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In 'The Collective 2024', a new recruit to a clandestine assassin agency embarks on his inaugural mission, only to defy orders and pursue a ruthless human trafficking ring. This action-packed thriller follows his rogue journey as he seeks justice against a dangerous criminal network. Don't miss this gripping film about a lone operative fighting for what's right.

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00:00:00You
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00:15:13Yes, exactly. But if we have waited for our hands, we will go to our hands.
00:15:18Okay. We will have a few days to verify the report and the blueprint of the building for you.
00:15:26No, we don't have time. Because we don't know that we will be able to do the same thing.
00:15:36Do you know I'm the truth?
00:15:38Yes, I know.
00:15:41This is an apartment building.
00:15:42I don't know.
00:16:12I have not called my funeral to my funeral.
00:16:14Oh, I'm not going to go to the funeral.
00:16:19So, deal is worth it.
00:16:30Hey, Sam, do you want to go to a minute?
00:16:32Yes.
00:16:42Come on, Sam. Sit down.
00:16:49Look at these files.
00:16:51You have to know your thoughts.
00:16:57Let's read it.
00:17:01Yes.
00:17:03Myrtle Lindell
00:17:06is a very rich man of human trafficking.
00:17:10It's a very rich man of human trafficking.
00:17:13It's a very difficult task.
00:17:16What is this?
00:17:19It's a very difficult task.
00:17:20No, it's a very difficult task.
00:17:25I don't know why, but it's easy.
00:17:27And there's no special security protocol outside.
00:17:30I mean, many guards will get to the ground level.
00:17:33Okay.
00:17:34So, what are you going to do?
00:17:37You're going to ask me what to do?
00:17:39I just want to know my path.
00:17:44I'm going to go to the night.
00:17:46It's a long night.
00:17:48When people are less...
00:17:49...
00:17:50...
00:17:52This is an apartment building.
00:17:59The guards are quite tight.
00:18:03They are watching who is coming or going.
00:18:22I'm also a big fan of the house.
00:18:25I'm a big fan of the house.
00:18:28I'm a little bit.
00:18:30I'll go back inside without firing.
00:18:52Okay, now you are in the building.
00:19:02What are you going to do?
00:19:04Okay.
00:19:06If you have to control the lift,
00:19:08we will have to hack our hacker.
00:19:22.
00:19:35The time is limited.
00:19:36It's not much time.
00:19:38I'm not really happy about it.
00:19:40There are some guards that are in the hall.
00:19:42I will try to kill them before I get there.
00:19:52I will have to save a little from the door outside of the door, because they are all of them.
00:20:22Hey, how do I do?
00:20:25Are you a man?
00:20:28I am a man.
00:20:31I'm a man.
00:20:34I am a man.
00:20:36I am a man.
00:20:39I am a man.
00:20:42I am a man.
00:20:44I am a man.
00:20:50Huh?
00:21:20Ah!
00:21:50have a great way
00:21:53come from
00:21:57I said
00:21:57are까지 Nomine
00:21:58stand
00:21:59I am
00:22:05I think
00:22:07like
00:22:13I
00:22:14don't
00:22:14give
00:22:16you
00:22:16to
00:22:19Do you want me to go to this mission?
00:22:23I'll tell you, I'll do it better.
00:22:30Go and do your work.
00:22:49Go and do your work.
00:23:19Go and do your work.
00:23:49Go.
00:23:50Go and do your work.
00:23:53Go and do your work.
00:23:55You!
00:23:57Go and do your work.
00:24:01Go until you can do this mission.
00:24:05Do your work.
00:24:08Do you want to ensure something that needs your work?
00:24:11Something should I Panama?
00:24:15How am I going to stay?
00:24:16The sky is blue, I love my, yes, I love my,
00:24:46Beautiful life, la la la la, oh Mr. Neely, I love you dearly Mr. Neely, I take it on, hey,
00:25:07There are so many good people here,
00:25:09Paramparampa, Paramparampa,
00:25:13I want to say thank you for coming to you,
00:25:16I am so happy that I want to talk to you with me,
00:25:21I am so happy, cheers, thank you Mr. Lindell, yes,
00:25:33He is gone,
00:25:35If this man has come to the auction,
00:25:41it's your dancer, it's your dancer,
00:25:43It won't come, Nikita,
00:25:45I'll give you a little.
00:25:46Yes, sir.
00:25:47I'm sorry.
00:25:48I'm sorry.
00:25:49I'm sorry.
00:25:50I'm sorry.
00:25:51Hey.
00:25:52Hey.
00:25:53Hey.
00:25:54I mean, I'm sorry.
00:25:55I'm sorry.
00:25:56I'm sorry.
00:25:57I'm sorry.
00:25:58I'm sorry.
00:25:59I'm sorry.
00:26:00I'm sorry.
00:26:01I'm sorry.
00:26:02I'm sorry.
00:26:04You're sorry.
00:26:05I'm sorry.
00:26:06Why?
00:26:07Because nobody knows what.
00:26:09No matter.
00:26:10You're going to die or die.
00:26:12Just a small bit.
00:26:14Yes, I'm sorry.
00:26:16Yes.
00:26:17How are you?
00:26:18Yes.
00:26:19You're going to be a little bit of pressure then.
00:26:22Because people call me a little bomb.
00:26:25I can't say why I am.
00:26:27But I'm sure your life will be able to cancel.
00:26:29Mr. Neely, a parampa.
00:26:32If you have to die in the 15 days,
00:26:34there's no difference between them.
00:26:35You're going.
00:26:36I love you dearly.
00:26:37foreign
00:26:50foreign
00:26:58foreign
00:27:02foreign
00:27:04There's gonna be lots of lamb, gonna get a diamond ring, yeah, shukriya, behterine
00:27:23Hello, hello
00:27:47Okay, ready, go to the bag, put some clothes in the bag, if there's a car, you'll leave the airport
00:27:52Why is everything okay?
00:27:54No, let's close your hands
00:27:56Wait, wait, commercial or private?
00:27:58Private
00:28:17I'm gonna go to the bag, I'm gonna go to the bag, I'm gonna go to the bag
00:28:24Let's go, let's go, alright
00:28:25W 뭐 how's this?
00:28:28I'm gonna go
00:28:29Okay look, how are you?
00:28:31Let's do this
00:28:36Okay look, we got left
00:28:36Let's go
00:28:40Let's go
00:28:42Okay
00:28:43I don't know.
00:29:13I don't know.
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