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  • 9 hours ago

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00:00We are with Ramiro Cholla and he will show the tricks that Paquito taught us.
00:05Yes, today we are going to see his most emblematic.
00:09What would be?
00:10The bottom of the wall, the knife.
00:12The knife.
00:13I don't know if there will be material or not, but let's try it.
00:17Let's try it.
00:23I do something wrong with the reverse.
00:25What do I do?
00:26I do a lot of jumps.
00:28When you jump, the first step, you leave a bit of a plow.
00:32You leave a bit quiet.
00:33No, you have to move with little jumps.
00:36You move a little jumps.
00:38Because when you are jumping, you lose a bit of contact.
00:42Because the racket is moving when you jump.
00:44If you move with little jumps, the racket is always the same.
00:47In the position in which you have to move.
00:50We are going to have a very fun exercise.
00:53You are going to develop a lot of the ability.
00:57Because I am going to be obligated to be very good.
00:59I am going to put the ball here.
01:01I am going to put the ball here.
01:02I am going to put the ball here.
01:03And from there, we are going to the point.
01:04Go.
01:05Go.
01:06Go.
01:07Go.
01:08Go.
01:09Go.
01:10Go.
01:11Go.
01:12Go.
01:13Go.
01:14Go.
01:15Go.
01:16Go.
01:17.
01:18Well, then.
01:19Well, we have already done our warming up.
01:20Okay?
01:21You're in...
01:22Dynamics.
01:24You're in energy.
01:25Now we are going to start with Paquito.
01:27Okay?
01:28With that we make him 50 percent of the game,
01:31you're going to win a lot of points.
01:32Let's go, Alva.
01:33Okay.
01:34Let's go.
01:35There.
01:46It's a hit that you have to keep the ball perfect.
01:51Why? Because you have to keep it above the level of the shoulder,
01:55and you have to put it behind you.
01:57And not all the pareds come like this.
01:59You have to keep it above the shoulder,
02:02or you have to keep it between where you are and the crystal,
02:06so you can't use it.
02:08You have to touch it in the highest point as possible,
02:11in front of your hand,
02:13and rotate a lot with the shoulder and the shoulder,
02:15which is what causes the acceleration of the strike.
02:18And what ideal is that you do with an armhole
02:21that is a little more straight,
02:24towards the reverse.
02:26I have this perfect to make the knife.
02:28I mean, the body, all.
02:29The body?
02:30Yes.
02:31Okay.
02:32Do you do it?
02:33Yes.
02:34I do it better.
02:35When you go to the ball, you have to put it here,
02:38with the hand up,
02:39with the hand prepared,
02:41adjust the steps,
02:43and when you notice that you are hitting the ball,
02:46you have to break the ball
02:48and finish to the inside.
02:50Ah, okay.
02:51Okay, much better.
02:54Venga.
02:55Vale.
02:56Perdona.
02:57Mucho mejor.
02:58Vale.
02:59Cuidado.
03:00Ponte tú detrás la pelota delante.
03:01Vale.
03:02Está perfecto.
03:04Vale.
03:05Gira.
03:06Muy bien.
03:07Fantástico, Ana.
03:09Venga.
03:10Empieza a moverte.
03:11Ya.
03:12Eso es.
03:13Vale.
03:14Ya estás encontrando mucho mejor el sitio.
03:16Muy bien.
03:17Eso.
03:18Bueno.
03:19Esa bajada de pared, más o menos.
03:20Ana, está perfecto.
03:22Me has dejado completamente sorprendido.
03:24Has mejorado mucho, pero gracias a Dios no lo has aprendido del todo.
03:28Imagínate que en una lección aprendieras todo lo que te he dicho yo.
03:31Yo no tendría trabajo.
03:32No tendría trabajo.
03:33Se trata de que no lo hagas bien a la primera y tengas que venir más veces, ¿no?
03:36Tenemos que hacer otro entrenamiento.
03:37Claro.
03:38Tenemos que hacer más entrenamiento.
03:39Pero vamos, dos o tres, ¿eh?
03:40No vas a necesitar más.
03:41Muchas gracias.
03:42Gracias, Diana.
03:43Gracias.
03:44Gracias.
03:45Gracias.
03:46Gracias.
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