- 2 days ago
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00:00:01You know, my memory's a bit fuzzy.
00:00:03It was a party after all.
00:00:07Certainly, I can do my best.
00:00:09The first thing I remember seeing is the bloody mess of a person dragged into my foot.
00:00:12Before that, please.
00:00:14There was a lot of yelling.
00:00:15Earlier.
00:00:18Where should I start?
00:00:20The beginning.
00:00:30What?
00:00:43Heddup!
00:00:45Eileen Lovewalk is on the phone.
00:00:48She wants to talk to you.
00:01:00Eileen Lovewalk. I thought you never wanted to speak to me again.
00:01:06Hedda Gardner, I heard you're having a party tonight.
00:01:09Yes, introducing Mr. and Mrs. George Testament to society.
00:01:13Showing who we are.
00:01:14Who you aren't?
00:01:16So, will you come? It'll be just like the old days.
00:01:21Let's hope not.
00:01:22Let's see you tonight.
00:01:24Eileen...
00:01:30Eileen Lovewalk.
00:02:00Eileen Lovewalk.
00:02:30Eileen Lovewalk.
00:02:32Eileen Lovewalk.
00:02:34The police.
00:02:36Eileen Lovewalk.
00:02:38Eileen Lovewalk.
00:02:40Eileen Lovewalk.
00:02:42Eileen Lovewalk.
00:02:46Eileen Lovewalk.
00:02:48Eileen Lovewalk.
00:02:50Eileen Lovewalk.
00:02:52Eileen Lovewalk.
00:02:54Eileen Lovewalk.
00:02:56Eileen Lovewalk.
00:02:58Eileen Lovewalk.
00:03:00Eileen Lovewalk.
00:03:02Eileen Lovewalk.
00:03:08Eileen Lovewalk.
00:03:10Eileen Lovewalk.
00:03:12Eileen Lovewalk.
00:03:14Eileen Lovewalk.
00:03:16Eileen Lovewalk.
00:03:18Eileen Lovewalk.
00:03:20Eileen Lovewalk.
00:03:22Eileen Lovewalk.
00:03:24Eileen Lovewalk.
00:03:26Eileen Lovewalk.
00:03:28Eileen Lovewalk.
00:03:30Eileen Lovewalk.
00:03:32Eileen Lovewalk.
00:03:34Eileen Lovewalk.
00:03:36Eileen Lovewalk.
00:03:38Eileen Lovewalk.
00:03:40Eileen Lovewalk.
00:04:02Eileen Lovewalk.
00:04:04Eileen Lovewalk.
00:04:06Eileen Lovewalk.
00:04:08to what end he decides on the professorship i need him on my good side and he likes people like
00:04:12you he likes uh bohemians uh no no he needs to have fun tonight around at the end of it
00:04:20you'll be fine testament tonight will be fun you'll meet my friends i'll meet your colleagues
00:04:26i have friends too header don't be rude it's your friends your friends trust me george they're
00:04:31well-behaved and well-bred and greenwood will love them in you by extension yes well you'd better
00:04:35had there's nothing can go wrong tonight header header nothing i've heard you
00:04:43i want to keep those guns out of sight
00:04:51right do the class with the dog no not the necklace
00:04:56no has love ball called again no
00:05:06you know i was rather surprised that she'd been invited i forgot to mention
00:05:11header yes this is all happening because you wanted it the house the party a lot of money and
00:05:18effort was expended for you i hope you're happy don't i look happy
00:05:24girls girls watch out you look wonderful darling thank you you look very handsome thank you thank you
00:05:52thank you
00:05:57is bragg still here oh it's about to get family his business he's functional there's a difference
00:06:07mrs tisbert mr and mrs sunbar i'm so glad you could make it after all good to see you george good
00:06:11to see you thank you for coming charming i love your flower thing thank you would you mind
00:06:15of course please thank you professor greenwood thank you for coming good evening this is my wife
00:06:24time for taboo how do you do pleasure all mine champagne darling thank you just
00:06:29you're there thank you thank you thank you so much she's duskier than i thought she was not so
00:06:36did you bring me george
00:06:37of course i've been watching before
00:06:38i like john in your life
00:06:40you're so cute
00:06:40you're in there
00:06:44is he
00:06:45isn't it
00:06:45it can't be one of george's right surely
00:06:47no
00:06:47this is definitely mrs tess and his friends
00:06:50i saw i saw you talking to professor greenwood
00:06:52how far back do you go with him a fair bit actually i mean it must be a good 10 years now
00:06:56he may not recall me immediately but before i had a tenure we weren't even sure we were at the
00:07:00right place when we arrived so i'm sorry tabitha what did you say i just thought we were so
00:07:05surprised when we came up the drive it's very nice it's bigger than we thought it would be
00:07:10judge brach have you met professor greenwood's wife tabitha she's a painter she says
00:07:16lovely to meet you don't be a dear and get me one of these if you're topping out
00:07:19you're a dog
00:07:21excuse me
00:07:24very rude we have sevens of that oh but i know you like your games did i scare you off with my
00:07:30gun earlier you haven't come around so i know really you're avoiding me you have a chase you've
00:07:34seen him what mage now he's beautiful a bit more than we discussed don't start
00:07:40and mrs ellison's at the door so she's an old friend
00:07:43you're in yes okay now you're a dog
00:07:48tell me what type of things did she do something pretty
00:07:58oh no did you walk here mrs testman i'm so sorry to interrupt i had no idea you're in town
00:08:02mrs ellison of course i would have invited you i just wanted to talk to you about um just to see if
00:08:10yes eileen lovebork is she here i insist you stay no no i don't know i'm not dressed like this
00:08:16well i get you out of here what about you jane your guests nobody needs me miss
00:08:21i just need to talk to her how have you been since i secondary school yes right
00:08:26how's mr ellison how are things going i don't
00:08:31oh come now mrs ellison please stop don't call me that just see it's fine
00:08:35of course well let's get you out of these clothes here
00:08:44ken talk to me school friend we weren't friends at school you used to pull my hair
00:08:49did i you were terrifying back then i don't remember every time you passed me on the stairs
00:08:59once you told me that you would burn it all off amazing i never got around to it
00:09:02oh i said i think this gown might do it
00:09:08will you be gone from home long yes what do we do on your own work with eileen yes not your
00:09:15current what about money i write i co-wrote the last book with eileen the one that sold out two weeks
00:09:22ago you're published well my name isn't on it but we finished the first draft with the next one and
00:09:28it's her best work yet it's sort of our your baby yes you could say that my name's on it right
00:09:37underneath hers the ellison thea clifton i don't want my husband's name on it i'm just your father's
00:09:41raise your arms she's a bit rough around the edges last i heard she'd been arrested for being
00:09:46drunk and disorderly she's different now she's softer more careful she's changed my god i had
00:09:54to stop drinking she understands how bad it is for her now quite the impression you've made i don't
00:10:00think so no no don't be shy seems you have rehabilitated our little loved one that's what
00:10:04she says does she enjoy here to make sure that she stays out of trouble is that it she is coming isn't
00:10:12she yes please don't say anything i just worry and you left your husband a bit sooner than you planned
00:10:24we need another carinette
00:10:24certainly
00:10:42this my friends is fair ellison
00:10:45see you
00:10:58oh yes i would love to pick your brain you you wouldn't believe the things i found in these
00:11:02libraries old documents notes and papers that no one even knew
00:11:04certainly made the most of your honeymoon didn't waste any time no i didn't so you were doing research
00:11:08on your honeymoon for the whole six months um yes yes nothing else a bit more lively
00:11:14edda has an insatiable episode well we ate at a lot of very excellent restaurants yes well she does
00:11:20love eating out
00:11:35what are you looking at
00:11:38no one everyone
00:11:40there's this woman that eileen used to be
00:11:43acquainted with and she says that she tried to shoot her when eileen broke it off
00:11:46people don't do things that bad here well she's back this woman if she's here when eileen comes
00:11:52and i'm worried that things might get out of hand stop fretting fear eileen will be here
00:11:56soon enough and you can fear for her safety bit i just don't want her to lose this opportunity
00:11:59what at the university the professorship and the endowment and she won't admit it but she really
00:12:04needs this job not just for her well-being but for her debts and she's bringing the new manuscript
00:12:08to show greenwood hopefully it seals the deal but let's not talk business at the table
00:12:16i'll get this position and uh begin paying bills eileen loveborg is applying for your
00:12:23position at the university george in downland what she's asked to be considered i'm in competition
00:12:31with that woman she comes out to pressy greenwood and with his wife george what she gets up to what
00:12:36does she get up to i'm sure you've heard the rumors i've heard she's reformed changed her way
00:12:42stopped drinking apparently really while she was at the ellison's but what's that matter
00:12:47but we got married we borrowed money we went into debt because the position was virtually mine
00:12:51that was before the reappearance of lightning local don't be afraid of your competition this isn't
00:12:54the game do you even care i care deeply my love i can't wait to see how it turns out
00:13:05he hates owing people money i really told him there's no big rush although i do wish you
00:13:09have been a bit more economical hush come where are you taking me i said hush
00:13:25what's this
00:13:52don't say the key to your heart the gun case i found it in the attic
00:14:00so it was general gobbler's gun you were shooting at me earlier
00:14:04sure i can't buy them from you now that you've found them it's the only thing he left me i know
00:14:09some bastard children that have fed far worse than you thank you for the reminder do you know
00:14:13what my father used to call me his pretty little thing so he gave me his pretty things
00:14:22please
00:14:28you have always been a pretty little thing
00:14:33i missed you every day you were gone
00:14:36me too do you mean that i thought you were having a marvelous time
00:14:40it's marvelous
00:14:42it's your choice well my time was up anyway
00:14:52what do you know what do you know i need a love ball's reappearance what about it what's her state what
00:15:00you like it's as you said she's on the straight and narrow she still has some silly friends but
00:15:04they're all good fun in moderation why you want her don't you no she has a hold of you no one has a
00:15:10hold over me that's uh this house is between you and this house was only ever for you
00:15:19you needed it he said you believe that
00:15:22you do think that this house is my life's great passion isn't it no
00:15:29testament used to walk me home last summer after those dinner parties and we passed by here one
00:15:33night and there was a lull in the conversation i bought this house and a lull it was a pregnant
00:15:37pause pregnant with twins i hope he was a nervous wreck trying to think of something to say to me
00:15:43something clever and i suppose i felt bad for him
00:15:51i don't know roland on a whim i just said i wanted the house just like that just like that
00:15:55and the next thing i knew i was married to him
00:16:01and my whimsicality had its consequences as it often does heather for us all
00:16:06sometimes i can't help myself i just do things all of a sudden on a whim i don't know why
00:16:25so eileen you really heard nothing nothing that would make yours the wrong choice stay away from
00:16:33her header you are still general garbler's daughter and that woman is competition not to me
00:16:42come
00:16:47don't resist me you have no power over me i control this i say when
00:16:52we really hit up well if i would indeed design myself to a life of poverty i might
00:17:02still go down in style
00:17:14i felt like i like i couldn't breathe you'll be fine it's uh it's happened to me before
00:17:18um why don't you wait upstairs and i will retrieve you when dr love will come
00:17:26she's uh not feeling well poor thing
00:17:32i said i'll go through fire and i'll go through fire
00:18:00and i'll go through fire as he wants it so it will be
00:18:10crazy he calls me sure i'm crazy crazy in love
00:18:18crazy he calls me
00:18:38I'm crazy, crazy in love, am I?
00:18:52Edda, darling, live the music.
00:18:55What?
00:18:56What is the matter with you?
00:18:58I thought it was going to be a rager.
00:18:59You seemed absolutely ready for carnage when you invited me.
00:19:01Music, damn it.
00:19:03Edda, shut up, Jane, I've heard you.
00:19:08Seems some of my guests are getting restless.
00:19:10Would you help?
00:19:11Sure.
00:19:23It's oh so quiet.
00:19:26It's oh so cute.
00:19:29Come on, darling.
00:19:31You're all alone.
00:19:35And so peaceful until...
00:19:38You fall in love.
00:19:40Sing, boom.
00:19:41The sky you're up above.
00:19:43Sing, boom.
00:19:44It's caving in.
00:19:46Wow, man!
00:19:47You've never been so nuts about a guy.
00:19:49You wanna laugh, you wanna cry, you cross your heart and hope you die.
00:19:52Till it's over and then...
00:19:56It's nice and quiet.
00:20:00It's nice and quiet.
00:20:02It's nice and quiet.
00:20:05Stop it coming.
00:20:06Bye.
00:20:07George, do you cry?
00:20:08Sir?
00:20:09Hello?
00:20:10From his feet.
00:20:11Sorry.
00:20:12Leave the days, PM.
00:20:13You're already going to the dead.
00:20:14Charles!
00:20:18Drugs!
00:20:20Asوق
00:20:25Fast
00:20:28Oh, my God.
00:20:58Thank you for coming.
00:21:04Thank you for having me, Tesman. Mrs. Tesman.
00:21:06Please come in. Have a drink.
00:21:09I brought a couple of friends, if that's all right.
00:21:10In you come.
00:21:15Oh, are you gorgeous?
00:21:17Charming.
00:21:18Down boy. Mrs. Merzba.
00:21:19Look at George Tesman.
00:21:21Where's the bar, George?
00:21:22Just there.
00:21:25Come on.
00:21:27I'll show you.
00:21:28You said that they would behave.
00:21:32They have been.
00:21:33They're done.
00:21:33I thought.
00:21:46Dr. Loveball.
00:21:47I hear that your new book has been selling quite well.
00:21:50That's so exciting.
00:21:51Yes, I've just got a copy of it myself.
00:21:52I haven't had a chance to read it yet.
00:21:54Save yourself the trouble.
00:21:55Well, so it makes me humble, Dr. Loveball.
00:21:57I'm not. There's nothing much to it, really.
00:21:58Well, it was very well-reviewed.
00:21:59And that's all I wanted.
00:22:00So I put nothing remotely controversial in the book.
00:22:02It's in the book about sex.
00:22:04In the classical era.
00:22:05No one's scandalized by people fucking on millennial-old clay pots.
00:22:09It's perhaps a mistake.
00:22:17Anyway.
00:22:17The real work is this.
00:22:21Something of a sequel to the first.
00:22:22What?
00:22:23What's there left to talk about?
00:22:24The future.
00:22:25Of?
00:22:25Sexiest.
00:22:27What could we know about the future of that or anything?
00:22:30We could point to some trends.
00:22:31Well, I would never have thought to write anything like that.
00:22:34No, probably not.
00:22:36Loveball.
00:22:36Professor Queen's.
00:22:38Lovely to see you looking so well.
00:22:42Drink?
00:22:43Maybe very tempting, but no.
00:22:45Some water or a soft drink for me, please.
00:22:46Soft drink.
00:22:48George!
00:22:49You have a mate!
00:22:51That's it.
00:22:52It's the only complete copy I have, and you're not getting your hands on it.
00:22:55It's true!
00:22:55I love you.
00:22:56Hello, darling.
00:22:57There's something.
00:22:59Mrs. Tesman.
00:23:01Hello, hello, dear.
00:23:02Let the women talk.
00:23:03Come on.
00:23:04Hello, well.
00:23:05Hello, where are you?
00:23:18Hedda Gabler married to George Tesman.
00:23:24Yes.
00:23:25So it goes.
00:23:26How could you throw yourself away?
00:23:28What?
00:23:28He's so old.
00:23:30He's kind.
00:23:31He's an academic, like you.
00:23:32He's white and thoroughly middle-classed.
00:23:35He has a good job.
00:23:36Or will.
00:23:37Or might.
00:23:38When will you understand that anything you need in life you must build for yourself?
00:23:42What will you do when he gets bored?
00:23:43If he leaves you once he sees through?
00:23:45I think I'll be all right.
00:23:46He goes on and on about how he wants to take care of me.
00:23:48Give me anything I want.
00:23:49Like this ridiculous house.
00:23:51His ambition is deeper than his pocket.
00:23:54The judge helped a bit.
00:23:56He promised my father he'd look after me.
00:23:58How about here and there?
00:23:59Don't you miss me?
00:24:21Like an appendix.
00:24:25You're happy now.
00:24:26All of a sudden.
00:24:27Is that it?
00:24:28Good company will do that.
00:24:34Just a quick look.
00:24:35No, no, no, no.
00:24:37Hello.
00:24:38Oh, there you are.
00:24:40And the view from Felton Penzo was absolutely breathtaking.
00:24:42What was the name of those mountains, Darlene?
00:24:44The Dolomites.
00:24:44The Dolomites, of course.
00:24:46Funny, those mountains.
00:24:48I hear you've been cured of your vices.
00:24:50You're never cured of your vices.
00:24:52You resist them.
00:24:53And you resist?
00:24:54Yes.
00:24:54Every time?
00:24:55Going on three months, three days?
00:24:56I don't believe it.
00:24:58Your beliefs are no business of mine.
00:24:59The woman I knew couldn't stop when she started.
00:25:01Which is why I never start.
00:25:03You ruined Justice to Swelling.
00:25:04You were so drunk and high, if I remember correctly.
00:25:06Which is why I never start.
00:25:07Has she spoken to you since?
00:25:08Has she let you run the children yet?
00:25:09Shut up, Mrs. Tesman.
00:25:11How'd she eat?
00:25:11No.
00:25:12I'm just annoyed with myself that I ever confided in you.
00:25:14Power you had over me.
00:25:15You think I had a power over you?
00:25:17Yes.
00:25:18The kind intelligent women wield when they're catastrophically bored.
00:25:21Where are you going?
00:25:23Where's Thea?
00:25:24I'm tired of running around this ridiculous hedge.
00:25:27I'm back in town less than a day, and I'm already wrapped up in your frivolous life.
00:25:30Frivolous?
00:25:31Frivolous and cowardly.
00:25:32You waste your time scrambling about like a roach trying to shape a man's destiny.
00:25:35Shape your own.
00:25:36Oh, please.
00:25:37Come on, work.
00:25:38Write.
00:25:38Do whatever.
00:25:39Do something.
00:25:39I left my mother's house when I was 17 years old.
00:25:42When she found your lesbian sex work, yes.
00:25:43I know all about it.
00:25:45You know nothing.
00:25:47Actually, I do.
00:25:48I've done my own research since.
00:25:51In secret, I suppose.
00:25:53And no one can see or suspect giving your reputation clean.
00:25:55Always.
00:25:56Hedda, you could be so much more.
00:25:59Look what I've done.
00:25:59You could do anything.
00:26:00Like what?
00:26:02Become a professor?
00:26:03Tell me, how many women are at the university teaching?
00:26:08Two.
00:26:08And they're both white.
00:26:10I presume.
00:26:12Whatever.
00:26:13You're upset I couldn't choose you.
00:26:17I was.
00:26:18Once.
00:26:19Not anymore.
00:26:20Not for a long time.
00:26:23Since Thea?
00:26:25I know she's still there.
00:26:27I saw her little bag near the door.
00:26:28Do you know that a roach can live without its head for a week?
00:26:32Excuse me?
00:26:33She's upstairs.
00:26:36It's her.
00:26:38You're quite the duo.
00:26:46You and Thea.
00:26:47She's brilliant.
00:26:48She's just been bullied into stupidity.
00:26:50Oh, I believe that.
00:26:51Leaving her husband for a promise and a credit is quite something.
00:26:54Yes, it is.
00:26:55Brave.
00:26:57Careful.
00:26:58You make me jealous.
00:26:59What?
00:27:00Yes.
00:27:02What?
00:27:10Still like your guns?
00:27:12Yes.
00:27:14Why didn't you shoot me back then?
00:27:17When you left.
00:27:18When I left.
00:27:21Because I knew you really wanted me to.
00:27:23Of course.
00:27:26What?
00:27:27Coward at heart.
00:27:34That wasn't my greatest act of cowardice.
00:27:36Are you brave enough?
00:27:46Of course not.
00:27:52Where's Thea?
00:27:53Second door on the left.
00:28:03Where have you been?
00:28:04I called at your house.
00:28:06They said you'd gone.
00:28:07I had to leave.
00:28:08I've been brave enough.
00:28:16I have.
00:28:17I have to leave.
00:28:27I have to leave.
00:28:38you don't seem glad for the company
00:28:43i am i am
00:28:45i just i'm just thinking about when everyone leaves
00:28:51how it's a big house isn't it if i can't even entertain as i expected
00:28:55i wonder whether i couldn't get testament interest in a political career
00:29:02no political life is not for him he's aggressively unsuited to it
00:29:06perhaps but couldn't i use in that direction make him take it up
00:29:09why put him in a position to face i told you
00:29:10do you think it's absolutely impossible for him to become say a cabinet minister
00:29:16a cabinet minister for him to become a cabinet minister he'd need to have money a lot of money
00:29:20money money money what's got into you
00:29:22it's a completely hopeless professorship
00:29:26honestly perhaps i'm surprised as you by the new love book
00:29:31she made a big comeback and she's bold and provocative
00:29:34and she's a woman made like that these days in moderation
00:29:37worry yourself about anything else
00:29:40i'm sure you'll have some greater responsibility something more
00:29:43pressing
00:29:45you will never see anything like that happen
00:29:47never and why not
00:29:49you're terrible mother
00:29:52you're dreadful at it
00:29:53you made the safe choice
00:29:55the only choice really
00:29:57for someone like you
00:29:58nothing you can do now just play the part
00:30:01and stay out of trouble
00:30:02make sure professor greenwood never has an anti-girls
00:30:20i've heard so much about you mrs tesman
00:30:22hmm not enough to know not to call you that
00:30:23i've heard so much about you mrs tesman
00:30:27hmm not enough to know not to call you that if we could be friends
00:30:34you want to be friends
00:30:35hmm so what do you mean that before you were domesticated you were like fire
00:30:41oh you're a poet
00:30:42oh you're a poet
00:30:43obvious
00:30:44like everything else about you
00:30:45hmm tell me about me
00:30:48do you know i worked but you're far too sober for that kind of honesty
00:30:55couldn't agree more
00:30:56in that case
00:30:57in that case
00:30:58martina please for the gentleman
00:30:59and one for mrs greenwood
00:31:03and one for mrs greenwood
00:31:04you will be ruined i'll be a ruined wife i won't be a ruined woman
00:31:11and when they publish our book there's nothing anyone will be able to say against us
00:31:18well they will
00:31:19but it won't matter
00:31:21and when they publish our book there's nothing anyone will be able to say against us
00:31:24well they will
00:31:25but it won't matter
00:31:26it's okay
00:31:43it's okay
00:31:44it's okay
00:31:45everyone's pissed one of their eyes from their elbows
00:31:49ah
00:31:51what a pretty sight
00:31:53heather is it okay if i borrow your dress for the evening
00:31:56i'll have it cleaned and sent back by tomorrow
00:31:57well you're not leaving are you
00:31:58best to resist temptation
00:31:59ah come on eileen you're stronger than that
00:32:02that's great
00:32:03of shame i just came up to let you know that professor greenwood wanted to talk to you about your book
00:32:06the new one
00:32:07he asked for me
00:32:08hmm
00:32:09and his defenses are down
00:32:14heather
00:32:15i need you downstairs
00:32:16won't be a moment
00:32:18now
00:32:19of course
00:32:22what were you doing up there
00:32:27have you even spoken to professor greenwood you
00:32:30of course
00:32:31it extends empathy
00:32:32as a discord
00:32:33that is very interesting
00:32:35i feel i can do some conclusion myself
00:32:37what do you call me
00:32:38empathy
00:32:39madam
00:32:50no thank you
00:32:51what's so funny
00:32:56what's so funny
00:32:59heather is going to cause some trouble i can tell
00:33:05that's fine
00:33:06just stay out of the path of destruction
00:33:08pardon me
00:33:14when are you going to talk to him
00:33:15when he's done with tesma
00:33:17professor greenwood
00:33:18do you approve of scotch
00:33:19i do approve
00:33:20hugely
00:33:21well then you can have a drink
00:33:22let's go
00:33:23i love you
00:33:24you come to show him the books
00:33:25i'll show him the books
00:33:26are you going to join us
00:33:27i'll help you get a drink
00:33:28come on
00:33:30we'll see how much you've changed
00:33:31everybody will
00:33:32there's nothing to be afraid of
00:33:33what's afraid
00:33:34come on
00:33:44is that leon
00:33:45if you go
00:33:48hello
00:33:49hello
00:33:50hello
00:33:52hello
00:34:03word
00:34:04hello
00:34:09hello
00:34:13hello
00:34:15What are you up to?
00:34:25Nothing, nothing at all.
00:34:27I should leave before something terrible happens, shouldn't I?
00:34:29Don't be silly.
00:34:31First time to leave parties after something terrible's happened, but before the police come.
00:34:38Dreadful girl.
00:34:39Dreadful girl.
00:35:09Well, I ought to be going. Has anyone seen my wife?
00:35:12I think she's in the maids.
00:35:13Oh, well, good night, ladies.
00:35:16Dr. Larkin.
00:35:17Professor Greenwood.
00:35:18I shall be seeing you soon.
00:35:19Such a pleasure.
00:35:21Ah, Roland, how are you?
00:35:22Good, Lord.
00:35:23Lovely to see you.
00:35:24Officer, sorry.
00:35:24Thanks so much.
00:35:26Did you hear that?
00:35:28It's amazing. It's really happening.
00:35:29I promised you it would.
00:35:31Drink something. You look thirsty.
00:35:33I don't drink.
00:35:34Eileen?
00:35:35One can't hurt.
00:35:35She doesn't drink either.
00:35:36Never.
00:35:37I thought you were just cutting back.
00:35:38That's not what I said.
00:35:39And if I say you have to, then you have to be speaking.
00:35:44You wouldn't do as I say.
00:35:45Not where that is concerned, no.
00:35:46I think you should.
00:35:47It's ridiculous. It's silly.
00:35:49Written's all right for Thea, but not for you.
00:35:51You can write your books with them and teach with them at the university, and you might even
00:35:54be able to get jobs alongside them.
00:35:55But they'll never really respect you if they think you can't do it like the boys do.
00:35:58Heather, please.
00:35:59You saw Greenwood's face earlier when you asked for a soft drink, like a soft woman.
00:36:02What did you see?
00:36:03Contempt.
00:36:05I'm used to contempt.
00:36:06Contempt for your extracurricular interests, yes, but for your mind, your character.
00:36:12He can think what he likes.
00:36:13A woman of principle.
00:36:14What did I tell you earlier?
00:36:18No need to be so upset.
00:36:19Upset?
00:36:19Heather, see for yourself.
00:36:22This state of mortal panic is akin to this.
00:36:25In mortal panic on my account?
00:36:26Don't relax.
00:36:27Eileen, surely ask the test men look after you at the university.
00:36:29Look after me?
00:36:30Make sure you stay out of trouble.
00:36:31Heather, please.
00:36:32Like a babysitter.
00:36:32I mean, I suppose so.
00:36:33Sort of.
00:36:34What are you doing?
00:36:35Me.
00:36:35After everything we've been through.
00:36:37You run here and you involve my colleague in my business.
00:36:40He must think of...
00:36:40From the academics to the gossipy ladies at the corner.
00:36:47Coward at heart.
00:36:52To your health.
00:37:02Eileen.
00:37:05Please, call me Dr. Nafbock when we're around my colleagues.
00:37:08I think I'll go and speak to her husband.
00:37:10Mrs. Tessman.
00:37:10Why are you like this?
00:37:15You must know who she is by now.
00:37:17Oh, God.
00:37:18She'll be in control.
00:37:19You'll see.
00:37:21I know who you are.
00:37:22You don't want her in control.
00:37:24I'm not stupid, Heather.
00:37:26No, you're not stupid.
00:37:27You're so clever, aren't you?
00:37:29So brave.
00:37:32Perhaps I should burn it off after all.
00:37:36Let go of me, please.
00:37:37If you ruin this for her, she'll never forgive you.
00:37:38Do you want to go for a swim?
00:37:58Yes.
00:38:00Should we all go?
00:38:01Right.
00:38:02Everyone, we're going for a swim.
00:38:04Yes.
00:38:04Oh, come on.
00:38:05I don't know any drugs.
00:38:06Not to me.
00:38:09Where are you?
00:38:11Oh, come down here.
00:38:11Not now.
00:38:12I'm afraid of fear.
00:38:16Come out.
00:38:17Come out.
00:38:17Come out.
00:38:18Come out.
00:38:18Come out.
00:38:19Come out.
00:38:20No, I'm fine here near the fire.
00:38:30You don't bend or break.
00:38:31Don't be such a bore.
00:38:32I'm not a bore.
00:38:33It's cold.
00:38:34Jane, you tell her to get the stick out of her ass and get to the lake, please.
00:38:37Thea, get that stick out of your ass and get in the lake, please.
00:38:40Thea.
00:38:41Be brave.
00:38:42Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea.
00:38:54Thea!
00:39:05She'll let me know if this goes out of hand.
00:39:08Certain liberties come with power, George.
00:39:10enjoy them
00:39:12come on
00:39:17don't make a thing of it
00:39:19she's going to make me pay for that in the morning
00:39:24can i watch
00:39:25you just do whatever you want
00:39:27don't you
00:39:28of course
00:39:29otherwise
00:39:32is that your big foot
00:39:42oh dear
00:39:43terribly sorry
00:39:47jabber that
00:39:49oh fucking jabber
00:39:52i'm killing it
00:39:53who was that
00:39:54who was that man
00:40:02oh
00:40:04oh
00:40:08come on
00:40:16oh
00:40:22oh
00:40:24oh
00:40:26oh
00:40:28oh
00:40:30oh
00:40:32oh
00:40:34oh
00:40:36oh
00:40:42oh
00:40:44oh
00:40:46oh
00:40:54oh
00:40:56Who wants to dance?
00:41:05Try to dance.
00:41:14Ready?
00:41:16Oh, God.
00:41:16Hey!
00:41:24You've been fucking my wife.
00:41:26I'm going to shoot whoever's been sleeping with my wife.
00:41:29You're going to run out of bullets?
00:41:31What sort of gun is that?
00:41:37What difference does that make?
00:41:38You are what you shoot.
00:41:39That's what my father used to say.
00:41:41Looks like a Webley to me.
00:41:43Do you know why I would shoot you too?
00:41:45I would.
00:41:46But if you put this down now, you'll be forgotten and forgiven.
00:41:50Isn't that right, Brad?
00:41:52No crime has been committed yet.
00:41:55Yet.
00:41:56You!
00:41:57You!
00:41:58Oh!
00:41:59Oh!
00:42:00Oh!
00:42:01Oh!
00:42:02Oh!
00:42:03Oh!
00:42:04Oh!
00:42:05Oh!
00:42:06Oh!
00:42:07Oh!
00:42:08Oh!
00:42:09Oh!
00:42:10Oh!
00:42:11Oh!
00:42:12Oh!
00:42:13Oh!
00:42:14Oh!
00:42:15Oh!
00:42:16Oh!
00:42:17Oh!
00:42:18Oh!
00:42:19Oh!
00:42:20Oh!
00:42:21Snowflirt.
00:42:22It's that from destroying the place.
00:42:23It's such a nice house too.
00:42:24This house is as nice as yours?
00:42:25No.
00:42:26But I think my folk have a bit more money.
00:42:27If they have any money they've got more than these two.
00:42:29This house is headed straight back to the bank.
00:42:31Maybe this is their last hurrah.
00:42:33Before they shut half of it down and let the tourists come through.
00:42:35Tour's?
00:42:36Through your own house?
00:42:37Open to the public.
00:42:38All part of the deal, apparently.
00:42:40They get a grant to do the renovations.
00:42:41They do their upkeep.
00:42:42They get to ticket for very very little.
00:42:44Well little for their lot, not for us.
00:42:46Practically in ruins before they came along.
00:42:49Don't make much sense to me, but the mistress was desperate for it, apparently.
00:42:53She can't even fill the servant's quarters.
00:42:54These girls were all hired for the night.
00:42:56And the only stuff they've gotten, they got me from his aunt.
00:42:58Now, she's a nice lady.
00:43:00Spoils her nephew, Tespan, though.
00:43:02Do you know, I've got a son just like him, obsessed with books.
00:43:05Now he's teaching.
00:43:06Never been happier, not like Tespan.
00:43:08The more he gets, the more he wants.
00:43:10And now he's gone and got married.
00:43:11Poor fucker.
00:43:19I've been looking for you, Hedda Gabler.
00:43:30That was quite the spectacle.
00:43:37Satisfied?
00:43:49What?
00:43:57Just want to look at you.
00:44:10Hedda, why did you make me drink, Hedda?
00:44:15I wanted to talk to you.
00:44:16Why didn't you just?
00:44:17You weren't being yourself.
00:44:19I've changed, that's all.
00:44:20People don't train.
00:44:21Apparently.
00:44:24Do you think that you...
00:44:26You and I...
00:44:29If I'd said yes...
00:44:30You never would have.
00:44:32I'd cowered at heart.
00:44:35Yes.
00:44:37But do you think that...
00:44:38I tried not to think about you, Hedda.
00:44:41If I could have, things would have been different.
00:44:45I would have, could have been your partner in all of this.
00:44:47No.
00:44:47Could have done what you said.
00:44:49Built something with you.
00:44:50Could have been...
00:44:51Happy.
00:44:56Yes.
00:45:00I used to think I could never be happy.
00:45:03I thought...
00:45:04Being miserable was what I deserved.
00:45:09What I was owed.
00:45:10For a wild life.
00:45:18Since I'm not that way at all.
00:45:23But you, you can never be.
00:45:25I think you were right about that.
00:45:26I can.
00:45:28But not like this.
00:45:31Not like this.
00:45:31You have anything.
00:45:32I have nothing.
00:45:35You...
00:45:35Feel nothing.
00:45:39I love you.
00:45:44We were married together.
00:45:46I would have been dead.
00:45:48Wear your hand or mine if I'd stayed.
00:45:50Why did you come here?
00:45:56To make sure I didn't love you.
00:45:57I don't.
00:46:06I don't.
00:46:09See, I left her life for me.
00:46:13She made me better.
00:46:16She showed me how to be brave.
00:46:19I love her.
00:46:22I had to make sure I had all of myself together.
00:46:26You have it all worked out then.
00:46:32Don't be cross.
00:46:33Not.
00:46:34You should go to her.
00:46:35But.
00:46:36Your buts have sharp edges.
00:46:38But first, finish what you started.
00:46:41Go to the library.
00:46:42Talk to your colleagues.
00:46:42Yeah.
00:46:43You've played with the girls.
00:46:44Now go and be with the boys.
00:46:45I'm too drunk.
00:46:46You're fine.
00:46:48Come.
00:46:49Come here.
00:46:58All right.
00:47:11Perfect.
00:47:13Go.
00:47:15Do you really not obsess?
00:47:18Put them breath in.
00:47:30All right.
00:47:31All right.
00:47:41A million, basically.
00:47:43You are right.
00:47:43Oh, God, I'm in.
00:48:07Anybody want anything?
00:48:14I'll have it old-fashioned.
00:48:16Same for me.
00:48:17Three gin martinis.
00:48:19Got it.
00:48:28What's with that girl?
00:48:30What girl?
00:48:31Thea.
00:48:33We worked on the book together.
00:48:36Is that all?
00:48:38No.
00:48:40Is she your muse?
00:48:42Muse.
00:48:44Muse is a man's word.
00:48:46For women they learn from, occasionally steal from, and don't waste a credit, but absolutely want to fuck.
00:48:51Or I suppose are fucking.
00:48:53Is that in the dictionary?
00:48:55Merriam-Webster's.
00:48:56Is it in your book?
00:48:57What else is in your book?
00:48:58How did you come up with it?
00:48:59Well, I knew I had to write this book.
00:49:03After a quite elucidating conversation with a young man at a bar.
00:49:08I went with a friend of mine.
00:49:09You might have met her here at Diana.
00:49:10And it was late, just before closing.
00:49:12And we thought, why not?
00:49:13Just one more.
00:49:14She likes a tableau.
00:49:16Bit of a show.
00:49:17So we go to Sissy's.
00:49:18That dead of iniquity.
00:49:19Oh, don't be such crudes.
00:49:21Well, we go in, grab a seat at the bar.
00:49:24I light a cigarette.
00:49:25Diana gets her whiskey.
00:49:26And we have a nice chat with the man Chattano.
00:49:28And there are two of them.
00:49:29Tall.
00:49:30Good.
00:49:31Weak chins.
00:49:32Bad.
00:49:33But typical of their type.
00:49:34And what type is that?
00:49:35The forgotten bastard children of laws.
00:49:40We have a bit of a flirt.
00:49:42Obviously with me, it's not going anywhere.
00:49:44After a while, they started to bore us, so we retired to a table.
00:49:47Get to the fucking, Eileen.
00:49:49So then, we are sitting there.
00:49:55Diana is complaining about her dull husband, Richard,
00:49:58who is dull and vile.
00:49:59And I'm listening as much as one who's already decided
00:50:02not to waste one's days trying to please a man can.
00:50:06And then, my weak-chinned bartender comes over,
00:50:10slides into the booth next to me, and he says,
00:50:12Hello.
00:50:13I think you're beautiful.
00:50:15Can I smell your feet?
00:50:17And what did you say?
00:50:19I said,
00:50:20Whatever for?
00:50:22And then he says,
00:50:24It's my thing.
00:50:25I like it.
00:50:26Don't be shy.
00:50:27His thing?
00:50:28Did you let him?
00:50:33Of course not.
00:50:34You gang of perverts.
00:50:36I told him I preferred my sexual encounters to be mutual
00:50:39and in private.
00:50:41That was sexual.
00:50:42That's what I realize.
00:50:43Maybe old people have a thing that they like.
00:50:47That is different.
00:50:48That is new, maybe.
00:50:50And as some past hidden things have become normalized,
00:50:54I wonder why shouldn't hidden things in the now become normal in the future?
00:50:59So we'll all be smelling feet and having a toss in ten years' time.
00:51:01Who knows what you get up to, Judge Brooke.
00:51:06I'm sure it's going to be far more scandalous.
00:51:09So what are some of these new things?
00:51:10You'll have to buy the book.
00:51:12Or come to one of my lectures at the university.
00:51:16I promise I'll give all of your wives a copy of the book for free.
00:51:20Do you resent fun, you miserable creature?
00:51:37If you wish to leave, leave.
00:51:39It's no use waiting on her like a handmaid.
00:51:41This is going too far.
00:51:43I'm worried.
00:51:44I can't do that.
00:51:45Worrying would make you ugly.
00:51:47I won't leave without her.
00:51:49All right.
00:51:50Then go in and tell her to put down her glass.
00:51:51Is it her you love?
00:51:57Or the book?
00:52:08I hope you joke.
00:52:21No, leave.
00:52:22No, don't drop me.
00:52:24Woo.
00:52:251, 2, 3, 4, 5, 6, 7, 8, 9, 10.
00:52:551, 2, 3, 4, 5, 6, 7, 9, 10.
00:53:25Well, you don't know her very well, don't you?
00:53:30I have known Hedda Garber since she was a child,
00:53:33parading around with her father on their prize horses.
00:53:37General and Hedda.
00:53:39They'd go galloping past my house every Sunday.
00:53:42She'd be in that black riding outfit, you know, the one with the feather.
00:53:44The feather, yes, the feather.
00:53:45The feather, yeah.
00:53:46My mother.
00:53:51Sour old cow.
00:53:54She would lean over to me and she'd say,
00:53:56Look at that vase.
00:53:58Making a show of his hair.
00:54:01Now, what else should we do with the evening boys?
00:54:04The night is still, yeah.
00:54:06I am very, very thirsty.
00:54:07What?
00:54:18You want another story?
00:54:18If you get your kit off.
00:54:21Read us something from your new book.
00:54:22Oh, you're old when I'm not fast.
00:54:24Slug.
00:54:26All right, enough, enough, enough, enough, enough, enough, enough.
00:54:29Come, come.
00:54:30What did you just say?
00:54:31What did you just say?
00:54:32Calm down.
00:54:33You're making a fool of yourself.
00:54:35Who cares?
00:54:36I'll still get the job.
00:54:37I'll have everything I want.
00:54:38And you'll just have Hedda Gabler running around doing whatever and whomever she pleases.
00:54:42Hedda Tesman.
00:54:44Loves me.
00:54:46Hedda Gabler doesn't love anyone but herself.
00:54:49And Hedda Tesman doesn't exist.
00:54:51Did you enjoy that?
00:55:05How can you restrain a woman like that?
00:55:08How can you hold her?
00:55:10With a rope.
00:55:13Tesman, you're a lucky man.
00:55:14She's a prize to be sure.
00:55:15She's not a horse.
00:55:16She cannot be broken in.
00:55:17Sometimes I wish I could just take a riding crop to her.
00:55:22Somewhere in tight.
00:55:23It's another thing from him.
00:55:25Oh, you're fucking bull.
00:55:29I don't think I've ever heard your curse before.
00:55:31With a Tesman.
00:55:36Can I read it?
00:55:40Okay.
00:55:46Where's my bag?
00:55:47Where's my bag?
00:55:50All right.
00:55:50No, it's good to be.
00:55:51What a way to make an entrance, eh?
00:56:20What a way to make an entrance.
00:56:21Where is it?
00:56:22Where is it?
00:56:23And what?
00:56:23Who is reading it again?
00:56:24I don't know.
00:56:25Look!
00:56:26Give me the help!
00:56:27Where is it?
00:56:28Eileen!
00:56:29Please, stop it!
00:56:30I don't know!
00:56:31I don't know!
00:56:32What?
00:56:33What?
00:56:34You're gonna stop!
00:56:35Eileen!
00:56:36All right, let's go.
00:56:37What are you doing?
00:56:38I...
00:56:39Get off!
00:56:40Oh!
00:56:41Oh, God!
00:56:42Oh, God!
00:56:43I am so sorry.
00:56:44All right.
00:56:45For God's sake, what are you doing?
00:56:46What is it?
00:56:47What?!
00:56:48Their menu is grim!
00:56:49Eileen!
00:56:50I have no idea what you're talking about!
00:56:51You filthy bitch!
00:56:52I know you've taken it!
00:56:53Oh, God!
00:56:54Yes, of course, of course I have, yes!
00:56:55And I'm sold it off to the highest person's dinner!
00:56:56Matt!
00:56:57We're not leaving the house until soon!
00:56:59Excuse me!
00:57:00Excuse me!
00:57:01Excuse me!
00:57:02If we could all see the house,
00:57:04we could all help you look for Dr. Lovegaard's menu.
00:57:06Oh, no!
00:57:07Oh, no!
00:57:08Oh, no!
00:57:09Oh, no!
00:57:10Oh, no!
00:57:11Oh, no!
00:57:12Oh, no!
00:57:13Oh, no!
00:57:14Oh, no!
00:57:15Oh, no!
00:57:16Oh, no!
00:57:17Oh, no!
00:57:18That's not the menu's good, darling!
00:57:19That's not the menu's good.
00:57:20Come on, I'll stop it.
00:57:22Yeah.
00:57:23What?
00:57:24What are we looking for again?
00:57:25What are we looking for again?
00:57:26There's actually no idea.
00:57:45Check under the seats.
00:57:46What are we looking for?
00:57:47Oh!
00:57:48Oh!
00:57:49Oh!
00:57:50Oh!
00:57:51Oh!
00:57:52Oh!
00:57:53Oh, look!
00:57:54Here!
00:57:55Another page!
00:57:56Oh, there's another...
00:57:57I don't understand.
00:57:58Oh, look, here. Another page. Oh, there's another.
00:58:10I don't understand.
00:58:13The manuscript must have found.
00:58:17Oh, Eileen.
00:58:20Oh, I'm so sorry.
00:58:24No, no, no, no, no!
00:58:30No, no!
00:58:32It's gone. It's gone.
00:58:34No! Oh, no!
00:58:48Close the door.
00:58:50I've been looking for you everywhere.
00:58:53Don't look at me like that. I know what I'm doing.
00:58:56I'm going to put an end to her reign.
00:58:58I just need some...
00:58:59some weapon to use against that woman.
00:59:02Well, I can't kill her. I've tried.
00:59:05I mean, something...
00:59:07something incriminating, you know, some...
00:59:14What's happened?
00:59:16You should pretend you never met me.
00:59:19Don't you wish it sometimes?
00:59:21I can't do that.
00:59:23You know that I can't.
00:59:26Will you have to?
00:59:29No.
00:59:31I've lost it.
00:59:33Theo.
00:59:35What?
00:59:37The manuscript.
00:59:39I've lost it.
00:59:41No. No.
00:59:43It must be somewhere.
00:59:45Everywhere. Everywhere.
00:59:47No, no, no, no. It must...
00:59:49It must be where...
00:59:50It's...
00:59:51It's gone.
00:59:53It's at the bottom of the lake.
00:59:56The lake?
01:00:00Hyline.
01:00:08No matter what I do,
01:00:10You are always going to be on this path.
01:00:13It's...
01:00:16It's too hard.
01:00:21Why are you like this?
01:00:24Do you love me?
01:00:26Only as much as you love me.
01:00:28Can that be enough for you?
01:00:31No, Eileen.
01:00:32They can't.
01:00:36Do you love me now?
01:00:39Theo.
01:00:43You're asking for more than I can give.
01:00:45Oh, Sienna.
01:00:46More than anybody has the right to ask for.
01:00:47Please.
01:00:48Theo, please.
01:00:49You.
01:00:50Please.
01:00:51You do what you want.
01:00:52It doesn't involve me anymore.
01:00:53Theo!
01:00:54Please.
01:00:55I mean it.
01:01:04Fine.
01:01:06Go.
01:01:07I don't need you.
01:01:09Go on.
01:01:10Fucking...
01:01:11pathetic housewife.
01:01:12Oh!
01:01:13Well, there's the old Eileen.
01:01:14Miserable and deluded right by your...
01:01:15You used me and then you...
01:01:16Fuck after all.
01:01:17I never needed you.
01:01:18You.
01:01:19You were a mess.
01:01:20You used me so you can feel like your life means something.
01:01:22Your life means nothing.
01:01:23I know what I am.
01:01:24Your life means...
01:01:26Nothing.
01:01:28I'm going to find my book.
01:01:31And it will be published...
01:01:33With my name on the cover.
01:01:35Right next to yours.
01:01:39And then none of this will even have mattered.
01:01:52I'm so sorry, Eileen.
01:01:53I'm so sorry, Eileen.
01:01:54I didn't say anything...
01:01:55I'm so sorry, Eileen.
01:02:24I didn't see it anywhere.
01:02:25No, I'm sorry at all.
01:02:29This is exactly what you wanted.
01:02:30I wanted you to be true to yourself.
01:02:34To have courage.
01:02:35Like this?
01:02:37No.
01:02:48You left me.
01:02:51Why did you put me?
01:02:53You were lost.
01:02:55You needed to have strength in who you are.
01:02:58I have no left for this life.
01:03:02All of my colleagues have seen me make a fool of myself.
01:03:05The one person who met it to me is gone.
01:03:07I can't write out another disgrace.
01:03:09Heather.
01:03:11I can't.
01:03:12I can't.
01:03:17Doing whatever you want and being whomever you choose has its limits.
01:03:23And its consequences.
01:03:33You'll land on your feet.
01:03:35Where do you find your power, Hedda?
01:03:37Where?
01:03:38Of course.
01:03:39I already know.
01:03:40But for me, everything I am, everything I have is because I am fucking brilliant.
01:03:53Because I can.
01:03:54Because I can.
01:03:55I can't write.
01:03:56And I can think.
01:03:58Because I convinced those dick-swinging troglodytes that they had to listen to me.
01:04:03This book.
01:04:08It would have been undeniable.
01:04:10Even after this mess, I would have been protected from their ridicule because...
01:04:23Oh, I'd be right.
01:04:26Now I'm alone and I am nothing.
01:04:32No.
01:04:34I am just a woman.
01:04:41Why will you go from here?
01:04:45I'll make an end of it as quickly as possible.
01:04:48Do what needs doing.
01:04:55Wait.
01:04:59My dear.
01:05:00It's me.
01:05:04I'm sorry.
01:05:08I need you.
01:05:09I need you.
01:05:12I need you.
01:05:17I need you.
01:05:23It's me.
01:05:25You're a woman.
01:05:27Yeah, no.
01:05:28Alin.
01:05:58I want you to have this.
01:06:07You should have used it then.
01:06:10You can use it now.
01:06:28Good night.
01:06:33Good night.
01:06:36It's a good night.
01:06:58Good night.
01:07:28Good night.
01:07:38Good night.
01:07:44Good night.
01:07:52Good night.
01:07:56Good night.
01:08:02Alin?
01:08:05Alin?
01:08:07Alin?
01:08:21Head up.
01:08:23Head up, are you in there?
01:08:25Head up.
01:08:26What a mess.
01:08:30We have to find the manuscript.
01:08:32I just saw I think she's a wreck.
01:08:34What are you doing?
01:08:36What are you doing?
01:08:40No.
01:08:42Heather?
01:08:43Here.
01:08:44Some of it can still be saved.
01:08:45I'd save it.
01:08:46Heather.
01:08:47That's her life's work.
01:08:49What about your life?
01:08:52Mine?
01:08:53Are you out of your mind?
01:08:55No, no, no, no.
01:08:56Wait, wait, wait, wait, wait, wait.
01:08:58You can save someone.
01:08:59If that's what you really want, George.
01:09:02But if she finds it, she will get your job.
01:09:07Mrs Ellison?
01:09:09Heading out?
01:09:10I'm just looking for the manuscript.
01:09:11I think all hope is lost for that.
01:09:12Do you think so?
01:09:13As we searched everywhere.
01:09:14What has got into you now?
01:09:15I did this for your sake, George.
01:09:16Me!
01:09:17I wanted you out of that woman's shadow.
01:09:18I couldn't bear the idea of you living that way.
01:09:19No, no, no, no.
01:09:20You just wanted money.
01:09:21I wanted you to have what you wanted.
01:09:22I wanted you to be happy.
01:09:23Happy.
01:09:24To be strong.
01:09:25Really.
01:09:27And...
01:09:28We needed this.
01:09:29By we...
01:09:30By we...
01:09:31I could not have the idea of you living that way.
01:09:34No, no, no.
01:09:35You just wanted money.
01:09:36I wanted you to have what you wanted.
01:09:37I wanted you to be happy.
01:09:39Happy.
01:09:40To be strong.
01:09:42Really.
01:09:45And...
01:09:49We needed this.
01:09:50By we.
01:09:52We, we needed this.
01:09:55By we, I mean...
01:10:00Is it true?
01:10:01Yes, but please don't us.
01:10:03George, look at me.
01:10:04Oh, I am looking at you, Heather.
01:10:08No one must know.
01:10:12You love me.
01:10:15Heather.
01:10:16Desmond.
01:10:22Do that thing. Do that thing with your mouth.
01:10:24No.
01:10:26You do it.
01:10:54No.
01:10:55No.
01:10:56No.
01:10:57No.
01:10:58No.
01:10:59No.
01:11:00No.
01:11:01No.
01:11:02No.
01:11:03No.
01:11:04No.
01:11:05No.
01:11:06No.
01:11:07No.
01:11:08No.
01:11:09No.
01:11:10No.
01:11:11No.
01:11:13No.
01:11:14No.
01:11:15No.
01:11:16No.
01:11:17No.
01:11:18No.
01:11:19No.
01:11:20No.
01:11:21I hope you're in a better mood.
01:11:31Don't be like that.
01:11:32Don't be like that.
01:11:34It's really an apolitan.
01:11:51I don't know.
01:12:13Pailin!
01:12:14Pailin!
01:12:15Pailin!
01:12:16Pailin!
01:12:17Pailin!
01:12:18What happened?
01:12:20What happened?
01:12:21What happened?
01:12:26Call an ambulance.
01:12:28Call an ambulance.
01:12:30Call an ambulance.
01:12:32Hedda.
01:12:34Hedda, now!
01:12:38Jesus.
01:12:40I didn't mean it.
01:12:42I didn't mean it.
01:12:44Please.
01:12:46Oh, Jesus.
01:12:47Ugh.
01:12:58Thank you, sir.
01:12:59Did you see the gun at any point after that?
01:13:01Oh, no.
01:13:02No one has seen it since.
01:13:04Oh, no.
01:13:05Oh, no.
01:13:06Oh, yeah.
01:13:07There is a lot of fun.
01:13:08Oh, no.
01:13:10I'm going to talk to you about this.
01:13:30Chronologically, or in sections?
01:13:31I think sections, because it's scattered, and...
01:13:33Excellent. I've used that to...
01:13:34Is everything all right?
01:13:36I mean, besides the obvious.
01:13:39What are you talking about?
01:13:41We're going to reconstruct the book.
01:13:43Are you?
01:13:45We think we can have it ready in time for the next turn.
01:13:48If she dies, you'll have all the money.
01:13:50If this isn't completed in time, Dr. Loveborg will have nothing.
01:13:53If she lives.
01:13:54If you don't focus on your own research, just...
01:13:56We will move into a smaller house.
01:14:01Now, these sections, I think...
01:14:02Can I be of any use?
01:14:03No.
01:14:08Excuse me.
01:14:08Um...
01:14:09Shut up.
01:14:23Oh my God.
01:14:31Come here.
01:14:32Are you worried about something, Mrs. Tesman?
01:14:47I was all very worried, so I did.
01:14:51How was I doing when you saw her last?
01:14:53You found yourselves alone last night, didn't you?
01:14:56In the midst of all the madness.
01:14:59For a moment.
01:15:01In the bedroom?
01:15:02For a moment.
01:15:06Have they asked you about the gun?
01:15:08What gun?
01:15:09The one at the center of all this.
01:15:10The one that Eileen shot herself with.
01:15:14It's nowhere to be found, apparently.
01:15:17Professor Greenwood thinks it's his because he lost track of it last night.
01:15:19I'm sure they'll want to speak to him soon.
01:15:21They want to see you next.
01:15:23Ah.
01:15:23And what will I say?
01:15:24Roland, don't tease me.
01:15:26Two guns were fired last night.
01:15:29One was Professor Greenwood's.
01:15:30And the other is yours.
01:15:34Is that what you'll say?
01:15:36I'll say I have the gun that shot Eileen Loveball.
01:15:38Have you?
01:15:39Yes.
01:15:40And whose is it?
01:15:41I think you know.
01:15:42But what will you say?
01:15:44Well, that depends on my whimsicality.
01:15:49It was a good idea.
01:15:53It was a good idea, Eileen.
01:15:54Slopply executed, but...
01:15:58I'd never thought she'd do it here.
01:16:03I thought she'd find somewhere beautiful.
01:16:05Oh, my dear.
01:16:18Just imagine the scandal.
01:16:21When they find out the gun belonged to the great General Garbler.
01:16:25That his pretty little bastard gave it to a lesbian who tried to kill someone in the house that a little Hela can't afford.
01:16:29But what do they think?
01:16:34Their thought hadn't crossed my mind.
01:16:37Unfortunately, there's no danger of that.
01:16:39As long as I say nothing.
01:16:42Don't resist me.
01:16:46No.
01:16:47No.
01:16:48No!
01:16:51No.
01:16:52No.
01:16:53People usually get used to the inevitable, Hela.
01:16:55Stop it.
01:17:01Okay, that's enough.
01:17:05Shut up!
01:17:06Shut up!
01:17:19No!
01:17:20No!
01:17:20No!
01:17:21No!
01:17:21No!
01:17:22No!
01:17:22No!
01:17:22No!
01:17:22No!
01:17:23No!
01:17:24No!
01:17:24No!
01:17:24No!
01:17:25How dare you?
01:17:32After everything I've done for,
01:17:34I hope you will buy the choice.
01:17:42Edgar! Edgar!
01:17:44Edgar!
01:17:46Edgar!
01:17:49Edgar!
01:17:55Edgar! Edgar!
01:17:57Edgar! Edgar!
01:17:58Edgar!
01:17:59Where is he?
01:18:25Edgar!
01:18:26Edgar!
01:18:27Edgar!
01:18:28Edgar!
01:18:29Edgar!
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