Friday Foster (1975) Full Movie | Blaxploitation Thriller
Friday Foster is a 1975 American blaxploitation crime-thriller film directed by Arthur Marks. The story follows Friday Foster, a magazine photographer, who becomes entangled in a dangerous conspiracy after witnessing an assassination attempt on Blake Tarr, the richest Black man in America.
Cast: Pam Grier as Friday Foster
Yaphet Kotto as Colt Hawkins
Thalmus Rasulala as Blake Tarr
Eartha Kitt as Madame Rena
Godfrey Cambridge as Ford Malotte
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Genre: Crime, Thriller,
Runtime: 89 min.
Friday Foster is a 1975 American blaxploitation crime-thriller film directed by Arthur Marks. The story follows Friday Foster, a magazine photographer, who becomes entangled in a dangerous conspiracy after witnessing an assassination attempt on Blake Tarr, the richest Black man in America.
Cast: Pam Grier as Friday Foster
Yaphet Kotto as Colt Hawkins
Thalmus Rasulala as Blake Tarr
Eartha Kitt as Madame Rena
Godfrey Cambridge as Ford Malotte
#FridayFoster197, #Blaxploitation, #PamGrier, #CrimeThriller, #1970sFilm, #movies, #film, #movie, #cinema, #films, #hollywood, #actor, #s, #love, #art, #cinematography, #netflix, #horror, #actress, #moviescenes, #music, #filmmaking, #cinephile, #tv, #horrormovies, #bollywood, #comedy, #movienight, #photography, #cine, #instagood, #instagram, #director, #moviereview, #drama, #AdultMovies, #RomanceMovies, #SexMovies, #XXX, #XX,
Genre: Crime, Thriller,
Runtime: 89 min.
Category
🎥
Short filmTranscript
00:00:00Transcription by CastingWords
00:00:30Transcription by CastingWords
00:01:00Transcription by CastingWords
00:01:30Transcription by CastingWords
00:01:59Transcription by CastingWords
00:02:30Yes, I know it's New Year's Eve. It's my New Year's Eve too. And I wouldn't be calling him if it wasn't important.
00:02:36Listen, you tell Sean that Monk Raleigh, his editor, his commanding officer, his boss, says it's a matter of life and death, his. And if I don't reach him, goodbye.
00:02:50William, get the phone for me, will you?
00:03:05Hello?
00:03:11No, it's your brother.
00:03:17Sean? It's your boss.
00:03:21Sean?
00:03:22Sean? Why would they be calling me on New Year's Eve?
00:03:25No, it's not, Sean. It's H-N-I-C. The head leading charge.
00:03:30Mr. Riley? Mr. Riley?
00:03:35Happy New Year, boss. If it's Sean you're looking for, I don't...
00:03:38I don't want Sean. At this point I want you.
00:03:41Oh, boss, I didn't know you cared.
00:03:43This is serious, Friday.
00:03:45I can't reach anyone else.
00:03:47So I want you to grab a pencil and paper and listen very carefully.
00:03:51All right, hold on.
00:03:51Okay, all set, boss.
00:03:54Friday, I want you to take your little camera and shoot your little pictures and get the hell out and don't get involved. Understand?
00:04:03Now, you know I wouldn't do anything like that. Get involved with who?
00:04:08Blake Tarr. The Blake Tarr. The billionaire. The brother they call the Black Howard Hughes.
00:04:15Well, why would he be coming back here after all these years?
00:04:17Don't wonder, Friday. Just take your cute little behind out there and get those pictures and, goddammit, don't get involved.
00:04:47Please, catch that, will you?
00:05:10What do you have in that closet? A Cadillac?
00:05:13I'll get it.
00:05:17Hello?
00:05:18Yeah, it's Cleve.
00:05:21It's Cloris.
00:05:22Not now.
00:05:23She sounds funny.
00:05:29Happy New Year, Cloris.
00:05:31Hey, I can't make it to the party, but I can't.
00:05:35Please, I've got to talk with you.
00:05:38There's nobody else with help.
00:05:41It's a matter of, look, I'd like to, but I just can't. Something's come up and I can't get out of it.
00:05:48It's important to me.
00:05:49Friday, please.
00:05:50Look, let me call you as soon as I get back, okay?
00:05:55Happy New Year, Cloris.
00:05:56Good night.
00:05:58Good night.
00:05:59Good night.
00:05:59Good night.
00:06:14There, there, there, there, there.
00:06:44There, there, there.
00:07:14There, there, there.
00:07:44There, there, there, there.
00:08:14There, there, there, there.
00:08:44There, there, there.
00:08:45There, there, there.
00:08:47loud in there. Oh, my old man's working tonight. It's New Year's Eve. Come on, I just want to
00:08:54find out what time he's getting off. Oh, yeah, okay. Hey, why don't you keep this? Have a little
00:08:58taste. Come on, come on. Try it. Come on. All right, and I'll go and find out what time he's
00:09:05getting off, and we'll come back, and we'll all party. Party. Party, yeah. Hey, Liz, next time,
00:09:14ask for somebody other than Leroy. He don't work here. Happy New Year. Turkey.
00:09:44So,
00:09:51so,
00:09:54so,
00:09:58so,
00:10:02so,
00:10:38Oh, my God!
00:11:08Oh, my God!
00:11:38Oh, my God!
00:12:08Oh, my God!
00:12:38Come on.
00:13:08Come on.
00:13:38Come on.
00:13:40Come on.
00:13:42Come on.
00:13:46Chet.
00:13:48Hey, God.
00:13:49You're not doing that anymore.
00:13:51Not for Black Widow.
00:13:52Not for Black nothing.
00:13:53Chet.
00:13:55Chet.
00:13:56Chet.
00:13:57Chet.
00:13:58Chet.
00:13:59Chet.
00:14:00Chet.
00:14:01Chet.
00:14:02Chet.
00:14:05Chloris?
00:14:06Hey, I'm finished.
00:14:07I'm back.
00:14:08I'm at the office.
00:14:09I'll be over as soon as I can.
00:14:10That's all right.
00:14:11You don't have to.
00:14:12Well, I know it's all right, but I thought you said...
00:14:14Look.
00:14:15It's over.
00:14:17Don't come here.
00:14:20What's all over?
00:14:21I thought you were...
00:14:22Friday.
00:14:23Don't come here.
00:14:25Okay.
00:14:26Well, okay.
00:14:27Look, I'll see you tomorrow at the fashion show.
00:14:30Bye.
00:14:31Bye.
00:14:36Mr. Riley, I've got a couple more.
00:14:38Now, look at these.
00:14:42Good.
00:14:43Good.
00:14:44Some of these are great.
00:14:46I can just find one that shows for sure.
00:14:49That's Blake Tarr.
00:14:50Nobody else.
00:14:51Hey, Monk.
00:14:53I got this frantic message that you were looking all over town for me.
00:14:57Well, the late Mr. Sean North, a demon photographer.
00:15:02What are you doing working on CP time?
00:15:05Oh, come on, Monk.
00:15:06This was New Year's Eve.
00:15:08Was it something important?
00:15:09Would you say the world's richest black man coming home important?
00:15:14Blake Tarr?
00:15:15Or would you say three hitmen waiting to kill him important?
00:15:19In a shoot with Tarr wounded and maybe dead?
00:15:23Is any of that important?
00:15:25You tell me.
00:15:26Well, I'll tell you.
00:15:30It was damned important.
00:15:32The biggest story of the year.
00:15:34And I'm forced to send Miss Toto and Valman here,
00:15:37who almost got herself killed by an assassin,
00:15:39getting these photos.
00:15:40Oh, boss, I know.
00:15:41Friday, I told you.
00:15:42Hey.
00:15:43I know this guy.
00:15:45Who's he?
00:15:46I don't know.
00:15:48But I've met him somewhere.
00:15:51Where?
00:15:52You just don't forget the fine ones.
00:15:54I'm gonna park you for a moment while I run my game.
00:16:07It's your show.
00:16:08Fancy man.
00:16:09Hey.
00:16:10Youngblood.
00:16:11Where is your sister?
00:16:12She'll be right down in a minute.
00:16:13What you got this time?
00:16:14Chanel number five.
00:16:15Damn, man.
00:16:16Why can't you get something from Tiffany's or Gucci?
00:16:17Gucci?
00:16:18Nigga.
00:16:19Man, I don't mess with them eyes.
00:16:20You don't have a problem.
00:16:21You don't have a problem.
00:16:22No.
00:16:23I'm not gonna do this.
00:16:24I'm not gonna do this.
00:16:25You don't have a problem.
00:16:26But I'm not gonna do this.
00:16:27You don't have to do that.
00:16:28You don't have to do it.
00:16:29I don't have to do it.
00:16:30You don't have to do it again.
00:16:31It's your show, sassy man.
00:16:32Hey, youngblood.
00:16:33Where is your sister?
00:16:34She'll be right down in a minute.
00:16:36What you got this time?
00:16:37Chanel number five.
00:16:39Damn, man.
00:16:40Why can't you get something from Tiffany's or Gucci?
00:16:42Gucci?
00:16:43Nigga.
00:16:44Gucci!
00:16:45Nigga!
00:16:46Man, I don't mess with them I-Italians.
00:16:49I'll take it up to her.
00:16:50All right.
00:16:51All right.
00:16:52Fancy cheetahs love your pants!
00:16:59Gucci?
00:17:04Is my tag near yet?
00:17:05Yeah, he's waiting downstairs.
00:17:07I'll be right there.
00:17:08Okay, you got your house key?
00:17:09Yeah, I got it.
00:17:10Okay.
00:17:14Stay out of trouble!
00:17:23At your service, sweet thing.
00:17:26Well, if it isn't King Farouk and his bevy of beauties.
00:17:30Have you seen my tag fans?
00:17:32You don't need no taxi.
00:17:33Where to?
00:17:34Well, uh, arenas now that you mention it.
00:17:37Hey, well, that's all right.
00:17:39You gonna check out some fine leathers and stuff?
00:17:41Uh, fans, I hate to tell you this,
00:17:43but some of us do work once in a while.
00:17:45Why?
00:17:46Well, welfare is just not my style.
00:17:50Well, I got your style, sweet thing,
00:17:52so you are wasting your pretty face
00:17:54and all of your real talents.
00:17:58Fancy, there is nothing you have that I want,
00:18:01and I don't hustle for nobody.
00:18:03Hustle?
00:18:04Hustle?
00:18:05Them white boys would be tearing down the doors to get next to you.
00:18:08And we could have our thing, too.
00:18:11Ah, nigga, please.
00:18:13You have lost your mind.
00:18:15My bitch, my ladies,
00:18:17don't think that their nigga has lost his mind.
00:18:20With them bad rags, tough pads,
00:18:23I mean some heavy blow and a boss ride.
00:18:26Shit!
00:18:27And each and every one has got
00:18:29her own personal health and welfare plan.
00:18:32You have lost your mind, you know that?
00:18:34But you got to admit, my shit is heavy.
00:18:38Hey!
00:18:39Hey!
00:18:40Hey!
00:18:41Hey!
00:18:42Hey!
00:18:43Hey!
00:18:44Hey!
00:18:45Hey!
00:18:46Hey!
00:18:47Hey!
00:18:48Hey!
00:18:49Hey!
00:18:50Hey!
00:18:51Hey!
00:18:52Hey!
00:18:53Hey!
00:18:54Hey!
00:18:55Hey!
00:18:56Hey!
00:18:57Hey!
00:18:58Hey!
00:18:59Hey!
00:19:00Hey!
00:19:01Hey!
00:19:02Hey!
00:19:03Hey!
00:19:04Hey!
00:19:05Hey!
00:19:06Hey!
00:19:07Hey!
00:19:08Charlie, listen to me, please, please, you have got to get him to help me, before the
00:19:34police come, Charlie, don't hang up, Charlie, please, Charlie, oh, Cloris, girl, when I tell
00:19:52you what happened, you will not believe, what's wrong, oh, Friday, it doesn't matter, I knew
00:20:00I was doing wrong, but I just kept getting in deeper and deeper, and, well, last night
00:20:05he, oh, it's a he, come on, what's his name, listen, will you stop it, please, Cloris, what
00:20:13is wrong with you, I told you last night, it was all over, so let's just forget about
00:20:18it, okay, so there you are, come on, Cloris, let's get you out of this and into your first
00:20:24outfit, what do you think, the only thing we have to do is dress your body, well, look
00:20:40who's here, oh, Sean, I'm sorry, I had to go backstage to see a friend, if you cared anything
00:20:45about your job with me, instead of dating every handwriter in town, drinking, playing
00:20:50around, and staying out all night, now look here, Sean, North, you knew where I was last
00:20:55night, and furthermore, oh, not in violence, besides, too nice a day, too nice a place,
00:21:03besides any person his mother was just owning, sorry about that, what are you doing here at
00:21:08this fashion show, what all private eyes do, watching an unfaithful wife cheat on her unfaithful
00:21:14husband, all right, well, for a moment there, I thought she swished on me, no way, I'm on my
00:21:20J-O-B, well, it's nice work if it pays well, it pays well, all right, see you later, how
00:21:27about you and me getting on our J-O-B, I'll take a 48 mag on that, and, uh, we'll shoot black
00:21:34and white in the night, ladies and gentlemen, may we present the magnificent madame, Rina,
00:21:43hello, ladies and gentlemen, well, hello, George, you're looking absolutely fantastic, how do you
00:21:51manage it, oh, hello, Cleo, you're here to steal my originals again, aren't you, darling,
00:21:56ladies and gentlemen, welcome, welcome, today I have for your perusal, and I'm quite sure
00:22:02your approval, one of my most fantastic original collections, and I choose to call it Sapphires
00:22:10and Sisters, we're all familiar with the joy of sex, particularly since that doctor has determined
00:22:17that sex is on the male's mind every other minute, and on the female mind every other
00:22:25second, well, I've put it all together in one group, which I call the four seasons of S-E-X.
00:22:37Not exactly subtle, is she?
00:22:39She never was, even when I was modeling for her.
00:22:42She never was, even when I was modeling for her.
00:24:03Chloris!
00:24:21Where's Chloris Boston?
00:24:22Has anybody seen Chloris?
00:24:24She should be here.
00:24:26Chloris!
00:24:26Chloris!
00:24:33Chloris!
00:24:36Chloris!
00:24:40Chloris!
00:24:44Chloris!
00:25:16Oh, but that's only our beginning. The best has yet to come.
00:25:23I would like now to present my most fantastic creature,
00:25:27a superior being, a vision of Africonic beauty,
00:25:30a black goddess come to earth,
00:25:33Miss Cloris Boston as Kalahari Sunrise.
00:25:46Kalahari Sunrise!
00:25:52I said Kalahari Sunrise!
00:25:56Something's the matter with Cloris.
00:26:14Oh, Kalahari Sunrise!
00:26:44Operator, connect me with the police.
00:26:46Fine.
00:26:47Fine.
00:26:48I wanted to ask you to save Jen.
00:26:55They...
00:26:59Black Widow.
00:27:03Glorice!
00:27:05Glorice!
00:27:06Someone call an ambulance!
00:27:08Please!
00:27:10Glorice!
00:27:12Tell the body snatchers they can take this one away.
00:27:16Now get on it.
00:27:20Colt, you phoned it in, right?
00:27:23What put you on the scene?
00:27:25Get your rocks off at fashion shows these days?
00:27:27You know something, Lieutenant?
00:27:28I'd rather spend my time looking at the live ones
00:27:30than going around the city picking up the dead ones
00:27:32like you do for low pay.
00:27:34Besides, I'm better looking than you are.
00:27:36You may have a point there.
00:27:38Maybe that's what's ruining my stomach.
00:27:42Got any ideas who did it?
00:27:44Why don't you ask Ford Mallott?
00:27:46Who's Ford Mallott?
00:27:48Some son of a bitch who's been trying to ruin me for years.
00:27:51He'd been stealing my designs and selling them for ready and where.
00:27:55Is he a designer, too?
00:27:57That's what he calls himself.
00:28:00But this plastic faggot couldn't design a handkerchief,
00:28:03let alone a dress.
00:28:04The only thing he can do is steal from me.
00:28:07So you think he killed this girl, huh?
00:28:10Well, let's put it this way.
00:28:12This ill excuse of a human being
00:28:14has had this girl on regular basis
00:28:16coming and going between here and D.C.
00:28:19He might have thought she knew too much.
00:28:21Hey, kid.
00:28:23I'm looking for Miss, uh, Friday Foster.
00:28:25Yeah, she's my sister.
00:28:26I'm looking for Miss, uh, Friday Foster.
00:28:27No kidding.
00:28:29Well, look.
00:28:34I'm from Ace Photoshops.
00:28:36See, I got this camera.
00:28:38I'm looking for Miss, uh, Friday Foster.
00:28:39Yeah, she's my sister.
00:28:40No kidding.
00:28:41Well, look.
00:28:42I'm from Ace Photoshops.
00:28:43You see, I got this camera in here,
00:28:44and I know it's pretty great.
00:28:46I'm looking for Miss, uh, Friday Foster.
00:28:48Let's go now.
00:28:49Come on!
00:28:50Come on!
00:28:51I'm looking for Miss, uh, Friday Foster.
00:28:52Yeah, she's my sister.
00:28:53Well, it's not so funny.
00:28:54Well, look, I'm from Ace Photoshops.
00:28:56See, I got this camera she ordered, and she got a sign for it.
00:28:59She's upstairs in 807.
00:29:00We're going up.
00:29:01All right.
00:29:02Thanks, little brother.
00:30:26Please!
00:30:27Get the phone!
00:30:28Get the phone coming in!
00:30:33Get the phone coming in!
00:30:34Get the phone coming in!
00:30:39Get the phone coming in!
00:30:40Get the phone coming in!
00:30:41Get the phone coming in!
00:30:45Get the phone coming in!
00:30:46Get the phone comes in!
00:30:47Get the phone comes in!
00:30:48Get the phone coming in!
00:30:49Oh, have mercy.
00:31:03You entertain in the middle of the daytime, too?
00:31:08Y'all is too much.
00:31:19Are you sure you've got the right man, Frondé?
00:31:38Oh, it's the same man I bumped in at the airport.
00:31:40Well, what we've got here is an attempted murder, assassination, and a stiff full of bullets at that chorus girl's apartment.
00:31:47Wait, what do you mean stiff?
00:31:50Somebody named Chet Freed.
00:31:53Chet Freed? That's Chloris' boyfriend from out of town.
00:31:57Jake, he's a part of the trio that tried to kill Blake Tarr.
00:32:00Then that's why she called me.
00:32:01You want to tell me how long she's been dealing?
00:32:03Dealing? Oh, come on. Now, what are you trying to say?
00:32:06Now, wait a minute. Was she a junkie, or was she pushing, or what?
00:32:09Well, you schooled me.
00:32:11Now, we found 50,000 uncut pure junk in her bedroom.
00:32:14Now, how does that read?
00:32:16That's a lie.
00:32:17Chloris was a little wild.
00:32:18She might have had a few heavy boyfriends here and in D.C., but she was not dealing.
00:32:23No way. I knew her.
00:32:25Jake, she was my friend.
00:32:27Friends in D.C.? What kind of friends? Politicians, maybe?
00:32:31I don't know.
00:32:32Do you know anyone who would invite her to a big-time party?
00:32:35Now, we found an invitation made out to her name.
00:32:41Now, who were some of her friends, honey?
00:32:43I don't know them personally.
00:32:44Publicly, maybe?
00:32:45I don't know anything about that.
00:32:48Then, she was killed because of the junk.
00:32:52Now, believe me this time.
00:32:55She was not into dope.
00:32:56That was not her thing.
00:32:58Then why was she killed, honey?
00:33:00I think the man has a point.
00:33:03Sure wish I had some beer.
00:33:07Oh, Lord.
00:33:08Lord, I give to you the soul of this young woman, a child of God who always held out her hand to others, who always gave and never asked in return.
00:33:23We ask thee, almighty God, to love Cloris, as we have loved her, and take her into your kingdom.
00:33:35The Lord is my shepherd.
00:33:37The Lord is my shepherd.
00:33:39I shall not want.
00:33:41He makes me lie down in green pastures.
00:33:44Excuse me a minute.
00:33:45He leads me beside still waters.
00:33:48He restores my soul.
00:33:51He leads me in the path of righteousness for his name's sake.
00:33:56Even though I walk through the valley of the shadow of death, I fear no evil, for thou art with me.
00:34:06Thy rod and thy staff, they comfort me.
00:34:11Thou preparest a table before me in the presence of my enemies.
00:34:17Thou anointest my head with all.
00:34:20My cup overflows.
00:34:23Surely, goodness and mercy shall follow me all the days of my life.
00:34:29And I shall dwell to the house of the Lord forever.
00:34:35That's funny.
00:34:37I don't see anybody.
00:34:53Now let's get this straight.
00:35:12You say some gal stole of hers?
00:35:14That's right.
00:35:15How do you suckers find these problems?
00:35:17Any idea who she was?
00:35:19Look, Lieutenant, all I know it was a black female, about 5'7".
00:35:23If I might say so, she's kind of attractive.
00:35:27Oh, yeah.
00:35:27She had this large bag hanging over her shoulder.
00:35:31A camera gadget bag?
00:35:34Exactly.
00:35:35Colt, it's Friday into stealing hearses now.
00:35:38Oh, come on, Lieutenant.
00:35:39You know better than that.
00:35:40She must have spotted someone from that tar shooting at the airport.
00:35:42She grabbed the first thing available, a hearse.
00:35:44What are you going to do?
00:35:45Stick her on the ground for it?
00:35:45And the gal's got more balls than brains.
00:35:48She nuts or what?
00:35:49She's just all woman, Lieutenant.
00:35:51Damn, I need a beer.
00:35:52Oh, there's a beer.
00:35:53Thanks, Debbie.
00:36:07Oh, there's a beer.
00:36:12Oh, there's so much there.
00:36:16What are you going to do?
00:36:18Hello, Herbert.
00:36:19Oh, there you go.
00:36:21Oh, my God.
00:36:51Oh, my God.
00:37:21Oh, my God.
00:37:51Oh, my God.
00:38:21Oh, my God.
00:38:51Oh, my God.
00:39:21Oh, my God.
00:39:51Oh, my God.
00:40:21Oh, my God.
00:40:51Oh, my God.
00:41:21Oh, my God.
00:41:23Oh, my God.
00:41:25Don't you get it under your skull Friday that your life is in danger and that somebody's trying to kill you?
00:41:29So you're out of the slammer.
00:41:31I thought I wouldn't see you until I thought I wouldn't see you until visiting hours.
00:41:33How was the bread and water?
00:41:35You got something for me?
00:41:37Oh, my God.
00:41:39Oh, my God.
00:41:40Oh, my God.
00:41:41Oh, my God.
00:41:43Oh, my God.
00:41:44Oh, my God.
00:41:45Oh, my God.
00:41:46Oh, my God.
00:41:47Oh, my God.
00:41:48Oh, my God.
00:41:49Oh, my God.
00:41:50Oh, my God.
00:41:51Oh, my God.
00:41:52Oh, my God.
00:41:53Oh, my God.
00:41:54Oh, my God.
00:41:55Oh, my God.
00:41:56Oh, my God.
00:41:57Oh, my God.
00:41:58Oh, my God.
00:41:59Oh, my God.
00:42:00Oh, my God.
00:42:01Oh, my God.
00:42:02Oh, my God.
00:42:03and Ford Mallott set him up.
00:42:04Now, that's a coincidence.
00:42:05He's the man, and I use the term loosely,
00:42:07that I'm going to see.
00:42:09Well, all right, when do we go?
00:42:10You're not going anyplace.
00:42:11Oh, Mr. Riley.
00:42:13No way.
00:42:14Oh, please, I gotta find out who killed Chloris.
00:42:16I want to know about this Black Widow thing,
00:42:18and I want to prove that she was not dealing.
00:42:20What you really want is Senator Hart
00:42:22to send you some flowers for your funeral.
00:42:24Here's the print.
00:42:25Clear as a bell.
00:42:27The blow-up came out perfect.
00:42:29It's him.
00:42:30This is the man that's been trying to kill me.
00:42:33Let's get a print of this to the police right away.
00:42:35I want this guy caught before he catches up with Friday.
00:42:38Monk, now you see why I have to go to DC.
00:42:41Friday, there's absolutely no damn way
00:42:43that you or Glance magazine has gone on a manhunt to Washington.
00:42:46And that's the bottom line.
00:42:48You might as well forget it.
00:42:50No way.
00:42:51No way.
00:42:53Hey, Friday, what you doing, girl?
00:42:55Hey, what you doing, girl?
00:42:57What you doing?
00:42:59Hey, Friday, what you doing, girl?
00:43:00Hey, what you doing, girl?
00:43:01What you doing?
00:43:02What you doing?
00:43:04You better keep your nose out of trouble.
00:43:10When you smell me coming down, you better get out,
00:43:12get out, get out, get out, get out.
00:43:16On the double.
00:43:19On the double.
00:43:23Friday, Friday, get it on.
00:43:28Friday, Friday, do it.
00:43:33Come on, girl, do it.
00:43:35Hey, Friday, do it, do it, do it.
00:43:38Hey, Friday, what you doing, girl?
00:43:52Hey, what you doing, girl?
00:43:53What you doing?
00:43:56Hey, Friday, what you doing, girl?
00:43:57Hey, what you doing, girl?
00:43:59What you doing?
00:44:01Friday, Friday, get it on.
00:44:04Friday, Friday
00:44:34Well, God's sake, Friday, because we met him on a park bench.
00:44:45Why this place?
00:44:47Well, would the White House lawn suit you better, Mr. Hawkins?
00:44:51Anywhere is better than this.
00:44:53And besides, since you brought me here, I'm beginning to wonder about you Friday.
00:44:58Don't be afraid. I won't bite you.
00:45:01This is a public place. You'll be all right.
00:45:04Yeah, but I think I'll need protection.
00:45:13Oh, Jesus.
00:45:18Uh, excuse me, miss. Could you...
00:45:21Could you tell me where I can find Ford in my lot, please?
00:45:24Maybe. What's your business, sweetie?
00:45:27Um, just tell him that Friday Foster's here from Glass Magazine.
00:45:30He's right over there.
00:45:32His muscles are bigger than mine.
00:45:38That's not all.
00:45:45Um, Ford in the lot?
00:45:47Coochie, coochie.
00:45:49Friday Foster from Glass Magazine.
00:45:51Oh, how are you, darling? It's always so nice to meet someone from the press.
00:45:55And who is he?
00:45:57Cole Hawkins, proud investigator.
00:45:59Ooh!
00:46:00Oh, do be seated.
00:46:01Oh, yes, darling, sit down.
00:46:02Uh, I hate cliches, so I won't use any now.
00:46:10Oh, yes, I know the, uh, what's it all about bit, right?
00:46:13Yes, it's been done to death.
00:46:15And so was Cloris.
00:46:16Oh, yes, I heard about it.
00:46:19Some, uh, Lieutenant Jake Wayne called me about it earlier.
00:46:25Uh, Cloris, a marvelous girl.
00:46:29I mean, nobody.
00:46:31Nobody could wear things the way she could.
00:46:35With a body put together in heaven with tender, loving hands.
00:46:41And to think for that simple policeman would intimate that I would terminate such a talented girl.
00:46:56I'm afraid that's impossible.
00:47:00That's a private party, that reception.
00:47:03Oh, Milad, you've booked dates for Cloris with government VIPs and senators.
00:47:08Now, why can't you do it for me?
00:47:10But that was different.
00:47:12She had that, uh, touch.
00:47:16Look, Milad, Cloris and I grew up together.
00:47:19We were like sisters.
00:47:20Now, if she can be invited to this reception, so can I.
00:47:24Interesting.
00:47:25Maybe, with the right gown and a new coiffure, you might pass for her, but there's no way.
00:47:37You know, there is some reason why you don't want me at this reception.
00:47:43Are you afraid that Black Widow might be there?
00:47:46You know about Black Widow?
00:47:49Friday, darling, when you are fooling around with ambitious men like Senator Hart, it can be hazardous to your health.
00:48:00Take my advice.
00:48:01Stay out of it.
00:48:03Go back.
00:48:04Go home.
00:48:06Get laid.
00:48:08Have a baby.
00:48:11Or something.
00:48:14What you're trying to say is you won't help us, right?
00:48:17Sweetie, tell your liberated little woman that I can't possibly.
00:48:28Well, with or without your help, Mr. Milad, I am going to be at that reception.
00:48:33Well, shoot yourself, sweetie.
00:48:35Isn't she marvelous when she's mad?
00:48:39Uh, Friday, just a moment.
00:48:42I, uh, I want to stay and talk to Mr. Milad and ask him a few questions.
00:48:47Man to man.
00:48:48Man to man.
00:49:17Come on.
00:49:19Okay.
00:49:22Taxi!
00:49:23Taxi!
00:49:24Taxi!
00:49:25Taxi!
00:49:26Oh, shit.
00:49:27Oh, my God.
00:49:57Oh, my God.
00:50:27Oh, my God.
00:50:35Cold!
00:50:36Cold!
00:50:37Cold!
00:50:38Cold!
00:50:39Cold!
00:50:40Cold!
00:50:41Are you all right?
00:50:42He was trying to kill me.
00:50:43Cold!
00:50:44Well, did you get a look at him?
00:50:45Do you know who he was?
00:50:46No, no!
00:50:47We're not gonna find a reason out here now, are we?
00:50:52No.
00:50:53No, come on.
00:50:54Let's get out of here.
00:50:55I didn't want to bother you with this, but when the girl showed up here and she knew
00:51:00about Black Widow, I thought, well, this could really cause trouble.
00:51:06All kinds of trouble.
00:51:08Look, it's all right for you to sit up there in your high throne and feel safe.
00:51:15He did right to call, but the girl can't know too much.
00:51:19Now, you listen to me.
00:51:21She won't hinder us.
00:51:22There's too much at stake.
00:51:23Don't worry about it.
00:51:24I'm on top of it.
00:51:28I'm on top of it.
00:51:29I'm on top of it.
00:51:30I'm on top of it.
00:51:35I'm on top of it.
00:51:38Where is he?
00:51:40lleys.
00:51:44Oh, no.
00:51:45Come.
00:51:50There.
00:52:25Oh, thank you, Jeans.
00:52:31You know something, Friday, I don't think we should go through with this.
00:52:33I don't like it. I don't feel right about it.
00:52:36You know what? You're right.
00:52:39You put on a dress and you go on in there.
00:52:41Now, that's not funny. You know there's trouble in there.
00:52:42You could be hurt or something in there. Danger.
00:52:45You know you love me. Now, where's the invitation?
00:52:48That's right. The invitation.
00:52:51Oh, you didn't.
00:52:52I got it.
00:52:55Oh, you scared me for it.
00:52:59Oh, boy.
00:53:02Are you sure this is going to work?
00:53:06Well, it ain't the size of the ship. It's the motion of the ocean.
00:53:10Well, watch this ocean.
00:53:12Man, that's some fine lady you're working for.
00:53:25Say, man, what's she into?
00:53:27Oh, well, she's, uh, into, uh, well, you know, she's, uh...
00:53:32Oh, don't bother to announce it.
00:53:35Just tell my husband I'll be in the powder room.
00:53:36You must be the Reverend Noble Franklin.
00:53:49Why, yes.
00:53:51Why, my, my, you are an attractive young lady.
00:53:56Why, thank you, Reverend Franklin.
00:53:58Oh, just call me noble, sister.
00:54:00You see, I'm not one to stand on ceremonies.
00:54:03Now, uh, what can I do for you?
00:54:05Uh, oh, it's so silly.
00:54:08Speak up, sister.
00:54:09I'm a very understanding man.
00:54:11Very understanding.
00:54:13Uh, well, you see, I'm a church reporter for our newsletter,
00:54:16and I would love to do a story and take pictures of you.
00:54:19No problem at all.
00:54:20Now, where's your camera?
00:54:22Uh, you see, that's just it.
00:54:23I forgot it, and I could just kick myself for being so silly.
00:54:26Oh, I see. Don't worry about it.
00:54:28See, I can set up a special appointment for you, uh, up in Jericho.
00:54:33Uh, Jericho?
00:54:34Uh, where's that?
00:54:35That's my estate.
00:54:36Uh, my meditative retreat up the river.
00:54:38Uh-huh.
00:54:39And, uh, we could spend some time for, uh, a purpose.
00:54:45Uh, well, you know, then again, Reverend, I don't, I'm not so sure.
00:54:48Reverend Franklin not only has a way with a prayer,
00:54:51but beautiful women as well.
00:54:53I don't think I've had the pleasure.
00:54:54Oh, yes, Senator Hart, uh, I want you to meet, uh, Miss Friday Foster.
00:54:59Very, very pretty church reporter.
00:55:02And what church are you a reporter for?
00:55:04Well, you see, Senator Hart, that's not exactly the truth.
00:55:08I really came here to see you regarding our mutual friend.
00:55:11I'm sorry we missed you at the funeral.
00:55:13Funeral?
00:55:15Whose?
00:55:16Cloris Boston.
00:55:17I think we ought to get to know each other better.
00:55:24Excuse us, Reverend.
00:55:26Sure.
00:55:27And you still have the invitation to come up to Jericho.
00:55:31My head's this thing here.
00:55:33Your flowers were a comfort to Cloris.
00:55:36It was the least I could do.
00:55:38She was a friend.
00:55:39Oh, just a friend?
00:55:40But that's not what the D.C. grapevine says.
00:55:44A smart girl like you shouldn't believe in gossip, should you?
00:55:54Excuse me, David.
00:55:56I spoke with the congressman, and he has agreed to the meeting.
00:56:00Good.
00:56:02Uh, Friday Foster, this is, uh, my executive assistant, Charles Foley.
00:56:07Miss Foster.
00:56:09Mr. Foley.
00:56:10Uh, Charles, Miss Foster and I are going to my place to, uh, discuss some mutual interests.
00:56:18So watch the store, will you?
00:56:20Yes, sir.
00:56:21Nice meeting you, Miss Foster.
00:56:23While you're in Washington, if I can be of any assistance whatsoever, feel free to call.
00:56:29But when you do, just ask for Charlie.
00:56:33I'll remember that, Charlie.
00:56:35After one divorce and 12 years in Washington, one gets to know his people.
00:56:51More brandy?
00:56:53More brandy and I might lose all my inhibitions.
00:56:56Maybe worse.
00:56:58Look what happened to Cloris.
00:56:59Cloris was only a pal, just a friend.
00:57:08So we made it a few times, but our relationship was only physical.
00:57:15I'm really sorry about what happened.
00:57:19If I could change it, I really would.
00:57:21Will you believe me?
00:57:33Trust me?
00:57:37Then you can start trusting me.
00:57:40You can tell me what the hell is going on.
00:57:42I'm sorry.
00:57:44Okay.
00:57:48Find yourself a certain Mr. Blictor.
00:57:51And it will all come as clear as Monday's wash.
00:57:56I'm told he's the man behind it all.
00:57:58Now, why would he plan his own assassination?
00:58:04It's all part of a big power play.
00:58:07To make you believe is something it isn't.
00:58:11And what's your power play?
00:58:13Are you something you're not to?
00:58:14Now, what will all the gossip say?
00:58:42Oh, they will probably say that I made love to one of the most beautiful women D.C. has ever seen.
00:58:53You're very sure of yourself, aren't you?
00:58:56Are you?
00:59:12When I think about it, it's just as well the girl wasn't killed.
00:59:17You really think so, huh?
00:59:20Here you are, sir.
00:59:21I thought you said she came from Glance Magazine.
00:59:24I did.
00:59:25It seems she came to Washington, bluffed her way into the reception specifically to meet with Senator Hart.
00:59:32It seems she tied the murder of her friend to the Senator.
00:59:35Well, uh, did the Senator tell her anything?
00:59:39No.
00:59:41Well, that's good, isn't it?
00:59:42Did, uh, she tell the Senator anything?
00:59:45Only that she'd heard about Black Widow.
00:59:49Well, aren't you worried about that, Charles?
00:59:50That's why I think she could be of use to me, if the Senator will go along.
00:59:57I think he will, or else I'll have to tell him how those thousands of contributors to his campaign
01:00:02is really just one big contributor, Enos Hartman Griffith,
01:00:09who is now willing to go along with me.
01:00:11Well, by herself, she's nothing but with Glance Magazine behind her,
01:00:15she may be able to help you flush out Blake Tarr.
01:00:19The Senator has already put a bug in her ear.
01:00:22He said that Blake Tarr is the one that can tell her about the murder of her friend, Cloris.
01:00:28Well, he's certainly right about that, isn't he, Charles?
01:00:32Blake Tarr is the answer to all our problems, Mr. Griffin.
01:00:38Well, that's what the Senator said, Mr. Riley.
01:00:41His office would give us full cooperation.
01:00:45Why don't you put some sugar in your cereal?
01:00:50Nah, I don't like it too sweet.
01:00:54Hey, Black Hawk, you got any money?
01:00:57I've got barrels of it, why?
01:00:58I got some dynamite perfume, out-of-sight watches, ladies' lingerie,
01:01:03and a whole lot of other stuff for sale.
01:01:05So now you're hustling, huh?
01:01:06Nope, strictly black capitalism.
01:01:10Well, if Glance doesn't want the story, then maybe somebody else will.
01:01:13Why'd you do that?
01:01:25Why'd you hang up with him?
01:01:27Call him back.
01:01:28Why should I call him back?
01:01:30He doesn't care.
01:01:32I've tried so hard.
01:01:33Well, you're gonna have to try hard.
01:01:36Come on.
01:01:37Come on.
01:01:38Come on.
01:01:39Oh, Mr. Riley, I'm sorry for talking to you like that.
01:01:56Oh, Katarina.
01:01:57Never mind that.
01:01:59I've got information about your trip to Washington.
01:02:01Oh?
01:02:02What?
01:02:03I can't talk on the phone, but I think you'd better get your little derriere down here to my office now.
01:02:09Friday, I said now.
01:02:15Was that monk begging your forgiveness?
01:02:17No, it wasn't.
01:02:18It was Madame Rina, and she wants me to come over.
01:02:21Can you give me a ride?
01:02:22Only if you promise me there won't be any dead bodies laying around.
01:02:26I'll promise.
01:02:26All right, I promise.
01:02:31I'll promise.
01:02:31I'll promise.
01:02:32I'll promise.
01:02:33I'll promise.
01:02:35Oh, it's funny.
01:02:37Okay.
01:02:37Okay.
01:02:38Okay.
01:02:38Okay.
01:02:39I'll see you next time.
01:02:42Kathy, have you seen my wrist?
01:02:44You start?
01:02:44I think it's over next to the green.
01:02:46Oh, it's in the shadow.
01:02:48I'm sorry.
01:02:50This shadow is dead.
01:02:51I think it's in the middle of my wrist.
01:02:54I think it's in the middle of my wrist.
01:02:55I think it's in the middle of my wrist.
01:02:56It's in the middle of my wrist.
01:03:13Madame Rina is Friday Foster.
01:03:15Why do you have to stir things up?
01:03:18Watch out!
01:03:22Calls, don't let him get away!
01:03:26you're wrong about black widow
01:03:31get a pencil and write what i say if you want to know the truth
01:03:56so
01:04:13oh
01:04:26What am I doing here?
01:04:56Son of a bitch.
01:05:26Son of a bitch.
01:05:56Son of a bitch.
01:06:26Son of a bitch.
01:06:28Son of a bitch.
01:06:33Son of a bitch.
01:06:38Son of a bitch.
01:06:39Son of a bitch.
01:06:40Son of a bitch.
01:06:41Son of a bitch.
01:06:42Son of a bitch.
01:06:44Son of a bitch.
01:06:45Son of a bitch.
01:06:47Son of a bitch.
01:06:48Son of a bitch.
01:06:50Son of a bitch.
01:06:52Son of a bitch.
01:06:53Son of a bitch.
01:06:54Son of a bitch.
01:06:55Son of a bitch.
01:06:58she's dead cold well that makes two for today but there's one of those killers won't be
01:07:14hunting you no more did she say anything just um nothing
01:07:35hello i'm friday foster and i'm calling for madame reena no she can't come to the phone she's dead
01:07:45just now no he's dead too hey i haven't the slightest idea hey she just asked me to call
01:07:52before she died that's all i know
01:07:54from where the city bank building hello hello
01:08:14is
01:08:27is
01:08:40anybody up here
01:08:53is
01:09:06is
01:09:18is
01:09:31is
01:09:44is
01:10:27there's certain precautions
01:10:28i have to take roof tops and helicopters and henchmen reena was right you've got guts
01:10:34what do you know about reena
01:10:37she worked for me it's because of her and my lot that i came back to the states
01:10:42they told me what was going on
01:10:54is that you know who killed my friend cloris
01:10:58and that i go around killing my own people that i set myself up to be assassinated at the airport
01:11:03come on does it make sense to you that heart's a clever son of a
01:11:06you know he's got everybody believing in that unity scam of his when in reality it's just the front
01:11:11a power grab
01:11:13i think that black widow has a code name for it
01:11:18david leadhart huh
01:11:19rina said you can be trusted that's why i'm here
01:11:26well this is all a little confusing you know well i got to know the wind but what the way of
01:11:30heart's timetable all she was able to find out was that it had something to do with saint
01:11:34valentine's day well that's the day after tomorrow right but the question is will you help me
01:11:39why would i because i've asked you you're quite sure of yourself aren't you
01:11:43are all black millionaires like that probably it goes with the job some job i can't say that i
01:11:54dislike it coming from the ghetto all the way to the top was quite a trip but i'm curious about
01:11:58you there are things i'd like to know like what like who is friday foster where's she going
01:12:06who am i well that's a funny question well first i'm a woman
01:12:10second i'm a photographer and a big sister to a little brother who's really a 40 year old man
01:12:22and um i like cats and dogs and horses and men but not necessarily in that order
01:12:30i make my own decisions and i'm a gemini that it well that's enough
01:12:37well as far as uh where i'm going do you mean now or in the future
01:12:47either way well i see that i'm going to be getting into something i did not expect
01:12:54what did you expect you know what i expected i expected you to be a rat but you're different
01:13:01baby you forget i'm straight off the block i know that's what cancelled my theory
01:13:07you treat a person like a person and a woman like a woman
01:13:16i try to treat a lady like a lady
01:13:22happy valentine's day
01:13:24you didn't phone you didn't write you didn't do nothing you know you could have been dead for all i
01:13:38know well i wasn't was i
01:13:44you know for two days you're missing and the minute you're back you dragged me here would you mind
01:13:49tell me why we're here we are going to see the senator i want to ask him a few questions
01:13:53and i want some no jive answers to what to where are all the black leaders i have been calling them
01:13:58all over the place and no one seems to know where they are how would the senator know now with a pimp
01:14:03lose track of this table
01:14:33i understand you're asking for senator hart i'm his executive secretary well would you tell him
01:14:45that friday foster is here to see him and i don't intend to be kept waiting well you're gonna have to
01:14:52because he's not in and he won't be at all today could you uh call him on the phone he didn't leave a
01:15:00number sorry what about uh charles farley with the senator cold cold this has got to be the day for
01:15:09black widow and valentine's day now doesn't that mean something to you a massacre
01:15:15did he say anything about today anything well the only thing he said before he left was
01:15:23that this was the day that the walls come tumbling down
01:15:29don't make much sense to me nothing much would
01:15:45i don't get it does it mean anything to you the walls come tumbling down joshua fit the battle
01:15:55of jericho joshua fit the battle of jericho jericho jericho joshua fit the battle of jericho and the
01:16:04walls come tumbling down that's it jericho don't you know what jericho is sweetheart i'm a sunday
01:16:10school dropout that's reverend noble franklin's place he invited me there sturdy old man yeah well
01:16:16so what so the name of the place is jericho that makes sense it does that's where the black widow
01:16:22starts what are you talking about jericho jericho
01:16:32what's the matter huh we've got company and not the friendly kind yeah i see the uglier and the uglier
01:16:38well let's go out back no wait a minute wait a minute they don't know me i'll go down there and give
01:16:42the old fair shuffle you go back out and get on the horn with blake tar can you dig it yeah i can dig it
01:16:52okay are you sure he didn't leave a message no he can't call me back i'll try again later okay
01:17:23hey hey brothers what's going on hold it blood where's samphite so what
01:17:46colt come on we gotta do it alone follow me
01:17:52so
01:18:05Let's pull it together, fellas.
01:18:17Let's pull it together, fellas.
01:18:26Let's pull it together.
01:18:35Colt? Where's Friday?
01:18:37Hey, man, how you gonna ride in here screecin' and blowin' your heart and scare the life out of me like that?
01:18:41I'm fixin' my car, man!
01:18:43And you come runnin' here with your bad boys in the front and scare the life out of me, man!
01:18:46Who are you, Jim?
01:18:47Blake Tarr! Now, come on, get in the car, quick!
01:18:49Where we goin'?
01:18:50To the airport! Come on!
01:18:52Hey, man, if that bro gets under the countertop, I'm gonna deal with you and myself, hear me?
01:18:55First meeting I got killed and married a lot.
01:18:57Hurry up!
01:18:58And then you gonna come in with this bullshit about we goin' to the airport.
01:19:00Let me tell you one goddamn thing.
01:19:05Hello?
01:19:07I'm Danny O'Hara here at work part of the switches!
01:19:11The little Queenslander, we got double-workers, yours!
01:19:13They got plenty of people left!
01:19:15No white человек!
01:19:16Werner still lovin'.
01:19:17Yes, I puppies.
01:19:18Makes you��!
01:19:19Nice!
01:19:20Pretty gardening building!
01:19:21villa!
01:19:22Exactly!
01:19:23I apples!
01:19:24Blue, too!
01:19:25Yellow, too!
01:19:26Too big!
01:19:28Dolphin!
01:19:30Hi!
01:19:31Wait a minute!
01:19:35What are you doing here?
01:19:46I'm delivering the milk.
01:19:52Hold your fire.
01:19:55All right, let's move it.
01:20:05Let's move it.
01:20:15No! No!
01:20:18No! No!
01:20:20No! No! It's Roddy Foster! Open up!
01:20:22Where? No! No!
01:20:27No! No! No!
01:20:31Where's Noble Franklin? I've got to see him.
01:20:34Noble Franklin.
01:20:35What's all the commotion?
01:20:37There's an army outside with enough guns to start World War III.
01:20:39What?
01:20:40He said the walls of Jericho were to come tumbling down today,
01:20:43but I didn't know he meant to shoot them down.
01:20:45Who?
01:20:46Our great leader, Senator David Lee Hart.
01:20:49He's the one behind Black Widow, and he's...
01:20:51Are you out of your mind?
01:20:55What are you doing here?
01:20:56What would I be doing here?
01:20:58Uh, he's our leader.
01:21:00The whole unity concept is his.
01:21:03But... but the walls...
01:21:04The walls of prejudice, of discrimination, of misunderstanding and hate.
01:21:11Every important black leader in the country is here today.
01:21:15We are acting together as one for the first time.
01:21:20But if you're not behind Black Widow, and Blake Tarr isn't behind Black Widow,
01:21:23then whose army is that?
01:21:25What army?
01:21:26What army?
01:21:41Lord, why me?
01:21:45Come on.
01:21:46I'm out for a steep.
01:21:47And best they may buy us another time.
01:21:51Time for what?
01:21:53David, does this make any sense to you?
01:21:56Suppose you wanted to destroy Black Power.
01:21:59What other way than to get all of our leaders together in one place and wipe them out?
01:22:04But I saw Blacks with the whites. I saw them.
01:22:06Tell them some niggas would do anything for a dollar.
01:22:22David, look out!
01:22:23David, will you all right?
01:22:30David, are you all right?
01:22:46Yeah.
01:22:47Who's one of ourLEs?
01:22:48Who's the only him?
01:23:49I'll get him.
01:24:19I'll get him.
01:24:49What you need is an education.
01:25:01Two and two are four.
01:25:07Four, four, eight.
01:25:14C-spot run.
01:25:23Two and two are four.
01:25:28One.
01:25:30Two.
01:25:31Two.
01:25:32One.
01:25:33One.
01:25:33Two.
01:25:34Let's go.
01:26:04Oh, my God.
01:26:10Tar, man, what the hell is going on here?
01:26:14So it's evident we were wrong about each other.
01:26:16I was wrong about you and you?
01:26:18Yeah, I was certainly wrong about you.
01:26:20I figured that you were behind Black Widow and that it was just a power grab.
01:26:24But then who the hell is the devil behind all this?
01:26:27Friday, I've told you over and over I'm not a man of violence.
01:26:30Right, Mr. Foley?
01:26:31Mr. Tar, I'm sorry my friends missed you at the airport.
01:26:36But they were goddamn bungling fools.
01:26:39Oh, Mr. Foley, you're the bumbling fool.
01:26:43You thought you could sucker David into getting all these Black leaders up here to massacre every last one of them.
01:26:48You couldn't lead anybody anywhere.
01:26:50You're such a fool, man.
01:26:52Oh, Mr. Foley, something you forgot, that us folks can stick together when it is necessary.
01:26:56Hey, Fancy, what's up?
01:27:25Hey, special delivery man is here.
01:27:29Where is that fine sister of yours?
01:27:32I want her to check this out.
01:27:34Now, I've got a dynamite Gucci purse and some rocks from Tiffany's.
01:27:40Now, get to that.
01:27:41Hey, that's real cool, man.
01:27:44That's real cool.
01:27:45I take it up to her right now.
01:27:47Okay, well, you do that, little man, because I'm going to lay right out here.
01:27:56Hey, Friday, look what Fancy sent for...
01:27:59Wow.
01:28:02Seems like I have a few admirers, doesn't it?
01:28:06Wow.
01:28:09Wow.
01:28:09Wow.
01:28:10The door is open.
01:28:13Let's open this.
01:28:17Oh, Colt.
01:28:18Look at all this stuff.
01:28:20Have you ever seen so many beautiful things?
01:28:22My God.
01:28:23I brought you a little something, but it's too little and too late.
01:28:30Oh, Colt.
01:28:33Oh, it's beautiful.
01:28:36It's cheap.
01:28:39You know, between Senator Hart and Blake Tarr, I feel like a lightweight.
01:28:45You should.
01:28:47I'm going to kill him.
01:28:49Oh, Colt.
01:28:50But when it comes down to it, you're my main man.
01:28:54Shall we go?
01:28:55By all means.
01:28:56I got the chariot downstairs.
01:28:58Dinner.
01:29:00Dancing.
01:29:01Flowers.
01:29:02Moonlight.
01:29:02And, uh...
01:29:04No kids.
01:29:08Hey, Friday, what you doing, girl?
01:29:11Hey, what you doing, girl?
01:29:12What you doing?
01:29:14Hey, Friday, what you doing, girl?
01:29:16Hey, what you doing, girl?
01:29:17What you doing?
01:29:19Friday, Friday, get it on.
01:29:22Friday, Friday, Friday, do it.
01:29:29I said do it.
01:29:32Come on, girl, do it.
01:29:35Do it.
01:29:36Do it.
01:29:36Bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye, bye,
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