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00:00Shakila Bakam
00:02Shakila Bakam
00:04Ghanam Bhakti Lazizta
00:06Thank you
00:08Should you like Shakira's hands?
00:10Yes
00:12I talk with Shakira Bakam
00:13Yes I think
00:14Mr. Mr. Mr. do not want to talk to you
00:16We are not doing good to you
00:18You are not doing good
00:20You should see n results
00:22Mr. Mr. Mr. Mr.
00:24You are Gerry
00:26η esc verdure
00:28I
00:58I don't want to leave my hands here.
01:00I'll go forever.
01:02Darsal, this is Nadia's name.
01:05But Nadia's name isn't anything.
01:08Me, sir.
01:10Don't forget.
01:12From the first part,
01:14who was in the camp?
01:16Who was in the camp?
01:18And who was in the camp?
01:20And who was in the camp?
01:22Or who was in the camp?
01:24I'm talking about Shakira Wickham.
01:26Yes.
01:27You talk about them.
01:30Yes.
01:33Adam.
01:35If you live here,
01:37you're very happy to be here.
01:39Yes.
01:40But he's gone to America today.
01:42Why?
01:43Who's with the government's delegation?
01:47No.
01:49No.
01:51He's very good.
01:53What do you think?
01:55What do you think?
01:56What do you think?
01:57Yes, I do.
01:58He's gone to the house.
01:59He's gone to the house.
02:00Now he'll be back.
02:01You're gone, don't you?
02:03You're gone.
02:04You're gone.
02:05You're gone.
02:07You're gone.
02:08I've been gone.
02:09You've gone, I'm just gone.
02:10and leave the house and leave the house and leave the house.
02:13Mrs. Sir, this is your sister's sister?
02:17Yes, yes.
02:19Yes, I thought that this is...
02:21My sister's sister.
02:24You can't sit down now?
02:26Yes, I can sit.
02:27Then you've got a smile.
02:30What about you?
02:33We want to do the same thing.
02:36We're doing it.
02:37We don't want anything else.
02:40Where is Shaqeela Waikam?
02:42She's a sister.
02:44She's a sister, Motton, Nadia and Zahidah.
02:49Mr. Mr. Sir, tell me that you have to pay attention.
02:54Yes, we have to pay attention to the young people.
02:58In our lives, we haven't paid attention to our lives.
03:01One time, Mr. Mr. Sir, we have to pay attention to the Lord.
03:04Okay, Shaqeela Waikam, we are going.
03:07When we return to the Lord, we will come.
03:23No, no, no, no
03:53But this is my mother's daughter
03:55It's my wife
03:57Baba
03:59Baba
04:01Nadiya is very good
04:07Yes, Baba
04:09Yes
04:11I don't need to be able to do anything.
04:22I don't need to be able to do anything.
04:26People are not going to fight.
04:28Baba, I'm a man of truth and a heart and a heart.
04:33What's that?
04:35What are you doing?
04:37I mean...
04:39What kind of thing she didn't have done that way,
04:42which we've been doing?
04:44Baba, you're going to be in your house.
04:47No, Zee!
04:49Baba...
04:53She's asking for your mother to ask you.
04:57I got a
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36:32No, it's not. It's Turkey.
36:34But you're also saying Turkey.
36:37Our meaning was that your mother's face is from Turkey.
36:44The garden of Turkey is on the head of your mother's head of your mother.
36:48God, this time at Christmas time, put a gun on it.
36:53Our mother is not so bad.
36:56Yes, yes, yes. Your mother is not so bad.
36:58They are poor, poor.
37:00What?
37:02Nadia, baby.
37:04When a very good person says bad things,
37:08people say goodbye.
37:11With love?
37:12With love.
37:13I also believe that my mother's mother's mother's mother's mother.
37:16And I will tell them that my mother's mother's mother's mother's mother.
37:22There is no need for this.
37:25Your mother's mother's mother's mother.
37:27You can forgive me.
37:29Come on.
37:31You say goodbye.
37:33We've already forgiven them.
37:35What?
37:36If your mother doesn't say goodbye, don't do me.
37:38Yes, no.
37:39Good, he's dead.
37:41You're dead.
37:42What?
37:43What?
37:44Mr. Mr. Mr. Mr..
37:46It doesn't mean anything about this as a father's name.
37:50And you're...
37:51What kind of a life you are using?
37:54Aunt...
37:54Is this a man's age of dad's age?
37:58What is this?
38:00Mr. Shikila, my God.
38:02We have forgiven.
38:04Don't take it here.
38:07Mr. Nadia,
38:08Mr. Mr. Mr. Mr. Mr. Mr.
38:10Why?
38:12Shakila madam, when we have forgiven them, what is the need for you?
38:17Oh, thank you! You have forgiven me!
38:20Otherwise, my mother had 15 lines for me.
38:24She said that if Mirza don't forgive me,
38:27then you can read this letter and read 15 lines for them.
38:32Have you seen Shakila?
38:35Have you seen?
38:37Come on, Nadia.
38:38You have forgiven me, I have forgiven you.
38:41I have forgiven you.
38:43I have forgiven you.
38:45Okay, sit down, auntie, sit down.
38:49You will not ask for tea or coffee?
38:53Yes, I said it.
39:00So, tea or coffee or cold?
39:04Or cold.
39:06Sit down.
39:08We are so happy that we love the city.
39:18Yes.
39:22Shakila madam, we have understood everything.
39:25But we have been through the city of the city of the city.
39:31You are also the one of the brave of your house.
39:34She is a baby and you are your own baby.
39:38A baby?
39:40I think the mother of her mother called the baby.
39:44Mother?
39:46Nathia, come on, let me ask her to give a mafie.
39:50Let me just leave.
39:52If she comes to this house, she will demand a mafie to give a mafie.
39:57You should stay for some of the mafie too.
40:00If you are in the house, you will not be able to make a mistake for one time.
40:07I know that you will be able to talk like this.
40:11My name is Shakiela Begum.
40:15If this will be in front of the door,
40:19we will go to the door for the door for the same time.
40:24Oh, my God!
40:25My God!
40:26What happened?
40:31Where will you come from, Mr. SΓ‘?
40:33Why are you talking about this?
40:42It seems like this.
40:44I'm listening to the Great Lakes of the Great Lakes of the Great Lakes.
40:48I don't know if there was a Great Lakes of the Great Lakes of the Great Lakes.
40:52But in this time...
40:56I didn't know the Great Lakes of the Great Lakes.
40:59The Great Lakes from the Great Lakes.
41:01We got a river.
41:02We had to run, and have to run.
41:04OK, now let me know what to do
41:07You turn on the other because of the Great Lakes.
41:09What is this?
41:12foreign
41:18foreign
41:26foreign
41:36foreign
41:40I'll be able to return the 30,000 rupees.
41:42I'll never see a classical.
41:44I'll see you tomorrow and see a classical.
41:47Let's go.
41:49Ahem.
41:50Let's go.
41:51Ahem.
41:52Ahem.
41:53Ahem.
41:53Ahem.
41:54Ahem.
41:55Ahem.
41:56Ahem.
41:57Ahem.
41:58Ahem.
41:59Ahem.
42:00Ahem.
42:01Ahem.
42:02Ahem.
42:03Ahem.
42:04Ahem.
42:05Ahem.
42:06Ahem.
42:07Ahem.
42:08Ahem.
42:09Ahem.
42:10Ahem.
42:11Ahem.
42:12Ahem.
42:13Ahem.
42:14Ahem.
42:15Ahem.
42:16Ahem.
42:17Ahem.
42:18Ahem.
42:19Ahem.
42:20Ahem.
42:21Ahem.
42:22Ahem.
42:23Ahem.
42:24Ahem.
42:25Ahem.
42:26Ahem.
42:27Ahem.
42:28Ahem.
42:29Ahem.
42:30Ahem.
42:31Ahem.
42:32Ahem.
42:33Ahem.
42:34Ahem.
42:35Ahem.
42:36Ahem.
42:37Ahem.
42:38No, no, no, no.
42:41You want to go to this house?
42:44You're here.
42:46You're here.
42:47You're here.
42:48You're here.
42:50And now you're singing.
42:52My house has not been in our house.
42:55I like Pongi.
42:57Pongi?
43:00I'm opening the academy here.
43:02Mamu Music Mia.
43:04Sare ga ma pa da nisah.
43:06My house is a music academy in my house, not possible.
43:11Mumkin.
43:12Mamum, not possible.
43:14Shakila, Mumkin.
43:15All the people in my house are going to America, now what are you going to do?
43:22No, what are you going to do?
43:23What are you going to do?
43:24There are a few days when they are coming back.
43:26Our phone has been talking about the phone.
43:28No, we will go back again.
43:31We don't want to stay here.
43:33And you will see that you will go to America.
43:34tots afterwards, we will see where her uncle is alone.
43:37In a place where we must live from.
43:40Different room, there in the world, there in a life, there in a cell television.
43:42In a place where we must switch.
43:44So we won't be sitting in my house.
43:46In the room, we won't be listening.
43:48We'll be sitting there all the time now.
43:50We have to talk about theivery of this group.
43:53We can't hear this part in your house.
43:54We are going to stay there and don't go there in the room without turning it.
43:59Your house is a living room for your living room.
44:02You have to float.
44:03I don't know.
44:04You just need to hear the sound of a two-two.
44:07Yes.
44:08You saw the anger that the neck fell off.
44:11Now you go too.
44:13Do my own.
44:14You should have my three thousand dollars back.
44:17You've been reading.
44:19You're the lady from the Bank of Mehran.
44:21Where do you see the number?
44:23I don't know.
44:33Ah, my mother called me.
44:43Ah, my mother also called me.
44:46Oh, why?
44:48To tell her, she called you.
44:52So, what did she say?
44:55She said, my mother, we called her.
45:00So, what did she say?
45:03Then, you didn't ask her why she called her?
45:06When she told her that my mother called me,
45:11then, what did she say?
45:13Who called her?
45:15I didn't ask her, who called her?
45:19I asked her, why did you ask her,
45:23why did she call me at home?
45:26She said, I will call her again.
45:29She said, I will call her again.
45:31So, when she called her again, she asked her.
45:33What?
45:34Who called her?
45:36She said, she said, we called her again.
45:41Then, what do you say?
45:44Call her.
45:46Just?
45:48What can I ask?
45:50What?
45:51What can I ask?
45:52Yes.
45:53You can ask, why did she call me at home?
45:57Why did she call me at home?
46:01She said, I know her.
46:03So, what do I ask?
46:05Yes.
46:06Yes.
46:07What does she say?
46:09What does she say?
46:11She says, she said,
46:13She said, I'll stop my daughter
46:15and I'm sorry.
46:16But the lady, I saw the lady,
46:17I saw her again.
46:18She said,
46:19She said,
46:20I have a woman.
46:21She said,
46:22I have a woman.
46:23She said,
46:24I have a woman.
46:25She said,
46:26I think there is a challenge that...
46:30I'll call it again.
46:35What are you talking about?
46:39You say to your mother that they will call me.
46:46If you are gone, there will be no difference.
46:48I know that my mother will tell you what to say.
46:51I also know that your mother will say what to say.
46:54What will you say?
46:57Zahidah, we have called the Moten.
47:06Mr. Zahidah has called you MD.
47:09Good morning.
47:11Why did you call Zahidah?
47:14What will you say?
47:15I know what will you say.
47:17What will you say?
47:19They will say that Zahidah has called me.
47:24He is called me, Mr. Zahidah.
47:27What'll you say?
47:28Mr. Zahidah, my dear, Mr. Zahidah, say to me, if you are the city of Spain, then why do you want to do it?
47:37Mr. Arshad sir, I want to tell you something.
47:42Yes, yes.
47:44If Nadia is in Spain, then what do you do?
47:49Your mouth is so sweet and sweet and sweet and sweet and sweet and sweet.
47:54I don't need to know it.
47:57I asked a question that if Nadia is in Spain, then what do you do?
48:07Yes, I want to tell you my heart.
48:12I have a red dress.
48:15I take her to church and put her on the chair.
48:19Boil, the rain.
48:22The sun is made by the sun.
48:25The sun is made by the sun.
48:30The sun is made by the sun.
48:34The sun.
48:36The sun is made by the sun.
48:39The sun is made by the sun.
48:41The sun is made by the sun.
48:43Yes, yes.
48:44Please tell me that if I have a wedding with Nadia, then...
48:49I will do the sun.
48:50The sun is made by the sun.
48:52I will do it with Nadia.
48:54Oh sir, you can't leave her at the office.
48:56What do you do with me?
48:57How can she do it with her?
48:58I will do it with my wedding.
48:59The sun is made by the sun.
49:00I will do it with my wedding.
49:01What do you do with Nadia?
49:02Okay, okay, okay.
49:03What can she do with her?
49:04She can do nothing with her.
49:05She can do nothing with her.
49:06What can she do with her?
49:07She can do nothing with her.
49:09She can do nothing with her.
49:11What do you do with her?
49:12She laid such a big account.
49:15Nadia's behind her.
49:16Nadia's behind her.
49:17Nadia's behind her.
49:18Nadia's behind her.
49:19Nadia's behind her.
49:20Yes.
49:21And my brother, tried.
49:22And I told her to leave her.
49:23Lam andrΓ€.
49:24My brother, can't you put her there for the stairs?
49:25Glad I have, I might.
49:26You put her everything.
49:27She does everything on ichi.
49:29I always wondered this side.
49:31She fails to receive it.
49:32And doesn't see her.
49:33Listen, sir.
49:34Our, my testeo, I want to introduce one.
49:37Sir.
49:38Watch your head around.
49:39I will pay an impression so cold as I needed.
49:40Now it takes 4 days.
49:42You are impairing him with a human being.
49:45Blink.
49:46Blink.
49:47And Arshad Sahib, I will tell you
49:53Yes, yes, that's better from the jail.
50:07Are you M.T.?
50:08Yes, yes.
50:09The one who has put a paint on my model's mouth, who is? Who is it?
50:16The twoεorps of prawns?
50:18A Tory?
50:19The threeεNewman of prawns?
50:24The fourεε colour game?
50:27The square of reanimity.
50:29The square of blue collar?
50:32The square ofarf?
50:33Asia?
50:34The square of Π²ΠΎΠ·ΠΌΠΎΠΆ God sozusagen?
50:36Xi Jinping, please.
50:38What?
50:39I mean to say that the other clothes got perluid.
50:44It was all original.
50:47Who is it?
50:50Yes, you are very nervous.
50:54First, tell us what will happen.
50:57Is it hot or hot?
50:59It will only happen.
51:01Tell us where is the girl.
51:04Yes, in our office, Miss Jahnum did a job.
51:07Her name is Nadia.
51:09My dream is that this new job will be your best in your hands.
51:15Which is a new job?
51:17I need you.
51:19You need it.
51:21You need it.
51:23You need it.
51:25You need it.
51:27You need it.
51:29You need it.
51:31You need it.
51:33All right, so the fighting of this work will be worth 20,000 rupees.
51:37Because you are going to work, you will also like James Bond.
51:41She is not a name of Nadia.
51:43You should.
51:45I know what happens.
51:47What happens?
51:49I know what will happen to you.
51:52What will happen?
51:54When you go from here,
51:56you will have to die.
51:59And you will have to die like this.
52:04Lord, my entire life.
52:08People have to die.
52:11M-day?
52:13M-day?
52:14M-B?
52:15Go, go.
52:16Go, go.
52:17Go, go, go.
52:22I hope this dead man will be successful.
52:25Wow!
52:26The dead man will be right.
52:33Who are you?
52:34I'm Nadia.
52:36Oh, you're Nadia.
52:47I'm Nadia.
52:48I'm just afraid of my soul.
52:49My body will be hurt.
52:50I'm not Nadia.
52:51I'm afraid of Nadia.
52:52I'm afraid of Nadia.
52:53I'm afraid of Nadia.
52:54I'm afraid of myself.
52:56I'm afraid of my body.
52:57I'm afraid of my body.
52:58Yes, these photographs are colored.
53:01Right.
53:02The white and black, black and black.
53:06Yes, I'll leave a space.
53:08Yes, I'll leave a space.
53:09Yes, I'll leave a space.
53:10No, it's okay.
53:40What do you mean?
53:43This garden-told-bukhar is very dangerous.
53:47In 15 minutes, your spirit will be lost.
53:52Do you like to eat with a cold water?
53:56Or with a warm water?
53:58As a result, I have sprayed some other clothes on it.
54:05What?
54:07Nadia?
54:09Then I lost?
54:15Oh, my God.
54:23I'll come here.
54:24Yes, a girl.
54:26No, a girl.
54:28I'll come here.
54:30What do you mean?
54:33I want to forgive.
54:35I'll come here.
54:37My eyes are red.
54:38I've got mascara.
54:40No mascara.
54:42I'm going to heat.
54:43Pshhh.
54:44Pshhh.
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