کشمیر کی پہلی خاتون افسانہ نگار "واجدہ تبسم گورکو" سے خصوصی گفتگو

ETVBHARAT

کشمیر کی پہلی خاتون افسانہ نگار "واجدہ تبسم گورکو" سے ای ٹی وی بھارت کے نمائندے نے خصوصی گفتگو کی۔

Transcript

00:00frame me up, this is the way of Kishmir's

00:04kamiyaab, shairah, kalamkar, and

00:07afsananigarh is. And when we talk about

00:09nisaii adb, this is the way of Kishmir's

00:13own name and is the first

00:16kathom afsananigarh in front of the world. Welcome

00:20to you in your country. Today is the third

00:23book of Mazzaraanah. This is a

00:26mini-afsananah. This is a

00:28kisnobiyat ki kitaab hai, kiunki aap bish ter

00:31samadhi maamalat, siasi, or joh azdawaji

00:34zindagi khawatiin ke tain guzartte hai, ya

00:38unke aapne dhigar maamalat hai, unpeer

00:40zyadha tabazmaii kertte hai. Or mini short

00:43stories ki ki pahali kitaab hai. Is baare

00:45me bitaayte. Shukran wa shukriyaa

00:48aapka. Iyee, meinnei, áaj kalka jayyee

00:52waa, lagaqat ki kumhi hai loogun ke

00:55paas. Us lihaasee meinnei yeh sochaai ki,

00:57mein chhoote-chhoote aafsane liko ho,

01:00jinko loog paas kar luttuk bhi

01:02andoz bhi ho. Or paasane bhi ho. Or

01:04paasane bhi gaasane ho. Or eek nishaste

01:07mein kam se kam 2, 3, 4, 5, jitne bhi

01:10wo chaahe, unke paas jitna bhi

01:11time hooga, utna to paas sakengi.

01:14Kiunki aafsanu mein yeh eek baat hoti

01:16hai, wo eekhi nishaste mein paad bhi

01:18sakta hai. Ya kubhi-kubhi

01:20dho nishaste mein, jab dousari nishaste

01:23uski hoti hai, to pishli baayi joh hoti

01:25hoti ho, gool jata hai. Is lihe meinnei yeh naya,

01:28naya bhi nahi hai, yeh to,

01:30chala raha hai, abh yeh eek baat yeh

01:32ke, kashmir mein meinnei pehli,

01:34aaah, pehle kooshis ki hai.

01:36Pichet thar mini sharts to is,

01:38izmei. To kinn moamilat

01:39aur masail ko aapne chua hai,

01:41akhwati ngke? Jeh,

01:43yeh joh, aaah, ismeh joh,

01:45yeh, naah, aafsan te hai,

01:47yeh joh meinnei mehsus kiya,

01:48joh meinnei dhekha,

01:50aaah, aaah,

01:51aaah, aaah, aaah,

01:53samaj mein kya ho raha hai,

01:55aaah, uspar yeh,

01:57mubani, aai kitaab hai,

01:58joh loogun ki rahare hui hai,

02:01gharu mein hai,

02:02bahar hai, maabaab ke saa,

02:04bachung ka wo rawiyah hai,

02:07us lihaan se, ya husband waib ke saa,

02:10joh bhi ko hara al joh.

02:11Oral samaj ko aapne bhaamne ki koosh ki.

02:12Jih, jih, jih, jih.

02:13Yeh, usi par hai.

02:16To aap, pehli kishmir ki khatun afsananigar hai,

02:19aur aapka pehla,

02:21aaah, aaah, aaah, aaah,

02:22aaah, aaah 1972 ke aspas aaya ta,

02:25I think that's a story of a book.

02:27Yes, it was a story of a book.

02:29It was a story of a book.

02:31It was published in the book.

02:33It was published in the book.

02:35It was published in the book.

02:37So I'll probably be the first one.

02:39Because I can't say it.

02:41I'm doing research.

02:43And then, the first time I was writing,

02:45I was writing in 1983.

02:47It was a story of life.

02:49The story of life is a story of the book.

02:51It's like Kashmir's home.

02:53It's a story.

02:55Right.

02:57I've also written a story of the book.

02:59It's written through the book.

03:01I have written out of 2000s.

03:03When I started with the book,

03:05my dad was having a response.

03:07I was looking forward to it.

03:09My family had to come back.

03:11My son was a boy.

03:13He was in the house.

03:15He was in the house.

03:17My family had to come back.

03:19I was reading the Bible.

03:21When we read the story.

03:23We are reading about different things.

03:25We are trying to keep together with different things.

03:29We are trying to get together through the society and society.

03:33We are trying to focus on our own social and society.

03:37This is a special way.

03:39Is it your way that you are a female?

03:41You are a female-eating?

03:43Yes.

03:44I am a female-eating.

03:46I have to think that.

03:48کہ کس کے ساتھ کیا ہو سکتا ہے

03:49مردوں کے معاملے بھی میں کہیں

03:52مرٹ کی نہیں ہوں

03:53ان کو بھی برابر عزت دیتی ہوں

03:55جیسے عورت کو دیتی ہوں

03:57اب جہاں تک میں نے کہا کہ میرے مشاہدے میں جو آیا

04:00میرے کسی نے کہا

04:02کہ مسئل کو اس خود

04:03میرے ساتھ یہ ہو رہا ہے

04:05اس کو میں نے کہانی کا روح دیا

04:07واقعی کچھ نہیں ہے

04:08کہ میں کسی کے فلاف نہیں ہوں

04:10نہ سیاست کے

04:12نہ ساماج کے

04:14آس پاس کے معاملات

04:16اور مسائل گزرتے ان کو آپ کلمبر کرتی

04:18اور لوگوں تک پہنچاتی

04:20ستر کی دہائی سے آپ لکھنا

04:22شروع کر چکی ہے اور آج تک کی سلسلہ

04:25جاری ہے تو یہ بتائیے

04:26کہ جو آپ نے اب افسانے لکھے ہیں

04:29دل کے قریب کون سا

04:30افسانہ لگا زیادہ

04:32اس کو آپ اب تک بار بار دیکھنا پسند کرتے ہیں

04:35یہ تو میرے لئے کہنا

04:36مشکل ہے کیونکہ میں

04:38لکھتے ہوں اپنی دلچسپے سے

04:40دل سے پھونے جگر سے

04:43راتوں کی نیندیں حرام

04:45کر کے مجھے کیا پاتا میں نے

04:46اسی لئے اندر بھی بولا

04:48یہاں کہ

04:50مجھے معلوم نہیں ہے

04:52لکھنا کیا ہوتا ہے اور دیکھ کر

04:54میں کہاں پہنچتی ہو یہ میں مجھے خود بھی نہیں

04:56معلوم ہے یہ پاتا نہیں

04:58کچھ میرے پہوں گے

05:01نہیں کیونکہ میں

05:02اللہ گاڑ پھیر لیڈی

05:04ہوں تو اس وجہ سے

05:06مجھے یہ نہیں پاتا ہے

05:07موضوع ذہن میں ہوتا ہے یا

05:09کلم اٹھاتی ہو تو ذہن میں آجاتا ہے

05:12کبھی کبھی آتا ہے کبھی کبھی نہیں آتا ہے

05:14کبھی میں لکھتی ہوں

05:15پھر اس کے بعد میں سوچتی ہوں

05:17کہ اس کا کیا عنوارہ

05:18کبھی کبھی ہوتا ہے

05:20ذہن میں کہ میں اس پر لکھوں

05:22پٹیکورلر

05:22تو اگر

05:23لکھا بھی ہوگا

05:25کبھی ایسا کہ

05:26کوئی خاص موضوع

05:28اس پر میں لکھوں گی

05:30پھر یہ ذہن میں آتا ہے

05:32کہ نہیں

05:32اس کا یہ موضوع نہیں ہونا چاہئے

05:34اس کا یہ ہونا چاہئے

05:35So these are the things that you can see.

05:38But you have to write a technique, but you have to write a technique and a technique.

05:44So what do you think about today's technique?

05:48It is that you have to write a first job.

05:53First you have to write a technique.

05:56Then you have to write a technique, a technique, a technique, a technique.

06:01I have to write a book.

06:03Or you have to write a book?

06:05I have to write a book.

06:07I have to write a book.

06:09Because it's the second one.

06:13But other people...

06:15But other people...

06:17The same.

06:19The same.

06:21It's a big deal.

06:23So many people...

06:25I have written a book.

06:27I have written a book.

06:29That's why I used to write something.

06:31There is a book that was written.

06:33I found out that they got us.

06:35Where will they find something.

06:37And then they found it.

06:39They found it.

06:41In the asylum.

06:43In the asylum.

06:45The asylum.

06:47In the asylum.

06:49So it's not as true.

06:51So you have to have a book.

06:53It's not you.

06:55foreign

07:04foreign

07:14foreign

07:20foreign

07:24book, or a full book.

07:26Or a valid book.

07:28Even when I read books,

07:31my books, I read books,

07:33but it's not a book.

07:35It's not a...

07:38Is that what I am reading?

07:41I am reading the book.

07:46I am reading the book.

07:49You've read the book,

07:51and read the book.

07:52It's a very different way.

07:54So what does the difference between the lyrics and the lyrics?

07:59That's a very different way.

08:01This is the lyrics.

08:04This is the lyrics.

08:06But the lyrics are the lyrics.

08:10How do you write it?

08:13I write it.

08:15Because it's the lyrics.

08:18It's time for me to write.

08:20And this is how I write.

08:22This is how I write.

08:24God's gift.

08:26If I sit down, I can write pages.

08:30If I sit down, I can write.

08:324-4 days, I can write.

08:34The last question.

08:36In Kashmir, where are you from?

08:38It's very hard to write.

08:40It's very hard to write.

08:42There is no message in the end.

08:44This is why I do not want to write.

08:48Or is this time for the audience?

08:50Yes.

08:52Yes.

08:54This was the Kashmir's famous

08:56of the Nigar.

08:58The book of Tawasim,

09:00which is the book of Tawasim,

09:02which is the book of Tawasim,

09:04which is the book of Tawasim,

09:06which is the book of Tawasim,

09:08which is the book of Tawasim.

09:10This book of Tawasim,

09:12EGB Bharat Shrinagar.

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