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Aquaman : L'art de la surenchère
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00:00
Let's not beat around the bush, Aquaman is a super cheesy movie.
00:03
The tight-fitting gold suits, the insect helmets, Jason Momoa telling lame jokes,
00:08
Pitbull and his Toto cover, Dolph and Grain and his floating wig,
00:11
All that's missing is a cameo from Jean-Claude Van Damme, and we're all set.
00:14
Frankly, it should have been the ultimate flop, but that was without taking into account a certain James Wan.
00:18
The one who cut his teeth on horror films by making the first jump,
00:22
Insidious, and the first two Conjuring films,
00:24
Aquaman will offer us a lesson in efficiency when it comes to fight choreography,
00:28
the fluidity of the staging in the chase scenes,
00:30
and an iconization of the characters that he pushes to the extreme.
00:33
The first fight scene with Atlana sets the tone.
00:35
It's fluid, dynamic, and I understand that it might make some people feel nauseous.
00:39
But it fits perfectly with the overall relaxed feel.
00:41
Because if you're going to make a film with Willem Dafoe sporting a samurai hairstyle and talking underwater,
00:45
Might as well go all in.
00:46
James Wan loves playing with his digital camera,
00:49
and doesn't hesitate to twirl it around in all directions,
00:51
without ever losing track of the action.
00:53
The car chase in Italy is the perfect example.
00:55
No, but look at this!
00:56
His highly visible style blends perfectly with this world.
00:59
With the pit scene, he taps into his horror-loving side.
01:02
and gives us one of the most iconic moments in the film.
01:04
It is precisely in the act of iconization that he adopts the comic book style.
01:07
because by taking the time to immortalize its epic moments,
01:09
with very wide shots and characters striking badass poses,
01:12
He designs plans that are conceived like comic book panels.
01:15
Still drawings that are meant to leave a mark on the retina.
01:17
And that's what Wan does with this film.
01:19
It offers us a true cinematic experience.
01:21
and also an adventure film in the purest tradition.
01:23
Somewhere between the body movies of the 80s à la Tango and Cash,
01:26
including Injana Jones, or even Avatar.
01:28
Arthur's quest for identity will lead him through different stages,
01:31
which will lead him to travel around the world,
01:33
and to visit places that are all equally different from one another.
01:35
So we have a hodgepodge of genres that mixes the peplum with fantasy.
01:38
an adventure story set in an aquatic space opera,
01:40
not forgetting the touches of horror that enhance the whole thing.
01:43
The film is constantly over the top.
01:45
He approaches every aspect of it with an excess of excess.
01:47
which will either seem incredibly fun to you,
01:49
or incredibly unbearable.
01:51
But at least it doesn't leave anyone indifferent.
01:53
In addition to that, Aquaman establishes an ecological subtext.
01:56
While not very developed, it is noteworthy.
01:58
The oceans are portrayed as kingdoms polluted by human activity.
02:01
Orme justifies his war by the need to defend the seabed
02:04
against the voraciousness of the surface world.
02:06
So it's true that it's a shame that this aspect was only touched upon briefly.
02:09
In any case, both films were going to be a real critical and commercial success.
02:12
But Warner is not going to capitalize on this success.
02:14
First, releasing his origin story, after Justice League,
02:17
which should have been the culmination of this expanded universe,
02:19
It was completely counterproductive.
02:21
But in addition to that, it has led to a lot of inconsistencies.
02:24
The screenwriter of Justice League had to lay the groundwork
02:26
for a film that was in pre-production
02:27
and another one that hadn't even been mentioned yet.
02:30
So, we end up with conversations in Justice League
02:32
between Mera and Arthur, which makes no sense in terms of continuity
02:35
and who introduce these characters extremely quickly
02:37
without the slightest naturalness.
02:38
Visually, it makes no sense either.
02:40
because there is a very big difference between this and that.
02:43
But where the studio wasn't clever,
02:45
The problem is that the sequels to these two films took too long to come out.
02:47
and that instead, we were given things that nobody had asked for.
02:50
Genre Aquaman is the most profitable film in the franchise
02:53
and its sequel was released 5 years later.
02:55
Wonder Woman is the most popular film in this franchise
02:58
and its sequel is being released for streaming.
03:00
So yes, there was Covid and all that,
03:01
But that doesn't excuse everything.
03:02
Because not only will these sequels arrive too late,
03:04
but what's more, they will turn out to be very disappointing.
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