In Other Words, I Love You #Dramabox

Areel

In Other Words, I Love You #Dramabox    #EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull

Transcript

00:00:00I've always described the world in words people moments places all through

00:00:09metaphors and margins okay like my mom self-made stubborn and never wrong

00:00:18almost there you excited for your first day she calls this a fresh start I call

00:00:23it terrifying

00:00:30you've got this just be yourself that's kind of the problem

00:00:53okay morning class and you're not seated because I don't have a seat ah a new

00:01:16transfer Alice Keaton right let's see there's a spot next to Charles seriously

00:01:27the charity case sitting next to Charles quiet Charles I've always had words for

00:01:38everything but in that moment I forgot them all

00:01:53Charles move your things I'd rather not she'll be a distraction from what

00:02:00sleeping from everything if anything Charles Miss Keaton will be a positive

00:02:05influence on you she was top of her class at a previous school with all due

00:02:10respect sir her previous school was American I highly doubt that that's

00:02:18enough she can sit here it's fine back to Goldie thank you you got it I'm

00:02:28Sherry Vaughn Alice Keaton it's very important that we look at what he's

00:02:33talking about their experience of the time

00:02:39wait you sat next to Charles she didn't you totally shut her down oh knew it

00:02:45don't take it personally he's impossible can everyone stop acting like the goal is

00:02:50getting into his pants what he's hot everyone kind of is I I've seen Connor he's not my type you're

00:03:00joking I don't find bullies attractive hey be careful we're talking about the king of

00:03:05Ashford the what his family basically own the school and the town maybe even the

00:03:12country yeah everyone's tried to get close no one can get past his ego you're not the

00:03:17first to get nice okay first of all I wasn't iced it's more like a mutual

00:03:23decision and second I think he's arrogant cold thinks he's untouchable but if you

00:03:29really look at Charles he just seems isolated like he's making out honestly I

00:03:34just think he's lonely and kind of what

00:03:41you were saying I'm lonely and pathetic

00:03:51next time read the room before opening your mouth American we're not in Kansas anymore Alice

00:04:06hey how's your first day I good I'm excited Kevin not really super

00:04:28uneventful really how's your new job yeah all right get this is that we can stay in the

00:04:35servants wing seriously hmm apparently the young master won't mind the company the young master

00:04:42this is your boss's house yeah that's not credible I mean I wouldn't call it a house

00:04:50it's a museum with better landscaping right here I'll talk to the Butler Wow rich

00:05:08people you've topped yourselves again Stephen King first edition

00:05:17breaking and entering now how American of you

00:05:30you've been paying rent here in my head try to fight it hard

00:05:46you can get up now I I'm trying wait are you serious well you said you were trying

00:06:01what is wrong with you funny I was about to ask you the same thing what are you doing in my house

00:06:10you wait your house my house my library and now apparently my unwanted guest

00:06:21ah master Charles you must be miss Alice Anne's daughter she said you'd be moving in today

00:06:27she what there there's been some kind of misunderstanding you see I'm not actually moving in

00:06:34that so yeah I'm not staying here like at all that's a shame you must seem quite pleased with the

00:06:41arrangement well I just don't think it's appropriate well for sure then absolutely not

00:06:47come on Alice you must stay it'll be fun my dear classmate

00:07:00I'm dead like mentally socially and actually dead

00:07:06just trying to figure out how exactly my life went off the rails get it together Alice Keaton

00:07:19you've been I'm sure I'd never find someone to make my head spin around actually no

00:07:25be the thing I need they all just let this is how baby you saved me good morning

00:07:32so is that miss Keaton what thing doesn't know that stops been closed for months she's going to be late

00:07:53okay how long is this thing gonna take maybe I'll just walk five miles to school

00:08:06okay if I sprint maybe I'll make it before first period or die of exhaustion on the way

00:08:14what are you doing here didn't you already leave wait did you come back for me relax I forgot my

00:08:33textbook don't flatter yourself wait since you're already here maybe you could be a decent person and

00:08:44give me a ride no seriously your car is huge yeah and I'm not a fan of sharing says the guy who

00:08:57forced me to live in his house unbelievable

00:09:14Ashford Institute please thank you

00:09:16who needs that entitled brat anyway sir you called the cab why don't just give miss Keaton a lift

00:09:26why don't just give miss Keaton a lift and have the whole school go crazy she's new everybody's

00:09:38already talking so you're worried about her you're overthinking I just don't like drama

00:09:44asshole hey morning class back to Golding remind me what he's saying through Lord of the Flies

00:10:00Mr Kenwood care to share what you found so amusing not particularly oh I insist you seem very entertained by

00:10:13Golding I'm not entertained by Golding sir on the contrary I think his ending is weak wait wait

00:10:24you've actually read it quiet that's an interesting take explain

00:10:33he had the setup for something brutal something honest in the end he backed out he could have left

00:10:39the boys on the island forced them to confront the collapse of all morality let them choose survival

00:10:45or death but instead he gave them a rescue boat slapped a happily ever after on a book about savagery

00:10:54it's a waste don't you think I'm delightfully surprised Charles didn't think you had such

00:11:01strong literary opinions I'm always a model student sir let's not get ahead of ourselves

00:11:09so a critique of Golding's mercy anyone disagree

00:11:24I think Golding knew exactly what he was doing by ending the book that way

00:11:33it's not mercy it's irony how so

00:11:39the rescue isn't a happy ending you don't just walk back into society and forget you're a monster

00:11:44Golding didn't save them he left us with the discomfort of pretending they could be saved

00:11:48that's an interesting take Miss Keaton you still think it's a harsh critique in some ways but not

00:11:55harsh enough yes it's a critique of toxic masculinity but still Golding sympathize with them and the

00:12:03civilized world toxic violent he didn't call that out nearly as much so yeah I don't think Golding pushed

00:12:09far enough but I think it's unfair to call it a happy ending

00:12:17thank you Miss Keaton well said anyone else

00:12:23both opinions are valid okay that's kind of epic

00:12:27Golding faced major backlash when he first published the book

00:12:30good literature will always divide opinion what's happening to me

00:12:43okay what is going on why is everyone staring at me

00:12:47well you're new and apparently had a thing with Charles

00:12:50a what now you two are in the middle of the most epic feud Asher's teen in years

00:12:56we're not even fighting well according to everyone you confessed your love on day one

00:13:00got rejected begged to sit next to him got rejected again and today in class you broke down crying about

00:13:07not believing in happy endings and stormed out in tears you were there sherry that is not what happened

00:13:17doesn't matter people believe what they want to believe and they want Charles to be flawless untouchable

00:13:24wow is misogyny like a rich kid thing or just a british specialty honestly both

00:13:30but seriously Alice some people already see you as a threat

00:13:42okay loaded looks like the new girl's in for a rough first semester

00:13:53hello hello is somebody out there oh come on

00:14:18hello is somebody out there oh come on

00:14:24fine

00:14:38seriously

00:14:39Oh, shit.

00:14:47What the hell?

00:14:49Anne, I thought you were having dinner with Alice?

00:14:52She hasn't come home. Her phone is off. Maybe you've seen her this evening?

00:14:59Yikes. Looks like the new girl's in for a rough first semester.

00:15:03Shit.

00:15:14Ice! Alice!

00:15:16Mr Pelton, Charles Kenwood here. I was wondering if I could get the timetable for Alice Keaton.

00:15:21She hasn't come home. I'll have it sent over.

00:15:24Check the common room in the library. I'll take the rest.

00:15:30Ice!

00:15:33Come on, Alice. Close your eyes and jump. It's fine. We're fine.

00:15:51We're fine.

00:15:52We're fine.

00:15:57Hey.

00:15:58Hey, Mr. Noncelon. Are you happy with how we ended? Is it warm enough?

00:15:59What are you doing here?

00:16:00I asked a question. I asked a question. All right.

00:16:01The

00:16:18Are you happy with how we are?

00:16:24What are you doing here?

00:16:28Can you get off me first?

00:16:40You're welcome.

00:16:42I didn't say thank you.

00:16:44I figured saving your life might only be basic manners.

00:16:46Someone just dumped swamp water on me.

00:16:48Excuse me if I'm not feeling very polite.

00:16:50You smell like a biology experiment.

00:16:52Wow.

00:16:54You should try falling out of a window into someone's arms and getting insulted for it.

00:16:58You wouldn't recommend it. You're heavier than you look.

00:17:02I hope you pull your shoulder.

00:17:10Are you okay?

00:17:12No, but I will be.

00:17:14I will be.

00:17:16Someone did this on purpose.

00:17:18What do you think golden boy?

00:17:20Don't worry I can handle it.

00:17:22You shouldn't have to.

00:17:24I'm sorry.

00:17:34Sorry.

00:17:40Did you just apologize to me?

00:17:42Don't get used to it.

00:17:43I wouldn't dream of it.

00:17:44Alice?

00:17:46Over here.

00:17:48Oh my god.

00:17:52You okay?

00:17:54Why are you drenched?

00:17:56Yeah, I just...

00:17:58took a weird shower.

00:18:00Top exploded.

00:18:02Come on.

00:18:03Let's get you home.

00:18:14Alice's cheating right?

00:18:16I heard she staged the whole thing for attention.

00:18:18I know how this place works.

00:18:32If you don't do anything about it, it's only going to get worse.

00:18:48I'll look into it.

00:18:50Charles.

00:18:52Good on you.

00:18:54Not many here would speak up.

00:19:00I can't believe someone actually locked you in.

00:19:02That's insane.

00:19:04Where the hell was the school when this was happening?

00:19:06They're busy protecting their golden boys and trust funds.

00:19:10Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.

00:19:16Please, he just didn't want a lawsuit.

00:19:34Being a scholarship student has its perks.

00:19:38Like saving a fortune on tuition,

00:19:40and getting into schools that normally wouldn't even let you pass the gates.

00:19:46Hey, we miss you in Paris.

00:19:48Though there are enough Americans to remind us of you.

00:19:51But sometimes, being here means staying behind.

00:19:54And watching Ashford Elites go on a two-week enrichment program you can never afford.

00:20:00Have fun.

00:20:02Bring me something overpriced and unnecessary.

00:20:10The trip cost 20 grand in pounds,

00:20:12which translates to mom's salary for half a year.

00:20:16So yeah, I didn't go.

00:20:30What are you doing here? Do you not believe in shirts?

00:20:42Do you not believe in dignity?

00:20:44It's comfortable.

00:20:46You look like a rejected Ewok.

00:20:48This, this is not even your kitchen.

00:20:50And this is not even your house.

00:20:52And yet, you're here, dressed like this.

00:20:54Just don't look, go away.

00:20:56Hard not to, when you're walking around dressed like that.

00:20:59What do you guys call it?

00:21:01Um, buzz kill?

00:21:03Cock block.

00:21:05You're insufferable.

00:21:06You're the one cosplaying at breakfast.

00:21:08You know what?

00:21:09I don't get it.

00:21:10Why didn't you go on that tour?

00:21:11I thought rich people live for that kind of thing.

00:21:13Why do you think?

00:21:20Where would I go?

00:21:22I could practically recite the itinerary in my sleep.

00:21:25Florence, walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian.

00:21:31Or Tiziana, if you want to sound extra pretentious.

00:21:35Then Venice, because everybody loves a good canal and getting lost in the most confusing city on earth.

00:21:41The next stop, Napoli.

00:21:43Marvel at Pompeii.

00:21:44Pretend you're shocked, ancient people had plumbing.

00:21:47The final stop, Harry.

00:21:50The ultimate city of romance.

00:21:53And naturally, Woody Allen's favourite city outside of New York.

00:22:00That's word for word.

00:22:02I told you.

00:22:03I've done this tour so many times, I could run it.

00:22:06Okay, but still, it's Europe.

00:22:08Most people would kill for that chance.

00:22:10Most people haven't had their phones stolen in Paris.

00:22:13Twice.

00:22:15Also, I hate the accommodations.

00:22:17Aren't they all five-star hotels?

00:22:19Standard rooms in five-star hotels.

00:22:21No thank you.

00:22:23Wow.

00:22:24Some were born in Rome, huh?

00:22:26That's unfortunate.

00:22:27It's a very chaotic city.

00:22:29One word of advice?

00:22:30Shut up.

00:22:31That's two words.

00:22:34You're weird.

00:22:35You're loud.

00:22:36You're annoying.

00:22:37You're in my kitchen.

00:22:38You have three other kitchens.

00:22:39And I prefer this one.

00:22:41Just for today.

00:22:42Come back when you've got a shirt on.

00:22:44Come back with normal clothes on.

00:22:45You didn't have to come.

00:22:46Don't tell me what I have to do.

00:22:48After Charles, roads are flooded.

00:22:50Staff won't make it tonight.

00:22:51Will you be alright sorting dinner?

00:22:52I've got it sorted.

00:22:53I've got it sorted.

00:22:54I've got it sorted.

00:22:56I've got it sorted.

00:22:57I've got it sorted.

00:22:59I'm here to make a deal.

00:23:00What deal?

00:23:01You nearly gave me a heart attack.

00:23:02You nearly gave me a heart attack.

00:23:03You'll survive.

00:23:04You'll survive.

00:23:05I'm not selling my body.

00:23:06I'm not selling my body.

00:23:23here to make a deal. What deal? You nearly gave me a heart attack. You'll survive. I'm

00:23:33not selling my body. I'm not selling my body. Wow, I am deeply offended. That thought disgusts

00:23:50me. Then what are you doing? The staff's off tonight. I'm buying dinner. Did you seriously

00:23:58think I'd spend £100 on... No, I... Jesus. Wait, you think I'm not worth £100? I'm not spending

00:24:09£100 to snort you back up. You know what? Dinner's cancelled. Are you sure about that? I present

00:24:19to you. Meatball spaghetti, stir-fry veggies, and french fries. You're welcome. Interesting

00:24:25combo. Well, I know we're not in Italy or France, but this will do. It's... good.

00:24:34Was that a compliment? Although, I am obliged to inform you. Meatball spaghetti isn't Italian,

00:24:44it's American, and french fries, likely born in South America. You should read more. Put

00:24:51it down. I paid for it. You really just have to win every argument, don't you? To be fair,

00:24:58you make it very easy. It's only easy because it costs £200. You know, if you'd ask for more,

00:25:05I probably would have given it to you. We'll make sure we have to find one more.

00:25:22Hey Alice, it's fine. You're fine.

00:25:269-1-1, what's with your emergency? 9-1-1, what's with your emergency?

00:25:41It's my dad. He needs help. He just had a stroke.

00:25:43Okay, miss. The hurricane's caused the traffic shutdown. We'll get to you as soon as we can.

00:25:47Please, he's not well. I understand. Can you confirm your address?

00:25:52Dad, yes, I'm right here. All right. My daughter.

00:25:59Please stay with me, Dad. Please.

00:26:05No. Please wake up.

00:26:13Dad, please. Please don't leave me.

00:26:22You... What are you doing here?

00:26:49You were crying. Loudly. Kind of hard to ignore.

00:27:00Right. Sorry for the noise.

00:27:03Wait, did Nurse Narky come back?

00:27:06Not tonight. I'm too tired. If you're here to argue, knock yourself out.

00:27:11You were calling for your dad, right?

00:27:16Hurricane hit New York. Power went down. Traffic froze.

00:27:22Dad had a stroke. But he couldn't get help in time.

00:27:26I sat there with a candle while he laid there. Peaceful. Like he was asleep. But he wasn't.

00:27:43So that's why you and your mum moved here?

00:27:45This used to be our hometown. After Dad left, we had nowhere else to go.

00:27:53What are you doing?

00:27:59Come on.

00:28:04Come on.

00:28:20Wait. I thought the peril was out.

00:28:23It is. We have our own generator.

00:28:25Wow. Rich people houses her.

00:28:28Just for tonight, I'll allow it.

00:28:31Allow what?

00:28:33You can call this place your house. So enjoy it.

00:28:37Stephen King's first edition.

00:28:39Alan Gisberg's handwritten letters.

00:28:41Jane Austen's notes.

00:28:42All yours.

00:28:43This is your home, Alice Keaton.

00:28:57Careful. It almost sounded sweet.

00:29:00Don't push it.

00:29:01Okay then.

00:29:02I have one request.

00:29:11What is it?

00:29:19Are you ever going to make a move?

00:29:20Wait. Give me a second. I'm thinking.

00:29:23You had one wish. Anything in the world. And in the middle of a thunderstorm, inside a literal mansion, you chose chess.

00:29:33Yeah. Got a problem? It's just so cool like spies or genius villains in movies.

00:29:40It's literally a board game.

00:29:42Says the guy who owns a custom set.

00:29:44Wait. Does the knight go diagonally?

00:29:47For the tenth time, it moves in an L shape.

00:29:52One. Two. Then turn.

00:29:56There.

00:29:57Happy?

00:29:58Ecstatic.

00:30:02That's suicide.

00:30:03Or a brilliant long term sacrifice.

00:30:05You are playing checkers at a chess board.

00:30:07Still beating you in sarcasm.

00:30:08You literally haven't won any past arguments.

00:30:10Golding disagrees.

00:30:12It's going to be a long night.

00:30:14Oh my. No.

00:30:15I wasn't doing that.

00:30:16You can't do that.

00:30:17You can't do that.

00:30:18No, no, no.

00:30:19Oh my god.

00:30:20Bye baby.

00:30:21You had to shop a trip and about it all wrong.

00:30:24Time to pull you in close as we're locked on your phone.

00:30:27Buy yourself work cause I'm moving on.

00:30:31Oh yeah.

00:30:32Showing up at my door.

00:30:36Holding your heart there inside your hands.

00:30:40Maybe he's not so awful after all.

00:30:43There.

00:30:58Um, who are you?

00:30:59you were still at home thank god you skipped that boring grand tour who needs italy and france again

00:31:05right when did you get back last night from zurich you didn't answer my messages

00:31:12i missed you anyway thought i'd come surprise you apparently i'm transferring to ashford

00:31:19your parents were so thrilled they didn't tell me about this i wanted to deliver the happy news

00:31:24myself they said it'd be lovely for us to reconnect you know considering the engagement and all

00:31:34oh did no one tell you he's promised old money stuff very retro i didn't agree to that you didn't

00:31:42have to it's never up to us where did you find this little toy serena oh an american how

00:31:54refreshing

00:31:58goodbye wait

00:32:16where are you going you still owe me breakfast you only paid for dinner i have homework

00:32:22goodbye

00:32:26your little toy has quite the temper serena can you please just stop what teasing the help

00:32:31that's her that's the one from kenwood's house was she like the maid or something

00:32:45oh my god what's wrong with people they're saying you live with charles oh and serena

00:33:05what about her apparently she told everyone you were caught sneaking into his room of course she did

00:33:19her

00:33:24so

00:33:25You're starting to look desperate.

00:33:41Come to the music room. Urgent.

00:33:44I just remembered I need to check something.

00:33:46You guys go ahead.

00:33:47Yeah, okay.

00:33:48Okay.

00:33:54Hello? Is someone there?

00:33:57Seriously! This is getting old!

00:34:11Wait. Music room? What?

00:34:14James?

00:34:17Was anybody in here earlier?

00:34:19Just Miss Serena. Said she was waiting for you.

00:34:23Sir?

00:34:25Sir, it's raining!

00:34:36Come on, Alice. You're fine.

00:34:39You're not that girl again.

00:34:44Wait. Can you remind me one more time?

00:34:50Okay. Rooks move in straight lines.

00:34:53Yeah.

00:34:55Bishops move diagonally.

00:34:57And knights...

00:34:58The knight's the weird one.

00:35:04Rooks.

00:35:06Straight lines.

00:35:08Bishops.

00:35:10Diagonally.

00:35:12Hello?

00:35:14The text.

00:35:15Are you okay? Are you hurt?

00:35:16I... I'm okay. I... I saw the text and I thought...

00:35:30I didn't see the message. Serena took my phone. I... I didn't know.

00:35:36I'm okay. I saw the text and I thought...

00:35:40I didn't see the message.

00:35:42Serena took my phone. I didn't know. I'm sorry.

00:35:45I'm okay.

00:35:48You're gonna catch a cold.

00:35:49You're freezing.

00:35:50You didn't have to come.

00:35:53Don't tell me what I have to do.

00:36:06That wasn't a mistake, if that's what you're about to say.

00:36:23I wasn't going to.

00:36:36I'm really bad at this, you know.

00:36:40What? Kissing?

00:36:41Hiding feelings.

00:36:43I...

00:36:44Dump those Ewok pyjamas.

00:37:06Oh, you wish.

00:37:10Seriously, it's a cock block.

00:37:12You kissed me.

00:37:16That's basically consent to everything.

00:37:23Dangerous words, Keaton. I might hold you to that.

00:37:36You'll be working in pairs on your comparative essays.

00:37:39The list is on the board.

00:37:42One, two, three, four.

00:37:48Are you okay?

00:37:54That's where I'll see your face

00:37:58And have you with me

00:38:01You're distracting.

00:38:10You're welcome.

00:38:23They're either enemies or secretly married.

00:38:27Honestly?

00:38:28Both.

00:38:28I was sure I'd never find someone to make my head spin around.

00:38:35No one's ever gonna be the thing I need.

00:38:37They all just let me down.

00:38:39But baby, you saved me.

00:38:42Time's been new.

00:38:45Everything's so different now.

00:38:47So, the night goes in an L shape, right?

00:38:52Why is that the only one you remember?

00:38:54Because it's weird.

00:38:56And I like weird.

00:38:59Check.

00:39:12You're cheating.

00:39:14I'm winning.

00:39:15There's a difference.

00:39:16You are very distracting.

00:39:17And you like it.

00:39:30Charles!

00:39:30We need to talk.

00:39:33I expected poor judgment.

00:39:43But this, in my house?

00:39:45It isn't what it looks like.

00:39:46No.

00:39:48Kissing a servant's daughter in the family library.

00:39:51Enlighten me then, Charles.

00:39:52We came back tonight after speaking with Serena.

00:39:56Imagine our surprise walking in on this.

00:39:59She isn't just...

00:40:01You have no right to barge in.

00:40:03On my property.

00:40:07I care about her.

00:40:09I'm not ashamed of her.

00:40:10That's enough.

00:40:14Why do you care?

00:40:15We're protecting our son's future.

00:40:18And our name.

00:40:20You think this protects me?

00:40:21You think she does not belong in your world?

00:40:25Then maybe I don't either.

00:40:31You're ready to give up everything?

00:40:34For a girl you barely know?

00:40:38Yes.

00:40:39Then, are you sure she's ready?

00:40:43I'm asking you.

00:40:50Do you think she's ready?

00:40:52To lose everything, regardless of how little that is.

00:40:55Just to be with you.

00:40:57What are you talking about?

00:40:58You left us no choice, son.

00:41:00You shouldn't disobey your father.

00:41:04Helton.

00:41:06It's Frederick Kenwood.

00:41:07Ah, Mr. Kenwood.

00:41:09How can I help?

00:41:09If a scholarship student were to violate our behavioural code

00:41:14in a public setting with photographic evidence,

00:41:17would that warrant a review?

00:41:20Yes, sir.

00:41:23So, answer me again.

00:41:27Do you think she's ready to lose everything just to be with you?

00:41:30Yes.

00:41:39Charles, what happened?

00:41:43Did your parents say something?

00:41:44Are they mad?

00:41:44Is everything okay?

00:41:46Pack your things.

00:41:49You can't stay here anymore.

00:41:51What?

00:41:53My parents fired your mother.

00:41:55She's leaving.

00:41:57So, yeah.

00:41:57Wait, what?

00:41:58Why?

00:41:59Is it because of us?

00:42:00We can fix this.

00:42:01I'll get a job, anything.

00:42:02Stop, stop it.

00:42:03You don't get it.

00:42:05If I don't walk away from this,

00:42:06they'll cut me off.

00:42:08Okay?

00:42:08No card.

00:42:10No trust.

00:42:11No support.

00:42:13Nothing.

00:42:14Then, then we'll figure it out.

00:42:16We don't need all that.

00:42:18We can...

00:42:18Do you really think I'm going to live like that?

00:42:24So that's what this was?

00:42:26Just fun until it got inconvenient?

00:42:30What did they promise you?

00:42:34Nothing.

00:42:35They just reminded me of what's real.

00:42:44Charles, I'm not stupid.

00:42:46You don't just turn into a cold stranger because of one conversation.

00:42:49What did they threaten you with?

00:42:51What did they threaten you with?

00:42:58This is the difference between me and you.

00:43:00What?

00:43:01You think you know me.

00:43:03Or what I have.

00:43:05You don't, Alice.

00:43:07You're still lying.

00:43:08I'm not, Alice.

00:43:10Look around you.

00:43:11This mansion you thought was a museum.

00:43:14It's my house.

00:43:16My world.

00:43:18I was bored into this.

00:43:20I am not choosing between this

00:43:22and something I picked up for a moment of fun.

00:43:30Don't do this, Charles.

00:43:32You don't mean it.

00:43:33It was fun.

00:43:35But you?

00:43:37You don't compare to what I own.

00:43:41I'll survive the loss.

00:43:42Right.

00:43:47I should have known.

00:43:50Guys like you don't end up with girls like me.

00:43:55You play with them, then you throw them away.

00:43:59Go to sleep, Alice.

00:44:00This fall is a little more than I expected.

00:44:18In so deep, I can barely see myself.

00:44:24Yeah, around me feels so heavy, but depleted.

00:44:30But I find that's the place to test myself.

00:44:42Oops.

00:44:43Oh, sorry.

00:45:01Didn't see that.

00:45:03Then again, nobody does.

00:45:05Move, please.

00:45:06Hmm.

00:45:08Try begging.

00:45:09Begging.

00:45:13You know what?

00:45:15Keep it.

00:45:21Poor thing.

00:45:22So dramatic.

00:45:25Don't.

00:45:26Excuse me?

00:45:27I warned you.

00:45:29Walk away, Serena.

00:45:30Oh.

00:45:32Oh.

00:45:43Last week's group assignments were mostly forgettable.

00:45:54But one pair surprised me in a good way.

00:45:58Charles Kenwood and Alice Keaton.

00:46:01Would you mind giving us a short summary?

00:46:03She loves the sound of her own voice.

00:46:05Better have it.

00:46:06I couldn't stay.

00:46:08I couldn't wait.

00:46:10I thought that you should know that I would have.

00:46:13Can hang around.

00:46:14Our essay explored what happens when two fundamentally different voices meet.

00:46:20Like logic and chaos.

00:46:21Or silence and noise.

00:46:23Different worlds.

00:46:25Different rules.

00:46:28At first glance, they clash.

00:46:30But what makes the story interesting is what happens next.

00:46:34Confusion.

00:46:35Curiosity.

00:46:37But in the end, some stories aren't about staying.

00:46:40And yes, there is no such thing as a happy ending.

00:46:52And yes, there is no such thing as a happy ending.

00:46:56Is she still talking about the essay?

00:46:58Miss Keaton?

00:47:03Dramatic as always.

00:47:05Alright.

00:47:06Thank you, Alice.

00:47:07That was...

00:47:09layered.

00:47:11Are you okay?

00:47:12A reminder that good literature always stirs something.

00:47:19Hello?

00:47:20Hi, here's Alice Keaton.

00:47:21This is Whitmore Press.

00:47:22We've been following your work.

00:47:24We'd like to offer you a long-term publishing contract.

00:47:26Name your price.

00:47:27We'll make it work.

00:47:28Sorry, what?

00:47:33That's...

00:47:34kind of...

00:47:35insane.

00:47:36Who's behind this?

00:47:37Your sponsor wishes to remain anonymous.

00:47:40Can...

00:47:41can I meet them?

00:47:44I want to.

00:47:45Please.

00:47:46Or at least tell me a name.

00:47:48Sorry, they wish to stay in office, so their only interest in words, not the person.

00:47:55I'd really like to meet them.

00:47:57I'm sorry for to keep them.

00:47:58Name was very soon.

00:47:59I think the most generous offer we've ever given a interview right now.

00:48:03I see.

00:48:04Congratulations again.

00:48:05Have you got the interview?

00:48:10It's just an interview.

00:48:11I haven't gotten it yet.

00:48:13Still, Alice Keaton at Oxford.

00:48:15That's iconic.

00:48:16For your love, I'll be gone by my man.

00:48:25You okay?

00:48:27Yeah.

00:48:28I'm so excited!

00:48:29It's done, Mr. Kenwood.

00:48:44Miss Keaton signed the contract.

00:48:47Good.

00:48:48It's a generous deal.

00:48:49You sure you don't want it to know?

00:48:52No.

00:48:54No, it's better if I stay out of her life.

00:48:56I will be fine, I'll be...

00:48:59I'll be there in your darkened space.

00:49:05Congratulations, Alice Keaton.

00:49:08Go live the life you were always meant to.

00:49:15Your engagement and advancement should align perfectly with the Foundation Gala.

00:49:20And the Browns already offered to host the London reception.

00:49:25It's all coming together beautifully.

00:49:29I've lost my appetite.

00:49:36I'll go check on him.

00:49:42What's your problem, Charles?

00:49:47This engagement...

00:49:48is not happening.

00:49:50It's not up to you, you know that.

00:49:52Serena, we're not doing this.

00:49:55You've changed.

00:49:59Or maybe I finally just stopped pretending.

00:50:02I'll be here.

00:50:03Tals, you're the sponsor.

00:50:32You've been funding Alice Keaton this whole time.

00:50:37So?

00:50:38You lied to everyone, including her.

00:50:41I protected her.

00:50:45You loved her.

00:50:47Still do.

00:50:49Let it go, Serena.

00:50:52There's no point.

00:51:02I need a favour.

00:51:04Find out when the Oxford interview is.

00:51:07And make sure Alice Keaton won't show up.

00:51:14Anything? No?

00:51:16She's not answering.

00:51:18The interview's almost over.

00:51:20Well, she won't just not show up.

00:51:22Something's wrong.

00:51:24Where's Alice?

00:51:25When was the last time you heard from her?

00:51:28Last night.

00:51:29She said she was prepping all evening.

00:51:35James, track someone for me.

00:51:38Wait, where are you going?

00:51:40No!

00:51:41No!

00:51:42No!

00:51:43No!

00:51:44No!

00:51:45No!

00:51:46No!

00:51:47No!

00:51:48No!

00:51:49Chill, ok?

00:51:50It won't hurt you.

00:51:51Yeah, we're just supposed to keep your eye from the interview.

00:51:53That's it.

00:51:54No!

00:51:55No!

00:51:56No!

00:51:57No!

00:51:58No!

00:51:59No!

00:52:00No!

00:52:01No!

00:52:02Shit, come back!

00:52:03Fuck!

00:52:33Didn't need a second guess

00:52:41Hey, hey, hey, Alice, Alice?

00:52:43Alice, hey, hey, stay with me, stay with me, Alice

00:52:46Alice!

00:52:53You're awake?

00:52:55Where, where am I?

00:52:57A local clinic. Passer-by brought you in.

00:53:00Passer-by?

00:53:02He found you on the side of the road.

00:53:04He had to leave, he didn't leave a name.

00:53:08Oh.

00:53:10The interview, what time is it?

00:53:12Easy. It's okay.

00:53:14Someone already contacted the university.

00:53:16And sent in your writing samples.

00:53:18They've rescheduled your interview for tomorrow.

00:53:20Wait, what, who?

00:53:22No idea, but it's all taken care of.

00:53:27What did you say?

00:53:29Nothing.

00:53:30I just...

00:53:32had a dream.

00:53:42Did you?

00:53:44I got him!

00:53:45Oh, I knew it!

00:53:49Too bad Charles isn't here to watch you crush it.

00:53:53He's not here.

00:53:55Oh, you didn't know?

00:53:57Know what?

00:53:59He left.

00:54:01A few days ago, yeah, everyone doesn't really know where he went.

00:54:03Honestly, Ashford's been quieter without him.

00:54:05It's probably for the best.

00:54:07Come on.

00:54:09Fuck.

00:54:15Alice?

00:54:17The summer I met Charles Kenwood was loud.

00:54:21Chaotic.

00:54:23Unexpected.

00:54:27And with his absence...

00:54:29Come on!

00:54:31It ended quietly.

00:54:35Like summers always do.

00:54:37And joining us today, the decade's most unexpected literary phenomenon, Alice Keaton.

00:54:55Thank you for having me.

00:54:57Well, your words moved millions.

00:54:59They say your stories feel real, especially the ones about love.

00:55:05Which brings us to the most obvious question.

00:55:07How's your dating life like these days?

00:55:09No comment.

00:55:11A little bird told me that the past four years has been just writing and working, not even a single date.

00:55:17Let me guess a bird named Sherry.

00:55:19She caught me.

00:55:20Still no comment.

00:55:21Alright, alright.

00:55:22No matter what you say, you write love like someone who's lived it.

00:55:28If you're so real.

00:55:29Because once, I did.

00:55:31With someone who felt like chaos and clarity.

00:55:34And no one ever quite matched the light after that.

00:55:38And let's give it up for Alice Keaton one more time.

00:55:47Congratulations, Alice. The numbers just came in. You broke your own record.

00:55:57That's... incredible.

00:56:00We're thinking celebration? Press? Photos? Maybe tonight?

00:56:04Actually, there's something I'd rather do.

00:56:08I'd like to meet with the person who believed in me first.

00:56:12My sponsor.

00:56:14You're sure?

00:56:15Yeah. Just once.

00:56:17Tonight. 7pm.

00:56:30Good evening.

00:56:35Good evening.

00:56:38May I sit?

00:56:39Hey, Mr. Nonchalant.

00:56:49Hi.

00:56:50Hi.

00:56:53You look well.

00:56:56And you look like you just stepped out of a GQ cover.

00:57:00You always did.

00:57:02You were expecting someone else.

00:57:04I was...

00:57:06Hoping.

00:57:08But I guess I always knew.

00:57:11I didn't come here to confuse you.

00:57:13Or to reopen anything.

00:57:17I just wanted to say congratulations.

00:57:20Oh.

00:57:25Didn't know you were still reading.

00:57:27You were rich enough not to do so.

00:57:30Always.

00:57:31Either way.

00:57:32Your sponsorship started my career.

00:57:34So...

00:57:35No.

00:57:36No.

00:57:37You've...

00:57:38You earned everything.

00:57:41Every word.

00:57:43Every page.

00:57:46Every reader.

00:57:48That's what I came to say.

00:57:53It was good to see you again.

00:57:54I hope.

00:57:55Charles.

00:57:58Can you just...

00:58:00Wait a little longer.

00:58:08I think I knew it was you.

00:58:11There was one email.

00:58:14You said something.

00:58:15It felt familiar.

00:58:17Really?

00:58:18Kinda had that rich asshole with a conscience energy.

00:58:21Very ombre.

00:58:23I should have anonymized my grammar.

00:58:25Too late.

00:58:26Your semicolon usage gave you away.

00:58:29Still the only girl I know who flirts through punctuation.

00:58:32Still the only guy I know who uses wiles unironically.

00:58:38You've changed.

00:58:40But...

00:58:42Not really.

00:58:44You haven't changed.

00:58:46But...

00:58:47Maybe you've grown into who you really were.

00:58:51Anyway...

00:58:53I wanted to say...

00:58:57And...

00:58:59Thanks for being here tonight.

00:59:01You didn't have to come.

00:59:03Don't tell me what I have to do.

00:59:07You didn't have to come.

00:59:10Don't tell me what I have to do.

00:59:32If you could go back.

00:59:33If you had the chance to do it all again.

00:59:35Would you do anything differently?

00:59:42No.

00:59:47No.

00:59:52I see.

00:59:56I know my answer now.

00:59:57You know my answer now.

00:59:58I didn't have the power back then.

01:00:00Not enough to protect you.

01:00:02I couldn't watch you get crushed because of me.

01:00:05Because of my name.

01:00:07My family.

01:00:10I didn't want to be the reason you lost everything.

01:00:13So you just disappeared.

01:00:15Without a word.

01:00:19If you had the chance to see the world.

01:00:21Without me weighing you down.

01:00:23If you still chose me after that.

01:00:25You keep saying you wanted to give me a choice.

01:00:31But you made a choice for me.

01:00:34Did it ever cross your mind that maybe...

01:00:39I would have chosen you anyway?

01:00:46I didn't think I was the smart choice.

01:00:50You weren't.

01:00:51You weren't.

01:00:54But I never claimed to be that smart.

01:01:05This is me.

01:01:06Right.

01:01:07I'm still mad at you, you know.

01:01:09I'm still in love with you, you know.

01:01:11I'm still in love with you, you know.

01:01:13Do you want to come in for a bit?

01:01:16You're asking your ex, who you haven't seen in four years, to come into your hotel at approximately 11pm.

01:01:25You were right.

01:01:26You were right.

01:01:27You never were that smart.

01:01:28You don't have to come.

01:01:29Don't tell me what I have to do.

01:01:30It's almost like you say.

01:01:31Where's things better go?

01:01:32You don't have to come.

01:01:33It's almost like you say, where's things better go?

01:01:36I'm still in love with you.

01:01:37You're asking your ex, who you haven't seen in four years, to come into your hotel at approximately 11pm.

01:01:40You were right.

01:01:42But you never were that smart.

01:01:45You don't have to come.

01:01:46Don't tell me what I have to do.

01:01:49It's almost like you say, where's things better go?

01:02:04Stop quoting yourself.

01:02:05I recycle. It saves energy.

01:02:08This feels wildly irresponsible.

01:02:10You sound like a disclaimer.

01:02:12You're the one who wants called romance a distraction.

01:02:14I said that.

01:02:15Yeah, before calling Wuthering Heights overrated.

01:02:18Still is.

01:02:20You're lucky you're a good kisser.

01:02:26That is cute to me.

01:02:27Don't you dare quote poetry.

01:02:29I wasn't going to.

01:02:31I forgot all of it the day you left.

01:02:33Then shut up.

01:02:35And prove it.

01:02:42I still can't believe this is happening.

01:02:44I told you that you're the worst enemies or secretly married.

01:02:47And I told you.

01:02:48They're both.

01:02:49I vowed to always tell you the truth.

01:02:50In my mind.

01:02:51In my mind.

01:02:52In my mind.

01:02:53In my mind.

01:02:54In my mind.

01:02:55In my mind.

01:02:56In my mind.

01:02:57In my mind.

01:02:58In my mind.

01:03:00In my mind.

01:03:01In my mind.

01:03:02I vowed to always tell you the truth.

01:03:04I vow to always tell you the truth, except for when you ask how your cooking was, then

01:03:21I lie, respectfully, I vow to keep choosing you, loudly, quietly, always, even when I

01:03:34only forget to do the laundry, is he actually good at this? I mean, he did beat her at sarcasm.

01:03:45I vow to argue with you at least twice a week, especially over Shakespeare, I vow to write

01:03:51you in your every story, even when I say I didn't, you will always be a part of my life.

01:03:58If she quotes Austen in this toast, I'm out.

01:04:00No you're not, you're going to cry harder.

01:04:07I can't believe you picked Paris. Such a cliché honeymoon destination.

01:04:14Guard your phone.

01:04:16Relax, just don't dress like a walking inheritance and you'll be fine.

01:04:21You are not wearing that on our honeymoon.

01:04:28Please, Alice, go change.

01:04:29Don't tell me what I have to do.

01:04:35No.

01:04:36No.

01:04:37No, no, no, no, that is not an invitation to, do not take off these clothes.

01:04:42We're overruled.

01:04:43You look much better without them.

01:04:49To the ones who loved in silence, in chaos, in chapters, you will find your way home.

01:04:56Sometimes I want to be on my own, but I don't want to die alone, but I don't want to die alone, but I don't want to die alone.

01:05:03You're not going to die alone, but I don't want to die alone, but I want to die alone.

01:05:21It's up to us to make sure that we can gain what's been passed through the

01:05:51books.

01:05:52Help us develop, learn and grow.

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