like it.
00:42:37I love it with the jury.
00:42:39Because you love it from all the world.
00:42:40I hear it, I know.
00:42:42I understand what you're saying, but I understand as a storyteller.
00:42:44I'm sure you're a storyteller.
00:42:45I love it from the world.
00:42:46Yeah, of course.
00:42:48I'll take the compliment and not talk about that.
00:42:49I'm sure you're a storyteller.
00:42:51I'm sure you're a storyteller.
00:42:52Yes.
00:42:53After the family, I went to the film, I cut off the film.
00:42:58I cut off the film.
00:42:59I didn't believe it.
00:43:01I didn't believe it.
00:43:02I read it.
00:43:03But this is a personal relationship with these people.
00:43:06I'm afraid I was afraid of being a theater or a theater.
00:43:13I was afraid of being a storyteller.
00:43:15What do you think about the film?
00:43:16When you call a theater or the theater?
00:43:17I always think the theater.
00:43:19I always want to tell you.
00:43:20Oh, no.
00:43:21Yes, I mean.
00:43:22Yes, we do.
00:43:23Yes, we do.
00:43:24Yes, we do.
00:43:25I want to tell you, what was the most popular moment you were talking about?
00:43:29I don't know, I can't remember.
00:43:30You were talking about a white rose, a white rose.
00:43:33It was a popular popular moment, either from the theater or from the theater.
00:43:36What was the popular moment?
00:43:37You wanted to open the house and you wanted to open the house.
00:43:39Go ahead.
00:43:40I was waiting for you to open the house.
00:43:42I did it.
00:43:43Guys, I remember you said something.
00:43:45I remember you said that you had to go to the scene.
00:43:47It wasn't a popular moment.
00:43:48No, it wasn't a popular moment.
00:43:49It was a collaboration with my father.
00:43:53My father.
00:43:55As you were sitting in a chamber.
00:43:57You would have gone.
00:43:59It was a script for me.
00:44:01I have someone like that.
00:44:02And I was on a stage with the human being.
00:44:04I was, I don't know.
00:44:06My father played it together.
00:44:08My father, my son, and my son was on the theater.
00:44:10I grew up.
00:44:11That's why, I was singing.
00:44:13For me, it was like this.
00:44:15It was like that.
00:44:16I was like this, how the school was here.
00:44:18And then I grew up with thearetian.
00:44:20I had fun.
00:44:22And the TV's front is here.
00:44:24It's the same. That's what they say here.
00:44:25And they can't wait if they can.
00:44:26They'll come over.
00:44:28Yes, they are.
00:44:30But they're living in this and they're sitting on the other side.
00:44:35He had a triangular chair.
00:44:38He did it like this.
00:44:40He knew they didn't get to the pedestrian.
00:44:44And then he went.
00:44:46With a triangular chair.
00:44:52How did you do that?
00:44:54That's when you look at the meat with the meat with the meat.
00:44:57What did you cry?
00:44:58The whole world was just...
00:45:00You understood that someone said that he didn't do it alone.
00:45:02I saw that he didn't stop from here.
00:45:04That kid came from here.
00:45:05Our friends stopped.
00:45:10When you play a dramatic role...
00:45:13Ah, me?
00:45:17Did you play a dramatic role?
00:45:19When?
00:45:20I could have a dramatic role.
00:45:23Yes.
00:45:25I had a time at Fidanak.
00:45:28I did the woman to stop.
00:45:31She was so angry.
00:45:32She was angry.
00:45:35She was so mad.
00:45:36I was angry.
00:45:38And I had a poster in the sky.
00:45:41That's what he had to do.
00:45:43Now...
00:45:46We will start the world.
00:45:48Because for us, the comedians, this is the communication.
00:45:53To cry or to cry.
00:45:55For the comedians, the comedians are to pay attention.
00:45:58And I'm saying that,
00:46:00I'm feeling bad,
00:46:05I've already had this drama in my mind.
00:46:09And as I'm saying, I'm feeling bad.
00:46:12You are so excited!
00:46:16You are so excited!
00:46:18You are so excited!
00:46:20You are so excited!
00:46:22I didn't want to cry!
00:46:24This is a great success!
00:46:26It is a great success!
00:46:28But in all of these things...
00:46:30We will talk about your everyday life.
00:46:32What do you do in your life?
00:46:34What do you do now?
00:46:36What do you do now?
00:46:38You don't have to take a job and you have to take a job
00:46:40You don't have to ask me!
00:46:42I have two little kids and I don't want to ask you!
00:46:44I don't want to ask you!
00:46:46What do you do now?
00:46:48You are so excited!
00:46:50What do you do now?
00:46:52You are so excited!
00:46:54You are so excited!
00:46:56You are so excited!
00:46:58You are so excited!
00:47:00What do you do now?
00:47:02I wake up...
00:47:04I drink coffee...
00:47:06I am so excited!
00:47:08I am so excited!
00:47:10I am so excited!
00:47:12I am so excited!
00:47:14I am so excited!
00:47:16Yes!
00:47:17I am so excited!
00:47:19After that you are the first father of mine...
00:47:21After that, we are all focused on the military...
00:47:23It can be different, it can be different.
00:47:25I like to read a lot.
00:47:27And I think I have a library.
00:47:31I don't see Netflix.
00:47:33I don't see a TV show.
00:47:35I don't see it.
00:47:37You are from these pictures.
00:47:39I have a TV show.
00:47:41I have a TV show.
00:47:43I have a TV show.
00:47:45I think that a new TV show doesn't come to see you.
00:47:47Why?
00:47:49I don't know.
00:47:51What do you see now?
00:47:53The crow?
00:47:55The crow?
00:47:57The crow?
00:47:59The crow?
00:48:03The crow?
00:48:05The crow?
00:48:07The crow?
00:48:09The crow?
00:48:11The crow?
00:48:13You're so angry, I want to see you.
00:48:15It's not the cue for me.
00:48:17So what are your ideas?
00:48:19What should you do?
00:48:21Do you want to do it?
00:48:23Yes, I want to do it because I like to do it when I do it.
00:48:32I often don't know what I want to do. Many of them want to do it.
00:48:35That's why you want to do it.
00:48:38The law of the Neufthona is...
00:48:41You see it now?
00:48:42Yes, it is. It is, it is, it is, it is, it is, it is, it is, it is, it is, it is, it is, it is, it is, it is, it is, it is.
00:48:47I don't know why I have a Botox. I have quite a lot. I am a little bit specific.
00:48:53You know what I have in the middle of the world, but I don't have to do it.
00:48:55I don't have to do it.
00:48:56Yes.
00:48:56Because the Botox is not an effect.
00:48:58You are saying the effect of the Botox.
00:49:00Yes, I like to say that.
00:49:00You have to lower the Pryonidus for the Pryonidus.
00:49:02You have to trap the Pryonidus.
00:49:03If he doesn't confuse the person who does it.
00:49:06If he likes him, he doesn't do it.
00:49:09It is, for you.
00:49:11No, I will. I will.
00:49:13Do you want to do it?
00:49:15How do you feel like this?
00:49:16What do you mean?
00:49:17What do you mean?
00:49:18Like a girl?
00:49:19I'm doing a bathroom every day.
00:49:21Like a girl.
00:49:22Like a girl, I'm wondering if she was a girl.
00:49:24What do you mean?
00:49:25What do you mean?
00:49:26That's what she's doing today.
00:49:28I'm not sure who's coming from her.
00:49:30I'm not sure if she's coming.
00:49:32I'm not sure what it is.
00:49:34I'm not sure.
00:49:35I'm going to go to the beach,
00:49:37I'm going to put my back in the back.
00:49:40I'm going to go there.
00:49:41Yes, what else do I do?
00:49:43I don't know.
00:49:44You're just going to go there.
00:49:46No, I'm not going to go there.
00:49:47I'm going to go there.
00:49:48But...
00:49:49You did a lot of school in the back.
00:49:50Very, very.
00:49:51Not a gym, a dance.
00:49:53Because I did a dance.
00:49:55I did a dance.
00:49:57Yes, I did a dance.
00:49:59Yes, I did a dance.
00:50:01This is not a professional.
00:50:06It's without words.
00:50:08It's a minor drama.
00:50:09It's from Marcel Marceau,
00:50:10of my major.
00:50:11It's a minor.
00:50:13It's a minor drama.
00:50:15It's a minor drama.
00:50:16Yes, it's a minor drama.
00:50:17Yes, it's a minor drama.
00:50:18Yes, I'm going to go to court.
00:50:19Okay.
00:50:20It's something that I don't like.
00:50:22But the training was the same.
00:50:23I had this one.
00:50:24I had this one.
00:50:25Now I play with my music?
00:50:26Yes, I play with my music.
00:50:28Now you play haza.
00:50:30I don't know what to say.
00:50:32I want to tell you that we play haza.
00:50:34This is an absolute control of the body.
00:50:38Acrobatical, piscina, classical, jazz, modern.
00:50:46All of this to be...
00:50:48To be able to...
00:50:50To be able to control your body.
00:50:52To express how to speak.
00:50:54Yes.
00:50:56To be able to control your body.
00:50:58To be able to control your body.
00:51:00I have no power.
00:51:02I don't have to worry about it.
00:51:04You can see it in the middle of the world.
00:51:06With these people...
00:51:08I'm going to take care of it.
00:51:10What's the matter?
00:51:12To be able to control your body.
00:51:14I don't have to do any of that.
00:51:16I don't have to do any of that.
00:51:18It didn't need to be able to do anything.
00:51:20I'm sorry, I'm sorry.
00:51:22I'm sorry...
00:51:24I'm sorry.
00:51:26I'm sorry.
00:51:28I'm sorry.
00:51:30I'm sorry.
00:51:32I have to say...
00:51:34I'm so excited.
00:51:36I'm so excited to meet him.
00:51:38And that's why we were actually...
00:51:41I'm so excited, so I got a little here.
00:51:48And we are all the friends of Christophoro.
00:51:51Let's not leave now.
00:51:52I'm not sure.
00:51:53I'm not sure.
00:51:55I'm sure you don't know.
00:51:56I'm sure I'm sure I'm not sure.
00:51:58I don't know.
00:52:00But I'm not sure.
00:52:01In an epoch where I didn't look at the pandemic zooming,
00:52:03it was a very good thing to say.
00:52:05So, if you've ever played in a dramatic role,
00:52:09if you've played in a small skyn,
00:52:11then you've never played an erotical skyn.
00:52:15You've never played anything else.
00:52:17You've never played anything else.
00:52:19You've never played anything else.
00:52:21Friends and friends,
00:52:23you're ready to see the chrysa ropa
00:52:25as it doesn't have seen anyone else!
00:52:31Thank you very much.
00:52:3340 years of career,
00:52:35friends and chrysa ropa.
00:52:37And this is for a new skyn,
00:52:39it's here for you.
00:52:41It's here for you.
00:52:43It's the opportunity to play roles
00:52:45that you've never played,
00:52:47or you've never played.
00:52:49Thank you very much.
00:52:51Let's go.
00:52:53Let's go.
00:52:55Let's go.
00:52:57Let's go.
00:52:59ÓON cara.
00:53:01Horizontadia.
00:53:02Yes.
00:53:03Let's go.
00:53:05Let's go.
00:53:07It's a simple selves.
00:53:09Now let's go.
00:53:11Let's go.
00:53:13Three, two, one,
00:53:15go!
00:53:172,1, go!
00:53:19Stop! Stop!
00:53:21Stop! You can't get your eyes!
00:53:23Stop! Stop!
00:53:25Stop!
00:53:27Are you going to get your eyes?
00:53:29What do you say?
00:53:31You're going to get your eyes!
00:53:33If you're closed, I don't understand!
00:53:35You're going to get your eyes!
00:53:37You're going to get your eyes!
00:53:39Oh, my God!
00:53:41You're all wrong!
00:53:43You're wrong!
00:53:45I know!
00:53:47I saw you, I saw you!
00:53:49I saw you literally said that!
00:53:51I saw you, I saw you!
00:53:53I said that you were first!
00:53:55I said the energy!
00:53:57Just... I tried to let you make my eyes!
00:53:59I said that...
00:54:01I saw you!
00:54:03I started hearing that!
00:54:07The next sketch of you!
00:54:09Where are we?
00:54:11We're here, we're making a social joke
00:54:13We are joking and we are flirting with each other.
00:54:16Let's go.
00:54:17We are two.
00:54:18We are two.
00:54:19Let's go.
00:54:20Oh my God, what a talent is.
00:54:22Do you want me to go?
00:54:23No, you are here, you are here.
00:54:24I don't think I'm going to go.
00:54:26Don't do it well.
00:54:28Don't do it well.
00:54:30I don't think I'm going to go.
00:54:32I don't think I'm going to go.
00:54:33Are you ready?
00:54:34Yes.
00:54:35I don't know.
00:54:37I don't know.
00:54:40Do you do this often?
00:54:42Yes, every day.
00:54:43Ah, that's why you're telling me.
00:54:45Merci beaucoup.
00:54:47You have to go.
00:54:48Yes, I'm very young.
00:54:50I got a ballet.
00:54:51Ah, I'm sorry.
00:54:53Ah, I'm sorry.
00:54:55I'm sorry.
00:54:59We are, my parents.
00:55:02Yes.
00:55:03What's your name?
00:55:04Theophraeus.
00:55:06Wow.
00:55:07What do you do?
00:55:08What do you do?
00:55:10Yes.
00:55:11Do you want to go with me?
00:55:13Oh, I'm sorry.
00:55:14Oh, I'm sorry.
00:55:14Oh, I'm sorry.
00:55:15Oh, I'm sorry.
00:55:16Oh, I'm sorry.
00:55:17Oh, I'm sorry.
00:55:18Oh, I'm sorry.
00:55:19Oh, I'm sorry.
00:55:19Oh, I'm sorry.
00:55:20Oh, I'm sorry.
00:55:21Oh, I'm sorry.
00:55:22Oh, I'm sorry.
00:55:23Oh, I'm sorry.
00:55:23Oh, I'm sorry.
00:55:24Wow!
00:55:26How are you?
00:55:28Why are you?
00:55:30Why are you?
00:55:32It is something that is in the patriarchal.
00:55:34I don't want to analyze it.
00:55:36It is not the patriarchal.
00:55:38It is not the patriarchal.
00:55:40With all the language and nothing else.
00:55:42You are like an other one.
00:55:44The path!
00:55:46But the path!
00:55:48The path!
00:55:50Let's go to the next one!
00:55:52Let's go!
00:55:56You are the MaNa.
00:55:58I am a friend with my friend.
00:56:00You are the one.
00:56:10Come on, come on!
00:56:12MaNa!
00:56:14MaNa, what are you doing here?
00:56:16MaNa?
00:56:18MaNa, you did not go there.
00:56:20What's the most fun?
00:56:21What?
00:56:22One hour?
00:56:23No, I don't know.
00:56:25I love you.
00:56:26Manna, do you want me to do it?
00:56:28Come on.
00:56:29It's not a good thing for me.
00:56:33Don't want to.
00:56:34I'll leave you alone.
00:56:35I'll come home.
00:56:37I'll do it.
00:56:38I'll do it.
00:56:39I'll do it.
00:56:41Okay, this is not a good thing.
00:56:44I'll do it.
00:56:46I'll do it.
00:56:47I'll do it.
00:56:48I'll do it.
00:56:49I'll do it.
00:56:51Uuuu!
00:56:53Yes!
00:56:55What are you doing?
00:56:57You're doing it?
00:56:59Yes, you're doing it.
00:57:01I'm doing it!
00:57:03Let's go!
00:57:05Let's go!
00:57:07Let's go!
00:57:09We were doing it!
00:57:11We were doing it!
00:57:13Let's go!
00:57:15Let's go!
00:57:17Look at me!
00:57:19Oh!
00:57:25Oh!
00:57:27Oh!
00:57:29Oh!
00:57:31Oh!
00:57:37Oh!
00:57:39Oh!
00:57:41Oh!
00:57:43Oh!
00:57:45Oh!
00:57:47Oh!
00:57:49Oh!
00:57:51Oh!
00:57:53Oh!
00:57:55Oh!
00:57:57Oh!
00:57:59Oh!
00:58:01Oh!
00:58:03Oh!
00:58:05Oh!
00:58:07Oh!
00:58:09Oh!
00:58:11Oh!
00:58:13It's a shima!
00:58:15Yes, it's a shimmy!
00:58:17Do you like it?
00:58:19Do you like it?
00:58:21Yes, I like it.
00:58:23Yes, it's a green one!
00:58:27We have a gold medal!
00:58:29Yes, yes!
00:58:31So, every day,
00:58:33it's not a gold medal!
00:58:35It's a gold medal!
00:58:37Yes!
00:58:39Do you have anything else?
00:58:41No!
00:58:42Yes, let me show you the camera!
00:58:44Is it a gold medal?
00:58:46No, it's close!
00:58:48Is it a gold medal?
00:58:50No!
00:58:52It's a gold medal!
00:58:54It's a gold medal!
00:58:56It's a gold medal!
00:58:58It's a gold medal!
00:59:00It's a gold medal!
00:59:02It's a gold medal!
00:59:04For what?
00:59:06Yes, it's a gold medal!
00:59:08Thank you very much!
00:59:10Thank you very much!
00:59:12Thank you very much!
00:59:14Thank you very much!
00:59:16Thank you very much!
00:59:18Thank you very much!
00:59:20Thank you very much!
00:59:22Thank you very much!
00:59:24Thank you very much!
00:59:26Thank you!
00:59:28Thank you very much!
00:59:30For a very big Anglo-American,
00:59:32there must be a reason
00:59:34that I am the king of Castro.
00:59:38Good evening!
00:59:48Are you going to have a drink of wine?
00:59:49Who is the drink of wine?
00:59:50Is it a drink of wine?
00:59:51Is it a drink of wine?
00:59:52Is it a drink of wine?
00:59:53Who is the drink of wine?
00:59:55Who is the drink of wine?
00:59:57We are the drink of wine!
01:00:00Good morning, Giorgio!
01:00:02You're really happy!
01:00:04You're so happy with me!
01:00:06I feel really happy !
01:00:08You shouldn't be a drink of wine!
01:00:10You're a drink of wine?
01:00:12I had a drink of wine!
01:00:14Do not reward!
01:00:16Don't do this!
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