- hace 2 meses
Reparto: Christopher Lee, Peter Cushing, Michael Gough, Melissa Stribling, Valerie Gaunt, Carol Marsh, Olga Dickie, John Van Eyssen, Janina Faye, Barbara Archer, Charles Lloyd Pack
Dirección: Terence Fisher
El conde Drácula decide abandonar su castillo de los Cárpatos y establecerse en Occidente. Pronto conoce a una joven de quien se enamora y a la que visita por las noches. Esta alarmante situación hace que la familia de la chica busque la ayuda del doctor Van Helsing.
Dirección: Terence Fisher
El conde Drácula decide abandonar su castillo de los Cárpatos y establecerse en Occidente. Pronto conoce a una joven de quien se enamora y a la que visita por las noches. Esta alarmante situación hace que la familia de la chica busque la ayuda del doctor Van Helsing.
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00:00:00Thanks for watching the video.
00:00:30Thanks for watching the video.
00:01:00Thanks for watching the video.
00:01:30Thanks for watching the video.
00:03:30Thanks for watching the video.
00:04:00Thanks for watching the video.
00:04:30Thanks for watching the video.
00:05:00Thanks for watching the video.
00:05:30Thanks for watching the video.
00:07:00Oh, please, please, help me to escape.
00:08:00Now, please, allow me.
00:08:11Thanks for watching the video.
00:08:13Thanks for watching the video.
00:10:15That?
00:10:17Lucy Homewood.
00:10:18Lucy Homewood.
00:10:19Charming.
00:10:21Charming.
00:10:22You're very kind.
00:10:23Good night.
00:10:25Good night.
00:10:26Sleep well, Mr. Harker.
00:10:28Sleep well, Mr. Harker.
00:10:30Good night.
00:10:32Good night.
00:10:34Good night.
00:10:36Good night.
00:10:38Good night.
00:10:42Good night.
00:10:44Good night.
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00:14:37I'll help you.
00:14:39I promise.
00:14:45Please don't distress yourself.
00:14:51Thank you.
00:14:53Thank you.
00:15:07No!
00:15:13No!
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00:20:07No no.
00:20:09I do not have much time.
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00:24:28There aren't many travelers in these parts,
00:24:30no, that we shouldn't stop.
00:24:32One day ago, I think.
00:24:35A Mr. Harker.
00:24:37Harker, sir?
00:24:38Yeah.
00:24:39He's a friend of mine.
00:24:41He wrote to me from this address.
00:24:43Not here, sir.
00:24:44I don't remember, sir.
00:24:46He gave me a message on post.
00:24:47Hold your tongue, girl.
00:24:49Is this the message?
00:24:52I don't know.
00:24:53I don't know.
00:24:54I don't know.
00:24:55I don't know.
00:24:57I don't know.
00:24:59Go and prepare a meal for this gentleman.
00:25:00At once, do you hear me?
00:25:08What are you afraid of?
00:25:11I don't understand you.
00:25:13But why all these garlic flowers?
00:25:15And over the window.
00:25:22And up here.
00:25:24They're not for decoration, are they?
00:25:27I don't know what you're talking about.
00:25:29I think you do.
00:25:30And I think you know something about my friend.
00:25:32I came here with a purpose, to help you.
00:25:35We haven't asked for any help.
00:25:37You need it all the same.
00:25:39Look, sir.
00:25:40You're a stranger here in Clausenburg.
00:25:42Some things are best left alone.
00:25:45Such as interfering in things which are beyond our powers.
00:25:48Now, please don't misunderstand me.
00:25:50This is more than a superstition, I know.
00:25:53The danger is very real.
00:25:55If the investigation that Mr. Harker and I are engaged upon is successful,
00:25:58not only you, but the whole world will benefit.
00:26:01Castle Dracula is somewhere here in Clausenburg.
00:26:04Will you tell me how I get there?
00:26:06You ordered a meal, sir.
00:26:08As an innkeeper, it's my duty to serve you.
00:26:11When you've eaten, I ask you to go and leave us in peace.
00:26:15Your meal will be ready in a minute, sir, if you'd like to take a seat.
00:26:19Thank you.
00:26:34This was found at the crossroads near that place.
00:26:37He told me to burn it.
00:26:39But your friend was such a nice gentleman, I couldn't.
00:26:49You're welcome.
00:26:50We're at peace with you.
00:26:51Trash of the questions of the teacher in the school.
00:26:52There's a few places in the police department.
00:26:53You're leaving the police department.
00:26:54There will be a few places in the city and the interior.
00:26:55There's a ton of stories in the police department.
00:26:59I'm so sorry.
00:27:00But your side is dedicated to your car.
00:27:01I'm so sorry.
00:27:02You're there.
00:27:03Let me tell you a couple of stories in the car.
00:27:06I knew you, sir.
00:27:07You're there.
00:27:08I said you're there.
00:27:09You're there.
00:27:10I'm so sorry.
00:27:11I'll be there to go.
00:27:12Right.
00:27:13It's personal stuff.
00:27:14It's The Harker.
00:27:15You're there, man.
00:27:16Are you there?
00:27:18Thank you.
00:27:48Harker?
00:28:01Harker?
00:28:08Harker?
00:28:18Harker?
00:28:48Harker?
00:29:18Harker?
00:29:48Harker?
00:29:50Harker?
00:29:51Harker?
00:29:52Harker?
00:29:53Harker?
00:29:54Harker?
00:29:55Harker?
00:29:56Harker?
00:29:57Harker?
00:29:58Harker?
00:29:59Harker?
00:30:00Harker?
00:30:01Harker?
00:30:02Harker?
00:30:03Harker?
00:30:04Harker?
00:30:05Harker?
00:30:06Harker?
00:30:07Harker?
00:30:08Harker?
00:30:09Harker?
00:30:10Harker?
00:30:11Harker?
00:30:12Harker?
00:30:13Harker?
00:30:14Harker?
00:30:15Harker?
00:30:16No, no, no, no.
00:30:46No, no, no, no, no.
00:31:16You must know that Jonathan was going to marry my sister Lucy.
00:31:22Surely you could have written.
00:31:24I felt it would have been less of a shock if I came and told her personally.
00:31:28I'd rather you didn't see my sister.
00:31:31My wife and I will tell her.
00:31:34Very well.
00:31:36I'm sorry.
00:31:38Will you please express my sympathy to Miss Lucy?
00:31:40If she wishes to get in touch with me, I'm at her service.
00:31:45Oh, Gerda.
00:31:47Dr. Van Helsing is leaving. Will you show him to the door?
00:31:49Yes, sir.
00:31:50Good day.
00:31:51Sir.
00:31:52Why all this secrecy?
00:32:04Why wouldn't he tell us?
00:32:06Oh, darling.
00:32:08Dr. Van Helsing is a very eminent man.
00:32:11Whatever his motives, you can be sure he had a good reason for them.
00:32:14In any case, we can't help poor Jonathan now.
00:32:20Lucy's the one we must think of.
00:32:23Is she well enough to be told?
00:32:26It'll be a terrible blow for her.
00:32:29She must know sometime.
00:32:30We won't disturb her afternoon rest.
00:32:33We'll see how she is this evening.
00:32:36Jonathan will be home soon.
00:32:38I know it.
00:32:39Then I'll get better.
00:32:40You'll see.
00:32:41I won't be a trouble to Dr. Seward or any of you.
00:32:44Lucy, you're no trouble to anyone.
00:32:46Now rest.
00:32:47Get some sleep.
00:32:48You've got to get some color back into those cheeks.
00:32:52Good night, Lucy.
00:32:53Good night, Mina.
00:32:54Good night, Arthur.
00:32:55Good night, Arthur.
00:33:00Sleep well.
00:33:16I'll try.
00:33:30I'll try.
00:33:31I'll try.
00:33:32Good night, Arthur.
00:33:32Good night, Arthur.
00:33:34No, no, no, no.
00:34:04No, no, no.
00:34:34No, no, no.
00:35:04No, no, no.
00:35:06No, no, no.
00:35:08Memo.
00:35:09Check final arrangements with Harker before he leaves for Clausenburg.
00:35:13Three.
00:35:15The crucifix.
00:35:17Symbolizing the power of good over evil.
00:35:21The power of the crucifix in these cases...
00:35:26Come in.
00:35:29You rang, sir?
00:35:31Oh, yes.
00:35:32I want this letter delivered first thing in the morning.
00:35:35Will you see to that?
00:35:37Forks.
00:35:38Thank you.
00:35:39Thank you, sir.
00:35:41Anything the matter?
00:35:45What is it?
00:35:47Well, sir, to tell you the truth, when I was outside, I thought I heard you talking to someone.
00:35:53Well, of course you did.
00:35:54I was talking to myself.
00:35:55You won't forget that letter, will you?
00:35:57No.
00:35:58No, sir.
00:35:59Yes, sir.
00:36:00The power of the crucifix in these cases is two-fold.
00:36:21It protects the normal human being, but reveals the vampire or victim of this vile contagion when in advanced stages.
00:36:51Established that victims consciously detest being dominated by vampirism, but are unable to relinquish the practice.
00:37:08Similar to addiction to drugs.
00:37:12Ultimately, death results from loss of blood.
00:37:17But unlike normal death, no peace manifests itself, for they enter into the fearful state of the undead.
00:37:28Since the death of Jonathan Harker, Count Dracula, the propagator of this unspeakable evil, has disappeared.
00:37:38He must be found and destroyed.
00:37:47The death of Jonathan Harker, Count Dracula, the
00:38:16Subscribe to the channel!
00:38:46Do you know what's wrong with her?
00:38:48Of course I do.
00:38:50Then why don't you make her better?
00:38:52Tanya! Tanya!
00:38:54How many times have I told you not to go bothering Mrs. Homewood?
00:38:58I'm sorry, ma'am. That's all right, Gilda.
00:39:02A child's logic can be most disconcerting.
00:39:06Forks.
00:39:08Would you like a second opinion, Mrs. Homewood?
00:39:12Thank you, Doctor. I'll think about it.
00:39:16Well, carry on with the medicine and diet I've prescribed
00:39:20and plenty of fresh air.
00:39:22Yes, Doctor, I will.
00:39:24Good day to you.
00:39:26Good day.
00:39:44Come in.
00:39:48Mrs. Homewood, how very good of you to eat.
00:39:50Please, will you sit down?
00:39:52Thank you.
00:39:56You mentioned in your letter some things of Jonathan's.
00:39:59Yes, I have them ready.
00:40:00I would have brought them myself, but...
00:40:02Oh, I do understand.
00:40:04But you must appreciate Mr. Homewood was very upset.
00:40:07Of course.
00:40:08I only wish I could have been more helpful.
00:40:10How did Miss Lucy take the news?
00:40:13We haven't told her yet.
00:40:15Well, she's ill, very ill.
00:40:17I'm sorry to hear that.
00:40:19May I ask what's the matter with her?
00:40:21It was all so sudden.
00:40:24It happened about ten days ago.
00:40:26Our family doctor says it's anemia.
00:40:29I'm very unhappy about it.
00:40:32Oh, I've nothing against Dr. Seward.
00:40:34Please don't think that, but...
00:40:36Well, he did say I could have a second opinion.
00:40:39I'd like to see her at once.
00:40:41Oh, I'd be so grateful.
00:40:44If you'll excuse me.
00:40:48Lucy, I've brought someone to see you.
00:40:51Dr. Van Helsing. He's a friend of Jonathan's.
00:40:54Miss Lucy.
00:40:59What lovely flowers.
00:41:01Jonathan's dead, isn't he?
00:41:04It's true, isn't it?
00:41:07I'm sorry.
00:41:08Did Arthur tell you?
00:41:10Nobody told me.
00:41:12I just knew.
00:41:13Is that why Dr. Helsing's here?
00:41:15Partly.
00:41:16Dr. Helsing's a specialist.
00:41:18He's come to help you.
00:41:20Jonathan's told me so many things about you.
00:41:23Nice things, I hope.
00:41:24Very nice.
00:41:25Now, let's see.
00:41:30Mm-hmm.
00:41:33Right here.
00:41:44Now, don't you worry.
00:41:46We'll soon have you well again.
00:41:47Goodbye, Doctor.
00:41:48I'm sorry you've had a wasted journey.
00:41:51About Jonathan, I mean.
00:41:53It wasn't wasted, I promise you.
00:41:55Good day, Miss Lucy.
00:42:06How could she have known of Jonathan's death?
00:42:08A premonition. It's not uncommon.
00:42:10She took it so calmly.
00:42:12It worries me.
00:42:13I'm afraid there are more urgent things to worry about.
00:42:16Those marks on her neck.
00:42:17When did they first appear?
00:42:19Well, I noticed them first, shortly after she became ill.
00:42:21I asked her about them, and she said she thought she'd been stung.
00:42:24Which is quite possible, of course.
00:42:26Dr. Seward said she must have plenty of fresh air.
00:42:28Windows were open all the time.
00:42:30Between the hours of sunset and sunrise, all the windows in her room,
00:42:34with the possible exception of a small fan light for ventilation.
00:42:37Must be kept shut.
00:42:39But, Dr. Seward said...
00:42:40Mrs. Holmwood, you called me in for a second opinion.
00:42:43If I am to help your sister-in-law, there are certain things you must do to help me.
00:42:47However, unorthodox they may appear.
00:42:49Yes, I know, but...
00:42:50Madam.
00:42:52If you love Miss Lucy, be guided by me, I beg you.
00:42:57I'll do anything to make her wail again.
00:43:00No.
00:43:01You must get some garlic flowers, as many as you can.
00:43:06Place them by her windows, and her door, and by her bedside.
00:43:10They may be taken out during the day, but under no circumstances.
00:43:13Even if the patient implores you, they must be removed at night.
00:43:20I cannot impress upon you strongly enough how important it is that you obey my instructions.
00:43:25Do exactly as I say, and we may be able to save her.
00:43:28If you don't, she will die.
00:43:33I'll be here in the morning.
00:43:58I'll be here in the morning.
00:43:59Oh.
00:44:00Oh.
00:44:01Oh.
00:44:03Oh.
00:44:05Oh.
00:44:06Oh.
00:44:08Oh.
00:44:09Heavens, child.
00:44:10What is it?
00:44:11Oh, Gerda.
00:44:13These flowers, I can't stand them.
00:44:15They do smell strongly, Miss, but Mrs. Holmwood said that...
00:44:17I don't care what she said.
00:44:19Please take them away.
00:44:20Please.
00:44:21Well, oh please, Gerda.
00:44:24Oh no!
00:44:28All right, Miss!
00:44:30I'll take them out!
00:44:31And the windows!
00:44:32You'll open the windows!
00:44:34Yes, Miss Lucy, if that's what you want!
00:44:54I'll come back for the rest.
00:45:24There was nothing I could do to save her.
00:45:54Dr. Van.
00:46:02Mrs. Holman, did you do as I told you?
00:46:05She did.
00:46:06And you've seen the result.
00:46:08But, Arthur, dear...
00:46:09Please, sir. Excuse me, sir.
00:46:11It was all my fault.
00:46:13She could not breathe.
00:46:15She looked so ill, she begged me to open the windows and throw away all the plants.
00:46:19Oh, I know you told me not to, ma'am, but I...
00:46:21Gerda, what time was this?
00:46:23It was about midnight.
00:46:26I heard a noise and I...
00:46:28All right, Gerda.
00:46:29You may go now.
00:46:30Yes, sir. Thank you, sir.
00:46:32Oh, I am so sorry, sir.
00:46:38Whatever happened, all I know is that you've brought us nothing but grief.
00:46:42First Jonathan and now Lucy.
00:46:45Whoever you are and whatever your motives, please go and leave us in peace.
00:46:53Mr. Holman, when I told you about Jonathan, I thought it better for your peace of mind to spare the details of the dreadful circumstances in which he died.
00:47:02But the tragic death of your sister is so closely linked with Jonathan's that I think you should now know the truth.
00:47:08I can't expect you to believe me, but you will, I know, believe Jonathan.
00:47:13Here are his last words, his diary.
00:47:17When you have read it, you will understand.
00:47:20Well, what is it, Gerda?
00:47:35It's a policeman, sir. He's got Tanya with him.
00:47:51Tanya?
00:47:52Show him in, Gerda.
00:47:54Very good, sir.
00:47:56Good evening, ma'am. Good evening, sir.
00:48:01What is it, officer?
00:48:03I found this little girl here.
00:48:06She was very distressed indeed.
00:48:09Tell them what you told me.
00:48:11I don't want to.
00:48:13Oh, Tanya.
00:48:16There's no need to be frightened.
00:48:19Now, come on over here, sit with me and tell me all about it.
00:48:23Now, you don't want Mr. Holmwood to think you're a crybaby, do you?
00:48:29You're a big girl, ma.
00:48:31Now, come on.
00:48:32Tell me what happened.
00:48:34Well, I was out by myself.
00:48:37And she came up to me.
00:48:39And she said, hello, Tanya.
00:48:41Shall we go for a little walk?
00:48:43And I said yes.
00:48:45And we went for a walk.
00:48:47And then someone came along.
00:48:49And she ran away and left me.
00:48:51And I was lost.
00:48:54Now, who was she?
00:48:56Who did you see?
00:48:58Come on.
00:48:59Tell me.
00:49:01Who was she?
00:49:03Aunt Lucy.
00:49:21What do you see?
00:49:22I was, I was here.
00:49:23I was there.
00:49:24I was there.
00:49:25Not too far, you're still with it.
00:49:26Look.
00:49:27Don't tell me what's up.
00:49:27I thought it was a good little.
00:49:28You didn't want to get away.
00:49:29Not too far.
00:49:30But I saw a good little walk.
00:49:31I wasn't sure.
00:49:32And I was having a good day.
00:49:33I told her.
00:49:34You didn't want to get away.
00:49:35You don't want to get away from him, otherwise.
00:49:36I saw a good boy.
00:49:37And I saw him.
00:49:38You didn't want to get away.
00:49:39I said yes.
00:49:40I thought I could get away.
00:49:41Maybe I could get away.
00:49:42And I was going to get away.
00:49:43I don't know.
00:49:44Thank you!
00:50:14I heard you call me, Aunt Lucy.
00:50:30Yes, dear.
00:50:32Come along.
00:50:36You're cold.
00:50:38Where are we going?
00:50:40For a little walk.
00:50:42I know somewhere nice and quiet where we can play.
00:51:12Is it much further, Aunt Lucy?
00:51:14I'm so tired.
00:51:16Nearly there, my darling.
00:51:18Lucy.
00:51:20Arthur, dear brother.
00:51:22Lucy.
00:51:24Dear Arthur.
00:51:26Why didn't you come sooner?
00:51:28Eat.
00:51:30Let me kiss you.
00:51:32Arthur, dear brother.
00:51:34Lucy.
00:51:36Dear Arthur.
00:51:38Why didn't you come sooner?
00:51:40Eat.
00:51:42Let me kiss you.
00:51:44Let me kiss you.
00:51:54August pine
00:51:59Your Overwatch
00:52:00Let me kiss you.
00:52:06Help!
00:52:06No, no, no.
00:52:36You sit there.
00:52:38Yeah, good girl.
00:52:39There.
00:52:41You look like a teddy bear now.
00:52:43Will you wear this pretty thing?
00:52:46There.
00:52:48Isn't that lovely?
00:52:49Now, you promise not to run away?
00:52:51I promise.
00:52:52Good.
00:52:53Now, look.
00:52:55If you watch over there, you'll see the sun come up.
00:53:00Warm.
00:53:06You understand now.
00:53:21But why Lucy?
00:53:25Because of Jonathan.
00:53:26You read my note in his diary about the woman he found at Clausenburg.
00:53:30This is Dracula's revenge.
00:53:32Lucy is to replace that woman.
00:53:34Oh, no.
00:53:35I've watched her tomb each night since she was interred three days ago.
00:53:39Tonight she ventured out for the first time.
00:53:42Homeward, I know your one wish is that Lucy should rest in peace.
00:53:46I promise to fulfill that wish, but first, if I have your consent, she can lead us to Dracula.
00:53:55How can you suggest such a thing?
00:53:58That she should be possessed by this evil for another second?
00:54:02What about Gerda's child out there, and the others she will describe?
00:54:07Oh, no.
00:54:08I couldn't.
00:54:09I couldn't.
00:54:17Of course.
00:54:19Will you take that child home and then meet me back here in about an hour's time?
00:54:24That's all right.
00:54:25Nearly dawn.
00:54:27She won't leave the coffin again.
00:54:28Is there no other way?
00:54:42But it's horrible.
00:54:45Please try and understand.
00:54:48This is not Lucy, the sister you loved.
00:54:51It's only a shell, possessed and corrupted by the evil of Dracula.
00:54:55To free her soul and give it eternal peace.
00:54:59We must destroy that shell for all time.
00:55:04Believe me, there is no other way.
00:55:25Gentlemen, come talkium.
00:55:35AhhEnour of the situation.
00:55:38Ah!
00:55:38Ahh!
00:55:40Ahh!
00:55:42Ahh!
00:55:42Ahh!
00:55:43Ahhh!
00:55:44Ahh!
00:55:45Ahh!
00:55:47Thank you!
00:56:17Thank you!
00:56:47Drink this.
00:56:49I'm all right now.
00:56:51Drink it.
00:56:53Thanks.
00:56:59There's so much in Jonathan's diary I don't understand.
00:57:03Can Dracula really be as old as it says here?
00:57:06We believe it's possible.
00:57:08Vampires are known to have gone on from century to century.
00:57:11Record shared that Count Dracula could be five or six hundred years old.
00:57:17Another thing.
00:57:19I always understood that if there were such things,
00:57:22they could change themselves into bats or wolves.
00:57:26That's a common fallacy.
00:57:29Holmwood, the study of these creatures has been my life's work.
00:57:33I've carried out research with some of the greatest authorities in Europe
00:57:36and yet we've only just scratched the surface.
00:57:39You see, a great deal is known about the vampire bat,
00:57:42but details of these reanimated bodies of the dead,
00:57:45the undead as we call them,
00:57:48are so obscure that many biologists would not believe they exist.
00:57:54Of course you're shocked and bewildered.
00:57:57How can you expect to understand in so short a time?
00:58:00But you've read and experienced enough to know that this unholy cult must be wiped out.
00:58:06I hope perhaps that you'll help me.
00:58:09I'll do anything you say.
00:58:11Thank you.
00:58:13Of course we, we do know certain things.
00:58:16You witnessed one a little while ago.
00:58:19And we also know that during the day the vampire must rest in its native soil.
00:58:25Now, when I went to Castle Dracula, a hear came tearing through the gates.
00:58:31In that hearse was a coffin.
00:58:33I believe it contained Dracula and a bed of his own earth.
00:58:36To get here, that hear would have to come by the frontier at Ingstadt.
00:58:40They'll have a record there of where it was going.
00:58:42We need that address.
00:58:44Will you come with me to Ingstadt?
00:58:46How long will it take? I must let Mina know.
00:58:52With any luck, we shall be back by tomorrow morning.
00:59:06I'm afraid that is quite out of the question, sir, against regulations.
00:59:09All we want to know is where the coffin was going.
00:59:11I cannot give away information without proper authority.
00:59:14This is a matter of great urgency. I am a doctor.
00:59:17I'm sorry, sir.
00:59:19There's a young lad with a message for you.
00:59:22Personally he said he wouldn't give it to me.
00:59:24All right, Gerda. I'll see you.
00:59:36Forks?
00:59:37You Mrs. Homewood?
00:59:38I am.
00:59:39I have a message for you.
00:59:40You ought to go to 49 Friedrichstrasse right away, he says.
00:59:43And you're not to tell anyone.
00:59:45Who says?
00:59:46Arthur Homewood, he calls himself, said you'd know him.
00:59:50That's impossible.
00:59:51My husband's gone to Ingstadt.
00:59:52Not if he gave me this message he hasn't.
00:59:54And he gave me this message. Good night.
01:00:00You've got to have permission from the Ministry in writing.
01:00:02I have my orders and I must obey them.
01:00:05It is laid down in the government regulations
01:00:08that under no circumstances...
01:00:11Under no circumstances may an unauthorized person
01:00:15be permitted to examine.
01:00:19Of course, in the case of an emergency,
01:00:21we do sometimes make an exception.
01:00:24And seeing this gentleman as a doctor...
01:00:31When did you say it was, sir?
01:00:32December 1st.
01:00:33December 1st.
01:00:34Oh, December the 1st.
01:00:36Clausenburg to Karlstadt.
01:00:38Let me see.
01:00:41Here it is.
01:00:42One hearse, one coffin.
01:00:44J. Marks, 49 Friedrichstasser, Karlstadt.
01:01:12Arthur?
01:01:14Arthur?
01:01:44Arthur?
01:01:45Arthur?
01:01:50Are you sure I can't get you anything to eat, sir?
01:01:53No, thank you, Gerda.
01:01:54We haven't had time.
01:01:55But I would like a word with Mrs. Homewood before we go.
01:01:59Would you go up, please, and see if she's awake yet?
01:02:01Yes, sir.
01:02:02Are you ready?
01:02:03She's not there, sir.
01:02:04Not there?
01:02:05No, sir.
01:02:06Good morning.
01:02:07Meena, you gave me a fright.
01:02:08Where have you been at this hour of the morning?
01:02:09It was such a lovely day.
01:02:10I got up early and went for a walk in the morning.
01:02:11It was such a lovely day.
01:02:12I got up early and went for a walk in the morning.
01:02:15I didn't expect you back so soon.
01:02:16I'm afraid I've got to go out again.
01:02:17I'm afraid I've got to go out again.
01:02:18Oh.
01:02:19When will you be back?
01:02:20I can't say for sure.
01:02:21No, you're not there.
01:02:22It's about 20 days.
01:02:23I'm going to go out again in the morning.
01:02:24You're not there, sir?
01:02:25She's not there, sir.
01:02:26Not there?
01:02:27No, sir.
01:02:28Good morning.
01:02:33Meena, you gave me a fright.
01:02:35Where have you been at this hour of the morning?
01:02:36It was such a lovely day.
01:02:37I got up early and went for a walk in the garden.
01:02:39I didn't expect you back so soon.
01:02:42I'm afraid I've got to go out again.
01:02:44Oh.
01:02:45When will you be back?
01:02:46I can't say for sure.
01:02:48Mina, look pale.
01:02:51Are you OK?
01:02:52Arthur, don't fuss.
01:02:54I feel perfectly well.
01:02:56Goodbye, darling.
01:03:18Maybe you better let me lead the way.
01:03:21I know these steps.
01:03:22They can be dangerous.
01:03:24Yes, we...
01:03:25We don't want to have an accident, do we?
01:03:27No, dude...
01:03:28We don't.
01:03:29But, you know, an old man came here once to see his dear departed,
01:03:32and he fell down these stairs.
01:03:48Quite amusing, yes.
01:03:50He came to pay his last respects,
01:03:52and I have remained to share them.
01:03:55Quite amusing, yes.
01:03:57You won't really know.
01:03:58Where are we?
01:03:59Where are we?
01:04:00Where are we?
01:04:01Where are we?
01:04:02Well, I think it's around at the back somewhere.
01:04:05It's been here as long as bound to be at the back, isn't it?
01:04:08Come on.
01:04:09This way, gentlemen.
01:04:10You follow me.
01:04:11I know where it was.
01:04:13This way.
01:04:14Well, now, there's an extraordinary thing.
01:04:19It was there, I know.
01:04:21It was because I saw it only yesterday.
01:04:23Well, I really don't understand who could have moved, did he?
01:04:33The driver of the hear might have lied to the frontier official
01:04:36about where he was going.
01:04:38Yes, but that fellow at the morgue wasn't lying.
01:04:40He was really surprised when he saw the coffin wasn't there.
01:04:42He must have had it some time.
01:04:44I think he's still someone here in Karlstadt.
01:04:47But where?
01:04:48This is a big town.
01:04:50There are not many places he can hide, don't forget.
01:04:52There is that, of course.
01:04:54What are you two being so mysterious about over there?
01:04:57We'll be with you in a moment, my darling.
01:04:59There is an old, neglected graveyard about three miles from here,
01:05:06somewhere in this area.
01:05:09St. Joseph's.
01:05:11Mm-hm.
01:05:12Just one moment.
01:05:18Mina, my dear, don't think I'm being silly,
01:05:21but I'd feel much happier if, during my absence, you'd wear this for me.
01:05:26Please don't ask me why, but just wear it for my sake.
01:05:32Arthur, I...
01:05:34YO...
01:05:35Please, Mina.
01:05:36Please, Mina.
01:06:06You said Lucy would lead us to Dracula.
01:06:18Why didn't I listen to you?
01:06:19This would never have happened.
01:06:21You mustn't blame yourself for that,
01:06:22but you must have the courage to let Mina lead us now.
01:06:25We'll give her every protection we can.
01:06:27Tonight we'll watch the windows of her room.
01:06:29They face two sides of the house, don't they?
01:06:31Forks.
01:06:36I know I ask a great deal of you,
01:06:38But you mustn't weaken now.
01:06:40We have it within our power to rid the world of this evil.
01:06:47And with God's help, we'll succeed.
01:07:01I'm good at it and νけě.
01:07:02Oh, my friend.
01:07:04Now you have toああ.
01:07:05Ask up.
01:07:06Why isn't he saying that?
01:07:07Not really?
01:07:08Let me go...
01:07:10How was he saying that?
01:07:12This shit is more of a Germany.
01:07:14We're not sekarang.
01:07:15It vuosbuheuky,
01:07:16It's more of the enemy.
01:07:18When did it come very,
01:07:19it was not someone to get away.
01:07:22We took the money like an island.
01:07:24And when did it come inside?
01:07:25May you pass,
01:07:26You started doing nothing?
01:07:28Also, the book is funny.
01:07:29No, no, no.
01:07:59No no.
01:08:29No no.
01:08:59No no.
01:09:29No no.
01:09:59Mine!
01:10:05No no.
01:10:35No no.
01:11:05Just sit still like that for a minute.
01:11:15Just sit still like that for a minute.
01:11:27Thank you.
01:11:45Will she be all right?
01:11:55Will she be all right?
01:11:57I think so.
01:11:58Let me see your arm.
01:12:07Steady.
01:12:09Steady.
01:12:11You all right?
01:12:12Forks.
01:12:13Forks.
01:12:17Yes, it's very good.
01:12:19Now, you'll need plenty of fluid.
01:12:29Now, you'll need plenty of fluid.
01:12:31Now, don't worry.
01:12:43Now, don't worry.
01:12:44Gerda and I will take care of her.
01:12:45I'll take care of her.
01:12:58Just bathe her.
01:12:59Just bathe her forehead, will you, Gerda's and Odeclone or something?
01:13:02Yes, sir.
01:13:04How is she now?
01:13:05How is she now?
01:13:06She's reacted very well.
01:13:08Thank God.
01:13:09How did he get in?
01:13:10We watched the house all night.
01:13:12Your theory must be wrong.
01:13:13He can change into something else.
01:13:14He must be able to.
01:13:15How else could he have got in?
01:13:25Oh my God!
01:13:28How did he get home?
01:13:30Have you been looking at the house all night?
01:13:32The theory must be correct.
01:13:33If you can change anything else.
01:13:35How can anything else be changed?
01:13:36How could he have gone home?
01:13:39I wish I knew!
01:13:44Maldonado is asleep now, sir!
01:13:46She doesn't have to leave me!
01:13:47Ah, I'm going to go.
01:13:48I'd like to!
01:13:50You subtract and subtract.
01:13:51Let's have some water.
01:13:52You're sure you need two.
01:13:53Guido, are you going to get another bottle?
01:13:55Oh, Lord!
01:13:57And I wouldn't like it!
01:13:58Do you know what happened the last time I disobeyed Mrs. Homewood's orders?
01:14:02What do you mean?
01:14:03Well, sir, the lady told me the other day
01:14:05that the lady cannot go to the room.
01:14:23Aerrape!
01:14:26Aerrape!
01:14:34Exけど!
01:14:46Ah!
01:14:48Ah!
01:14:48Walls!
01:14:55Let them do it to you!
01:14:59It's like, come here!
01:15:02I didn't see him as weak!
01:15:04Emergency?
01:15:07You left!
01:15:10Oh, sorry!
01:15:13있으cas a location for this person.
01:15:18It's a coach, driver.
01:15:34He's been dead about half an hour.
01:15:36You think Dracula killed that coachman?
01:15:49Of course he did.
01:15:51Without a coach, you'd never get home before sunrise.
01:15:53He'd be dead.
01:15:53But even if he does get home, we'd...
01:15:55He's hiding the castle vault for years.
01:15:57We'd lose him there.
01:15:58And Mina...
01:16:06Whoa!
01:16:27Hey!
01:16:30Hey!
01:16:30Hey!
01:16:31Hey!
01:16:32Hey!
01:16:33Hey!
01:16:34Hey!
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