- 2 days ago
Henrik Ibsen's renowned stage drama from 1891 is reimagined in an epic and emotional way.
Category
🎥
Short filmTranscript
00:00:01You know, my memory's a bit fuzzy.
00:00:03It was a party after all.
00:00:07Certainly, I can do my best.
00:00:09The first thing I remember seeing is the bloody mess of a person dragged into my foot.
00:00:12Before that, please.
00:00:14There was a lot of yelling.
00:00:15Earlier.
00:00:18Where should I start?
00:00:20The beginning.
00:00:30Head up.
00:00:32Aileen Loftwalk is on the phone.
00:00:33She wants to talk to you...
00:00:34like this, Leon.
00:00:35...And I'll sit here...
00:00:38Elin!
00:00:39Edda?
00:00:40Aileen Lovewalk is on the phone.
00:00:41What's the thought of me?
00:00:42Like this, Leon.
00:00:43Oh.
00:00:44Euu.
00:00:45What's the thought of me?
00:00:47Do you like this, Leon?
00:00:48Me.
00:00:49You're a bitch!
00:01:20The old days.
00:01:21Let's hope not.
00:01:23I'll see you tonight.
00:01:24I...
00:01:50I'll see you tonight.
00:02:19Come on.
00:02:20Come on.
00:02:21Come on.
00:02:22Come on.
00:02:23Come on.
00:02:24Come on.
00:02:25Come on.
00:02:26Come on.
00:02:27Come on.
00:02:28Come on.
00:02:29Come on.
00:02:30Come on.
00:02:31Hello.
00:02:32Pick it up.
00:02:33The Polish.
00:02:34Um.
00:02:40Sorry, love.
00:02:41Come on.
00:02:46Flowers.
00:02:47Flowers don't do well.
00:02:49Come on.
00:02:51Watch out.
00:02:52Out.
00:02:53Good morning, Your Honor.
00:02:54Good morning.
00:02:55Good morning.
00:02:56Good morning.
00:02:57Good morning, Your Honor.
00:02:58Good morning.
00:02:59Good morning.
00:03:00Good morning, Your Honor.
00:03:01Good morning.
00:03:02Good morning, Your Honor.
00:03:03Good morning.
00:03:04Good morning, Your Honor.
00:03:05Good morning.
00:03:06Good morning.
00:03:07Good morning.
00:03:08Good morning, Your Honor.
00:03:09Good morning.
00:03:10Good morning.
00:03:11Good morning, Your Honor.
00:03:12Good morning, Your Honor.
00:03:13Good morning.
00:03:14Good morning.
00:03:15Good morning.
00:03:16Good morning, Your Honour. Good morning.
00:03:24Judge Brack! You're a bit early for a party, aren't you?
00:03:27Buying you this house, Mrs Tesman.
00:03:29Shall I punish you?
00:03:30Don't point that thing at me.
00:03:33Are you out of your bloody mind?
00:03:34Oh, no. I didn't hit you, did I?
00:03:36Does your husband know you're up there?
00:03:37Ask him yourself.
00:03:46Judge Brack gave us the loan despite your antics.
00:04:02The professorship and the endowment is how I pay him back,
00:04:05so talk to Professor Greenwood tonight, would you?
00:04:07Do I tend?
00:04:08He decides on the professorship. I need him on my good side.
00:04:11He likes people like you. He likes, uh, bohemians.
00:04:14Uh, no, no. He needs to have fun tonight, or I'll never hear the end of it.
00:04:19You'll be fine, Tesman. Tonight will be fun.
00:04:22You'll meet my friends.
00:04:24I'll meet your colleagues.
00:04:26I have friends too, Hedda. Don't be rude.
00:04:28It's your friends, your friends...
00:04:30Trust me, George, they're well-behaved and well-bred,
00:04:32and Greenwood will love them in you, by extension.
00:04:34Yes, well, you'd better have.
00:04:36There's nothing can go wrong tonight, Hedda.
00:04:38Hedda, nothing.
00:04:39I've heard you.
00:04:40I want to keep those guns out of sight.
00:04:51Right, do the class with the dog.
00:04:55No, not the necklace.
00:04:56Oh.
00:04:57Has Loveborg called again?
00:05:02No.
00:05:05You know, I was rather surprised that she'd been invited.
00:05:08I forgot to mention.
00:05:11Hedda.
00:05:12Yes?
00:05:13This is all happening because you wanted it.
00:05:15The house, the party, a lot of money and effort was expended for you.
00:05:21I hope you're happy.
00:05:22Don't I look happy?
00:05:30Girls!
00:05:31Girls!
00:05:32Watch out!
00:05:33Watch out!
00:05:34There's a two-legged animal running about
00:05:37If it smokes a grape, it's a gun
00:05:42And it hangs around at a bar
00:05:44You look wonderful, darling.
00:05:48You look very handsome.
00:05:56Is Bragg still here?
00:05:58Oh, it's about to get family.
00:06:00It's business.
00:06:01It's function.
00:06:02There's a difference.
00:06:03Nurses.
00:06:04Oh.
00:06:06This is Tisba.
00:06:07Mr. and Mrs. Sombar, I'm so glad you could make it after all.
00:06:09Good to see you, George.
00:06:10Good to see you.
00:06:11Thank you for coming.
00:06:12Nothing.
00:06:14Judge Brett, would you mind?
00:06:15Should I have been?
00:06:16Of course.
00:06:17Please.
00:06:19Professor Greenwood.
00:06:20Thank you for coming.
00:06:21Good evening.
00:06:22Pleasure.
00:06:23This is my wife, Tab.
00:06:24How do you do?
00:06:25Pleasure.
00:06:26All mine.
00:06:27Champagne, darling.
00:06:29Trust you there.
00:06:31Thank you so much.
00:06:32She's duskier than I thought she would be.
00:06:34Lots of them.
00:06:35Did you bring me to one of them?
00:06:36I've got them to do it before.
00:06:38I like one of them.
00:06:39You're so cute.
00:06:41Is it?
00:06:42Is it?
00:06:43Is it?
00:06:44It can't be one of George's, right?
00:06:45Surely.
00:06:46No.
00:06:47This is definitely Mrs. Tesman's friends.
00:06:49I saw you talking to Professor Greenwood.
00:06:51How far back do you go with him?
00:06:52A fair bit, actually.
00:06:53I mean, it must be a good ten years now.
00:06:55He may not recall me immediately, but before I had tenure...
00:06:58We weren't even sure we were at the right place when we arrived, so...
00:07:01I'm sorry, Tab.
00:07:02But what did you say?
00:07:03Just that we were so surprised when we came up the driveway.
00:07:06It's very nice.
00:07:07It's bigger than we thought it would be.
00:07:08Judge Brack, have you met Professor Greenwood's wife?
00:07:11Tabitha.
00:07:12She's a painter, she says.
00:07:15Lovely to meet you.
00:07:16Don't be a dear and get me one of these if you're topping out.
00:07:20Excuse me.
00:07:23Very rude.
00:07:24We have servants for that.
00:07:26Oh, but I know you like your games.
00:07:28Did I scare you off with my gun earlier?
00:07:30You haven't come around so alone.
00:07:31Really?
00:07:32You're avoiding me.
00:07:33You love the chase.
00:07:34You've seen him.
00:07:35What?
00:07:36Mage.
00:07:37Now he's beautiful.
00:07:38A bit more than we discussed.
00:07:39Don't start.
00:07:40And Mrs. Ellison's at the door, so she's an old friend.
00:07:43You're in?
00:07:44Yes.
00:07:45Now you were a doll.
00:07:47So tell me, what type of things did she do?
00:07:49Something pretty?
00:07:50Oh, no.
00:07:51Did you walk here?
00:07:52Mrs. Tessman, I'm so sorry to interrupt.
00:07:53I had no idea you were in town, Mrs. Ellison.
00:07:54Of course, I would have invited you.
00:07:55I just wanted to talk to you about...
00:07:56Just to see if...
00:07:57Yes?
00:07:58Eileen Loveborg.
00:07:59Is she here?
00:08:00I insist you stay.
00:08:01Oh, no, no, no, I...
00:08:02I'm not dressed like business.
00:08:03Well, I'll get you out of here.
00:08:04What about you, Jane?
00:08:05Your guests.
00:08:06Nobody needs me, Mrs. Tessman.
00:08:07You have my underwear.
00:08:08You have my underwear.
00:08:09You have your underwear.
00:08:10You have your underwear.
00:08:11You have your underwear.
00:08:12You have your underwear.
00:08:13You have your underwear.
00:08:14You have your underwear.
00:08:15You have your underwear.
00:08:16I'll get you out of here.
00:08:17What about you, Jane?
00:08:18Your guests.
00:08:19Nobody needs me, Mrs. Ellison.
00:08:20You have my underwear.
00:08:21I just need to talk to her.
00:08:22How have you been?
00:08:23Since I...
00:08:24Secondary school.
00:08:25Yes, right.
00:08:26How's Mr. Ellison?
00:08:27How are things going?
00:08:28I don't...
00:08:31Oh, come now, Mrs. Ellison.
00:08:32Please, stop.
00:08:33Don't call me, Doctor.
00:08:34Thea is fine.
00:08:35Of course.
00:08:37Well, let's get you out of these clothes.
00:08:39Thea.
00:08:44Can talk to me.
00:08:45School friend.
00:08:46We weren't friends at school.
00:08:48Used to pull my hair.
00:08:51Did I?
00:08:52You were terrifying back then.
00:08:54I don't remember.
00:08:56Every time you passed me on the stairs,
00:08:58once you told me that you would burn it all off.
00:09:00Amazing, I never got around to it.
00:09:02Hmm?
00:09:03Oh, I said, I think this gal might do it.
00:09:07Will you be gone from home long?
00:09:09Yes.
00:09:10What do I do on your own?
00:09:12Work.
00:09:13With Eileen?
00:09:14Not your current.
00:09:17What about money?
00:09:18I write.
00:09:19I co-wrote the last book with Eileen,
00:09:20the one that sold out two weeks ago.
00:09:23You're published.
00:09:24Well, my name isn't on it.
00:09:25But we finished the first draft with the next one,
00:09:27and it's her best work yet.
00:09:29It's sort of our...
00:09:30Your baby?
00:09:32Yes.
00:09:33You could say that.
00:09:35My name's on it.
00:09:36Right underneath hers.
00:09:37Thea Ellison.
00:09:38Thea Clifton.
00:09:39I've got my husband's name on it.
00:09:40No, just your father's.
00:09:41Raise your arms.
00:09:42Oh!
00:09:43She's a bit rough around the edges.
00:09:44Last I heard, she'd been arrested for being drunk and disorderly.
00:09:47She's different now.
00:09:48She's softer.
00:09:49More careful.
00:09:51She's changed.
00:09:52I got her to stop drinking.
00:09:54She understands how bad it is for her now.
00:09:56Quite the impression you've made.
00:09:58I don't think so.
00:09:59Oh, no, don't be shy.
00:10:00Seems you have rehabilitated our little loved one.
00:10:02That's what she says.
00:10:03Does she?
00:10:06And you are here to make sure that she stays out of trouble.
00:10:08Is that it?
00:10:10She is coming, isn't she?
00:10:11Yes.
00:10:15Please don't say anything.
00:10:17I just worry.
00:10:18And you left your husband a bit sooner than you planned.
00:10:23We need another Karen set in.
00:10:24Certainly.
00:10:26Hop down, would you?
00:10:27Hop.
00:10:28Hop, hop, hop.
00:10:38See?
00:10:39No trouble at all.
00:10:42This, my friends, is Fair Ellison.
00:10:44See ya.
00:10:45Is it?
00:10:46Oh.
00:10:48Mmm.
00:10:56You do translate ancient.
00:10:57Oh, yes.
00:10:58I would love to pick your brain.
00:10:59You wouldn't believe the things I found in these libraries.
00:11:01Old documents, notes, and papers that no one even knew existed.
00:11:04Certainly made the most of your honeymoon.
00:11:05Didn't waste any time.
00:11:06No, I didn't.
00:11:07So you were doing research on your honeymoon for the whole six months?
00:11:09Um, yes.
00:11:10Yes.
00:11:11Nothing else a bit more lively?
00:11:12Hedda has an insatiable episode.
00:11:14Well, we ate at a lot of very excellent restaurants.
00:11:18Ah, yes.
00:11:19Well, she does love eating it out.
00:11:20You must be one of Mrs. Chestnut's friends.
00:11:21Yes.
00:11:22Yes.
00:11:23You've never done that.
00:11:24James.
00:11:25You've never done that.
00:11:26James.
00:11:27Uh, lots.
00:11:28Uh, Professor John Henry James.
00:11:29Who are you looking at?
00:11:30No one.
00:11:31Everyone.
00:11:32There's this woman that Eileen used to be.
00:11:33Acquainted with.
00:11:34And she says that she tried to shoot her when Eileen broke it off.
00:11:35People don't do things that bad here.
00:11:36Well, she's back.
00:11:37This woman.
00:11:38If she's here when Eileen comes and I'm worried that things might get out of hand.
00:11:39Stop fretting fear.
00:11:40Eileen will be here soon enough and you can fear for her safety bit.
00:11:41I just don't want to lose this opportunity.
00:11:42What?
00:11:43At the university.
00:11:44The professorship, and the endowment.
00:11:45She won't admit it, but she really needs this job.
00:11:46Not just for her well-being.
00:11:47But for her debts.
00:11:48And she's bringing the new manuscript to show Greenwood.
00:11:50Hopefully it seems a deal, but I guess it's a BELOW.
00:11:51Well, let's start talking business at the table.
00:11:52Oh, let's start talking business at the table.
00:11:55Oh, let's start talking business at the table.
00:11:56Oh, I can't start talking business at the table.
00:12:02Oh, no.
00:12:03Oh, yes.
00:12:04You can't put any money.
00:12:05I don't care.
00:12:06No.
00:12:07So, I'll give you some money.
00:12:08Okay.
00:12:09You can, I'll give you some money.
00:12:10Hello, my name is.
00:12:11I'll get this position and begin paying for this.
00:12:22Eileen Loveborg is applying for your position at the university, George.
00:12:24In Downing the law.
00:12:27What?
00:12:28She's asked to be considered.
00:12:30I'm in competition with that woman.
00:12:32She comes out to Percy Greenwood.
00:12:34Him and his wife.
00:12:34George.
00:12:35What does she get up to?
00:12:36What does she get up to?
00:12:37I'm sure you've heard the rumors.
00:12:40I've heard she's reformed.
00:12:41I've changed her way.
00:12:42Stopped drinking, apparently.
00:12:43Really?
00:12:44While she was at the Ellicent.
00:12:45What does that matter?
00:12:47We got married.
00:12:48We borrowed money.
00:12:49We went into debt.
00:12:49Because the position was virtually mine.
00:12:51That was before the reappearance of Eileen Loveborg.
00:12:53Don't be afraid of your competition.
00:12:54This isn't the game.
00:12:56Do you even care?
00:12:57I care deeply, my love.
00:12:59I can't wait to see how it turns out.
00:13:05He hates owing people money.
00:13:06I really told him there's no big rush.
00:13:08Although I do wish you'd have been a bit more economical.
00:13:10Hush.
00:13:11Come.
00:13:11Where are you taking me?
00:13:12I said, Hush.
00:13:16One of your wife's friends are interesting characters.
00:13:19Here we are.
00:13:26There we are.
00:13:31There we go.
00:13:32what's this don't say the key to your heart the gun case i found it in the attic
00:13:59so it was general garbler's gun you were shooting at me earlier
00:14:03sure i can't buy them from you now that you've found them it's the only thing he left me
00:14:08i know some bastard children that have fed far worse than you thank you for the reminder
00:14:13do you know what my father used to call me his pretty little thing so he gave me his pretty things
00:14:20please
00:14:22you have always been a pretty little thing
00:14:31i missed you every day you were gone
00:14:35you too do you mean that i thought you were having a marvelous time
00:14:40marvelous
00:14:42it's your choice
00:14:49well my time was up
00:14:51anyway
00:14:52what do you know of
00:14:57i need a love book's reappearance what about it what's her state what you like
00:15:01it's as you said she's on the straight and narrow she still has some seedy friends but
00:15:04they're all good fun in moderation
00:15:05why
00:15:06you want her don't you
00:15:08no
00:15:08she has a hold over you
00:15:10no one has a hold over me
00:15:11that's sad
00:15:12this house is between you and tesman
00:15:15this house was only ever for you
00:15:18you needed it he said
00:15:20you believe that
00:15:22you do think that this house is my life's great passion
00:15:26yes it do
00:15:27no
00:15:27tesman used to walk me home last summer after those dinner parties and
00:15:32we passed by here one night and there was a law in the conversation
00:15:35i bought this house in a lull
00:15:36it was a pregnant pause
00:15:37pregnant with twins i hope
00:15:38he was a nervous wreck trying to think of something to say to me
00:15:42something clever and
00:15:44i suppose i felt
00:15:46bad for him
00:15:48i don't know roland on a whim i just said i wanted the house
00:15:54just like that
00:15:54just like that
00:15:55and
00:15:56the next thing i knew i was married to him
00:15:59and my whimsicality
00:16:02had its consequences
00:16:04as it often does heather for us all
00:16:06sometimes i can't help myself
00:16:11i just do things all of a sudden on a whim
00:16:16i don't know why
00:16:18so
00:16:25eileen
00:16:27you really heard nothing
00:16:30nothing that would make yours the wrong choice
00:16:32stay away from her heather
00:16:34you are still general garbler's daughter and that woman is
00:16:37competition
00:16:37not to me
00:16:40come
00:16:42don't resist me
00:16:48you have no power over me
00:16:49i control this
00:16:51i say when
00:16:52you have no power over me
00:16:59well if i would indeed design myself to a life of poverty i might as well go down in style
00:17:03i felt like i couldn't breathe
00:17:16you'll be fine
00:17:16it's happened to me before
00:17:18why don't you wait upstairs and i will retrieve you when dr love will come
00:17:22she's not feeling well
00:17:27poor thing
00:17:28don't pass
00:17:47let's join the others
00:17:48i say i'll go to fire
00:17:58and i'll go to fire
00:18:02as he wants it so it will be
00:18:06crazy calls me
00:18:12sure i'm crazy
00:18:15crazy in love i say
00:18:19i say i move the mountains
00:18:25and i move the mountains
00:18:28if he wants them out of the way
00:18:32how crazy he calls me
00:18:38sure i'm crazy
00:18:41crazy in love
00:18:45am i
00:18:48hello darling
00:18:54live music
00:18:55what
00:18:55what is the matter with you
00:18:57i thought it was going to be a rage
00:18:59you seem to have to be ready for carnage
00:19:00when you invite me
00:19:00music
00:19:02damn it
00:19:03edda
00:19:03shut up jane
00:19:04i've heard you
00:19:04seeing some of my guests are getting restless
00:19:09would you help
00:19:10sure
00:19:11it's oh so quiet
00:19:25she's very good
00:19:29come on darling
00:19:30you
00:19:31you're all alone
00:19:33and so peaceful
00:19:36until
00:19:37you fall in love
00:19:40sing boom
00:19:41the sky
00:19:42whoop
00:19:43sing boom
00:19:44is caving in
00:19:45wow
00:19:46man
00:19:47you've never been so nuts about a guy
00:19:49you wanna laugh
00:19:49you wanna cry
00:19:50you cross your heart and hope to die
00:19:52till it's over and then
00:19:54it's nice and quiet
00:19:59but soon again
00:20:03start another big riot
00:20:07you blow your fuse
00:20:10sing boom
00:20:11the devil cuts loose
00:20:12a
00:20:139
00:20:162
00:20:172
00:20:18and
00:20:1910
00:20:20in
00:20:21in
00:20:21from
00:20:22to
00:20:236
00:20:322
00:20:33in
00:20:34a
00:20:34in
00:20:34con
00:20:35p
00:20:360
00:20:36e
00:20:382
00:20:38and
00:20:39the
00:20:40Head up.
00:20:59Garbler.
00:21:00Dr. Lovewalk, it has been a long, long time.
00:21:03Thank you for coming.
00:21:04Thank you for having me, Tesma.
00:21:05Mrs. Tesma.
00:21:06Please come in, have a drink.
00:21:08I brought a couple of friends, if that's all right.
00:21:10Mr. Melio.
00:21:12In you come.
00:21:15Are you gorgeous?
00:21:17Charming.
00:21:18Down boy.
00:21:18Mrs. Merzburg.
00:21:19You're for George Tesma.
00:21:20Where's the bar, George?
00:21:22Just there.
00:21:25Come on.
00:21:27I'll show you.
00:21:30I haven't said that they would behave.
00:21:32They have been.
00:21:33Head up.
00:21:33I thought.
00:21:35Dr. Lovewalk, I hear that your new book has been selling quite well.
00:21:50That's so exciting.
00:21:51Yes, I've just got a copy of it myself.
00:21:52I haven't had a chance to read it yet.
00:21:54Save yourself the trouble.
00:21:55Well, so it makes me humble, Dr. Lovewalk.
00:21:57I'm not.
00:21:57There's nothing much to it, really.
00:21:58Well, it was very well reviewed.
00:21:59And that's all I wanted.
00:22:00So I put nothing remotely controversial in the book.
00:22:02It's in the book about sex.
00:22:04In the classical era.
00:22:06No one's scandalized by people fucking on millennial old clay pots.
00:22:09It was.
00:22:10Well, perhaps I'm a slave.
00:22:17Anyway.
00:22:19The real work is this.
00:22:21Something of a sequel to the first.
00:22:22What?
00:22:23What's there left to talk about?
00:22:24The future.
00:22:25Of?
00:22:26Sexist.
00:22:26What could we know about the future of that or anything?
00:22:30We could point to some trends.
00:22:31Well, I would never have thought to write anything like that.
00:22:34No, probably not.
00:22:36Lovewalk.
00:22:37Professor Queen.
00:22:38Lovely to see you looking so well.
00:22:42Drink.
00:22:43It would be very tempting, but no.
00:22:45Some water or a soft drink for me, please.
00:22:46Soft drink.
00:22:48George!
00:22:49You have a mate!
00:22:51That's it.
00:22:52It's the only complete copy I have, and you're not getting your hands on it.
00:22:55Let the women talk.
00:23:15Hedda, where are you?
00:23:18Hedda Gabler.
00:23:20Married.
00:23:22To George Tesman.
00:23:23yes so it goes how could you throw yourself away what he's so he's kind he's an academic like you
00:23:32he's white he's and thoroughly middle he has a good job or will or might when will you understand
00:23:38that anything you need in life you must build for yourself what will you do when he gets bored
00:23:43if he leaves you once he sees through i think i'll be all right he goes on and on about how
00:23:47he wants to take care of me give me anything i want like this ridiculous house his ambition
00:23:52is steeper than his pocket the judge helped a bit he promised my father he'd look after me
00:23:57how about here and there
00:23:59don't you miss me
00:24:14make an appendix
00:24:22you're happy now all of a sudden is that it good company will do that
00:24:30oh there you are and the view from valton pence was absolutely breathtaking what was the name of those
00:24:43mountains darling uh the dolomites the dolomites of course funny those mountains i hear you've been
00:24:49cured of your vices you're never cured of your vices you resist them and you resist yes every time
00:24:54going on three months three days i don't believe it your beliefs are no business of mine the woman i knew
00:25:00couldn't stop when she started which is why i never start you ruined justice this wedding you
00:25:04were so drunk and high if i remember correctly which is why i never start has she spoken to you
00:25:08since has she let you run the children yet shut up mrs tesman how'd she eat no i'm just annoyed
00:25:12with myself that i ever confided in you power you had over me you think i had a power over you
00:25:17yes the kind intelligent women wield when they're catastrophically bored
00:25:20where are you going where's thea i'm tired of running around this ridiculous hedge
00:25:26i'm back in town less than a day and i'm already wrapped up in your frivolous life
00:25:29frivolous frivolous and cowardly you waste your time scrambling about like a roach trying to shape
00:25:34a man's destiny shape your own oh please come on work right do whatever do something i left my
00:25:40mother's house when i was 17 years old when she found your lesbian sex work yes i know all about it
00:25:44you know nothing actually i do i've done my own research since
00:25:49in secret i suppose and no one can see or suspect giving your reputation clean always
00:25:56hedda you could be so much more look what i've done you could do anything like what
00:26:01become a professor tell me how many women are at the university teaching
00:26:06two and they're both white i presume
00:26:10whatever you're upset i couldn't choose you
00:26:14i was once not anymore not for a long time
00:26:21since thea i know she's still there i saw a little bag near the door
00:26:28do you know the roach can live without its head for a week
00:26:30excuse me she's upstairs
00:26:34it's her
00:26:37you're quite the duo
00:26:45you and thea she's brilliant she's just been bullied into stupid
00:26:49figures oh i believe that leaving her husband for a promise and a credit is quite something
00:26:53yes it is brave
00:26:56careful you make me jealous
00:26:59what
00:27:03still like your guns
00:27:10yes
00:27:12why didn't you shoot me back then
00:27:16when you left
00:27:17when i left
00:27:18because i knew you really wanted me to
00:27:23of course
00:27:25what
00:27:26coward at heart
00:27:28that wasn't my greatest act of cowardice
00:27:36are you brave enough
00:27:45of course not
00:27:51where's thea
00:27:53second door on the left
00:27:55where have you been
00:28:04i called at your house
00:28:05but they said you'd gone
00:28:07i had to leave
00:28:08i had to leave
00:28:23i had to leave
00:28:25i had to leave
00:28:28possibly
00:28:30i had to leave
00:28:31you don't seem glad for the company
00:28:43I am
00:28:44I am
00:28:45I just
00:28:47I'm just thinking about
00:28:50when everyone leaves
00:28:51how it's a big house isn't it
00:28:53if I can't even entertain as I expected
00:28:55I wonder whether I couldn't get
00:29:00test me an interest in a political career
00:29:02no, my dear, political life is not for him
00:29:04he's aggressively unsuited to it
00:29:06perhaps, but couldn't I, he's in that direction
00:29:07make him take it up
00:29:09why put him in a position to fair
00:29:10I told you
00:29:10do you think it's absolutely impossible
00:29:14for him to become, say, a cabinet minister?
00:29:16a cabinet minister?
00:29:17for him to become a cabinet minister
00:29:19he'd need to have money, a lot of money
00:29:20money, money, money
00:29:21what's got into you?
00:29:23it's a completely hopeless
00:29:24professorship
00:29:26honestly? perhaps
00:29:28how much surprises you by the new love book
00:29:31she made a big comeback
00:29:32and she's bold and provocative
00:29:34and she's a woman
00:29:35and they like that these days
00:29:36in moderation
00:29:37worry yourself about anything else
00:29:40I'm sure you'll have some greater responsibility
00:29:43something more
00:29:43pressing
00:29:45you will never see anything like that happen
00:29:47never
00:29:48and why not?
00:29:51you're terrible, mother
00:29:52you're dreadful at it
00:29:53you made the safe choice
00:29:55the only choice really
00:29:57for someone like you
00:29:58nothing you can do now
00:29:59just play the part
00:30:01and stay out of trouble
00:30:02make sure professor greenwood
00:30:19never has an empty glass
00:30:20that one
00:30:20I've heard so much about you
00:30:46Mrs. Tasman
00:30:47not enough to know not to call me mad
00:30:49if we could be friends
00:30:51you want to be friends?
00:30:53hmm
00:30:53so
00:30:55what have you been bad?
00:30:57that before you were domesticated
00:30:58you were like fire
00:30:59oh
00:31:00you're a bully
00:31:01obvious
00:31:03like everything else about you
00:31:04hmm
00:31:05tell me about me
00:31:07do you know I worked?
00:31:10but you're far too sober
00:31:11for that kind of honesty
00:31:12couldn't agree more
00:31:15in that case
00:31:18in that case
00:31:18martin please
00:31:21for the general
00:31:21and one for Mrs. Greenwood
00:31:23you will be ruined
00:31:26I'll be a ruined wife
00:31:29I won't be a ruined woman
00:31:31and when they publish our book
00:31:34there's nothing anyone
00:31:35will be able to say against us
00:31:36well they will
00:31:37but it won't matter
00:31:39it's okay
00:31:44it's me
00:31:44everyone's pissed
00:31:46one of their ass
00:31:46from their elbow
00:31:47ah
00:31:50what a pretty sight
00:31:52Hedda
00:31:54is it okay if I borrow your dress
00:31:55for the evening?
00:31:56I'll have it cleaned
00:31:56and sent back by tomorrow
00:31:57you're not leaving are you?
00:31:58best to resist temptation
00:31:59oh come on Eileen
00:32:00you're stronger than that
00:32:01that's great
00:32:03of shame
00:32:03I just came up to let you know
00:32:04that Professor Greenwood
00:32:05wanted to talk to you
00:32:05about your book
00:32:06the new one
00:32:07he asked for me
00:32:08and his defences are down
00:32:10Hedda
00:32:14I need you downstairs
00:32:16won't be a moment
00:32:17now
00:32:18of course
00:32:22what were you doing up there?
00:32:28have you even spoken
00:32:29to Professor Greenwood you?
00:32:30Corphe explains empathy
00:32:32as a discord
00:32:33that is very interesting
00:32:35I feel like I can do
00:32:36some of the conclusion myself
00:32:37what do you call me?
00:32:38empathy?
00:32:39empathy?
00:32:51Madam?
00:32:51thank you
00:32:52what's so funny?
00:33:01Hedda is going to cause
00:33:02some trouble
00:33:03they can tell
00:33:03it's fine
00:33:06just stay out of the path
00:33:08of destruction.
00:33:10Vladimir.
00:33:15When are you going to talk to him?
00:33:16When he's done with Tesma.
00:33:18Professor Greenwood, do you approve of scotch?
00:33:19I do approve.
00:33:21Hugely.
00:33:21Then he'll be the other drink.
00:33:22Let's go.
00:33:23You come to show him the book, so show him the book.
00:33:26Are you going to join us?
00:33:26I'll help you.
00:33:30We'll see how much you've changed.
00:33:31Everybody will.
00:33:32There's nothing to be afraid of.
00:33:34What's afraid?
00:33:36Come on.
00:33:38If you can.
00:33:48Hello.
00:33:48Hello.
00:33:49Hello.
00:34:05I drink my drink.
00:34:06No.
00:34:08What are you up to?
00:34:25Nothing.
00:34:25Nothing at all.
00:34:27I should leave before something terrible happens, shouldn't I?
00:34:29Don't be silly.
00:34:30Best time to leave parties after something terrible's happened, but before the police
00:34:33come.
00:34:38Dreadful girl.
00:34:39Mrs. Tesma, marvelous party.
00:34:52An eclectic bunch.
00:34:53I wanted to be sure we had fun.
00:34:55Couldn't just talk about June's books in the Bronze Age all night, could we?
00:34:58Can't wait to read your book out in.
00:34:59Sounds fascinating.
00:35:00I could get you an early copy, if you wanted to write an early review in your journal.
00:35:06I'll see if we can find some space.
00:35:09Well, I ought to be going.
00:35:10Has anyone seen my wife?
00:35:12I think she's in the maze.
00:35:13Oh.
00:35:14Well, good night, ladies.
00:35:16Dr. Larkville.
00:35:17Professor Greenwood.
00:35:18I shall be seeing you soon.
00:35:19Such a pleasure.
00:35:19Oh, my God.
00:35:21Ah, Roland, how are you?
00:35:22Mr. Larkin.
00:35:23Lovely to see you.
00:35:24Officer, sir.
00:35:24Did you hear that?
00:35:28It's amazing.
00:35:28It's really happening.
00:35:29I promised you it would.
00:35:31Drink something.
00:35:32You look thirsty.
00:35:33I don't drink.
00:35:34Eileen?
00:35:35One can't hurt.
00:35:35She doesn't drink either.
00:35:36Never.
00:35:37I thought you were just cutting back.
00:35:38That's not what I said.
00:35:39And if I say you have to, then you have to be speaking.
00:35:44You wouldn't do as I say?
00:35:45Not where that is concerned, Larkin.
00:35:46I think you should.
00:35:47It's ridiculous.
00:35:48It's silly.
00:35:49Written's all right for Thea, but not for you.
00:35:51You can write your books with them and teach with them at the university, and you might even
00:35:54be able to get jobs alongside them, but they'll never really respect you if they think you
00:35:57can't do it like the boys do.
00:35:58Heather, please.
00:35:59You saw Greenwood's face earlier when you asked for a soft drink, like a soft woman.
00:36:02What did you see?
00:36:03Condemned.
00:36:05I'm used to contempt.
00:36:06Condemned for your extracurricular interests, yes, but for your mind, your character.
00:36:12He can think what he likes.
00:36:13A woman of principle.
00:36:17What did I tell you earlier?
00:36:18No need to be so upset.
00:36:19Upset?
00:36:19Heather?
00:36:20See for yourself.
00:36:22This state of mortal panic is akin to this.
00:36:24In mortal panic on my account?
00:36:26Don't relax.
00:36:27Eileen, she'll only ask the test men look after you at the university.
00:36:29Look after me?
00:36:30Make sure you stay out of trouble.
00:36:31Heather, please.
00:36:32Like a babysitter.
00:36:32I mean, I suppose so.
00:36:33Sort of.
00:36:34What are you doing?
00:36:35Me?
00:36:35After everything we've been through.
00:36:37You run here and you involve my colleague in my business.
00:36:40He must think of...
00:36:41From the academics to the gossipy ladies at the corner.
00:36:47Coward at heart.
00:36:48To your health.
00:36:53I mean...
00:37:03Please, call me Dr. Nafbog when we run my colleagues.
00:37:08I think I'll go and speak to her husband.
00:37:10Mrs. Tessman.
00:37:10Why are you like this?
00:37:15You must know who she is by now.
00:37:17Oh, God.
00:37:18She'll be in control.
00:37:19You'll see.
00:37:21I know who you are.
00:37:22You don't want her in control.
00:37:25I'm not stupid, Heather.
00:37:26No, you're not stupid.
00:37:27You're so clever, aren't you?
00:37:29So brave.
00:37:32Perhaps I should burn it off after all.
00:37:34Come on, please.
00:37:37If you ruin this for her, she'll never forgive you.
00:37:57Do you want to go for a swim?
00:37:59Yes.
00:38:00Should we all go?
00:38:01Right.
00:38:02Everyone, we're going for a swim.
00:38:03Yes.
00:38:04Oh, come on.
00:38:05I don't know if you're drunk.
00:38:06Sorry.
00:38:09May I borrow you?
00:38:10Oh, come down.
00:38:11Not now.
00:38:12Don't fade, I'll see you.
00:38:13Oh, come on.
00:38:14Oh, come on.
00:38:14Oh, come on.
00:38:14Oh, come on.
00:38:15Oh, come on.
00:38:16Oh, come on.
00:38:17Oh, come on.
00:38:19Oh, come on.
00:38:24Oh, come on.
00:38:26Over to him.
00:38:28No, I'm fine here near the fire.
00:38:30You don't bend or break.
00:38:31Don't be such a bore.
00:38:32I'm not a bore.
00:38:33It's a fault.
00:38:34Jane, you tell her to get the sick out of her ass and get to the lake, please.
00:38:37Thea, get that stick out of her ass and get to the lake, please.
00:38:40Thea.
00:38:41You're brave.
00:38:42Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea, Thea
00:39:12Oh, shit!
00:39:15I'm gonna say, wait.
00:39:16Come on.
00:39:18Don't make a thing of it.
00:39:20It should be fine. I'll cool down.
00:39:22She's going to make me pay for that in the morning.
00:39:25Can I watch?
00:39:26You just do whatever you want, don't you?
00:39:29Of course.
00:39:31Otherwise, I'll repeat what.
00:39:42Oh, dear.
00:39:43Terribly sorry.
00:39:47Tabitha?
00:39:49Oh, fuck. Tabitha!
00:39:51I'm killing it.
00:39:52Who was that? Who was that man?
00:40:12I'm killing it.
00:40:13I'm killing it.
00:40:14Let me get you.
00:40:15I'm killing it.
00:40:16I'm killing it.
00:40:17Now, I haven't seen my thing in an hour.
00:40:19Come on.
00:40:20Get in the nose.
00:40:21Oh, yeah.
00:40:22Walk around.
00:40:23Oh, no.
00:40:24Oh, no.
00:40:25What the fuck?
00:40:27Oh, fuck.
00:40:29Oh, fuck.
00:40:30Open the fucking door.
00:40:31Open the fucking door.
00:40:32Open the fucking door.
00:40:33What?
00:40:34Everybody thought it was that day.
00:40:35What was that?
00:40:36What was that?
00:40:37What was that?
00:40:38What was that?
00:40:39Who was he mounted this to I?
00:40:40What?
00:40:41Oh, yes, sir.
00:40:42Come on.
00:40:43Come on.
00:40:44Let's go.
00:40:45Come on.
00:40:46Come on.
00:40:47Come on.
00:40:48Come on.
00:40:49Come on.
00:40:50Come on.
00:40:51Come on.
00:40:52Come on.
00:40:53Come on.
00:40:54Good.
00:40:55Good.
00:40:56It was just like, yeah.
00:40:57It's funny, haven't it?
00:40:58Very much.
00:40:59Very much.
00:41:00They're very much.
00:41:01Very much.
00:41:02One can.
00:41:03One can.
00:41:04Fair enough.
00:41:05Possibly inside.
00:41:06Who wants to dance?
00:41:07One, uh...
00:41:08One can.
00:41:09I'm going to shoot whoever's been sleeping with my wife.
00:41:29You're going to run out of police.
00:41:36What sort of gun is that?
00:41:37What difference does that make?
00:41:38You are what you shoot.
00:41:39That's what my father used to say.
00:41:41Looks like a Webley to me.
00:41:44Do you know why I would shoot someone?
00:41:45I would.
00:41:46But if you put this down now, you'll be forgotten and forgiven.
00:41:51Isn't that right, Brad?
00:41:54The crime has been committed yet.
00:41:56Yet.
00:41:57You!
00:42:06Oh, my God.
00:42:07No.
00:42:08Oh, my God.
00:42:09Oh, my God.
00:42:11Oh.
00:42:12Oh, my God.
00:42:13Oh.
00:42:14Oh.
00:42:15Wow.
00:42:16Oh.
00:42:17Jesus, these people.
00:42:18Just finished the building work.
00:42:19First they're back and they're dead suddenly destroying the place.
00:42:21and destroying the place such a nice house too this house is nice as yours no i think my folk
00:42:26have a bit more money if they have any money they've got more than these two this house is
00:42:30headed straight back to the bank maybe this is their last hurrah before they should have
00:42:33a bit down and let the tourists come through talks through your own house open to the public
00:42:38all part of the deal apparently they get a grant to do the renovations they do the upkeep they get
00:42:42to keep it very very little more little for their lot not for us practically in ruins before they
00:42:48came along don't make much sense to me but the mistress was desperate apparently she can't even
00:42:53fill the servant's quarters these girls were all hired for the night and the only stuff they've
00:42:57gotten they got me from his aunt now she's a nice lady spoils her nephew tespan though do you know
00:43:02i've got a son just like him obsessed with books now he's teaching never been happy and not like
00:43:07desmond the more he gets the more he wants and now he's gonna got married poor
00:43:24i've been looking for you edda gabler
00:43:28that was quite the spectacle
00:43:32satisfied
00:43:37what
00:43:54just want to look at you
00:44:10helene why did you make me drink edda
00:44:15i wanted to talk to you why didn't you just you weren't being yourself i've changed at all
00:44:20people don't train apparently do you think that you
00:44:27you and i if i said yes you never would have
00:44:32i cowered at heart yes
00:44:37but do you think that i tried not to think about you edda if i could have
00:44:43things would have been different i would have could have been your partner with this
00:44:47could have done what you said built something with you could have been happy
00:44:56yes
00:45:00i used to think i could never be happy
00:45:03i thought
00:45:06being miserable was what i deserved
00:45:07what i was owed for a wild life
00:45:18since i'm not that way at all
00:45:23but you you can never meet me i think you were right about that i can
00:45:27but not like this
00:45:31don't like this you have anything i have nothing
00:45:35you feel nothing
00:45:39i love you
00:45:40we were married together i would have been dead by your hand or mine if i'd stayed
00:45:50why did you come here
00:45:56to make sure i didn't love you
00:46:01and
00:46:02i don't
00:46:09see her left her life for me
00:46:13she made me better
00:46:16she showed me how to be brave
00:46:19i love her
00:46:22i had to make sure i had all of myself together
00:46:24you have it all worked out then
00:46:32don't be cross
00:46:33i'm not
00:46:34you should go to her
00:46:35her butt
00:46:36your butts have sharp edges
00:46:38but first finish what you started
00:46:41go to the library talk to your colleagues
00:46:42yeah
00:46:43you've played with the girls now go and be with the boys
00:46:45i'm too drunk
00:46:46okay fine
00:46:48come come here
00:46:58all right
00:47:11perfect
00:47:13go
00:47:13go
00:47:15do you really not obsess
00:47:43go
00:47:45Oh, God, I'm in.
00:48:13Anybody want anything?
00:48:15I'll have it old-fashioned.
00:48:17Same for me.
00:48:18Three gin matines.
00:48:19Got it.
00:48:29What's with that girl?
00:48:31What girl?
00:48:32Thea.
00:48:34We worked on the book together.
00:48:37At all?
00:48:39No.
00:48:41Is she your muse?
00:48:43Muse.
00:48:43Muse is a man's word.
00:48:47For women they learn from, occasionally steal from, and don't waste a credit, but absolutely
00:48:51want to fuck.
00:48:52Or I suppose are fucking.
00:48:54Is that in the dictionary?
00:48:56Merriam-Webster's.
00:48:57Is it in your book?
00:48:58What else is in your book?
00:48:59How did you come up with it?
00:49:00Well, I knew I had to write this book.
00:49:05After a quite elucidating conversation with a young man at a bar, I went with a friend
00:49:09of mine.
00:49:10You might have met her here, Diana.
00:49:11And it was late, just before closing.
00:49:13And we thought, oh, why not?
00:49:14Just one more.
00:49:16She likes a tableau.
00:49:17Bit of a show.
00:49:18So we go to Sissy's.
00:49:19Oh, that dead of iniquity.
00:49:20Oh, don't be such prudes.
00:49:23Well, we go in, grab a seat at the bar, I light a cigarette, Diana gets a whiskey, and
00:49:27we have a nice chat with the man Chattano.
00:49:29And there are two of them.
00:49:30Tall, good.
00:49:31Weak chins, bad.
00:49:33But typical of their type.
00:49:35And what type is that?
00:49:35The forgotten bastard children of laws.
00:49:41We have a bit of a flirt.
00:49:43Obviously, with me, it's not going anywhere.
00:49:45After a while, they started to bore us, so we retired to a table.
00:49:47Get to the fucking, Eileen.
00:49:50So then, we are sitting there.
00:49:56Diana is complaining about her dull husband, Richard, who is dull and vile.
00:50:00And I'm listening as much as one who's already decided not to waste one's days trying to
00:50:04please a man can.
00:50:05And then, my weak-chinned bartender comes over, slides into the booth next to me, and
00:50:12he says, hello, I think you're beautiful.
00:50:16Can I smell your feet?
00:50:18What did you say?
00:50:20I said, whatever for?
00:50:23And then he says, it's my thing.
00:50:26I like it.
00:50:27Don't be shy.
00:50:28His thing?
00:50:29Did you let him?
00:50:33Of course not.
00:50:34You gang of perverts.
00:50:37I told him I preferred my sexual encounters to be mutual and in private.
00:50:40And with sexual.
00:50:43That's what I realize.
00:50:44Maybe old people have a thing that they like, that is different, that is new, maybe.
00:50:49And as some past hidden things have become normalized, I wonder why shouldn't hidden things in the now become normal in the future?
00:50:59So we'll all be smelling feet and having a toss in ten years' time.
00:51:02Who knows what you get up to, Judge Brooke?
00:51:07I'm sure it's going to be far more scandalous.
00:51:10So what are some of these new things?
00:51:11You'll have to buy the book.
00:51:13Or come to one of my lectures at the university.
00:51:15I promise.
00:51:18I'll give all of your wives a copy of the book for free.
00:51:32Do you resent fun, you miserable creature?
00:51:37If you wish to leave, leave.
00:51:39It's no use waiting on her like a handmaid.
00:51:41This is going too far.
00:51:44I'm worried.
00:51:44I can't do that.
00:51:45Worrying would make you ugly.
00:51:48I won't leave without her.
00:51:49All right.
00:51:50Then go in and tell her to put down her glass.
00:51:55Is it her, you love?
00:51:58Or the book?
00:52:08I hope you joke.
00:52:11I hope you joke.
00:52:41It hasn't been decided yet.
00:53:07And if I do get it, there are many, many universities that would have you.
00:53:10I'm certain of it.
00:53:11I need the money. I mean, I'm married.
00:53:14To Hedda Garber, yeah. You do need the money.
00:53:17Hedda Tesman.
00:53:19Keep forgetting.
00:53:20Ah.
00:53:22Where is your wife, anyway?
00:53:24Never known her to miss the company of rowdy men.
00:53:26Well, you don't know her very well, do you?
00:53:30I have known Hedda Garber since she was a child,
00:53:33parading around with her father on their prize boxes.
00:53:37General and Hedda.
00:53:39They'd go galloping past my house every Sunday.
00:53:42She'd be in that black riding outfit, you know, the one with the feather on it.
00:53:44With the feather, yes.
00:53:45With the feather, yeah.
00:53:48My mother.
00:53:51Sour old cow.
00:53:54She would lean over to me and she'd say,
00:53:57Look at that fast.
00:53:58Making a show of his hair.
00:54:01Now, what else should we do with the evening boys?
00:54:04The night is still, yeah.
00:54:05I am very, very thirsty.
00:54:09High five, high five.
00:54:17What?
00:54:17You want another story?
00:54:18If you get your kit off.
00:54:21Read us something from your new book.
00:54:22Oh, you're old when I'm not fast.
00:54:24Slug.
00:54:26All right, enough, enough, enough, enough, enough, enough.
00:54:29Come, come.
00:54:30What did you just say?
00:54:31What did you just say?
00:54:32Calm down.
00:54:33You're making a fool of yourself.
00:54:35Who cares?
00:54:36I'll still get the job.
00:54:37I'll have everything I want.
00:54:38And you'll just have Hedda Gabler running around doing whatever and whomever she pleases.
00:54:42Hedda Tesman.
00:54:43Loves me.
00:54:44Loves me.
00:54:46Hedda Gabler doesn't love anyone but herself.
00:54:49And Hedda Tesman doesn't exist.
00:55:00Did you enjoy that?
00:55:02How can you restrain a woman like that?
00:55:08How can you hold her?
00:55:10With a rope.
00:55:13Tesman, you're a lucky man.
00:55:14She's a prize to be sure.
00:55:15She's not a horse.
00:55:16She cannot be broken in.
00:55:18Sometimes I wish I could just take a riding crop to her.
00:55:22Somewhere in tight.
00:55:24It's another thing from him.
00:55:25Oh, you're fucking both.
00:55:27I don't think I've heard your curse before with a Tesman.
00:55:36Can I read it?
00:55:40Okay.
00:55:45Where's my bag?
00:55:49Where's my bag?
00:55:50All right.
00:55:51No, it's okay.
00:55:57What a way to make an entrance, eh?
00:56:20Where is it?
00:56:23Um, what?
00:56:24Who are you reading again?
00:56:25I don't know.
00:56:26Look.
00:56:27Where is it?
00:56:29I leave.
00:56:29Please, don't.
00:56:30I don't know.
00:56:31I don't know.
00:56:31I don't know.
00:56:33I'm sorry.
00:56:34You need to stop.
00:56:35I leave.
00:56:36All right.
00:56:37Why are you doing it?
00:56:38I give up.
00:56:39Get off.
00:56:42Oh, God.
00:56:43Oh, God.
00:56:43I am so sorry.
00:56:45For God's sake, what are you doing?
00:56:46Where is it?
00:56:47What?
00:56:48The manuscript.
00:56:49I have no idea what you're talking about.
00:56:51You filthy bitch.
00:56:52I know you've taken it.
00:56:54Yes, of course I have.
00:56:55Yes, and I'm sold it off to the highest person sitter.
00:56:58We're not leaving the house until it's found.
00:57:01Excuse me.
00:57:02Excuse me.
00:57:03If we could all see the house, Alan.
00:57:04If we could all help you look for Dr. Loveport's manuscript.
00:57:07That's not the manuscript, Alan.
00:57:19That's not the manuscript.
00:57:21Come on, I said it.
00:57:23Yeah.
00:57:25What?
00:57:25What are we looking for again?
00:57:27Actually, no idea.
00:57:27Check under the seats.
00:57:50Anything?
00:57:50Anything?
00:57:58Where the back?
00:58:02There it is.
00:58:03Ah!
00:58:04Ah!
00:58:06Look, here.
00:58:07Another page.
00:58:08Oh, there's another.
00:58:10Oh.
00:58:11I don't understand.
00:58:12The...
00:58:12The manuscript...
00:58:13It must have been.
00:58:15The manuscript it must have found.
00:58:19Oh, Eileen.
00:58:20Oh, I'm so sorry.
00:58:23No, no, no, no, no.
00:58:27Eileen, stop.
00:58:29Eileen, stop.
00:58:30Eileen, it's gone.
00:58:33It's gone.
00:58:34No.
00:58:35Oh, no.
00:58:36Oh, no.
00:58:38Oh, no.
00:58:40Close the door.
00:58:50Yeah.
00:58:52I've been looking for you everywhere.
00:58:55Don't look at me like that.
00:58:56I know what I'm doing.
00:58:57I'm going to put an end to her reign.
00:58:58I just need some weapon to use against that woman.
00:59:02Well, I can't kill her.
00:59:04I've tried.
00:59:07I mean, something incriminating.
00:59:09Incriminating, you son.
00:59:15What's happened?
00:59:18You should pretend you never met me.
00:59:20None you wish it sometimes.
00:59:22I can't do that.
00:59:24You know that I can't.
00:59:27Well, you have to.
00:59:30No.
00:59:32I've lost it.
00:59:34Theo.
00:59:36What?
00:59:38The manuscript.
00:59:39I've lost it.
00:59:41No.
00:59:42No.
00:59:44It must be somewhere.
00:59:45I've looked everywhere.
00:59:46No.
00:59:47No, no, no, no.
00:59:48It must be where...
00:59:50It's lost.
00:59:51It's gone.
00:59:54It's at the bottom of the lake.
00:59:57The lake.
00:59:58Hylian.
00:59:59No matter what I do,
01:00:10you are always going to be on this path.
01:00:16It's too hard.
01:00:21Why are you like this?
01:00:24Do you love me?
01:00:25Only as much as you love me.
01:00:29Can that be enough for you?
01:00:32No, Eileen.
01:00:34It can't.
01:00:37Do you love me now?
01:00:40Sia.
01:00:40You're asking for more than I can give.
01:00:46Oh, Sia.
01:00:47More than anybody has the right to ask for.
01:00:48Please.
01:00:49Please.
01:00:50Please.
01:00:50You.
01:00:51Please.
01:00:51You do what you want.
01:00:52It doesn't involve me anymore.
01:00:54Sia.
01:00:55Please.
01:00:56I mean it.
01:01:04Fine.
01:01:06Go.
01:01:07I don't need you.
01:01:09Go on.
01:01:11Fucking.
01:01:12Pathetic housewife.
01:01:13Oh.
01:01:13Well, there's the old Eileen.
01:01:15Miserable and deluded.
01:01:16Use me and then you fuck after all.
01:01:18I never needed you.
01:01:19You.
01:01:19You were a mess.
01:01:20Use me so you can feel like your life means nothing.
01:01:23I know what I am.
01:01:24Your life means nothing.
01:01:28I'm going to find my book.
01:01:32And it will be published with my name on the cover.
01:01:36Right next to yours.
01:01:39And then none of this will even have mattered.
01:01:41And then none of this will have mattered.
01:02:11I'm so sorry, Eileen.
01:02:24I didn't see it anywhere.
01:02:25No, I'm sorry at all.
01:02:28This is exactly what you wanted.
01:02:30I wanted you to be true to yourself.
01:02:33To have courage.
01:02:35Like this?
01:02:37No.
01:02:41Thea left me.
01:02:52Why did you put me?
01:02:54You were lost.
01:02:56You needed to have strength in who you are.
01:02:57I have no left for this life.
01:03:02All of my colleagues have seen me make a fool of myself.
01:03:05The one person who mattered to me is gone.
01:03:08I can't write out another disgrace.
01:03:10Heather.
01:03:10I can't.
01:03:17Doing whatever you want and being whomever you choose has its limits.
01:03:23And its consequences.
01:03:24You land on your feet.
01:03:35Where do you find your power, Hedda?
01:03:38Where?
01:03:41Of course.
01:03:42I already know.
01:03:42But for me, everything I am, everything I have is because I am fucking brilliant.
01:03:54Because I can, I can write.
01:03:57And I can think.
01:03:59Because I convinced those dick-swinging troglodytes that they had to listen to me.
01:04:04This book.
01:04:05It would have been undeniable.
01:04:13And ignorable.
01:04:15Even after this mess.
01:04:17I would have been protected from their ridicule because, oh, I'd be right.
01:04:25Now I'm alone and I'm nothing.
01:04:27No, I am just a woman.
01:04:41Why will you go from here?
01:04:45I'll make an end of it as quickly as possible.
01:04:48Do what needs doing.
01:04:55Wait.
01:04:57We do.
01:04:59We do.
01:05:27Alin.
01:05:45Alin.
01:05:48Alin.
01:05:56I want you to have this.
01:06:07You should have used it then.
01:06:10You can use it now.
01:06:26You should have used it now.
01:06:34Good night.
01:06:37Good night.
01:06:56I don't know.
01:07:26I don't know.
01:07:56I don't know.
01:07:57I don't know.
01:07:58I don't know.
01:07:59I don't know.
01:08:00I don't know.
01:08:01I don't know.
01:08:02I don't know.
01:08:03I don't know.
01:08:04I don't know.
01:08:05I don't know.
01:08:06I don't know.
01:08:07I don't know.
01:08:08I don't know.
01:08:09I don't know.
01:08:10I don't know.
01:08:11I don't know.
01:08:12I don't know.
01:08:13I don't know.
01:08:14I don't know.
01:08:15I don't know.
01:08:16I don't know.
01:08:17I don't know.
01:08:18I don't know.
01:08:19I don't know.
01:08:20I don't know.
01:08:21I don't know.
01:08:22I don't know.
01:08:23I don't know.
01:08:24I don't know.
01:08:25I don't know.
01:08:26I don't know.
01:08:27I don't know.
01:08:28I don't know.
01:08:29What a mess.
01:08:30We have to find the manuscript.
01:08:31I just saw I leave.
01:08:33She's a wreck.
01:08:34What are you doing?
01:08:38No.
01:08:39Heather?
01:08:41Even some of it can still be saved.
01:08:44Hi, David.
01:08:45Heather.
01:08:47That's her life's work.
01:08:49What about your life?
01:08:50Mine?
01:08:51Heather.
01:08:52Are you out of your mind?
01:08:54Wait, wait, wait, wait, wait.
01:08:55No, no, no, wait, wait, wait, wait, wait, wait.
01:08:58You can save someone, if that's what you really want, George.
01:09:02But if she finds it, she will get your job.
01:09:07Mrs. Ellison, heading out?
01:09:10I'm just looking for the manuscript.
01:09:11I think all hope is lost for that.
01:09:13Do you think so?
01:09:14We searched everywhere.
01:09:25What has got into you?
01:09:27I did this for your sake, George.
01:09:29Me?
01:09:30I wanted you out of that woman's shadow.
01:09:32I couldn't bear the idea of you living that way.
01:09:34No, no, no, you just wanted money.
01:09:35I wanted you to have what you wanted.
01:09:38I wanted you to be happy.
01:09:41Happy.
01:09:42To be strong.
01:09:45Really?
01:09:49And we needed this.
01:09:53By we, I mean.
01:10:00Is it true?
01:10:02Yes, but please don't, George.
01:10:03George, look at me.
01:10:04Oh, I am looking at you, Heather.
01:10:08No one must know.
01:10:12You love me.
01:10:15Heather.
01:10:16Desmond.
01:10:23Do nothing.
01:10:24Do nothing with your mother.
01:10:25No.
01:10:26You do it.
01:10:47Oh.
01:10:47Oh.
01:10:48Oh.
01:10:48Oh.
01:10:49Oh.
01:10:49Oh.
01:10:51Oh.
01:10:51Oh.
01:10:52Oh.
01:10:52Oh.
01:10:53Oh, my God.
01:11:23I hope you're in a better mood.
01:11:31Don't be like that.
01:11:33It's really an apologist.
01:11:53Don't be like that.
01:12:23Oh, my God.
01:12:26Call an ambulance.
01:12:30Call an ambulance.
01:12:33Penda.
01:12:34Penda, now!
01:12:38Jesus.
01:12:39Jesus.
01:12:40Oh, my God.
01:12:41I didn't mean it.
01:12:43I didn't mean it.
01:12:44Please.
01:12:46Oh, Jesus.
01:12:46Thank you, sir.
01:12:59Did you see the gun at the money boy after that?
01:13:02Oh, no.
01:13:02No one has seen it since.
01:13:04Oh, my God.
01:13:16Oh, my God.
01:13:18Oh, my God.
01:13:19I think sections because it's scattered and I've used everything all right I mean besides the
01:13:37obvious what are you talking about we're going to reconstruct the book are you we think we can
01:13:45have it ready in time for the next turn if she dies you'll have all the money if this isn't completed
01:13:51in time Dr. Loveborg will have nothing if she lives if you don't focus on your own research
01:13:56just we will move into a smaller house um now these sections I think can I be of any use no
01:14:08excuse me um
01:14:15you worried about something Mrs. Tessman
01:14:44it's all very worried I did
01:14:51how was I when you saw her last you found yourselves alone last night didn't you
01:14:56in the midst of all the madness for a moment in the bedroom
01:15:04for a moment have they asked you about the gun what gun the one at the center of all this the one
01:15:11that Eileen shot herself with it's nowhere to be found apparently professor greenwood thinks it's
01:15:18his because he lost track of it last night I'm sure they'll want to speak to him soon
01:15:21they want to see you next ah and what will I say Roland don't tease me two guns were fired last night
01:15:28one was professor greenwood's and the other is yours
01:15:34is that what you'll say I'll say I have the gun that shot Eileen Loveborg
01:15:37have you yes and whose is it I think you know but what will you say well that depends on my whimsicality
01:15:49it was a good idea here then sloppily executed but
01:16:00I'd never thought she'd do it here
01:16:04I thought she'd find somewhere beautiful
01:16:05oh my dear
01:16:18just imagine the scandal
01:16:21when they find out the gun belonged to the great general garbler
01:16:24that his pretty little bastard gave it to a lesbian who tried to kill someone in the house
01:16:28that a little hella can't afford
01:16:30what they'd think
01:16:31the thought hadn't crossed my mind
01:16:37unfortunately there's no danger of that
01:16:40as long as I say nothing
01:16:42don't resist me
01:16:46no no no
01:16:51no
01:16:53people usually get used to the inevitable header
01:16:55stop it
01:17:00okay that's enough
01:17:10stop it
01:17:12okay that's enough
01:17:22stop it
01:17:31how dare you
01:17:32after everything i've done for
01:17:35i hope you
01:17:37bye
01:17:38i'll do this
01:17:38i'll do this
01:17:48i'll do this
01:17:50oh
01:17:56head off
01:17:57head off
01:17:57head off
01:17:58head off
01:17:59where is this
01:18:00oh
01:18:00oh
01:18:02oh
01:18:11oh
01:18:12oh
01:18:13oh
01:18:14oh
01:18:16oh
01:18:18I love you, I love you.
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1:18:26
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