- 2 days ago
thisJames Compton is paid by wealthy Howard Townsend to photograph his mistress Simone . Intimate photo sessions lead to an affair. Simone is kidnapped and he is being blackmailed over the affair by the kidnappers. Some violent scenes.
Category
🎥
Short filmTranscript
00:00:00Transcription by CastingWords
00:00:30Transcription by CastingWords
00:01:00Transcription by CastingWords
00:01:29Transcription by CastingWords
00:01:59Transcription by CastingWords
00:02:29Transcription by CastingWords
00:02:59Transcription by CastingWords
00:03:29Transcription by CastingWords
00:03:59Transcription by CastingWords
00:04:29Transcription by CastingWords
00:04:59Transcription by CastingWords
00:05:29Transcription by CastingWords
00:05:59Transcription by CastingWords
00:06:29Transcription by CastingWords
00:06:59Transcription by CastingWords
00:07:29Transcription by CastingWords
00:07:59Transcription by CastingWords
00:08:29Transcription by CastingWords
00:08:59Transcription by CastingWords
00:09:29Transcription by CastingWords
00:09:59TranscriptionWords
00:10:29Transcription by CastingWords
00:10:59Transcription by CastingWords
00:11:29Transcription by CastingWords
00:11:59Transcription by CastingWords
00:12:29TranscriptionWords
00:12:59Transcription by CastingWords
00:13:29Transcription by CastingWords
00:13:59TranscriptionWords
00:14:29Transcription by CastingWords
00:14:59TranscriptionWords
00:15:29Transcription by CastingWords
00:15:59Transcription by CastingWords
00:16:29TranscriptionWords
00:16:59TranscriptionWords
00:17:01TranscriptionWords
00:17:03Transcription by CastingWords
00:17:05TranscriptionWords
00:17:35Transcription by CastingWords
00:18:05TranscriptionWords
00:18:35TranscriptionWords
00:18:37TranscriptionWords
00:18:45TranscriptionWords
00:19:05TranscriptionWords
00:19:07TranscriptionWords
00:19:35TranscriptionWords
00:19:37TranscriptionWords
00:19:45TranscriptionWords
00:20:05TranscriptionWords
00:20:07TranscriptionWords
00:20:15TranscriptionWords
00:20:35TranscriptionWords
00:20:37TranscriptionWords
00:20:45TranscriptionWords
00:21:05TranscriptionWords
00:21:07TranscriptionWords
00:21:35TranscriptionWords
00:22:05TranscriptionWords
00:22:07TranscriptionWords
00:22:35TranscriptionWords
00:22:37TranscriptionWords
00:22:45TranscriptionWords
00:23:05TranscriptionWords
00:23:07TranscriptionWords
00:23:15TranscriptionWords
00:23:35TranscriptionWords
00:23:37TranscriptionWords
00:23:45TranscriptionWords
00:23:47TranscriptionWords
00:23:55TranscriptionWords
00:23:57TranscriptionWords
00:23:59TranscriptionWords
00:24:07TranscriptionWords
00:24:25TranscriptionWords
00:24:27TranscriptionWords
00:24:35TranscriptionWords
00:24:53TranscriptionWords
00:24:55TranscriptionWords
00:25:21TranscriptionWords
00:25:23TranscriptionWords
00:25:31TranscriptionWords
00:25:49TranscriptionWords
00:25:51TranscriptionWords
00:26:17TranscriptionWords
00:26:19TranscriptionWords
00:26:45TranscriptionWords
00:26:47TranscriptionWords
00:27:13TranscriptionWords
00:27:15TranscriptionWords
00:27:41TranscriptionWords
00:27:43TranscriptionWords
00:28:09TranscriptionWords
00:28:11TranscriptionWords
00:28:13TranscriptionWords
00:28:37Trans sansAS
00:28:41Trans descriptionWords
00:28:43TranscriptionWords
00:28:45TranscriptionWords
00:28:47TranscriptionWords
00:30:11They're nice. I'm impressed.
00:30:15It must be fun being a photographer, meeting all different sorts of women.
00:30:18Oh, it's not what you think.
00:30:20No.
00:30:21Well, I suppose I'm attracted to my models.
00:30:23Otherwise, I wouldn't get good pictures.
00:30:25If you get between them and the camera, sometimes the pictures suffer as a result.
00:30:29I see.
00:30:30Oops.
00:30:30I see.
00:30:43guitar solo
00:31:13guitar solo
00:31:43guitar solo
00:32:13guitar solo
00:32:19hello
00:32:20hello
00:32:22I didn't see you there
00:32:24would you like a drink?
00:32:28no thank you
00:32:29anything wrong?
00:32:31got something on your mind?
00:32:33wrong?
00:32:33no whatever gave you that idea?
00:32:35you haven't been yourself these past few days
00:32:37I thought perhaps something was worrying you
00:32:39no nothing at all
00:32:41yes
00:32:42I think I will have that drink
00:32:44any problems with the photographer?
00:32:48no it's going fine
00:32:49look I'm sorry if I'm a bit off
00:32:52I don't mean to be
00:32:54tell you what
00:32:57let's go shopping
00:32:58we haven't done that for a long time
00:33:00I'm celebrating a successful business deal
00:33:03and new clothes will put the sparkle back into you
00:33:06what a lovely idea
00:33:09thank you
00:33:10oh
00:33:16oh
00:33:18oh
00:33:20Well, gentlemen, I believe we all understand one another
00:33:45and know the basic reasons for our being here tonight.
00:33:48Mr. Mehet has been kind enough to bring a short reel of film with him for us to see.
00:33:52Mr. Mehet.
00:33:56Gentlemen, this is the SX-80 tank,
00:34:00manufactured by a certain communist country, friendly to my government.
00:34:05Two hundred of these tanks have recently been supplied to my country,
00:34:09and I must admit that we are most pleased by their performance.
00:34:17And gentlemen, it seems that for a certain price,
00:34:26Mr. Mehet's government could actually afford to lose a dozen of these tanks without much difficulty.
00:34:31I write them off as having been lost in combat.
00:34:33And I just happen to know the commander-in-chief of a black revolutionary army in Africa
00:34:42who will be most happy to purchase these lost tanks
00:34:46for a price that will produce a tidy little profit for all parties involved.
00:34:50Of course, for political reasons, Mr. Mehet's government can't deal directly with the revolutionaries.
00:34:55That's where we come in.
00:34:58Well, gentlemen, are we interested?
00:35:01Christ.
00:35:02Last year we buy wheat from the Americans and sell it to the Russians.
00:35:06This year we're buying tanks from the Arabs and selling them to the Africans.
00:35:09My God, what's this world coming to?
00:35:11Yes, of course, I'm interested.
00:35:15I also am interested.
00:35:17But what about the details?
00:35:19Such as what are the prices involved?
00:35:21How are the goods to be shipped?
00:35:23And most important,
00:35:26how are the payments to be made?
00:35:36Well, how'd it go?
00:35:38So, so, disappointing at first,
00:35:41but it'll work out.
00:35:42Oh, that's good.
00:35:44How are you?
00:35:46I'm fine.
00:35:48But, Art, I've got a headache.
00:35:50How untimely.
00:35:51Yes, I know.
00:35:52I'm sorry, but I'm just not in the mood.
00:35:54You haven't been in the mood all week.
00:35:56Have you already forgotten this afternoon?
00:35:57Art, will you please be gentle with me?
00:36:02Just because you've had a bloody bad business meeting
00:36:04doesn't mean you can take it out on me.
00:36:06You...
00:36:07That's enough.
00:36:23Oh, it's lovely.
00:36:27Can you pass me a rag?
00:36:30I have to go to a reception and I mustn't look spodgy.
00:36:33Do you have to leave soon?
00:36:34Oh, no.
00:36:35Those things go on all night.
00:36:51Well, gentlemen,
00:36:52I certainly thank you for your visit
00:36:54and wish you a pleasant journey home.
00:36:56No doubt I shall hear from your embassy
00:36:57about your decisions.
00:36:58Great.
00:37:02Last one.
00:37:04Don't you ever have an assistant?
00:37:06Usually high photography students.
00:37:08But the last one just went back to college.
00:37:11Why, do you want the job?
00:37:14Hmm.
00:37:14It's a thought.
00:37:19Excuse me.
00:37:20Ed, I've got a job for you.
00:37:25No, there's no need to meet.
00:37:26Now, just listen.
00:37:28Simone has gone to Compton's place.
00:37:30I want you to go there.
00:37:33Right, Mr. Townsend.
00:37:34We're on our way.
00:37:37James?
00:37:39Howard's been acting very strange lately.
00:37:41You mean you suspect?
00:37:42Oh, yes, I'm certain of it.
00:37:45And besides us,
00:37:45there's been some other strange goings on.
00:37:47What's that, Jack?
00:37:49Well, first of all,
00:37:51last week,
00:37:52Howard's business manager committed suicide
00:37:54for no apparent reason.
00:37:56And then he had a meeting
00:37:57where he was showing a film
00:37:58of tanks and guns
00:37:59and I don't know what.
00:38:01Oh, yes.
00:38:32Stay put, sunshine.
00:38:33Don't move.
00:38:34Keep perfectly still.
00:38:37For Christ's sake,
00:38:38what's all this about?
00:38:41You weren't listening,
00:38:42were you, sunshine?
00:38:43Just be a good boy
00:38:44and do what you're told.
00:38:45You.
00:38:47Go get your gear.
00:38:49And make it quick.
00:38:51Who the hell are you?
00:38:52What do you want?
00:38:53All right, sunshine.
00:38:54All in good time.
00:38:55You'll find out.
00:39:01What you gonna do with her?
00:39:07She's going with us.
00:39:08You're going in another direction.
00:39:11Keep her in there, eh?
00:39:13I'm going to have a word
00:39:13with Sonny Jim here.
00:39:14Now, that's a bird
00:39:20with real form, though.
00:39:22Shame to spoil it, wouldn't it?
00:39:24Now, you listen carefully
00:39:25because I've got to explain
00:39:27something to you
00:39:27and I do hate
00:39:28having to repeat myself.
00:39:31I want you to take
00:39:32this letter
00:39:33and give it to Mr. Townsend.
00:39:36Tell him that the lady
00:39:37with the form
00:39:38has fallen into the wrong hands.
00:39:39You mean you're not
00:39:41from Townsend?
00:39:42Right.
00:39:44Now, you just do
00:39:44what you're told.
00:39:46Give him the letter.
00:39:47Tell him to read it carefully.
00:39:48He will quickly get the message.
00:39:50And probably go
00:39:51straight to the police.
00:39:54No, he won't do that.
00:39:55Not if I know him.
00:39:57He'll pay a great deal
00:39:58of attention to the envelope.
00:39:59He might, he just might
00:40:01be more than a little upset
00:40:02with you,
00:40:03but the, uh,
00:40:04police never.
00:40:05Not if he wants
00:40:06to see her alive again.
00:40:07And what if he thinks
00:40:09I'm involved with you?
00:40:11Well, that's your problem,
00:40:12isn't it?
00:40:14If he finds out
00:40:15about this little bit
00:40:16of, um,
00:40:17beddy-by's,
00:40:19we're going to have
00:40:19to find ourselves
00:40:20a new messenger boy.
00:40:22Mr. Townsend can be
00:40:23very unpleasant
00:40:24when he's upset.
00:40:25Believe me, I know.
00:40:28Look,
00:40:28I don't know what's going on
00:40:30between you and Townsend,
00:40:31but if you lay a finger
00:40:32on her, I'll get you.
00:40:33I'll bet that in mind, sunshine.
00:40:37This should get you
00:40:41occupied for a while.
00:40:43Nothing's going to happen
00:40:44to the lady for the time
00:40:45being.
00:40:46You'll be hearing from us
00:40:47as to what happens next.
00:40:51Mind the road, sunshine.
00:40:53I wouldn't want anything
00:40:54to happen to you.
00:40:54That's a studio there.
00:41:08That's a studio there.
00:41:28I'll wait here for you.
00:41:58Now then, Compton, what the hell is this all about?
00:42:04Mr. Townsend, I'm a photographer, not a clairvoyant.
00:42:07All I know, these heavies come, they lay into me, they take Simone,
00:42:10and then they tell me to give you this note.
00:42:13When did this happen?
00:42:14About an hour ago.
00:42:16When we were working.
00:42:17Do you expect me to believe that?
00:42:18You wouldn't be trying to hustle me, would you?
00:42:20Most unwise, Compton, most unwise.
00:42:22Look, I know it's incredible, but it's a fact. Look!
00:42:25Do you notice anything about them?
00:42:27It all happened so fast.
00:42:28One was a big guy, a bald head, cockney accent.
00:42:31Well, well, so that's it.
00:42:34Two hundred thousand.
00:42:36Well, that's a nice round figure.
00:42:37I suppose they will have to be told that I will pay.
00:42:40Thank God for that.
00:42:42Don't misunderstand me, Compton.
00:42:43What I say and what I do are two entirely different things.
00:42:46I can't believe it. It's like a bloody nightmare.
00:42:48Well, consider yourself lucky.
00:42:49Nightmares are things you wake up from.
00:42:51First, I want proof that Simone is all right.
00:42:54A note from her, plus a photograph.
00:42:56Then tell them I'll be ready to deal.
00:42:58If you have ever felt danger before,
00:43:01remember it and feel it now.
00:43:03I guarantee you have never stood so close to oblivion.
00:43:06If anything happens to Simone,
00:43:08as a result of anything you do wrong,
00:43:10there is no place anywhere, and I mean anywhere,
00:43:13that you can hide from me.
00:43:15That is a promise.
00:43:17That is a promise.
00:43:19The spirit.
00:43:20I mean, that we're dead.
00:43:21That is a promise.
00:43:22Tonight, to live.
00:43:24As a result, get on.
00:43:25This ship afin is immortal.
00:43:27The air, the mattress is noisy.
00:43:30Then we remove the pipe leg.
00:43:31After the certo or crash over.
00:43:33He'sbreaking the airport.
00:43:34This ship is drunk,
00:43:34it's come in.
00:43:36Perhaps that SS hands are unknown.
00:43:37He wants to unlock medical care.
00:43:38He knows the firestatus oriente buildings.
00:43:39Oh, it is dangerous.
00:43:40It has a defeat in the space.
00:43:41this is where you'll stay magazines here and there's a loo down the corridor there'll be
00:44:00someone outside all the time so don't try anything funny oh yes the um the windows are bolted
00:44:09let's have a good holiday
00:44:13and i want someone on compton from now on 24 hours a day
00:44:39yeah yeah i'm here alone what did townsend say well besides being madder in hell he says he'll pay the
00:45:08cash but first he wants to prove that she's all right he wants a note in her handwriting and some
00:45:12photographs all right we'll get them to you and with the instructions and what to do with the money
00:45:18you'll be hearing from us
00:45:19for you
00:45:37yes
00:46:04yes i'm just off down to the shops do you want something oh yes thank you just a minute and i'll make you a list
00:46:16hello
00:46:34rhoda it's james now look something important has happened i can't really tell you about it now but we've got to cancel all appointments for the rest of the week
00:46:38what you don't mean i'm afraid i do uh tell everyone i've got flu and reschedule them for next week huh
00:46:45you're joking oh i wish i were no this is for real now i want you to phone from your place and
00:46:53oh
00:47:00oh
00:47:03oh
00:47:04oh
00:47:05oh
00:47:07oh
00:47:11oh
00:47:14oh
00:47:16oh
00:47:18oh
00:47:20hey you know um i've been thinking yeah we both worked for that bastard townsend for
00:47:41seven years always doing the dirty work while he jets around in style
00:47:48so what else is new well we are getting a nice chunk of his cash as our just rewards but
00:47:57there might be something else we can do as revenge for our exploitation such as well
00:48:06that is his mistress in there all lovely and helpless
00:48:13you know what i mean yeah i know what you mean
00:48:20what do you want
00:48:27tell us a few things about townsend
00:48:34like uh what do you like in bed
00:48:38what about yourself i uh
00:48:42bet you're quite a hard piece of crumpet
00:48:46you know what's the matter baby
00:48:51go on
00:49:10shut up
00:49:13shut up
00:49:17shut up
00:49:31get the hell out of here this is not part of the arrangement understand
00:49:51i'm sorry lady it won't happen again get up
00:50:02get it
00:50:05go on
00:50:17go on
00:50:19that's six that should be enough shouldn't it yeah that's all right yeah who's going to develop
00:50:38these pictures you don't trust them to Kodak do you what do you think Compton is genius a plumber
00:50:44I'll send the film to him tell him to develop it here's a pen write a note to Mr. Townsend and tell him you're okay
00:50:53yeah what was that show up
00:50:56hello Bishop's cold in Emory I'm checking to see if you need anything while I'm in the neighborhood
00:51:12been a bit nippy this winter hasn't it no we're okay it's got all the coal we need for now
00:51:18all right here's my card give us a call if you need more right we'll do that goodbye goodbye
00:51:24do you think he was legit
00:51:52I don't know he looks okay but just the same we better stay on our toes
00:51:58hello
00:52:19hello sunshine listen sunshine in the dustbin behind your place you're going to find a package
00:52:27now in that package there's instructions on how to deliver the money there's a note from the lady
00:52:33and there's a roll of film now I want you to develop that film and take the whole lot to town then
00:52:41okay
00:52:54okay
00:53:03So, you see how I got myself into this position.
00:53:14You're the only person I can trust.
00:53:16Steady, I know, Captain.
00:53:17Let's deal with one thing at a time.
00:53:19You just relax for a moment while I fix you a drink.
00:53:24I know I'm being tailed, but I don't know by whom.
00:53:26Could be Townsend or the other heavies.
00:53:29I suspect my phone's being tapped.
00:53:31Christ knows what else.
00:53:33Really, it's not my scene at all.
00:53:36Try this.
00:53:37Now, let's take a look at this license number and see where that leads us.
00:53:40Can you trace the owner?
00:53:42Well, that poses no problem.
00:53:43Come, dear boy.
00:53:44Let's take a look at how the other half makes a living.
00:53:46Might take your mind off things.
00:53:52You see, we use this and this.
00:53:56It's like this, dear boy.
00:53:57Hundreds of computers in this country keep different files on everything from Scotland to Altspace wanting criminals.
00:54:03To a list of people who subscribe to Punch.
00:54:06Most of these computers are accessed by computer terminals, which are joined by ordinary telephone lines.
00:54:12Each terminal has its own code, and each computer has its own phone number.
00:54:17This black book contains the telephone numbers of most of the top-secret computers in this country.
00:54:23How did you acquire the black book?
00:54:26Oh, dear boy.
00:54:27Twenty-five years at Scotland Yard has some compensations.
00:54:32Actually, license investigations are the most common.
00:54:34The computer files are kept with essential processes in the home office.
00:54:37I've just set the code, and we dial the computer like this.
00:54:41Now, what was that number again?
00:54:54Now, what was that number again?
00:54:57Mr. Harry Mosley, eh?
00:55:14I'll have one of my men check him out.
00:55:17If he's not involved, at least he should be able to lead us to the house.
00:55:21Let's meet here tomorrow.
00:55:22They want the money on Thursday night.
00:55:37They're only giving us 30 minutes' notice as to where we meet.
00:55:41Bastards!
00:55:42That gives me just two days.
00:55:46Okay, I'll have the cash by Thursday afternoon.
00:55:50And another thing.
00:55:52Would you mind telling me what the hell this is all about?
00:55:58I'm still not convinced that you're not involved, Compton.
00:56:02Just let's say the nature of my business causes some people to bear grudges against me.
00:56:06And if those people are all so politically orientated,
00:56:10then one has to be very sure of one's footing
00:56:12before making reprisals.
00:56:14You're up.
00:56:24Everything okay?
00:56:25Okay?
00:56:25Sixty hours from now, you are going to be a free bird.
00:56:34At least from us, you will be.
00:56:36You don't really think you're going to get away with this, do you?
00:56:39Hmm.
00:56:39You must be joking.
00:56:42Between Howard's men and the police, you don't stand a chance.
00:56:45The police.
00:56:48Lady, you don't know you're Mr Townsend very well.
00:56:51He is up to his neck in so much that there is no way he is going to go to the police.
00:56:58Here.
00:56:59I'm going to show you something.
00:57:08Hi.
00:57:10This is last week's evening paper.
00:57:14I collect these.
00:57:16Now, who do you think originated the idea of David Green taking a leap?
00:57:21I could also list ten other people who owe their fate to your Mr Townsend.
00:57:29And I can guarantee you that there is not a chance of it happening to me.
00:57:34However, if I were a gambling man, and I am not, but if I were,
00:57:40I would bet that the next name on Mr Townsend's obituary list
00:57:45would be that of Mr James Compton.
00:57:51The
00:58:07The
00:58:11The
00:58:43We found the house. It's in Hertfordshire.
00:58:45Shall we go there?
00:58:47Yes. But first I want you to hear something.
00:58:49Some recordings I've made.
00:58:54This should amuse you.
00:58:57Hello. Mr. Townsend, it's Ed.
00:59:01We followed Compton back to his studio.
00:59:03He's there now, came directly from your approach.
00:59:06However, before he went to you,
00:59:08he visited a strange-looking place in Soho.
00:59:11Looks like a betting office.
00:59:13Betting office? What nonsense.
00:59:17Nice guy I've got us involved with.
00:59:19From what we've been able to observe,
00:59:21the girl is held in an upstairs room,
00:59:23and three men stay in the house with her.
00:59:25Suppose we made some sort of a diversion,
00:59:35something that would momentarily move them away from her.
00:59:39And if we could get away with her without being seen ourselves,
00:59:41all the evidence would point to Townsend, wouldn't it?
00:59:43That would put the cat among the pigeons.
00:59:49Especially if they saw our car.
00:59:51This just happened to be a Rover 2000.
00:59:56Shirley?
00:59:57Yes, sir?
00:59:58Put on a miniskirt and heavy makeup.
01:00:00We've got a special assignment for you.
01:00:02Okay.
01:00:03That's the girl.
01:00:06Rover 2000, did you say?
01:00:08Okay.
01:00:10Good night.
01:00:11Good night.
01:01:23Now it's our turn.
01:03:52You sure you want to go through with this?
01:03:59We could just let Townsend play the ransom.
01:04:02Christ, I'd rather she stayed with the kidnappers and went back to him.
01:04:05Yeah.
01:04:06Well, you should have wouldn't tell her there.
01:04:17All right, don't fucking tell me.
01:04:18All right.
01:04:19Don't fucking tell me.
01:04:24Here we are.
01:04:25Here we are.
01:04:41Here we are.
01:04:42That's it.
01:04:54That's it.
01:04:55That's it.
01:04:56What time is blast off?
01:04:58How about 1 a.m.?
01:04:59Right?
01:05:00Yeah.
01:05:01Okay.
01:05:02Okay.
01:05:03Well, let's get going.
01:05:06Just a second.
01:05:07You almost forgot something.
01:05:10Is this necessary.
01:05:11Is this necessary?
01:05:12I think so.
01:05:13And remember, James, no fancy heroics.
01:05:15I'm still not convinced the lady's worth it.
01:05:22You know, after look at the wife's worth it.
01:05:23You don't have to wear it?
01:05:24I don't know what.
01:05:25I don't know who I was or what I was.
01:05:26Not really.
01:05:27I can't get back to her.
01:05:28No, no, no.
01:05:29I don't know.
01:05:30You really have to go through the night and watch the movie and watch the movie.
01:05:31And you're the next thing?
01:05:32I'm gonna try to get back to her.
01:05:33But I don't know who I was, I can't let it go.
01:05:34I don't know who I was, I can't let her live.
01:05:36I can't let her live.
01:05:38This is a nightmare.
01:05:39So, you know?
01:05:40You know,ago, I can't tell me that.
01:07:43Come on.
01:07:48Come on.
01:07:52What the hell?
01:07:56We'll go!
01:07:58Come on.
01:08:06Come on.
01:08:08Go!
01:08:10This way.
01:08:12This way.
01:08:14This way.
01:08:16This way.
01:08:18This way.
01:08:20This way.
01:08:22This way.
01:08:24This way.
01:08:26This way.
01:08:28This way.
01:08:30This way.
01:08:32This way.
01:08:34This way.
01:08:36This way.
01:08:38This way.
01:08:44This way.
01:08:46This way.
01:08:48This way.
01:08:50Let's go.
01:09:20Let's go.
01:09:50Let's go.
01:09:55Go.
01:09:57Yeah, that was one of Townsend's cars, wasn't it?
01:10:02And then one night I overheard them talking.
01:10:05They all used to work for Howard.
01:10:07That's how they knew his operation.
01:10:09I mean, there's no political connection.
01:10:10Political?
01:10:11No.
01:10:12They're just ordinary gangsters after the money.
01:10:16What are we doing?
01:10:17Well, we can't go to my place.
01:10:18It's being watched.
01:10:19What are we doing?
01:10:20All we can't go to my place is being watched.
01:10:22All we can't go to my place is being watched.
01:10:23All we can go to my place is being watched.
01:10:24All we can go to my place is being watched.
01:10:25All we can go to my place is being watched.
01:10:26All we can go to my place is being watched.
01:10:28All we can go to my place is being watched.
01:10:29All we can go to my place is being watched.
01:10:30All we can go to my place is being watched.
01:10:35All we can go to my place is being watched.
01:10:36All we can go to my place is being watched.
01:11:05All we can go to my place is being watched.
01:11:06All we can go to my place is being watched.
01:11:07All we can go to my place is being watched.
01:11:08All we can go to my place is being watched.
01:11:09All we can go to my place is being watched.
01:11:10We can stay here for a few days.
01:11:11Take it easy.
01:11:12Decide what we're going to do.
01:11:13I wish I had a needle and thread.
01:11:14I'll get supplies when the shop's open.
01:11:15James, I can't stay here.
01:11:16It wouldn't work.
01:11:17What won't work?
01:11:18Look, I'm scared.
01:11:19If Howard finds out about us, I don't know what he's going to do.
01:11:32I've got to go today.
01:11:33You're kidding.
01:11:34You wouldn't go back to him now, not after what's happened.
01:11:38Look, I don't know.
01:11:39I don't know anything anymore.
01:11:40All I know is that I must go today and it's for your safety as well.
01:11:44Bullshit.
01:11:45Try and understand.
01:11:47I got us into this mess and only I can get us out.
01:11:50That's bullshit and you know it.
01:11:52It's not and you know it.
01:11:54Please be patient.
01:11:57Staying with you now is not going to solve anything.
01:12:00It'll all work out.
01:12:02It'll all work out.
01:12:03Oh, Christ.
01:12:07I'll phone you.
01:12:08Tell me or not.
01:12:09omnium.
01:12:10That's amazing.
01:12:11Oh, yeah.
01:13:51You'll have to stop at the gates.
01:14:09Oh, do drive on.
01:14:24Oh, do drive on.
01:14:54Oh, do drive on.
01:15:24Oh, do drive on.
01:15:54Oh, do drive on.
01:15:56Thank God.
01:15:58What happened?
01:16:00They came here.
01:16:04Bradley.
01:16:06Phone and ambulance.
01:16:08Oh, do drive on.
01:16:14Oh, do drive on.
01:16:20Oh, do drive on.
01:16:22Oh, do drive on.
01:16:24Oh, do drive on.
01:16:32Oh, do drive on.
01:16:34Oh, do drive on.
01:16:44You bitch.
01:16:46Oh, do drive on.
01:16:56Oh, do drive on.
01:16:58Oh, do drive on.
01:17:00Oh, do drive on.
Recommended
1:22:14
|
Up next
1:30:09
1:33:50
1:28:51
1:31:16
1:35:29
2:44
3:31
3:35
1:49:38
4:05
1:28:51
1:05:08
1:32:54
1:29:10
Be the first to comment