Everyone should see this crime action movie! Their talent made them a target for the mafia...

Video.4337

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Transcript

00:00:00Transcription by CastingWords

00:00:30CastingWords

00:01:00CastingWords

00:01:29CastingWords

00:01:31CastingWords

00:01:35CastingWords

00:01:39CastingWords

00:01:53CastingWords

00:02:03CastingWords

00:02:05CastingWords

00:02:07Hurry up, hurry up!

00:02:12Come on!

00:02:14Come on ono!

00:02:14Hurry up

00:02:16Go! Go!

00:02:17Come on!

00:02:18Go!

00:02:19Come on! Come on!

00:02:20Let's go!

00:02:22Let's move it, c'mon.

00:02:24Hurry up!

00:02:25hurry up!

00:02:26C'mon

00:02:28C'mon, move

00:02:30C'mon, move

00:02:32Come on!

00:02:33Let's go!

00:02:34C'mon!

00:02:35Move it!

00:02:37Oh

00:03:07Come on, come on, just let it go

00:03:27Let's go, let's go

00:03:37Hey

00:03:59We made it

00:04:07Tell me again

00:04:24I need to hear you say it

00:04:26Is it all gone?

00:04:28Yep

00:04:28All 92 American dollars

00:04:31You sure?

00:04:33We could go back and find the thugs

00:04:34How many pancakes can we get with 92 dollars?

00:04:4292 at least

00:04:43Alice

00:04:45Come on, you don't get fat like them?

00:04:48Maybe you can apply for a job here

00:04:50Oh

00:04:51Alice, where are we going?

00:04:55Alice, we're in America

00:05:09The police here don't know anything about what happened to Fujian

00:05:12Wait

00:05:17Sir

00:05:18Sir

00:05:21Ken, no

00:05:22Are you throwing us away?

00:05:25Alice

00:05:29Alice

00:05:30Come on

00:05:39Eat, Alice, it's free

00:05:55Sure.

00:06:12Where do you think dad is now?

00:06:14Us.

00:06:16Cheer up.

00:06:17Soon we'll be swimming in hot tubs

00:06:19and eating strawberry pancakes for breakfast.

00:06:23Before we know it,

00:06:24we'll have the money to bring dad here.

00:06:46Ken, it's the market.

00:06:48Like at home.

00:06:54I think we can set up here.

00:06:55Yeah.

00:06:56Sure.

00:06:57We can set up here.

00:06:58Yeah.

00:06:59Sure.

00:07:00Set up right there.

00:07:02Come on.

00:07:03Come on.

00:07:04Come on.

00:07:05You think we can set up here?

00:07:07Yeah.

00:07:08Sure.

00:07:09Set up right there.

00:07:11Stay right there.

00:07:41there are no more appointments Mr. Sullivan do you need anything else no thank you do you want

00:08:01me to bring you some lunch before I go oh no no that won't be necessary I only have a few calls

00:08:05to make thanks such a lovely day hmm I'll see you on Monday Mr. Sullivan Monday have a good weekend

00:08:13anything good

00:08:35my sister's a real famous painter from Asia anyone want to buy her paintings

00:08:58you want to buy her paintings ma'am hey ma'am want to buy some paintings don't touch me

00:09:15what are you doing

00:09:23stop it

00:09:28I told you I don't want to fight anymore

00:09:48oh

00:10:18Good job.

00:10:35I'm sorry, we're open by appointment only.

00:10:37You're Justice Sullivan.

00:10:39Yes.

00:10:41Marcus Jelani.

00:10:43Mr. Jelani.

00:10:44I am surprised we have never met before.

00:10:49Of course, I've heard a great deal about you.

00:10:51And, of course, your magnificent collection.

00:10:56I hear you're the type of guy who can give me something special.

00:11:00Special.

00:11:02I can help with that.

00:11:07Look at this, Alice.

00:11:14We're filthy rich.

00:11:25Come on.

00:11:28Let's celebrate with strawberry pancakes.

00:11:30Hey!

00:11:31Give me the bag!

00:11:34No!

00:11:36They're sad, Asians!

00:11:39Are you okay?

00:11:40No, get him.

00:11:41Give her bread back!

00:11:42Let me take care of him.

00:11:52Just let him go.

00:11:52Go!

00:12:00Yeah!

00:12:02Aha!

00:12:03Aha!

00:12:04Ah!

00:12:06Yeah!

00:12:06Ahh!

00:12:07Aha!

00:12:07Ahh!

00:12:09Ah!

00:12:14Ah!

00:12:15Aha!

00:12:16Ah!

00:12:17Uh!

00:12:18Ugh!

00:12:19Oh, Jesus.

00:12:49Take it. Take it.

00:12:52I'm sorry. I'm getting out of here.

00:12:56Thank you so much, officers.

00:12:58So you'll be sure to...

00:12:59Come to the station tomorrow morning first thing and look at mug shots.

00:13:03Right. Oh, I'll be there with bells on.

00:13:13Don't worry. They won't be back.

00:13:16You heard me tell them that some kids chased away the thug.

00:13:22Hispanic kids.

00:13:24Go sit down. I'm going to go get the food.

00:13:30Let's go.

00:13:31Not a chance.

00:13:33If the police find me...

00:13:34No, wait. I'm staying right here.

00:13:43Alice, stop worrying.

00:13:46I don't mess around in the kitchen.

00:13:52This is the biggest burger I've seen in my life.

00:13:55It's like a cow died on a plate.

00:13:57Alice, you are in for a treat.

00:14:00Shove over you.

00:14:03Oh, are you a vegetarian?

00:14:07What the heck are you waiting for? Dig in.

00:14:09Wow.

00:14:18This is the best hamburger in America.

00:14:24Huh.

00:14:26You guys were sure hungry.

00:14:29I bet you two came in on that container ship.

00:14:34Am I right?

00:14:35Jeez, you saved my life.

00:14:37You can trust me.

00:14:39Can we help you clean up the dishes?

00:14:41Do you kids have a place to stay?

00:14:55Yes, with some relatives.

00:14:57My ass.

00:14:58But never mind.

00:14:59We probably should go.

00:15:03Thank you so much for dinner.

00:15:04Should I call you a cab?

00:15:07No, we like to walk.

00:15:08Me too.

00:15:09I was on my way home.

00:15:11We'll walk with you.

00:15:12Oh, that would be swell.

00:15:14I guess I'm starting to feel a little...

00:15:18Oh, I don't know.

00:15:19That was really something, wasn't it?

00:15:22The way you two just slammed him.

00:15:27Do you think you could meet me here every night

00:15:31until they catch that guy?

00:15:32Sure.

00:15:33What time?

00:15:34Uh, 4.30.

00:15:353.30 if you want a burger.

00:15:38Oh, great.

00:15:39Come on, it's just down this way.

00:15:41Oh, you have no idea how it happened.

00:15:52Oh, you have no idea how it happened.

00:16:22Asian girl.

00:16:24Maybe in her early 30s.

00:16:25Shot in the chest.

00:16:28Washed up here a couple hours ago.

00:16:30Maybe three or four days in the water.

00:16:33Anything else?

00:16:38Let me take a look.

00:16:43Nothing.

00:16:44Pretty girl.

00:16:45Hmm.

00:16:47Hmm.

00:16:52Okay, get some pictures.

00:17:02Let me know when you get something on it.

00:17:04Check with the M.A.

00:17:05All right.

00:17:15Hey, want to see my sister's painting?

00:17:22Hey, you want to see my sister's painting?

00:17:24Eh, I'm okay.

00:17:25They're good.

00:17:27Want to buy my sister's painting?

00:17:31Want to buy my sister's painting?

00:17:32Nah, man.

00:17:34Nah, man.

00:17:34Not a bad.

00:17:34Look, I'm happy.

00:17:35Look, I'll be here.

00:17:38I don't want to see my sister's painting.

00:17:39Oh!

00:17:39Mussa.

00:17:40Hawaii.

00:17:40Oh!

00:17:41All right.

00:17:43Oh.

00:17:50Oh!

00:17:51Oo.

00:17:52Oh!

00:17:55Oh!

00:17:56Woo!

00:17:57Oh!

00:17:57Ken stop it we don't need the attention anyone no thank you want to see my sister's painting

00:18:27thank you

00:18:57Whoa. Whoa. Whoa. Whoa.

00:19:04Pretty please. All right. Thank you.

00:19:07There you go, man. Thank you.

00:19:09Thank you. Thank you so much.

00:19:12Thank you. Thanks. Thank you so much.

00:19:15Thanks. Thanks.

00:19:18All right.

00:19:27Good for you, madam. Thank you, young man.

00:19:40Whoo. More, everyone?

00:19:43Come on, Alice. Let's give him a show.

00:19:45Come on. Come on, get up.

00:19:47Alice, come on. They want to see you do something.

00:19:50Ken, no.

00:19:52Come on. They want to see you do something.

00:19:59Yeah!

00:20:09That's what I'm talking about.

00:20:11Alice Cheung, ladies and gentlemen.

00:20:15Whoo!

00:20:17Yeah!

00:20:18Whoo!

00:20:23Whoo!

00:20:28Good job. Thanks.

00:20:33Good job, Alice.

00:20:37I saw her the other day, too. She's awesome.

00:20:40What's her name?

00:20:41Her name is Alice, and she is awesome.

00:20:46Good job. Thanks.

00:20:47More money.

00:20:50More money, please.

00:20:52More money, please.

00:20:54More money, please.

00:20:57Yeah.

00:20:58We're rich.

00:21:00You're so crazy.

00:21:02Dr.

00:21:13Do you like the acrobatics?

00:21:14Because we can do more.

00:21:15I like this.

00:21:17This is beautiful.

00:21:18Did you do this?

00:21:19Did you do this?

00:21:21I'm interested in meeting the painter.

00:21:24You like my work?

00:21:25Very much.

00:21:26East Asia, am I right?

00:21:35What's happening?

00:21:36The usual.

00:21:37The police are checking for market permits.

00:21:39But sometimes, that's just their way of finding illegals.

00:21:43But of course, you have a market permit, right?

00:21:47Come, my gallery's right up the street.

00:21:48Your what?

00:21:50My art gallery.

00:21:51Come.

00:22:07Come.

00:22:09Come.

00:22:10Come.

00:22:16Do this all belong to you?

00:22:18Well, these are all my painters, people whose work I love and try to sell.

00:22:23Is this your first time in a gallery?

00:22:25I've seen them on TV before.

00:22:28All right.

00:22:29Our dad has a shop where we sell paintings.

00:22:31Copies of paintings.

00:22:33Not like these.

00:22:34Originals.

00:22:35Originals.

00:22:36Wait a minute.

00:22:37Do you mind?

00:22:38Do you mind?

00:22:39I'd like to see all of them, if that's okay.

00:22:42What?

00:22:43You mind.

00:22:44Oh.

00:22:45This one.

00:22:46And this one.

00:22:48Hmm.

00:22:49You want to buy them?

00:22:51How much?

00:22:56Four six zero zero.

00:22:58Ken!

00:22:58U.S. dollars.

00:22:59Really?

00:23:00I think that's a little high.

00:23:03I think I would try for a thousand.

00:23:05Maybe a little more.

00:23:07You mean one thousand U.S. dollars?

00:23:11What is your name?

00:23:13Alice, and this is my brother.

00:23:16Ken.

00:23:17Alice, I would like to try to sell your work.

00:23:20What do you think?

00:23:21I...

00:23:25I'll take three.

00:23:27Wait a minute.

00:23:28What's this?

00:23:30Oh, no, that's just a coffee.

00:23:31Yes, I know.

00:23:32Cezanne.

00:23:34Not the same size, of course.

00:23:37You did this.

00:23:39In my country, people only want European art.

00:23:42No one wants originals.

00:23:43Hmm.

00:23:45The light.

00:23:47Here and here.

00:23:49You got it exactly right.

00:23:55Well, from now on, only originals.

00:24:03Come, sit.

00:24:04My name is Justice Sullivan.

00:24:07I invest in people I think have potential like you, Alice.

00:24:11Here's what we can do.

00:24:13You loan me those three paintings to hang here in the gallery,

00:24:17and in exchange, I give you a small fee for the privilege of selling your work.

00:24:21Now, should we get lucky, the gallery's commission is 50%.

00:24:25How much fee?

00:24:29Um, $500.

00:24:32A deducted, of course, from the proceeds of the sale.

00:24:35Whether they sell or not, the $500 is yours to keep.

00:24:38Oh, what about this?

00:24:42Oh, you can keep that as well.

00:24:45Alice and Ken.

00:24:48Your last name?

00:24:49Chiang.

00:24:50Spell that first.

00:24:52Q-I-A-N-G.

00:24:54Ken.

00:24:56Alice, what?

00:24:57It's in your paintings.

00:24:59Anyways, now you'll be famous.

00:25:00Well, if that's all settled, I'll have my secretary draw up a contract tomorrow.

00:25:05Where can I reach you?

00:25:09Well, we'll figure that out later.

00:25:13In the meantime, how about joining me for dinner?

00:25:17Well, let's celebrate.

00:25:18No, it's okay.

00:25:19You've done so much for us.

00:25:21Don't be silly.

00:25:22I'll tell you what.

00:25:23My house is not very far from here,

00:25:25and I have a wonderful housekeeper who cooks for me.

00:25:28What would you like?

00:25:29Steak?

00:25:31Pasta?

00:25:32What about a hamburger?

00:25:34We probably can manage that.

00:25:37Come on.

00:25:39Wait.

00:25:41My paintings.

00:25:43Of course.

00:25:54Welcome to my home.

00:25:59We're here.

00:26:03Let's go.

00:26:05I'm sorry.

00:26:13Let's go.

00:26:15It's free.

00:26:23I'm sorry.

00:26:27There are so many.

00:26:36Where did you get all of this?

00:26:38Some I bought. Some more gifts.

00:26:40In one day, I've seen more original painting than in my whole life.

00:26:43I have quite a few I think you would appreciate.

00:26:48Right this way.

00:26:50One of my favorites.

00:26:53This one. Oh, this one.

00:26:55I got it in Paris.

00:26:57That was about five, six years ago.

00:27:00And this one I picked up in Moscow.

00:27:06And here's the TV room.

00:27:11It's like a movie theater.

00:27:14Look at these. Can we watch one?

00:27:17Can. Not now.

00:27:19Sure. Why not?

00:27:20You can come over and watch movies anytime you want.

00:27:23Now, Alice, here is the piece de resistance.

00:27:34I used to paint myself.

00:27:40I don't much anymore.

00:27:42But this is my favorite part of the house.

00:27:46I admit to having a bit of a love affair with art.

00:27:48I guess I discovered that my talent was more about finding original artists than making original paintings.

00:27:56All this and no one...

00:27:57No.

00:27:58A bit of a waste, really.

00:28:00Sort of like the TV room.

00:28:02Use it whenever you want.

00:28:03Why?

00:28:06Why me?

00:28:09I mean...

00:28:11Why us?

00:28:14Like I said, my talent is for finding artists.

00:28:17Helping to bring new work into the world.

00:28:20When I find someone I believe in.

00:28:23Come on.

00:28:24Let's eat.

00:28:24So, why did you come to the United States?

00:28:40Because I want to be a painter.

00:28:43You don't sound very convinced.

00:28:47Do you have family here?

00:28:50No, it's just us.

00:28:51What?

00:28:53Might as well tell the truth.

00:28:56So, where are you staying?

00:29:00Just as I thought.

00:29:01Let me guess.

00:29:03Maybe a park?

00:29:05You're very lucky, you know.

00:29:07Many people don't even survive the journey.

00:29:09You must have wanted to come here very badly.

00:29:12All right, then.

00:29:14You need a place to stay.

00:29:16And as you see, I have a lot of spare rooms.

00:29:19Can we, Alice?

00:29:20Can we?

00:29:21We appreciate that.

00:29:23But we will be fine.

00:29:25Look, I have been very lucky in my life.

00:29:27And I like to give back when I can.

00:29:29Thank you, Alice.

00:29:30Thank you, Alice.

00:29:32Thank you, Alice.

00:29:33Thank you, Alice.

00:29:34Thank you, Alice.

00:29:35Thank you, Alice.

00:29:36Thank you, Alice.

00:29:37Thank you, Alice.

00:29:38Thank you, Alice.

00:29:39Thank you, Alice.

00:29:40Thank you, Alice.

00:29:41Thank you, Alice.

00:29:42Thank you, Alice.

00:29:43Thank you, Alice.

00:29:44Thank you, Alice.

00:29:45Thank you, Alice.

00:29:46Thank you, Alice.

00:29:47Thank you, Alice.

00:29:48Thank you, Alice.

00:29:49Thank you, Alice.

00:31:21Shh.

00:31:21You wake me starts living up.

00:31:23Good morning.

00:31:24Strawberry pancakes are on the table.

00:31:27Did you ask for them?

00:31:29I told him they were your favorite.

00:31:30Oh, good.

00:31:32You found the paints already.

00:31:34Sorry.

00:31:35I should have asked.

00:31:36No, I'm glad you feel comfortable.

00:31:37That is what I wanted.

00:31:41Breakfast?

00:31:43You better eat.

00:31:45You need great strength to be a great painter, you know.

00:31:48How can we ever thank you?

00:31:49You can't.

00:31:51If I don't hurry, I will be late for my first appointment at the gallery.

00:31:54You two are absolutely my family.

00:32:08I think it's time to hear your wife's secret.

00:32:19It takes two seats.

00:32:21I think it's time to hear your wife's secret.

00:32:23I think it's time to hear your kids.

00:32:38You better be.

00:32:40You better be.

00:32:42Shhh, shhh, shhh.

00:32:44Shhh, shhh.

00:32:46Shhh.

00:32:48Shhh.

00:32:50Shhh.

00:32:52Shhh.

00:32:54Bravo.

00:33:04Wow.

00:33:06Impressive.

00:33:08Where did you learn how to do that?

00:33:10She'll help me every day after school.

00:33:12Alice too.

00:33:14But she won't help me out anymore.

00:33:16What do you mean?

00:33:18She's too busy learning how to paint.

00:33:20It's all she thinks about.

00:33:22Maybe you should be learning things too.

00:33:24You're 16, you're going to have to finish high school sometime.

00:33:26I don't like to study.

00:33:28What do you like?

00:33:30This.

00:33:32But, I just can't get it right.

00:33:34You know, I have a friend I would like you to meet.

00:33:38A fellow who happens to own a boxing gym.

00:33:42Really?

00:33:43What are you doing tomorrow afternoon?

00:33:45Nothing.

00:33:46We're on.

00:33:48Mr. Sullivan.

00:33:49Yeah?

00:33:50Alice doesn't really like for me to fight.

00:33:52I guess we don't have to tell her then, do we?

00:33:56All right, good.

00:33:58Take these gloves, go.

00:34:00We'll hunt them back.

00:34:02So what do you think?

00:34:04Can you find something to do here?

00:34:06Awesome.

00:34:08Justice.

00:34:09Good to see you.

00:34:10Who do we have here?

00:34:12Half of my latest project.

00:34:13His name is Ken Chiang.

00:34:14Ken, this is Lee.

00:34:15New in town.

00:34:16He's got some great moves.

00:34:17Let's see what you think.

00:34:18Hey, uh, Freddie?

00:34:19Let's get this kid some gloves.

00:34:20Come with me, kid.

00:34:21Oh, no.

00:34:22No.

00:34:23No.

00:34:24No.

00:34:25No.

00:34:26No.

00:34:27No.

00:34:28No.

00:34:29No.

00:34:30No.

00:34:31No.

00:34:32No.

00:34:33No.

00:34:34No.

00:34:35No.

00:34:36No.

00:34:37No.

00:34:38No.

00:34:39No.

00:34:40No.

00:34:41No.

00:34:48And the other half?

00:34:50His sister.

00:34:51A painter.

00:34:52Asking for trouble.

00:34:54We'll see.

00:34:55Keep the kid busy, will you?

00:34:58I don't want her worrying about it.

00:35:00Sure.

00:35:01Yeah.

00:35:02What about May?

00:35:04No news.

00:35:06So, good news.

00:35:08Even better.

00:35:09Because I believe we may have a new client.

00:35:12Shhh.

00:35:13Shhh.

00:35:14Shhh.

00:35:15Shhh.

00:35:16Shhh.

00:35:17Shhh.

00:35:18Shhh.

00:35:19Shhh.

00:35:20Shhh.

00:35:21Hey.

00:35:22Is that the best you can do?

00:35:23Okay.

00:35:24Hey.

00:35:25Shane.

00:35:26Shhh.

00:35:27Uh oh oh oh oh oh.

00:35:29Shhh.

00:35:30Shhh.

00:35:31Shhhh.

00:35:32Shhh.

00:35:33Shhh.

00:35:34Oh oh oh oh.

00:35:35Shhh.

00:35:36Shhh.

00:35:37Hey not bad.

00:35:38Shhh.

00:35:39Not bad.

00:35:41You wanna try sparring?

00:35:43Sure.

00:35:44Hey Rob.

00:35:45Maloneum.

00:35:46all right take him for a couple rounds

00:35:52don't worry won't hurt you too much kid

00:36:10don't worry old man i won't make you look too bad

00:36:16yeah

00:36:23yeah

00:36:28yeah

00:36:31yeah

00:36:35yeah

00:36:40yeah

00:36:43Okay.

00:36:44Okay.

00:36:45Okay.

00:36:46Ken?

00:36:47Give me a hand here with this guy.

00:37:04Ken?

00:37:05Let's get him out of here.

00:37:06I don't want somebody seeing this.

00:37:08It's not bad.

00:37:09It's not bad at all.

00:37:12Listen, we're having a competition here tomorrow night.

00:37:16You should come.

00:37:18Maybe make a few bucks.

00:37:19Bucks?

00:37:20As in American money?

00:37:22How?

00:37:23I'm in.

00:37:24I like your attitude.

00:37:26Sure, fighters can make a little cash.

00:37:29But of course, it's the winners who make the most.

00:37:33Land of opportunity.

00:37:36I love it!

00:37:42Come on, Marty.

00:37:43Something, anything, because the bosses are all over me on this one.

00:37:49Well, you were right about the paint.

00:37:51There was something funny.

00:37:53We missed it the first time.

00:37:55Now we're talking.

00:37:57So, oil paint on her hands and on her jeans.

00:38:02Lead-based.

00:38:03That's odd.

00:38:04That's what I thought.

00:38:06Lead was banned in most paints years ago.

00:38:08Well, most, but not all.

00:38:10Meaning?

00:38:11I'm not sure yet, but I have a hunch.

00:38:14Such a great investigator.

00:38:16Got a hunch about a man for me.

00:38:18Thanks for this.

00:38:46Good morning.

00:38:47Good morning.

00:38:48How are you?

00:38:49I've never had so much canvas paint time before.

00:38:53If I'm not good now, I can only blame myself.

00:38:57Alice, I have a favor to ask.

00:39:00Yes?

00:39:02Look here.

00:39:07Van Gogh.

00:39:08Yes, the painter who once said he had no technique.

00:39:11I've never seen a real Van Gogh before.

00:39:13Is there one in Seattle?

00:39:15This particular painting disappeared during World War II and hasn't been seen since.

00:39:21But yes, there are a couple at the Seattle Art Museum.

00:39:24Have you never been to a museum?

00:39:26No.

00:39:27Well, we must get you there pronto.

00:39:29Well, I remember that copy that you did.

00:39:32And I know it's not what you want to do, but I was hoping that you would consider copying this for me.

00:39:40Why?

00:39:41It's for a friend.

00:39:43Also an immigrant from Croatia.

00:39:46He's been very ill.

00:39:48Doesn't have much time.

00:39:49Maybe a year.

00:39:50Maybe less.

00:39:51Maybe less.

00:39:54And that is his favorite painting.

00:39:57I owe him a lot.

00:39:58I know it sounds rather grandiose.

00:40:00But I just want to give it to him.

00:40:03Of course, he'll know that I didn't find it.

00:40:05And we'll have a good laugh over that.

00:40:07Mm-hmm.

00:40:12Mr. Sullivan.

00:40:13Justice, please.

00:40:14Call me Justice.

00:40:17Justice.

00:40:18Ken and I are so much in your depth.

00:40:21But...

00:40:23I don't think I can get this right.

00:40:25I can't even see the brushstrokes.

00:40:27I have a better version.

00:40:29About the same size as the original.

00:40:31Well, excuse me?

00:40:33Why don't you give him that?

00:40:35I just feel that you can do it better.

00:40:41In my country,

00:40:42when we did copy,

00:40:44we sent our name in the back of the painting.

00:40:47Could I do that?

00:40:49No.

00:40:53I'm really not that good.

00:40:55I don't know how to paint like Van Gogh.

00:40:58I don't want you to paint like Van Gogh.

00:41:00I want you to paint like you are Van Gogh.

00:41:08Could I think about it?

00:41:10Of course.

00:41:12And Alice, whatever you decide, it's okay.

00:41:15Oh.

00:41:18I've been thinking.

00:41:20Eventually, you're going to need some visas.

00:41:22For you, Ken, and your father.

00:41:25We are not going to have him coming over in a container ship.

00:41:28I'll work on it.

00:41:29I'll work on it.

00:41:33Have you seen this girl?

00:41:35No.

00:41:37Sir, have you seen this girl?

00:41:39Take a good look.

00:41:41Nothing at all?

00:41:45Yes, have you seen this girl?

00:41:47She ever bought anything from you here?

00:41:49Anything at all?

00:41:50Nothing?

00:41:53How about you, miss?

00:41:54Have you ever seen her around the marketplace?

00:41:56Just trying to ID her, please.

00:42:22What are you doing, Picasso?

00:42:30Leaving.

00:42:32What?

00:42:33You want to run away again?

00:42:35I'm not running away.

00:42:36I'm leaving.

00:42:37There's a difference.

00:42:39And you will be going where?

00:42:42It doesn't matter.

00:42:43We'll be fine wherever we go.

00:42:45We...

00:42:46We are not leaving.

00:42:47You are leaving.

00:42:49Ken, listen to me.

00:42:50Something is not right.

00:42:52What?

00:42:53I don't know.

00:42:56Is it...

00:42:57Did he...

00:42:58No.

00:43:00Then...

00:43:03He wants me to paint a Van Gogh.

00:43:05So what?

00:43:06You did it at home all the time.

00:43:09It's different here.

00:43:10I just...

00:43:12Don't feel it right.

00:43:13I don't get it.

00:43:14What does it matter if you paint flowers or Picasso?

00:43:17Nothing.

00:43:18You want to run away?

00:43:21Just because you don't feel right?

00:43:23Just trust me.

00:43:26I'm not going anywhere.

00:43:28Ken, you're coming with me.

00:43:30Dad put me in charge of you.

00:43:31Get your things together.

00:43:34Dad is not here.

00:43:36And I'm not leaving.

00:43:38Do you want to go back to the streets?

00:43:39Are you crazy?

00:43:40You're crazy?

00:43:43Alice.

00:43:45This is everything you ever wanted.

00:43:47A place to paint.

00:43:49To be an artist.

00:43:51This is your dream come true.

00:43:54But Ken...

00:43:56It's still just a dream.

00:43:58None of this is ours.

00:44:00But it can be ours.

00:44:02Listen to me.

00:44:04Just listen Alice.

00:44:06He's giving you, me, the chance of a lifetime.

00:44:11I don't know why he's doing it, and I don't care.

00:44:14I just know he likes us.

00:44:16He's nice to us, and he wants to help.

00:44:19Besides, how else will we ever get that here?

00:44:32So he doesn't want to get into your pants?

00:44:34No.

00:44:35Is he gay?

00:44:37No.

00:44:38Well, then he wants to get into your pants.

00:44:40No, he doesn't.

00:44:41Look, my dear, if he doesn't want to get in your pants, he's gay.

00:44:45And if he isn't gay, he wants to get into your pants.

00:44:49That's the way it's always been since the beginning of time.

00:44:52Men are pigs.

00:44:54No, he's not.

00:44:55Then...

00:44:55He's just nice.

00:44:57Well, maybe then he's a eunuch.

00:44:59He doesn't want anything from me, except that painting.

00:45:03Van Gogh.

00:45:04Off with his ear, like the one we saw in the museum, that I had to drag you away from?

00:45:08I've never seen a real one before.

00:45:11Sure, but...

00:45:12He was so alive.

00:45:13The brush strokes, the colors, the mix of colors.

00:45:18And you know, the branches seem to be breathing.

00:45:20You're so swell, Branch.

00:45:23I agree.

00:45:24If only I could ever be that good.

00:45:27What's wrong?

00:45:29Maybe it would help to train you.

00:45:32He's been so generous.

00:45:34But I don't feel right copying other people's work.

00:45:38Look, every artist in that great big museum had to start somewhere.

00:45:44A lot of them had to paint shit that they didn't like.

00:45:47You have here what we call a patron.

00:45:54Someone who wants to support you.

00:45:56So?

00:45:57So, take what life offers you.

00:45:59Life gives you lemons, make lemonade.

00:46:02But add a shitload of vodka, it helps.

00:46:04Look, Alice, it could be worse.

00:46:07It's all right.

00:46:26Hit him!

00:46:28Watch out.

00:46:29Come on!

00:46:30Get out of here, kid.

00:46:32Are you scared of him?

00:46:33Yeah!

00:46:34Get him!

00:46:35Don't teach other people who said it.

00:46:41No, no!

00:46:42Come on!

00:46:45Huh?

00:46:46Huh?

00:46:47Huh?

00:46:48Huh?

00:46:48Good!

00:46:49Huh?

00:46:51Huh?

00:46:56No!

00:46:57No!

00:46:58Ah!

00:46:58Huh?

00:46:59Oh!

00:47:00Ah!

00:47:01Huh?

00:47:01Ah!

00:47:01Oh!

00:47:02Uh!

00:47:02Huh!

00:47:03Huh?

00:47:05Ooh!

00:47:31Well, that's two down.

00:47:35All right, you got the door?

00:47:44Thanks.

00:47:47Yeah, with your agility and your love, Senator Gravy, Ken,

00:47:50you got a chance to be something real special, okay?

00:47:55Take this, huh?

00:47:57You deserve it.

00:47:59See you on Thursday?

00:48:01You mean I get to do it again?

00:48:05Yeah, sure.

00:48:08You bet!

00:48:22Where have you been?

00:48:26Where did you get this from?

00:48:28I found it on the street.

00:48:30It fell from a big tree.

00:48:31I told you money grows on trees.

00:48:33Ken, seriously, tell me, where did you get this from?

00:48:37Well, I'm working for a exhibit at the diner.

00:48:41Doing what?

00:48:43Oh, you know, washing dishes, taking orders, cooking food, stuff like that.

00:48:50Cooking food?

00:48:51Sure, sis.

00:48:52This is America.

00:48:54Anybody can do anything they want.

00:48:55And you get this much for one night?

00:48:59Sure, sis.

00:49:01Everybody likes me.

00:49:02I make them laugh.

00:49:03They give me a good tip.

00:49:06And since you haven't sold any paintings yet,

00:49:09I should bring it in the books.

00:49:10Don't you think, Alice?

00:49:12You're sweaty.

00:49:14What?

00:49:15I was working really hard.

00:49:17Besides, I went to Sullivan's gym today.

00:49:20I mean, Mr. Sullivan.

00:49:22I heard you were at the gym today, Ken,

00:49:24and that everyone was very impressed with you.

00:49:27Have you been fighting?

00:49:28No, no, there's no fighting there.

00:49:29It's just a gym, a couple of punching bags, that sort of thing, huh?

00:49:34We should all get some sleep,

00:49:36because tomorrow I will start a new painting.

00:49:39Not anything titanium.

00:49:49The paint I'm looking for has lead in it.

00:49:51It's becoming more she-she.

00:49:53Organic paint is what I call it.

00:49:55No additives.

00:49:56Kind of like the way the old masters used to do it.

00:49:59It's very expensive.

00:50:00Do you remember anyone buying it?

00:50:02Well, it's not the students for sure.

00:50:04They can't afford it.

00:50:05And who wants lead poisoning?

00:50:08Wait here.

00:50:08I got some in bag.

00:50:27Why are sizzly colors different?

00:50:31We use genuine historical pigments

00:50:33like the ones used by the old masters.

00:50:35Blah, blah, blah.

00:50:37No modern additives.

00:50:38The character found in each tube of our oil colors is unique,

00:50:42giving the artist new choices of texture, opacity, consistency, tone, and hue.

00:50:49You experience the transparencies of yellow ochre.

00:50:53That's what I want.

00:50:54The pale coolness of...

00:50:55Huh?

00:50:56I mean, excuse me?

00:50:59I need that kind of paint.

00:51:01That's what I was looking for.

00:51:03No, please.

00:51:04I'd like to look around somewhere.

00:51:05That young lady knows what she wants.

00:51:08Any particular color?

00:51:09All of them.

00:51:11Young lady, do you know what these cost?

00:51:13No, but it doesn't matter.

00:51:14I'll take them.

00:51:21Can I ask you a question?

00:51:25Yeah, sure.

00:51:27Do you want to get into my pants?

00:51:30Excuse me?

00:51:31I, uh...

00:51:32No.

00:51:33Are you gay?

00:51:35No.

00:51:36Then you must be a eunuch.

00:51:46Goodbye.

00:51:46So much for discretion, detective.

00:51:55I did my part perfectly.

00:51:57Never mind.

00:51:58Her.

00:51:59Was she ever in here?

00:52:01Did she ever...

00:52:02Good God.

00:52:03She looks dead.

00:52:04She is.

00:52:05She was.

00:52:06She did.

00:52:08Same thing as a girl that was just here.

00:52:10An Asian thing, don't you think?

00:52:12If she comes back, you call me.

00:52:14Alice?

00:52:30Alice?

00:52:44Mr. Jelani, it's Justice Sullivan.

00:53:03Fine, thank you.

00:53:05Good news.

00:53:07Yes.

00:53:09The Van Gogh.

00:53:11A couple of weeks, perhaps?

00:53:15Oh, you will not be disappointed.

00:53:19Good.

00:53:22Thanks. Come again.

00:53:25Oh, wow, my favorite Asian painter.

00:53:28This is for you.

00:53:30Oh, wow.

00:53:31Thank you for the good advice.

00:53:33Really? For me?

00:53:35Huh, just what I always wanted.

00:53:38What is it?

00:53:40Kidding, kidding.

00:53:42Oh.

00:53:43Oh, it's lovely.

00:53:49We're going to put it right over there with a big sign, painted by Alice Jung.

00:53:55Alice, but there's another unit.

00:53:57Huh?

00:53:58The guy that just came in?

00:54:02You are following me.

00:54:03No, I'm not.

00:54:03Kick his lying ass, Asian girl.

00:54:08Stop.

00:54:09Stop.

00:54:10Stop.

00:54:11Okay, please stop.

00:54:12I am following you.

00:54:14I'm interested in an Asian girl.

00:54:16Pervert.

00:54:17No, no, not like that.

00:54:20Let me explain.

00:54:23Are we supposed to believe that this is legitimate?

00:54:27I'm a homicide detective investigating the murder of a female Asian painter.

00:54:31Why are you following me?

00:54:44Because you're a painter.

00:54:45How do you know?

00:54:46Because you run the arts store buying oil paints.

00:54:49He's good.

00:54:50The other girl that was murdered, also a painter.

00:54:53So she was Asian and she painted.

00:54:56What does that have to do with me?

00:54:59Perhaps you're in danger of the same fate.

00:55:01Why don't you come down to the station with me?

00:55:04I'd rather not.

00:55:05And I'd like you to leave now.

00:55:07You heard what she said.

00:55:08Get out of my restaurant.

00:55:10What if you're already in danger and don't know it yet?

00:55:13Well, I guess I'll find out soon.

00:55:17Well, when you do, let me know about it.

00:55:21You may need my help.

00:55:26Why did you call him a eunuch?

00:55:28Well, he isn't gay and he doesn't want to get into my pants.

00:55:40Well, he doesn't want to get into my pants.

00:56:10Impressive.

00:56:19Very impressive.

00:56:22You scared me.

00:56:31You're very good at this, you know.

00:56:33Painting?

00:56:35Or copying?

00:56:36Well, I would say both.

00:56:40It teaches me to do this.

00:56:43I'm not as bold in my own work.

00:56:46So when do you think?

00:56:49This?

00:56:51Yes.

00:56:52Three days.

00:56:55Maybe two.

00:56:55Good to see you.

00:57:10Okay, just like before, okay?

00:57:22You've got this.

00:57:24Just make sure it's through.

00:57:25Right.

00:57:27I think this kid is the real thing.

00:57:30All right, we do things a little different after hours here, folks.

00:57:34No rounds.

00:57:35No judges.

00:57:37The fight will continue until one man can't stand.

00:57:39On to my right, standing 6'4", 260 pounds, from Chicago, the infamous Hannibal.

00:57:48On to my left, standing 5'6", a slight 160 pounds, Ken Jeong.

00:57:55Fighters, this is your last chance to place bets, people.

00:57:59One-to-one odds.

00:58:00Fighters to the center.

00:58:01Let's touch hands.

00:58:04All right.

00:58:06All right, let's see some blood.

00:58:09Oh, my God.

00:58:10Oh, my God.

00:58:32Oh, my God.

00:58:38Oh, my God.

00:59:08No!

00:59:38That's it.

01:00:02All right, get back.

01:00:03Nice.

01:00:05Pretty rough night.

01:00:08Good job.

01:00:15I knew I could take him.

01:00:17Even before we started, he's way too big, way too slow.

01:00:20I see a promising career ahead of you, Ken.

01:00:23Don't tell Alice, though.

01:00:26She's going to know something from the look of you.

01:00:36Where were you?

01:00:37I'm going to sleep in my room.

01:00:39It's late.

01:00:40Don't want to keep you up.

01:00:42Good night.

01:00:42You're not going anywhere.

01:00:44Get in here.

01:00:47You've been fighting.

01:00:49Alice, I swear.

01:00:51You're lying.

01:00:52Working out, not fighting.

01:00:54And you get bruises like this from working out?

01:00:56No.

01:00:56I got this.

01:00:58I got this.

01:00:59And this.

01:01:00And this.

01:01:05You aren't the only one who can work, Alice.

01:01:08I have something I can do, and I'm going to do it.

01:01:11But you promised me.

01:01:14I know.

01:01:16But I take it back.

01:01:18It was not a good reason to make a promise.

01:01:21Those guys would have hurt you.

01:01:23If you didn't know how to fight, you wouldn't be here.

01:01:25Alice, this is who we are.

01:01:36This is what we learned from our grandfather.

01:01:40This is what I have.

01:01:42All I have.

01:01:43Alice, I'm not smart like you.

01:01:46I don't want to go to college, and I can't talk about art.

01:01:51I wanted everything to be different here.

01:01:57I see you painting, Alice.

01:02:00Doing what you were born to do.

01:02:03Let me do what I was born to do.

01:02:13So, you aren't working for Elizabeth?

01:02:19Nah.

01:02:19She's my cover.

01:02:37We're by appointment only.

01:02:41I have a 1.30 appointment.

01:02:43Oh, let me check.

01:02:50It doesn't seem to be here.

01:02:52My mistake.

01:02:53I'm sorry.

01:03:13My friend will be most pleased.

01:03:15I'm not.

01:03:16I'm not.

01:03:18How many times?

01:03:48It's good.

01:04:18It's good.

01:04:48Mr. Johnson.

01:05:18Oh, I wasn't expecting you till later.

01:05:39I'll make you something.

01:05:40Thank you, Mrs. Reda.

01:05:42Alice, I have some very good news.

01:05:45Here.

01:05:46What is this?

01:05:48This afternoon, we sold one of your paintings.

01:05:51I know you don't have a bank account yet, so I brought you your share in cash.

01:05:55$1,900 minus the Gallard's commission.

01:05:58Oh, so that's close to $1,000.

01:06:04Alice!

01:06:05Which painting?

01:06:05Who bought it?

01:06:06The one showing the young Chinese girl playing the flute.

01:06:09All right!

01:06:12Who's the buyer?

01:06:13Do you know their name?

01:06:13Well, it was bought by a nice young woman who was...

01:06:17I want to meet her.

01:06:18Why?

01:06:19Ken, sit down.

01:06:20To thank her.

01:06:21Besides, if somebody have something I made, it means we're connected in some way.

01:06:25Well...

01:06:26Thank you, Mr. Sullivan.

01:06:28Mr. Sullivan Justice.

01:06:29That's very nice, Alice, but...

01:06:30Can I meet her tomorrow?

01:06:31You...

01:06:32That's not how the professional world works.

01:06:34Can I come, too?

01:06:35You don't need to thank her.

01:06:37She's been rewarded by your painting.

01:06:39Besides...

01:06:39We can buy her flowers.

01:06:40No, I'm sorry.

01:06:41Justice!

01:06:42Can we please, please meet her?

01:06:44This is the first painting I've ever sold.

01:06:46No!

01:06:52People who buy art value their privacy, Alice.

01:06:57My job is to take care of the client as well as the artist.

01:07:00Please, don't make that difficult for me.

01:07:03I'm sorry.

01:07:04I didn't mean to.

01:07:06Thank you, Mrs. Sullivan.

01:07:07We're very sorry.

01:07:11Excuse me, Mrs. Ryan.

01:07:12I won't be eating after all.

01:07:14I just remembered I have a conference call in a couple of minutes.

01:07:30Ta-da!

01:07:32You're looking at a paid artist.

01:07:34What on earth?

01:07:36I sold my first painting.

01:07:38Oh, that's wonderful.

01:07:44Elizabeth, I'll come back another time.

01:07:47No, Alice, stay right here.

01:07:49I asked him to be here when you came.

01:07:51Why?

01:07:53Because I'm worried about you.

01:07:55Alice, listen to me.

01:07:56That girl who was murdered, I believe she was painting for someone.

01:08:00Someone that was paying her to paint forgeries.

01:08:02So what does that have to do with me?

01:08:04That girl seems she had a patron.

01:08:07They found her bag yesterday about a mile out of port with $18,000 cash.

01:08:12So what?

01:08:13Alice, don't pretend with him.

01:08:15He's okay.

01:08:16He's just trying to help.

01:08:18Everyone here is just trying to help.

01:08:22No, he's a eunuch.

01:08:24What is it with you two and eunuchs?

01:08:26It's our secret code.

01:08:27It means...

01:08:29You're okay.

01:08:38Thanks for coming with me.

01:08:40Did I have a choice?

01:08:42There's a lot of money in art forgeries, Alice, and they need people like you.

01:08:46You mean stupid people.

01:08:47No, talented people.

01:08:49You don't know I'm talented.

01:08:51I do.

01:08:52I saw your paintings at the gallery.

01:08:54I know.

01:08:55You saw my paintings?

01:08:57Yes.

01:08:58It was a babbling brook, a field of flowers, and the third one was what?

01:09:04A young Asian girl playing the flute.

01:09:08And very colorful.

01:09:10What?

01:09:11Nothing.

01:09:12Has he asked you to copy someone else's work?

01:09:16He knows many Asian painters are skilled at copying.

01:09:20Have you ever copied a famous painting, Alice?

01:09:23Yes, at my father's shop.

01:09:25I thought so.

01:09:26I need to go now.

01:09:28Wake up, Alice.

01:09:29Just because you're innocent doesn't mean everyone is.

01:09:31These are dangerous people who'll do anything for money.

01:09:34I think you're just out to get us.

01:09:36Finally, something could happen to me and my brother, and you're trying to ruin it.

01:09:40You don't know how hard it is, and how hungry we are.

01:09:44That's what they're counting on.

01:09:46Your hunger to make it, and your belief that you deserve this.

01:09:49But...

01:09:50But don't I?

01:09:53You really believe that's how it works?

01:09:56It's America.

01:09:57Anyone can make it.

01:09:59Bullshit.

01:10:00It's not real, Alice, and I think you know that.

01:10:03I know you're illegal.

01:10:04I could bring you in for that right now, but I need you to help me get Sullivan.

01:10:09Because that other girl, she didn't deserve to die.

01:10:12And besides, it could have been you.

01:10:20Instead, they propose using the ratio of employed people to the total population as a more meaningful metric.

01:10:27Today, in news from the art world, a noted antiquities and oil painting expert was arrested and charged with criminal fraud.

01:10:33The expert, Brad Johnson of Seattle, is accused of falsely authenticating scores of paintings and sculptures.

01:10:41One of the counterfeited paintings currently hangs in London's Tate Museum.

01:10:45Another was discovered at the...

01:10:46Get everyone.

01:10:51Everyone?

01:10:52Everyone!

01:10:53Yes, sir.

01:11:13Can you have some?

01:11:16Hey!

01:11:22Oh, fine.

01:11:46And the shit has hit the fans.

01:12:03I'll get it.

01:12:16Justice Sullivan.

01:12:33Where is he?

01:12:43Ah!

01:12:44Ah!

01:12:46What do you think you're doing?

01:13:06I don't understand.

01:13:06Let's talk about this.

01:13:08Let's sit down and talk about this.

01:13:10How can I help you now?

01:13:12What seems to be the problem?

01:13:14You neglected to tell me something about the painting I paid you $22 million for like it isn't real.

01:13:20If it is not, I was fooled as well.

01:13:22Who painted it?

01:13:24Him?

01:13:26I don't like being cheated.

01:13:27More than that, I don't like being played for a fool.

01:13:30I want my money now!

01:13:31It is not here.

01:13:32421.

01:13:39Shots fired at my location.

01:13:41Send backup.

01:13:42I'm going in.

01:13:44Where's my money?

01:13:46Where's my fucking money?

01:13:47Kill the kid!

01:13:48Kill the kid!

01:13:49Oh, my God.

01:14:19Oh, my God.

01:14:49Oh, my God.

01:14:56Alice, he lied to us.

01:14:59Alice, I didn't.

01:15:04It wasn't real, was it?

01:15:07Alice, please, help me.

01:15:10Again, let's go.

01:15:17Alice.

01:15:22Alice.

01:15:23Alice.

01:15:24Alice.

01:15:25Alice.

01:15:26Alice.

01:15:28Alice.

01:15:29Alice.

01:15:30Alice.

01:15:31Alice.

01:15:32Alice.

01:15:33Oh

01:16:03That's it!

01:16:19Get going.

01:16:20But!

01:16:20If they find you here, you'll be deported.

01:16:22Go to the restaurant now!

01:16:24I need to get my paintings.

01:16:26Alice, come on!

01:16:28Hurry!

01:16:33Can I get an omelette burger with no cheese and cheese on the end of all that?

01:17:01Okay, yeah.

01:17:04Oh, well, here he is, Mr. Nick Thompson himself.

01:17:10Okay, and just two water.

01:17:11Hello, Nick.

01:17:13Alice, you better come on over here.

01:17:18Are you here to arrest me?

01:17:20Well, I don't see what that would do.

01:17:22You didn't know what Sullivan planned to do with your painting, did you, Alice?

01:17:27I might have.

01:17:28I don't know.

01:17:30Alice.

01:17:31He told me not to sign my name in the back of the painting.

01:17:35But you did sign, so that means you're innocent.

01:17:38Well, here's what I'm thinking.

01:17:41Not sure I'm right about this or not.

01:17:44You tell me, because I believe you kids ran on this thing the entire time.

01:17:49What?

01:17:49Huh?

01:17:50You were working with me starting from a few days after you arrived.

01:17:54I've got Elizabeth to back me up on that.

01:17:56Mm-hmm.

01:17:57The night she was robbed, we met that night.

01:18:01And you two went undercover for the city of Seattle Police Department.

01:18:05Isn't that right?

01:18:05Oh, I was right here when it happened.

01:18:08In fact, I made a point of noting it the first time you were here in the restaurant, Alice.

01:18:14It was good thinking, Elizabeth.

01:18:16What?

01:18:16Now, Alice, did Sullivan say anything about sponsoring you and Ken?

01:18:21Yes.

01:18:22Well, I just so happened to be the first one to go through all of his mail.

01:18:29Well, but I don't think these belong to him.

01:18:34I think they belong to you.

01:18:38You saved her life.

01:18:40In fact, you even saved my life that night.

01:18:42This is the least the United States of America can do for you.

01:18:48Welcome to America.

01:18:55In the meantime, you two can go on staying with me.

01:18:58It's going great so far.

01:19:00And besides, I don't have children of my own.

01:19:04And someday, someone's going to have to run this place.

01:19:09Excuse me.

01:19:11Who can we talk to about these paintings?

01:19:18We love this one.

01:19:20That's my favorite.

01:19:22It's beautiful.

01:19:24What was your inspiration?

01:19:25Oh, I saw a little painting.

01:19:26Hey, Mushu's looking at the guy that tried to grab my purse.

01:19:52Get him!

01:19:55Get him!

01:19:57Get him!

01:19:58Get him!

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