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TVTranscript
00:00Do you like Nadia or do you like it?
00:03How do I tell you?
00:05From the mouth.
00:06From the mouth.
00:07From the mouth.
00:08From the neck.
00:09Actually, the truth is that Nadia doesn't come to me.
00:13She is a very good girl.
00:15Of course.
00:16In this city, there are so many good girls.
00:18She doesn't mean that I like everyone.
00:21If you say that, then I'll give you some advice.
00:24No.
00:25She will go to America.
00:27We'll give you some advice.
00:29You will find me.
00:31You are the boss.
00:34You are the boss.
00:35He will ape.
00:38You will kill me.
00:40Yes, well.
00:42Come.
00:43The song is meant for you.
00:47The song is long and because he is done with me.
00:50Some people aren't there.
00:52Are they just dating?
00:54I don't know.
00:56Maybe they are gay.
00:58It's inside. You keep it safe and I'll give them.
01:01Thank you. Thank you.
01:09Do you live somewhere?
01:11Yes. There is a house.
01:14Why do you live there?
01:16It's a matter of fact that I have a child.
01:20My father?
01:22My mother was born in my child.
01:27I need to tell you. It's obvious.
01:30Yes?
01:31No.
01:32My father was married for the third year.
01:35Because the second year, the Fiat 125 P passed away.
01:39It didn't go away.
01:41Where is my mother?
01:44I will come.
01:47Will you drink tea?
01:49Yes, I will drink tea.
01:51One thing I want to tell you,
01:53you shouldn't have married in this house.
01:56I don't have a child.
01:58You should have married in your house.
02:00I'm really happy.
02:01Yes.
02:02You live in your house.
02:03You should have married in your house.
02:05I'm really happy.
02:06Yes.
02:07You live in your house.
02:09You will have to get the information wrong.
02:12You will get the same information.
02:13You will also feel like the firework.
02:16What did you say?
02:18No.
02:19No.
02:20No.
02:21No.
02:22No.
02:23No.
02:24No.
02:25No.
02:26What is your name?
02:27No.
02:28You'll show up to your house.
02:29No.
02:30No.
02:31No.
02:32No.
02:33Don't you let me know.
02:34Hi.
02:35I've been listening to you piensah.
02:36Isn't this a crystal clear?
02:37No.
02:38No.
02:39No.
02:40No.
02:41You tell me that .
02:42No.
02:43Do you have anyrete vrails?
02:44You you have the best ะทะฝะฐe?
02:45that I was very good at the partition.
02:48I had crossed the train, the train changed the train,
02:52and I had a face.
02:53And?
02:54And the degree was all gone.
02:56And?
02:57Let's leave.
02:59You said to me, let's leave.
03:03Let's leave.
03:09Is this for me?
03:12Is this for you?
03:15Yes.
03:16There will be good ideas.
03:18Yes, yes.
03:19Mom, why don't you learn to dive?
03:23The water of the pool is coming out.
03:27Let's leave.
03:29We won't do this.
03:31The food is ready.
03:33Let's leave.
03:35Let's leave.
03:36Let's leave.
03:42Come in.
03:45May I come in, sir?
03:47Yes, come in.
03:52Sir, you're soft, sir.
03:53Who's soft?
03:55Sir, I got a promotion, sir.
03:56When?
03:57Sir, I didn't have a letter signed.
03:59I don't forget.
04:01What happened?
04:02Sir, I'm a media manager.
04:04Very good, very good.
04:06Thank you, thank you.
04:07Thank you, sir.
04:12And, sir, all the other people.
04:13Please.
04:14I'm so proud to.
04:15Come in.
04:19Yes, sir.
04:24Can you hear me?
04:25Give me a message.
04:26Mr. Salad?
04:27What did you hear?
04:28Mr. Salad?
04:29Mr. Salad, Mr. Salad?
04:30Mr. Salad, Mr. Salad, you're a royal man.
04:31Mr. Salad?
04:32Yes, sir.
04:33Mr. Salad, you're a royal man.
04:34Mr. Salad, that's my fellow man.
04:35Mr. Salad, you're a royal man.
04:36Mr. Salad, I'm a royal man.
04:37I will forgive you.
04:38That's why you are a truly holy and holy person.
04:42I have been very hard to you.
04:44They said that if I don't forgive you,
04:47they will forgive me in my life.
04:49What?
04:50They said that I will forgive you.
04:52Then you will forgive me?
04:53You will forgive me.
04:54That's why I can't forgive you.
04:55I can't forgive you.
04:58You will forgive me.
05:08I will forgive you.
05:11If you are not watching,
05:14I will forgive you.
05:16But I will forgive you.
05:18But I will forgive you.
05:21Then I will forgive you.
05:23I will forgive you.
05:24I will forgive you.
05:25Sir, this will not be the same.
05:27Why did you forgive me?
05:29Why did you forgive me?
05:30What did you do?
05:31I will forgive you.
05:32I will forgive you.
05:33That's the wrong reason.
05:34I will forgive you.
05:36Sir, I feel like you are a real person.
05:39You are a holy and holy person.
05:42I have a lot of you.
05:44But I will forgive you.
05:45Sir, please forgive me.
05:47Do you understand the truth?
05:50You have a lot of me.
05:52Yes, I have a lot of you.
05:54Sir, I have much to forgive you.
05:56Sir.
05:57Yes, sir.
05:58Yes, sir.
05:59You are guilty.
06:00Sir.
06:01Yes, sir.
06:02Yes, sir.
06:03What did I forgive you?
06:04Sir.
06:05Yes, sir.
06:06You are guilty.
06:07You are guilty.
06:08Yes.
06:09It's true.
06:10Yes.
06:11Sir, sir.
06:12Yes, sir.
06:13Yes, sir.
06:14Sir, I am very much happy.
06:15You are guilty.
06:16You are guilty.
06:17But you have given me.
06:18Yes, sir.
06:19Sir, what do I do?
06:21Oh, yes.
06:23I remember you once heard a song.
06:25A song?
06:27Yes, it was in Hyderabad.
06:29Yes, sir.
06:31Why don't you hear a song?
06:33Yes, sir.
06:35Yes, sir.
06:37Yes, sir.
06:39Yes, sir.
06:41Please sit here.
06:43Please sit here.
06:45Yes, sir.
07:19Oh
07:49Oh
08:19Oh
08:23Oh
08:35Wow
08:37What a beautiful song
08:39Really
08:41Oh
08:43Really
08:45Yes
08:47Oh
08:48Why didn't you make a smile on this?
08:51Yes, why not?
08:52Let me look, let me look.
08:53Oh!
08:54No!
08:55No!
08:56No!
08:57No!
08:58No!
08:59No!
09:00No!
09:01No!
09:02No!
09:03No!
09:04No!
09:05No!
09:06No!
09:07No!
09:08No!
09:09No!
09:10No!
09:11No!
09:12No!
09:13No!
09:14No!
09:15No!
09:16Right?
09:17No!
09:18Yes, sir!
09:19No!
09:20That
09:38I am regretting you!
09:45foreign
09:49foreign
09:59foreign
10:13foreign
10:43I'm going to go to the next to the matric.
10:45I started my teaching at the same time.
10:48I can't remember anything.
10:49Ghori, Ghori, Ghori.
10:52Nadia is a child.
10:54She is a child?
10:55Yes.
10:56So you enter it in nursery.
10:58Why did you enter it in this office?
11:01And you learn to teach it.
11:04Before you learn to teach it yourself.
11:08You tell this.
11:10There is no place in your life.
11:14What a good job.
11:19What a good job.
11:21What a good job.
11:23Nadia is a child.
11:26I'm finished.
11:29Ghori, Nadia has come to America.
11:34Why did she come to America?
11:36Why did she come to Haiti?
11:38Somaliyah why didn't she come to Haiti?
11:40Sudan is empty.
11:42Pakistan has come to Pakistan.
11:44Listen.
11:45This Pakistan is your country.
11:48Look, look, look, look.
11:49My country is my country.
11:51They are my strength.
11:55What did you do?
11:57What did you do?
11:59I love you.
12:02I love you.
12:04They love you, the Lord of their friends.
12:08Sometimes we love you, Somaliyah.
12:10She is a bourgeoisie, you love you.
12:11She is a pastor and her son.
12:13I love you.
12:14She has a woman.
12:15They love me.
12:17She is a pastor after her son.
12:18They love you.
12:19They love me.
12:20Some family, she is a person.
12:22Pussy cat, pussy cat, where have you been? I have been to London to look at the queen.
12:27This is not?
12:28I can say that my father was never pussy cat.
12:34Sure?
12:36Absolutely, 100% sure.
12:39And this is what I have written after the interview.
12:44You can confirm it.
12:45I have confirmed that this concept after the interview was super-hit.
12:53Tell me, how was your body's shape?
12:59Yes, yes, yes, yes.
13:03My eyes are beautiful, beautiful, beautiful, beautiful.
13:09My eyes are beautiful, beautiful, beautiful, beautiful, beautiful.
13:14That, by God, this is 100% pussy cat from every quarter.
13:21Look, my Taya died.
13:25Now, not to take anything from you, not to give anything from you.
13:30Now, forgive me for their love and blessings.
13:38Taya Jani, Taya Jani, where have you been?
13:41I have been to London to look at the queen.
13:43Taya Jani, Taya Jani, where have you been?
13:45I have to know, do, do, do, do, do, do, do.
13:48My name is Taya Jani.
14:04Vaah, vaah, vaah!
14:05What have you done for.
14:08Very beautiful.
14:09Ratively.
14:10All the grand pots are kept here.
14:14Who would you find?
14:16Baby, I have to give you a gift.
14:20You do this.
14:23You can eat six days in bed,
14:27and then take the beauty powder of the beauty powder
14:30in a little bit.
14:32Then put it in the chair.
14:35And after six minutes, six seconds,
14:37you'll have a mood to see.
14:38If you look like this, if you don't want to play the game,
14:41then my name is Mahmoud Ali.
14:43You can also keep an alternative.
14:45You can also keep an alternative.
14:47You're probably going to find Nadia.
14:50If they're not, there's no problem.
14:53You're right.
14:55Tell me, how do you feel?
14:58How do you feel?
14:59How do you feel?
15:01How do you feel?
15:03How do you feel?
15:05How do you feel?
15:07How do you feel?
15:09You're probably scared.
15:10Now, baby.
15:11This is the first thing.
15:13I don't have any relationship with you.
15:16You don't have any relationship with your relationship.
15:18You don't have a relationship with your relationship.
15:20You understand?
15:21Leave me alone.
15:22I want to be a relationship with your relationship.
15:24Which way?
15:25In front.
15:30Where are you from?
15:32I don't want to be ๋ง.
15:34I don't have so much trouble.
15:35You don't have a relationship with your relationship with your relationship.
15:37The
15:46airport's emergency room.
15:48Where are you from?
15:49Cinys.
15:50What do you mean that you have to ask your father?
15:54If you are doing this in Spain, you will find a place where you are sitting.
15:57Go, go, go.
15:58Don't worry, I'm going to go to Spain.
16:02There are no doors in the Ghusl Khane.
16:05There's a stadium in Ghusl Khane.
16:07Tell me, in which time they were in Spain?
16:10Sir, Ghusl Khane is a shame to go to Ghusl Khane.
16:13Don't worry, don't worry.
16:16I'm a very bad man.
16:18Don't worry, don't worry, don't worry, don't worry, I'm saying.
16:21Otherwise, you will become a barcelona in one rapper.
16:25You will look like a fool like a fool.
16:28Barcelona? Madrid?
16:30So you have to go to Spain?
16:32I'm going to go and stay.
16:34Tell me about your name.
16:35I'm a creative director.
16:38What do you mean by saying?
16:39Creative director.
16:41I'll be fine.
16:42Actually, I'm going to give you a chance.
16:44Who will I get?
16:46First of all, you'll meet with M.D.
16:48M.D.? Where are they sitting there?
16:49M.D.? It's the first door.
16:51Okay.
16:55I'm confident that you are telling me the right path.
16:58Absolutely, you go.
17:00And listen, drink a cup of tea with me.
17:02What?
17:03We'll talk about Spain.
17:05You're right.
17:07Okay.
17:07Wow.
17:08Magic.
17:09I'll take care of you.
17:10I'll take care of you.
17:11Good.
17:12Good.
17:12Good.
17:13Good.
17:15Jack.
17:21Are you committed to your client?
17:25Mr. Yeah.
17:26Mr. Yeahmd.?
17:26Yes.
17:27Rille wants me to meet atll.
17:28Mr. Yeahmd.?
17:30Yes, sir.
17:30Sir Mr. Yeahmd..
17:31Mr. Sure.
17:32Mr. Yeahmd.?
17:32Mr. Me ashamed.
17:33Mr. So only-
17:34Mr. Yeahmd.?
17:34Yes!
17:35Mr. Yesh.
17:36Mr. Yeahmd.?
17:36Mr. Yesh?
17:36Mr. As a matter of my client?
17:37The company just look ill-
17:38Mr. Yeahmd.?
17:39Mr. Yeahmd.
17:41Mr. Yesh?
17:42You don't have to live in a bomb, but tell me how much your budget is.
17:49The budget?
17:51Yes.
17:52The budget?
17:53Yes.
17:54The budget is 20,000,000 in the year.
17:5820?
17:59Oh, you mean 20?
18:01It doesn't mean 20?
18:03It doesn't mean 20.
18:04It doesn't mean 20.
18:05It doesn't mean 20.
18:06It doesn't mean 20.
18:07It doesn't mean 20.
18:08It doesn't mean 20.
18:09It doesn't mean 20.
18:11It doesn't mean 20.
18:1220?
18:13We call it 20.
18:14In love and love, we call it M.D.
18:18You don't have to do it.
18:2120.
18:2220?
18:23You don't have to be able to do it.
18:25I was asking them.
18:27What's your name?
18:2920?
18:30Come on.
18:31Your name is 20.
18:3320.
18:34And people are watching them.
18:3620.
18:37You don't have to be able to do this.
18:3920.
18:4020.
18:4220.
18:43You don't have to go there.
18:4420.
18:4520.
18:4620.
18:4721.
18:4820.
18:4920.
18:5020.
18:5120.
18:5220.
18:5320.
18:5421.
18:5520.
18:5620.
18:5720.
18:5821.
18:5921.
19:0021.
19:0121.
19:0221.
19:0322.
19:0421.
19:05You don't want to go, you can go.
19:08You go or you go with four men.
19:11What do you say?
19:13We call the client and call his bezas.
19:18The Guru's name is Guru.
19:19Guru, no!
19:21Guru!
19:21I tell Guru's anger.
19:24What do we do?
19:25The Guru's name is Guru's name.
19:30My name is Mammu Acharya, Mammu Kabariyah.
19:33Do you understand?
19:33And when you stand up and stand up,
19:36when is the champion of Hyderabad Cup?
19:39Show me the sample.
19:39Show me the sample.
19:41Go now.
19:43Okay.
19:44You've come from your money,
19:46you're going from your money.
19:47Do you understand?
19:56How much money do you get?
20:00Twenty thousand.
20:02Twenty thousand.
20:03Sala na?
20:05Mahana.
20:06Well, then you work here. I won't give you a lot of time to my father.
20:15Now, you're giving them a gift.
20:19Sir, don't you give me a gift. I also give you a great gift.
20:25You did a very good gift that gave them a gift.
20:28Look, people didn't even think about their age.
20:32Fifty-five?
20:33Fifty-five?
20:36What do you do?
20:38Client Service Manager.
20:40Sorry. No.
20:42When you don't come to Mirza Salim Beg's account, no Client Service Manager.
20:48Oh.
20:50How bad are you?
20:52No problem.
20:54No problem.
20:55You do all like this.
20:58Go and you need to come to Mirza Salim Beg's account.
21:03Come here.
21:08Come, let's sit outside.
21:10Today the summer will be very good.
21:12Let's go.
21:13What are you hiding from us?
21:14Yes, I'm hiding in the bag.
21:15I'm hiding in the bag.
21:16I'm hiding.
21:17Let's tell you.
21:18I'm hiding in the bag.
21:22What are you hiding from us?
21:24Yes, I'm hiding in the bag.
21:28I'm hiding in the bag.
21:29Well, what is wrong?
21:30What is wrong, what are you hiding away from the bag?
21:33It is a gathering from the bag.
21:34You are hiding in the bag.
21:35So the car is hiding under the bag.
21:36You stink.
21:37You know it.
21:38You don't have to find a bag.
21:39You don't have to know.
21:40You're hiding in a bag.
21:41You're hiding under the bag.
21:42You're hiding in the bag.
21:43We were going to take a look at them all.
21:47I was just thinking that the motor is not a shock to go outside.
21:52They are just sitting on the car on the chair and they just go to the chair.
21:58Who are you with me?
22:00With my mother.
22:02How is my mother?
22:04Okay.
22:05What do you do?
22:08I'm waiting for my office to go and I'm waiting for you.
22:14We are going to come to your house.
22:17Okay.
22:20But why?
22:25Is it good?
22:27Oh, it's good.
22:30I'm getting married.
22:32Come on.
22:33Let's get some tea.
22:44That...
22:47This is a pool.
22:50Okay.
22:57What was your mother saying to you?
22:59Nothing.
23:00Nothing?
23:02Mother is quiet.
23:04Can't it happen?
23:05I'm asking for your question.
23:07Mother is left behind myๅฉ.
23:09Why don't you leave her?
23:10She's asking for her.
23:12Mother is left behind myๅฉ.
23:14So why don't you take the house?
23:16That's the way she's gone before her.
23:19That's the first time she's gone before her.
23:22Mother?
23:24Yeah, I'm talking about Madia and Mother.
23:28Look, she's sitting at the age of boys and little girls.
23:31If you get married, it doesn't seem good.
23:33Hmm.
23:35Is there any girl in your eyes?
23:39Minus two and a half, which girl will you get?
23:45I don't have any relationship with my question.
23:49By the way, why don't you get married with Nadia?
23:55Nadia was in a wrong house.
23:59I don't want to keep her in a wrong house.
24:02Now, tell me if you were to go to our house or go to another house.
24:07What?
24:08I'm coming.
24:09Moten, it seemed so good to us.
24:12It doesn't happen to us.
24:15Sorry, sir.
24:17Moten said something to you.
24:19Yes, he was looking for the pool.
24:22I don't want to talk to you.
24:28I'm not in the pool.
24:37I'm here.
24:39Cat?
24:42I'm here, sir.
24:44Sorry, sir.
24:45I'm Mr. Dikosla.
24:47I'm Mr. Naeem, Director of Administration, Superficial, oh no, Supernational Advertising.
25:03Meow to meet you, sir.
25:05What do you mean by that?
25:07Sorry, sir.
25:08Pleased to meet you.
25:10But strictly confidential.
25:12Now, I was told you to get married.
25:16I'm sorry, sir.
25:17Sorry, sir.
25:18Sorry, sir.
25:19Sorry, sir.
25:20By the way, what are you doing here?
25:23Life is running alone, sir.
25:24Akele?
25:25Dokele?
25:26What do you mean by that?
25:27What are you doing here?
25:28Life is running alone, sir.
25:30Akele?
25:31Dokele?
25:32What?
25:33Dokele?
25:34What?
25:35What?
25:36What?
25:37What?
25:38Dokele?
25:39Oh no, not Dokele.
25:43Not Dokele.
25:46Akele.
25:48Dokele.
25:49Mr. Dikosla has died in a bad state.
25:52He got a bad state funeral.
25:55state funeral Mila.
26:09Thank you sir.
26:13Thank you sir.
26:14Stop for one minute.
26:16Mr. Dracosla's memory is in jail.
26:18Thank you sir.
26:25What are you doing?
26:27Why don't you say it?
26:29What are you dying?
26:31Sir, you are standing for one minute.
26:35Mr. Dracosla's memory.
26:43Two minutes left.
26:45I'm also too tired.
26:47He's sitting on his dead body.
26:51Yes, Mr. Naim.
26:53She's not my ihn Vi on Tuesday evening.
26:57I won still fly.
26:59Why we won't?
27:01I've got 30 years office experience.
27:03Yes, yes.
27:05You've got 30 years of experience.
27:07And 29 years of life generations.
27:11He gets the smile.
27:13He's dead.
27:15I don't say that.
27:18I don't say that.
27:20This is what I'm saying, sir.
27:23Director administration's head of his head.
27:26And sir, you're laughing.
27:30His language was wrong.
27:33His meaning and construction were right.
27:36Sir, he's very mad.
27:38You'll explain his meaning and construction.
27:42Now, I don't have time to go.
27:45I'm very tired.
27:50Sir.
27:54Thank you, sir.
27:59Mr. Naim is a very good man.
28:01Mr. Dikosla was crying.
28:03He didn't cry on his dead body.
28:08He was listening to us, sir.
28:10I feel so bad.
28:14Look, I'm moving now.
28:16I'll talk to you tomorrow.
28:17Sir, could it speak about one speech?
28:18Yes, sir.
28:19Can you pay for me 500 bucks?
28:21What?
28:23You can get the money.
28:24Who is it?
28:25We cut it off.
28:27Look, I'll give the money.
28:31But this is wrong.
28:33Here we go.
28:35Thank you, sir.
28:37We believe that your vehicle is our Dikosla Lede.
28:43How can this happen?
28:48We can show you now.
28:54Look, sir.
28:56Look.
28:57One more time.
29:03Keep it.
29:04Keep it.
29:05Keep it.
29:06Keep it.
29:07Keep it at home.
29:08You don't have to go to office.
29:10You don't have to take a bag.
29:13Very loving, sir.
29:16We used to say Dikki.
29:19Dikki?
29:20Which car was on it?
29:22It was on it.
29:23Yes.
29:24You don't have to take a bag in the Jeep.
29:26I don't know.
29:27Okay.
29:28I have to go to the meeting.
29:30We'll talk tomorrow.
29:32Okay, sir.
29:34Keep it.
29:35Keep it inside.
29:36Keep it inside.
29:38Keep it inside.
29:44I can come inside.
29:46I'm going to be inside?
29:47Come.
29:48Yes.
29:49Yes.
29:50Come.
29:51Can I come inside?
30:01Yes, come here.
30:07My name is Nadia.
30:11My name is Sharyar Ahmed.
30:15Sharyar Ahmed?
30:17My name is Sharyar Ahmed.
30:22Please, please.
30:26One more question.
30:28All of the girls are Sharyar Ahmed.
30:32What do you mean?
30:34Yes, I met another Sharyar Ahmed.
30:37But it was Sharyar Ahmed.
30:41Sharyar Ahmed?
30:43Yes.
30:44My friend is my friend.
30:45He has gone to Paris for 4 years.
30:49Do you know anything?
30:51Why? You don't know.
30:53Yes, he's a freelance journalist.
30:57He's a freelance.
30:59Today, tomorrow, tomorrow.
31:01He's doing a job like a tuition.
31:03I've come to my account.
31:05I've come to my account.
31:07I've come to my account.
31:09You've got an account.
31:12Don't try to do much of the show.
31:15Do you have any MD?
31:17Where are you?
31:18Yes, I'm MD.
31:20You're MD?
31:22Yes.
31:23There's no one for my husband.
31:24I've come to my house.
31:25Yes, you're MD.
31:26What do you do next?
31:27Yes, you're MD.
31:29Yes, you're MD.
31:30Yes, you're MD.
31:31Yes, I'm MD.
31:33I'm MD.
31:35Yes, I'm MD.
31:36Yes, I'm MD.
31:38Yes, I'm MD.
31:39Yes, you're MD.
31:41Yes, you're MD.
31:42Look, in 5 minutes, we're listening to a song and if it's 10 minutes, we're going to start a song.
31:51Listen.
31:53But what's so fast?
31:56It's fast.
31:58In this office, a young man is in this office.
32:00They say, what's the song?
32:02I can't even talk.
32:04Listen.
32:05But let me know that my account is fixed.
32:09Yes, it's fixed.
32:10Okay, then listen.
34:52When someone meets someone
35:01My heart opens
35:07My heart opens
35:13Baba
35:19Baba
35:21Baba
35:23Baba
35:25Baba
35:29Baba
35:31Baba
35:33Baba
35:34Baba
35:35Baba
35:36Baba
35:37Baba
35:38Baba
35:39Baba
35:40Baba
35:41Baba
35:42Baba
35:43Baba
35:44Baba
35:45Baba
35:46Baba
35:47Baba
35:48Baba
35:49Baba
35:50Dad?
35:51Sorry, Baba.
35:52Baba.
35:53But I also wear the same clothes.
35:55That's why we don't give you a gift.
35:58But you don't know Nadia.
36:01We don't know Nadia.
36:04Yes.
36:05Our last week, we've had such a great day.
36:07It's a great day.
36:10One thing is...
36:13One thing is...
36:15One day, when I was wearing clothes,
36:18I was looking forward to seeing you,
36:20I was wearing clothes.
36:22Wow.
36:23And today,
36:25I'm sitting in a white suit.
36:28Well, Baba.
36:30You'll have to go to the house.
36:32And you'll have to give an agency account.
36:35So, Nadia's work will be done.
36:38I've never seen Nadia like a good girl.
36:46Well, well.
36:47No, my dear.
36:48But I'd love the pay for such a long time.
36:50I'm going to leave with that.
36:52There's no big debt.
36:53No big debt and no big debt.
36:55Let's go, Baba.
36:57Father.
36:58Father.
36:59Father.
37:00Father.
37:01Father.
37:02Father.
37:03Father.
37:04Father.
37:05Father.
37:06Father.
37:08Father.
37:09Father.
37:10Father.
37:11Father.
37:12Father.
37:13Oh, my god,
37:16he is calling his son.
37:21Look, don't make any noise,
37:23please call me.
37:31Number 8 is?
37:32888-9123
37:37You can remember the boss too,
37:38so you can remember me.
37:41This is not a lecture.
37:42It's on the phone, right?
37:45What number is it?
37:47888-9123
38:03Hello?
38:05Which one are you saying?
38:07Pakistan.
38:08Mohibbe country.
38:10Which one of you are talking about?
38:14Madyn Ahmed.
38:15What kind of situation is?
38:17I'm talking about it like Dirgeist.
38:21Who is talking about it?
38:23That's why you're talking about it.
38:25If you're talking about it again..
38:27If you're not talking about it..
38:29I don't really know about it.
38:31I'm talking about it.
38:33I'm talking about it.
38:35You're talking about it?
38:37come and see what happened
38:39What happened Dad?
38:41I'm the phone
38:43No. No. No. No.
38:45Dad? What happened to you?
38:47Dad?
38:49What happened to you?
38:51I didn't have my brother.
38:53He didn't even get out of it.
38:55He didn't get out of it.
38:57He took 25,000,000 accounts
38:59and took his friends
39:01and lost his friends
39:03and his family and his family
39:05He didn't get out of it.
39:07Mateen?
39:09No.
39:11Mateen went to America.
39:13Where did you go?
39:15America.
39:17Nadia sent them to the airport.
39:19Tell me.
39:21Come on.
39:23888-9123
39:25888-9123
39:27888-9123
39:319123
39:33888-9123
39:35888-9123
39:37888-9123
39:39888-9133
39:41888-9123
39:43888-9123
39:45888-9123
39:47988-9123
39:49How are you?
39:51How are you?
39:53You're the wrong number.
39:55How are you?
39:57I'm the wrong number.
39:59i'm the wrong number.
40:05888-9123
40:07888-9123
40:09888-9123
40:11888-9123
40:13How are you?
40:14He's the right number.
40:15888-9123
40:16888-9123
40:18888-9123
40:19How are you?
40:20So you are the right number.
40:21How are you?
40:23You, who are you?
40:26My name is Matin. I'm a man here.
40:31Are you the real Matin-sahab?
40:34They are called Amalekah.
40:37Are you the Tibbi-imdad?
40:39If you are the other Tibbi-imdad, it's difficult to get the Tibbi-imdad.
40:44You are who are talking about?
40:47I'm Mamo.
40:49Mamo?
40:51Mamo.
40:51No, you are not.
40:53I'm Nadia.
40:55Pakistan's best model model model model model.
40:59Nadia has read about it in the past.
41:06You have four four points.
41:09If you are hungry, you will eat some food.
41:12You will eat some food.
41:15No, no, no.
41:18What happened to you, Baba?
41:21Look, Mia Sahib, this world is a very strange place.
41:25There is nothing we can do now. You talk about it yourself.
41:29If you say it, then we will also go with them with their house.
41:38If the girl's mother is so bad, how will she be?
41:44Who is it?
41:52Who is it?
41:56The person.
42:01Hello, Ghali Sahib.
42:04Peace be upon you.
42:08Tell us about some effects of our staff.
42:13You should keep your name as a mangal.
42:18A mangal?
42:19After your staff, he is making a mangal.
42:26A mangal is making a mangal.
42:28A mangal is making a mangal.
42:30You should do this.
42:32We are giving a mangal.
42:34We are making a mangal.
42:36We are making a mangal.
42:38We will not forget everything.
42:40You will not forget everything.
42:42You will not forget everything.
42:44Fruit is which one?
42:46Fruit?
42:48Fruit?
42:50Fruit is the best for you.
42:52Chocolate, two months.
42:54Chocolate?
42:56Fruit is the best for you.
42:58Yes, you are the best for you.
42:59This is fruit, fruit.
43:00This fruit is the best for you.
43:01Grave fruit.
43:02Grave fruit.
43:03Grave fruit.
43:04Yes, that is!
43:05If you are going to the end of the day,
43:07there will be any fruit for you.
43:09God will bless you.
43:11But the Lord will go to the end of the day.
43:13You will go to the end of the day and the fruit will come to the world.
43:18Oh!
43:19We've got our fruit.
43:20Where did you go?
43:21Where did you go?
43:23Where did you go?
43:25Oh, my dear.
43:28Oh, my dear.
43:30You should do it like this...
43:32...that you will...
43:34...in silver.
43:36What kind of you?
43:38Nothing.
43:40It's a silver.
43:42It's my duty.
43:44Your job is done.
43:47My job is done?
43:49No.
43:51My job is done.
43:53Yeah, my job...
43:57...of your job.
44:00My job is done.
44:02My job is done.
44:04Oh, my job is done.
44:06What, my job is done?
44:08It's done.
44:10fallen.
44:11Ye.
44:12He said,
44:13Take him off the ground.
44:15Well, I'm gone off the ground.
44:17Get him off the ground.
44:19Let's see this too.
44:49Sir, it was a necessary job. I thought I'll discuss it with you.
44:54Tomorrow, tomorrow, tomorrow.
44:56Free.
44:57Okay.
44:58I'm very hectic. I'm coming from meetings.
45:00No!
45:01No!
45:02No!
45:03No!
45:04Sir, what is this drink?
45:06Will you drink both glasses?
45:08There are three glasses.
45:10Sir, good news.
45:11The cold cream has a lot of fun.
45:14It's hard to drink.
45:15Yes, I know.
45:17I'm going to talk to you tomorrow.
45:19Yes, sir.
45:20You're going to do this whole day.
45:23We're going to sit here.
45:25What do you mean?
45:26Give me 10 minutes.
45:28Why?
45:29Okay, right.
45:31How much?
45:32When?
45:33When?
45:34When?
45:35When?
45:36When?
45:37When?
45:38When?
45:39When?
45:40New World Order.
45:41I need to go to this office.
45:42I need to talk to you tomorrow.
45:43I need to talk to you tomorrow.
45:44I need to talk to you tomorrow.
45:46No, no.
45:47I need to talk to you tomorrow.
45:48Okay.
45:49I need to talk to you tomorrow.
45:50Please, sir.
45:51No, no, no.
45:52Go!
45:53Oh, my God.
45:54Okay, okay, sir.
45:55Okay, okay.
46:16Take.
46:17I need to talk to you tomorrow.
46:18That's all.
46:19I need to talk to you tomorrow.
46:36You're not ready to talk to your friends.
46:37I need to talk to you tomorrow.
46:39Oh, new product.
47:09Hey, Morton?
47:11Gauri sahab, a problem major.
47:14Major problem?
47:16Yes, yes, let me tell you.
47:18Where did this rubber band get from?
47:21This is under the glass.
47:24Oh, dear, dear, you will tell me,
47:28what did this get from under the glass?
47:31This, who?
47:33Sir, these glass are the same, I don't remember.
47:38I don't remember.
47:40Oh, dear, dear.
47:42Oh, dear, dear.
47:44You are absolutely dead.
47:46Dead.
47:47Oh, dear?
47:48Sir, you took a rubber band under the glass,
47:50so you died?
47:51Yes!
47:52So, sir, I put it again under the glass.
47:55Oh, dear.
47:56You put it under the glass,
47:59which you took.
48:01Sir, I don't remember the glass.
48:05Oh, dear.
48:07Sir, sir, your mind was very popular.
48:12So, tell me, which glass was that?
48:15Sir, you are saying sir?
48:18Yes, sir.
48:19If you put rubber band on that glass,
48:22I will call you.
48:24That glass?
48:26Yes.
48:27Yes, sir.
48:28Yes, sir.
48:29Sir, this dark colour is a liquid in the glass.
48:33Yes, it is under the glass.
48:34Yes, it is under the glass.
48:35Yes, yes.
48:36It's good.
48:37Yes, sir.
48:38Yes, sure.
48:39Yes, absolutely.
48:41Thank you, dear.
48:42Now, play.
48:43Play.
48:44Play?
48:45Yes, come.
48:46Yes, come.
48:47Come.
48:48Yes.
48:49Come.
48:51Come.
48:52After all, help us.
48:54Oh, no.
48:55Oh, no.
48:57Ah, yes.
48:59Oh, no.
49:00Oh, no.
49:01Oh, no.
49:02Oh.
49:03Oh, no.
49:04So, no.
49:05Oh, no.
49:07Oh, no.
49:08Oh, no.
49:10Oh, sir, no, sir.
49:12That was what I was saying.
49:14I was telling you.
49:16Sir, are you scared?
49:18No, who? I am.
49:20Sit, sit.
49:22Thank you, sir.
49:24Is someone coming?
49:26Who is it?
49:28Oh, who are those drinks?
49:30Oh, for you, sir.
49:32For me? Yes, it's a new product.
49:34Yes, new product.
49:36Do it like this.
49:38I'll give you one.
49:40I'll give you one.
49:42I'll give you one.
49:44MDG's saying
49:46is the man or the man.
49:48Sir, one glass is yours.
49:50No, you don't.
49:52Two.
49:54Hello?
49:56No, no.
49:58No, no.
50:00I'm very busy.
50:02Sir, what is your fault?
50:04Yes.
50:06One glass and one glass is normal.
50:08A little?
50:10Oh, diet, diet.
50:12Diet?
50:13Diet?
50:14I'll drink, sir.
50:15Yes, drink, drink.
50:21Sir, this is a very strange taste.
50:24Yes.
50:25Can you drink?
50:26Yes, I'll drink.
50:27Yes, I'll drink.
50:28Drink, drink.
50:30Drink.
50:31Yes.
50:32Yes.
50:33Yes, baby.
50:34Yeah.
50:35Yes.
50:36Yes, ma'am.
50:38Yes, ma'am.
50:39Yes.
50:40Yes, ma'am.
50:41Yes.
50:42Sir, great.
50:43Yes, sir.
50:44Yes.
50:45Yes, ma'am.
50:46Yes, ma'am.
50:50Yes, sir.
50:51Sir, what's wrong?
50:52Sir, what's wrong with you?
50:54Sir.
50:56Sir, what's wrong with you?
50:58Yes, I'll give you.
50:59Sir, a bad glass.
51:01Bad glass?
51:03Sir, a diet and a normal diet is that you have a bad glass.
51:07Sir, what happened to you?
51:09Sir!
51:10Sir, what happened to you?
51:12Sir, what happened to you?
51:14Sir!
51:15Sir!
51:16What happened to you?
51:18What happened to you?
51:20Sir, what happened to you?
51:27What happened to you?
51:29What did you know?
51:30They were a good friend of mine.
51:32They were not a good friend of mine.
51:34The answer was never a good friend of mine.
51:36Oh, Shekiela.
51:37She's a good friend of mine.
51:39He came to the good friend of mine.
51:41He was a good friend of mine.
51:43He became the queen of Darwin.
51:46He was a good friend of mine.
51:48foreign
51:52foreign
51:58foreign
52:02foreign
52:08foreign
52:14Why didn't we meet?
52:16It wasn't a problem.
52:18I didn't know.
52:20We didn't do anything.
52:22We had a baby of Lassan.
52:26The father gave us for a steal.
52:29We didn't steal it.
52:31The father gave us ten dollars.
52:33We didn't steal it.
52:36We didn't steal it.
52:38Why didn't we steal it?
52:40We didn't steal it.
52:42We didn't steal it.
52:44We didn't steal it.
52:46We couldn't tell it.
52:48The limit is to say one word for two foot.
52:52Thank God for having me.
52:56Mrs. Ghori,
52:58let me show you a doctor today.
53:03I'm sorry, I'm late.
53:05I was changing my hair.
53:07I'm changing my hair.
53:09I'm changing my hair.
53:11Yes, I'm changing my hair.
53:12Yes, I'm changing my hair.
53:13Yes.
53:14How are you doing?
53:15Mrs. Ghori,
53:17I'm learning her.
53:19Yes.
53:20Tell me.
53:21Children,
53:23I thought you were like a flower in childhood.
53:25But now,
53:26get out of the bag.
53:27And sit in the car.
53:29Sorry.
53:30Yes,
53:33Yes,
53:34tell us.
53:35She told us that
53:36she came from office
53:38and came to the bathroom
53:39and she came to the bathroom.
53:40She came to the bathroom
53:42and came to the bathroom
53:43and she came to the bathroom
53:44and she wanted to eat the food.
53:45Then she went to theopsies
53:46and called everyone to salute.
53:47It's the only way.
53:48It's a shame.
53:49Then the hands of the back
53:50and the back
53:52and the back
53:53had two inches left.
53:54I'm going to go to the office last week,
54:03I'm going to go to the ground,
54:06and I'm going to listen to the old songs with acting.
54:10I'm going to tell you something.
54:13I'll tell you something,
54:16You are the people who are living in the house of the house.
54:20Everything is done with me.
54:22You can ask me to ask them.
54:24We have never sent them there.
54:27Okay, Shakila.
54:29We are going to go.
54:31We will not come to the house.
54:33What is the matter?
54:34God bless you, God bless you.
54:36God bless you.
54:37God bless you.
54:39God bless you.
54:41Let's go.
54:42Mom, it's all over the world.
54:46Oh, the world's over the world.
54:48Oh, the world's over the world.
54:50Oh.
54:51Oh, my God.
54:52Yes, the world's over.
54:54I have to go.
54:56Oh, my God.
54:58Oh, my God.
55:01Oh, my God.
55:03Oh, my God.
55:09Oh
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