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#romanticdrama
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Category
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Short filmTranscript
00:00Guess who's back, bestie? Did you miss your lovely roommate?
00:08Neil, why are you here? Missed you like crazy, babe!
00:13Tracy sent you to welcome me, huh?
00:16Flo, Flora?
00:21Tracy?
00:22Six months abroad and you turn into a fiancé thief.
00:25This is how you thank me for renting you my apartment.
00:28Neil proposed already.
00:31We're engaged.
00:34When? How?
00:37Day after your flight. Forgot to mail your wedding invite.
00:41Thought you couldn't handle it.
00:44You. My best friend and my boyfriend.
00:48Ex-boyfriend. Now he's my fiancé.
00:52You'll pay for this. Both of you.
00:54Hm. You wish.
00:58Yours came first.
01:01Those designs were mine. You stole my portfolio.
01:05And guess what? That design firm is owned by my dad's golf buddy.
01:10They've already issued a statement calling you a serial plagiarist.
01:14Give it up, Flora. You can't win this.
01:16Okay. May your love last forever. In hell.
01:24Good luck, Bestie. You're blacklisted from the design world.
01:27Remember this, Flora. Some day, you'll have to make them pay.
01:39ILSA. If only you were still alive. We could watch the city lights together.
01:49lights together. Let's go, Ilsa, to the place we first met.
01:59Neil, that spineless bastard! He used you to get close to Tracy and used her to stand firm in the
02:06Morelli family. I've lived with Tracy since college days. I even rented her house because I worried
02:14she had no friends around. Forget that! Want a way to make Neil suffer? What way? Rumor says the
02:23Morellis have this veto guy. Neil's uncle. A real mystery. Ever thought about becoming your ex-boyfriend's
02:30aunt for revenge? Hey, are you still listening? I spot a sweet treat.
02:44His gaze is irresistible. Such a dangerous man.
03:05Got it. Time to try something spicy. More than your boring missionary position.
03:14Just need some sweet treat to heal my broken heart.
03:24Suited guy. Tonight, you're mine. Any objections?
03:30You sure you know what you're doing?
03:32Your eyes so unique. Final warning. Back off.
03:46But your skin's so cold. Your stare says you want me.
04:02You... what are you?
04:08And you... what are you?
04:13Madam, you're drunk.
04:17Eighty years. Could that be possible? How can you look exactly the same? Is fate giving me a sign?
04:24Giving me a sign?
04:26Oh...
04:29Where am I?
04:31My place.
04:33You! You are the suited guy from last night!
04:37I'm not usually...
04:39The breakup messed me up.
04:41Let's pretend nothing.
04:43I'm not like that, trust me.
04:45Just think I've lost it a bit, after the breakup.
04:48It meant nothing.
04:50Right! I thought something might have happened.
04:53Maybe I'll just... leave?
04:56Wait.
04:58We spent one night together. At least give your name.
05:01Uh... Flora Rose? You?
05:04Vito Morelli.
05:06Sounds like a mafia's name.
05:08And, to be honest Mr. Morelli, your place is creepy too.
05:13Wait! You're Vito Morelli?
05:15Rumor says the Morellis have this Vito guy.
05:20Neil's uncle.
05:22I have an idea.
05:24What is it?
05:26Let's get married!
05:30Let's get married!
05:32What do you say?
05:34Grab your documents. City Hall. 3pm.
05:37Seriously? No background check?
05:40You are not selling my kidneys, right?
05:42Either so, or get out.
05:47Just a paper marriage.
05:49See you at 3pm, Mr. Morelli.
05:51I see her again.
06:02Ilsa, she looks exactly like you.
06:05I cannot stop approaching her.
06:07Who are you, really?
06:09Flora Rose.
06:11I guess it's time to walk in sunlight again.
06:12Uh... ma'am?
06:14What? Does my smile look fake?
06:16Uh... how come... your fiancé is not in the frame?
06:18What? Let me see!
06:19What?
06:20Let me see!
06:22Camera glitch. I know these stuff. Let me assist.
06:25Uh... ma'am?
06:27What? Does my smile look fake?
06:29Uh... how come... your fiancé is not in the frame?
06:31What? Let me see!
06:33Camera glitch. I know these stuff. Let me assist.
06:36Uh... ma'am?
06:38Say it's fine and finish shooting. Now!
06:41What's wrong?
06:44No, everything's fine. Perfect shot.
06:47Ok. What?
06:49Uh... ma'am?
06:51Say it's fine and finish shooting. Now!
06:54What's wrong?
06:56No, everything's fine. Perfect shot.
06:58No, everything's fine. Perfect shot.
07:07Mr. Morelli, I'm a bit confused.
07:10What is it?
07:12Is he some wanted criminal?
07:15Oh, no, no, that.
07:16Your ID says you were born in 1903.
07:19You'll be 120.
07:22Do I look 120 years old to you?
07:25There must be some mistake.
07:26I might need to double-check.
07:30Will that affect our marriage?
07:41Of course not.
07:43You are legally married now.
07:51You can go now.
07:53Since we're married, shouldn't I move into your place?
07:58My place?
07:59I don't live with humans.
08:01But I'm your wife, and I'm homeless now, and I don't have a job.
08:06Where should I...
08:08Stop.
08:08Perhaps getting closer to her helps me figure out the truth.
08:14Fine.
08:15But stay away from my study.
08:17Thank you, my Prince Charming.
08:20Time to go.
08:21I hate sunlight.
08:23I'll send you the address.
08:26Seriously?
08:27What a gentleman.
08:28Don't forget to leave the key, loser.
08:34You guys stay in this shabby apartment as long as you wish.
08:37I'm going to live a good life.
08:41You?
08:41I know you so well.
08:43You are just a workaholic that no one wants.
08:46Flora, don't be such a kid.
08:48I need Tracy's family connections to possibly gain the approval of my Grandpa Frank.
08:57Madam, Master sent me to pick you up.
09:00Oh, my sweet hubby.
09:08I know he's not leaving me with all of this.
09:12Tell him I crave Pokemon tonight.
09:15Yes, madam.
09:17When did you...
09:20You better find a urologist.
09:25That tiny target need...
09:28Microsurgery.
09:30I need a man.
09:33FARA!
09:45Father.
09:47It has been a decade since last time we met.
09:52My dear father, you still look the same.
09:58I'm just a poor bat in the dark.
10:00You're already the terrifying godfather, Frank, of the whole city.
10:09Father, don't say that.
10:11I'm always the orphan who craved in the garbage dump 60 years ago.
10:15You gave me my name.
10:16You are always the real owner of the Morelli family.
10:21Let's be straightforward.
10:23There is something that I need to stand up to.
10:25And I need you to provide convenience for me.
10:29Of course, no problem.
10:31But what is it that is worth your appearance?
10:34A woman.
10:35I'm very curious about her.
10:36I'm very curious about her.
10:37I'm very curious about her.
10:37I'm very curious about her.
10:38I'm very curious about her.
10:38And I am approaching her.
10:45I've seen this face.
10:46Isn't this...
10:47Aunt Ilsa?
10:49Look closely.
10:52She's not Ilsa.
10:54This can't be possible.
10:56How can they look exactly the same?
11:01Her name is Flora Rose.
11:04I want every information about her.
11:08Of course, father.
11:10One more thing.
11:10You know a Morelli kid named Neil?
11:16Neil?
11:17That's one of my grandchildren.
11:20What about him, father?
11:22Nothing.
11:23Just a little annoying.
11:30So, how was your married life?
11:33You don't look happy to be Neil's aunt.
11:37Vito never touches me.
11:39Not even holding my hand.
11:44I feel like he doesn't even want to show up with me.
11:48How can I embarrass Neil?
11:51These big shots might have married you on a whim.
11:54People like them like excitement.
11:56He's as cold as ice.
11:58Of course.
12:00He sent a car to pick me up in front of Neil.
12:03That was nice.
12:06Look at you.
12:07You're in love again.
12:08No.
12:10It's only been a few days and he gives me a really gloomy feeling.
12:17I think he's a little evil.
12:20For example, in what aspects?
12:23He looks like a vampire.
12:26So, are you Van Helsing?
12:30The vampire hunter?
12:35Shh.
12:36I feel very depressed living in his house.
12:40And he doesn't let me enter his study.
12:42I feel something is wrong.
12:44Maybe he is an SM lover?
12:46No.
12:47No.
12:53Come on, Flora.
12:58No.
12:58I need to find a way to change the status quo.
13:11Change his attitude towards me.
13:14Since he likes to control,
13:16you're thinking of...
13:18Tame him.
13:24Tame him.
13:24What have you done?
13:42Help decorating the house.
13:44People living in a black space every day could cause depression.
13:52I like black.
13:54Don't be stubborn.
13:56Come and try this pajama I designed for you.
13:59See if it fits.
14:00You'd better get my house back to normal
14:08before I kick you out.
14:10Or...
14:11Coming!
14:25What is it?
14:30Come on!
14:36Listen to some music.
14:38I don't need this thing.
14:40Don't be so rigid.
14:42Life needs a little romance.
14:56The doctor said you need to rest.
14:58I want to leave you a gift.
15:03When you miss me in the future,
15:05just play a song.
15:07Let me transform you.
15:09We can be together forever.
15:11I need you, Ilsa.
15:13You can transform me,
15:14but I am scared of the darkness.
15:17It is better to disappear in the sun
15:19than to live in the dark.
15:21Don't be so rigid.
15:30Life needs a little romance.
15:32Heelsa.
15:46Heelsa.
15:50Heelsa.
15:52Who is Ilsa?
16:17It has nothing to do with you.
16:20I don't like music.
16:21And your flower exhibition ends right now.
16:24I can tell you like flowers very much.
16:29There is a big rose painting on the wall.
16:35That's Dracula's kiss.
16:37My only hope.
16:39I have been looking for it all my life.
16:41I hope it leads me out of the darkness.
16:45Dracula's kiss?
16:46So you do like flowers?
16:49You can open a studio with me.
16:51And be my angel investor.
16:53What is it?
17:03I found out about Flora Rose, father.
17:06I'll come over now.
17:11Can you give me a ride to 78 Ridge Avenue?
17:15I'm scouting for my studio.
17:18I'm busy.
17:19Vivi, please, please.
17:23Don't call me that.
17:29Why are you still standing there?
17:31Go.
17:32You're the best, Vivi.
17:34The DNA comparison results are out.
17:52Flora Rose is indeed related to Ilsa.
17:55But they are very distant.
17:58So it's not strange that she looks similar to her collateral ancestor.
18:03Doppelganger.
18:08Let me transform you, please.
18:11I can't lose you.
18:12Don't let me hate you, Vito.
18:17Your remaining life is very long.
18:20So long that it makes people painful and crazy.
18:25But you will definitely meet another girl.
18:28She will replace my existence.
18:31She will bring you happiness.
18:32instead of burdening you and causing you pain like me.
18:38If she appears, promise me.
18:40If you meet her, cherish her, hold her hand, and let her lead you out of the darkness.
18:59Goodbye, Vito.
19:00Go find the girl, who can let you stand in the silence.
19:10No, it can't be her.
19:12She just wants to use me for revenge.
19:14I'm gonna expose her tricks.
19:18Father, I also found some other information.
19:24Say it.
19:24Father, I checked.
19:31The girl is indeed a floral designer, and she is pretty well known in the industry.
19:37So?
19:38We can invest in her studio.
19:41Not impossible.
19:43We can see whether she is a liar, or has some real skills.
19:47Let's arrange it.
19:52Hello, Flora speaking.
19:53What?
19:56Investing in my studio?
19:58Of course!
20:00I can sign the contract with him in person.
20:02No problem.
20:05Did you hear that?
20:07Someone wants to invest in me.
20:09My talent has finally been seen!
20:11Yeah.
20:14Is that all you want to say?
20:18What do you want me to say?
20:20At least say congratulations!
20:23Congratulations.
20:24You are so boring.
20:26I don't want to talk to you anymore.
20:28I'm going to celebrate with Regina.
20:30Sorry, you are not allowed to enter.
20:41Why?
20:42Why?
20:42Sorry, you are not allowed to enter.
20:50Why?
20:51All the private booths are reserved for VIPs tonight.
20:54But I clearly made a reservation!
20:57Mr. Morelli just reserved the booth.
20:59Restaurant membership priority.
21:01Forget it.
21:02Let's go to another one.
21:03Oh!
21:04Isn't this the bankrupt Miss Rose?
21:07Why are you here?
21:10Can you afford it?
21:11Let's go, Regina.
21:13They are too disgusting.
21:14Heh.
21:15I can let you eat in the kitchen.
21:17There should be some leftovers today.
21:19Don't worry.
21:20I have this privilege in the restaurant.
21:22Where the Morelli family holds shares.
21:25Faster, are you looking down on me?
21:27Today, I will eat in the private booth I reserved.
21:30Otherwise, I will...
21:33Security!
21:35No one messes around on Morelli's domain.
21:37Clear them out!
21:38You are breaking the law.
21:54Who dares to touch my wife?
22:00Why is he here?
22:04Are you okay?
22:05Your sexy husband comes for a rescue.
22:08Oh, I didn't want them to meet so soon.
22:12Wife?
22:13Are you Flora's husband?
22:15Vito Morelli.
22:18Morelli?
22:19I've never seen you.
22:22Didn't you say he's a big shot?
22:25What is this?
22:26Neil doesn't even know him.
22:28I told you it was a rumor.
22:31I can't remember where I heard that from.
22:34Do you really expect your husband to give you a good life?
22:37He's just a worthless waste without even a name.
22:41Your grandfather, Frank, will teach you a lesson.
22:45How dare you call Godfather that?
22:47Get them all out!
22:49Mr. Neil, this isn't from the Morelli family?
22:51Get them all out!
23:09Frank, I'm at Morelli's E-City Restaurant
23:19Your grandson says he wants to teach me a lesson
23:22And is being very disrespectful to my wife
23:25I hope you're still alive in a minute
23:29Who do you think you are?
23:32Yes, yes, Godfather
23:40Of course, of course, I just want my life to be spared
23:44Throw these two idiots out
23:47Are you crazy?
23:52I am Master Neil
23:54I said, no one dares to touch my wife
23:59Wow, you really have a way
24:02Master Vito, madam, please forgive us
24:05It seems that there is an old acquaintance
24:14Don't be angry with the idiots
24:23At least the wine here is good
24:24Vito, my old friend
24:26Is the stock at home stale?
24:29Why come to the restaurant to eat?
24:31Huey
24:32Are these two beautiful ladies your prey?
24:38This is my wife, Flora
24:39And her good friend
24:41Hi, Seedheart, I'm Regina
24:43What?
24:45Fuddy-duddy
24:46Are you married?
24:48Is this your friend, Vito?
24:50We are more than friends
24:51We are the same kind
24:54Shut up
24:55Shut up
24:55Well, I am just surprised that you would marry someone for me
24:59Did he tell you about Ilsa?
25:03Huey
25:03I'm warning you
25:05You have crossed the line
25:06Okay
25:07I will leave now, but
25:10But I'm taking this beauty with me
25:13If that's okay, Regina
25:14Flora, enjoy the world of you, too
25:20Hey!
25:23Music time!
25:29Ilsa
25:29His name appears twice already
25:31For your bravery just now
25:36It's just a piece of cake
25:38Comparing with the effort you put into
25:41Marrying me
25:43You...
25:45You know everything?
25:54So?
25:56Neil is my ex-boyfriend
25:57I used you to get revenge on him
26:00Now that you know
26:01We can divorce at any time
26:04Do you think I will let you go that easily?
26:09Ladies and gentlemen
26:10Let's dance
26:12Shall we dance?
26:16Or is Mr. Morelli scared?
26:21Mind your good-for-nothing son
26:23And don't do evil
26:25Under the name of the Morelli
26:27What happened, father?
26:29Did he get into trouble?
26:31Remember the name
26:32Vito Morelli
26:33And warn your son
26:36Not to offend him
26:38Ever again
26:39Actually, I know that you have someone in your heart
26:59That you can't let go of
27:00What?
27:10Who is Ilsa?
27:13None of your business
27:14There were a few times
27:19When I thought
27:20I might have a story with you
27:22I forgot what I did
27:24When I first saw you
27:26Your eyes
27:27So unique
27:29But your skin's so cold
27:32Your stare says you want me
27:35The next day
27:38You unexpectedly agreed
27:41To my marriage proposal
27:43I was just curious about what you wanted to do
27:46When Tracy kicked me out
27:48When Tracy kicked me out
27:48You said a limousine to pick me up
27:50And rescued me decently
27:51I was very grateful to you at that time
27:57Madam
27:58Master sent me to pick you up
28:00And just now
28:02At the door of the restaurant
28:03It was the first time
28:05Someone stepped up to protect me
28:07At that moment
28:11I had the illusion of love
28:13But I guess I can't replace the Ilsa you're talking about
28:18Yes, Ilsa
28:21Who can replace her?
28:23So I won't get stuck in it anymore
28:25You should go find your Ilsa
28:27Ilsa is dead
28:29I'm sorry
28:31I don't have to tell you this much
28:33Have you lost your mind?
28:51Mentioning Ilsa in front of her?
28:54Hey, calm down
28:55It was just a joke
28:56Don't test my limits
28:58There are things I need to confirm
29:02Confirm what?
29:04Confirm that you have a crush on her?
29:12I just broke up
29:14And I almost made the same mistake again
29:16And I was jealous of someone else's deceased ex-girlfriend
29:21Ilsa
29:22Cheers
29:23I've got to move out tomorrow
29:26Man means nothing
29:28Career is
29:30Flora
29:43Flora
29:44Get it together
29:45Stop getting stuck in it
29:49Goodbye, Vito
30:01Go find the girl
30:03Who can let you stand in the sun
30:05Why?
30:09Is it her?
30:11Why now?
30:14What are you...
30:15drinking?
30:16What are you...
30:26drinking?
30:29You...
30:30You are a vamp...
30:31You have never been to my study
30:33Morning?
30:43Morning
30:43Morning
30:43Don't worry
30:45I will move out of your house as soon as possible
30:47I have my senses and will not bother you
30:50And never asked you to leave
30:53Frankly speaking
30:55In the future, try not to give a woman this ambiguous illusion
30:59Women always fall into it
31:00If you're not planning to leave your house
31:03Don't bring others in
31:05You wanted to move in?
31:09I didn't bring you in
31:10Oh my god
31:11The house is a metaphor
31:13A metaphor!
31:15I'm talking about feelings!
31:16Forget it!
31:17You men are really unreasonable
31:19That bastard dared to contact father
31:25Who does he think he is?
31:28But father
31:29He seems to have a close relationship with grandpa
31:31Shut up!
31:34Father never brought him up to the family
31:35That means he is nothing
31:37However
31:39Unknown enemies are the most terrifying
31:42I will not let him threaten me
31:45The future leader of the Morelli family
31:47Can only be me
31:49What should we do?
31:52Isn't your ex-girlfriend Flora
31:54Already his wife?
31:56Let's start with her
31:57A week later, right?
32:05No problem!
32:07Ashley!
32:08We got the annual banquet project!
32:10Oh my god
32:12That is a million dollar order
32:14You're talking about
32:15What's wrong?
32:22It's okay
32:22Go prepare the contract first
32:25It's been 12 hours
32:31Did this woman die outside?
32:33Miss Rose, see you tomorrow
32:55See you tomorrow!
32:58I'm so tired
33:00I haven't eaten anything today
33:03It's all Vito's fault
33:05But how can I go back to his house
33:08After saying all that to him?
33:11Let me order some tickets
33:13Why are you here?
33:25Why are you sending me food?
33:27Are you caring about me?
33:29I was just passing by
33:31Oh my god
33:34It took me ages
33:36To order this cake
33:37Mmmmm
33:43Yummy yummy
33:45Come on Vivi
33:48Take a bite
33:48No, I've eaten
33:50Okay
33:51I'm charged again
33:52I'm gonna go back to work
33:56I'm... I'm not that busy. I can stay here a little longer.
34:26What are you doing?
34:32Elaine, please. I know women like to do this whole hard-to-get thing,
34:37but isn't getting married while you're really here?
34:40Excuse me?
34:41You can cut the act. The Franklins need a son-in-law who's a politician
34:46to help clean up their new money image,
34:49or else the Joneses are just going to leave them behind.
34:52Multiple strangers.
34:55Various hotels in only one month.
34:59I'm the best candidate to be the next governor,
35:01so I'm here to you.
35:03They donate $5 million to help support my campaign,
35:06and everybody wins.
35:08Everybody wins.
35:09You know, I'm so sorry you seem to have it twisted.
35:12Honestly, Miss April, I don't think you're my type of woman.
35:15But if my family wasn't breathing down my neck,
35:18forcing me to get married...
35:20And I'm not going to marry you.
35:22You spied on me?
35:24Fine.
35:25Don't beg me to marry into your family.
35:27I wouldn't have even bothered to show up.
35:29Besides, that is the ugliest sweater I've ever seen.
35:35Let's see how you solve your problems yourself.
35:38He looks cute.
35:52It's you.
36:05I've lived for three years and never found you.
36:07Looks like we're in the same boat.
36:09So...
36:10What do you say?
36:11Why don't you and I...
36:12Get married?
36:13I must be dreaming right now.
36:14I mean, it's a win-win.
36:15Right?
36:16Look, if you're in, meet me at the courthouse for your luck.
36:20Oh!
36:21By the way, name's Elaine.
36:23Sir, things went south with Miss Epps.
36:27Mrs. Jones is not going to be pleased.
36:28Don't worry about my mother.
36:29Yes, sir.
36:30Look into a woman by the name of Elaine.
36:32You are playing hard to get, aren't you?
36:48Don't worry about my mother.
36:50Yes, sir.
36:51Look into a woman by the name of Elaine.
36:59You are playing hard to get, aren't you?
37:01Since we're here for me already,
37:03why don't we just hurry up and get married?
37:05Let go of me!
37:12Sorry I'm late.
37:13How do you want me to deal with this is trash?
37:15Don't waste your time on him.
37:18You're gonna regret this.
37:24Oh, excuse me.
37:26What?
37:27Vincent.
37:28My name is Vincent.
37:30Okay, Vincent.
37:32Let's go.
37:33Yeah.
37:45Mom!
37:46Hi, what's up?
37:47How dare you walk out on a perfect man we've chosen for you?
37:50Apologize, Mr. Browner.
37:52You are kicked out of this family for good.
37:54He was far from perfect.
37:56I mean, he practically tried to molest-
38:02So?
38:04Well, since we're married now, I thought we could live together.
38:08Aw, it's cozy and warm in here. I like it. But maybe I should keep my identity under wraps to keep things simple.
38:26I thought I would really convince people we're married, you know?
38:30Uh-huh.
38:31If I'm not mistaken, there's only one Metro. And geez, newlyweds.
38:40Newlyweds.
38:41I feel like it's probably only Metro that we share of that. I mean, I don't know. What do you think?
38:57I really- If you want, I-
38:58So, just kidding. This is your place. Obviously, you can have the bed and I'll stay on the couch.
39:03Uh, no. You have the bedroom.
39:04Really? Thanks.
39:05Thanks.
39:33Wow.
39:34Good morning. Breakfast is ready.
39:35Well, I love pink eggs.
39:36Good.
39:37Oh, this is even better than my chef's cooking.
39:54You have a chef?
39:56No. Um, I meant my mom. It's better than what my mom makes.
40:02Uh, sorry. Thank you. So good.
40:14Where the hell have you been?
40:17I thought you told me not to come home yesterday. By the way, I got married.
40:25You did not!
40:27I'm serious. I really did.
40:30Elaine, our rivals and Joneses are getting more and more powerful. We need this marriage alliance to secure our position.
40:36Even without a marriage alliance, I can handle the Jones family.
40:40I'm sorry. I have to go take care of something for work.
40:52That's okay. Go. I'll be fine by myself.
41:02I'll be back soon. Just leave the dishes in the sink.
41:06Elaine, as requested. She's an assistant to some director. Are you sure she's the one you want to be with?
41:16She's the one I've been looking for the whole long.
41:30What?
41:32Then why don't you put her up with you? Like, why doesn't she stay in the Jones mansion?
41:37Because there's a traitor in the Jones family. I can't get her involved in that mess.
41:42So, you really married Vincent? Is he some small-time worker?
42:02Listen, Henry. As long as it's not my mother's pick, I don't really care who I marry.
42:10Madame only wants what's best for the family.
42:13And I just want my mother to understand that my worth is not about getting married.
42:19If you'll keep me updated on the Jones family, I'd appreciate it.
42:24Please bring by my stuff later. I'll be staying here. Now, if you'll excuse me, I have to get ready for my day.
42:30Where are you going, ma'am?
42:32Find my new lesbian.
42:46Hi. I'd like to pick out a gift for my wife.
42:49Sir, do you have a membership with us?
42:52Um, no. I don't think so.
42:56First time at a place like this, I assume?
43:00This is our cheapest item.
43:02And even these are a thousand bucks a pair.
43:10Sir, I believe you're in the wrong store.
43:13You should try the thrift store a few blocks down.
43:16You'll probably find something affordable there.
43:18And how do you know what I can afford?
43:20I've seen plenty of you.
43:22Big shots with empty pockets.
43:26I can sell you a bag with our logo on it.
43:28It'd be perfect for your secondhand clients.
43:30Your wife won't know the difference.
43:32Do you know who I am?
43:34Oh, can't afford it? So you're playing the rich guy act on me?
43:44Please. I work for the Franklin family. The wealthiest family in town.
43:48Your spare change won't do any good in here.
43:50Why don't you go ahead and take off?
43:52The Franklins.
43:54Ms. Franklin, this entire store was a gracious gift for Mrs. Franklin.
43:58And I'm the manager she assigned for you.
44:00The beautiful windows, you see, are actually something that the store is very well known for.
44:06May I introduce the director of design?
44:08That's all right. I'm just looking. You can carry on with your usual work.
44:12All right.
44:14The Franklins. They're nothing in my eyes.
44:28Hey, hey, babe.
44:30Hey, what are you doing here?
44:34Hey, what are you doing here?
44:36Finding someone a wedding gift. You?
44:40Same. I'm doing the same thing.
44:44Did y'all lose your way to the dollar store?
44:46Please, don't touch anything in here. You're stinking up the place.
44:52You little bitch! I'll kill you!
44:54Bitch, do you know who I am?
44:56I work for the Franklins.
44:58Oh, yeah? Call them. Call them right now and tell them to get on over here.
45:04I'm not usually right now.
45:06You know, that was really impressive, but why don't you leave stuff like that to me next time?
45:12Mm-hmm.
45:14You better pray they go easy on you. On both of you.
45:16Now go block the door. Don't let anyone out.
45:20Ooh, you nervous?
45:22Are you kidding? Two days of marriage and a promo seat to this?
45:26Lucky me.
45:30Well, since we're stuck here, we might as well look around.
45:34Oh!
45:36I like this one.
45:38Hey!
45:40Please don't touch if you can't afford it.
45:44He will try it on.
45:48Come on.
45:50Take some guys over.
45:52We have a few pets to take care of.
45:54You're dead, bitch.
45:56These two trashed our store and they insulted the Franklins.
46:00Come on, bring some guys over, we have a few pests to take care of.
46:07You're dead, bitch.
46:21These two trashed our store, and they insulted the Franklins.
46:24Is that so?
46:26Well, just toss them in the ocean and let the fish happen.
46:29Jack.
46:32How lovely it is to see you again, and in such short time.
46:38Now, tell me, who is it that you were going to fall into the ocean?
46:41That's right.
46:42What did you call her?
46:44Idiot.
46:46This is the Franklin family heiress.
46:50Ms. Franklin, I'm so sorry.
46:52Please, please forgive me.
46:59I've heard you Franklins were throwing around your weight, bullying the Joneses.
47:14Bullying the Joneses.
47:17Hey.
47:20It's about to be a full-on game fight here.
47:22We should leave.
47:24I almost forgot.
47:25I can't drive.
47:26It's like it's less.
47:28Let's go home.
47:40The Joneses are getting out of hand.
47:43Making a scene in broad daylight.
47:46It's all over now.
47:50Let's go.
47:55What?
47:56So they not only thrashed our store, but they hurt our people?
48:01Fine.
48:02Let's send the Jones a little gift.
48:13Yep.
48:16Director Andrea, our biggest investor just pulled out of the film.
48:20What?
48:22Um.
48:24Okay, don't panic, okay?
48:25I'm going to handle this.
48:26Mm-hmm.
48:26Mom?
48:33Mom?
48:34How could you pull the funding for my film without even telling me?
48:37You got me.
48:39You're not telling me?
48:40Why can't I pull the funding?
48:42uh thanks
48:59what's wrong is the food not good no it's delicious
49:04um it's just the film i'm working on just lost its biggest investor so there's a good chance it
49:15might never be made what's the movie called a midsummer woman
49:25well food's not gonna eat itself so have a bite
49:35anything else for you sir talk to the producers of a midsummer woman put some money into it but
49:41make sure no one knows it's me i don't want my name involved you're doing this for elaine aren't you
49:49because that's a it's a really good move anything andrea directs it's top of the box
49:56mysterious woman though no one's ever seen her no it's not even images online as anything
50:01i'm not interested in the stores but i just want to learn how to do it work
50:18hello andrea guess what we got a new investor for the film what oh that's fantastic thank you so much
50:28i'm really looking forward to it how was your day my film got new funding we're back in production
50:40that's amazing congrats
50:41oh i have to go pack of course
50:52to your movies
50:54so
51:06so
51:10I leave for set tomorrow, and we're probably not going to see each other for a while.
51:29I think we should make up for our lost wedding night.
51:40If my identity wasn't what you think it is, it would probably get you in danger.
52:00Would you still stay?
52:30Elaine's film is in production?
52:44Yes, ma'am.
52:45Well, she sure has grown wings, hasn't she?
52:50Find out who's funding her.
52:55Here's to a midsummer woman.
53:02Three, two, one.
53:07Alright everybody, thank you back to work.
53:09We have a long day.
53:10Thank you, thank you for being here.
53:25No!
53:28Okay cut!
53:30That is a wrap today, everybody.
53:32Thank you for your hard work.
53:34Go home, get some rest.
53:35See you bright and early.
53:37That's great.
53:38I have a few questions about my role.
53:41Can we talk about it?
53:42Yeah, let's go to the lounge.
53:48But anyway, I'm here to see Elaine.
53:50She's the assistant director.
53:52I'm sorry bud, there's no Elaine here.
53:54What?
53:58I'm sorry bud, there's no Elaine here.
54:00What?
54:01I can't be.
54:02Bro, you seriously think you can make up a name and sneak into our set?
54:05Why don't you guys get out of here before I ruin our shoot, huh?
54:11How dare you talk to the boss like that, huh?
54:13Oh, your boss?
54:14What is this, a little skit?
54:15A little buddy action, huh?
54:17Yeah.
54:18I'll set now.
54:22What?
54:24What do you think you're doing?
54:26You cannot mess with this man.
54:28Now get him disguised immediately.
54:32He's right this way, sir.
54:37Hey.
54:41I love you.
54:42What'd you just say?
54:43This is the part I don't really get.
54:44I've gone through so much betrayal and anger.
54:48I mean, what is my character's emotion when saying this line?
54:52Well, obviously a lot of pain and sadness, but you can always add your own interpretation as well.
55:00There's a kissing scene coming up.
55:02You want to help me practice?
55:03King, what are you doing?
55:04Get off of me!
55:05I don't want to do this.
55:06Stop it!
55:07Enough!
55:08Enough!
55:09Enough!
55:10What are you doing here?
55:11What's going on?
55:12You and him.
55:13Don't get off of me!
55:14I don't want to do this.
55:16Stop it!
55:19Enough!
55:24Enough!
55:29Vincent, what are you doing here?
55:31What's going on?
55:32You and him.
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