01:00Under the watch of Buddhas, in the middle of carefully planned gardens, the serene water of a pond absorbs the light of the Japanese sun.
01:13Further away, a river shivers. It runs through this setting in which nature is in communion with the sacred icons of man.
01:22Here, the elements arrange themselves in a vision of harmony, a faithful reflection of the soul of Japan.
01:44Through its tumultuous history, which dates back to the beginning of times, the traditional Japanese tattoo has become one of the most evolved form of corporal ornament in the world.
02:10Known as Irezumi, which literally means inserting dye, or decorating the body, it has the particularity to cover the whole body with sophisticated patterns and symbols taken from the collective imagination.
02:28Its bearer incarnates a fragment of this heritage, which he perpetuates till his death.
02:38The current form of Irezumi can be traced back to the Edo period, at the beginning of the 17th century.
02:52Irezumi is still practiced today in confidentiality, despite being deeply rooted in Japanese identity.
03:12Irezumi is stillstad, but it is a fragment of the original day in the wives.
03:13Irezumi is still Fitzpatrick, which is a fragment of the Marsha, which is a fragment of the world's history.
03:14The second trunks of Irezumi, which is the
04:10Nowadays, the tattoo master, known as Horishi, from Hori which means to engrave, is the knowledge holder of the centuries-old Irizumi.
04:21The Horishi is a secretive character who works discreetly.
04:28Surrounded by rites, the minute preparation of tools and ingredients is the object of an unaltered ceremonial.
04:36The tattoo master makes his own tools by tying small needles with a silk thread to a bamboo stick.
04:46Each stick can contain 2-36 needles, depending on the type of work and the body part.
04:53The apprentice carefully watches his master prepare the dyes and new stencils needed.
05:09Observing the precise gestures he will need to reproduce at the end of this training.
05:14Music
05:26Music
05:36Music
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07:09Once the tattoo is completed, the client bears his signature and becomes a living part of the master's work.
07:39The tattoo is something that comes from the people.
07:55The samurai had the right to seppuku as a way to show they could bear pain.
08:05People come to the tattoo to prove they can also overcome pain.
08:19People come to the tattoo to prove they can also overcome pain.
08:23Most of the time, clients come with images of tattoos they want to get.
08:37But when they see my catalog, they change their minds.
08:48I work three hours per day for a tattoo, and it takes about one week.
09:06I have been tattooing for 35 years.
09:22I have been tattooing for 35 years.
09:26The inspiration comes from reading traditional Japanese stories.
09:30Then, in my head, I imagine the scenes to draw.
09:34When you do tattoos, you have to keep your heart pure.
09:50The tattoo master first draws the design directly on the body, without a decal.
09:58He tattoos the outline with black dye, following his design.
10:02The color fillings will be done over weekly sessions.
10:22Irizumi is always done by hand, using an ancestral engraving technique named Tebori, hand engraving.
10:48Once the needle is dipped in dye, the skin is delicately poked with the right hand, while the left hand stretches it.
11:10The horishi is guided by the noise, called shaki, to estimate the insertion depth and manage the shades.
11:17There are two styles.
11:46There are two styles.
11:48Tsukibori, a rapid movement where the needles are inserted at a right angle, is mostly used for the outline.
11:56Hanebori, which imitates the movement of a quill where the needles are inserted at an angle, is more precise and used for effects.
12:05It is a technical difficulty that requires five years of apprenticeship.
12:21There are three days of mi-seless distance from the line.
12:22There is a job in the different way.
12:23This is not a 先生.
12:24There is a newspaper that has been used for the such that are העaroes.
12:25There is a newspaper that has been used for the ripenatars, or in the Evangelicalamiędi, as a woman in the Yenisle.
12:57The Japanese tattoo is done by hand only
13:07Today we tend to use the machine
13:14But there are things you can only do by hand
13:18There are things you can only do by hand
13:24My master taught me the art of tattoo by the hand
13:30And I was attracted to it
13:32So I always teach my students tattooing by hand
13:36And I was attracted to this art of tattooing
13:42So I used to work with the art of tattooing
13:46I told myself I would learn to listen to him.
13:53But I don't know about listening, but I don't know if listening.
14:05That's why there are many other Ukiyo-e photos.
14:21There are many other Ukiyo-e photos.
14:35Other tattoo artists were inspired by ancient Chinese literature,
14:43by legendary characters or ancestral fight scenes.
14:48That's why there are many other Ukiyo-e photos.
15:00There are many other Ukiyo-e photos.
15:06And these are Ukiyo-e photos.
15:09There are many other Ukiyo-e photos.
15:17And these are Ukiyo-e photos.
15:21I created some Ukiyo-e photos.
15:24I created some Ukiyo-e photos.
15:27Ukiyo-e photos.
15:39So, Ukiyo-e.
16:35...
17:05The sun reappears in the Japanese sky.
17:24Flowers bloom on branches of trees as if they were saluting its light.
17:28The winter snow has melted, and the colors that were asleep beneath its coat awakening.
17:35Water flows again, and lets the life cavort in its bosom.
17:42In Japan, country of Shinto tradition, the tiniest form of nature is red.
17:49Water flows again, and lets the life cavort in its bosom.
17:53In Japan, country of Shinto tradition, the tiniest form of nature is worshipped, creating a deep
18:14respect for the natural order of the cosmos.
18:17Perhaps this is the origin of the humility, characteristic of the Japanese people.
18:24The crowd leisurely walks among temples under the morning dew of the cherry trees, color of the dawn.
18:36The crowd leisurely walks among temples under the morning dew of the cherry trees, color of the dawn.
18:42The crowd leisurely walks among temples under the morning dew of the cherry trees, color of the dawn.
18:49It is the morning of the year.
18:54It is the morning of the year.
19:19Tea
19:40Tea
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21:12The charcoal dye is manufactured with the same methods, using the same products and with the same respect for nature that prevailed four centuries ago.
21:21In the combustion room, multiple lamps burn continuously, maintained by an artisan whose job is to pour vegetable oil at regular intervals.
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22:05A natural dust, which mixed with an organic glue, will create a flexible paste.
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23:03The dye is dried for many months under oak ashes.
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23:08If the Kobayen family performs this traditional know-how with such sincerity, it is because in Japan, the dye is almost sacred.
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23:22If the Kobayen family performs this traditional know-how with such sincerity, it is because in Japan, the dye is almost sacred.
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23:43Left to dry, hanging in garlands, these little charcoal bricks, crushed to powder and mixed with water, transformed into a unique dye.
23:52It is a precious good, common root for the noble art of calligraphy and the little known art of tattoo.
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24:40The sun is at its peak. The summer heat offers itself to the world, which replicates with vivid colors.
24:50Light kindly nourishes with its brightness all those who abandon themselves to it.
24:58Life is blooming everywhere.
25:10The Horishis take inspiration from the treasures offered by nature.
25:15Irezumi is a school of the living, an allegory of terrestrial realities,
25:20its aesthetic language decrypted in the carefreeness of contemplation.
25:38Tattoo masters find their spiritual food in these colored palettes that depict the mysterious sensitivity of Japan.
25:45It is
25:54Alexander Draves' way of 뭘 was it.
25:55It's possible for all the glory here for the first place.
25:59In the near future the civilization is 끝defense itself.
26:01I porno faith a picture.
26:03It was pronounced lookedvered out as the atravies out in our race and around the size of their swords park.
26:38Sensei Horiyoshi III is one of the rare traditional tattoo artists known internationally.
26:47Staunch protector of his art, he has worked tirelessly for its worldwide recognition.
26:58However, he has modernized Irezumi by introducing Western techniques,
27:04like the electric tattoo machine, which he finds to be more precise for certain use.
27:24Irezumi is a pure form of traditional art, guided by principles of complete harmony between the body and the soul.
27:32Japanese people are very proud of their culture, and jealously guard their folklore.
27:42Usually, the tattoo remains hidden.
27:49The secret mark covers the entire body, except the forearms, the chest and the abdomen.
27:56In this way, the tattoo bearer keeps the beauty of his tattoo to himself, out of sight.
28:06As a proof of courage for himself, illustrating Japanese people's modesty.
28:13In this way, the tattoo bearer keeps the beauty of his tattoo to himself, out of sight.
28:20As a proof of courage for himself, illustrating Japanese people's modesty.
28:27From Greece, to…
28:29To shades andDB people's patterns on the deadwaists,
28:30as a poor traveler can be dramoured.
28:35I rule the way to understand that that is a compromising by treating a human being.
28:41Home being says he is the highest graphics
28:42Your priest movement reveals his tags to angle in the وت讓 its way above,
28:47until this time comes to people's love.
28:49ased gemeing is because the stitch is called Theέome.
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