Saturday Night at the Baths (1975) Full Movie | Comedy Drama | Robert Abrams
Saturday Night at the Baths is a comedy-drama film exploring themes of identity, community, and relationships.
The story follows a young man navigating his life and connections within a gay bathhouse community.
Cast: Robert Abrams as Michael
Don Scotti as Scotti
Paul Van as The Kid
Annette Charles as Angela
#SaturdayNightAtTheBaths1975, #ComedyDrama, #CultClassic, #LGBTQFilm, #movies, #film, #movie, #cinema, #films, #hollywood, #actor, #s, #love, #art, #cinematography, #netflix, #horror, #actress, #moviescenes, #music, #filmmaking, #cinephile, #tv, #horrormovies, #bollywood, #comedy, #movienight, #photography, #cine, #instagood, #instagram, #director, #moviereview, #drama, #AdultMovies, #RomanceMovies, #SexMovies, #XXX, #XX,
Saturday Night at the Baths is a comedy-drama film exploring themes of identity, community, and relationships.
The story follows a young man navigating his life and connections within a gay bathhouse community.
Cast: Robert Abrams as Michael
Don Scotti as Scotti
Paul Van as The Kid
Annette Charles as Angela
#SaturdayNightAtTheBaths1975, #ComedyDrama, #CultClassic, #LGBTQFilm, #movies, #film, #movie, #cinema, #films, #hollywood, #actor, #s, #love, #art, #cinematography, #netflix, #horror, #actress, #moviescenes, #music, #filmmaking, #cinephile, #tv, #horrormovies, #bollywood, #comedy, #movienight, #photography, #cine, #instagood, #instagram, #director, #moviereview, #drama, #AdultMovies, #RomanceMovies, #SexMovies, #XXX, #XX,
Category
🎥
Short filmTranscript
00:00:00Hey, good morning, Steve.
00:00:29Yeah, I heard it was a nice day, huh?
00:00:35That remains to be seen.
00:00:46I hope I'm the first one here.
00:00:48I can't really sleep on the key or the end, right?
00:00:56Hey, you know, there's something that I can feel kind of comfortable, careful these days.
00:01:02Huh?
00:01:03Huh?
00:01:04Huh?
00:01:05Huh?
00:01:09Hey, are you the guys that are looking for your company?
00:01:39That fag upstairs told me to come down here.
00:01:41That fag upstairs is my lover.
00:01:43That's just an expression with me.
00:01:45Okay, you play piano.
00:01:46Play piano.
00:01:47Hey, you guys can be straight with me.
00:01:49What do you mean straight?
00:01:50You don't have to use half fancy stuff around me.
00:01:52It's cool.
00:01:52What do you mean cool?
00:01:53It's cool.
00:01:54I've been around.
00:01:54I've been around a long time.
00:01:56It looks like it.
00:01:57It sure does, huh?
00:01:59Sure does.
00:02:00You want to check out the merchandise, right?
00:02:03Merchandise.
00:02:04Yeah, but I tell you right now, I don't go down and I don't go for no whips, okay?
00:02:08I guess this lids us no way to the front.
00:02:10Look, Spartacus, you really don't have to see what you look like.
00:02:15Your magnificence shows through.
00:02:16Unfortunately, we've hired a priest who's left the cloth this morning.
00:02:19And I also play a terrific piano.
00:02:21I know that.
00:02:24Oh, that's a good way to start my career.
00:02:26You have to start somewhere.
00:02:27Continental bands.
00:02:37It's very famous.
00:02:40Oh, yeah?
00:02:41Oh, famous for what?
00:02:43Decadence.
00:02:44Decadence.
00:02:44Decadence.
00:02:46Decadence.
00:02:48Decadence.
00:02:50Decadence.
00:02:52Decadence.
00:02:54Decadence.
00:02:56Decadence.
00:02:57Decadence.
00:02:58Decadence.
00:02:59Decadence.
00:03:00Decadence.
00:03:01Decadence.
00:03:02Decadence.
00:03:03Decadence.
00:03:04Decadence.
00:03:05Decadence.
00:03:06Decadence.
00:03:07Decadence.
00:03:08Decadence.
00:03:09Decadence.
00:03:10Decadence.
00:03:11Decadence.
00:03:12Decadence.
00:03:13Decadence.
00:03:14Decadence.
00:03:15Decadence.
00:03:16Decadence.
00:03:17Decadence.
00:03:18Decadence.
00:03:19Decadence.
00:03:20Decadence.
00:03:21Decadence.
00:04:52Hi there.
00:04:55You must be here for the audition.
00:04:57Yes, I am.
00:04:58I just knew it.
00:04:59You all look so, so, so sensitive.
00:05:03And these hands, I can just see scads of lovely little notes leaping from those long, soft, creative fingers.
00:05:13You can, huh?
00:05:15Do you work here?
00:05:16Well, you might say that, but when I meet someone like you, it's pure pleasure.
00:05:22And I just love artistic hands.
00:05:26Could I have my hands back, please? I need them to play.
00:05:29I love to play.
00:05:30The piano.
00:05:30Are you here to play piano?
00:05:32Yes.
00:05:33Good luck, dear.
00:05:34And if they don't want you, I do.
00:05:36Just rap on room 346, but be gentle.
00:05:40Is that the kind of thing you mean, like modern, popular night clubby?
00:05:50Yeah, yeah, that's it.
00:05:51Play it.
00:05:52Oh, good.
00:05:52Place that timbersome.
00:05:53Oh, darling, that's lovely.
00:06:08Can you play love story?
00:06:10Play love is blue, bitch.
00:06:20Okay, what did you say your name was?
00:06:22Michael Lawrence.
00:06:23Michael Lawrence.
00:06:24Yeah.
00:06:25Congratulations.
00:06:26Scotty?
00:06:27Scotty's my manager.
00:06:28He's going to work out the details with you.
00:06:29Okay?
00:06:30Okay.
00:06:31Michael, am I glad to meet you.
00:06:33The job pays 150 bucks for the show.
00:06:35Is that okay with you?
00:06:37Terrific.
00:06:37Great.
00:06:38But that includes two rehearsals.
00:06:40Fine, man.
00:06:40Fabulous.
00:06:41Let's go over here and talk.
00:06:42Okay.
00:06:47Okay, Michael.
00:06:48This is the rest of your music.
00:06:50I suppose you've worked on enough clubs to know what to do.
00:06:52By the way, where have you played?
00:06:55A couple of places.
00:06:57Any place in particular?
00:06:58I'm from Montana, and I've only been in New York a few months.
00:07:02You should have no trouble handling the show.
00:07:04Okay, folks.
00:07:05What time is rehearsal?
00:07:0711 a.m. sharp.
00:07:08Wait a minute.
00:07:09I'm going to get your name and address.
00:07:09Oh, sorry.
00:07:11Michael.
00:07:15Lawrence.
00:07:16L-A-W-R-E-N-C.
00:07:18Oh, 989-4720.
00:07:24110 South Houston Street.
00:07:27Fantastic.
00:07:28You live in Soho.
00:07:29Yeah.
00:07:29A friend of mine is opening up a gallery in your neighborhood tonight.
00:07:33Drop by.
00:07:34Well.
00:07:34You'll meet some very interesting people,
00:07:36and it'll give us a chance to get to know each other.
00:07:39Well, if I can, you know.
00:07:41No matter.
00:07:41If you're busy, you're busy.
00:07:43Say, I get off work in a half hour.
00:07:45If you can stick around, maybe we can grab a bite to eat.
00:07:47No.
00:07:47It's a fantastic Italian restaurant.
00:07:49I can't make it, man.
00:07:49My old lady's expecting me home.
00:07:51Your old lady.
00:07:51Live with your mother?
00:07:53No.
00:07:54A woman.
00:07:55Tracy.
00:07:56Tracy's her name.
00:07:57So you live with a girl?
00:07:58Yeah.
00:07:58Are your lovers or just roommates?
00:08:02No, mates.
00:08:04Are you married?
00:08:04No.
00:08:05Huh?
00:08:06So you're not really gay?
00:08:10No, I'm not.
00:08:12Could I have some water?
00:08:14Sure.
00:08:18Michael, let me ask you this right out.
00:08:21Have you ever made love with a man?
00:08:25What?
00:08:26Have you ever had sex with a man?
00:08:28Well, um, sure.
00:08:30You know, when I was younger.
00:08:32What do you mean younger?
00:08:35Well, I...
00:08:36Listen, man, I'd really rather not talk about it right now.
00:08:39Okay, okay, that's cool.
00:08:41Do I still have the job?
00:08:42Are you kidding?
00:08:43What does sex have to do with your playing the piano?
00:08:46Nothing, I hope.
00:08:47Here, nobody forces anybody to do anything, okay?
00:08:50Don't let the place get you uptight.
00:08:51Nobody's going to attack you.
00:08:53It's just this place is...
00:08:55It's very strange.
00:08:56I think Montana is my idea of a strange place, my friend.
00:09:00Yeah, okay, but it doesn't have all of these lights and mirrors and the waterfall and...
00:09:06And the queers?
00:09:08Yeah.
00:09:08We call them fags in this city.
00:09:10I guess that's kind of silly.
00:09:15Hey, look, you and I have to work together.
00:09:18I'm in the show, too.
00:09:19I'm the emcee.
00:09:21No, yeah?
00:09:21Hey, you can still play the piano?
00:09:24Hey, listen, I'm always able to play the piano.
00:09:27And I know you'll be great.
00:09:29Well, thank you.
00:09:31Don't thank me.
00:09:32I needed a piano player.
00:09:34Listen, in case you can make that party, it's at 140 South Houston Street, around 10 o'clock.
00:09:40Bring Tracy.
00:09:40I think I'd like to meet her.
00:09:42Okay, maybe I will.
00:09:44See you later.
00:09:45Bye.
00:09:45See you later.
00:10:15Hi, Michael.
00:10:23Hi, baby.
00:10:24How'd it go?
00:10:25What?
00:10:26The audition.
00:10:27Oh, it was interesting.
00:10:28Did you get the job?
00:10:31You did, didn't you?
00:10:32Yeah, I did.
00:10:33I knew it.
00:10:34What?
00:10:36How much?
00:10:37150-bit one.
00:10:38Oh, terrific.
00:10:40You're half of the red.
00:10:41Oh, wonderful.
00:10:42That makes working in a bag of heaven worth it.
00:10:44Oh, it's a negative.
00:10:46You know, a lot of important people go to the vest.
00:10:48You don't know who might hear you there.
00:10:49Yeah, it's got to be different Saturday nights.
00:10:52Yeah, we'll be.
00:10:52I'll be there.
00:10:53Oh, that'll be nice.
00:10:55You don't mind?
00:10:56We'll put you up there.
00:10:56No, no, make me feel better if you aren't there.
00:10:59Why is that?
00:11:00Well, I don't want to have any more to do with those people than I have to.
00:11:03What's so bad about them?
00:11:05The fags.
00:11:06What could be worse than that?
00:11:07Oh, Michael.
00:11:08Well, as you know, they keep looking at me, coming on to me, and make me feel like a woman.
00:11:13Oh, yeah?
00:11:13Anybody grab you?
00:11:15Well, as a matter of fact, the manager made a pass at me.
00:11:19He's got great taste.
00:11:20Well, that's true.
00:11:21You can't blame him for trying.
00:11:23Being that wavy blonde here.
00:11:26And those blue eyes.
00:11:28In fact, I think I like to get it on with you myself.
00:11:31Yeah?
00:11:32Listen, seriously.
00:11:33How can I get him to stop coming on to me?
00:11:36I think it's a matter of vibes.
00:11:38You might not be sending out the right signal.
00:11:41So what the hell is that?
00:11:43What's the matter?
00:11:44I tell you, I'm a little nervous, and the next thing I know, you're telling me I'm a closet queen.
00:11:48I did not say that.
00:11:50Okay, now let me go.
00:11:51You're not getting up.
00:11:53Hey, let me go.
00:11:54Come on.
00:11:54I'm not letting you out.
00:11:56You don't think I can break it?
00:11:58What's the magic word?
00:11:59I don't fight with ladies.
00:12:00That's amazing.
00:12:01Come on, let go.
00:12:02No.
00:12:04Let go, let go.
00:12:08I fixed you.
00:12:15You are secure now, huh?
00:12:17Yeah, I love it.
00:12:18You laugh?
00:12:19I got myself a fly line.
00:12:21You know, I am not really a sheik.
00:12:23My name is Fritz.
00:12:24I am hiding out here in the desert.
00:12:26And you know, I am going to make you say uncle.
00:12:28No, you're not.
00:12:29Yeah, you will say uncle.
00:12:30No, I won't.
00:12:31Yeah, you will say uncle.
00:12:35Uncle?
00:12:36No.
00:12:36No.
00:12:38When you beg me, she...
00:12:41Uncle?
00:12:42No.
00:12:42And I'm going to run arpeggios all over your body.
00:12:45You will say uncle, uncle.
00:12:48Uncle, uncle.
00:12:49Uncle.
00:12:49Uncle.
00:12:50Auntie?
00:12:51Auntie?
00:12:51Cousin?
00:12:53Cousin.
00:12:54Say yeah?
00:12:55Yeah.
00:12:56Yeah.
00:12:56What a mission.
00:13:09I'll be praised.
00:13:11The great gate.
00:13:12page 1970.
00:13:13No.
00:13:13Ah!
00:13:22I can't say jean.
00:13:23She'll be praised.
00:13:33I can't do anything.
00:15:33I bet I knew why they were coming on to you.
00:15:54Why is that?
00:15:55They probably heard how good you are in bed.
00:15:59You've been running on bathroom walls again?
00:16:01No.
00:16:02Subway.
00:16:03Michael Lawrence is a great lay in fluorescent pink.
00:16:06He's running up Broadway right this morning.
00:16:08Hey, tell me about the manager who's coming on to you.
00:16:13Oh, my dear, I got all this is four inches long.
00:16:20And the sequined dress in here all the way down to his waist.
00:16:25He's really faggity, huh?
00:16:26No.
00:16:27Actually, he was a nice-looking guy.
00:16:31Had on jeans and cowboy boots.
00:16:32He looked like he was from Montana.
00:16:34He doesn't sound so bad.
00:16:36No, he wasn't.
00:16:36He was the straightest-looking dude there.
00:16:39Matter of fact, I'd never known he was gay, except there was something in the way he kissed me.
00:16:44What was his name?
00:16:44Deborah.
00:16:46No, Scotty.
00:16:47Oh, by the way, they told me there's a party right down the street tonight.
00:16:51Oh, yeah, a party?
00:16:51Mm-hmm.
00:16:52Let's go.
00:16:52Okay.
00:16:53Can I go?
00:16:54Oh, sure.
00:16:55He said he'd like to meet you.
00:16:56Oh, I'd like to meet him, too.
00:16:57Come on.
00:17:02Come on.
00:17:05Come on.
00:17:06Come on.
00:17:07Come on.
00:17:07Come on.
00:17:07Come on.
00:17:14Come on.
00:17:14Come on.
00:17:16Come on.
00:17:17Come on.
00:17:17Come on.
00:17:35Okay, I'll take you under one condition.
00:17:37What's that?
00:17:38We've got to behave like adults.
00:17:40Of course.
00:17:41Ready?
00:17:42Sure.
00:17:43Hop on.
00:17:43Come on.
00:17:43First, he takes off his leather boots.
00:17:57Plastic.
00:17:58No guard.
00:17:58Yeah.
00:17:59Then he doubles his price.
00:18:01Yeah.
00:18:02Well?
00:18:04Well, what?
00:18:07What do you want?
00:18:08Well, I think I know what he's after.
00:18:21I know what he's after.
00:18:22What's after?
00:18:23Good luck.
00:18:25Bill!
00:18:25Good luck.
00:18:26Look at that.
00:18:27How can anybody do that to their bodies?
00:18:30Now, here comes the manager of the balance.
00:18:33Hi, Michael.
00:18:33I'm really glad you could make it.
00:18:35This must be Tracy.
00:18:36Hi.
00:18:36Don't say a word about the pictures.
00:18:37This is the photographer.
00:18:39Bruce.
00:18:39Michael.
00:18:39Hi, Bruce.
00:18:40Hi, Michael.
00:18:40Hi, Bruce.
00:18:41Tracy, how are you?
00:18:41Loved your photographs.
00:18:42Hi, thank you very much.
00:18:44It's a real hassle putting a show like this together.
00:18:46I know.
00:18:46I'd be through it myself.
00:18:47You better make a bunch myself?
00:18:49Oh, it's delicious.
00:18:50Do you like it?
00:18:50Yeah.
00:18:51Why don't you have some more?
00:18:52You want some more?
00:18:52Yes.
00:18:53Love it.
00:18:53Bruce, let me get you a drink.
00:18:54Okay.
00:18:55A really good thing did come out of the file.
00:18:57What's not?
00:18:57An agent found a publisher who's willing to put a book together.
00:18:59That's great.
00:19:00My agent hasn't done anything for me in ages.
00:19:02Hi, Scott.
00:19:03Hi, kids.
00:19:06Well, he was 200 pounds of dynamite.
00:19:08Too much fees.
00:19:09Very nice.
00:19:11Tracy's lovely.
00:19:13Oh, thank you.
00:19:13They're not even sexual.
00:19:15I don't think sexuality is their objective.
00:19:18How do you like Bruce's work?
00:19:21It's all right.
00:19:22Do you like it?
00:19:24With reservations.
00:19:26I think I know what you mean.
00:19:27Hey, Scott, I've got a script to you.
00:19:28It's kind of important.
00:19:29Sure.
00:19:29I'm sorry about that.
00:19:30It's not a system.
00:19:31No, it's not a system.
00:19:33Of course, the system is fair.
00:19:35I think of that.
00:19:36But you know, you're just responsible.
00:19:38I'm socially subjective.
00:19:43Do you honestly think arms go with punch?
00:19:48Anybody that spends that much time developing their body can't be productive.
00:19:52Productivity is socially subjective.
00:19:54And he walks into the bathroom and sat down.
00:19:57He can't divorce sexuality from your body.
00:20:00Did you look at him?
00:20:04I don't know.
00:20:05What's wrong with him?
00:20:06It's kind of obvious, isn't it?
00:20:08Well, it's not obvious to me.
00:20:13Hey, baby, I'm going to go home.
00:20:14Oh, don't you mistake this for me.
00:20:15No, I've got a lot of practice.
00:20:17I'll say it.
00:20:17You mistake.
00:20:18You don't mind if I do?
00:20:19I'll say goodbye to Scotty for you.
00:20:23Okay.
00:20:24So long, Michael.
00:20:25You're not a Virgo.
00:20:28And you're not a Capricorn?
00:20:33Taurus.
00:20:35Bruce, there's a guy over here who wants to write you a check.
00:20:38Oh, well, thank you.
00:20:40I'll get right over that.
00:20:42Did you study photography at Oberlin?
00:20:44Well, I did.
00:20:45I started out as a hobby, but how'd you mind when you're Oberlin?
00:20:49Michael told me.
00:20:50Oh, thanks.
00:20:51By the way, you two make a beautiful couple.
00:20:54Oh, thanks.
00:20:55The Bobsy Twins.
00:20:57Is marriage in the cards?
00:21:00Only if my mother deals.
00:21:01How about another treat?
00:21:06Oh, thanks.
00:21:07I forgot to eat dinner.
00:21:08How did you forget to eat dinner?
00:21:10Well, because Michael and I were celebrating because he got the job.
00:21:14Oh, you were celebrating?
00:21:17I'm going to let you be celebrating.
00:21:18I needed the piano player.
00:21:20Oh, well, he won't let you down.
00:21:22I see.
00:21:24They were Michael's favorites, too.
00:21:25They'll be here in a second.
00:21:26He's got great taste.
00:21:28I just got it.
00:21:29Haven't seen you in a while.
00:21:30It's been a long time, Eva.
00:21:32Tracy, this is Judith.
00:21:34Hi.
00:21:35What do you do, Tracy?
00:21:36Oh, I'm a photographer.
00:21:38Oh, Judith and I are models.
00:21:40We could use some new material.
00:21:41Would you like to take us?
00:21:43Sure.
00:21:44I'd love to.
00:21:46Tonight?
00:21:49Sorry, dear.
00:21:50I'm taking her home tonight.
00:21:52Oh, well, good luck.
00:21:54Good night, Tracy.
00:21:55Good night.
00:21:56Good night, ladies.
00:21:56Good night, ladies.
00:21:58Scotty, I've got to go home because if I drink any more, you're going to have to carry me.
00:22:01You may have to carry me home at this point.
00:22:04No, no, no.
00:22:05It's only a couple of blocks.
00:22:06I'll crawl.
00:22:07Oh, far out.
00:22:08I could use some fresh air.
00:22:10I haven't talked to a woman in ages.
00:22:14Oh, is she yours?
00:22:16Uh, no.
00:22:17I think she's yours.
00:22:18Uh, you know what it means to share?
00:22:22No, but I think it was a guy.
00:22:23I'm sorry.
00:22:24Oh, I'm sorry.
00:22:25Oh, she's gone.
00:22:26You've gone.
00:22:27You've been coming to the sky.
00:22:35It's real damn.
00:22:38Far out.
00:22:40Look at this.
00:22:41One, two, three, four.
00:22:43Four hundred and twenty-five.
00:22:44You know how many there are?
00:22:45Um, I live here.
00:22:47Oh, you live here?
00:22:48Yes.
00:22:49We're here.
00:22:50Yep.
00:22:51You want to come up?
00:22:52That was great.
00:23:18Guess who I brought home.
00:23:20I see.
00:23:20Hi, Scotty.
00:23:22How are you doing, Michael?
00:23:26Well, I think I'm going to go see if there's anything to eat.
00:23:33Well, how about some eggs?
00:23:34That sounds great.
00:23:36Okay.
00:23:38I just wanted to see that Tracy got home all right, you know?
00:23:42Yeah, looks like she needs it.
00:23:44How about omelets?
00:23:45I'll have a Western.
00:23:48Yo, sit down, Scotty.
00:23:50Would you like some wine?
00:24:02Oh, great.
00:24:05Excuse me.
00:24:07Sure.
00:24:08Say, where's the bathroom?
00:24:09Right here.
00:24:09Oh, far out.
00:24:20What'd you bring him here for?
00:24:22Fill her up.
00:24:27Scotty.
00:24:27Oh, Michael, he's so nice.
00:24:29He's too nice, you sat.
00:24:33Are you guys talking about me in there?
00:24:34Yeah.
00:24:35Oh, no, just getting the wine.
00:24:36You need any help?
00:24:38No, that's, uh, sorry.
00:24:42Did you really get this piano for 50 bucks, Michael?
00:24:46Yeah, I really did.
00:24:46It was a bitch getting in here, I'll tell you.
00:24:48I can imagine.
00:24:50You played?
00:24:53I thought I did, until I heard you.
00:24:57Well, I've been at it for 15 years.
00:25:01Have you ever played the gate before?
00:25:06As a matter of fact, I played it for recital one time.
00:25:09Far out.
00:25:10I knew nobody could sight-read that piece.
00:25:12Ready on the eggs.
00:25:19Sweetie, I think I'm out here.
00:25:27These eggs look great.
00:25:32Thanks, I made a mice's house.
00:25:36Hey, Scotty, how'd you get started at the bath?
00:25:38Well, I met Steve and his wife one summer out on Fire Island.
00:25:45Steve's married?
00:25:46Yeah, he has two children.
00:25:48Really?
00:25:49Yeah, quite a few of the guys at the baths are married.
00:25:52No kidding, but listen, what do their wives feel about that?
00:25:55What do you mean?
00:25:57What do I mean?
00:25:58Well, don't they care?
00:26:04I really don't suppose they know, Michael.
00:26:05Oh, come on, Scotty, how could they not know?
00:26:10A lot of guys have mistresses without their wives knowing.
00:26:14Okay, man, that's a different thing, you know.
00:26:16Oh, I suppose you're right, Michael.
00:26:18You know, as soon as you've had a gay experience, it's impossible to function with women.
00:26:24Scotty, that's ridiculous.
00:26:25Have some more wine, Scotty.
00:26:28Sure.
00:26:29You need it.
00:26:31Hey, you too.
00:26:33Jesus, I got a lot of catching up with you guys to do, huh?
00:26:36That's okay, Michael.
00:26:38I got the ketchup.
00:26:45Yeah, let's get rid of these eggs.
00:26:48Yeah, let's get away from these eggs.
00:26:50Ketchup, I get it.
00:27:07Bless her heart.
00:27:10Hey, Michael.
00:27:13You know, you should have stayed at the gallery.
00:27:16Why is that?
00:27:17Because the two brunettes?
00:27:19Yeah.
00:27:21Well, they wanted to take me home.
00:27:23Only Scotty brought me here instead.
00:27:26Wait a minute, they were gay?
00:27:30They were women.
00:27:39How much did you pay for that, Scotty?
00:27:43What were they like?
00:27:45I don't know.
00:27:47I didn't get to find out.
00:27:51They're not to be believed.
00:27:55Do you know?
00:27:56Sure, no.
00:27:58Wait.
00:27:59Wait.
00:28:01Wait.
00:28:02What?
00:28:06You want their number?
00:28:07You got it?
00:28:09You got it.
00:28:09I got it.
00:28:10You're going to hold that all day?
00:28:12Oh, I'm sorry.
00:28:12I got it.
00:28:16I got their number.
00:28:19Who cares?
00:28:21Scotty, how do you know them, huh?
00:28:23Well, it's a long story.
00:28:25Oh, I want to hear it.
00:28:26Once upon a time.
00:28:29No.
00:28:29Seriously.
00:28:34Not too long ago, a friend of mine gave me a call and invited me over to his place.
00:28:43Now, this is an invitation that I don't turn down because every time I go over to it, there's always something different happening.
00:28:51So I arrive at it.
00:28:54It never says a word to me, just smiles, leads me in.
00:28:59I'm in the living room.
00:29:00And before my eyes, those two brunettes, making love, right in the middle of the floor.
00:29:08They were so involved, the lovemaking was so passionate that he had probably been there and split and seen me at the door and gone back, and they didn't even know he had split.
00:29:22The feeling was incredible.
00:29:26The pull was so intense that from the moment I walked into his place, I was involved.
00:29:35I mean, I had to become part of the situation.
00:29:40There was no way out.
00:29:42He just sort of left me there, like, to watch, which was more than I could handle.
00:29:49Before I knew it, we were all involved, a unity, you know, four people, but in union with one another.
00:29:58It was, I don't know how to describe it.
00:30:01It was like those rare moments when with strangers, passion mingles with love and trust, Michael.
00:30:12You know?
00:30:19Scotty.
00:30:22Scotty.
00:30:23Yeah?
00:30:28Uh, I don't, uh, I don't think I can handle this right now.
00:30:40That's okay, Michael.
00:30:42Really, I understand.
00:30:45I have to go anyway.
00:30:46I don't know.
00:30:49Yeah, I really do.
00:31:03Okay.
00:31:04Good night, Chester.
00:31:06See you tomorrow.
00:31:2511, right?
00:31:27Yeah.
00:31:28Hey, I hope everything is all right.
00:31:31Oh, it's all right.
00:31:33Okay.
00:31:33I'll see you later.
00:31:35Good night, Mike.
00:31:36Good night.
00:32:06Good night.
00:32:36Good night.
00:32:38Good night.
00:32:40Good night.
00:32:46Michael.
00:32:48Michael.
00:32:50Michael.
00:33:02Time to wake up.
00:33:10Yeah.
00:33:14What time is it?
00:33:169.20.
00:33:18What time is it?
00:33:209.20.
00:33:30Yeah, I got a terrific idea.
00:33:32Hmm?
00:33:33How much French toast?
00:33:34Good.
00:33:35Call me when they're ready.
00:33:38Good.
00:33:40Good.
00:33:42Call me when they're ready.
00:33:44Good night.
00:33:48Oh, what?
00:33:50Uh.
00:33:52Oh.
00:33:54Oh.
00:33:56Oh.
00:33:58Oh.
00:34:00Oh.
00:34:02Oh.
00:34:04Oh.
00:34:06My turn.
00:34:36My turn.
00:35:06My turn.
00:35:36My turn.
00:36:06Letters, I want you to meet Michael.
00:36:08Hi, how are you?
00:36:10We heard you yesterday.
00:36:11You really play good.
00:36:14God, he tells me you're straight.
00:36:17I guess I am.
00:36:19That sounds promising.
00:36:21Letters never met anybody that was straight.
00:36:23He did, I think, would destroy his ego.
00:36:25Honey?
00:36:26Yeah?
00:36:26They were all straight until they met me.
00:36:29Isn't that true, Steve?
00:36:30Sure.
00:36:37The dancers are all beat, Steve.
00:36:39Can we take a break?
00:36:40What?
00:36:41Can we take a break, Steve?
00:36:43The dancers are beat.
00:36:44Go ahead.
00:36:45Michael!
00:36:47Michael!
00:36:48Michael, have you ever seen the pants?
00:36:50I guess not.
00:36:51Scotty, why don't you take it around?
00:36:52Do you want to see it?
00:36:54I think you should.
00:36:57Love to.
00:36:57How old did you get it?
00:37:01Far out.
00:37:02I think you're going to find it very interesting.
00:37:05Fascinating.
00:37:09What doesn't appeal to you?
00:37:11Why heuristically?
00:37:12It's a terrific thing to write home about.
00:37:18I had my whole family here a couple of times.
00:37:21Are you kidding?
00:37:22No.
00:37:23That was outrageous.
00:37:25That was outrageous.
00:37:25Do they know you're, uh, I mean, yeah, they're very proud that I'm a manager, as a matter of fact.
00:37:35But, uh, it must be a relief to have, you know, a place to come where you don't have to worry about your cover being blown, you know what I mean?
00:37:44It is.
00:37:45It's not like the only cover is your towel.
00:37:51Are there any air ducts?
00:37:53You walk over, they go, this gets blown.
00:37:55Yes.
00:37:57Uh, would you mind pointing them out to me?
00:38:00Like air ducts?
00:38:01Yeah.
00:38:01As soon as you get into a towel, I'll walk you across one.
00:38:06By the way, let's see, a few people cruise you around here, and I really can't blame them.
00:38:10That doesn't get you uptight, does it?
00:38:14What are you doing for lunch today?
00:38:15Oh, I told crazy to meet me, we thought we'd try that place around the corner.
00:38:20Terrific.
00:38:20That's, uh, one of my favorite places.
00:38:22Why don't you be my guest today?
00:38:23That was perfect.
00:38:40Perfect.
00:38:41Really?
00:38:42Think you can do that at the show?
00:38:44If you can sing it like that, I can play it.
00:38:46Oh, you're going to be so easy to work with.
00:38:51That was beautiful.
00:38:54Come on, let's go to London.
00:38:56Gee, I'd like to, but I can't.
00:38:59Come on, Michael, let's go.
00:39:02Sure, why not?
00:39:03Great.
00:39:10Where?
00:39:18Here.
00:39:23Where?
00:39:26What do I say?
00:39:31There's no rehearsals anymore, so why don't you guys come out to the game?
00:39:53What game?
00:39:54The football game.
00:39:56The Continental Bass is playing the New York City Athletic Club.
00:39:58Shut up!
00:39:59No, we really are.
00:40:00Do you mean that the Continental Bears has a football team?
00:40:03Yes.
00:40:04You've got the cast.
00:40:05Who's your favorite in the show?
00:40:06Oh, I don't know.
00:40:09Judy Garland, Diana Ross, Shirley Bassey, and the BroadwayCon.
00:40:16Oh, and Jamie's room.
00:40:18Michael.
00:40:21No, he's Daniel.
00:40:23He's Daniel.
00:40:23He's if you're the lead.
00:40:25Oh, yeah.
00:40:26What is it?
00:40:26Combos.
00:40:27Combos.
00:40:27Combos.
00:40:28Combos.
00:40:28Combos.
00:40:29Combos.
00:40:29Combos.
00:40:29Combos.
00:40:29Combos.
00:40:29Combos.
00:40:29Combos.
00:40:29Combos.
00:40:29Combos.
00:40:29Combos.
00:40:29Combos.
00:40:29Combos.
00:40:30Combos.
00:40:30Combos.
00:40:58Combos.
00:41:00Combos.
00:41:00Combos.
00:41:00Combos.
00:41:00I got a shaving area, and in the shaving area is a water cooler, you know, with a tank
00:41:16on top, a big bottle, still with red mouthwash.
00:41:22No, no, that's not mouthwash.
00:41:24What?
00:41:25It's a janitor in a jar.
00:41:30It's a jukebox, and the guys are there 24 hours a day, right?
00:42:00Hey, you guys are coming at home.
00:42:07You bet.
00:42:09You guys are coming.
00:42:11Do you like it as well?
00:42:12Sure.
00:42:14I hate it, but it's going to be a great day.
00:42:15There's no mess.
00:42:21There's no mess.
00:42:25There's no mess.
00:42:55Fuck you, man.
00:43:04I'm going home.
00:43:05Hey, you think you can handle that, Frank?
00:43:08I bet they always say I just this shirt on.
00:43:11I wore my hair.
00:43:13I wore my hair.
00:43:13I wore my hair.
00:43:14I wore my hair.
00:43:15I wore my hair.
00:43:15I wore my hair.
00:43:16I wore my hair.
00:43:18Oh, that's real, boys.
00:43:22Oh, that is weird.
00:43:23Come on.
00:43:24Oh, god.
00:43:25Come on.
00:43:26All right.
00:43:28Come on.
00:43:2942.
00:43:3030 seconds.
00:43:31Mike!
00:43:35Oh!
00:43:36Thank you!
00:43:37Thank you!
00:43:38What is it?
00:43:39Good boy!
00:43:40Hey, Mike, my stereo guy's going on.
00:43:43Mike, you got it.
00:43:44It's the center field of IP.
00:43:46Let's get some...
00:43:47What is it?
00:43:48What is it?
00:43:49Come on, come on, baby.
00:43:51All right, now, come on.
00:43:53Fight!
00:43:56Oh!
00:43:58Come on!
00:43:59Come on!
00:44:01Come on!
00:44:02Come on!
00:44:03Oh!
00:44:04He's excited!
00:44:06You should know about this shit.
00:44:08Oh!
00:44:09We love him!
00:44:145 or 6 years!
00:44:17That's terrific!
00:44:19I got you!
00:44:21I got my gun, who can ask for a red thing for?
00:44:25Two, three, muah!
00:44:29Woo!
00:44:29Woo!
00:44:30Woo!
00:44:37Eight, forty-four, forty-six, twenty-five, eighty-three, forty-five, fifty!
00:44:46Go, Scotty!
00:44:47Go!
00:44:47Go!
00:44:48Go!
00:44:48Go!
00:44:48Go!
00:44:51Give them all!
00:44:52I understand.
00:44:53What do you think?
00:44:54How you doing?
00:44:55We're winning, of course.
00:45:02Some of my best friends again.
00:45:03Yeah, really?
00:45:04You guys were literally passing on.
00:45:05We're going to show them this time.
00:45:07All right.
00:45:07And now we've got three, right?
00:45:09Three, right?
00:45:09Three, right?
00:45:15All right.
00:45:17Oh, look how warm.
00:45:38Let's go have a place.
00:45:41Who's got my...
00:45:42Who's got my...
00:45:43Who's got him?
00:45:47What's wrong with Grace?
00:45:51Hey, Grace.
00:45:53Oh, stay.
00:45:54He's just...
00:45:56He's making it.
00:45:57He's making a stupid little twerp.
00:45:59Hey, so...
00:46:00Hey, so...
00:46:02Hey, come on.
00:46:16Hey.
00:46:17Hey, come on, Grace.
00:46:18Just use it.
00:46:22You're right, guys.
00:46:23We can't let this happen now.
00:46:25Okay.
00:46:25Now, we're going to go down this way.
00:46:27See?
00:46:27One, two, three.
00:46:28That's it.
00:46:28That's it.
00:46:29All right.
00:46:29Here we go.
00:46:30Come on.
00:46:31Come on.
00:46:31Come on.
00:46:32Here we go.
00:46:32All right.
00:46:3330, 70.
00:46:3445.
00:46:34Oh, shit.
00:46:35Watch that, son of a...
00:46:36Watch it, watch it, watch it.
00:46:37Oh, shit.
00:46:37Oh, shit.
00:46:37Oh, shit.
00:46:38Oh, shit.
00:46:38Oh, shit.
00:46:38Oh, shit.
00:46:39Oh, shit.
00:46:39Oh, shit.
00:46:40Oh, shit.
00:46:40Oh, shit.
00:46:40Oh, shit.
00:46:41Oh, shit.
00:46:41Oh, shit.
00:47:05Oh, it's a great game.
00:47:15Well, we won.
00:47:19Yeah, cheating.
00:47:21That's not fair.
00:47:22That is the sweetest team in the world.
00:47:24The fastest kissers on the block.
00:47:26You bet.
00:47:28Well, you know, there's a lot of love in this park, too.
00:47:31You know, the first time I ever made love was right here, in this place.
00:47:36Yeah.
00:47:38What was she like?
00:47:38It was very beautiful.
00:47:39What was she like?
00:47:40It was the hate.
00:47:42Your first time was with a guy?
00:47:45Uh-huh.
00:47:46That's why you're not normal.
00:47:53Normal.
00:48:03What did I say?
00:48:04You don't know?
00:48:05No, I just said that maybe...
00:48:08That the most important experience in his life turned him into a sick pervert.
00:48:12Oh, I never said that.
00:48:14What did you mean by normal?
00:48:17Normal is normal.
00:48:18A homosexual is not normal.
00:48:21Well, he doesn't seem so twisted to me.
00:48:23And he's been nothing but nice to you from the first day you met him.
00:48:27Look, okay, he's been nice to me.
00:48:28I like him and all of that, but...
00:48:30What's the matter?
00:48:37Oh, a guy.
00:48:37I could never get close to a guy.
00:48:39I mean, a woman or something else.
00:48:41I just think that maybe you ought to open your eyes to the fact that you could relate to somebody like Scotty.
00:48:50Somebody...
00:48:51Somebody who can love.
00:48:56I mean, like you're putting a label on everything.
00:49:00And you're saying society says it's wrong, so therefore you go along with it and you won't get close to it.
00:49:04And you won't even open yourself up to the fact that this might be a very honest...
00:49:09Look, love and friendship is one thing, man.
00:49:12But I like Scotty.
00:49:14I told you that.
00:49:15But that's it.
00:49:16I mean, I could only like him up to a point.
00:49:18After that...
00:49:18What point?
00:49:19The sexual, you know, his sexual preferences would be in the back of my mind.
00:49:23It would, you know, cut a relationship off there.
00:49:29I don't see anything wrong with that.
00:49:32Look, you don't have to feel threatened by him.
00:49:34Just because he's gay doesn't mean you have to go to bed with him.
00:49:37We've really got to think some things over.
00:49:41I'm going to go.
00:49:42Right?
00:49:49Scotty?
00:50:05Hi.
00:50:06Hi.
00:50:07Are you busy?
00:50:08Sort of.
00:50:09Getting ready for work.
00:50:10What's up?
00:50:11Oh, well, I'd like to talk to you.
00:50:12Can I come in?
00:50:14Well, okay.
00:50:15But I really don't think there's very much to talk about.
00:50:17Well, I think there is.
00:50:20I'd like to apologize.
00:50:23You really don't have to apologize, Michael.
00:50:27Excuse me while I get dressed.
00:50:29Look, Scotty, about what I said in the park.
00:50:32Skip it.
00:50:33No, I don't want to skip it.
00:50:34I want you to know that I didn't mean it the way it sounded.
00:50:38What was it that you meant, Michael?
00:50:41Well, nothing really.
00:50:42It's just conditioning.
00:50:44Bullshit.
00:50:44Am I really supposed to believe that you don't know what you're saying?
00:50:47No, I know what I'm saying.
00:50:48It's just that sometimes what I say isn't really what I feel.
00:50:52What the fuck does that mean?
00:50:54Oh, come on, Scotty.
00:50:55You know what I'm talking about.
00:50:56How the hell do I know what you're talking about when you don't know what you're talking about?
00:50:59Look, man, I came here to apologize.
00:51:00If you can't take that, to hell with it.
00:51:02Okay, okay.
00:51:03Look, I just wanted to tell you that I realized what I said was stupid.
00:51:08We all say stupid things.
00:51:10Yeah, but you've got to realize, man, where I'm coming from.
00:51:13See, where I come from, what you do with fags is punch them in the mouth.
00:51:16See?
00:51:17Oh, does that make it right, Michael?
00:51:20No, but on an Air Force base, that's just the way it is.
00:51:24You know, everybody's super butch.
00:51:27Is that where you're from?
00:51:28Yeah, yeah, and, you know, everybody just talks like that, so I guess I've always been like that.
00:51:33Always?
00:51:36Well, maybe not always.
00:51:39I remember when I was 12, I knew a guy who was a fighter pilot.
00:51:44His name was Greg, and he was a lot more sensitive than the rest of them, you know.
00:51:48He used to, he kind of befriended me.
00:51:51Took me up in a trainer a lot of times.
00:51:55He'd let me have the stick.
00:51:56Oh, wow, for a kid, 12 years old, always wanted to be a pilot, I mean, and that was it.
00:52:07Anyway, to make a long story short, we went to play football and went fishing and even taught me how to shoot.
00:52:14One time, we went trout fishing and hit a flash storm that came on us.
00:52:21We got really drenched.
00:52:23There was a cabin there, but nobody put any firewood inside, so we couldn't get a fire going and couldn't get dry.
00:52:32We took off all our clothes, though, and there were a couple of blankets, and we wrapped up in the blankets and tried to get warm.
00:52:41We had a couple of cans of sterno so we could make some soup.
00:52:43And we did, and it was terrific.
00:52:47But I still couldn't get warm, so we, he started rubbing my hands and my arm and my back, you know.
00:52:57It wasn't essential.
00:52:59Then he put his arms around me.
00:53:00And that embarrassed me because, I mean, I don't think my father ever, ever hugged me.
00:53:15And, uh, I got into it.
00:53:21I really felt terrific.
00:53:26And I guess I went to sleep like that.
00:53:28The next thing I knew, man, I was flying across the room, and lights were, flashlights were in my eyes.
00:53:39And, uh, it was my father and a couple of non-coms with him, and they grabbed Greg, and they was pushing him around and yelling obscene things.
00:53:50And, uh, you know, I mean, he flipped out.
00:53:55Anyway, the lesson of the story is that I learned, you know, not to, I learned not to put hands on other men.
00:54:10Did you love him?
00:54:14Yeah, I guess I did.
00:54:15You know, Michael, if it weren't for your old man, you'd be normal.
00:54:27Hey, I really bet I'd be going.
00:54:30Will you walk me downstairs?
00:54:32Sure.
00:54:33Sure.
00:54:46Correct.
00:54:53Hey.
00:55:04Hey.
00:55:08Hey.
00:55:11Hey.
00:55:13Hey.
00:55:14Hey.
00:55:14Hey.
00:55:14I went over to Scotty's.
00:55:44How?
00:55:47Hey, are we still friends?
00:55:49Daddy, I need it.
00:55:51We'll be still in.
00:55:57You want to go in?
00:56:01Yeah.
00:56:11I'm going to throw up.
00:56:12Oh, come on, my dress can't be that big.
00:56:14No, it's beautiful.
00:56:15Oh, thank you.
00:56:16Can you put this on?
00:56:17Oh, sure.
00:56:18Michael.
00:56:20Well, you look so sexy.
00:56:22Hey, I've got a great idea.
00:56:24Why don't we forget about going tonight and just stay home and make love?
00:56:27Okay.
00:56:29Okay?
00:56:30Well, you talked me into it.
00:56:31I did?
00:56:32You did.
00:56:33You're going to hate me for this, but I think I'd really prefer if you stayed home tonight.
00:56:42Oh, come on, Michael.
00:56:43Can you help me put this on?
00:56:45No, I'm serious.
00:56:46I think I'd be more comfortable if you weren't there.
00:56:49You know what I mean?
00:56:51No, I don't.
00:56:52Would you mind terribly?
00:56:54Yes, I would mind.
00:56:55Really?
00:56:56Why?
00:56:57Michael, I've been looking forward to it all week.
00:56:58I bought a new dress.
00:56:59I put on my makeup.
00:57:00Look, Tracy, this is...
00:57:01I've never done a gig like this before.
00:57:02My stomach's doing flips.
00:57:04I'd be more comfortable if you weren't there to hear my goofs.
00:57:07You can understand that, right?
00:57:08Michael, you're going to be great.
00:57:09You're just getting stage fright.
00:57:11Hey, come on, you're getting yourself all worked up over nothing.
00:57:13Nothing?
00:57:14Don't tell me what's in my head.
00:57:15You don't know what's in my head.
00:57:17Hey, come on, I'm all dressed up, I'm ready to go, I'm not staying home.
00:57:20Don't stay home.
00:57:21Who asked you to stay home?
00:57:22So now you don't give a damn.
00:57:24Oh, Tracy, come on.
00:57:26Don't come on to me.
00:57:30I honestly can't believe that you don't want me to be there tonight.
00:57:35Tracy, please, not tonight.
00:57:42Michael, if you need me, I'll be in my studio.
00:57:47Bob, I see you next time.
00:58:05All right.
00:59:06I'm really glad you came out tonight to have a good time with us.
00:59:12Our middle name is Steam.
00:59:14And we have a really steamy evening here for you tonight.
00:59:17We have lots of surprises.
00:59:19Yeah.
00:59:20Yeah, that's right, sugar.
00:59:21And the evening will go on and on.
00:59:23Ladies and gentlemen, can I be heard?
00:59:26Can the streakers by the pool hear?
00:59:28Okay?
00:59:28Okay?
00:59:30Okay?
00:59:30Okay?
01:04:04Ladies and gentlemen, we have a lineup of stars for you.
01:04:07Tonight's decadence that would challenge the galaxy that we're in.
01:04:12Ladies and gentlemen, from England, Shirley Fessy.
01:04:17Good morning.
01:04:20And raise a little hell tonight.
01:04:28I've got the urge to crowd and maybe raise a few browns.
01:04:36Cut loose and pull all the stops.
01:04:46Mamma, mamma, mamma, mamma, mamma, mamma, mamma, mamma, mamma, mamma, mamma, mamma, mamma,
01:04:52mamma, mamma, mamma, mamma, mamma, mamma, mamma, mamma, mamma, mamma, mamma, mamma, mamma,
01:05:02I want to mama
01:05:05Let's cut it off
01:05:07I want to never cry
01:05:11Mama, I want to mama
01:05:15Mama, I want to mama
01:05:17I want to never cry
01:05:20Let's cut it off
01:05:23I want to never cry
01:05:26You're ready, nothing's got to fade
01:05:30If you are gone
01:05:56I know, I know you must follow the sun
01:06:03Wherever it leads
01:06:05But remember, if you should fall short of your desires
01:06:10Remember life holds for you
01:06:12One guarantee, you'll always have me
01:06:16Ain't no river water like you
01:06:19Ain't no river water like you
01:06:20Ain't no river water like you
01:06:24Ain't no river, nothing can keep
01:06:27Keep up the sun
01:06:30Ladies and gentlemen, a very special treat
01:06:35The one that got away, Judy Garland
01:06:38You feel blue, you feel sad
01:06:47You'll miss the bestest pal you ever had
01:06:51There'll come a time, now don't forget it
01:06:55There'll come a time when you'll regret it
01:06:58Oh, baby, think what you're doing
01:07:02My love for you is gonna drive me to ruin
01:07:05After you've gone
01:07:07After you've gone
01:07:10Away
01:07:12After you've gone
01:07:22And let me cry
01:07:28After you've gone
01:07:35There's no denying
01:07:39Ladies and gentlemen, let's hear it for your time
01:07:43Great job
01:07:44Thank you
01:07:45Three
01:07:45Two
01:07:45Two
01:07:46Two
01:07:46Three
01:07:48Two
01:08:04One
01:08:05Two
01:08:06One
01:08:07One
01:08:07Two
01:08:11One
01:08:11Three
01:10:12Oh, peace and quiet, man. Nice.
01:10:17It's a good place to get away from it all.
01:10:20God, this isn't lovers leave.
01:10:24Sort of.
01:10:24I didn't see Tracy tonight.
01:10:30I asked her not to go.
01:10:33I'm kidding.
01:10:34You didn't think she'd be uptight here, do you?
01:10:36No, not Tracy.
01:10:39Problems?
01:10:39No, uh-uh.
01:10:44I don't know.
01:10:46It's opening night.
01:10:47She did, I guess.
01:10:48Nice.
01:10:49Nice, huh?
01:11:10Beautiful.
01:11:16We take ourselves much too seriously.
01:11:22That's why it's all so complicated.
01:11:24Why don't you tell me what's really on you, Mom?
01:11:34Why don't you tell me what's really on you, Mom?
01:11:38I don't know how.
01:11:44I think you did.
01:11:48I think you did.
01:11:48I think you did.
01:15:52You're not worried, are you?
01:15:58No, I'm not.
01:15:59Sure I can't talk to you in a stay?
01:16:19No, thanks.
01:16:21Tracy will be expecting me.
01:16:23Why don't you give her a call?
01:16:26Well, the studio is right on the way home, so I thought I'd just stop by.
01:16:30You really want to see her?
01:16:33Yeah, I do.
01:16:34That's cool.
01:16:34I can dig that.
01:16:35Let me throw in a shirt.
01:16:36Let me throw in a shirt.
01:16:37Let me throw in a shirt.
01:16:37Let me throw in a shirt.
01:16:37I'll walk you downstairs, Michael.
01:16:38No, no, Scotty.
01:16:39That's okay, really.
01:16:40You sure?
01:16:41Yeah, I'm sure.
01:16:43Okay.
01:16:43I'll see you tomorrow.
01:16:48Okay.
01:16:49Bye-bye.
01:16:51Bye-bye.
01:16:55Bye now.
01:16:56Bye-bye.
01:17:03Bye-bye.
01:17:16Bye-bye.
01:17:17I'm glad you're here.
01:17:32Hi.
01:17:43Is that new stuff?
01:17:44Old stuff.
01:17:47How was the show?
01:17:51It went very well.
01:17:54Are you going to play there next week?
01:17:57Mm-hmm.
01:17:58It's a late night.
01:18:03Yeah, well, Scotty and I got together afterwards.
01:18:08Oh?
01:18:10Where'd you go?
01:18:16Yes, please.
01:18:23Anything happen?
01:18:29Yes.
01:18:30How does that affect us?
01:18:42I don't know.
01:18:43I hope it doesn't.
01:18:55Let's go home.
01:18:56Let's go home.
01:19:02What is it?
01:19:03No.
01:19:04No.
01:19:05No.
01:19:06No.
01:19:07No.
01:19:08No.
01:19:09No.
01:19:10No.
01:19:11No.
01:19:12No.
Be the first to comment