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Grand Egyptian Museum to display tomb paintings bringing ancient Egypt to life
FRANCE 24 English
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3 weeks ago
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00:00
Let's welcome Tarek Torfik, the Associate Professor of Egyptology at Cairo University,
00:05
for a director general of the Grand Egyptian Museum project.
00:09
It is a pleasure to talk to you tonight, Tarek.
00:12
In fact, we've just lost Tarek for a moment.
00:13
We're going to go to Professor Salima Ikram,
00:17
Distinguished Professor of Egyptology at American University in Cairo.
00:21
Salima, I know you've been inside.
00:24
You've been one of the first to see in the past few years
00:28
forensically some of what we are waiting to see.
00:32
Talk us through what we really should try to see first
00:35
and what you're making as well of the opening ceremony tonight.
00:40
Well, it's a very grand ceremony and as you can see, it's still in the middle of it.
00:44
So there's lots more to come.
00:47
I think Ramses II would have been delighted.
00:49
He too was very keen on spectacle.
00:51
So there's a big tradition in Egypt for that.
00:54
The museum, as you have seen, is enormous
00:57
and it is packed full of artifacts from all periods of Egyptian history.
01:03
And of course, one of the crowning glories is the Tutankhamen collection,
01:07
which is going to be shown in its entirety for the first time,
01:11
because since it left the tomb, it has never been all together.
01:15
So this is going to be a remarkable way of understanding what a royal burial should be like
01:21
and sort of getting it all from nuts and bolts
01:24
and also looking at things that are very banal,
01:28
like the fruit that he was eating or wanted to eat in the afterlife.
01:32
And then also, of course, the sublime things,
01:34
beautiful thrones, his coffins and so forth.
01:38
So you really get a sense of both the daily life
01:41
as well as the religious life and the ideals of kingship
01:46
in the Tutankhamen expose.
01:47
I've seen previous footage of you getting a look inside, Salima.
01:52
You are like a child in there,
01:55
breathtaking by some of the finds that you've seen.
01:58
Talk us through the visceral sense you have when you go in
02:02
and the fact that you've touched some of these artifacts.
02:06
Well, I have been very, very lucky
02:08
because I have, with my colleague Andre Weltmeier,
02:11
worked on some of the material while it was in the GEM conservation labs.
02:15
And so we have had the chance to actually look at Tutankhamen's sticks
02:20
and staves, some of his weapons, his food, all sorts of things.
02:25
And it's really fantastic, obviously,
02:27
to be able to be one-on-one, to interact and to carry out research
02:32
on something that one has loved since one was nine years old.
02:36
So it is very exciting.
02:38
And I think for visitors also,
02:40
the Grand Egyptian Museum is going to be an extraordinary experience
02:44
because it is such a massive, massive place.
02:47
And it is filled with such beautiful objects.
02:52
And I think the lighting is better than it was in the old museum.
02:56
And you can see much more.
02:58
And there are things that have never been on display,
03:00
that have been in storage and storage magazines throughout Egypt,
03:04
as well as in the basement of the Karim Museum.
03:06
So it is really quite a phenomenal kind of thing.
03:11
We have Tarek Torfik with us as well, Salim.
03:15
Professor, stay with us for the moment.
03:18
Yes, exactly.
03:20
Tarek, Associate Professor of Egyptology at Cairo University.
03:24
We've lost Tarek again.
03:25
I think Tarek is amongst the crowd tonight.
03:26
That is one of our ambitions.
03:29
Maybe to solve the riddle of whether or not one of the coffins is Tutankhamun's, indeed,
03:33
or whether it is that we can get hold of Tarek Torfik tonight.
03:37
But we can go to Noria, our correspondent at the same time in Cairo,
03:41
watching events.
03:43
What a spectacle tonight.
03:44
Yeah, it's been an amazing night.
03:52
People, I mean, has exploited the clamor of the people
03:56
when all those fireworks were exploding in the air.
04:00
And people are really, really excited.
04:04
They are looking forward to be able to actually enter on the next 4th of November
04:09
and witness for the first time you were talking now
04:13
about the magnificent treasures, the artifacts of Tutankhamun.
04:19
And it's one of the most important things that people want to see,
04:24
to witness for the first time all those artifacts
04:27
that have been translated from the Tahrir Museum
04:30
and are going to be held for the first time here,
04:34
over 5,000 artifacts, including the mask of Tutankhamun.
04:38
And it's really magical.
04:40
It's amazing.
04:40
You were talking about the conservation room,
04:43
and France 24 was one of the first media outlets
04:46
that was allowed to enter in this conservation center.
04:50
And we were able, we were gifted enough to be able to see
04:53
some of those artifacts that were being, like, restored at the time.
04:59
And it's really, really a privilege to know
05:02
that they are being well taken care of,
05:05
but also that soon enough we are going to be able
05:07
to see them inside this magnificent museum,
05:10
because it's true that this lighting is magical
05:13
and somehow enhance the effect of seeing all this gold,
05:20
all these wonderful antiquities exposed for the first time altogether.
05:26
I cannot imagine how it's going to be to see how the artificial,
05:32
the augmented reality is going to help us to walk through the story
05:37
and the life of Tutankhamun.
05:39
The Egyptians are saying that it's going to be very important
05:42
to the extent that we are going to be able to connect emotionally.
05:46
But I don't think it's necessary even to rely on augmented reality
05:52
to feel this emotion, this move that we are all moved
05:58
when we are able to see those important artifacts,
06:02
these masks, these coffins that are being preserved during centuries for us.
06:10
So I think that it's going to be something really, really important.
06:13
Nouria, we're going to nimbly guide through the ceremony itself
06:18
so you can see and hear the events going on,
06:20
plus speaking to our distinguished guests at the same time
06:24
so you can understand the importance of tonight.
06:26
There will be a denouement we're expecting to see in the sky
06:29
at some point, the death mask, the exquisite image
06:32
of Tutankhamun's death mask.
06:35
And Professor Salima Ikram, I know that this is something that strikes you.
06:38
The fact that this you've spoke about in the past is a Nikon
06:43
and its exquisite, elegant beauty in itself.
06:50
Indeed, the mask is something that is very compelling.
06:53
And it is because, of course, it's so sculptural.
06:56
You feel that you're really looking at his face.
06:59
And I think that what Nouria said,
07:02
one can, because these objects are real objects
07:05
and they are several thousand years old,
07:08
I think to see them firsthand is really the moment
07:12
where you feel a deep emotion
07:14
and a sense of connection with the past.
07:17
I don't think you really need any virtual augmentation
07:20
of any sort to really understand things about them.
07:25
But obviously both things work,
07:27
as many museums believe today.
07:30
In addition to the Tutankhamun material, though,
07:32
there's so much other stuff that's in there
07:34
that hasn't been on display
07:35
or has not been properly accessible.
07:38
And there's some gorgeous Old Kingdom tomb paintings
07:42
where you can see people going about their daily life.
07:45
They're fishing, they're fowling, they're cooking,
07:48
they're sort of herding their animals.
07:50
So it's very much a sense of having an insight
07:54
into ancient Egypt
07:56
and the lives of commoners as well as kings.
08:00
Was there an issue, Salimone, tell me about it,
08:03
because one thing that strikes me is
08:04
when it comes to the things that haven't been seen,
08:07
a lot of people will be thinking,
08:08
perhaps asking tonight and emailing, texting,
08:12
where they've been,
08:13
the fact that they haven't been seen for years,
08:15
where have they been stored?
08:17
Some of them for a long time
08:19
were stored in a tomb in Laksa,
08:21
then they were in a storage magazine in Laksa,
08:23
then they were also some things
08:25
in a special storeroom in the Egyptian Museum,
08:29
because there just simply wasn't enough space
08:32
to show everything.
08:34
And then also people thought,
08:35
well, does everyone want to see all the Dom fruit,
08:38
or, you know, the 500-plus Dom palm nuts,
08:41
or some of the meat boxes,
08:44
which, of course, I'm very interested in,
08:46
and some of the pottery.
08:48
So I think that, of course,
08:49
it's a selection that has been on display,
08:52
because, of course, everything would be overwhelming.
08:55
So it will be really interesting
08:57
to see how they handle it in the new display.
08:59
And if, indeed, all these things,
09:02
many of which were on display,
09:04
but some of which were not,
09:06
it will be lovely to see them together,
09:08
and it'll be interesting to see if they're all there.
09:11
So you can see that there's the cow head
09:13
with beautiful gilded horns,
09:15
which they just showed.
09:17
And that, in fact,
09:18
was in the Laksa Museum for a long time.
09:19
So you can see that the scattered artefacts
09:23
have now come together.
09:25
Perfect.
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