00:00I would like to start from Luc Besson in the history of cinema.
00:08There used to be a lot of Draculas.
00:12Each director gave in this complex character a different aspect, a different dimension.
00:20What was the dimension that you want to give to your Dracula in this movie?
00:27I'm not a specialist. I've not seen almost none.
00:33And I don't like the myth of Dracula, and I don't like horror films.
00:37So I'm not coming at all from comparison to things that have been made, in fact.
00:43I come with love story, and that's what I want to tell.
00:49How many love stories we have said between literature, paintings, music, film, it's always a love story.
00:56So I'm not afraid to tell another love story, because it's just my point of view.
01:04It's my way of loving, my way of expressing, and it's just my expression.
01:11How many paintings in Le Louvre where it's just a woman on the painting?
01:16There's hundreds, but they don't look the same.
01:19But I have one.
01:27So the conversation has one.
01:28So the moment you can be Perché Dropis
01:29Don't be enjoying.
01:30We'll see you.
01:31So the camera works well.
01:32We'll see you.
01:34We'll see you.
01:34So the camera sat there.
01:35I'm not.
01:35See you.
01:37Julie may not.
01:39I mean, everybody .
01:39I'm not.
01:40Can you?
01:41It's some water.
01:41Ah, I'm not.
01:42I'm not.
01:42I'm sorry.
01:44I 4, I'm not.
01:45You only about them.
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