- 2 months ago
- #asuitableboy
- #indiandrama
- #bbcseries
- #fullmovie
Set in post-partition India, 'A Suitable Boy' is a panoramic historical drama that delves into the lives and fortunes of four prominent families. This compelling BBC series explores India's rich and diverse culture during a pivotal moment in its history, offering a captivating look at societal changes and personal journeys. It's a must-watch for fans of intricate storytelling and cultural exploration.
a-suitable-boy bbc indian-drama historical period-drama family-saga romance 2020-series
#ASuitableBoy #IndianDrama #BBCSeries #FullMovie
a-suitable-boy bbc indian-drama historical period-drama family-saga romance 2020-series
#ASuitableBoy #IndianDrama #BBCSeries #FullMovie
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TVTranscript
00:00It was all a mistake, the whole thing.
00:02I love you, and you really owe me an apology.
00:04We are a Hindu nation.
00:06Muslims have their own country now.
00:10It's a snake.
00:12I don't want him anywhere near that house.
00:14I think he might be just the boy for Lata.
00:16May I write to Lata, Mrs. Behra?
00:18Of course, Harish.
00:22She sent for me.
00:24I think you are a lipstick girl.
00:26Go away!
00:30Let's go!
01:00Let's go!
01:02Let's go!
01:04Let's go!
01:06Let's go!
01:08Let's go!
01:10Let's go!
01:12Let's go!
01:14Let's go!
01:16Let's go!
01:18Let's go!
01:20Let's go!
01:22Let's go!
01:32Let's go!
01:34Let's go!
01:36We'll find him.
02:03Haskar Tendhal, B-H-A-S-E, A-A-R, Haskar Tendhal.
02:15Professor Kapoor.
02:17Oh my God.
02:21He's alive.
02:26Maa! Savita!
02:37What?
02:38Haskar?
02:39Haskar?
02:40Is he all right?
02:41Who?
02:43Who?
02:45You knew my name?
02:47I'm a student at the university.
02:50I know Lata.
02:51Kabir Durrani.
02:53Oh, thank you.
02:57My Bhaskar.
02:59Thank you so much.
03:01Maa!
03:03He's alive.
03:04He's alive.
03:05He's alive.
03:06He's alive.
03:08God is alive.
03:11I'm sorry.
03:12I'm sorry.
03:13You're all right.
03:14I'm sorry.
03:15And you're all right.
03:17I'm sorry.
03:43Your Bhaskar was one of the lucky ones.
03:47And Kabir.
03:49The hero of the hour.
03:55So is it all over?
03:57Between you and Kabir?
04:01He wrote to me in Calcutta, you know.
04:03Did he?
04:04He seemed to be blaming me.
04:07As if he was the one whose feelings had been hurt.
04:11I suppose it was very melodramatic of me asking him to run away with me.
04:15Very adventurous rather.
04:17You are always telling me how bold I am.
04:21But I think you have outdone me.
04:23You have outdone me.
04:33I don't know anymore.
04:36Did anything else happen?
04:39When you were away?
04:42Yes.
04:43I was called a lipstick girl.
04:52But I don't want to talk about it.
04:53I don't want to talk about it.
05:00All right.
05:01All right.
05:02Not anymore.
05:03But I don't want to talk about it.
05:05You who are so angry.
05:06At this point, it is not in the other place.
05:07I don't want to talk about it.
05:08I have to talk about it.
05:09All right.
05:10And now I have to talk about it.
05:12it's good to see you what how wild and brown you look try shitting in the field
05:37I'm exhausted come on you're in danger of dissolving not bad this must be the
06:03biggest quarter you own no doubt you'll soon be taking it off again I don't like the way you said
06:09that you're not in love with her yourself are you
06:16you do realize say the bike closes shop mud
06:27does she the Raja of Mar will be annoyed she won't sing for him or you
06:37don't tell me you're jealous well as you once said I never tell you anything
06:47can't I just stay here
06:51then I can go visit Seda
06:56if I go home Bawji will be furious I think you should go home first
07:03it's disrespectful to your parents
07:06you think I've planned all this
07:16perhaps you have
07:20but I don't mind
07:29but I don't mind
07:29I don't mind
07:39it's me
07:39I don't mind
07:41I don't mind
07:44I don't mind
07:46it's your
07:46What did he send?
07:48There are other ways of blaming.
07:56The first one, the second one, the second one, and then the second one. Why not?
08:06You will feel very bad from the road.
08:09You will feel very bad at all.
08:16You will feel very bad at all.
08:27Points to remember.
08:28One, keep up with news and world affairs.
08:32Two, exercise at least 15 minutes every morning.
08:36100.
08:39Three, make 1951 the deciding year of my life.
08:44Four, pay off debts.
08:49Five, learn to control tempo.
08:54Six, perhaps shave off my moustache.
08:59Or not.
09:02Seven,
09:03Make Lata love me.
09:14Dear Lata, I must thank you for your visit and the nice time we spent together.
09:20You must have brought me luck.
09:22Because the moment you left, I won a big order for the company.
09:27And I fully anticipate an early promotion.
09:30One, go fashion.
09:32Author 55.
09:33Hang on to
09:54flow.
09:55I don't know.
10:25I said I want him reinstated instantly.
10:33Since when have you started giving orders?
10:35I save what happens around here, not you.
10:45What is done is done.
10:48Am I to be overruled in favor of this clock-watching mediocrity?
10:52Mr. Khanna, that is no way to speak about a colleague.
10:56I will not have it.
10:58In fact, I think it would be best if Mr. Sengupta took over the HSH contract from now on.
11:06What?
11:06I slogged my guts for that order.
11:11This has changed the fortunes of this factory.
11:14If you give it to Sengupta, he will butcher the job.
11:17We'll find out.
11:18But as of now, my decision is final.
11:22In that case,
11:27I can see no point in my carrying on here.
11:32So,
11:34I'm tendering my resignation.
11:38You cannot leave.
11:41You are under contract.
11:43I refuse to work at this benighted place.
11:46Whatever the consequences.
11:48Mr.
11:53Just like that.
11:57Mr.
12:20Mr.
12:26What's wrong Lata?
12:50You're not yourself.
12:52You know, what you need is something different.
12:55There is something different to occupy your thoughts.
13:03Lata, I have an idea.
13:12Come here, look.
13:14Twelfth night, just what you need.
13:16Why not try out for it?
13:18I will if you will.
13:20Come on Lata, a play is just the thing for you.
13:24Come.
13:31First day, first day.
13:34I'm nervous.
13:36Come in, come in, come in.
13:38Introduce yourselves to each other.
13:40This first reading will just be a run through of the text.
13:50You set this up.
13:51Malthi!
13:52What are you doing here?
13:55The same as you I suppose.
13:57You never told me you were interested in amateur dramatics.
14:00Nor did you tell me.
14:01Well I wasn't till Malthi dragged me to the audition.
14:04And I hear you did very well.
14:06Is that why you auditioned?
14:07Possibly.
14:08It's good to see you again Lata.
14:14So, who are you playing?
14:16Malvolio.
14:17I auditioned for the Duke but...
14:22Malvolio is the better part.
14:24No one remembers the Duke.
14:26Where's the Duke?
14:27Anything that brings us closer together?
14:31Malvolio.
14:32Shall we begin?
14:34The music be the food of love.
14:39Play on!
14:43And commands shall be executed.
14:50I think we do know the sweet Roman hand.
14:53Olivia?
14:54Would thou go to bed, Malvolio?
14:57To bed?
14:58Aye, sweetheart, and I'll come to thee.
15:00Ladies and gentlemen, a little decor is here.
15:05Quiet!
15:09Lata!
15:16Yes?
15:19I was wondering, could you give this to Bhaskar?
15:22My father heard he has a gift for mathematics and thought it might interest him.
15:25I hope it's not too much trouble.
15:27No, not at all.
15:29We owe you so much for what you did.
15:34It was lucky I was there.
15:38I'm sorry I embarrassed you in the rehearsal.
15:40Not your fault.
15:41Shakespeare laid a trap for us.
15:43Yes.
15:47I must go now.
15:48Goodbye.
15:49Goodbye.
15:55A kite, Baba.
15:56What a beautiful kite.
15:58Oh.
15:59Bye.
16:00Bye.
16:01Bye.
16:07So you see, I don't know what to write to Lata.
16:11What will she think?
16:14What will her mother think if I have to tell her that now I'm a workless man?
16:18Not workless.
16:19Not workless.
16:20But between jobs.
16:21You know you will soon find a good post.
16:25I'm going to try with Praha.
16:27The check form.
16:28They're first class.
16:29But they've only ever had one Indian in a position of authority.
16:34Then you can be the second.
16:36I don't know.
16:38Perhaps they won't see me at all.
16:41Of course they will.
16:42But first you must write to Lata and tell her the truth.
16:45Then write to me and tell me how it goes.
16:48I'm going to stay at my place in Delhi.
16:51After my success with Lata, Ma is sending her youngest son Varun to stay with me while he interviews for the IAS.
16:58I haven't seen him since he was a little boy.
17:02I wonder how he's turned out.
17:12As you can see, I'm on my way somewhere.
17:29The cause of the Pulmela disaster.
17:31What conclusions have you reached?
17:34Now, many possible explanations have been put forward.
17:39It is possible that we may never know.
17:44Agarwal, as Home Minister, surely you must be exploring all urgent inquiries.
17:50And may I remind you, Mr Kapoor, that with an election imminent, this may not be the best moment to open up matters that might damage the reputation of our party.
18:04Best to move forward.
18:06Don't you agree?
18:07Weren't you yourself responsible for security at the Pulmela?
18:12Hundreds were injured.
18:13Twelve people died.
18:15I almost lost my grandson.
18:17Look at me! Open!
18:23Go quickly!
18:24I'm thinking of leaving the Congress party.
18:34What?
18:36You mean leave politics altogether?
18:38Perhaps.
18:40With the Zamindari bill being written into law and upheld by the courts, maybe it's the right time.
18:45Nobody is going to take blame for the Pulmela disaster.
18:50And the Home Minister knows exactly what will happen between Hindus and Muslims if Ram Leela and Muharram clash next month.
18:55I'm sick of the face saving and the corruption in assembly.
18:59But that's why the country needs people like you.
19:04To fight corruption.
19:06In fact, the countryside needs you.
19:08Look.
19:10Come to my constituency.
19:12Stand in Rudhya where you can make such a real difference.
19:17Will you consider it?
19:20I'm touched by your trust in me.
19:23Come and stay at Baithar Fort and see how things are.
19:26You might bring your son.
19:29Maan.
19:31Won't he be a liability?
19:32My people tell me he's greatly respected by the villages of Rudhya and Salimpur.
19:36And Maan has spoken to me of his interest in the lives of the village people.
19:40When did he tell you this?
19:42Didn't you know he's staying here at Baithar House?
19:45No.
19:49No, I did not.
19:57Go, go, go, go, go, go!
19:59Go, go, go, go.
20:06Go, go, go, go, go, go!
20:10Go, go, go, go!
20:13Get up!
20:14We'll get up with the temple!
20:16And this is about 25.
20:18Go, come, go!
20:20Get up!
20:21Let us wait!
20:22How are you?
20:46Are you recovered?
20:47Yes, ma'am.
20:48Yes, ma'am.
20:55You must watch me and I'll cuttie with you.
20:57You can't cuttie with your ma'am.
20:59Now little monkey.
21:0117 times 369.
21:036273.
21:06I'm sure you're right.
21:08Paar?
21:10Namaste, Baba Ji.
21:13How did you know Bhaskar has been recovering?
21:16We did not write to you.
21:18How long have you been back in Brhampur?
21:21Hiding from your family?
21:23I'm here now.
21:25You bring shame to us with your behavior.
21:29You only come home now because Sayeeda Bhai shuts her house to Hindus for Muharram.
21:39It's my life, Baba Ji.
21:41Unfortunately, you're a part of our lives.
21:44You won't be going back to her again.
21:46I'm taking you back to the countryside.
21:48I'm standing for Congress in Rudiyah.
21:50In Rasheed's village?
21:51Yes.
21:52Rudiyah is in the Nawab's constituency.
21:53And you're coming with me.
21:54Rudiyah?
21:55Rudiyah?
21:56Rudiyah is in the Nawab's constituency.
21:57And you're coming with me.
22:01Sudiyah?
22:02Rudiyah has been told.
22:03Everyone is in the hospital.
22:04Our brother can come here forever.
22:06You go.
22:08Where is the doctor?
22:15The doctor will be here very soon.
22:18No hurry.
22:19First births take a long time in general.
22:22Twelve hours is quite normal.
22:24Oh, don't I know it.
22:26With my first, it went on so long.
22:28And the pain, it was so terrible.
22:30I wanted to die.
22:32Maji, can we talk about something else?
22:35I'm trying to prepare her.
22:37Otherwise, what is a mother for?
22:39It's very painful.
22:41Yes.
22:42Truly terrible.
22:44But when the baby is born,
22:46it is a joy to behold.
22:50Everything is alright, that is...
22:52What do you mean?
22:53What?
22:54Well, Ma, please.
22:58Breathe.
22:59I'm right here.
23:07I feel so sorry to burden you with the news I've given above.
23:17You will have to decide whether you could care for me as a man without employment.
23:22My feelings for you have not changed.
23:26Indeed, the more I think of you, the stronger they grew.
23:30But if you wish to stop corresponding, I will understand.
23:35I will understand.
23:52Hi, Pram.
23:53You are not alone.
23:54I am alone.
23:55I am alone.
23:56I am alone.
23:57Ma...
23:58Ma...
23:59You are not alone.
24:00I am alone.
24:01I am alone.
24:03I am alone.
24:16Do not into кровilibre.
24:18Mr. Novak and Mr. Havril will see you now.
24:21Take the stairs with the third office along.
24:42Why are you here?
24:43Because I want to work here.
24:45And I think I could be an asset to your firm, sir.
24:50When you wrote to us, we offered you a job.
24:53And you turned it down.
24:55As a workman, at 28 rupees a week.
24:58I was in management at CLFC.
25:00Something clearly went wrong with that.
25:03Or you wouldn't be here begging us for a job.
25:07Havril, what do you think of this man?
25:12Show me your hands.
25:15Bend your thumbs.
25:27You're not a shoemaker.
25:28I am, sir.
25:29No, you're not.
25:30Some other line would be better for you.
25:32I can make a first-class pair of shoes from the design pattern to the finished product.
25:35Out of the question.
25:38Suppose you choose the most difficult design on your production line, and I make a first-class shoe to that design.
25:48Will you consider it, then?
25:53Brooks.
25:54Blake Welthit.
25:56For the foreman's job.
25:57You make a shoe to our satisfaction, and you can start as a foreman on 80 a week.
26:01How's that?
26:02I accept it.
26:03Although...
26:04Relax, Nawak.
26:05He'll fail.
26:06He doesn't have the thumbs for it.
26:08Hmm.
26:09Dear Harish, I'm sorry to hear you had to resign from your job.
26:11Their loss will inevitably be someone else's gain.
26:12Every time I see bare feet, I think of you making a shoe for each one.
26:13When I see the shoe, who really is doing the job?
26:14Is it only a dog?
26:15Yes, sir.
26:16That's okay.
26:17No.
26:18No, I just do not.
26:19You take a center, I think.
26:20You're ready.
26:21You're ready?
26:22No.
26:23No.
26:24No, no.
26:25No, no.
26:26No, no, no.
26:27No, no!
26:28No, no.
26:29No, no.
26:30No, no, no.
26:31No.
26:32No, no, no.
26:33No, no, no.
26:35No, no.
26:36No, no, no.
26:37No, no.
26:38No, no.
26:39No.
26:40No.
26:41Don't forget that the unkindness of people
26:46only hurts as long as we remember it.
26:51It would be good to talk to you again.
26:54And I hope you've not lost your smile.
26:58Which bed for Mr. Savita Kapoor?
27:04Bed number four.
27:04Okay, thank you.
27:07Kuku?
27:08Yes?
27:08Baby, baby, sweet as mango.
27:13See your auntie is torn in sandal.
27:19What a lovely surprise.
27:22Oh, we couldn't leave you to struggle on without help.
27:25Oh, this is very pretty.
27:33A lady baby came today.
27:36What words are quite so nice to say.
27:39They make one smile.
27:42They make one pray.
27:44For lady baby's happiness.
27:47Hush.
27:48Lady baby's fast asleep.
27:52The friendly fire flames dance and leap.
27:55And burning her to ash, they sweep across the lady baby's dress.
28:02And that's one lady baby less?
28:03Karkoli, that is not amusing.
28:06Meenakshi, control your sister.
28:08No one can, Ma.
28:09She's hopeless.
28:10Oh, Lata.
28:12Oh, you're an actress now.
28:15She is most certainly not.
28:16It's just a college play.
28:18Club's night.
28:20Shakespeare.
28:20Oh, I wonder what it would have been like to be married to him and have him whisper sweet words in my ear.
28:26Shall I compare thee to a summer's day?
28:30I'm a friend of his love.
28:32I'm sorry you left Calcutta so quickly.
28:34I was sorry to leave so soon.
28:36But we were introduced to a very fine young man in Lucknow.
28:39Weren't we, Lata?
28:40A shoemaker.
28:44A shoemaker.
28:46Shoemaker.
28:49Shoemaker.
28:50Shoemaker.
29:10Shoemaker.
29:11Shoemaker.
29:12Shoemaker.
29:13Shoemaker.
29:14Shoemaker.
29:15Shoemaker.
29:16Shoemaker.
29:17Shoemaker.
29:18Shoemaker.
29:19Shoemaker.
29:20Shoemaker.
29:21Shoemaker.
29:22Shoemaker.
29:23Shoemaker.
29:24Shoemaker.
29:25Shoemaker.
29:26Shoemaker.
29:27Shoemaker.
29:28Shoemaker.
29:29Shoemaker.
29:30Shoemaker.
29:31Shoemaker.
29:32Shoemaker.
29:33Shoemaker.
29:34Shoemaker.
29:35Shoemaker.
29:36Shoemaker.
29:37Shoemaker.
29:38Shoemaker.
30:10This is first-class work.
30:26Admin it, Novak.
30:28This is better than you or I could do.
30:31So I get the job?
30:33You do.
30:34Four men, 80 rupees a week.
30:35Do you accept?
30:37I agree the salary, though it's low.
30:41But there's one more thing.
30:43I need to live in the Praha accommodation
30:45and be able to use the officers' club.
30:48Absolutely not.
30:49You don't realize how far we go to accommodate you.
30:52It is important to me.
30:54I'm hoping to marry and start a family very soon.
30:56And I must have a good home to offer them.
31:05If it is not granted, I'm prepared to walk away.
31:09I don't see any advice, if we can go to the club.
31:14What does it say, Praha?
31:16I'll ask you to answer it.
31:17I'll ask you to answer it.
31:17It's not a lot of money in the Schweiz.
31:20Okay.
31:21It's your answer.
31:22Welcome to Praha, Mr. Khanna.
31:34Madam, you have done me wrong.
31:36No, no, no, madam, you have done me wrong.
31:41Right again.
31:42Is that the handsome Muslim?
31:45Madam, you have done me wrong.
31:46That's the one.
31:48Very nice.
31:50I am mad.
31:51Thick, dark hair and russious swims.
31:55Madam, you have done me wrong.
31:57A brother had better look sharp if he wants to stand a chance.
32:00Madam, you have done me wrong.
32:02Is Amit interested in Lata?
32:05More than he has been in any other girl.
32:07Maybe you are.
32:08Pray you, peruse.
32:13Will you young ladies please keep quiet?
32:16Chomot, come on.
32:18Chomot, come on.
32:18Thank you, Professor.
32:20Cholot, cholot.
32:21Cholot.
32:22Cholot.
32:25Cholot.
32:26Cholot.
32:27May.
32:27Yeah.
32:28Ande, vande.
32:30Manjalo.
32:32Haskar ki gaddi.
32:34Aai ho.
32:37Dear Harish.
32:39Good news about Praha.
32:42Everything happens for the best.
32:44Meenakshi and her sister Ka Koli just left for Calcutta.
32:48Our home is in chaos at the moment.
32:50And my afternoons are taken up with rehearsals.
32:53Let me see your face.
32:56Look you, sir.
32:59Such a one I was this present.
33:01I don't know if I'm myself or one of Shakespeare's preachers.
33:09Umar's done now.
33:11Please keep me informed about everything that happens.
33:14No one here has lost faith in you.
33:19Affectionately.
33:20Lata.
33:20Mmm.
33:38That's nice.
33:40A bit higher?
33:42Yeah.
33:42It's nice to be back home.
33:46Oh, did I tell you?
33:47Kuku and I saw Lata's new student flame.
33:51Very handsome, flashing eyes.
33:54That Muslim.
33:55Forget it.
33:55What about the other one that writes to her?
33:57Your mother seems to favor him.
33:59And she could have Ahmed's.
34:03Let's invite him to us.
34:05Who?
34:06The cobbler.
34:07We can sound him out.
34:08And if he's not quite the thing, as I suspect,
34:11send him back in.
34:13Bloody hell.
34:14For once, I wish my damn brother was here.
34:17He could speak to the cobbler so I don't have to.
34:20Darling.
34:21Darling.
34:21Darling.
34:21Darling.
34:21Darling.
34:21Darling.
34:21Darling.
34:21Darling.
34:21Darling.
34:21Darling.
34:22Darling.
34:22Darling.
34:23Darling.
34:23Darling.
34:23Darling.
34:23Darling.
34:24Darling.
34:25Darling.
34:46Gosh, I don't know how to do this.
34:49Never say, I don't know.
34:51Always say, I'm afraid I have no idea.
34:57I'm afraid I have no idea.
35:09You look very presentable.
35:12Much more handsome than your brother.
35:15You start to feel anxious during the interview.
35:19Think of last night.
35:20Tell yourself, I am the iron frame of India.
35:29I am the iron frame of India.
35:33I am the iron frame of India.
35:36I am the iron frame of India.
35:42So you're originally from Delhi, is that right, Mr. Khanna?
35:46Yes, indeed.
35:47I went to St. Stephen's College.
35:49Ah, very good college.
35:52And then you went to England.
35:54Was that to Oxford or to Cambridge?
35:58Northampton College of Technology.
35:59Really?
36:00It is one of the best places to study shoe manufacture, you know.
36:03Yes, I dare say it is.
36:06When I go to London, I always stay at Cladidges.
36:09And the manager always asks me, is everything to your satisfaction, Mr. Candlewall?
36:16Oh, and I say, it is all to my satisfaction.
36:26He never takes me.
36:28And do you like London, Mr. Khanna?
36:32Yes.
36:33I like the pubs.
36:34Pubs?
36:34You can find a pub on almost every corner.
36:38Very friendly places.
36:40Gentlemen, time please.
36:42Hmm?
36:44That is what they say at closing time, you know.
36:48Oh.
36:48I expect you saw quite a lot of plays in the West End.
36:54The Deep Blue Sea, The Lady's Not For Burning.
36:58I was in Northampton.
37:00There was the local repertory theatre.
37:03But mostly, I went to the cinema.
37:06Dick Barton, Red River, Easter Parade, all very excellent.
37:12When you buy toys for your little girl, Mr. Mehra, I'm always telling Mr. Khandeilwall to buy toys from England.
37:20Well, of course, there's nowhere to compare with Hamilies on Regent Street.
37:25Ah, Hamilies.
37:26Five floors of nothing but toys on every floor.
37:31When were you last in England, Mr. Mehra?
37:33I had to make your point.
37:49So, so maybe...
37:50Sorry.
37:52You were telling us when you were most recently in England.
37:57Well, as it happens, it might surprise you to learn.
38:02But I've never actually had the opportunity to go there.
38:07Drinks? Anyone?
38:09Oh, my darling.
38:13Anyone for another drink?
38:14Oh, mate.
38:32Yes?
38:33What do you think of Lata?
38:37I like her very much.
38:39Enough to marry her?
38:42Perhaps.
38:42You know, you have rivals.
38:48I scorn to compete.
38:50But you must let her know how you feel or you will lose her.
38:53Leave me alone, Cuckoo.
38:56Laceous Lata, born to be...
39:01Lady Lata Chatterjee.
39:04Cuckoo clock chimes out her name.
39:06You are the stupidest girl I know.
39:12Cuddles, go and bite Amit.
39:22Come on, Cuddles.
39:24Give up.
39:25Come on, Cuckoo.
39:28Let's go.
39:38May I die again.
39:41Nils are dead.
39:43Come on.
39:44May I die again.
39:47No, you can't speak to her today.
40:16Just to see her was enough.
40:18It means something, what she's doing, giving up Shabbat.
40:21It is the holiest time for our Shia community.
40:25It commemorates the terrible thirst of the Shia martyrs of Karbala.
40:29You must respect the gesture.
40:32Do you think she'll forgive me?
40:34Muharram is almost over.
40:36I'm sure Daag sahab will find his way back to us soon.
40:41I have to go see Bhaskar now. He's in the Ramlila possession.
40:44Come and watch?
40:46Yes, after I've led the Tazia procession with my father.
40:49I'll meet you here.
41:14Thank you so much.
41:16Yes.
41:17Yes
41:21Yes.
41:22Shia Ast Hussain, Bad Shia Ast Hussain, Deen Ast Hussain, Darbar Jaste Yazid, Hakka Kepila, La Ilah Ast Hussain, Ya Hussain.
41:52Kep!aurus! Kep!aurus! Kep! Augsain, Kep! xuha, augsain, Kep!gi Ez 24, ápilé.
42:22What?
42:24Look at my friends.
42:26Look at what you want to go.
42:52Hey, there's Moskot.
42:57Moskot!
42:59Moskot!
43:02I'm Mikey, and I'm Pahala.
43:04Hey, my Mikey boy!
43:13This is good.
43:15Come, Moskot.
43:16Yafuat, Yafuat, Yafuat, Yafuat, Yafuat.
43:46Yafuat, Yafuat, Yafuat.
44:16Yafuat, Yafuat, Yafuat, Yafuat, Yafuat.
44:46Yafuat, Yafuat, Yafuat.
45:16Yafuat, Yafuat, Yafuat, Yafuat.
45:46Yafuat, Yafuat, Yafuat, Yafuat.
45:51Yafuat, Yafuat, Yafuat, Yafuat, Yafuat, Yafuat.
45:58Yafuat, Yafuat, Yafuat.
45:59Yafuat, Yafuat, Yafuat.
46:01Yafuat, Yafuat, Yafuat, Yafuat.
46:02Yafuat, Yafuat, Yafuat, Yafuat.
46:09I must call my father.
46:19What happened?
46:39What happened?
46:41I must call my father.
46:46What happened?
46:52I can say that.
46:55We'll talk to you.
46:57What happened?
46:58Come on.
47:01How are you, Ami?
47:14How has Ami been today?
47:17Not so good.
47:18I hope she didn't know about the riots last night.
47:24How are you, Ami?
47:28Close the door.
47:29It's cold.
47:31It's all right.
47:32I closed it.
47:38What day is it?
47:40It's Thursday.
47:42Tonight's the opening of twelfth night.
47:44Remember, I'm playing Malvolio.
47:46Jumne raat ki rat.
47:47Yeah, that's right.
47:50Has your father still asking if two and two makes four?
47:54Yes.
47:56Mm-hmm.
47:59When I was married to him.
48:00You still are, Ami.
48:02You're not listening to me.
48:06You're not listening to me.
48:13Helena.
48:17You made me forget.
48:19Oh, listen, listen.
48:22We don't have much time.
48:25They're trying to get me married to someone else.
48:28They put guards outside my door at night.
48:30And my doctor.
48:31Did he go to Karachi or did they kill him?
48:33They lit his beard.
48:35I saw him go up and smoke.
48:37And you don't care, Ashan?
48:39No.
48:40Kabir.
48:41Ami.
48:42Ami.
48:43You're not listening.
48:44Kabir came last week.
48:45Ami.
48:48I am Kabir.
48:49I found the girl I want to marry.
48:53Ami.
48:54I came to you for your blessing.
48:56Please.
48:57I'm not.
48:58I'm not.
48:59I'm not.
49:00You're not.
49:02I came to you for your blessing.
49:08Please.
49:13You're beautiful, my dear.
49:19Really, Lata, they are going to love you.
49:23It feels wrong to play comedy after all that chaos.
49:27Beginners, please.
49:28Orsino, Curio, musicians.
49:30And where is Mr. Durrani?
49:32Has somebody seen him?
49:33Sir.
49:33Oh, hurry, hurry, hurry.
49:35Hurry, have it.
49:40Will you be at the cast party?
49:42I'd like to speak with you.
49:44All right.
49:47Drink a leg.
49:49I will.
49:53Some are born mad.
49:55Some achieve madness.
49:58And some have madness thrust upon them.
50:00Bravo.
50:07The play is directed by Professor Opie Mishra, also known as The Great White Whale.
50:24Hit music.
50:26Be the food of love.
50:27Play on.
50:28God bless thee, lady.
50:48Take the fool away.
50:50There she is.
50:51Lata, look.
50:52Lata.
50:52Yes, you look.
50:52Yes, you look.
50:52Yes, you look.
50:53Fellows.
50:55Take away the lady.
50:57What think you of this fool, Malvolio?
51:00Does he not mend?
51:01Yes, and shall do till the pangs of death shake him.
51:04Yes.
51:07Not black in my mind, though yellow in my leg.
51:10Willst thou go to bed, Malvolio?
51:16To bed?
51:17Who's that boy?
51:19Kabir Dharani?
51:20Mazie.
51:21Aye, sweetheart.
51:22And I'll come to thee.
51:23You shall from this time be your master's mistress.
51:32Ahoy!
51:34Hey!
51:35Madam!
51:36Is this the madman?
51:38Aye, my lord.
51:39The same.
51:40Why have you suffered me?
51:42To be imprisoned?
51:43Kept in a dark place?
51:45Visited by a priest?
51:46Alas, Malvolio?
51:48This is not my writing.
51:54For fools!
51:56How they have baffled me!
51:59I'll be revenged on the whole back of you!
52:02That's all one power play's done
52:05And we'll strive to please you
52:11Every day
52:16Where have you been?
52:26Where have you been?
52:31A sabce of before
52:32Bye-bye.
52:36Bye.
52:38Malvolio?
52:40Who's unükle hoarse
52:44And while
52:45KABHI MERI GALLI AYAK KARO
52:49GORI GORI OPAKI CHORI
52:53CHAHE ROZ BULA YAK KARO
52:58ROZ ROZ BULA KAL KRACHI NAHI
53:03PYAR AME EVERYBARD KUCHI NAHI
53:07ZOBRA ZOBRA MILA ZOBRI SI JULAI
53:11KABHI MOLinski
53:21You are so good and I am so proud of you. Only your father could have seen you. Thank you, Ma. Now, get changed quickly, let's go home.
53:24No, Ma, we worked on this play for months and we want to celebrate.
53:29Come on, Nata.
53:31Professor Mishra will see how I get home safely.
53:35Dazzling, Nata.
53:40Well done, Clues.
54:10You were so good tonight.
54:16So were you.
54:18So you're not still angry with me?
54:20No.
54:22I don't know.
54:24I've thought so much about things.
54:27I let you down, didn't I?
54:28No.
54:29You were being sensible.
54:31Why didn't I just say yes?
54:32Let's run away together.
54:35It's just not possible for us, Kabir.
54:37Who says?
54:40I know it's difficult for us, but where's your spirit?
54:48Don't you care for me?
54:50I do.
54:53I do.
54:54I've never stopped loving you.
54:56Oh, Lata.
54:58But I can't give up my family.
55:00I can't give up my mother.
55:01If you stand firm, as you did tonight, your mother would have to accept it.
55:07Kabir, do you know of any mixed marriages that have worked out?
55:11Do you know of any that haven't?
55:13I don't know of any at all in our family.
55:16Your family is not going to be there forever.
55:19Are you going to sacrifice yourself for them?
55:21You don't understand, Kabir.
55:25My family is not like yours.
55:33You're right, Lata.
55:35Your family is nothing like mine.
55:37Lata?
56:01Lata?
56:08Lata?
56:08Lata?
56:08Lata?
56:34Lata?
56:34Lata?
56:35We've all been invited by a certain Mr. Khanna for Christmas lunch at the Czech Cobblers Club.
56:55I don't want you to ruin Lata's town.
56:57She doesn't have to stoop as low as that.
56:59You know how happy you meet me.
57:01But now you're going to leave me again.
57:05We Muslims are in a minority.
57:08Who can protect us and our culture?
57:14Saman's book of poetry.
57:16It's very nice to see you again.
57:19Why do you love her?
57:21Because she's Lata.
57:22It's very nice to see you again.
57:29It's whatever.
57:37It's very nice to see you again.
57:41Oh
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