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00:00:00Gracias por ver el video
00:00:30Gracias por ver el video
00:01:00Gracias por ver el video
00:01:30Gracias por ver el video
00:02:00Gracias por ver el video
00:05:29Gracias por ver el video
00:07:29Gracias por ver el video
00:12:29Gracias por ver el video
00:12:31Do you know anything you'd recommend?
00:12:35It's not entertainment, Mum
00:12:36I do it to protect people
00:12:40Yes, of course, but let's all just try to have a lovely meal
00:12:44Shall we?
00:13:14I do it to protect people
00:13:16I do it to protect people
00:13:20I do it to protect people
00:13:22I do it to protect people
00:13:24I do it to protect people
00:13:26I do it to protect people
00:13:27I do it to protect people
00:13:29Gracias.
00:13:59Gracias.
00:14:29Gracias.
00:14:55Late night?
00:14:56I wanted many white ones.
00:14:58Felic, there's nothing to your stomach churning coming up then.
00:15:03What masterpiece are we dissecting?
00:15:05Extreme Coda.
00:15:28I mean, what is it with these directors?
00:15:37Male inadequacy, revenge catharsis.
00:15:40Didn't that get to you?
00:15:41Some of those scenes were so excessive.
00:15:49Just focus on getting it right.
00:15:52Don't really think about anything else.
00:15:54I don't know.
00:15:55I don't know.
00:15:59Plus, I haven't got a hangover.
00:16:01Enid.
00:16:02Fraser wants to see us.
00:16:03Says it's urgent.
00:16:04I don't know.
00:16:05I don't know.
00:16:06Because it's urgent.
00:16:07I don't know.
00:16:08I don't know.
00:16:09I don't know.
00:16:10I don't know.
00:16:12I don't know.
00:16:13I don't know.
00:16:14I don't know.
00:16:15I don't know.
00:16:17So, you don't know?
00:16:18Shut the door.
00:16:21You two passed Deranged, right?
00:16:36Deranged?
00:16:37Yes, the Marina film.
00:16:40No, no, no, no, no, no, no, no.
00:17:10I went on to shoot his two children.
00:17:14Dad, it's horrific.
00:17:17I got a call from some journalist 15 minutes ago who was breaking the story.
00:17:23He's linking the killings directly to Deranged.
00:17:26Oh, God. So they're blaming us?
00:17:29Well, there's the thing.
00:17:32This journalist seemed to know that it was you two who passed the film.
00:17:36How the hell do they know that?
00:17:37I can't believe you two let it get past you.
00:17:39It's complete hysteria.
00:17:42It's no worse than other material we've passed.
00:17:44The press are going to town, calling him the amnesiac killer.
00:17:50He's saying he can't remember what happened.
00:17:54Come on, Polis is already breathing down our necks without this.
00:17:58It's a complete disaster.
00:17:59I mean, I can't believe you'd go off like that without permission.
00:18:02To the young forest.
00:18:12How?
00:18:14Sorry.
00:18:14I'm so sorry
00:18:18I need you to walk me through your decisions again
00:18:25So I'm 100% clear
00:18:28And for the record
00:18:29In future, if you have even the slightest doubt
00:18:33Just reject the film
00:18:35The man who went berserk claims he cannot recall the incident at all
00:18:43The accused has been dubbed by press as the amnesia killer
00:18:47After links being made today between the killing and video nasty horror film Deranged
00:18:52I heard them a thought scream
00:18:55Made the good girl cold
00:18:57And now they're saying it's because of some film
00:18:59Looks like the world's gone mad
00:19:02This has always been a really safe neighbourhood
00:19:04Like, for the kids and that, for everyone
00:19:06A hotel in Painsbury's has been cleared of staff and guests
00:19:12Mom?
00:19:18Despicable woman
00:19:19Letting people see that disgusting film
00:19:21You should be ashamed of yourself
00:19:23Enid
00:19:36Where is she?
00:19:40Enid
00:19:41Why, what's it, mate?
00:20:08Why did you allow your range to be released?
00:20:11She already had blood on you
00:20:12Is the amnesia killer telling the truth?
00:20:15Why are you fanning these films?
00:20:16Why are you
00:21:08Not so they know who passed it.
00:21:09You think she blabbed at the press.
00:21:11Oh, yes.
00:21:11It's not even like we're paid that much.
00:21:14I could go to academia like that, seriously.
00:21:17And... and that scene is laughable.
00:21:20Even Little Miss Perfect thought it was funny.
00:21:25Enid.
00:21:33Bad luck, isn't it?
00:21:35I mean, it could have happened to any of us.
00:21:39If I'm here to make decisions, there can't be bad luck.
00:21:45No, but, well, you know what I mean.
00:21:49We all make mistakes.
00:21:51One, two, three.
00:22:13That's a single malt.
00:22:14My freezer, don't be using that.
00:22:16I have to drown your sorrows.
00:22:21And who's this you've got squirreled away?
00:22:23It's Enid Bain. She's one of our censors.
00:22:26So this is Enid?
00:22:28Have we met?
00:22:29No.
00:22:31Doug Smart, producer Ident Investment Films.
00:22:40Fraser, you didn't tell me you're such a photogenic team.
00:22:44Now, tell me this, Enid.
00:22:45If you get bored of banning my films,
00:22:47I'm sure I could get you a job on the big screen.
00:22:49I'm not sure how much I like the idea of being raped
00:22:53and cut into pieces on camera.
00:22:57No, but I'm sure the public would love it.
00:23:00Okay, now, come on.
00:23:02Maybe Enid could watch my latest Frederick North submission.
00:23:07It's from the archives.
00:23:08It's harmless, I promise.
00:23:10Yeah, I'm sure you could slip me a 15.
00:23:13It's already on her schedule,
00:23:15and I'm sure she'll deal with it
00:23:17with her usual professionalism.
00:23:19Come on, Doug, let me see you out.
00:23:22Enchanté, mademoiselle.
00:23:25What a wee cracker, she is.
00:23:27Absolutely gorgeous.
00:23:29There were so many shits and fucks,
00:23:38it was impossible to cut them all,
00:23:39so we just had to give it a 15.
00:23:43Anyway.
00:23:45Thank you, Alf.
00:23:47What have we got now, then?
00:23:49Don't go in the church.
00:23:51There won't be many places left for us to go soon.
00:23:53Frederick North film.
00:23:58Haven't seen one of his in a while.
00:24:00Used to be quite prolific.
00:24:02It's only I know his work.
00:24:03Oh, here's a laugh a minute.
00:24:05No silent titles.
00:24:24Unusual.
00:24:33This way.
00:24:33Please stop.
00:24:36I don't like it.
00:24:37Can we go back?
00:24:39No, it'll be fun.
00:24:47Let's play a game.
00:25:00Come on.
00:25:02Summon my shadow.
00:25:03Spin.
00:25:12Do it.
00:25:17One.
00:25:21Two.
00:25:25Three.
00:25:25¡Suscríbete al canal!
00:25:55¡Suscríbete al canal!
00:26:25¡Suscríbete al canal!
00:26:55¡Suscríbete al canal!
00:27:25¡Suscríbete al canal!
00:27:29¡Suscríbete al canal!
00:27:33¡Suscríbete al canal!
00:27:37¡Suscríbete al canal!
00:27:41¡Suscríbete al canal!
00:27:45¡Suscríbete al canal!
00:27:49¡Suscríbete al canal!
00:27:53¡Suscríbete al canal!
00:27:55¡Suscríbete al canal!
00:27:57¡Suscríbete al canal!
00:27:59¡Suscríbete al canal!
00:28:03¡Suscríbete al canal!
00:28:05¡Suscríbete al canal!
00:28:07¡Suscríbete al canal!
00:28:09¡Suscríbete al canal!
00:28:11¡Suscríbete al canal!
00:28:13¡Suscríbete al canal!
00:28:15¡Suscríbete al canal!
00:28:17¡Suscríbete al canal!
00:28:19¡Suscríbete al canal!
00:28:21¡Suscríbete al canal!
00:28:23¿Por qué no se recuerda?
00:28:28¡Gracias!
00:28:31Puede ser trauma.
00:28:33El cerebro se muestra.
00:28:37Puede haber un golpe en la cabeza, incluso.
00:28:41Me parece que en mi día de psico-terráfico,
00:28:44hablamos de cómo se construye historias para lidar.
00:28:48Y te sorprende lo que el cerebro puede editar
00:28:51cuando no puede resolver la verdad.
00:28:53Look, you're good at your job, Enid.
00:29:01Don't let what's going on out there get to you.
00:29:06I don't know if you want to, but maybe we could get out of here sometime.
00:29:11Go for a drink.
00:29:20I'm so sorry about your mum, Perkins.
00:29:23Thank you for this.
00:29:26Hello?
00:29:28Hello?
00:29:30Hello?
00:29:32Hello?
00:29:34Hello?
00:29:36Hello?
00:29:38Hello?
00:29:40Hello?
00:29:42Hello?
00:29:43Hello?
00:29:44Hello?
00:29:45Hello?
00:29:46Hello?
00:29:47Hello?
00:29:48Hello?
00:29:49Hello?
00:29:50Hello?
00:29:51Hello?
00:29:52Hello?
00:29:53Hello?
00:29:54Hello?
00:29:55Hello?
00:29:56Hello?
00:29:57Hello?
00:29:58Hello?
00:29:59Hello?
00:30:04Hello?
00:30:05Hello?
00:30:06Hello?
00:30:11Hello?
00:30:12Hello?
00:30:13Hello?
00:30:14Hello?
00:30:15Hello?
00:30:16Hello?
00:30:17Hello?
00:30:18Hello?
00:30:19Hello?
00:30:20Hello?
00:30:21Hello?
00:30:22Hello?
00:30:23Hello?
00:30:24Hello?
00:30:25Hello?
00:30:26Hello?
00:30:27Hi, Mum?
00:30:28Oh, Enid.
00:30:30Are you okay?
00:30:31I've been trying to get hold of you.
00:30:32I've been trying to get hold of you.
00:30:33I've been trying to get hold of you.
00:30:34Sorry.
00:30:35Sorry, this work's been...
00:30:36It's really busy.
00:30:37Oh, okay.
00:30:38I hope you're alright.
00:30:39Let's go.
00:30:40Hello?
00:30:41Hello?
00:30:42Hello?
00:30:43Hello?
00:30:44Hello?
00:30:45Hello?
00:30:46Hello?
00:30:47Hello?
00:30:48Hello?
00:30:49Hello?
00:30:50Hello?
00:30:51Hello?
00:30:52Hi, Mum?
00:30:53Hello?
00:30:54Hello?
00:30:55Hello?
00:30:56Hi, Mum?
00:30:57Estáis muy ocupados.
00:31:00Oh, ok.
00:31:03Espero que estás bien, amor.
00:31:10¿Estás ahí, amor?
00:31:14Sí.
00:31:16Escuché este vídeo hoy.
00:31:29¿Qué es eso?
00:31:40No, nada.
00:31:43No importa.
00:31:50"...You mustn't let work get you down, Enaut.
00:31:54I saw the news...
00:31:56...only because your dad said..."
00:31:57Dad doesn't know what he's talking about.
00:31:59All right, love.
00:32:00I'm sorry.
00:32:04I'm just tired.
00:32:07Well, don't overdo it, will you?
00:32:10You can't be responsible for everyone, Enid. It's just a job.
00:32:17Yeah, I suppose so.
00:32:40Yeah, I suppose.
00:33:10Yeah, I suppose.
00:33:40Yeah, I suppose.
00:34:10Yeah, I suppose.
00:34:40Yeah, I suppose.
00:35:10Yeah, I suppose.
00:35:14Yeah, I suppose.
00:35:26Yeah!
00:35:27Yeah, I suppose.
00:35:28Yeah, I suppose.
00:35:29Yeah, I suppose.
00:35:30Yeah, I suppose.
00:35:31Yeah, I suppose.
00:35:32Yeah, I suppose.
00:35:33Yeah, I suppose.
00:35:34Yeah, I suppose.
00:35:35Yeah, I suppose.
00:35:36Yeah, I suppose.
00:35:37Yeah, I suppose.
00:35:39Yeah, I suppose.
00:35:40Yeah, I suppose.
00:35:41Yeah, I suppose.
00:35:42Yeah, I suppose.
00:35:43Yeah, I suppose.
00:35:44Yeah, I suppose.
00:35:45Yeah, I suppose.
00:35:47I suppose.
00:35:48Yeah.
00:35:49Absolutely.
00:35:50Yeah.
00:35:51Yeah, I suppose.
00:35:53¿Qué es lo que es?
00:35:57Perkins y yo examiné Denkruy en la iglesia.
00:36:00La fila es un poco más en información.
00:36:05¿Estás preguntando si hay algo más en el director?
00:36:08Es Frederick North.
00:36:14¿Tú tienes una lista de sus películas?
00:36:19No.
00:36:20No.
00:36:22Bueno, sin una lista, te va a tomar al menos una semana.
00:36:40¿Vean en tiempo, Enid?
00:36:42No es como tú.
00:36:50¿Qué es lo que pasa?
00:37:02La Beastman is coming to get you.
00:37:34Enjoy.
00:37:35Yeah, proper gory.
00:37:36It's good, isn't it?
00:37:37See you next time.
00:37:39Cheers, Gerald.
00:37:56Hey.
00:37:57I thought that one was banned.
00:38:01Um, I don't know what you mean.
00:38:04Maybe you could help me.
00:38:05I was looking for some of the more unusual Frederick North films.
00:38:13I've seen, um...
00:38:16Don't go in the church.
00:38:18Oh.
00:38:19Perhaps maybe you might have something else of his under the counter.
00:38:26Um...
00:38:29I've not seen you in here before.
00:38:31It just moves to the area.
00:38:35Someone like you doesn't want to watch films like that.
00:38:40Like what?
00:38:41My favourite is, uh, Stationery Massacre.
00:38:48The repeated stabbing of the man's eye with a compass, then his stomach being ripped open with serrated scissors.
00:38:54His guts falling out, his stomach being stapled back together.
00:38:57Masterpiece.
00:38:58All right, come on.
00:38:59I've seen...
00:39:00I've seen that you've got Camel Carnage.
00:39:01And I know that that's been banned.
00:39:03Bloody hell.
00:39:04Okay.
00:39:05There's so many places getting, you know, shut down.
00:39:06Police roads and...
00:39:07My mate up Taylor.
00:39:08I've been stuck on this thing.
00:39:09Honestly, this network of bloody stress.
00:39:10I'm gonna get rid of it all soon, myself, anyway, so...
00:39:12I've seen that you've got Camel Carnage.
00:39:13I've seen that you've got Camel Carnage.
00:39:14And I know that that's been banned.
00:39:16Bloody hell.
00:39:18Okay.
00:39:20So many places getting, you know, shut down.
00:39:23Police roads and...
00:39:24My mate up Taylor.
00:39:25I've been stuck on this thing.
00:39:27Honestly, this network of bloody stress.
00:39:29Bloody stress.
00:39:35I'm gonna get rid of it all soon, myself, anyway, so...
00:39:39That's all I've got of Norse.
00:39:41It's a bit of a ropey cop.
00:39:43He might be a bit fuzzy and all the good bits and, er...
00:39:45Well, someone's taped over the end with another film.
00:39:52This place gives me a bad feeling.
00:39:54It's like something from one of my nightmares.
00:39:57Let's go back.
00:39:59No.
00:40:00We've come too far to turn back.
00:40:04Strange.
00:40:06What is it?
00:40:07A book.
00:40:09There's a symbol.
00:40:10It's like some sort of portal.
00:40:12Wait!
00:40:14Let me see.
00:40:19It's Latin.
00:40:21I can work it out.
00:40:22Let the sea...
00:40:23In Troybent...
00:40:24...Hawk...
00:40:25...Spulcrum...
00:40:27...Gare...
00:40:28...Tiviiad...
00:40:29...Inferno.
00:40:30Tom.
00:40:31Stop.
00:40:33It could be dangerous.
00:40:35Qui est hic numquam...
00:40:37...Revaterto...
00:40:39...Quis Hawk memento...
00:40:41...In Semperternum...
00:40:44...Immutata...
00:40:46...Sensentua.
00:40:47He's calling for me.
00:40:48Send send send to her.
00:40:49He's calling for me.
00:40:50Send send send to her.
00:40:51He's calling for me.
00:40:52The evil is contagious.
00:40:54...He's calling for me.
00:40:57What if you want me to know?
00:41:00Tell us anything more.
00:41:01It's not just-
00:41:02A visit engine.
00:41:03I'd send send send to her.
00:41:05He's calling for me.
00:41:14The evil is contagious...
00:41:16...He's calling for me.
00:41:18The evil is contagious.
00:41:19...
00:41:21...
00:41:22¡Gracias!
00:41:52¡Gracias!
00:42:22¡Gracias!
00:42:46¡I definitely had some Jaffa cakes!
00:42:49¡Sorry, I should have found!
00:42:52Where do things end up?
00:42:55I should have got my bets in.
00:43:06Do you remember Carol and Alan, Enid?
00:43:10Alan with a squinty eye.
00:43:13They broke up.
00:43:15Such a shame.
00:43:17Carol's moving near the seaside now.
00:43:20I suppose she's better off out of it, but I'm going to miss her.
00:43:23You can visit, love.
00:43:24I wanted to talk to you about something.
00:43:35Found a nice fella?
00:43:36No.
00:43:37It's to do with Nina.
00:43:38I know what we talked about and I understand, but I think I... I think I might have worked out where she is.
00:43:51Oh, please, Enid, not this again.
00:43:52I know, Dad, but this is different.
00:43:53There's this actress.
00:43:54Her name's Alice Lee.
00:43:57I know it sounds mad, but I've got this...
00:43:58I've got this...
00:43:59I've got this really strong feeling that I think is her.
00:44:00I need you to look at this.
00:44:01Just focus on her face.
00:44:03Just look at her eyes.
00:44:04I need you to look at this.
00:44:07Just focus on her face.
00:44:08her name's alice lee
00:44:10i know it sounds mad but i've got this
00:44:16i've got this really strong feeling that i think it's her
00:44:21i need you to look at this just focus on her face
00:44:27just look at her eyes
00:44:30we've been here before in it every time it's not her
00:44:35dad please you're not even looking at her please
00:44:37just look she looks just like the police mock-up dad
00:44:43enid stop
00:44:44dad enid
00:44:46this is exactly why we did what we did
00:44:49we tried to do our best for you but you go off doing whatever you want
00:44:53just like the day you went off with her
00:44:54george
00:45:07i wonder why we did it so if you needed to know what that was
00:45:13i think we went and found the fact that we're talking about it
00:45:17this is going to be what we did
00:45:18i think that didn't make a move
00:45:20it was almost like a word
00:45:22but it was a matter of time
00:45:24as well
00:45:26Gracias por ver el video.
00:45:56Gracias por ver el video.
00:46:26Gracias por ver el video.
00:46:56Gracias por ver el video.
00:47:26No, Nina!
00:47:33No!
00:47:34No!
00:48:04No!
00:48:12No!
00:48:14No!
00:48:18No!
00:48:20No!
00:48:24No!
00:48:26No!
00:48:28No!
00:48:30No!
00:48:32No!
00:48:34No!
00:48:36No!
00:48:40No!
00:48:42No!
00:48:44No!
00:48:50No!
00:48:52No!
00:48:54No!
00:48:56No!
00:48:58No!
00:49:00No!
00:49:02No!
00:49:04No!
00:49:10No!
00:49:12No!
00:49:14No!
00:49:16No!
00:49:18No!
00:49:20No!
00:49:22No!
00:49:24No!
00:49:26No!
00:49:28No!
00:49:34No!
00:49:36No!
00:49:38No!
00:49:40No!
00:49:42No!
00:49:48No!
00:49:50No!
00:49:52No!
00:49:54No!
00:49:56No!
00:50:02No!
00:50:04No!
00:50:06No!
00:50:07No!
00:50:08No!
00:50:10No!
00:50:12No!
00:50:13No!
00:50:14No!
00:50:15No!
00:50:16No!
00:50:17No!
00:50:18No!
00:50:19No!
00:50:20The
00:50:21No!
00:50:22No!
00:50:23No!
00:50:24No!
00:50:25No!
00:50:26I'm sorry.
00:50:27I've been having a bit of a bother.
00:50:29Some people don't seem to like my films.
00:50:35Do come in.
00:50:36It's me here.
00:50:56Do you live alone?
00:51:01Yes, I live alone.
00:51:06¡Suscríbete al canal!
00:51:36I've gone to the States quite a bit, actually.
00:51:48We look similar, don't we?
00:51:50Who?
00:51:52Me and Alice Lee.
00:52:00We do, actually.
00:52:01I knew you reminded me of someone.
00:52:04Why don't we get this wet coat off?
00:52:06What's Frederick like?
00:52:14What can I say?
00:52:17He's a provocateur.
00:52:19And a genius.
00:52:21He's widely misunderstood.
00:52:26You enjoy it, don't go in the church then, huh?
00:52:30Frederick pressed for you to view it.
00:52:32I wanted a woman's eye on this film.
00:52:38You're not enjoying your scotch?
00:52:40You might be interested to hear that he's shooting a juicy sequel to Church at the moment.
00:52:57With the monstrous Beastman.
00:53:01Sequels are all the rage these days.
00:53:02Where are they filming it?
00:53:10Near Frederick's.
00:53:12In the forest where we shot the original.
00:53:15And Alice Lee's in it?
00:53:16It'll be her last film.
00:53:19She's come to the end of her shelf life, that one.
00:53:21Well, what does that mean?
00:53:30Let's not talk about some silly actress.
00:53:34Far more interested in talking about you, you know.
00:53:37What's going to happen to Alice?
00:53:39Well, that's top secret.
00:53:42Frederick abducted her, didn't he?
00:53:44I can abduct you if you want.
00:53:45Stop.
00:53:46Get off me.
00:53:47What?
00:53:48Keep around my house.
00:53:50You fucking prick tees.
00:53:51Just let go of me, please.
00:53:53Stop.
00:53:53Get off me, stop.
00:53:55Get off me, stop.
00:53:55Get off me, stop.
00:53:56Oh, my God.
00:53:57Get off me, stop.
00:54:27Thank you for the whiskey.
00:54:50I'll see myself out.
00:54:57I'll see you.
00:55:27¡Suscríbete al canal!
00:55:57¡Suscríbete al canal!
00:56:27¡Suscríbete al canal!
00:56:29¡Suscríbete al canal!
00:56:31¡Suscríbete al canal!
00:56:33¡Suscríbete al canal!
00:56:35¡Suscríbete al canal!
00:56:37¡Suscríbete al canal!
00:56:39¡Suscríbete al canal!
00:56:43¡Suscríbete al canal!
00:56:45¡Suscríbete al canal!
00:56:47¡Suscríbete al canal!
00:56:49¡Suscríbete al canal!
00:56:51¡Suscríbete al canal!
00:56:53¡Suscríbete al canal!
00:56:55¡Suscríbete al canal!
00:56:57¡Suscríbete al canal!
00:56:59¡Suscríbete al canal!
00:57:01¡Suscríbete al canal!
00:57:03¡Suscríbete al canal!
00:57:05¡Suscríbete al canal!
00:57:07¡Suscríbete al canal!
00:57:09¡Suscríbete al canal!
00:57:11¡Suscríbete al canal!
00:57:13¡Suscríbete al canal!
00:57:15¡Suscríbete al canal!
00:57:17¡Suscríbete al canal!
00:57:19¡Suscríbete al canal!
00:57:21¡Suscríbete al canal!
00:57:23¡Suscríbete al canal!
00:57:25¡Suscríbete al canal!
00:57:27¡Suscríbete al canal!
00:57:29¡Suscríbete al canal!
00:57:31¡Suscríbete al canal!
00:57:33¡Suscríbete al canal!
01:00:29¿Es este film shoot con Alice Lee?
01:00:41¡Gracias!
01:00:48¿Suscríbete?
01:00:50¡ kilometres!
01:01:01¡Kat sinful cosas!
01:01:02¡No se ve menos así como tu ve Est vida!
01:01:05At least you're here. Half of the cast haven't turned up.
01:01:09Production's all over the place.
01:01:20Come on.
01:01:22Let's get you ready.
01:01:35Top off.
01:01:54At three? At three?
01:02:05Sit. Down on the chair.
01:02:32Debbie? Is that the sister?
01:02:35Yeah.
01:02:37Frederick wants that down in the forest. He's getting impatient.
01:02:42Also, still no sign of the producer.
01:02:55So weird.
01:03:01Doug never misses a gory murder scene.
01:03:05I watched a gory murder scene.
01:03:07But it's the two back.
01:03:09Really?
01:03:11I'm here.
01:03:14I'm here.
01:03:16I'm here.
01:03:17I'm here.
01:03:19I'm here.
01:03:22I'm here.
01:03:23¿Qué hay que hacer para nosotros, Lee?
01:03:41¿Qué te gusta?
01:03:42¿Qué te gusta?
01:03:45¿Vale a mí?
01:03:53Gracias por ver el video.
01:04:23Gracias por ver el video.
01:04:31I've been waiting for you.
01:04:34Fred, Frederick North.
01:04:40Step into the light so I can see you.
01:04:46Hurry up.
01:04:53Where's Alice Lee?
01:05:00Big fan, are you?
01:05:05Well, someone told me this was her last picture.
01:05:11You're guarded.
01:05:19That comes from a place of fear, doesn't it?
01:05:26I want you to tell me about Donko in the church.
01:05:31That...
01:05:33That bit with the girls, where did the...
01:05:36Where did the idea come from?
01:05:40Had an effect on you, did it?
01:05:50That scene...
01:05:57That scene...
01:06:01Was inspired...
01:06:05By a true story.
01:06:12All of my ideas...
01:06:16Are drawn...
01:06:17From real life.
01:06:21Well, that's not what happened.
01:06:24People think...
01:06:26That I...
01:06:27Create...
01:06:29The horror.
01:06:31But I don't.
01:06:35Horror...
01:06:36Is already out there.
01:06:38In all of us.
01:06:41It's in you.
01:06:43No, it's not.
01:06:46Of course it is.
01:06:48Don't be so naive.
01:06:51If you're gonna do this...
01:06:55I will need you to access your darkest impulses.
01:07:03I don't have any.
01:07:06Well, they're in there...
01:07:08Somewhere.
01:07:10No, they're not.
01:07:11Oh, come on!
01:07:14Fucking commit!
01:07:20Improvise.
01:07:26Take...
01:07:27Control...
01:07:28Of your story.
01:07:33No.
01:07:34Okay, piss off then.
01:07:36No, please, no, wait, wait, please, please, wait.
01:07:38I just want my sister.
01:07:39I just wanna see her.
01:07:40I just really wanna see my little sister.
01:07:42I want her back.
01:07:43Please.
01:07:45Please.
01:07:50Alright.
01:07:53Alright, we'll go with that.
01:07:55Let's play.
01:08:00There's something rotten inside you.
01:08:04You try to control it, but you only make things worse.
01:08:10Don't fight it anymore.
01:08:12Stop.
01:08:13Just let it out.
01:08:14Stop.
01:08:15It's you.
01:08:16You're trying to make me out to be the bad person, and it's you.
01:08:18Stop!
01:08:19There.
01:08:20That's it.
01:08:22And we'll take that energy into the scene.
01:08:28Come.
01:08:32Enter your story.
01:08:33Now, you're patient.
01:08:34I'm gonna tell you.
01:08:41You never make me out of your story.
01:08:43You never make me out of your story.
01:08:47No, no, no.
01:09:17No, no, no.
01:09:47No, no, no.
01:10:17There's something rotten inside you, twisted up.
01:10:34It secretes my things.
01:10:39Stop fighting it.
01:10:41Let it out.
01:10:43You know you are evil.
01:10:45This is not in the street.
01:11:01No, no, no.
01:11:02No, no, no.
01:11:07No, no.
01:11:09No!
01:11:10No!
01:11:12No!
01:11:12¡No!
01:11:35¡I am the morrow!
01:11:42¡Suscríbete al canal!
01:12:12¡Suscríbete al canal!
01:12:42¡Suscríbete al canal!
01:13:12¡Suscríbete al canal!
01:13:42¡Suscríbete al canal!
01:14:12¡Suscríbete al canal!
01:14:16¡Suscríbete al canal!
01:14:18¡Suscríbete al canal!
01:14:22¡Suscríbete al canal!
01:14:28¡Suscríbete al canal!
01:14:34¡Suscríbete al canal!
01:14:40¡Suscríbete al canal!
01:14:46¡Suscríbete al canal!
01:14:52¡Suscríbete al canal!
01:14:54¡Suscríbete al canal!
01:15:00¡Suscríbete al canal!
01:15:02Lina.
01:15:20Lina.
01:15:20¿Viste regresar a salvarme?
01:15:23Sí.
01:15:26Lo hice.
01:15:27Vamos, vamos a ir a casa.
01:15:57Y lo que es fascinante es que ahora estos problemas se han tratado de bien, los videojuegos han sido completamente erradicados.
01:16:15La cria de la fruta en britán ha desgastado a cero.
01:16:19Es como dijimos, las calles de britán están seguros al final.
01:16:24La fruta en la fruta está en un alto alto. Los criminales están todos locked up.
01:16:30No hay nada que ser libre de.
01:16:54No hay nada que ser libre de.
01:17:00No hay nada que ser libre de.
01:17:04No hay nada que ser libre de.
01:17:08No hay nada que ser libre de.
01:17:18No hay nada que ser libre de.
01:17:24No hay nada que ser libre de.
01:17:28No hay nada que ser libre de.
01:17:32No hay nada que ser libre de.
01:17:50No hay nada que ser libre de.
01:17:59No hay nada que ser libre de.
01:18:03No hay nada que ser libre de.
01:18:21No hay nada que ser libre de.
01:18:35No hay nada que ser libre de.
01:18:45No hay nada que ser libre de.
01:18:49No hay nada que ser libre de.
01:19:02No hay nada que ser libre de.
01:19:12No hay nada que ser libre de.
01:19:16No hay nada que ser libre de.
01:19:26No hay nada que ser libre de.
01:19:30No hay nada que ser libre de.
01:19:51No hay nada que ser libre de.
01:20:06No hay nada que ser libre de.
01:20:10No hay nada que ser libre de.
01:20:22No hay nada que ser libre de.
01:20:26No hay nada que ser libre de.
01:20:36Gracias por ver el video.
01:21:06Gracias por ver el video.
01:21:36Gracias por ver el video.
01:22:06Gracias por ver el video.
01:22:36Gracias.
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