- 3 months ago
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FBI Season 8 Episode 2
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FunTranscript
00:00To be continued...
00:30NYPD, open up.
00:45Got word from our dispatch you're silent alarm tripped.
00:48No, I don't think so.
00:50Name?
00:51Whittock.
00:52Gary Whittock.
00:53I'm not security here.
00:54Everything's fine, officer.
00:56We still got to check the premises.
01:00On your knees now.
01:10This is a big mistake.
01:12I work here.
01:14I haven't done anything wrong.
01:16Not true.
01:18You let us in.
01:20Security.
01:30You're not going to be able to get in there.
01:36Security system's down.
01:37We're good to go.
01:37Security.
01:38Security.
01:38Security.
01:38Security.
01:59μ€μν American fire.
02:00Racism.
02:01Don't get me wrong, I do enjoy our games,
02:30but why do I feel that you've been coming here for another reason?
02:34You have good stories. I like to hear them. That's all.
02:38You're thinking pawn to F4. My knight will take it,
02:40you'll recapture, and your queen will be exposed.
02:43Oh, my God. Maybe I should stop coming to see you.
02:47Now you're eyeing your bishop.
02:49Peter! Let me play!
02:55Oh, no.
02:55Oh, no.
02:59Yeah, duty calls.
03:02Oh, we got a heist at the Rushman Gallery.
03:05One dead.
03:06Don't tease me. Come on. Give me a peek.
03:08I can't do that. You don't work for the BAU anymore?
03:10Oh. Retired is retired.
03:12Mm-hmm.
03:13Come on. One little look won't hurt here.
03:17The alarm didn't trip. On-duty guard was murdered,
03:20and the thieves made out with five paintings.
03:22On loan and a cultural exchange from European allies.
03:25Which is why it's in our jurisdiction.
03:28The guards' murder wasn't part of their plan, you know.
03:31Well, I guess we'll see.
03:32Mm-hmm.
03:33Bye, Peter.
03:34Have a good day.
03:38Hey.
03:40Are we inside already?
03:41Yeah.
03:42Are you holding up since the funeral?
03:43Oh.
03:44How have I seen?
03:45I know.
03:46I miss Danny, too.
03:47Look, I'm here to talk if you want.
03:49Thanks, Maggie.
03:50Probably better to just focus on the day-to-day though, right?
03:53I hear ya.
03:56I got this.
03:57All right.
03:58Morning.
03:59Official agent Skola and Bell.
04:01You the owner?
04:02Walter Vasari.
04:03Yes.
04:05Gary Whittick had been working here going on 13 years.
04:09Kind man.
04:11Loyal.
04:12Father of two.
04:13Sorry for your loss.
04:14It's like he was zip-tied over there.
04:16Must have got out of them and made him run for them.
04:19He really cared about this place.
04:22Maybe too much.
04:23So what did they take?
04:26It's a fiasco.
04:27This exhibit is a high-profile international cultural exchange.
04:31Every painting in here is essentially priceless.
04:34Those were on loan from France, Denmark, Ukraine.
04:39And those were lent by the Orsini family in Italy.
04:43Not only did they take out the interior cameras,
04:45they also demagnetize the whole system.
04:47All right. What about the backup to the cloud?
04:49They wiped those, too.
04:50So they knew exactly how to stay invisible.
04:52That'd be an inside job, no?
04:54Maybe.
04:55I could take offense to that.
04:59So are we thinking they took Gary's keycard to get in here?
05:01No.
05:02No.
05:03They'd need more than a basic work badge to do that.
05:06Only a few employees can access this gallery after hours.
05:09Upper management.
05:12You upper management?
05:14I wouldn't benefit from this if that's what you're implying.
05:17The lenders retain legal ownership of the pieces,
05:20and they all have nail-to-nail policies in place to cover for any eventuality.
05:26We're gonna need the name of every employee who has access.
05:31Morning, folks.
05:32So last night, thieves broke into the Rushman Gallery
05:34and murdered this guy, Gary Whittick, who was the on-duty guard.
05:37They made off with five paintings and seemed to cover their tracks.
05:40Combined value of the paintings is worth an estimated $31 million.
05:44Yeah.
05:45But on the black market, it'd only be worth a fraction of that.
05:47All right.
05:48Well, a fraction of a big number is still big.
05:49And it looks like they came in with a shopping list,
05:51which suggests they already had a buyer lined up.
05:54So how do we track down our murderers?
05:55Well, the special exhibit is protected by a laminated glass door
05:58to maintain environmental conditions for art preservation.
06:00It can only be unlocked with a designated keycard.
06:03But the thieves wiped the gallery's security system.
06:05Except that this keycard reader stores all data on an internal drive.
06:09I was able to access the log and see who swiped in last night.
06:13At 1.41 a.m., the door was unlocked by Teresa Almonte,
06:16special exhibit director at the Rushman.
06:18Okay. What do we know about her?
06:20Teresa started at the Rushman right out of grad school.
06:23Ph.D. in art history, had several essays published
06:26in respected academic journals.
06:28Doesn't exactly scream criminal mastermind.
06:30Well, three months ago, she defaulted on her student loans.
06:33The DOE default resolution group came knocking, demanding payment,
06:37jacked up her interest rates.
06:40Last week, the government started garnishing her wages.
06:42So she followed her passion.
06:44Next thing she knows, she's bankrupt.
06:45That's the hat trick.
06:46It means motive and opportunity.
06:48Let's bring her in.
06:50I can't believe this is happening.
06:52Is Gary really dead?
06:58Yeah, I'm afraid so.
07:00I was tutoring him in art history.
07:03Anything I gave him to read, he just...
07:07Oh, God.
07:08His poor kids.
07:10We're aware of your financial situation.
07:13You think I had something to do with this?
07:15Your key card was used to open the special exhibit last night.
07:18That's not right.
07:19Your wages are being garnished.
07:20Your back's up against the wall.
07:22Makes sense that you throw these guys your key card.
07:25In return, they give you a cut of the money.
07:27No, no, no. I have my key card right here.
07:29I have it on me.
07:30Teresa, it doesn't make a difference, okay?
07:33They could have used it last night, given it back to you this morning.
07:36No, listen.
07:37I went into debt getting an advanced degree because to do what I do, you need one.
07:42Now I earn $64,000 a year between bills and my student loans.
07:47It's not enough to live on, but the Rushman Gallery is my whole life.
07:52I would never do anything to jeopardize my position there.
07:56What?
08:05I think I know who did this.
08:09A few days ago, I was walking the gallery, and this guy was like lingering, just looking.
08:19But on his way out, he started flirting with me.
08:25So?
08:26Men don't generally flirt with me, Agent Scola.
08:30But he talked my ear off, asking me all about my job and the special exhibit and the gallery.
08:38His name was Cooper.
08:41He said he liked my laugh.
08:43We even swapped phone numbers, but later when I tried to text him, it just bounced back.
08:48Yeah.
08:50You know about what time Cooper stopped by the gallery?
08:55All right, folks.
08:56So Teresa Monte said a suspicious man came into the gallery asking questions.
09:00I know our thieves wiped the security feed from that night, but can we pull any footage from three days earlier?
09:05Uh, yeah.
09:06We should have access.
09:07Yeah?
09:08Yeah.
09:09Here we go.
09:10All right.
09:11Good news.
09:14This is three days earlier, right?
09:15Let's scrub to midday.
09:16She said it was right after her lunch.
09:21Okay, stop it there.
09:22Let's watch.
09:26That guy's looking suspicious to me, right?
09:28He's aware of the camera.
09:29He's not giving us much for facial rec.
09:30Yeah, and what is he doing with his hand there?
09:32Zoom in?
09:36Looks like he's scanning our key card.
09:38He's making a dupe.
09:39Right.
09:40How do you do that?
09:41Well, it used to be you needed an RFID reader, but now there are apps that can do it.
09:44Kept Teresa talking.
09:45She didn't even notice.
09:46Yeah, yeah, yeah.
09:47Okay, Mr. Suspect.
09:48You gonna show us your face?
09:50Come on, look up here.
09:53Yes, here we go.
09:57That could be enough.
09:58Hang on.
09:59Got it.
10:00Jasper Ray.
10:02A known art thief with a record of burglaries, trafficking in stolen goods, and a penchant
10:08for sex workers.
10:09And he's about to add a murder rap to that list.
10:11Bing his phone.
10:12Not finding him on any of the major providers.
10:14Uh, he's got an alias.
10:16Cooper Mott.
10:17Still nothing.
10:18Okay, every database in here.
10:20Cooper Mott, Jasper Ray.
10:21If either of those names have popped up in the last 12 hours, I want to hear about it.
10:25Got a hit.
10:26Mr. Cooper Mott just checked himself into the penthouse suite at the Ravel Hotel.
10:30The Ravel?
10:31Feeling flush.
10:32Let's grab him.
10:38FBI, open up.
10:39Just open it.
10:40Clear.
10:41Clear.
10:42Clear.
10:43Come on, check it out.
10:45Must have been the key card he made.
10:48Yeah, but this is a 9mm.
10:49That doesn't match the caliber of the gun that was used to kill the guard.
10:51Could have had another weapon.
10:55I'm going to check it out.
10:58Must have been the key card he made.
11:00Yeah, but this is a 9mm.
11:02It doesn't match the caliber of the gun that was used to kill the guard.
11:05He could have had another weapon.
11:08Wow.
11:10That is a lot of cash.
11:12You think they offloaded the paintings already?
11:14Maggie.
11:16And I was thinking we ordered some room service to, you know, rehydrate before round two.
11:21FBI, Jasper Ray, hands where we can see them.
11:24Yeah, I'm on.
11:39Jasper, it's over.
11:42We know that you broke into that gallery, we know that you killed that guard.
11:45No, no, no, that wasn't me, I didn't kill him.
11:47Okay, that's good.
11:49We just want to talk to you.
11:51You're not going to believe me!
11:53We just want to hear what happened.
11:54This wasn't my fault, okay?
11:56We didn't have any time to plan, they pushed us to do it this week!
12:01Who did?
12:02No, you have no idea what these people are capable of, alright?
12:06Then tell us.
12:08We can help you.
12:10Stop, stop.
12:11No, it's okay.
12:12Don't come forward!
12:13Jasper.
12:14You can't help me!
12:15No one can.
12:17Hey, no!
12:18Jasper!
12:19What the hell just happened?
12:20Why would he jump over some paintings?
12:21There's something else going on here.
12:22Something bigger.
12:23All right, people.
12:24There's more to this robbery than just stolen paintings and we need to figure out what it is.
12:38Now, unfortunately, Jasper Ray, our only suspect, elected to jump to his death rather than rat out the people who hired him.
12:53Ballistics confirmed Jasper's gun wasn't used to kill Gary Whittick.
12:56Well, it sounds like he had a partner.
12:57This was definitely a two-man job.
12:58Okay, so Jasper's partner's our best bet to track down the buyers.
13:01So how can we ID him?
13:02Hey, uh, just got off the phone with the art crimes team.
13:05Um, this is Cecil Lafont.
13:08He was a Highline fence until he started working for us.
13:10They say if anybody knows who Jasper's been working with these days, it'd be Lafont.
13:13All right, let's put that to the test.
13:15Okay, let's see.
13:16What an interrogation room.
13:29This venue meant to frighten me?
13:32Could have just asked if you needed help on the nastiness that went down with the rushman.
13:38An innocent guard was killed during that robbery.
13:41Yeah, I heard. It's a tragedy.
13:44Well, we know one of the thieves was Jasper Ray.
13:46But we actually think it was his partner who pulled the trigger.
13:49Jasper's small time.
13:51Yeah, he's good with tech, but, uh, not a murderer.
13:55We were told that you might know who Jasper's been running with?
13:58Hmm, one thing at a time.
14:00My, um, cooperation agreement has become a burden.
14:05So this information, if I have it, will complete our arrangement.
14:12And I would like a guarantee that I have satisfied our deal.
14:18Why would we do that?
14:20Hmm.
14:21A source may have told me one of the rushman pieces is already on the market.
14:28Who's trying to move it?
14:31Hmm?
14:32He doesn't meet with strangers.
14:34He's twitchy. He's paranoid.
14:37Believe me when I tell you.
14:39You could never get close.
14:41But he would meet with you.
14:44Hmm.
14:46All right, this guy's gonna be here in any seconds.
14:51Let's go over the details again.
14:52This is Evan Hessel, our second gallery thief, and Jasper Ray's partner in crime.
14:57Hessel did a seven-year bid for armed robbery of a museum back in 2010.
15:01He's known to be smart but violent.
15:03Right now he is our best chance at IDing whoever is behind this heist.
15:06Right, and our cooperator set up this in-person meeting with Evan Hessel under the guise of a block market sale.
15:11If Hessel's willing to sell one of the rushman paintings, he will know where the others are stashed.
15:14Exactly.
15:15Only question is, do we have the right guy playing our crooked buyer?
15:19Come on now.
15:20I was born for this.
15:23Where's your buddy here?
15:24He's already, what, ten minutes late?
15:26Let's show him.
15:27He trusts me.
15:32No sign of Evan Hessel yet.
15:37Wait.
15:38Is that him?
15:40Yep.
15:41We have eyes on the target.
15:43He's about 15 seconds away from you.
15:45Yep.
15:46Copy that.
15:47Remember, we just need to confirm Hessel is in possession of any of the rushman paintings,
15:50and then we follow him to his stash house.
15:55Ah.
15:56Here he is.
15:57Evan.
16:02This better be worth it.
16:03I'm in the habit of wasting your time?
16:09Sick.
16:10This is my client, Mr. Forsythe.
16:13So you a private equity guy?
16:17$765 million.
16:19Under management, looking to expand my collection.
16:23Sotheby's not good enough?
16:24What can I say?
16:25Tiesel said that you came into some pieces.
16:27I was intrigued.
16:28What firm?
16:29Offshore Capital.
16:31Never heard of it.
16:32How are we looking here?
16:33He's on our site.
16:34While he's browsing, I'll backdoor into his contacts, pull his text conversations.
16:46One for extra credit.
16:47I like it.
16:48You want my college transcripts as well?
17:00Serious here?
17:01Evan, please.
17:02Mr. Forsythe's pedigree is beyond reproach.
17:09Who's in your collection?
17:10What?
17:11You want to know how many original Colta Biancos I have?
17:13This is ridiculous.
17:14I don't need this.
17:15Seuss will call me later.
17:16Wait.
17:17Wait.
17:19I do have an early 20th century piece I could part with.
17:28All right, he bought it.
17:29One.
17:30Come on.
17:31But you said he had five.
17:32No.
17:33I heard he had five.
17:40Four are already spoken for.
17:42But I am willing to part with the Friedland.
17:44My price is two mil.
17:45Gallery would charge twelve.
17:46Okay, Hessel just confirmed.
17:47He's still in possession of the stolen paintings.
17:49Maggie O.A., get ready to tail this guy to his stash house.
17:57Four on the board.
17:59Two million is a deal, Stuart.
18:06I take it.
18:09All right, I'm gonna need to see the condition of the piece.
18:11You got a photo so I can check the extent of the damage?
18:14Money first, man.
18:16Okay.
18:18I'm not gonna hand you two million dollars out here on the street.
18:20You know that.
18:24Just show him the photos, Evan.
18:26His money is green.
18:29Heading to the river.
18:31We'll double back.
18:33Oh, Jeff!
18:34We're heading to the river.
18:35We'll double back.
18:36Move.
18:41We're heading to the river.
18:43We'll double back.
18:49Move.
18:50Kevin Hessel, you're under arrest.
19:05Interstate transport of stolen property, 10 years theft of major artwork, 10 years violation
19:12of the international cultural treaty.
19:15As the judge's discretion, but spoiler alert, minimum 10 years.
19:21We can place you at the gallery.
19:24And ballistics confirmed that the round that killed Gary Wittick was in fact from your gun.
19:28That's murder during the commission of a federal felony.
19:30We have you dead to rights, Evan.
19:32So really the only question is, are you going to do the smart thing and tell us what's going
19:36on?
19:37Come on, who are your buyers?
19:42Okay, why did you have to rob the gallery this week?
19:46What was the rush?
19:47I can't help you.
19:48Okay, clearly you're in a tough position.
19:50I mean, we know that Jasper was afraid of your buyers.
19:53That's why he jumped off the roof of a building earlier today.
19:57Yeah.
20:02We want to protect you, Evan, but we can't do that unless you tell us who they are.
20:08They sent me a picture of my son.
20:16Your buyers did?
20:17Yeah.
20:21Walking up to our apartment, Eli's seven.
20:26They knew his name.
20:28They knew everything about me.
20:30They made it clear, hit up the rushman this week or they'd hurt me.
20:36My family, I didn't know what else to do.
20:41No idea what they had on Jasper, but it was something we knew we had to work quick and
20:46never look back.
20:47Did you meet your buyers in person?
20:50Did you ID a photo?
20:51No, we never met.
20:53They cold contacted us over signal.
20:55No number.
20:57No name.
20:58Offered 75k each in cash up front plus a shopping list.
21:02Someone told me I could keep the Friedland for myself.
21:06What did you do with the paintings?
21:08Where are they now?
21:09We dropped them at a storage unit.
21:13The second half of our cut was there.
21:15That's all I know.
21:16I swear.
21:17All right, talk to me about the storage unit in Little Haiti.
21:22Yeah, unit F938, but the name on the rental agreement's a fake.
21:25We checked it against every database we can think of coming up empty.
21:27Yeah, they paid for the unit in cash.
21:29There's no way to ID the people who commissioned the robbery.
21:31Which led to the murder of Gary Whittick.
21:33What about eyes on the unit?
21:34They have an older model CCTV feed.
21:36I'm piggybacking it now.
21:38Okay, I'm into the cloud backup.
21:40Yeah, this is from 3 a.m. last night.
21:43That is unit F938 on the left.
21:45Yeah, okay.
21:46There they are.
21:47Our two thieves, Jasper Ray and Evan Hassel, dressed up as NYPD.
21:50He explains how they got in the gallery without tripping the alarm.
21:53They dropped the paintings, pick up the payments.
21:55In and out, less than three minutes.
21:56Let's go up forward.
21:57Maybe we were lucky enough to catch our buyers picking up the paintings.
22:09When was this?
22:11Eighteen minutes ago.
22:13I want eyes on every road leading out of that storage facility.
22:16Send Maggie and OA to that location now.
22:26Jubal, we're outside of the unit.
22:27No sign of the fires.
22:28Well, they must have grabbed the paintings and slipped through a blind spot.
22:29See if you can find any evidence we can use to ID them.
22:30Open it.
22:31It's them.
22:32What?
22:33They're all here.
22:34These buyers went through a lot of trouble.
22:35To get these paintings.
22:36And we know they were just here.
22:37This doesn't make sense, Maggie.
22:38It doesn't make sense, Maggie.
22:39What are we missing?
22:40What are we missing?
22:41What are we missing?
22:42What are we missing?
22:43What?
22:44What?
22:45What?
22:46What?
22:47What?
22:48What?
22:49What?
22:50What?
22:51What?
22:52What?
22:53What?
22:54What?
22:55What?
22:56What?
22:57What?
22:58What?
22:59They're all here.
23:00These buyers went through a lot of trouble to get these paintings.
23:03And we know they were just here.
23:05This doesn't make sense, Maggie.
23:07What are we missing?
23:09So, you recovered the missing paintings.
23:18You prevented an international fiasco.
23:21And you solved a murder.
23:23Yet, something's bothering you.
23:26The buyers knew everything about this heist crew.
23:30They leveraged them to rob the gallery on their timetable.
23:33They were meticulous, motivated.
23:36They were careful every single step of the way.
23:38They were even at the storage unit.
23:40Before we were.
23:41They could have taken the paintings.
23:43They didn't.
23:44How do you explain that?
23:46Behavioral anomaly.
23:49Well, either your meticulous buyers made one big mistake.
23:54Or they let us find the paintings on purpose.
24:03So, what exactly are we looking for?
24:06I'm not sure.
24:07We know that there was 31 minutes between when the buyers cut the CCTV feed and we arrived.
24:13That is more than enough time to take the paintings and go.
24:16Maybe they were being extra cautious.
24:18Kill the cameras, come back later for the art.
24:19I don't think so.
24:20Look, they cut these four paintings out of their frames, but then for some reason left this one intact.
24:25The knife grinder painted in 1912 by Ukrainian artist Kazimir Malevich, who founded the Suprematism style.
24:35What's going on here?
24:37Looks like discoloration.
24:39Yeah, the edges of the canvas are more saturated.
24:42Could have sustained damage over the years?
24:44Can you pull up a photo of it hanging in the gallery?
24:46Sure, hang on.
24:47No discoloration.
24:48How's that possible?
24:49Do you see that this frame is narrower than that one?
24:54You're right.
24:55I mean, we're talking only a fraction of an inch, but those frames aren't the same width.
25:00What if they use that 31 minutes to swap the frame?
25:01So the frames were switched.
25:02And then the new frames exposed paint that had been covered up for years, so it never faded.
25:03Okay.
25:04I need you to pull this from evidence.
25:05I want to check it out myself.
25:06We don't have it anymore.
25:07Why?
25:08It was returned to the lender.
25:09The Ukrainian consulate.
25:10The Ukrainian consulate.
25:11The buyers took the painting on purpose, swapped the frame because it's not the same width.
25:12You're right.
25:13You're right.
25:14I mean, we're talking only a fraction of an inch, but those frames aren't the same width.
25:15What if they use that 31 minutes to swap the frame?
25:16So the frames were switched?
25:17And then the new frames exposed paint that had been covered up for years, so it never faded.
25:19Okay.
25:20I need you to pull this from evidence.
25:21Why?
25:22It was returned to the lender, the Ukrainian consulate.
25:25The Ukrainian consulate.
25:27The buyers took the painting on purpose, swapped the frame because they knew we were going to return it.
25:32And these other four were just decoys?
25:34What if they put something in the frame?
25:35A Trojan horse.
25:36Could be a surveillance device.
25:38That is a massive play.
25:39Smuggling something into a foreign consulate on U.S. soil.
25:42Okay.
25:43We need to run this up the ladder.
25:46Hi.
25:47Hey.
25:48This is Anna Vorp, a counterintelligence officer from OGA.
25:50Special Agent Bell and Zidane.
25:52Pleasure.
25:53OGA.
25:54Other government agency.
25:55Indeed.
25:56Isabelle has sung her praises.
25:58How's my girl doing?
26:00She's getting better every day.
26:02Good.
26:03She knows how this game is played.
26:05So I understand that you're concerned about some dusty old paintings and for some reason you need counterintelligence to weigh in.
26:12Did I get that right?
26:13Well, we suspect someone hit a surveillance device inside a painting's frame to spy on the Ukrainian consulate.
26:21And we were wondering if we didn't just stumble over another three-letter agency's op.
26:26I know you don't speak for all of them.
26:27No, I can actually.
26:29And the answer is no.
26:31If the U.S. wanted to spy on the Ukrainians, we wouldn't need a painting to do it.
26:34We'd have planted microphones in the walls when we renovated their buildings seven and a half years ago.
26:39But I admit that the timing is concerning.
26:42Why's that?
26:43Well, there's a rumor that earlier this week the Ukrainians picked up Igor Petrovich in the city.
26:50A rumor?
26:52A highly verified rumor.
26:55They still have Petrovich detained at their consulate.
26:58So are we talking about the Russian warlord?
27:00Yeah, he's head of the Strauss Group.
27:02They're a well-funded private army full of ruthless mercenaries wanted by at least a dozen countries.
27:07So you're saying he's been here in New York?
27:10He had a special unit hunting for him on an ICC warrant, but I had it to the Ukrainians.
27:14They got to him first.
27:15Well, that makes sense.
27:17He ordered a massacre in a Ukrainian town full of women and children.
27:20Yeah, he's a real shoot-first-think-later kind of monster.
27:23So if the Ukrainians scooped him up, they're going to want to fly him home to make him face charges on their soil, right?
27:28So let's say there's no listening device in the frame.
27:30But what if there is an explosive?
27:31And one of Petrovich's enemies is trying to take him out.
27:40All right, people, eyes up. This is Anna Vorp with OGA. She'll be running point with us.
27:45Now listen, right now, Igor Petrovich, the Russian warlord and head of the notorious Strauss Group, is being held captive in the Ukrainian consulate.
27:54And to make matters worse, we believe an unknown third party is planning to assassinate him on U.S. soil.
28:00That would have major geopolitical ramifications.
28:03The whole world wants this monster dead or alive, so let's be the team that finally brings him in once and for all.
28:09I'm on hold with the Ukrainian consul general just to give him a heads up.
28:12Okay, our team is in route to the consulate just in case.
28:14Okay, great. NSA liaise with GCHQ.
28:17DOJ, hey, wake up our legal attachΓ©s in London and Brussels, see if they have any intel as to who could be behind this play.
28:23That's a dice roll. Strauss Group has marks in Nigeria, Sudan, Libya.
28:27There's no shortage of enemies who want to take this guy off the board.
28:29Jubal, the phone line just went dead.
28:31What? You trying to back?
28:33I can't get through.
28:35Okay, what's going on here, people?
28:37Okay, boss, yeah, it looks like there was a power outage, some kind of surge.
28:41It's isolated, though. It just hit one building.
28:43Ukrainian consulate.
28:44Yeah.
28:45All right, talk to me. What could do this?
28:46A low-yield, short-range, custom-built EMP. That must have been what was hidden in that frame.
28:51Well, whatever it is, it just blew out every circuit in that building.
28:54Whoever's coming to take out Petrovich, it's happening now.
28:56Warn our field teams.
29:11Maggie?
29:13FBI, don't move!
29:15Okay, where are they taking him?
29:16Oh, my God!
29:17I've got eyes on Petrovich.
29:19I've got eyes on Petrovich.
29:20What the fuck was that happened?
29:21It's over!
29:22Let's go!
29:23I've got eyes on Petrovich.
29:24What the fuck was that happened?
29:25No!
29:26Let's go!
29:29Let's go!
29:35AK-47.
29:40Where are they taking him?
29:42He's free now.
29:43You'll never find him.
29:45Martian.
29:46From the Strauss Group.
29:48This wasn't an assassination.
29:50No.
29:51It was a rescue mission.
29:58Our two Russian mercs just ripped Igor Petrovich out of Ukrainian custody in broad daylight.
30:04Now, where the hell did they go? Come on.
30:06It turns out the plates on the van were stolen, but we issued a bolo based on the van's description.
30:10These guys did their homework. Whatever route they're taking, they're not showing up on traffic camps.
30:13Yeah, well, the Strauss Group is well-funded and trained in urban warfare. We are not letting them get away.
30:17Jubal, they finished processing the Russian that Maggie wounded.
30:20Okay, thank you. Keep looking!
30:22You coming?
30:23Why not?
30:24Sneaking a custom EMP into a foreign consulate, human smuggling of a wanted Russian warlord, attempted murder on federal agents.
30:32I'm not gonna lie to you, Andrei.
30:34This is gonna land on you like a hammer.
30:37Unless you talk to me.
30:39How are you planning on getting your friend out of the country?
30:43You're asking me to kill my own brother.
30:46No, I'm asking you to cooperate.
30:49You don't understand.
30:51I did not free Petrovich out of loyalty.
30:55This man is nobody's friend. He rules with money and cruelty.
30:59Wait, so what does this have to do with your brother?
31:02Mikhail is in Belarus.
31:05Petrovich could get to him easily.
31:08It's his insurance policy.
31:11He saw me fall today. He knows you have me.
31:15If I give up Petrovich now, he will have Mikhail killed.
31:24I cannot help you.
31:26You cannot help me.
31:36What if I can guarantee your brother's safety?
31:38You cooperate with us.
31:41And we will get him out of Belarus.
31:45Who is she?
31:47Nobody.
31:55Okay, so listen up.
31:56One of Petrovich's men just revealed they're moving their boss to a private airfield somewhere outside the city.
32:01Unfortunately, he was never told the exact name.
32:03There are at least a half dozen options.
32:05All right, so let's narrow that down.
32:06I want everyone on this.
32:07We know they were driving a black sprinter van, stolen plates.
32:10We should be up on traffic cams on every highway heading out of the city.
32:14Hey, I think I got him.
32:15Yeah?
32:16Heading towards the 59th Street Bridge.
32:17Yeah, yeah, yeah.
32:18Okay, so what is in that direction?
32:20Liberty Airport in Long Island is their best bet.
32:22That's gotta be it.
32:23Okay, sending our team to head him off.
32:33Maggie.
32:34You see it?
32:36Eyes on the van.
32:42Well, they know we're on their town now.
32:46Skola, they're headed west.
32:52South on Gaston.
33:04We got him pinned in.
33:06We got him pinned in.
33:14Moving west on Queens Plaza.
33:20Go in east.
33:21Jubal.
33:22Suspices are fleeing on foot.
33:23We're in pursuit.
33:24The van is clear.
33:25Hey!
33:26Keep this place locked down!
33:27Don't move!
33:28It's not him.
33:29It's not him.
33:30I don't have him.
33:31I don't have him.
33:32It's not him.
33:33I don't have him.
33:34Hey, Maggie, you know I got the mercs.
33:35I don't have him.
33:36Hey, Maggie, you know I got the mercs.
33:39Skola, you were on Petrovic.
33:40Be careful.
33:41He is dangerous.
33:42Petrovic!
33:43It's over.
33:44It's over.
33:45It's over.
33:46It's over.
33:47It's over.
33:48I don't have him.
33:49Don't move.
33:50Don't move.
33:52It's not him.
33:54I don't have him.
33:58Hey, Maggie, you know I got the mercs.
34:03Skola, you were on Petrovic.
34:05Be careful.
34:06He is dangerous.
34:07Petrovic!
34:08It's over.
34:09Show me your hands.
34:10Hands!
34:12Hey, Jubal, it's not him.
34:13That's not Petrovic either.
34:14No, that's Ronan Vudnoboy, another one of his private soldiers.
34:16Right, but Maggie saw three men get into that van.
34:18Two mercs and Petrovic.
34:19Something's not adding up.
34:20How the hell did we lose him?
34:21I don't get it.
34:22I'm looking at traffic cams.
34:23The van knows it.
34:24I don't get it.
34:25I'm looking at traffic cams.
34:26The van knows it.
34:27I don't get it.
34:28I don't get it.
34:29I don't get it.
34:30I don't get it.
34:31I don't get it.
34:32I don't get it.
34:33I don't get it.
34:34I don't get it.
34:35I'm looking at traffic cams.
34:36The van never stops after leaving the consulate.
34:38There was no time to drop him off anywhere.
34:41The van.
34:43Heads up, Petrovic never got out of the van.
34:45He is still in there.
34:50Away?
34:51Yeah, I heard that.
34:52Hey, take it.
35:01An oxygen tank.
35:03We have two officers down sent Anbo to our location.
35:06What the hell happened?
35:07Petrovic was hiding in a false compartment.
35:09So they could smuggle them into the airport.
35:10Jubal, we lost Petrovic.
35:12Hey!
35:14Did you see someone?
35:16Which way did they go?
35:17He ran that way.
35:18Okay.
35:19Wait with them.
35:21Let's move.
35:25Jubal, we think that Petrovic came into the food market.
35:27We need to set up a perimeter.
35:28Yeah, I'm already on it.
35:29This is not good.
35:30This place is packed with civilians.
35:32Yeah, he did this on purpose.
35:34The group kills civilians is a tactic.
35:36You need to approach with extreme caution.
35:38Okay.
35:39I'll go around, flank it from the other side.
35:41Let's move.
35:42Let's move.
35:53The way I think I see him.
35:54On the left.
35:55Alright!
35:58Everybody down!
35:59Shot fired!
36:01Shot fired!
36:02Shot fired!
36:03Shot fired!
36:04Whoa, whoa, whoa!
36:06Is this the only angle we have?
36:08is this the only angle we have the market has limited cameras i want every view you
36:15can find we need eyes at the market jubal he won't care how many people he kills send
36:20every resource we have all right all hands on deck jubal send all the medical you can
36:27you need to get down i lost it i don't have a shot i don't either
36:40guys he's got a hostage
36:57fbi drop your weapon i said drop your weapon she's innocent drop your weapon and we can
37:10talk give me helicopters to live in the airport or i blow her brains all over the place all
37:15right jubal we need a sniper team and a negotiator here i don't know scola just wait i'm on charge
37:21a jet you hear me direct to muskio you have ten minutes or her death will be on your soul
37:36cover me
37:40one step closer she dies maggie what are you doing back away maggie maggie back away
37:49now i kill you then do it
37:54igor petrovic you're under arrest
38:02how'd you know it was empty it's a shoot first think later kind of monster he wasn't shooting
38:14hey
38:26hey i just wanted to say it was great riding with you valentine
38:30yeah yeah you too
38:32one more thing uh regarding andre orlov's brother in belarus
38:38yeah it's a big no can do
38:44okay but we looked into that guy's eyes we told him to protect his brother
38:53you're new to the sac chair it's just how the game is played
38:57i know it doesn't feel like it but that was a win
39:14the way you read petrovic like a book it's just brilliant
39:20flattering me i see hoping i leave my diagonal open nice try you have a gift maggie
39:30you are a natural profiler bau would be lucky to have you and i would be very happy to put in a word
39:38i know i'm well yeah thank you but that's not what i want i love where i am i love my team
39:50then what do you want
39:53i think this past year has made me feel off balance
39:57i feel like when i look around i don't i don't really recognize the world anymore
40:09so i guess i was hoping that if i could get deeper into the minds of the criminals that we're hunting
40:15then maybe i could make sense of something
40:21i think you're well on your way
40:35however your chess strategy still needs some work
40:51so
41:16so
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