- 22 hours ago
In other words i love you dailymotion
Category
🎥
Short filmTranscript
00:00:00I've always described the world in words, people, moments, places, all through metaphors and margins.
00:00:12You okay?
00:00:13Like my mom, self-made, stubborn, and never wrong.
00:00:18Almost there. You excited for your first day?
00:00:20She calls this a fresh start. I call it terrifying.
00:00:30You've got this. Just be yourself.
00:00:33That's kind of the problem.
00:00:54I'm stuck in space, got a daisy running through my brain every day.
00:01:00I want to say goodbye.
00:01:03Okay.
00:01:05Morning, class.
00:01:08And you're not seated because?
00:01:11I don't have a seat.
00:01:14Ah, a new transfer. Alice Keaton, right? Let's see.
00:01:21Now, there's a spot next to Charles.
00:01:24Charles case, sorry.
00:01:26Seriously? A charity case sitting next to Charles?
00:01:29God, why is she?
00:01:31Quiet, Charles.
00:01:36I've always had words for everything.
00:01:39But in that moment,
00:01:41I forgot them all.
00:01:44Charles, move your things.
00:01:56I'd rather not.
00:01:57She'll be a distraction.
00:01:59From what?
00:02:00Sleeping.
00:02:01From everything.
00:02:02If anything, Charles,
00:02:04Miss Keaton will be a positive influence on you.
00:02:06She was top of her class at her previous school.
00:02:09With all due respect, sir,
00:02:11her previous school was American.
00:02:14I highly doubt that.
00:02:17That's enough.
00:02:18She can sit here.
00:02:21It's fine.
00:02:24Back to Goldie.
00:02:26You got it.
00:02:27I'm Sherry Vaughan.
00:02:28Alice Keaton.
00:02:29It's very important that we look at the other's intentions.
00:02:32What he's talking about,
00:02:34their experience of the time.
00:02:36Alice Keaton.
00:02:36Wait, you sat next to Charles?
00:02:41She didn't.
00:02:42You totally shut her down.
00:02:43Oh, knew it.
00:02:44Don't take it personally.
00:02:45He's impossible.
00:02:47Can everyone stop acting like the goal is getting into his pants?
00:02:50What?
00:02:51He's hot.
00:02:52Everyone kind of is.
00:02:55I've seen Connor.
00:02:57He's not my type.
00:02:59You're joking.
00:03:00I don't find bullies attractive.
00:03:02Hey, be careful.
00:03:03You're talking about the king of Ashford.
00:03:05The what?
00:03:07His family basically own the school.
00:03:09And the town.
00:03:10Maybe even the country.
00:03:12Yeah.
00:03:12Everyone's tried to get close.
00:03:14No one can get past his ego.
00:03:16You're not the first to get iced.
00:03:17Okay, first of all, I wasn't iced.
00:03:20It's more like a mutual decision.
00:03:23And second, I think he's arrogant, cold,
00:03:26thinks he's untouchable.
00:03:28But if you really look at Charles,
00:03:29he just seems isolated, like he's faking out.
00:03:33Honestly, I just think he's lonely
00:03:34I'm kind of pathetic.
00:03:39What?
00:03:40No, go on.
00:03:47You were saying I'm lonely and pathetic.
00:03:54Next time,
00:03:56read the room
00:03:57before opening your mouth,
00:04:00American.
00:04:03We're not in Kansas anymore, Alice.
00:04:21Hey, how was your first day?
00:04:22Uh, good.
00:04:24Anything exciting happen?
00:04:26Not really.
00:04:26Super uneventful.
00:04:29Really?
00:04:30How's your new job?
00:04:31Yeah, all right.
00:04:33Get this?
00:04:33They said we can stay in the servant's wing.
00:04:35Seriously?
00:04:36Hmm.
00:04:37Apparently, the young master won't mind the company.
00:04:40The young master.
00:04:41This is your boss's house.
00:04:45Yeah?
00:04:46Isn't that incredible?
00:04:48I mean, I wouldn't call it a house.
00:04:50It's
00:04:50a museum
00:04:52with better landscaping.
00:04:58Wait here.
00:04:59I'll talk to the butler.
00:05:00Wow, rich people.
00:05:08You've topped yourselves again.
00:05:12Stephen King.
00:05:15First edition.
00:05:25Breaking and entering now.
00:05:27How American of you.
00:05:29I...
00:05:30You can get up now.
00:05:52I...
00:05:52I'm trying.
00:05:54Wait!
00:05:56Are you serious?
00:05:58Well, you said you were trying.
00:06:01What is wrong with you?
00:06:03Funny.
00:06:04I was about to ask you the same thing.
00:06:06What are you doing in my house?
00:06:10You...
00:06:10Wait.
00:06:12Your house?
00:06:13My house.
00:06:14My library.
00:06:15And now, apparently,
00:06:17my unwanted guest.
00:06:19Ah, Master Charles.
00:06:21You must be Miss Alice,
00:06:23Anne's daughter.
00:06:24She said you'd be moving in today.
00:06:26She what?
00:06:27There...
00:06:27There's been some kind of misunderstanding.
00:06:30You see,
00:06:30I'm not actually moving in.
00:06:33Is that so?
00:06:34Yeah.
00:06:34I'm not staying here.
00:06:36Like, at all.
00:06:37That's a shame.
00:06:38Your mother seemed quite pleased
00:06:38for the arrangement.
00:06:39Well,
00:06:40I just don't think
00:06:41it's appropriate.
00:06:42Well,
00:06:43if you're sure,
00:06:44then absolutely not.
00:06:47Come on, Alice.
00:06:49You
00:06:50must
00:06:51stay.
00:06:53It'll be
00:06:53fun.
00:06:54My dear
00:06:56classmate.
00:06:59I'm dead.
00:07:00Like, mentally,
00:07:02socially,
00:07:03and actually dead.
00:07:10Just trying to figure out
00:07:11how exactly my life
00:07:13went off the rails.
00:07:15Get it together,
00:07:16Alice Keaton.
00:07:17You've been through hell.
00:07:18I was sure I'd never find someone
00:07:19to make my head spin around.
00:07:22Actually, no.
00:07:22No one's ever gonna be the thing
00:07:23I'll just let you...
00:07:24This is hell.
00:07:28Uh, good morning.
00:07:37Wow.
00:07:44So, is that Miss Keaton?
00:07:47What thing doesn't know?
00:07:48That's often closed for months.
00:07:50She's going to be late.
00:07:53Okay, how long is this thing
00:07:58going to take?
00:07:59Maybe I'll just walk?
00:08:01Five miles
00:08:03to school!
00:08:05Okay,
00:08:05if I sprint,
00:08:07maybe I'll make it
00:08:07before first period.
00:08:09Or die of exhaustion
00:08:11on the way.
00:08:12Or die of exhaustion
00:08:16on the way.
00:08:18What?
00:08:18What are you doing here?
00:08:20Didn't you already leave?
00:08:24Wait,
00:08:24did you come back
00:08:26for me?
00:08:28Relax.
00:08:30I forgot my textbook.
00:08:32Don't flatter yourself.
00:08:33Wait!
00:08:37Since you're already here,
00:08:39maybe you could be
00:08:40a decent person
00:08:41and give me a ride?
00:08:41No.
00:08:46Seriously?
00:08:47Your car is huge!
00:08:49Yeah.
00:08:51And I'm not a fan of sharing.
00:08:54Says the guy who
00:08:55forced me
00:08:55to live in his house!
00:09:01Unbelievable!
00:09:01Ashford Institute, please.
00:09:17Who needs that
00:09:18entitled brat anyway?
00:09:20Sir,
00:09:21you called the cab.
00:09:22Why not just give
00:09:22Miss Keaton a lift?
00:09:28Why not just give
00:09:29Miss Keaton a lift?
00:09:30And have the whole
00:09:31school go crazy.
00:09:32She's new.
00:09:34Everybody's already
00:09:35talking.
00:09:36So you're worried
00:09:36about her?
00:09:37You're overthinking.
00:09:39I just don't like drama.
00:09:47Asshole.
00:09:48Who?
00:09:50Morning, class.
00:09:52Back to Golding.
00:09:54Remind me what he's saying
00:09:55through Lord of the Flies.
00:10:00Mr. Kenwood.
00:10:03Care to share what you
00:10:04found so amusing?
00:10:05Not particularly.
00:10:07Oh,
00:10:08I insist.
00:10:09You seem very
00:10:09entertained by Golding.
00:10:11I'm not entertained
00:10:13by Golding, sir.
00:10:14On the contrary.
00:10:16I think his ending
00:10:17is
00:10:17weak.
00:10:20Wait, wait.
00:10:21You've actually
00:10:21read it?
00:10:22Quiet.
00:10:22That's an interesting
00:10:25take.
00:10:26Explain.
00:10:29He had the set up
00:10:30for something brutal.
00:10:32Something honest.
00:10:33But in the end,
00:10:34he backed out.
00:10:35He could have
00:10:36left the boys
00:10:36on the island,
00:10:37forced them to
00:10:38confront the
00:10:38collapse of
00:10:39vulnerability,
00:10:40let them choose
00:10:40survival or death.
00:10:43But instead,
00:10:44he gave them
00:10:45a rescue boat,
00:10:46slapped a
00:10:46happily ever after
00:10:47on a book
00:10:48about savagery.
00:10:49It's a waste.
00:10:54Don't you think?
00:10:55I'm delightfully
00:10:56surprised, Charles.
00:10:57Didn't think you
00:10:57had such strong
00:10:58literary opinions.
00:11:00I'm always a model
00:11:01student, sir.
00:11:02Let's not get
00:11:02ahead of ourselves.
00:11:06So,
00:11:07a critique of
00:11:08Golding's mercy.
00:11:09Anyone disagree?
00:11:19Got a whole lot
00:11:21or it's falling
00:11:21out, yeah.
00:11:25I think Golding
00:11:26knew exactly
00:11:27what he was doing
00:11:27by ending the book
00:11:28that way.
00:11:29It's not mercy,
00:11:30it's irony.
00:11:32How so?
00:11:35The rescue
00:11:36isn't a happy ending.
00:11:37You don't just
00:11:38walk back into
00:11:39society and forget
00:11:39you're a monster.
00:11:41Golding didn't
00:11:41save them,
00:11:42he left us
00:11:43with the discomfort
00:11:43of pretending
00:11:44they could be saved.
00:11:45That's an interesting
00:11:46take, Miss Keaton.
00:11:47You still think
00:11:48it's a harsh
00:11:49critique?
00:11:49In some ways,
00:11:51but not harsh
00:11:52enough.
00:11:53Yes, it's a critique
00:11:55of toxic masculinity
00:11:56but still,
00:11:57Golding sympathised
00:11:58with them.
00:11:59And the civilised
00:12:00world?
00:12:01Toxic, violent,
00:12:02he didn't call that
00:12:03out nearly as much.
00:12:04So yeah,
00:12:04I don't think
00:12:05Golding pushed
00:12:06far enough
00:12:06but I think it's
00:12:07unfair to call it
00:12:08a happy ending.
00:12:12Thank you,
00:12:13Miss Keaton.
00:12:14Well said.
00:12:16Anyone else?
00:12:19Both opinions
00:12:20are valid.
00:12:21Okay,
00:12:21that's kind of epic.
00:12:23Golding faced
00:12:23major backlash
00:12:25when he first
00:12:25published the book.
00:12:27Good literature
00:12:28will always divide
00:12:29opinion.
00:12:32What's happening
00:12:33to me?
00:12:39Okay,
00:12:39what is going on?
00:12:40Why is everyone
00:12:41staring at me?
00:12:42Well,
00:12:43you're new
00:12:44and apparently
00:12:45had a thing
00:12:45with Charles.
00:12:46A what now?
00:12:48You two are in the middle
00:12:49of the most epic
00:12:50feud Asher's teen
00:12:51in years.
00:12:51We're not even fighting.
00:12:53Well,
00:12:53according to everyone,
00:12:54you confessed your love
00:12:55on day one,
00:12:56got rejected,
00:12:57begged to sit next to him,
00:12:59got rejected again.
00:13:01And today in class,
00:13:02you broke down
00:13:03crying about
00:13:03not believing
00:13:04in happy endings
00:13:05and stormed out
00:13:06in tears.
00:13:07You were there,
00:13:09Sherry.
00:13:10That is not
00:13:10what happened.
00:13:12Doesn't matter.
00:13:14People believe
00:13:14what they want
00:13:15to believe
00:13:15and they want
00:13:16Charles to be
00:13:17flawless,
00:13:18untouchable.
00:13:19Wow.
00:13:21Is misogyny
00:13:21like a rich kid thing
00:13:22or just a British specialty?
00:13:24Honestly,
00:13:25both.
00:13:26But seriously,
00:13:27Alice,
00:13:28some people already
00:13:29see you as a threat.
00:13:37Okay.
00:13:39Noted.
00:13:40Looks like the new girl
00:13:41is in for a rough
00:13:42first semester.
00:13:57Hello?
00:14:00Hello?
00:14:02Is somebody out there?
00:14:05Oh, come on!
00:14:07Fine.
00:14:33Seriously?
00:14:34Seriously?
00:14:37Oh shit.
00:14:43What the hell?
00:14:45Anne, I thought you were having dinner with Alice?
00:14:48She hasn't come home. Her phone is off.
00:14:50Maybe you've seen her this evening?
00:14:54Yikes. Looks like the new girl's in for a rough first semester.
00:15:04Shit.
00:15:09Alice! Alice!
00:15:11Mr Pelton, Charles Kenwood here.
00:15:13I was wondering if I could get the timetable for Alice Keaton.
00:15:16She hasn't come home.
00:15:17I'll have it sent over.
00:15:19Check the common room in the library. I'll take the rest.
00:15:25Alice!
00:15:34Come on, Alice. Close your eyes and jump.
00:15:43It's fine. We're fine.
00:15:46mu 일이
00:15:57Au revoir
00:16:00Susan
00:16:01It's real love
00:16:05tantalonic
00:16:09Hey, Mr. Nonchalant
00:16:11Are you happy with how we ended?
00:16:19What are you doing here?
00:16:24Can you get off me first?
00:16:35You're welcome.
00:16:37I didn't say thank you.
00:16:38I figured saving your life might earn me basic manners.
00:16:41Someone just dumped swamp water on me.
00:16:44Excuse me if I'm not feeling very polite.
00:16:46You smell like a biology experiment.
00:16:49Wow.
00:16:50You should try falling out of a window into someone's arms and getting insulted for it.
00:16:54I wouldn't recommend it.
00:16:55You're heavier than you look.
00:16:58I hope you pull your shoulder.
00:17:05Are you okay?
00:17:07No.
00:17:07But I will be.
00:17:09Someone did this on purpose.
00:17:12What do you think, golden boy?
00:17:15Don't worry.
00:17:16I can handle it.
00:17:16You shouldn't have to.
00:17:19I'm sorry.
00:17:28Sorry.
00:17:29Did you just apologize to me?
00:17:36Don't get used to it.
00:17:37I wouldn't dream of it.
00:17:41Alice?
00:17:42Over here.
00:17:44Oh my god.
00:17:46You okay?
00:17:49Why are you drenched?
00:17:50Yeah.
00:17:51I just took a weird shower.
00:17:54Top exploded.
00:17:57Come on.
00:17:58Let's go.
00:18:08Alice Keaton, right?
00:18:10I heard you staged the whole thing for attention.
00:18:14I know how this place works.
00:18:39If you don't do anything about it, it's only going to get worse.
00:18:42I'll look into it.
00:18:46Charles?
00:18:48Good on you.
00:18:50How many here would speak up?
00:18:55I can't believe someone actually locked you in.
00:18:58That's insane.
00:18:59Where the hell was the school when this was happening?
00:19:01Busy protecting their golden boys and trust funds.
00:19:04Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.
00:19:10Please.
00:19:11He just didn't want a lawsuit.
00:19:12Being a scholarship student has its perks, like saving a fortune on tuition and getting into schools that normally wouldn't even let you pass the gates.
00:19:38Hey, we miss you in Paris.
00:19:42Though there are enough Americans to remind us of you.
00:19:45But sometimes, being here means standing behind and watching Ashford Elites go on a two-week enrichment program you can never afford.
00:19:55Have fun.
00:19:57Bring me something overpriced and unnecessary.
00:20:02The trip cost 20 grand in pounds, which translates to mom's salary for half a year.
00:20:10So yeah, I didn't go.
00:20:12What are you doing here?
00:20:34Do you not believe in shirts?
00:20:36Do you not believe in dignity?
00:20:38It's comfortable.
00:20:39You look like a rejected Ewok.
00:20:41This, this is not even your kitchen.
00:20:43And this is not even your house.
00:20:45And yet, you're here, dressed like this.
00:20:48Just don't, look, go away.
00:20:50Hard not to, when you're walking around dressed like that.
00:20:53What do you guys call it?
00:20:55Um, buzzkill?
00:20:57Cockblock.
00:20:59You're insufferable.
00:21:00You're the one cosplaying at breakfast.
00:21:02You know what?
00:21:03I don't get it.
00:21:04Why didn't you go on that tour?
00:21:05I thought rich people live for that kind of thing.
00:21:07Why do you think?
00:21:11Where would I go?
00:21:15I could practically recite the itinerary in my sleep.
00:21:19Florence.
00:21:20Walk in the great footsteps of Dante, Michelangelo, da Vinci and Titian.
00:21:25Or Tiziano, if you want to sound extra pretentious.
00:21:28Then Venice, because everybody loves a good canal and getting lost in the most confusing
00:21:33city on earth.
00:21:35Next stop, Napoli.
00:21:36Marvel at Pompeii.
00:21:38Pretend you're shocked.
00:21:39Ancient people have plumbing.
00:21:41The final stop, Paris.
00:21:44The ultimate city of romance.
00:21:46And, naturally, Woody Allen's favourite city outside of New York.
00:21:53That's word for word.
00:21:56I told you.
00:21:57I've done this tour so many times I could run it.
00:22:00Okay, but still, it's Europe.
00:22:02Most people would kill for that chance.
00:22:04Most people haven't had their phones stolen in Paris.
00:22:07Twice.
00:22:07Also, I hate the accommodations.
00:22:11Aren't they all five-star hotels?
00:22:13Standard rooms in five-star hotels.
00:22:15No, thank you.
00:22:17Wow.
00:22:18Some were born in Rome, huh?
00:22:20That's unfortunate.
00:22:21It's a very chaotic city.
00:22:22One word of advice?
00:22:24Shut up.
00:22:24That's two words.
00:22:28You're weird.
00:22:28You're loud.
00:22:29You're annoying.
00:22:30You're in my kitchen.
00:22:31You have three other kitchens.
00:22:32And I prefer this one.
00:22:34Just for today.
00:22:35Come back when you've got a shirt on.
00:22:37Come back with normal clothes on.
00:22:38You don't have to come.
00:22:39Don't tell me what I have to do.
00:22:49Master Charles, roads are flooded.
00:22:51Staff won't make it tonight.
00:22:52Will you be alright sorting dinner?
00:22:57I've got it sorted.
00:23:07I'm here to make a deal.
00:23:16What deal?
00:23:17You nearly gave me a heart attack.
00:23:23You'll survive.
00:23:24I'm not selling my body.
00:23:26I'm not selling my body.
00:23:36Wow.
00:23:37I am deeply offended.
00:23:40That thought disgusts me.
00:23:42Then what are you doing?
00:23:43The staff's off tonight.
00:23:45I'm buying dinner.
00:23:49Did you seriously think I'd spend 100 pounds on...
00:23:51No, I'm...
00:23:52Jesus.
00:23:54Wait.
00:23:56You think I'm not worth 100 pounds?
00:23:59I'm not spending 100 pounds to snort you back up.
00:24:02You know what?
00:24:03Dinner's cancelled.
00:24:07Are you sure about that?
00:24:10I present to you.
00:24:12Meatball spaghetti, stir-fried veggies, and french fries.
00:24:15You're welcome.
00:24:16Interesting combo.
00:24:18Well, I know we're not in Italy or France, but this'll do.
00:24:22It's...
00:24:23good.
00:24:29Was that a compliment?
00:24:31Although, I am obliged to inform you.
00:24:34Meatball spaghetti isn't Italian.
00:24:37It's American.
00:24:38And french fries, likely born in South America.
00:24:41You should read more.
00:24:43Put it down.
00:24:45I paid for it.
00:24:47You really just have to win every argument, don't you?
00:24:49To be fair,
00:24:50you make it very easy.
00:24:53It's only easy because it costs 200 pounds.
00:24:56You know, if you'd ask for more,
00:24:57I probably would have given it to you.
00:24:58I'll make sure the next time.
00:24:59Okay, Alice.
00:25:15It's fine.
00:25:16You're fine.
00:25:24911, look for your emergency.
00:25:26911, what's for your emergency?
00:25:32It's my dad.
00:25:33He needs help.
00:25:34He just had a stroke.
00:25:35Okay, ma'am.
00:25:36Hurricane constant traffic shut down.
00:25:38We'll get to you as soon as we can.
00:25:39Please, he's not well.
00:25:40I understand.
00:25:42Can you confirm your address?
00:25:45Dad, yes, I'm right here.
00:25:47All right.
00:25:49My daughter.
00:25:50Please, stay with me, Dad.
00:25:52Please.
00:25:52No.
00:25:58Please, wake up.
00:26:04Dad, please.
00:26:05Please don't leave me.
00:26:07Please.
00:26:16Why don't you look like me?
00:26:18I'm safe.
00:26:22I want to shake your eyes.
00:26:25Please.
00:26:26Say a littlefe.
00:26:28I want a little cheese.
00:26:28A little pepper.
00:26:29I'm stuck with a bad one.
00:26:30I want a будете.
00:26:32It takes a little cheese.
00:26:32Clark Mike, I want to бокs you up to me.
00:26:33Are you still alive?
00:26:34I want to respect yourproblems?
00:26:35Wait, come on.
00:26:35you what are you doing here
00:26:40you were crying loudly kind of hard to ignore right sorry for the night wait you know snarky
00:26:56come back not tonight i'm too tired if you're here to argue knock yourself out
00:27:01you were calling for your dad right hurricane hit new york power went down traffic froze
00:27:13dad had a stroke but he couldn't get out in time
00:27:19i sat there with a candle while he laid there peaceful like he was asleep
00:27:28but he wasn't
00:27:34so that's why you and your mom moved here this used to be our hometown
00:27:40after dad left we had nowhere else to go
00:27:50what are you doing
00:27:50come on
00:28:11wait i thought the parallel was out it is we have our own generator wow rich people houses her just for
00:28:19tonight i'll allow it
00:28:23allow what you can call this place your house so enjoy it stephen king's first edition alan
00:28:30gisberg's handwritten letters jane austen's notes all yours
00:28:34this is your home alice keaton
00:28:48careful almost sounded sweet don't push it okay then
00:28:52i have one request
00:29:01what is it
00:29:09are you ever going to make a move wait give me a second i'm thinking
00:29:13you had one wish anything in the world and in the middle of a thunderstorm inside a literal mansion
00:29:22you chose chess yeah got a problem it's just so cool like spies or genius villains in movies
00:29:30it's literally a board game says the guy who owns a custom set
00:29:35wait does the night go diagonally for the 10th time it moves in an l shape
00:29:42one two then turn there happy ecstatic
00:29:48you know that's suicide or a brilliant long-term sacrifice you are playing checkers at a chessboard
00:29:57still beating you in sarcasm you literally haven't won any past arguments golding disagrees
00:30:02it's going to be a long night oh my no
00:30:05why what's wrong with that dude you can't do that
00:30:30maybe he's not so awful after all
00:30:35um who are you
00:30:46what are you doing here well your parents said you were still at home
00:30:50thank god you skipped that boring grand tour who needs italy and france again right when did you get
00:30:55back last night from zurich you didn't answer my messages i missed you anyway thought i'd come
00:31:04surprise you apparently i'm transferring to ashford your parents were so thrilled they didn't tell me
00:31:10about this i wanted to deliver the happy news myself they said it'd be lovely for us to reconnect
00:31:17you know considering the engagement and all engagement oh did no one tell you he's promised
00:31:27old money stuff very retro i didn't agree to that you didn't have to it's never up to us
00:31:34where did you find this little toy serena you know oh an american how refreshing
00:31:44goodbye wait
00:31:56where are you going you still owe me breakfast
00:32:07you only paid for dinner i had homework goodbye
00:32:14your little toy has quite the temper serena can you please just stop what teasing the hell
00:32:20that's her that's the one from kenwin's house was she like the maid or something
00:32:40oh my god what's wrong with people they're saying you live with charles oh and serena
00:32:54what about her well apparently she told everyone you were caught sneaking into his room of course she did
00:33:10as well
00:33:26yeah can you help me ?
00:33:27yes i know it's 10 66 hours
00:33:30come to the music room urgent i just remembered i need to check something you guys go ahead
00:33:36Yeah, okay.
00:33:43Hello! Is someone there?
00:33:45Seriously!
00:33:46This is getting old!
00:33:59Wait.
00:34:01Music room, what?
00:34:04James?
00:34:06Was anybody in here earlier?
00:34:07Just Miss Serena.
00:34:08Said she was waiting for you.
00:34:11Sir?
00:34:13Sir, it's raining!
00:34:24Come on, Alice, you're fine.
00:34:28You're not that girl again.
00:34:34Wait, can you remind me one more time?
00:34:39Okay.
00:34:40Rooks move in straight lines.
00:34:41Yeah.
00:34:43Bishops move diagonally.
00:34:45And knights...
00:34:46The knights the weird one.
00:34:52Rooks.
00:34:54Straight lines.
00:34:56Bishops.
00:34:58Diagonally.
00:34:59Hello?
00:35:19The text.
00:35:21Are you okay?
00:35:22Are you hurt?
00:35:23I...
00:35:24I...
00:35:25I'm okay.
00:35:26I...
00:35:27I saw the text and I thought...
00:35:28I...
00:35:29I didn't see the message.
00:35:30Serena took my phone.
00:35:31I...
00:35:32I didn't know.
00:35:33I'm sorry.
00:35:34I'm...
00:35:35Okay.
00:35:36You're gonna catch a cold.
00:35:37You're freezing.
00:35:38You didn't have to come.
00:35:41Don't tell me what I have to do.
00:35:44Just the hope that feels like hope...
00:36:06That wasn't a mistake, if that's what you're about to say.
00:36:10I...
00:36:11I...
00:36:12Wasn't going to.
00:36:24I'm really bad at this, you know.
00:36:27What?
00:36:28Kissing?
00:36:29Hiding feelings.
00:36:30I...
00:36:39Dump those Ewok pyjamas.
00:36:40Oh, you wish.
00:36:41Seriously.
00:36:42It's a cock block.
00:36:43You kissed me.
00:36:44That's basically consent to everything.
00:37:10Dangerous words, Keaton.
00:37:12I might hold you to that.
00:37:23You'll be working in pairs on your comparative essays.
00:37:26The list is on the board.
00:37:35Are you okay?
00:37:39That's where I'll see your face.
00:37:42That's where I'll see your face.
00:37:44And have you with me.
00:37:51It may seem dark.
00:37:54But you always lie in my spark.
00:37:56You're distracting.
00:38:05You're welcome.
00:38:06You're welcome.
00:38:09They're either enemies or secretly married.
00:38:13Honestly?
00:38:14Both.
00:38:15I was sure I'd never find someone to make my head spin around.
00:38:21No one's ever gonna be the thing I need.
00:38:23They all just let me down.
00:38:25But baby, you saved me.
00:38:28Till I'm brand new.
00:38:31Everything's so different now.
00:38:35So, the night goes in an L shape, right?
00:38:38Why is that the only one you remember?
00:38:41Because it's weird.
00:38:43And I like weird.
00:38:52Check.
00:38:59You're cheating.
00:39:00I'm winning.
00:39:01There's a difference.
00:39:02You are very distracting.
00:39:04And you like it.
00:39:05Charles.
00:39:06We need to talk.
00:39:07I expected poor judgement.
00:39:11But this in my house?
00:39:12It isn't what it looks like.
00:39:13No.
00:39:14Kissing a servant's daughter in the family library.
00:39:16Enlighten me then, Charles.
00:39:17We came back tonight after speaking with Serena.
00:39:41Imagine our surprise walking in on this.
00:39:43walking in on this. She isn't just... you have no right to barge in. On my property.
00:39:53I care about her. I'm not ashamed of that. That's enough.
00:39:59Why do you care? We're protecting our son's future and our name. You think this
00:40:06protects me? We think she does not belong in your world.
00:40:13Then maybe I don't either.
00:40:17You're ready to give up everything for a girl you barely know?
00:40:23Yes. Then are you sure she's ready?
00:40:34I'm asking you, do you think she's ready to lose everything regardless of how little that is just to be with you?
00:40:42What are you talking about?
00:40:43You left us no choice, son. You shouldn't disobey your father.
00:40:50Pelton, it's Frederick Kenwood.
00:40:52Ah, Mr. Kenwood. How can I help?
00:40:55If a scholarship student were to violate our behavioural code in a public setting with photographic evidence, would that warrant a review?
00:41:05Yes, sir.
00:41:06So, answer me again. Do you think she's ready to lose everything just to be with you?
00:41:16Charles, what happened? Did your parents say something? Are they mad? Is everything okay?
00:41:30Pack your things. You can't stay here anymore.
00:41:35What?
00:41:36My parents fired your mother. She's leaving. So are you.
00:41:41Wait, what? Why? Is it because of us? We can fix this. I'll get a job, anything.
00:41:46Stop, stop it. You don't get it. If I don't walk away from this, they'll cut me off. Okay? No card, no trust, no support. Nothing.
00:41:57Then...then we'll figure it out. We don't need all that. We can...
00:42:04Do you really think I'm going to live like that?
00:42:09So that's what this was? Just fun until it got inconvenient. What did they promise you?
00:42:19Nothing. They just reminded me of what's real.
00:42:27Charles, I'm not stupid. You don't just turn into a cold stranger because of one conversation. What did they threaten you with?
00:42:41What did they threaten you with?
00:42:43This is the difference between me and you.
00:42:45What?
00:42:46You think you know me. Or what I have. You don't, Alice.
00:42:52You're still lying.
00:42:53You're not, Alice. Look around you.
00:42:56This mansion you thought was a museum. It's my house.
00:43:01My world.
00:43:03I was bored into this. I am not choosing between this...
00:43:09...and something I picked up for a moment of fun.
00:43:12It was fine.
00:43:15Don't do this, Charles. You don't mean it.
00:43:17Look, it was fine.
00:43:19But you...
00:43:21You don't compare to what I own.
00:43:25I'll survive the loss.
00:43:26Right.
00:43:27I should have known.
00:43:32Guys like you don't end up with girls like me.
00:43:37You play with them, then you throw them away.
00:43:42Go to sleep, Alice.
00:43:44Go to sleep, Alice.
00:43:56This fall is a little more than I expected.
00:44:02In so deep I can barely see myself.
00:44:06Yeah, around me feels so heavy but depleted.
00:44:15But I find that's the place to test myself.
00:44:27Oops.
00:44:36Oh, sorry.
00:44:46Didn't see you there.
00:44:47Then again, nobody does.
00:44:49Move, please.
00:44:51Hmm.
00:44:53Try begging.
00:44:59You know what? Keep it.
00:45:01Poor thing.
00:45:06So dramatic.
00:45:08Don't.
00:45:10Excuse me?
00:45:12I warned you.
00:45:14Walk away, Serena.
00:45:30Last week's group assignments were mostly forgettable.
00:45:38But one pair surprised me.
00:45:40In a good way.
00:45:42Charles Kenwood and Alice Keaton.
00:45:45Would you mind giving us a short summary?
00:45:48She loves the sound of her own voice.
00:45:49Better have it.
00:45:50I couldn't stay.
00:45:51I couldn't wait.
00:45:53I thought that you should know that I would have.
00:45:57Can hang around.
00:45:58Our essay explored what happens when two fundamentally different voices meet.
00:46:03Like logic and chaos, or silence and noise.
00:46:07Different worlds, different rules.
00:46:12At first glance, they clash.
00:46:14But what makes the story interesting is what happens next.
00:46:17Confusion.
00:46:19Curiosity.
00:46:21But in the end, some stories aren't about staying.
00:46:24And yes, there is no such thing as a happy ending.
00:46:36And yes, there is no such thing as a happy ending.
00:46:40Is she still talking about the essay?
00:46:41Miss Keaton.
00:46:43Dramatic as always.
00:46:45All right.
00:46:46Thank you, Alice.
00:46:48That was...
00:46:51Layered.
00:46:53Are you okay?
00:46:54A reminder.
00:46:56That good literature always stirs something.
00:47:02Hello?
00:47:03Hi, here's Alice Keaton.
00:47:04This is Whitmore Press.
00:47:05We've been following your work.
00:47:06We'd like to offer you a long-term publishing contract.
00:47:08Name your price.
00:47:09We'll...
00:47:10We'll make it work.
00:47:12Sorry, what?
00:47:16That's...
00:47:17Kind of...
00:47:18Insane.
00:47:19Who's behind this?
00:47:21Your sponsor wishes to remain anonymous.
00:47:23Can...
00:47:24Can I meet them?
00:47:27I want to.
00:47:29Please.
00:47:30Or at least tell me a name.
00:47:31Sorry.
00:47:32They wish to stay in office.
00:47:33So they're only interested in words, not the person.
00:47:34I'd really like to meet them.
00:47:35I'm sorry, Miss Keaton.
00:47:36They were very good.
00:47:37And they're the most generous offer we've ever given an interview.
00:47:38I see.
00:47:39Congratulations again.
00:47:40You got the interview.
00:47:41It's just an interview.
00:47:42I haven't gotten it yet.
00:47:43Still, Alice Keaton at Oxford.
00:47:44That's iconic.
00:47:45For your love, I need to call back to the world.
00:47:46Oh, no.
00:47:47I'm sorry.
00:47:48I'm sorry.
00:47:49Shall I ran a bit?
00:47:50Thank you for your love.
00:47:51Thanks to my loving friend.
00:47:53You got the interview.
00:47:54It's just an interview.
00:47:55I haven't gotten it yet.
00:47:56Still, Alice Keaton at Oxford.
00:47:58That's iconic.
00:48:00I'm so excited.
00:48:06You okay?
00:48:09Yeah.
00:48:10I'm so excited!
00:48:12I'm so excited!
00:48:15It's done, Mr. Kenwood. Miss Keaton signed the contract.
00:48:30Good.
00:48:31It's a generous deal. You sure you don't want it to know?
00:48:35No.
00:48:37No, it's better if I stay out of her life.
00:48:39I will be there for you, babe. I'll be there in your darkened space.
00:48:48Congratulations, Alice Keaton. Go live the life you were always meant to.
00:48:58Your engagement and announcement should align perfectly with the Foundation Gala.
00:49:03And the Browns already offered to host the London reception.
00:49:07It's all coming together beautifully.
00:49:14I've lost my appetite.
00:49:18I'll go check on him.
00:49:25What's your problem, Charles?
00:49:30Disengagement is not happening.
00:49:33It's not up to you. You know that.
00:49:34Serena, we're not doing this.
00:49:37You've changed.
00:49:42Or maybe I finally just stopped pretending.
00:49:44Taz!
00:49:58You're the sponsor!
00:50:02Tarles! You're the sponsor! You've been funding Alice Keaton this whole time!
00:50:19So?
00:50:20You lied to everyone, including her!
00:50:23I protected her.
00:50:27You loved her.
00:50:29Still do.
00:50:29Let it go, Serena.
00:50:34There's no point.
00:50:44I need a favour. Find out when the Oxford interview is.
00:50:49And make sure Alice Keaton won't show up.
00:50:55Anything? No?
00:50:58She's not answering. The interview's almost over.
00:51:01Well, she won't just not show up. Something's wrong.
00:51:05Where's Alice?
00:51:07When was the last time you heard from her?
00:51:09Last night. She said she was prepping all evening.
00:51:11James, track someone for me.
00:51:16Wait, where are you going?
00:51:20Where are you going?
00:51:28Chill, okay. It won't hurt you.
00:51:31Yeah, we're just supposed to keep you away from the interview. That's it.
00:51:34That's it.
00:51:43Shit! Come back!
00:51:53Come back!
00:51:54I can't wait!
00:51:55I can't wait!
00:51:56Okay, I can't wait!
00:51:57I can't wait!
00:51:59You're not gonna wait!
00:52:01Oh, my God.
00:52:03So, I can't wait.
00:52:05Every line is going to be the last night!
00:52:07Never going to miss a second.
00:52:08I remember how we met
00:52:14Didn't need a second guess
00:52:18Hey, hey, hey, Alice, Alice
00:52:23Alice, stay with me, stay with me
00:52:26Stay with me, Alice
00:52:27You're awake
00:52:35Where, where am I?
00:52:37A local clinic
00:52:39Passerby brought you in
00:52:41Passerby
00:52:43He found you on the side of the road
00:52:45He had to leave, he didn't leave a name
00:52:48Oh
00:52:50The interview, what time is it?
00:52:52Easy, it's okay
00:52:54Someone already contacted the university
00:52:56And sent in your writing samples
00:52:58They've rescheduled your interview for tomorrow
00:53:00Wait, what, who?
00:53:02No idea, but it's all taken care of
00:53:05What did you say?
00:53:09Nothing
00:53:11I just
00:53:13Had a dream
00:53:15I got him!
00:53:25Oh, I knew it!
00:53:29Too bad Charles isn't here to watch you crush it
00:53:33He's not here
00:53:35Oh, you didn't know
00:53:38Know what?
00:53:39He left
00:53:41A few days ago, yeah
00:53:42Everyone doesn't really know where he went
00:53:44Honestly, Astra's been quieter without him
00:53:46It's probably for the best
00:53:47It's probably for the best
00:53:48Come on
00:53:49I couldn't stay
00:53:51I couldn't wait
00:53:53I thought that you should know
00:53:55And hang around
00:53:57The summer I met Charles Kenward was loud
00:54:01Chaotic
00:54:03Unexpected
00:54:05And with his absence
00:54:09Come on
00:54:11It ended quietly
00:54:13Like summers always do
00:54:17To see
00:54:18Did
00:54:19You
00:54:20Feel it from across the room
00:54:22Did you feel
00:54:23A little enchanted
00:54:25And joining us today
00:54:30The decade's most unexpected literary phenomenon
00:54:34Alice Keaton
00:54:35Thank you for having me
00:54:36No, your words moved millions
00:54:39They say your stories feel real
00:54:42Especially the ones about love
00:54:44Thank you
00:54:45Which brings us to the most obvious question
00:54:47How's your dating life like these days?
00:54:49No comment
00:54:51A little bird told me that the past four years
00:54:54Has been just writing and working
00:54:56Not even a single date
00:54:57Let me guess a bird named Shiri
00:54:59She caught me
00:55:00Still no comment
00:55:01Alright, alright
00:55:02No matter what you say
00:55:04You write love like someone who's lived it
00:55:08If you're so real
00:55:09Because once
00:55:10I did
00:55:11That's why today
00:55:12We're here sharing the story
00:55:13Behind Alice Keaton
00:55:15And no one ever quite matched the light after that
00:55:18And let's give it up for Alice Keaton
00:55:21One more time
00:55:32Congratulations Alice
00:55:33The numbers just came in
00:55:34You broke your own record
00:55:36That's incredible
00:55:39We're thinking celebration
00:55:40Press
00:55:41Photos
00:55:42Maybe tonight
00:55:43Actually
00:55:44There's something I'd rather do
00:55:46I'd like to meet with the person who
00:55:49Believed in me first
00:55:51My sponsor
00:55:53You're sure?
00:55:54Yeah
00:55:55Just once
00:55:56Tonight
00:55:577pm
00:55:587pm
00:56:09Good evening
00:56:10Good evening
00:56:14Good evening
00:56:17May I sit?
00:56:18Hey Mr. Nonchalant
00:56:19Hi
00:56:20Hi
00:56:21Hi
00:56:22You look well?
00:56:23And you look like you just stepped out of a GQ cover
00:56:25You always did
00:56:26You were expecting someone else?
00:56:27I was hoping
00:56:28But I guess I always knew
00:56:29I didn't come here to confuse you
00:56:30Or to reopen anything
00:56:31I just wanted to say congratulations
00:56:32I just wanted to say congratulations
00:56:34Oh
00:56:35Thank you
00:56:36Thanks for keeping me
00:56:37Thanks for keeping me
00:56:38Thanks for keeping me
00:56:39And you look like you just stepped out of a GQ cover
00:56:40And you look like you just stepped out of a GQ cover
00:56:41And you look like you just stepped out of a GQ cover
00:56:42You always did
00:56:43You were expecting someone else
00:56:44I was
00:56:45I was
00:56:46Hoping
00:56:47But I guess I always knew
00:56:49I didn't come here to confuse you
00:56:51Or to reopen anything
00:56:52Hope you liked the attention
00:56:53I just wanted to say congratulations
00:56:54Oh
00:56:55Thank you
00:56:56Thanks for keeping me
00:56:57I didn't know you were still reading
00:56:58You were rich enough not to do so
00:56:59Always
00:57:00Either way
00:57:01Your sponsorship started my career
00:57:02So
00:57:03No
00:57:04No
00:57:05You earned everything
00:57:06Every word
00:57:07Every word
00:57:08Every word
00:57:10Every word
00:57:13Every word
00:57:14Every word
00:57:15Every word
00:57:16Every word
00:57:17Every word
00:57:20Every word
00:57:22Every page
00:57:25Every reader
00:57:26That's what I came to say
00:57:32It was good to see you again
00:57:33I hope
00:57:34Charles
00:57:35Can you just
00:57:37Wait a little longer
00:57:44I think I knew it was you
00:57:48There was one email
00:57:51You said something
00:57:53It felt familiar
00:57:55Really?
00:57:56Kinda had that
00:57:57Rich asshole with a conscious energy
00:57:59Very on brand
00:58:01I should have anonymized my grammar
00:58:03Too late
00:58:04Your semicolon usage gave you away
00:58:06Still the only girl I know who flirts through punctuation
00:58:09Still the only god I know who uses wiles unironically
00:58:12You've changed
00:58:13But
00:58:14Not really
00:58:16You haven't changed
00:58:18But
00:58:19Not really
00:58:20You haven't changed
00:58:22But
00:58:23Maybe you've grown into who you really were
00:58:26Anyway
00:58:27I wanted to say
00:58:29Thank you
00:58:30Anyway
00:58:31I wanted to say
00:58:33Thank you
00:58:35And
00:58:36Thanks for being here tonight
00:58:38You didn't have to come
00:58:40Don't tell me what I have to do
00:58:42I do
00:58:43You didn't have to come
00:58:46You didn't have to come
00:58:48Don't tell me what I have to do
00:58:51If you could go back
00:59:11If you had the chance to do it all again
00:59:13Would you do anything differently?
00:59:15No
00:59:21No
00:59:26No
00:59:31I see
00:59:35I know my answer now
00:59:36I didn't have the power back then
00:59:38Not enough to protect you
00:59:40I couldn't watch you get crushed because of me
00:59:42Because of my name
00:59:44My family
00:59:48I didn't want to be the reason you lost everything
00:59:50So you just disappeared
00:59:52Without a word
00:59:56If you had the chance to see the world
00:59:58Without me weighing you down
01:00:00If you still chose me after that
01:00:06You keep saying you wanted to give me a choice
01:00:09But you made a choice for me
01:00:12For me
01:00:15Did it ever cross your mind that maybe
01:00:19I would have chosen you anyway
01:00:26I didn't think I was the smart choice
01:00:29You weren't
01:00:30But I never claimed to be that smart
01:00:42This is me
01:00:43Right
01:00:44I'm still mad at you, you know
01:00:48I'm still mad at you, you know
01:00:54I'm still in love with you, you know
01:00:58Do you want to come in for a bit?
01:01:02Do you want to come in for a bit?
01:01:08You're asking your ex
01:01:12Who you haven't seen in four years
01:01:14To come into your hotel
01:01:16At approximately 11pm
01:01:18You were right
01:01:20You never were that smart
01:01:23You don't have to come
01:01:24Don't tell me what I have to do
01:01:25Don't tell me what I have to do
01:01:26Don't tell me what I have to do
01:01:41Stop quoting yourself
01:01:42I recycle
01:01:43It saves energy
01:01:46This feels wildly irresponsible
01:01:48You sound like a disclaimer
01:01:50You're the one who once called romance a distraction
01:01:52I said that?
01:01:53Yeah, before calling Wuthering Heights overrated
01:01:56Still is
01:01:58You're lucky you're a good kisser
01:02:03That is cute to me
01:02:05Don't you dare quote poetry
01:02:06I wasn't going to
01:02:08I forgot all of it the day you left
01:02:10Then shut up
01:02:12And prove it
01:02:19I still can't believe this is happening
01:02:20I told you
01:02:22They're either worst enemies or secretly married
01:02:24And I told you
01:02:26They're both
01:02:36No
01:02:38No
01:02:40It's enough to let folks
01:02:42Let it be
01:02:52I vow to always
01:02:54Tell you the truth
01:02:56Except for when you ask how your cooking was
01:02:58Then I lie
01:03:00Respectfully
01:03:03I vow to keep choosing you
01:03:05Loudly
01:03:07Quietly
01:03:09Always
01:03:11Even when you forget to do the laundry
01:03:14Is he actually good at this?
01:03:17I mean, he did beat her at sarcasm
01:03:22I vow to argue with you at least twice a week
01:03:25Especially over Shakespeare
01:03:27I vow to write you and your every story
01:03:30Even when I say I didn't
01:03:32You will always be a part of my life
01:03:35If she quotes Austin in this toast
01:03:37I'm out
01:03:38No you're not, you're going to cry harder
01:03:39I can't believe you picked Paris
01:03:45I can't believe you picked Paris, such a cliché honeymoon destination, guard your
01:04:09phone.
01:04:10Relax, just don't dress like a walking inheritance and you'll be fine.
01:04:17You are not wearing that on our honeymoon.
01:04:20Please, Alice, go change.
01:04:22Don't tell me what I have to do.
01:04:28No.
01:04:29No, no, no, no.
01:04:30That is not an invitation.
01:04:31Do not take off these clothes.
01:04:33Overruled.
01:04:34You look much better without them.
01:04:40To the ones who loved in silence, in chaos, in chapters, you will find your way home.
01:04:53But I don't want to die alone.
01:04:57No.
01:04:58No.
01:04:59No.
01:05:00No.
01:05:01I want to play.
01:05:03Okay.
01:05:06Oopsie.
01:05:08It's up to us to make sure that we can gain what's been passed through these books.
01:05:29Help us develop, learn and grow.
01:05:38Wow, that's fantastic!
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