- il y a 2 mois
Savourez Le Jardinier d’Argenteuil (1966) 🎥, une comédie pleine de charme et d’esprit, portée par le légendaire Jean Gabin 🌟.
Dans ce film, Martin, un paisible jardinier d’Argenteuil 🌿, cache un secret bien gardé : il fabrique de la fausse monnaie dans sa serre 💸😄.
Entre quiproquos hilarants, situations absurdes et satire sociale 🏡, ce film offre un regard amusé sur l’honnêteté, la société et le bonheur simple.
Un chef-d’œuvre du cinéma français 🇫🇷 mêlant humour, humanité et élégance 💫 — à (re)découvrir pour le plaisir des classiques du grand écran 🎞️.
Dans ce film, Martin, un paisible jardinier d’Argenteuil 🌿, cache un secret bien gardé : il fabrique de la fausse monnaie dans sa serre 💸😄.
Entre quiproquos hilarants, situations absurdes et satire sociale 🏡, ce film offre un regard amusé sur l’honnêteté, la société et le bonheur simple.
Un chef-d’œuvre du cinéma français 🇫🇷 mêlant humour, humanité et élégance 💫 — à (re)découvrir pour le plaisir des classiques du grand écran 🎞️.
Catégorie
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Court métrageTranscription
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00:23:32Hello Mr. and Mrs. Alacarbe.
00:23:34Alacarbe? Yes, that's the dining room.
00:23:36And where are you from, and what's it like?
00:23:38What is this?
00:23:40It's a witches' brew.
00:23:42So, for the wine, I'll give you goulat-goulou.
00:23:44The bronze of Africa.
00:23:46One, two, three, four...
00:23:52Oh, Mr. Thudy.
00:23:54Good evening Thérèse, good evening Jeanne.
00:23:56Good evening, Mr. Thudy.
00:23:58You didn't see me all day, were you in town?
00:24:00Yes, I took a short trip to Paris.
00:24:01You look tired.
00:24:02Yes.
00:24:03You should have taken an umbrella.
00:24:04Yes, I should have taken an umbrella.
00:24:06It smells nice at your place.
00:24:07You haven't had dinner?
00:24:08No.
00:24:09I made a small stew for my father.
00:24:10We were about to sit down to eat.
00:24:11Would you like to eat with us?
00:24:12Ah, I'm not saying no.
00:24:14This is the first piece of good news of the day.
00:24:16May I?
00:24:17I have a little surprise for you.
00:24:19It's pure happiness.
00:24:21That's what they say.
00:24:26Do you think it's always raining?
00:24:27Oh no.
00:24:28Sir, we're going to dance, we need to hurry.
00:24:29The bill?
00:24:30I'm glad it's no longer there today.
00:24:32In the rain?
00:24:33No.
00:24:34We're going to do Schmolitz.
00:24:36Like that.
00:24:37Now we can always use the informal "tu" form, you know.
00:24:38That's charming, I'll leave.
00:24:39Hi.
00:24:40It's a poulcan.
00:24:41So, what do you think of my lion?
00:24:43Yes.
00:24:44It looks like veal.
00:24:45Smoked veal.
00:24:46That's wrong.
00:24:47Always a slight aftertaste.
00:24:48You have to know how to eat everything.
00:24:49If I were to tell you about my life.
00:24:50We don't have much time, sir.
00:24:51Alone in the midst of cannibals, to avoid going mad, I learned magic tricks.
00:24:54On the other hand, I was outsmarting the wizard.
00:24:55Ah, but that's not all.
00:24:56Getting better and better.
00:24:57We'll see.
00:24:58Honor to the souls.
00:24:59Flee.
00:25:00Flee.
00:25:01Flee.
00:25:02Flee.
00:25:03Flee.
00:25:04Flee.
00:25:05Flee.
00:25:06Flee.
00:25:07Flee.
00:25:08Flee.
00:25:09Flee.
00:25:10Flee.
00:25:11Flee.
00:25:12Flee.
00:25:13Flee.
00:25:14Flee.
00:25:15Flee.
00:25:16Flee.
00:25:17Flee.
00:25:18Flee.
00:25:19Flee.
00:25:20Flee.
00:25:21Flee.
00:25:22Flee.
00:25:23Flee.
00:25:24Flee.
00:25:25Flee.
00:25:26Flee.
00:25:27Flee.
00:25:28Flee.
00:25:29Flee.
00:25:30Flee.
00:25:31So, are you familiar with the Parisian ticket trick? Allow me.
00:25:34There you have it, Place Blanche, Place Voltaire, Place de la Banque.
00:25:44Tell me, but your ticket is fake.
00:25:46Fake ?
00:25:47Ah yes, and that's something I know about.
00:25:48I've seen them in all the tropics, fake dollars, fake piastres, fake...
00:25:51Fakes, whatever you want.
00:25:55But tell me, these ones don't want anything better.
00:25:58Wait.
00:26:00That was yesterday in Colombe.
00:26:01Yes, I was at the match.
00:26:02Oh !
00:26:03You see!
00:26:04The fakes are the thickness.
00:26:06A matter of paperwork.
00:26:07Well, you were unlucky to find a specialist.
00:26:10Listen, this is all I have on me.
00:26:12I don't even have my checkbook.
00:26:16I hope this one is good.
00:26:21Ah yes, it's good, it's good.
00:26:24And...
00:26:25Scented.
00:26:32You look sad.
00:26:34You too.
00:26:36For me, it's because it's time to leave you.
00:26:38Well, that's what you say.
00:26:40We can still use the informal "tu" form, since we've done Schmolitz.
00:26:43This is where I live.
00:26:47Beautiful house.
00:26:49Very beautiful.
00:26:51If I told you that it was very serious for me not to go home for dinner.
00:26:54They were waiting for me.
00:26:56That's why you... you looked sad.
00:26:59And you ?
00:27:00You seem worried since the ticket incident.
00:27:03Me, well, absolutely not.
00:27:05First, it will give me a good excuse to see you again and...
00:27:07pay the bill.
00:27:08Do you need an excuse to see me again?
00:27:15So, tomorrow?
00:27:17Tomorrow, tomorrow...
00:27:19Yes, tomorrow at three o'clock at the Tuileries.
00:27:22Near the pool.
00:27:23Ylda?
00:27:39Ylda!
00:27:40That's inconceivable.
00:27:41You were supposed to be back at 8 o'clock.
00:27:42You were forced to look after the children.
00:27:43We were supposed to go to the theatre with our friends.
00:27:44And you knew it.
00:27:46But it's my dress.
00:27:47I'm sorry, ma'am.
00:27:48It rained.
00:27:49This cannot continue.
00:27:50Okay, I'm going to write to your father.
00:27:51After all, I am responsible.
00:27:52The pension you had received.
00:27:53I don't know, my accident.
00:27:54No.
00:27:55No, no, it's not an accident.
00:27:56No way.
00:27:57It's because of the lion.
00:28:15What brings you here at this hour?
00:28:17That.
00:28:18A little souvenir from Colombe.
00:28:20Oh.
00:28:29Still, you two could have warned me.
00:28:31Prevent, prevent.
00:28:32It was your uncle who put it in your neck without telling me.
00:28:34You're not going to say that I wanted to turn my Fillon into a crook like him, are you?
00:28:37I'm not here to criticize you, but I really wasn't expecting something like this.
00:28:41Hey, what do you want, kid? You gotta make a living.
00:28:44Did you do it?
00:28:45Yes, indeed.
00:28:46Let's just say, you're more than just a painter.
00:28:48You're a true artist.
00:28:50I've been doing it for 20 years.
00:28:52No one ever saw anything.
00:28:5320 years old?
00:28:54But you should be rich.
00:28:56Why bother?
00:28:57I don't know.
00:28:58Rich, that says exactly what it means.
00:29:00When you're rich, you have everything.
00:29:01Well, we have everything and we have nothing, but you know, Christmas, you shouldn't get your hopes up.
00:29:06Those kinds of schemes are for Peru.
00:29:08I'm going to tell you the secret to my success.
00:29:10I've always made small cuts.
00:29:12But it takes longer to sell them.
00:29:13Yes, I know, but with little ones, we don't look at them closely.
00:29:16Well, that's enough for me.
00:29:18It's just for the sake of delusions of grandeur, as long as I get my little crust of bread.
00:29:21And then, if I need a couple of things,
00:29:23or perhaps an overcoat, tubes of colored paint,
00:29:26Or, if it's a tax bill, well, I'll go down to my cellar.
00:29:28And then I get to work.
00:29:29Oh, well, I didn't picture you like that, did I?
00:29:32But tell me, how did you realize they were fake?
00:29:37I came across a specialist.
00:29:39But it would be too much to explain to you.
00:29:41Well, now you're pretty much forced to take me.
00:29:44What do you mean, force? What do you mean?
00:29:47You know I don't like blackmail, right?
00:29:49No, no, it's not something to take lightly.
00:29:50but I might lose my place at the driving school.
00:29:53I had a problem.
00:29:54So, it would be helpful if you could let me work with you.
00:29:57Okay, well then, that way I understand you better.
00:29:59Okay, well, listen, I'm willing to try it with you.
00:30:01Here, I'll give you the same 50% as Albert.
00:30:04But I'm warning you, it's not a done deal at all.
00:30:06Precautions must be taken.
00:30:08We need to be serious, keep our mouths shut, and then, above all,
00:30:11But then, especially, there's something about that, huh.
00:30:14No woman.
00:30:15No woman.
00:30:20Desastux,.
00:30:21Preserved.
00:30:22We, now, in one area,
00:30:24You, for the sake of living, are a
00:30:41Please.
00:30:50Is that good?
00:30:51Sir, the tank is full. What's going on?
00:30:53I don't know if it's a tiger you put in your engine,
00:30:56But I know what's in your candy box.
00:30:58Now I want to know the truth. The whole truth.
00:31:01Listen, Ilda, yesterday I lied to you.
00:31:03I agreed to pass them on to do a friend a favor.
00:31:05But this is the first and last time, I swear.
00:31:07Yes, I don't want you to do it anymore.
00:31:08You, you're a bird, well, your brain is.
00:31:09I'm going to do it.
00:31:12You ?
00:31:13How many are in there?
00:31:14100,000 francs.
00:31:15100,000?
00:31:15Old. Finally, without 10 franc notes.
00:31:17Why only 10 francs?
00:31:19Because the man who makes them doesn't want to make any bigger ones.
00:31:21But this is amateur work, you are two children.
00:31:23Let me do it and you'll see. I have an idea.
00:31:27There you go, sir. You don't need anything else?
00:31:29Yes. A cognac.
00:31:39Here it is.
00:31:42Is that him? Is that that guy?
00:31:44Well, I never.
00:31:46Why do you know him?
00:31:47If I know him, he's the man with the umbrella.
00:31:51The church robber.
00:31:52You're crazy.
00:31:54But she's my thief.
00:31:56Hey, can you explain to me what you're doing with this thief?
00:31:59We'll see if I'm a thief.
00:32:01Forger.
00:32:02What ?
00:32:02Not only are you stealing from church collection boxes,
00:32:04But you also make counterfeit money.
00:32:06What is this all about?
00:32:07What is this all about?
00:32:08Hey, Christmas, what does that mean?
00:32:16That means, sir, that I've discovered the rose's friend.
00:32:18I told you to be wary of women.
00:32:20You're just doing stupid things.
00:32:21You two are going to get the hell out of here.
00:32:22I don't need anyone.
00:32:23You don't need anyone.
00:32:24You need a lot of people to sell your tickets.
00:32:27Evidence.
00:32:29What, it's already done?
00:32:30Yes.
00:32:30And I did it all in one go.
00:32:32I bought myself this trinket.
00:32:33and at the same time, I offered them some money.
00:32:35He was delighted.
00:32:36They even gave me a large sum of money.
00:32:38Is that what you call a trinket?
00:32:39You're not listed, are you?
00:32:40that I'm going to change all your tickets
00:32:41By buying me a tube of lipstick?
00:32:44In fact, I wonder
00:32:45Why do you only make 10 franc notes?
00:32:47That's ridiculous.
00:32:47Yes, well, maybe it's ridiculous,
00:32:48But that's my method.
00:32:49I don't owe you any explanation.
00:32:50I have been fighting for my peace and quiet for 50 years.
00:32:52Is today the day I start to get bored with my life?
00:32:54Maybe I'm a little crazy,
00:32:56But I find it sad, this tranquility.
00:32:58Monotonous.
00:32:59So, you've been making 10-franc notes for 50 years?
00:33:02No, not for the last 50 years.
00:33:03for only 20 years.
00:33:04And for me, it's second nature.
00:33:06At school, I used to give fake good grades.
00:33:07at the regiment, fake leave requests.
00:33:09Then during yesterday,
00:33:09I made false papers for the resistance fighters.
00:33:11No one ever thanked me, by the way.
00:33:13Because me too,
00:33:14Perhaps I have earned the gratitude of my country.
00:33:15So, that's why.
00:33:16I said to myself, my dear Joseph,
00:33:17You're going to build your own little pension.
00:33:19You are wonderful.
00:33:21Well, say it in there.
00:33:22Let's forget about this umbrella business.
00:33:24Why didn't you tell me?
00:33:25That your godfather was so wonderful?
00:33:27Because you didn't give me the time.
00:33:29Here.
00:33:30Look, Mr. Rembrandt.
00:33:32Look.
00:33:33That's what needs to be manufactured.
00:33:36I've never seen one.
00:33:37But they are not very beautiful.
00:33:39Then in any case,
00:33:39Those ones are not difficult to make.
00:33:41We're going to move in with you.
00:33:43I will take care of you
00:33:44as if you were my father.
00:33:45I will do the cleaning, the cooking,
00:33:47You'll see, it looks good.
00:33:48You need to get started right away.
00:33:49It is necessary, it is necessary, it is necessary.
00:33:51You're a bit cheeky, miss.
00:33:52Think of the expression for me.
00:33:53You stole my umbrella,
00:33:54You're making me lose a day of work.
00:33:56You arrive here, you yell at me,
00:33:57You give me orders.
00:33:58And you want to move in with me.
00:33:59But what do you think?
00:34:01I'm not doing that, though.
00:34:01to print 50,000 bucks notes
00:34:03to end up in jail.
00:34:04It never crossed your mind,
00:34:05Article 139 of the Penal Code?
00:34:07Forced labor for life,
00:34:08Lots of love from Fred.
00:34:09Just remember that if I succeeded
00:34:10for so long,
00:34:11It's because I'm a professor.
00:34:13I am serious and honest.
00:34:14Me, miss.
00:34:15You will only do a few of them.
00:34:16Oh, no.
00:34:17Just to help us,
00:34:17We were settled in.
00:34:18Yes, we're going to get married.
00:34:19But I don't care,
00:34:20You can get married,
00:34:21But don't count on me.
00:34:22for help with cleaning staff.
00:34:24That's what the state is for.
00:34:26We often start by saying no.
00:34:29And then...
00:34:36You want ?
00:34:37No.
00:34:37It seems to me that...
00:34:41He lived like a bear.
00:34:50And there you have it, his godson is getting married.
00:34:51And since they have no housing,
00:34:53He is settled in at home.
00:34:54They are so kind,
00:34:55always laughing and kissing.
00:34:57Oh, you, oh,
00:34:57We don't dream about that much.
00:35:01Ouch!
00:35:07Subtitling by Radio-Canada
00:35:37Oh, well then!
00:35:41SO !
00:35:47First course!
00:35:49First course!
00:35:51First course!
00:35:53We're hungry, aren't we?
00:35:54So, how's your foot bath going?
00:35:55It's true that you're doing the grape harvest.
00:35:57I'm getting worried about the paper pulp being made
00:35:58And you'll give me back the grinder.
00:35:59Oh no, I need it
00:36:00to grind the colors.
00:36:01Ah yes, but me,
00:36:01I need to chop the carrots.
00:36:02Godfather needs a tonic.
00:36:03Ah yes, it's not insured.
00:36:04We mustn't let him get sick.
00:36:05And you don't notice anything about me?
00:36:07Don't you think I'm getting fat?
00:36:09Push your ear.
00:36:10There, under the breasts.
00:36:11Can't you hear anything?
00:36:13It must be making a funny noise.
00:36:16Quite simply,
00:36:17200 sheets of paper
00:36:18that I put in my rag
00:36:19to see how
00:36:20will hold our 10 million.
00:36:21She is a small woman
00:36:22That's worth 10 million, you say?
00:36:23Thanks to whom?
00:36:24Who makes them?
00:36:25Your millions?
00:36:26Well, back then,
00:36:27you're making my feet ache
00:36:27with your TSF.
00:36:28This can't go on like this, can it?
00:36:30You're going to make me happy
00:36:30to get the hell out of here wherever you want.
00:36:32In the south or at Kamechaka.
00:36:34In the south,
00:36:34I wrote to my uncle
00:36:35who will find us
00:36:35Something on the coast, huh?
00:36:36Yeah, well, I don't care about that.
00:36:37so that you can get rid of me
00:36:38to get to work as quickly as possible.
00:36:39I'm too old to dance the twist.
00:36:41Gradually
00:36:42that the change will have been made,
00:36:43We will send you money orders.
00:36:44As long as it's for an arrest warrant.
00:37:04Dora, Dora, children!
00:37:21Oh, well, what a surprise!
00:37:23We weren't expecting you so soon.
00:37:25Hilda.
00:37:26Hilda?
00:37:26But that's the whole of Scandinavia.
00:37:28No, she's Swiss.
00:37:28Ah, like chocolate.
00:37:31It is a croquet,
00:37:33He kissed her.
00:37:34Hello Sir.
00:37:35Oh, call me uncle,
00:37:36He thinks ahead.
00:37:37But tell me, adornment,
00:37:38car, fur,
00:37:40It creates an inheritance.
00:37:41Were you out hunting?
00:37:42Ah, the hunt for rare birds.
00:37:46Yes, that's my job.
00:37:48Bang, bang, bang.
00:37:48We would talk it out, talk it out.
00:37:50Yeah.
00:37:50Dora, Dora, children!
00:37:52Ah, a house, a house,
00:37:54You know, they don't give them away around here.
00:37:56It's an investment, though.
00:37:57Ah, well, there's the villa,
00:38:00the Blue Lizards,
00:38:00a very beautiful villa
00:38:01which belongs to one of my clients,
00:38:02You see, she is in Vence.
00:38:03Ah!
00:38:04Your aunt, your Christmas fiancée.
00:38:06Hello, Auntie.
00:38:07Call me Dora.
00:38:08Yes, madam.
00:38:09Hello, aunt.
00:38:10Good morning.
00:38:10They want to buy a house.
00:38:12So I would have suggested the Blue Lizards.
00:38:14Blue Lizards, you're completely crazy.
00:38:16It's far too expensive for them, you see.
00:38:17Phew, money matters are out of the question.
00:38:19have never worried me.
00:38:20My father is a major industrialist.
00:38:21Ah, you'll have something to drink, won't you?
00:38:23Not you!
00:38:24It's almost noon.
00:38:25You're already on your sixth pastiche.
00:38:27Oh, neat little moms.
00:38:29But congratulations,
00:38:30I think it's a good match.
00:38:34Oh, Christmas, look at me.
00:38:36This is the kind of house they're building for us.
00:38:37Oh no, but the Blue Lizards,
00:38:38That's much better.
00:38:3915 km from here,
00:38:40We overlook the sea.
00:38:41An unbreachable view, indeed.
00:38:42They are delicious.
00:38:43They're real tourers.
00:38:44Do you remember, the two of us?
00:38:46If you want my opinion,
00:38:47This is all very strange.
00:38:48Why is that strange?
00:38:48An industrialist father,
00:38:50A counterfeiting godfather, that's what he is.
00:38:51Oh, tulip,
00:38:52with his poor little ten-franc notes.
00:38:55Yes.
00:38:56Come on.
00:38:57Can I move?
00:38:59Yes, and we've done enough for today.
00:39:00Then I'm not in the process of doing that.
00:39:01It's true, these days,
00:39:02You are sad.
00:39:03Yet, you have regained your peace of mind.
00:39:05Yes, indeed.
00:39:05But I'm wondering why bother.
00:39:07Without a grain of madness,
00:39:08Life is very dull.
00:39:10Mr. Tulip!
00:39:11This is your newspaper.
00:39:14Thank you, my good man.
00:39:15Hold.
00:39:16Thank you, sir.
00:39:16Thank you, sir.
00:39:16Is the news good?
00:39:23Well, same old story.
00:39:25You've never read so many newspapers
00:39:27that since your goddaughter left
00:39:28and his fiancée.
00:39:29You're a real detective, Thérèse.
00:39:31It's not very difficult to see
00:39:32Are you worried?
00:39:33Me ?
00:39:34With all these road accidents?
00:39:37Yes, among other things.
00:39:38At the same time,
00:39:40the peaceful corner
00:39:41where Tulip had lived
00:39:42was losing his peace of mind.
00:39:44It's becoming a club here, isn't it?
00:39:47You're no longer there, Mr. Tulip.
00:39:49I had three peaks left,
00:39:50You shouldn't have shirked your responsibilities.
00:39:52With all due respect,
00:39:52I mean, today,
00:39:53That's not going well.
00:39:55Sir, the soul.
00:39:55Excuse me.
00:39:56A little white wine?
00:39:57As per usual.
00:39:58So who knows how to play, then?
00:39:59Ah, Mr. Tulip,
00:40:00Ah, that's exactly it.
00:40:01I have something for you.
00:40:02A mandate?
00:40:02No, you're still asking me for money orders.
00:40:04I never bring you
00:40:04with postcards.
00:40:05Yes, indeed.
00:40:06Here, this is midday.
00:40:07And in color.
00:40:08Yes, yes, always postcards.
00:40:09Good news, young people.
00:40:10Well, they say that health is good
00:40:13and then they found a beautiful house
00:40:15amidst palm trees and cicadas.
00:40:18Because they have legs for me.
00:40:19And here, it's raining.
00:40:20Ben, why didn't you have me?
00:40:21Did they join them from over there?
00:40:22You would be at peace.
00:40:23Here, with their social housing under construction.
00:40:26Okay, whose turn is it to play now?
00:40:29Oh my god, listen to this, this firecracker.
00:40:33No, but listen to this, this firecracker.
00:40:35We can't even play cards in peace anymore.
00:40:37Well, if I had the means
00:40:38to go and retreat to the sun.
00:40:40Yes, but unfortunately
00:40:41It's more to my angel that we begin to travel.
00:40:44Well, I think the train is fantastic.
00:40:47Do you think so?
00:40:47Oh yes.
00:40:48Well, me, sir, the train,
00:40:49I've had enough.
00:40:50I've been doing line work for 25 years
00:40:52for a trading company.
00:40:53One round trip per week.
00:40:55If you take a vacation,
00:40:5649 trips per year.
00:40:58Multiplied by 25, 1225.
00:41:00With returns, 2450.
00:41:02Let's assume an average journey time of 10 hours,
00:41:0524,500 hours on the train.
00:41:07Does that ring a bell?
00:41:08So, you know, me, traveling...
00:41:09My little cigar, sir.
00:41:11THANKS.
00:41:12Now I'm going to try to sleep.
00:41:14I'll smoke it tomorrow.
00:41:15Good evening.
00:41:15Good day sir.
00:41:16We'll tell you whatever we want.
00:41:31But basically, the train,
00:41:32It's a real pain to travel in.
00:41:34Isn't it difficult, we're on wheels.
00:41:36Do you travel often?
00:41:38As I was saying, sir,
00:41:40that I am on my 2450th trip.
00:41:46Your suitcase is heavy.
00:42:14What are you carrying in there?
00:42:16The encyclopedia, the redhead.
00:42:18She's there, there.
00:42:23Is that your car?
00:42:25Yes.
00:42:26Well, you certainly don't refuse anything.
00:42:28Oh, you know, with credit.
00:42:29You see that, that's the small port.
00:42:41And not so much for fishing.
00:42:43We are on the heights.
00:42:45The air is better.
00:42:46And the view.
00:42:46And besides, it's full of flowers.
00:43:13I will be happy.
00:43:15Your house is still a long way off.
00:43:18Our home.
00:43:20I think you'll like it.
00:43:21Stop for a moment and see.
00:43:44That's what bougainvillea are.
00:43:45It's pretty, though.
00:43:46Yes, you see, they're everywhere.
00:43:47We can see the street.
00:43:57Is this it?
00:43:58It looks big, like that.
00:44:02The garden is not maintained.
00:44:03There's still a lot to do, you know.
00:44:05Oh, well, that's nothing.
00:44:06Look how pretty the house is.
00:44:09Well, that must represent
00:44:10That's a strange amount of money, all the same.
00:44:12Come and see how good you'll feel.
00:44:13It's big, isn't it?
00:44:21That's exactly what will change you.
00:44:22And you had it furnished?
00:44:23Yes, but there's no phone yet.
00:44:25Then we can't use the bathroom.
00:44:27Well, I can wash up in the kitchen, you know.
00:44:29Come, I'll show you your room.
00:44:31So.
00:44:40The most beautiful room in the house.
00:44:41And sunshine all day long.
00:44:43In the morning, when you wake up, you will have a wonderful view.
00:44:46Yeah.
00:44:46It's all very pretty.
00:44:51But I would like to have some explanations.
00:44:53because my mandates,
00:44:55I'm still waiting for them.
00:44:56And a villa like that,
00:44:58That was way beyond your means.
00:45:01Who's going to pay?
00:45:02Just like with a car.
00:45:03Oh, the credit.
00:45:04Credit, credit, it has to be paid for one day, credit.
00:45:07Perhaps you could help us a little?
00:45:08Oh no, oh no, you're not going to do that again.
00:45:10I'm here on vacation.
00:45:12Ben.
00:45:16No, he's not in his room.
00:45:20Not in the garden either.
00:45:21You see, all your crazy ideas displeased her.
00:45:22He's given us the slip.
00:45:23No, her suitcases are still in her room.
00:45:25You know he's an early riser.
00:45:27He had to go for a walk.
00:45:35I would like the Baron to excuse me,
00:45:37But the baron shouldn't be swimming fully clothed yet.
00:45:40Oh, listen, Fabien,
00:45:41You are an exhausting conformist.
00:45:44Bring Patricia home.
00:45:46If the Baron will allow me,
00:45:48That's not it, Miss Patricia.
00:45:51Oh no?
00:45:52She is charming.
00:46:08Excuse me, sir.
00:46:10I'm going to immerse myself in your landscape.
00:46:13Are you not worried about splashes?
00:46:15Oh, well, please do, sir.
00:46:16Make yourself at home.
00:46:17Dive in, dive in.
00:46:19But you are not abstract.
00:46:22You are rather naive.
00:46:25Yes.
00:46:27You must be working nights, sir.
00:46:28Yes, yes, alas, at the casino.
00:46:32Yes, it's a tough job, isn't it, because deep down, nothing beats working at night.
00:46:35Me, you see, for the last 40 years, I've gone to bed at 9 o'clock and gotten up with the sun.
00:46:39But what are you doing with so much happiness?
00:46:42Ah, well, I'm tending my garden.
00:46:44I am delighted to meet a philosopher at such an early hour.
00:46:49Whose honor is it?
00:46:52Well, Tulip, finally.
00:46:54My name is Tulip, but in reality, my name is Martin.
00:46:58Ah, pleased to meet you.
00:47:00Hohenberg.
00:47:02And inside, it's a pretty landscape, isn't it, here.
00:47:04Then, there are oranges, right?
00:47:06Ah yes, oranges, but you can find much better oranges in Paris.
00:47:09And at any grocer's.
00:47:11Ah, well, yes, but it's not like when you grow them yourself.
00:47:14We have to feel a little bit like God.
00:47:16The owner here must not be bored, huh.
00:47:18Ah, that's what's deceiving you, good Lord, here.
00:47:20He leads a terrible lifestyle.
00:47:22Gardener, driver, chambermaid, cook.
00:47:25And social security contributions.
00:47:28Ah, it never ends.
00:47:30He only has to cultivate his own garden.
00:47:32It will cost him less.
00:47:33Ah, but even worse, he will have the approval of the thing.
00:47:35Oh, oh, oh, Mr. Peony.
00:47:39Tulip.
00:47:40Oh, excuse me, Mr. Philosopher-Poet.
00:47:43I take my hat off to you.
00:47:44I don't have it, by the way.
00:47:46You are a rare man.
00:47:48We're not exaggerating.
00:47:49Which hermitage do you live in?
00:47:52Uh, ah, you mean where I live, here?
00:47:54Oh, Hermitage, I think, wait, I think it's called the...
00:47:57The Arvets, eh.
00:47:59The Arvets? No, the Blue Lizards!
00:48:01Ah, yes, it's a charming place.
00:48:04You see, by the way, what did I come here to do?
00:48:05Ah, yes, I wanted to take a bath.
00:48:07Okay, then.
00:48:08Okay, I'll take it home.
00:48:09That charming girl is still there.
00:48:11So, good evening, sir.
00:48:12Oh, rather.
00:48:13Good morning.
00:48:14Goodbye, sir.
00:48:15You see, I can't even lift it.
00:48:23I'm sure his equipment is in there.
00:48:24We'll stay here.
00:48:25Shall we open it?
00:48:26We can't do that to him, we don't have the right.
00:48:28Then it wouldn't be noticeable.
00:48:29If he didn't get back to work, we'd never get out of this.
00:48:31He'll get back to it.
00:48:33With him, you have to be tactful.
00:48:35He's not a man to be rushed.
00:48:37The flame!
00:48:38But where are you going?
00:48:43We're starting to make some sauce.
00:48:45My children, there are such colours and extraordinary vegetation.
00:48:49There are oranges with oranges.
00:48:51And clear water, you can't tell.
00:48:52Have you been swimming?
00:48:53Ah, good, on a canvas.
00:48:55Ah, I'm sure you're going to create masterpieces for us.
00:48:57And then, I don't know if it's the sun, but here, everyone is friendly.
00:49:01He looks very happy.
00:49:02You'll see, it'll work.
00:49:04All of this does not change the fact that an explanation will still be necessary.
00:49:07Let me take care of you.
00:49:08Yes, give us your cottage.
00:49:09I'm going to bring it inside because of the flies.
00:49:11Sit down there.
00:49:12We'll bring you something to drink, a little pastis.
00:49:15Mr. Martin, no doubt.
00:49:18Yes sir, it's me.
00:49:19Delighted.
00:49:20I was driving past the house with my truck
00:49:22and I stopped for a minute to see if you had arrived.
00:49:25That's because...
00:49:27We were eagerly awaiting your arrival.
00:49:28Ah good ?
00:49:29The notary is just waiting for you.
00:49:31The notary is just waiting for me, what for?
00:49:32To affix your signature, the purchase agreement is made in your name.
00:49:35Ah, because they bought it in my name.
00:49:38But in your absence, your children made the first payment to me.
00:49:41Why are there others?
00:49:42You're a deadpan joker.
00:49:44But hey, you want to be curious, there's still a lot to pay.
00:49:47But you're pulling my leg.
00:49:48But what you know about the notary,
00:49:51and the rest as agreed, from hand to hand.
00:49:53Yes, hand to hand, of course.
00:49:55Yes, indeed.
00:49:56Yes, yes.
00:49:57Ah, Mr. Arnaud.
00:49:57I thought I recognized your weight.
00:49:59How lucky, you were going up, I was going down to your place.
00:50:01Ah, to bring me the second installment.
00:50:03What I wanted was to ask you to partner with him.
00:50:05Partner with me?
00:50:06Yes, an extraordinary case.
00:50:07We share the profits.
00:50:08Fifty-fifty.
00:50:09Pardon ?
00:50:10Fifty-fifty.
00:50:11Fifty-fifty.
00:50:12For the funding too, of course.
00:50:13Regarding the financing, I would prefer that you pay me the second installment first.
00:50:17This is a safe investment that I am offering you.
00:50:19Come and see, I'll explain.
00:50:21Look, we'll build a bar there.
00:50:22Ah, a bar?
00:50:24Because you think people would come here for my aperitif?
00:50:27Before entering the self-service area.
00:50:28Which self-service?
00:50:29The one that will be built next to the miniature golf course.
00:50:31I don't understand tennis.
00:50:32No, no, the campers don't play tennis.
00:50:33Ah, because you want to bring campers?
00:50:35But it's an ideal location for camping.
00:50:38But what about my second payment then?
00:50:40No, no, we received other proposals, but you kept the priority.
00:50:42So, what are we signing?
00:50:44Ah, the purchase agreement, I already told Mr. Martin, the notary is just waiting for it.
00:50:47No, no, no, the act of association.
00:50:48So, you'll excuse me, but I can't today, I don't have the time.
00:50:53Yes! Look, they're waiting for me.
00:50:55Goodbye, Mr. Martin. Until next time. Goodbye, miss.
00:50:59Now, my children, you're going a bit too far.
00:51:02You're bringing me all the way from Argento to spend a peaceful holiday,
00:51:04You are incurring debts and making purchase promises in my name.
00:51:07And to top it all off, you bring him in without much fear.
00:51:09Well, don't count on me, I'm telling you.
00:51:13Tulipe wondered which line he himself had come to get caught on.
00:51:16Perhaps he was beginning to miss his garden in Argenteuil.
00:51:21So, it's a no, you still don't want to?
00:51:23No, I don't want to.
00:51:25It's like you're sending Hilda and me straight to prison.
00:51:27Well, perhaps you'd prefer I go in your place, wouldn't you?
00:51:29Isn't the country beautiful?
00:51:31Yes, he is handsome.
00:51:31Well, isn't Hilda charming?
00:51:32She is charming.
00:51:33And the trees don't suit you?
00:51:35Yes, but only if you don't put a bar there; a campsite is entirely centrusquian.
00:51:38So, a few more tickets, it's always gone so well.
00:51:41Yes, so far, but if we continue down this path,
00:51:43And first of all, leave me alone, the fish will run away.
00:51:46Oh well, that's good, Mr. Poppy?
00:51:55Oh no, Mr. Tulip.
00:51:56Ah, Tulip!
00:51:57The doctor advised me to take up cycling to lose weight.
00:52:00Ah well, that's good.
00:52:01Do you like the plague?
00:52:03Yes, indeed.
00:52:03But, but it's insane to come here.
00:52:07No one ever hits there, except for sunburn.
00:52:09Listen, I want to take you out on a boat.
00:52:14Do you like it?
00:52:15Ah well, if we're having fish, yes.
00:52:16Okay, very good.
00:52:17Time to be in the three phone calls
00:52:19And I'll come and get you at the end of the pier, okay?
00:52:22Let's go, Fabien.
00:52:23I'm counting on you, okay?
00:52:24Thank you, you're fine.
00:52:25Let's go!
00:52:25You are kind, sir.
00:52:27Does the gentleman know that this is a cycling area?
00:52:29Well, the guy who spoke to me, he's a croupier at the casino, I think.
00:52:31Ah good ?
00:52:32Anyway, we're waiting for you for lunch, right?
00:52:33Yes, well, maybe I'll bring you some fish.
00:52:35Yeah.
00:52:45Mr. Tulip, please, I'll come and get you.
00:52:48Ah, there's been a mistake, I'm waiting for a gentleman to go fishing with.
00:52:51Isn't that you, Mr. Tulip?
00:52:52Yes, it's me.
00:52:54Hey, I'm in charge of taking you to the boat.
00:52:55That boat didn't seem particularly suited for fishing.
00:53:12Dudu called and sent us his latest discovery.
00:53:16He's a painter, it seems.
00:53:17Another painter?
00:53:19Enough with the painters.
00:53:20Do you think last week's writer was funnier?
00:53:25Oh, look at that old chenote with his sofas, I cut.
00:53:49Wait, I'll do it with Zoom.
00:53:55Ladies.
00:54:03Mr. Tulip, the baron phoned me to let me know of your arrival.
00:54:06I'm going to show you a cabin.
00:54:08Which baron? I don't know any baron.
00:54:10Yes.
00:54:14I took it with a zoom lens, that's how it will be.
00:54:16My children, it's simply the unusual that came aboard.
00:54:18Have you seen the costume?
00:54:19And the sofas!
00:54:21It's so true that it seems fake.
00:54:26Doudou seems to like you, but beware, she is capricious.
00:54:31Nothing !
00:54:32I say, it's you, tomorrow it's a bald opera singer.
00:54:35Doudou is so weird.
00:54:37Oh, oh, sorry.
00:54:40Oh, I'm sick.
00:54:41Ah, the lady, she endures it for the sake of the sea.
00:54:44Ah, there it is.
00:54:45There she is, she looks like she's free.
00:54:46Come in, gentlemen.
00:54:48You see, it's fun.
00:54:49It doesn't look like the roofs on a boat.
00:54:51Oh no, that's odd.
00:54:53It's my idea.
00:54:55And your works?
00:54:56Where can we go to see?
00:54:57Which works?
00:54:58Your paintings.
00:54:59Ah, my paintings, well, Argenteuil.
00:55:01Argenteuil is a gallery.
00:55:03Oh no, that's my home, Argenteuil.
00:55:05I live in a train car.
00:55:06A wagon?
00:55:07Yes.
00:55:07That's very strange.
00:55:08Doudou will love it.
00:55:09But who is Doudou?
00:55:11The baron.
00:55:12Which baron?
00:55:13Baron Edward von Hohenberg.
00:55:14Oh, sorry, I thought it was Jean-Jacques.
00:55:16How ?
00:55:17Ah, well, I thought he was a croupier at the casino.
00:55:20And it's his, Liot.
00:55:21A croupier?
00:55:22That's funny.
00:55:23Doudou loves to mystify people.
00:55:32You'll only give us a good laugh, Edward.
00:55:34That's all for the master rooster.
00:55:36And me.
00:55:37And there you go.
00:55:39I hate you.
00:55:40Open.
00:55:42I have no gold.
00:55:46There, I'll put it on board.
00:55:49And Peony, is Peony here?
00:55:50Peony?
00:55:51Finally, Tulip.
00:55:52Oh, there it is, your Tulip.
00:55:55Here's Tulip.
00:55:57My friends, I present to you Mr. Tulip.
00:56:00Painter, poet, philosopher.
00:56:02Finally, wisdom incarnate.
00:56:04Huh? So, do you like my little boat?
00:56:07Ben, little boat, little boat.
00:56:10So, you don't like it?
00:56:12Oh, I wish you would know Patrick Gérard.
00:56:14A rotten boy with talent.
00:56:17You are probably familiar with his latest research films, attempts around a bicycle, etc.
00:56:21Grand prize at the Eagle Festival.
00:56:22Oh yes.
00:56:23I'd like to commission him to make a short film about you.
00:56:27You inspire me greatly.
00:56:28Ah, that's very kind of you, but I came here to go fishing.
00:56:31But of course, we're going fishing.
00:56:33We have all the time in the world.
00:56:34We'll stay for two or three days, that's all.
00:56:36Ah yes, but I can't stop for all that time.
00:56:37My children are waiting for me.
00:56:38Ah.
00:56:39And then, I could bring some from one of them.
00:56:40I don't even have my razor, I have nothing.
00:56:41Ah, I would like to introduce you to Aya, and Ye, and this is George, and Beatrice, and Johnny.
00:56:50Tell me, do you have children?
00:56:53Well, not exactly, but still, it's pretty much the same thing...
00:56:55Oh, but you should have taken them, but it's too silly.
00:56:57But I hope they're old enough to manage on their own, eh?
00:57:00Yes, they can manage that, but still...
00:57:05Where is he?
00:57:06In his room!
00:57:09Do you have any news?
00:57:10No.
00:57:12Nothing.
00:57:13Okay, at 24 hours, he told me, I'm going home for lunch, I'll bring you some fish.
00:57:15Oh, fish, I don't care, it's a world of hives.
00:57:18Hey, does he know how to swim?
00:57:19Well, Argenteuil has the Seine.
00:57:22We may not absolutely need him, as long as he didn't bring his big suitcase.
00:57:25What do you mean?
00:57:26No.
00:57:28Look, it has everything.
00:57:30The plates, the entrances, there's even paper.
00:57:33Where did you get the keys?
00:57:34Like that?
00:57:36It shouldn't be that difficult.
00:57:37You're crazy, me.
00:57:38What does it cost to try?
00:57:39Forced labor.
00:57:45However, on the baron's yacht, Patrick Gérard's camera was recording the truth, the whole truth, and nothing but the truth.
00:57:53It's harder.
00:58:12So, is Tulip here?
00:58:14Yes, sir.
00:58:15Tulip, come.
00:58:16Now we can begin the highlight of the game, the happening.
00:58:22Pardon?
00:58:23The happening.
00:58:25Excuse me, but what is this?
00:58:27Ah, we don't know, but Patrick Gérard will explain it to us.
00:58:31The happening?
00:58:32This is the most amazing experiment of the century.
00:58:34Mr. Tulip, we are going to set you free.
00:58:36The true event will depend on the degree of disorientation of everything.
00:58:50Subtitling by Radio-Canada
00:59:20I am a rat in its fog, I am a rat in its fog, I am a rat in its fog.
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01:01:38Get yourself back there.
01:01:48Hello, gentlemen. Is something wrong?
01:01:51Crossing the yellow line. Do you know what that costs?
01:01:53I've gone beyond that.
01:01:54We don't know your situation. Do you have your documents?
01:01:57Of course.
01:01:58Are you paying right away?
01:01:59We can.
01:02:00Ah, that's better? That would avoid the investigation of having to enter the license?
01:02:02The problem is that I only have a 500 franc note.
01:02:0552,000 francs? Do you have the change?
01:02:07Yes.
01:02:08I see that it was a good day.
01:02:10Ah, it's the collection for the lieutenant's daughter's wedding.
01:02:13It smells good. A little more, and we'd keep it as a souvenir.
01:02:16But how could you do that?
01:02:19It's appalling.
01:02:21There was a guy who came looking for the car.
01:02:23Then the police started scaring us.
01:02:25A note like that for the police?
01:02:27Why not directly to the Bank of France?
01:02:29Ah, I am your evil genius.
01:02:31It's better to die that way.
01:02:32Yes, but that's the last thing to do.
01:02:34Ah yes, you're right. So, let's save ourselves.
01:02:36Ah yes, he really let us down.
01:02:39He might even be in prison.
01:02:40Look, there it is.
01:02:42What's she doing there, crying?
01:02:42Well, believe me, where were you?
01:02:44Among the lunatics.
01:02:45Oh, if you only knew.
01:02:46Oh, come on, you're not going to make me believe that, are you?
01:02:48When it's me you're crying about, isn't it?
01:02:49No, no, we had a fight.
01:02:51Oh, now, my children, argue, kiss,
01:02:53That's your business, but I'm enjoying the light.
01:02:55to go and watch a little movie.
01:02:56I need peace and quiet.
01:02:58So, what do we do?
01:02:59The suitcases.
01:03:00We don't even have the money to leave.
01:03:02We should still warn him.
01:03:05But nobody.
01:03:06Ah yes, he's here.
01:03:12Hello, gentlemen of the gendarmerie.
01:03:14What, is something wrong?
01:03:16No, no, on the contrary, everything is going very well.
01:03:18How much is that flower pot you have there?
01:03:20Which flower pot?
01:03:21That thing there, with the handles.
01:03:23Ah, the Roman child.
01:03:25But we have these twin sisters.
01:03:28Ah, is that Roman?
01:03:29That's old, then.
01:03:30Ah, it's old and beautiful like antiquity.
01:03:33Oh no, it's my wife practicing target shooting.
01:03:37Nora, a little less noise, I'm with clients.
01:03:40As for me, I never let my wife touch my revolver.
01:03:43Yes.
01:03:43So, you were saying that you would like this amphora?
01:03:45Yes, it would be for the lieutenant's daughter's wedding.
01:03:48Ah, it's not a gift for everyone.
01:03:51Oh yes, everyone does it.
01:03:52We pooled our small collections.
01:03:54And is it expensive?
01:03:54Ah, dear, not me, for you, I will give you a price.
01:03:57115 francs, that's the price I paid.
01:03:58I thought I couldn't make a profit with you, right?
01:04:02115 francs?
01:04:03Yes.
01:04:03Do you think people will like that?
01:04:05Listen, 100 francs and we won't talk about it anymore.
01:04:08All right.
01:04:10They gave me a big bill there.
01:04:11Does that bother you?
01:04:12Oh, no, no, I don't see any problem with that.
01:04:14On the contrary, I will give you your change.
01:04:18Have they left?
01:04:19Yes.
01:04:19What did they want?
01:04:21Nothing, they came as customers.
01:04:22I gave them an amphora and they gave me a big museum.
01:04:25That's true, yes.
01:04:27Oh!
01:04:28They hurt, darling.
01:04:29When I say you were able to reduce the counterfeit bills, look, pink, purple, blue, it's
01:04:33ashamed.
01:04:33When I think that you sold them for 20 years and you let yourself be scammed by two
01:04:37police officers.
01:04:38Ah, maybe they were fake police officers there.
01:04:40Hello, sir and madam.
01:04:42Good morning.
01:04:42Do you remember me?
01:04:43I came to pick up my little Andalusian saddle.
01:04:46There she is, waiting for you, sir.
01:04:47Ah!
01:04:48Oh yes, she looks lovely.
01:04:50You have my little account, I had given you some art.
01:04:53The annoying thing is, I don't have any money on me.
01:04:56Can I give you a check?
01:04:58Ah yes, but to the bearer, if you please.
01:05:00Now, if it suits you, I can also advance you some cash.
01:05:04Ah yes, that suits me.
01:05:05I never carry any cash on me.
01:05:07Do you have a pen?
01:05:08Yes, that's it.
01:05:09So, we round up the sum.
01:05:11Yes, but only if a 500 franc note can be pleasant to you.
01:05:15Ah yes, that doesn't bother you, does it?
01:05:17Oh no, it's when we can go home.
01:05:19Most importantly, it's inexpensive.
01:05:21So, Isla, are you ready?
01:05:24Hurry up.
01:05:25Everything is ready.
01:05:26All that remains is to green one.
01:05:28There, it'll be alright.
01:05:29He's going to throw a terrible tantrum.
01:05:35Do you think it's smart to leave like that?
01:05:37It's better than prison.
01:05:38What causes fuel consumption loss?
01:05:39There are still a few tickets left, aren't there?
01:05:41Oh really, so this is where Mr. Tulip lives?
01:05:44Yes.
01:05:46I apologize, the door was open.
01:05:49Am I bothering you, huh?
01:05:50Have you just arrived?
01:05:51Yes.
01:05:52I'll introduce myself; he must be Mornberg.
01:05:54Pleased to meet you, sir.
01:05:56Oh, but if I'm not mistaken,
01:05:59But of course, that's the picture he was painting the other morning.
01:06:03Yes.
01:06:03Ah, Sister Avisson, is that your father?
01:06:05No, he's my godfather.
01:06:06Ah, he has a lot of talent.
01:06:07More than you think.
01:06:08How much is it worth?
01:06:10How much?
01:06:11Or, a small painting like that, it's worth...
01:06:13500 francs?
01:06:14Ah, yes, 500 francs, yes, yes.
01:06:15I'll take it right away.
01:06:16A large sum of money doesn't bother you?
01:06:17Ah, not at all.
01:06:18It smells wonderful.
01:06:20Ah, yes, yes.
01:06:21It must have belonged to a pretty woman.
01:06:23Unfortunately, I never knew.
01:06:24Ah, well that's a surprise.
01:06:27What are you doing here?
01:06:29Ah, I was already bored standing up.
01:06:31I have just met your children
01:06:33and to make a deal.
01:06:35Do you have my painting?
01:06:36No, it's mine, I just bought it.
01:06:38How did you buy it?
01:06:39Yes, sir insisted so much.
01:06:40Oh no, no, no, you're going to get your money back.
01:06:41Oh no!
01:06:42Ah, you'd have to swear to me.
01:06:43Oh, Tulip, be chic, it's the least you can do.
01:06:45Okay, fine, since you're at it,
01:06:46But then I'll give you another one for free.
01:06:48THANKS.
01:06:49It will look great in my bedroom.
01:06:50I apologize for leaving so soon,
01:06:52But I'm waiting for phone calls from Paris.
01:06:53I'll see you later.
01:06:54How about later?
01:06:56Ah, but of course.
01:06:57I was just stopping by to invite you
01:06:59tonight, dinner at my place, at home.
01:07:02Dinner at Penning?
01:07:03Oh no, no, a very serious dinner.
01:07:05with very serious people.
01:07:06I don't have an evening outfit.
01:07:07But just stay as you are, in all simplicity.
01:07:10People don't dress up anymore these days.
01:07:12It's outdated.
01:07:13See you later.
01:07:14Goodbye, sir.
01:07:14I'll tell you again.
01:07:15Thank you, goodbye.
01:07:19What is this?
01:07:20It wasn't me, it was Hilda all by herself.
01:07:21I wasn't there.
01:07:22She had the nerve to open my suitcase.
01:07:24And do you want to explain to me
01:07:24How did the baron come to have that note in his hands?
01:07:26The baron, I know nothing about him.
01:07:28All I know,
01:07:28She had given it to a policeman.
01:07:30A police officer?
01:07:31Yeah.
01:07:32So, listen to me carefully, both of you.
01:07:34Tomorrow morning, I'll get to work.
01:07:35to try and help you out one last time.
01:07:36But there is one condition,
01:07:37It's because I never hear from you again.
01:07:39You never hear.
01:07:40Understood?
01:07:42Ah, there's nothing to laugh about.
01:07:50Finally, why do you care so much?
01:07:52to take me to the casino?
01:07:53Because you despise money.
01:07:55And I'd like to see your reaction
01:07:56in front of the millions that are earned
01:07:57and which get lost.
01:07:59Come on.
01:07:59Ah, if that amuses you, me,
01:08:01I don't see you being offended.
01:08:02But anyway, I don't have an outfit
01:08:03So good, I'd love to go.
01:08:04Oh, we'll find you
01:08:05a tie in the cloakroom.
01:08:07Come on.
01:08:08Well, perfect.
01:08:09Is that okay?
01:08:10Alright.
01:08:12Ah, dear friends,
01:08:14Allow me to introduce you
01:08:15my friend Tulip,
01:08:16that I told you about
01:08:16and who is a painter
01:08:17of the greatest talent.
01:08:19It's there.
01:08:20My respects, dear friends.
01:08:25You know everyone here.
01:08:27Say instead that everyone
01:08:28knows me.
01:08:29I'll ask you for a second, yes?
01:08:31Just the time
01:08:32to exchange some money.
01:08:35Good evening, Mr. Berger.
01:08:36Give me 10 blood slabs.
01:08:37THANKS.
01:08:39Heinberg.
01:08:40Your painter,
01:08:41Do you think he would do it?
01:08:42My portrait?
01:08:43Unfortunately,
01:08:43He only paints flowers.
01:08:44My name is Marguerite.
01:08:45He will be delighted.
01:08:47In any case,
01:08:48that he doesn't make you miss
01:08:49your revenge.
01:08:50Revenge?
01:08:51Yes, to battle.
01:08:52Ah, I kept the forgotten one.
01:08:53But if you'll allow me,
01:08:54I will join you
01:08:55a little bit later.
01:08:56I'm waiting for you.
01:08:57in the red lounge.
01:08:58So, if it's a game room?
01:09:15I thought it was so crazy.
01:09:19We don't come here to have fun.
01:09:21I think it looks a bit like
01:09:22to a church.
01:09:24Well, come on.
01:09:25I'm going to teach you
01:09:25your new catechism.
01:09:28Yes, it's very simple.
01:09:29There are boxes, numbers,
01:09:31columns lengthwise and widthwise.
01:09:32You can put them wherever you want.
01:09:34Here are your license plates.
01:09:35And then?
01:09:37So, if you win,
01:09:38You continue.
01:09:40But yes, I'm losing.
01:09:41It doesn't matter.
01:09:42Here, you see, this is private property.
01:09:51Ah good?
01:09:52Everyone who enters here
01:09:53have names or fortunes.
01:09:55So, make yourself at home.
01:09:56see you later.
01:09:57And where are you going?
01:09:58I mustn't stay here.
01:10:00That would not be beneficial for you.
01:10:01You're not going to leave me alone, are you?
01:10:02still.
01:10:03Sit wherever you like.
01:10:05I won't be long.
01:10:06You're playing the game, gentlemen.
01:10:26Nothing is going right anymore.
01:10:30The seat is free.
01:10:31Certainly, sir.
01:10:33It's here.
01:10:3435, Moraine Péripasse.
01:10:37Square.
01:10:46At your service, dear friend.
01:10:49Pink or blue?
01:10:51The blues.
01:10:5218 francs per battle?
01:10:5350.
01:10:55GOOD.
01:10:578.
01:10:5810.
01:11:00Valet.
01:11:04Three.
01:11:06Battle.
01:11:06Battle.
01:11:08And now,
01:11:10battle again.
01:11:13You win.
01:11:15We have 10.50.
01:11:18So.
01:11:19I'm scoring 500 for His Highness.
01:11:22Shall we continue?
01:11:23No, sir.
01:11:28500 francs maximum, sir.
01:11:29It forms patches.
01:11:305.
01:11:315.
01:11:331, 2, 3, 5.
01:11:36Well then,
01:11:37And so, just like that, I have the right?
01:11:39Certainly, sir.
01:11:405, plaque at 26.
01:11:41The rest, 6th cross,
01:11:42square, horse and flat.
01:11:43It's still the same, gentlemen.
01:11:46Nothing is going right anymore.
01:11:4726, black, peripasse.
01:12:006th transverse, square, horse and flat.
01:12:03There's nothing to pass.
01:12:05Please, sir,
01:12:0670,000.
01:12:07Thank you, sir.
01:12:13As.
01:12:13Battle.
01:12:16Rebattle.
01:12:17You win.
01:12:23I have nothing left
01:12:24than to surrender your weapons.
01:12:27Put that on my account.
01:12:28Very well, Mr. Blaron.
01:12:29Thank you, Marguerite.
01:12:31See you soon.
01:12:32What a lovely evening.
01:12:37Well, your friend.
01:12:39Is he still here?
01:12:39I understand that he is still there.
01:12:4429, blackened, peripass.
01:12:47But then.
01:12:52Here, sir.
01:12:53Please,
01:12:54200,000 francs.
01:12:55THANKS.
01:12:56But it seems to be working.
01:12:57Oh, but wait a minute,
01:12:59the 10,000 plates,
01:13:00That's 10,000 alumni.
01:13:01No, it's new.
01:13:02You've won millions.
01:13:03Oh, so we'll stop then.
01:13:04No, wait.
01:13:05Just a moment, now.
01:13:06Place your bets.
01:13:07What would you have played?
01:13:08Well, I don't know,
01:13:09the 4th.
01:13:10Nothing is going right anymore.
01:13:174 black pairs and missing.
01:13:206 1, there's nothing to miss.
01:13:23You see, you would have won.
01:13:25Ah yes, well, finally.
01:13:26Well, here's your money.
01:13:27Oh no, I'm taking my bet
01:13:29and the rest is up to you.
01:13:30Chef, a tray.
01:13:31I don't need it.
01:13:32But I'm keen on it, of course.
01:13:34Are you sure I don't need it?
01:13:35Take it.
01:13:36And what about the employees?
01:13:37THANKS.
01:13:45So, where are we going?
01:13:47Ah, well, I think I'll go for a little walk.
01:13:49But you're not going to leave me alone, are you?
01:13:51No, but...
01:13:52I'm going for a walk, to get some fresh air.
01:13:55All right.
01:13:57Well, now you're rich!
01:13:59my dear philosopher.
01:14:0150 million?
01:14:0348, but still.
01:14:04But what are you going to do with it?
01:14:07Ah, well, I don't see it.
01:14:09I'm saying, there are the children,
01:14:10I'll try to lend a hand.
01:14:12But what do you want?
01:14:16I don't see it.
01:14:19But don't you have a secret desire?
01:14:22Something inaccessible
01:14:23that you dream of?
01:14:25To be young and beautiful.
01:14:27Ah yes, but that's difficult.
01:14:29Yes, it's difficult.
01:14:31No, really, I don't see it.
01:14:32Um...
01:14:33Sign something, but it's so stupid.
01:14:36But go ahead and say it.
01:14:37When I was a kid,
01:14:38I dreamed of having a car easel.
01:14:40But nothing could be easier than that.
01:14:42You knew Paris
01:14:43with horses, carriages,
01:14:44dairy farmers,
01:14:45Fiacs, all that?
01:14:47Ah, of course, I knew him.
01:14:48Hey, whoa, wake up.
01:14:57Are you free?
01:14:59You're going, this is my last race.
01:15:01Say, sir, you want to buy your carriage.
01:15:05Yes.
01:15:06Go brew your wine somewhere else.
01:15:08"So, tell me, how can you buy your cab?"
01:15:10But it's not for sale.
01:15:11What if I give you two million?
01:15:12Oh no, let's not exaggerate.
01:15:14One million, is that okay with you?
01:15:15GOOD.
01:15:16500, one million.
01:15:18No, let's say, well, let's say, one and a half million.
01:15:20So.
01:15:22But that's too much.
01:15:24That's not right.
01:15:25What do you mean, things aren't going well?
01:15:27Hey, we should write a paper
01:15:28to make sure it's all above board.
01:15:30All right.
01:15:30Come see me tomorrow at Cap Ferrat
01:15:32at the Saint-Hospice tower.
01:15:34At one o'clock.
01:15:35And now, drive us.
01:15:36Oh no, but me,
01:15:36I didn't buy the horse with the coachman.
01:15:38I want to drive it myself.
01:15:39I served in the Fourth Dragoon, sir.
01:15:42Your horse is dragging me along.
01:15:54I'm afraid you haven't gotten a good deal.
01:15:56Oh well, I didn't want to make a deal.
01:15:59I wanted a horse.
01:16:01Listen, Tulip, you disappoint me.
01:16:03You are rich
01:16:04and you just want an old horse.
01:16:06Is that really enough for you?
01:16:08Okay, I have an idea.
01:16:09The first person we meet,
01:16:10I'll give him a million.
01:16:11One million?
01:16:13Well, fifty ideas like that,
01:16:15It's going fast.
01:16:19You are right,
01:16:20That wasn't a good idea.
01:16:21Take us out for a drink, then.
01:16:23That will be better.
01:16:26Do you have another drink?
01:16:28Ah, it's late, isn't it?
01:16:30Okay, I need to go home.
01:16:31Your wife is waiting for us.
01:16:33Oh, the poor thing.
01:16:34I have been a widow for 15 years.
01:16:35Ah, good morning to you.
01:16:36Yeah, mine left like that too.
01:16:3915 years ago.
01:16:41And ever since, I've been bored.
01:16:45And you, Tulip?
01:16:47Yeah?
01:16:48Oh, you know, me,
01:16:49I... to talk about myself, me.
01:16:52Yes.
01:16:53You see what's happening.
01:16:55I am the envoy,
01:17:05I only go once.
01:17:06What a pity.
01:17:08Is that a boat?
01:17:09The Ark.
01:17:10The Ark that will save you
01:17:12when the waves engulf the world.
01:17:14Ice is accumulating at the South Pole.
01:17:17Inexorably,
01:17:18The earth must tilt.
01:17:19I am Noah of the new age.
01:17:23Don't you want to have a drink with us?
01:17:25Never any alcohol.
01:17:26Just water.
01:17:28Oh, but Noah...
01:17:30A simple little 10-franc note
01:17:32to build the Ark
01:17:33and your soul will be saved.
01:17:3410 francs is not expensive.
01:17:36But you know that's very interesting,
01:17:37his idea.
01:17:38The drift of those in lockdown.
01:17:40I announce the new deluge.
01:17:42She comes to the apocalypse
01:17:43modern times.
01:17:45He is charming.
01:17:47It is rare.
01:17:49He's not happy about it, is he?
01:17:51The Lord is sending me back among you
01:17:53to save you.
01:17:55Oh, it's perfect.
01:17:56A prophet
01:17:57in a bar in Sodom and Gomorrah.
01:18:00Would you accept?
01:18:01to come to my boat?
01:18:02It's not an ark, of course.
01:18:04but I have some friends
01:18:05who would be delighted to meet you.
01:18:07And Patricia loves sacred history.
01:18:11I'm with you, my brother.
01:18:13I feel that you are part of it
01:18:14of the rare few who will be saved.
01:18:16So, Tulip, really?
01:18:17Are you abandoning me?
01:18:18Don't go astray, my brother,
01:18:20on the path to base pleasures.
01:18:22Your man is saved.
01:18:23You don't need me anymore.
01:18:24No, that's not true.
01:18:27You taught me a lot.
01:18:28You were the wise one.
01:18:30the philosopher.
01:18:32Oh, philosophy.
01:18:34In any case,
01:18:34The philosopher says thank you.
01:18:36Farewell.
01:18:38Among friends,
01:18:38We never say goodbye.
01:18:40Silence, swallow yourself up.
01:18:44They're all crazy, aren't they?
01:18:46Alright, yup.
01:18:47Late in the morning,
01:18:59Tulip had won back
01:19:01blue lizards.
01:19:02Oh, Christmas!
01:19:06Christmas!
01:19:08Worried about her absence,
01:19:09The young people had left.
01:19:11otherwise, in the search for him,
01:19:12at least in pursuit
01:19:13of a few expedients.
01:19:43Their destinies intersected.
01:20:13by separating.
01:20:43Oh !
01:21:11Christmas!
01:21:12Christmas, then?
01:21:16So, so, so, Auntie, you didn't want to give me a radish.
01:21:19You were wrong to invent an industrialist father for yourself.
01:21:21And you, what happened with the car and the loan?
01:21:24Very bad. They want to file a complaint.
01:21:27There's nothing to laugh about, what are we going to do?
01:21:28The rating!
01:21:30My children, this is what you needed, even a little more.
01:21:41I'm going back to Argenteuil, good luck.
01:21:4425 million!
01:21:44What I don't understand is why he was so quick to make them?
01:21:48Ah, he must have printed them beforehand. He wanted to surprise us, that makes it a year!
01:21:52What are these police officers doing?
01:21:58Do you know the news, Mrs. Millou?
01:22:04A lion has escaped from the circus; the police are searching for it.
01:22:06I'm going to bring the little ones home quickly.
01:22:07My God, I'm running towards my door.
01:22:09Having served in Africa, I must be transferred to the Alpes-Maritimes to go lion hunting.
01:22:13It seems he's not a bad person.
01:22:15What is that big yellow dog?
01:22:17Where?
01:22:17Then he went into the bushes.
01:22:20It's not a police dog, at least.
01:22:21What are these police officers worth?
01:22:23I recognize the little boy who stopped me on the road.
01:22:25They look like they're coming straight here.
01:22:27Loïl, Tulip has been arrested, we are lost.
01:22:29Let's save ourselves!
01:22:29Where? By the terrace, come on.
01:22:31There are some over there too.
01:22:38In any case, we didn't do anything.
01:22:39And the tickets?
01:22:40We're going to hide them.
01:22:41Or ?
01:22:41Anywhere.
01:22:41They won't have to wait long to find them.
01:22:43We're going to burn them.
01:22:45Quickly.
01:22:46The living room fireplace.
01:22:47Go ahead, go close the door.
01:22:50Oh !
01:22:51But mine is empty.
01:23:01Desallumée, you have some lit ones?
01:23:02Yes, no.
01:23:03Yes, go ahead.
01:23:04I am empty, in the kitchen.
01:23:08Oh yes ?
01:23:10Well, well, well, well, well.
01:23:13Ah!
01:23:14Oh, darn!
01:23:15Ah!
01:23:16It will never sink.
01:23:19Doubt Cologne?
01:23:19Yes, ah.
01:23:19In the bathroom.
01:23:32And to think that there are people who enjoy lighting fires in weather like this.
01:23:35After that, we wonder how the fires happen.
01:23:38That's how castles in Spain burn, they say.
01:23:40One day, underwater divers might discover some strange equipment.
01:23:53As for you, if you happen to go to the South of France,
01:24:06and that you were looking for a trustworthy person for your children,
01:24:12You could hire someone named Ilda.
01:24:14And watch your watch.
01:24:25And if you don't have your driver's license,
01:24:28Don't hesitate to choose your own...
01:24:29Finally, if by chance,
01:24:40You are walking in the Parisian suburbs,
01:24:43in Argenteuil, for example,
01:24:47you might meet there
01:24:49two old acquaintances,
01:24:53two old friends,
01:24:54Tulip and her horse, not flat tires.
01:24:59Subtitling by Radio-Canada
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