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মায়াবিনীকে ধৰি জুবিন গাৰ্গৰ প্ৰায় ডেৰ হাজাৰ মান গীতৰ শব্দ সংমিশ্ৰন কৰা ছাউণ্ড ইঞ্জিনিয়াৰ নৱ মেধিৰ সৈতে ই টিভি ভাৰতৰ এক আছুতীয়া বাৰ্তালাপ

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00:00When I was in DZ Music Studio, I was in DZ Music Studio and it was a total digital setup.
00:12In Eastern India, even in Bengal, it was a total digital setup.
00:20It was a hard disk based recording.
00:23When I was in DZ Music Studio, I joined the DZ Music Studio and it was a production of DZ Music Studio.
00:33When I was in Bombay, it was a recording.
00:36When I was in DZ Music Studio, I was in DZ Music Studio.
00:42I was in DZ Music Studio.
00:46I was in DZ Music Studio.
00:50When I was in DZ Music Studio, I was in DZ Music Studio.
00:58So I was in DZ Music Studio, which was a real business.
01:02So I was in DZ Music Studio, and I was in DZ Music Studio.
01:04But now I was in DZ Music Studio, I was like, I'll try that out."
01:07I'm like, man.
01:08We all know there are other people.
01:11That feels very good.
01:15He's a genuine person.
01:16I'm in 96 USD.
01:18In 1996, when we started our journey, we started the recording, we started the first time,
01:29Sneak Dhajuna, Mukti, Bihu, Seasons, Janmoney, Janmoney, in 1998, we started the song from Pahar Bogaai,
01:38Hudiba, Hujishu, and all of us were singing, all of us were singing, all of us were singing.
01:42The album was a totally digital set-up recorded for the first time in the history of Assam.
01:51The rest of the world was recorded in the history of Assam, in the history of Assam, in the history of Assam, in the history of Assam.
02:07The second album, I did Bombay Shift. The second album, I did Bombay Shift.
02:12The second album was made by Git Audiographer, in the history of Assam.
02:17The first album was Pachy.
02:27The next album was Pachy.
02:30The first album was called BM Digital Studios in Bombay.
02:38The BM Digital Studios, I did it in Korea.
02:47I did it every time.
02:48I did it every time.
02:50I did it every time.
02:52That's the same thing.
03:02The second album was called Dagar.
03:04In the studio there was a lot of work at the Rizu.
03:06In the studio there was a lot of work at the Rizu, Dagar.
03:08There was a lot of work at the Rizu.
03:10But when the studio crossed, I said to a lot of work.
03:12I said to a lot of work.
03:14Even when the lights were like, I said to have a lot of work.
03:16It's like we were in the same place. We ended up in the same place.
03:21We were told that the people were talking about the people with the people.
03:28We were talking about the people that were the people that were talking about.
03:31I am wondering why they were talking about the people.
03:37I was wondering if they were asking, to ask questions.
03:41When I was a kid, I was just sick.
03:51I was sick and I was still sick.
03:54You did not have a drink?
03:56I was just sick and I was not sick.
04:00I was sick and I was sick and I was sick and I was sick and sick.
04:09I always have no idea.
04:13I was not supposed to.
04:14I felt that when I came to work,
04:17I offered an away performance.
04:19I offered to work for two years.
04:22I never thought this was great.
04:26Lafayette said,
04:27I was allowed to work for some time.
04:31He was Told Me to take him to work for a living.
04:35My husband, when I was making a song, that was a different scene.
04:42It was a different scene from the cinema, but it was a different scene from the cinema.
04:47It was interesting to me because it was interesting.
04:51It was interesting to me because it was interesting to me.
04:55My husband, when I was making a film, it was released.
04:58I was making a film. So, I was making a film.
05:05We did not have a film, but the film was making a film.
05:10We did not have a film.
05:12It was a film, but I was making a film.
05:15I had a lot of fun.
05:18I was making a film.
05:21I was making a film with my family.
05:26It's impossible to do this.
05:30If someone has a subconscious mind,
05:34then they connect directly to Mayabini's songs.
05:39They don't have many thousands of songs,
05:42but they connect to Mayabini's songs.
05:46It's like an anthem.
05:48It's like an album,
05:56so we're planning to make it a cinema.
05:59We don't have a producer,
06:01but we don't have a release.
06:03We don't have a video.
06:05It's like a recording of a 2005-2005.
06:07It's like a Zubinor, Zittilda, Sassotri.
06:10It's like a lot of songs.
06:12It's like a Degond of Hurt.
06:15It's like a Zubinor's songs.
06:18It's like a movie.
06:20I don't think we've got a release.
06:23We're going to release the songs.
06:25We're going to release the songs.
06:27And then,
06:29I contacted the music director to Bengal.
06:33It's like a unreleased song.
06:37It's like a producer who's released.
06:42I will confirm the line.
06:45I'll confirm that I'm going to be able to sing it.
06:46You know, I'm mixing it.
06:48So, my songs were unreleased.
06:50So, if you're not a released song,
06:52I couldn't tell them how it happened.
06:54I couldn't tell them how it happened,
06:56but I couldn't understand.
06:58It's like a feeling.
06:59What was happening?
07:00What happened when I was like.
07:02What happened?
07:03It wasn't the same incident.
07:04I couldn't tell them how it occurred.
07:06He said, step by step, step by step.
07:09He said, step by step, step by step,
07:17he was able to drastically be able to do this.
07:21But he said, I don't know what he's doing.
07:27He said, suppose this is a very big film.
07:32I tried to build a producer and I thought,
07:35I could have built three or four different people.
07:37I felt it was just the same.
07:39I felt it was just the same.
07:41I felt very good, very good.
07:43I felt very good at that.
07:45I was like,
07:46I have no idea.
07:48I was like,
07:49you're going to know more about it.
07:52I don't know if I was you.
07:54I was like,
07:56I'm sorry.
07:58I'm not sure how much I am.
08:00I have been doing all the work that I have been doing.
08:06Even if you know or not.
08:08But I realized that the situation is my fault.
08:14Obviously, I am not a problem, but I feel like I am a friend.
08:21I have been asking for a friend to be a friend.
08:25I have been asking for a question.
08:27Zubin of the city was in the city and and I was in the industry.
08:33I don't know what the name is, I don't know what the name is.
08:36I don't know what the name is.
08:41I'm not really saying it.
08:46I used to work with other people, but I still have to do one thing.
08:57I have to do one thing.
09:03Usually, even suppose if I was a homeowner from Bombay,
09:09it was a village of Mandarin.
09:10And it's about three years.
09:12And then I mean,
09:14what does that play with the house?
09:16That's what does that feel like?
09:17Oh, that's the feeling of the house.
09:19So I thought,
09:21that said, I said I was a good friend of mine.
09:23And when I was a good friend of mine?
09:25The people of mine were dating-goryma.
09:28That's what I was looking after.
09:29So I thought that when I was a farmer, I was a farmer, I was a farmer, I was a farmer...
09:37So I was asked to understand what I was doing.
09:43And I was trying to make some money.
09:47I was taking a lot of time.
09:52I felt like this was just me.
09:57When I came to Sudha, I was surrounded by the door, and I would say,
10:04I was worried that the person was locked.
10:09I was closed, and I was closed.
10:13I said to have a job, I didn't know how to do it,
10:19I didn't know how to do it.
10:22speaking.
10:31That's our boss.
10:34That's our owner's property.
10:34They said,
10:36no, they don't.
10:37I nem to them,
10:38because they lost their money.
10:43They thought they wanted that right-hand
10:51in our relationship.
10:52I have a lot of memories.
10:54What did you expect from this?
11:00I was like...
11:02I was like...
11:04I was like...
11:06I was like...
11:08I was like...
11:10I was like...
11:12I was like...
11:14I was like...
11:16I was like...
11:18I can't tell me about a game.
11:22I'm like...
11:24I was like...
11:26I was like to say...
11:28I was like to play music with a single album or something.
11:32I was like...
11:34I use this album...
11:36I used to be the same album.
11:39I don't know...
11:41I was like...
11:42What we're like...
11:44I had a copyright...
11:46So, you just thought you were a drunk, think about the voice of your voice.
11:53That's why we are all in your voice.
11:57So, when you were doing this composition, you could have a skill match.
12:03You could recreate that in a way.
12:04So, you were a drunk, but you were a drunk, and you were a drunk,
12:07but you were a drunk, think about the voice of your voice.
12:11So, I just thought that I could have done a good sound.
12:16Unfortunately, I had been vaccinated during the year.
12:19People, my wife, my friend, my son, my son was the baby,
12:20for the baby and my son was the baby with me.
12:22I went to sleep and the baby,
12:24I went to sleep, and I was in sleep and my son,
12:26I was there, I went to sleep and I went to sleep.
12:31I couldn't sleep again.
12:34There was a mention from us like,
12:37including the police in the hospital,
12:41the school down, you know.
12:43It was a case.
12:44That's how my wife says,
12:47then I look at her,
12:49I'm surprised how you do it,
12:53so I felt like the poor child was doing work.
12:59I came to the end of the day and came to find a bad sleep.
13:04I was at the cinema in bio,
13:08so I saw a thing about shooting and shooting.
13:11I didn't see anything.
13:15Even in the Royal Royal, the original film was written by the original film.
13:20But the film was not involved in the film.
13:25But I was also a Junkie and a Maha Maha Maha Maha.
13:30It was a bomb hit in a bomb.
13:36There was a bomb hit in the temple, and there was some relief.
13:42There was a bomb hit.
13:46There was a bomb hit.
13:50It was a bomb hit.
13:53It's a bomb hit.
13:58the first time I got to take care of my son and my son, I just had the last time.
14:06The last time I was going to take care of my son, I was able to take care of my son.
14:18Thank you very much.
14:19I have a lot of questions, but I don't know how much it is.
14:26But Zubin, he was very different.
14:32Because he was very close, but he was seriously annoyed.
14:39He was very meaningful.
14:47He said that he used to know something, and he said that he always ends with his own work.
14:53He told me that there was a lot of incident that he was a child.
14:58But he said that he had worked on a new life.
15:03He told us if we would have worked with an old school, then he asked us.
15:09But he said, he did not.
15:11But he did not work in cinema in the cinema.
15:15I was a music director of the music maker studio.
15:20I was a manasurabhin Deghantabharti, Rajiv, Azharika, and I was a manasurabhari.
15:29I was a manasurabhari, and I was a manasurabhari, and I was a manasurabhari.
15:35I was a manasurabhari, and I was a manasurabhari.
15:40And I was a manasurabhari, and I was a manasurabhari to have
15:46такое stand turned
16:05and she was a one by one.
16:09In Bombay, there were masks and masks,
16:15and there were a lot of people in the house.
16:19But this was a secret.
16:25Generally, everyone had a lot of people.
16:27But in the last few years, there was space in the house.
16:32This was a secret.
16:35But lately, there was a lot of space in the house.
16:39It's a very common space.
16:41Obviously, it's very common in our human space.
16:46It's very common.
16:48When we were talking about the incident,
16:52we were talking about the incident.
16:57We were talking about the drama,
17:02We were the present in the 70s and the 70s.
17:07Bombay was a group, they were going to picnic.
17:14Two days after two days they were in Bombay.
17:17We were looking to look at that resort and the rest of them were booked.
17:25We were going to go ride and then we were going to go ride.
17:30She was a little bit off by the resort.
17:33She was in the late night.
17:35She even got the flowers,
17:38a little bit of a room.
17:41She was a little bit and she was like,
17:45Hey, no!
17:47I was like, what are you doing?
17:50She was like, what are you doing?
17:54What's she doing?
17:57He was the one who told me about his message.
17:59He was not alone.
18:01I was the one who told him Juba.
18:03He was the one who told him about Tatico.
18:05He didn't call a god.
18:07But, at night he had him to come in an aisle.
18:09He saw something in his lawn.
18:11There was someone called Pank долларов.
18:13And they found it all around the house.
18:15Then he came back.
18:17He was the one who told him.
18:19And so those people who were in jail
18:21He was the one who told him
18:23He asked for it.
18:25I said, you will get hungry and say you are ready for dinner.
18:31I said to him, but the people are really loved.
18:34I said, you have to wear a T-shirt.
18:38But I don't have to wear a T-shirt.
18:41And the T-shirt has been very complex.
18:44So he took the Khmer's prices at the moment.
18:47He was even old in his last year Now, I heard this well.
18:52used to work for a good work.
18:55He was also a good one to do it in Dubai,
18:59and he was the best time to work for us.
19:04I was worried that we got to work and do it in Dubai.
19:08By the way, I had to never do it in Dubai.
19:12We worked with the studio and students,
19:16come to do those, and you said,
19:19I'm not gonna do it,
19:21fuck up and I'll read it,
19:22but you said,
19:24we have to be involved with a real and our thog,
19:26because we are letting people go to do the same
19:29and we're out of the way we are doing it,
19:32we are not going to do it,
19:34we are going to do it and we have to do it quite well.
19:39And we have to go to do it,
19:40so this is a very important part of the world
19:42So let's talk about the situation.
19:45Oh, I can't explain it.
19:48But I cannot find my wife.
19:52My wife said that I'm in hospital.
19:55I don't know if I can find my wife.
19:59I want to find my wife.
20:01I don't know how my wife is doing this.
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