Συν & Πλην (2001, daytime talk show)

samaras

guests Thanos Samaras, Giorgos Panousopoulos, Minas Hatzisavas

Transcript

00:00Well, let's go to Mr. Vannisopoulos.

00:10Yes, it is.

00:12You are watching me through...

00:16...the viser.

00:18Good to see you.

00:20Good to see you.

00:22Good to see you.

00:24Good to see you.

00:26Good to see you.

00:28Good to see you.

00:30Good to see you.

00:32Good to see you...

00:34...we're all in the Plin.

00:36...you know, we're in the Plin.

00:38Yeah, in the Plin.

00:40Yes, you're the Sin.

00:42You're in the Epi.

00:44We're all twoies.

00:46...we're all in Paris.

00:48...we create an action.

00:50I would excuse you.

00:52Did you say anything?

00:54It's a bit more like a girl, like a girl.

00:56You can do a joke and we're going to get a joke.

00:58It's a joke.

01:00It's a joke.

01:02It's a joke that the Spondylos is a friend of men in a drugstore.

01:06We see the father of Thánu in the show, who is Duzo's.

01:10You know Duzo's?

01:12Yes, he's a kid.

01:14He's a dad.

01:16He's gone to his office for a job.

01:20He's dead, it's tabloid.

01:22He's dead, and the other guy sees a kid.

01:26But the other guy is dead, and he's looking for us to be dead.

01:28We come to the papacy.

01:30He is dead.

01:32It's not about it in the drugstore.

01:34We have two of these.

01:36You know what the name is?

01:38All of the pubs are dead.

01:40You have to be dead.

01:42You have to be dead.

01:44Yes, for the future.

01:46It's a movie that they don't think they're the people.

01:48Yes, it's a movie.

01:50It's a movie.

01:52Let's see a part of the movie.

01:54Let's give a picture to the TV show.

01:58What's the matter?

02:10That's it!

02:12That's it!

02:14That's it!

02:16That's it!

02:24Let's come to a...

02:28To try to say that you're a classical theater.

02:32I'll tell you.

02:34Your studies show that...

02:38I'll tell you...

02:40I'll tell you...

02:42Yes.

02:44Yes.

02:46Yes.

02:48Yes.

02:50Yes.

02:52Yes.

02:54Yes.

02:56Yes.

02:58Yes.

03:00Yes.

03:02Yes.

03:04Yes.

03:06Yes.

03:08Yes.

03:10Yes.

03:12Yes.

03:14Yes.

03:16Yes.

03:18Yes.

03:19No.

03:20Not I know.

03:21Yes.

03:23I don't have to play any classical music, I don't have to play any classical music.

03:27All of them start from there, but you start with a very important effort.

03:31Yes, I have learned a lot with the last two years, with the Pano Sopoulos and the Goethe.

03:37What's happening with this tennie?

03:39You don't have a chance to see it.

03:41I'm going to tell you something about Thano.

03:43Because it's very important, I want to tell you.

03:47It's the opposite of the theatrical, Thano.

03:51In the work, in the cinema that we did with him,

03:54he is afraid to give a word from his mouth

03:58if he doesn't feel that he would have to play that.

04:02He can do it for a month,

04:04but he doesn't say his words if he doesn't feel that he would have to play that.

04:09But in the theater, he supports a statement that he knew before

04:12and he doesn't do it for that.

04:15That's why he doesn't think he makes a letter.

04:18He would make words ready.

04:20If he doesn't think He would have to play,

04:21It's a deadline.

04:23He's a very fondant.

04:24You're very fondant.

04:26Don't push it at all.

04:28Both of us are fondant.

04:30We are the fondant.

04:32We're the fondant.

04:34God, let's see.

04:35He doesn't have any fondant.

04:37It should be.

04:38I just don't think so.

04:40Stop making it a bit.

04:42You have to do it.

04:44You have to do it like a cigar.

04:46You start with two and you start with two.

04:48Let's talk about the show.

04:50In the show, George,

04:52he's a guy who is a very

04:56popular one.

05:00He starts with the family

05:02which is all together together.

05:04We see here for the first time.

05:06He goes to the father's book

05:08where they give it a list.

05:10You go there,

05:12you go there,

05:14you go there.

05:16You go there in a couple of rooms.

05:18They are called the Last of us.

05:20You have to do a couple of do so,

05:22代表,

05:24and you have to make an erroneous

05:25two and a half years old.

05:27I mean...

05:28Very beautiful,

05:30a woman who is kind and sexy.

05:34And in the middle of our work,

05:36they look at the other people

05:38And at some point, it's a boom.

05:42With an orgasm?

05:44Yes, an orgasm.

05:46When you're out of your own role,

05:48you ask yourself a person

05:52You're very good, sir.

05:54But you don't have all of it.

05:58Why should you do this?

06:02A question for you.

06:04From your own perspective

06:06You can't wait for your own experience

06:08and for your own experience.

06:10You speak for a friend or a friend.

06:12Why do you do this?

06:14You're like, I'm going to go over to you

06:16and I'm going to go.

06:18I'm going to go over to you.

06:20You're a fover cast.

06:22You know,

06:24you're a big fan of the world,

06:26there's a lot of people.

06:28There's a fan of you.

06:30But you're never going anywhere.

06:32There's a lot of that.

06:34You can see a clip on the TV, you can see something, but I don't know.

06:39There's something from Athens that I like very much, the night of August, which is very nice.

06:44We can't understand this.

06:48It's difficult to describe it.

06:51There are many television shows in the series.

06:54We don't have a theme.

06:56The movie doesn't have a theme.

06:58It doesn't have a theme.

07:00I think it's a very clear theme.

07:02It's a very clear theme.

07:04The night of Athens, I'm sorry, I didn't hear it like this.

07:08She's not able to describe it in Athens.

07:10At night, it's not that much.

07:12It's an incredible theme.

07:14Yes.

07:15You are in this town and you don't know it's so cool.

07:18It's very cool.

07:20I continue to support the film,

07:24which is a very different angle.

07:26which is also very close to the younger generation.

07:31This is really nice, Mr. Panozopoulos, at least?

07:34Yes, very much.

07:35So, I would like to move on to the Thano,

07:39who is relatively young to be very young.

07:4327?

07:44Yes, it's a pleasure.

07:46It's a little bit.

07:47Is it a deal with me?

07:48Is it a deal with 31?

07:50I think it's a deal with 31.

07:54It's a deal with me.

07:56Yes, it's a deal with me.

07:58Do you think it's a deal with the world?

08:04Yes, it's a deal with the world.

08:06Yes, it's a deal with the world.

08:08Yes, it's a deal with the world.

08:10One day in the night,

08:12on the 22nd of June, Mr. Panozopoulos.

08:16Yes.

08:17Good morning.

08:18In many offices?

08:20Yes, many.

08:22It's not that I believe in the shows.

08:24Yes.

08:25A lot of people, they are.

08:26Yes, I do not know.

08:27Yes, I do not know.

08:28How are you?

08:29I do not know.

08:30I do not know.

08:31I do not know.

08:32It's true.

08:33Thank you for all.

08:35There is a lot of people who didn't come today,

08:37who did not come here.

08:39Yes, we can do it and you can do it.

08:41Yes, we can do it and you can do it.

08:43Let's see if we can continue.

08:45Good afternoon.

08:47We are so happy and we are so happy.

08:49So, we have learned to write about the film.

08:53Let's see what's going on.

08:57Let's see what's going on.

Category

Transcript

Be the first to comment

Recommended