The Girl Friend Interview | Rashmika, Dheekshith, Rahul Ravindran, Chinmayi

The Girlfriend మూవీ టీమ్ ఈ దీపావళి సందర్భంగా ఫుల్ ఎంటర్‌టైన్‌మెంట్‌తో ఇంటర్వ్యూలో పాల్గొన్నారు. రష్మిక మందన్నా, దీక్షిత్ శెట్టీ, రాహుల్ రవీంద్రన్, చిన్మయీ సరదా మాటల్లో ఫ్యాన్స్‌ను అలరించారు. మూవీ షూటింగ్ అనుభవాలు, ఫన్ మోమెంట్స్, దీపావళి ప్లాన్స్ గురించి మాట్లాడుతూ నవ్వులు పంచుకున్నారు.

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Transcript

00:00Namaskaram Andi, I am Chinmai

00:02and this is a very very special interview

00:07Girlfriend Cinema Team

00:10The Director Rahul Ravindarangaru

00:13Namaste

00:14Namaste

00:15You are very happy to be here in this program

00:17We are very happy to be the producer

00:19We are very happy to express it

00:22We are very happy to express it

00:24We are very happy to be here today

00:27Thank you

00:30And the national crush

00:34We will have to say something else

00:39International inspiration

00:42We have to give you another new titles

00:45I think

00:47I think it is about time

00:49It is about time

00:50Because from your career beginning

00:53I think

00:55When I look at you as an actor

00:57As a personality

00:59I feel that you are silent

01:01I believe that girls can take an inspiration from you

01:06Thank you Shidgaru

01:07It is lovely to have you here

01:08And you are very happy to be here in this film

01:11And you are very happy to be here in this film

01:15The first film is your first film

01:17It is my debut film

01:19It is my debut film

01:20It was my debut film

01:21And you are my debut singer also

01:24I am very happy to be here in this film

01:27I have a very favorite song and I am so grateful to be in this place to be interviewing you

01:33Am I not.

01:34You have to get the latest film

01:36Do not say anything

01:37what did I miss, Amnadi

01:40You have to get the latest film

01:42I think you have to sing the first time

01:43Next time I will sing Roshni Kadaru.

01:45Yeah, strange.

01:46Why? I have a lot of songs.

01:48Sorry.

01:49Oh, yeah.

01:50Sorry.

01:51Sorry.

01:52Sorry.

01:53Sorry.

01:55Dear comrade.

01:56I don't want to talk about discography.

01:59I don't want to talk about it.

02:01I don't want to talk about it.

02:03I don't want to talk about that song.

02:05Beautiful song.

02:06But it's A&T, yeah.

02:07Yeah, I'm so sorry.

02:09I think music directors, if you choose, next time.

02:12Cross.

02:13Deepavli Rozu Kabatti,

02:15on the first segment,

02:16Bursting Myths.

02:17Because Myth Busting Kaaru.

02:19Bursting.

02:20That's why.

02:21Okay?

02:22This is, we are doing wordplay.

02:23With bursting crackers.

02:24I'm over explaining and hamming this to ruin this also.

02:27I don't want to talk about it.

02:29Don't worry.

02:34Alright.

02:35So the first question.

02:36Director Garu,

02:37Girlfriend is a feel-good rom-com entertainer.

02:41He's not.

02:42Oh, they don't know what is coming.

02:44Oh, they don't know what is coming.

02:46Let's talk about it.

02:48I don't want to talk about it.

02:49It is,

02:50to be honest,

02:51to be honest,

02:52every teaser,

02:53every promo,

02:54that movie.

02:55That movie is clear.

02:56That movie is not sweet, cute, rom-com.

03:01So, it is a very, very intense relationship drama.

03:04So,

03:05and it,

03:06so,

03:07and it,

03:08it,

03:09intense,

03:10emotional experience

03:11that cinema

03:12is in the theaters.

03:13So,

03:15not rom-com,

03:16sweet,

03:17but very real.

03:18Mm-hmm.

03:19Mm-hmm.

03:20Mm-hmm.

03:21Mm-hmm.

03:22Mm-hmm.

03:23There are a lot of aspects in cinema.

03:24Mm-hmm.

03:25There are a lot of real rooted in cinema.

03:26And,

03:27and,

03:28cinema,

03:29choosy,

03:30characters,

03:31situations,

03:32every day,

03:33I think,

03:34there are a lot of things.

03:35So,

03:36that type of cinema.

03:37So,

03:38And,

03:39I'd like to actually include,

03:40a lot of important story kura,

03:43to be told,

03:44in this generation,

03:45and,

03:46in the,

03:47um,

03:48in the generation of the relationships that we have today.

03:51It's a very important topic,

03:53to be told,

03:54and not many people,

03:55uh,

03:56would be,

03:57probably,

03:58uh,

03:59comfortable,

04:00or,

04:01open enough,

04:02to talk about.

04:03But,

04:04that's the exact reason why we have done this film.

04:06Yeah.

04:07Yeah.

04:08So,

04:09this is a very important question.

04:10Is this a feminist film?

04:11Ha,

04:12Ha,

04:13Ha,

04:14Ha,

04:15Ha,

04:16Ha,

04:17Ha,

04:18Ha,

04:19Ha,

04:20Ha,

04:21Ha,

04:22Ha,

04:23Ha,

04:24Ha,

04:25Ha,

04:26Ha,

04:27Ha,

04:28Ha,

04:29Ha,

04:30Ha,

04:31Ha,

04:32Ha,

04:33Ha,

04:34Ha,

04:35Ha,

04:36Ha,

04:37Ha,

04:38Ha,

04:39Ha,

04:40Ha,

04:41Ha,

04:42Ha, Ha,

04:43Ha, Ha,

04:44Ha, Ha,

04:45Ha, Ha, Ha,

04:46Today, I am a brother. So, I want this film to be a big hug for all the girls out there, but I am making it for my boys out there.

05:00My first film was about two people.

05:04One to the other one is correct.

05:08If you don't have a spiritual sequel or anything, you don't have any connection with that film.

05:12This film is a realising film.

05:14This film is about one person who is not correct.

05:20They don't have to sort out the differences.

05:23It's a film. It's a film. It's a film.

05:26It's a film. The nature of incompatibility. Can it be overcome?

05:29It's a film.

05:30And what is it?

05:31Usually, when they choose drastic physical changes,

05:39when they deal with it, they have a lot of emotional and mental maturity.

05:44And they have a little time for their parents.

05:46They have a little time for their emotional and mental maturity.

05:50So, I see this film as my affectionate love letter to the boys out there saying,

05:56Guys, sometimes, in my relationship, in that age,

06:01I don't have any perspective in my relationship.

06:03So, maybe, if I present it, I don't have any perspective in my relationship.

06:07So, for me, it is as important that what the boys take away from this film

06:13is as important as what the girls take away from this film.

06:15So, feminist cinema, I don't know about these labels,

06:18but it is made for both genders for sure.

06:22So, actually, next thing I would ask, is this movie also meant only for girls,

06:27you have already answered that question.

06:28It's not.

06:29It's definitely not.

06:30It's meant very much for boys as much as girls.

06:32I think, best case scenario is that,

06:34the best scenario is that,

06:35the parents, the parents, the boyfriends, the husbands,

06:40the cinema is perfect.

06:42I think,

06:43me, me life loo ammahil evaraihtte unnarho,

06:46vaalani theeskocchi cinema choo nindi.

06:48Ammahil ho me life loo ammahil evaraihtte unnarho,

06:50vaalani theeskocchi cinema choo nindi.

06:51So, itdher kalis choose te bow on to this cinema.

06:53So, is it like, so the entire family can see it?

06:56Would you say that?

06:57Oh, definitely.

06:58Definitely, yeah, yeah.

06:59I think it's very relatable to every age group.

07:05I agree with Rahul when he says that,

07:11first time, I felt like it was a hug for all the women.

07:16But at the same time, I felt like,

07:19idha ithe, andar life loo jargindi.

07:22Edokha point, edokha degree loo,

07:24andar life loo jargindi.

07:26Abba il also, and amma il kuda.

07:29So, it, like it's so fascinating,

07:32because Rahul being a man,

07:34he has understood emotions in a way

07:37where sometimes even I will probably not be able to write about.

07:41You know?

07:42So, I'm like, how?

07:44Have you done this?

07:45Ani prati saare adikutta ndi.

07:48But it is very fascinating,

07:50and I think when tomorrow people watch it,

07:52vallu kuda arda maithithi.

07:54Because many emotions,

07:56you can't really speak of it.

07:58You can't really explain it.

08:00Adho onli, chudali, feel awali,

08:02you will have to get through it.

08:04So, it's those emotions.

08:06It was interesting.

08:07One of the beautiful things that happened was,

08:09idhi, nenu, maa editor nook sara adigi,

08:11petko chana adigi,

08:13petkundhav, leen dha te edit chesedham gani,

08:15maa editor chota agar,

08:17chota ke prasad is the editor du film,

08:18naa moodu cinema alayani edit cheseru.

08:20So, prati scene, prati shot,

08:22vei saare adi,

08:23edit loo.

08:24Kani, first time,

08:25maa kosao,

08:26screening gees kundna.

08:27Ramanidu studios,

08:28preview theater loo,

08:29screening gees kundna.

08:30So, first time,

08:31aenna cinema,

08:32rr sound effects to,

08:33flow loo juse edu.

08:34Inni saare, prati scene,

08:36chuse na manishi,

08:37screening aay pae akar,

08:38maa tla adikko unta silent,

08:39ee nu, ee nui,

08:41maa tla adikko unta,

08:42ee nui,

08:43anu kuna naa,

08:44naa next day,

08:45maa ni phoon juse edu.

08:46Phoon juse edu,

08:47he said,

08:48aene phoon juse edu.

08:49Phoon juse edu,

08:50sinuma juse edu,

08:51sinuma juse edu,

08:52kandun chi, bail de naa nu,

08:53kaar driving edu edu edu,

08:55naa nuk sinuma ne,

08:56rannotha on di naa,

08:57mind loo.

08:58Inti ke althun naa,

08:59naa wife nae kalao bote naa,

09:00kani,

09:01enduko sadanga oka arjna haku,

09:02appaddi ka appadu,

09:03kaar pakkana baite si,

09:04road loo,

09:05kaar aapaisi,

09:06arjun reddy film ki female vertigo.

09:11Chuuu

09:14I called my wife,

09:15I called her and said,

09:16I love you bangaram,

09:17chuuu,

09:18you know, I love you know.

09:19And he told me,

09:20nene manche husband ne,

09:21kani, enduko manche schimaa juusi naa kuu

09:23ing ke agana awakaaas note

09:24inka better husband antiwi mental

09:25inthakanna manna cinema kurus suini nene japanan Jeff f Hoon bette is it.

09:27Chuuu.

09:28That's like,

09:29that's so beautiful.

09:30I mean,

09:31yah I think,

09:32This film is an Arjun Reddy film female version.

09:36No, not at all, yeah.

09:39No, not at all.

09:40You just mentioned that Arjun Reddy's film,

09:43many years ago, you know.

09:47Sorry, you know.

09:49I don't know.

09:50I don't know.

09:51I don't know.

09:53So, yeah, it's a story.

09:55Actually, when I travel that time,

09:58you have traveled with the story.

10:00You are basically married to the story before me, right?

10:02It's true.

10:03Yes, it's true.

10:04Yeah.

10:05I love the dynamics that are happening.

10:09Please keep this, okay?

10:12Alright.

10:13This is my most favorite.

10:15Because in my Twitter timeline,

10:17Girlfriend Cinema Actually Raas Hindi Chinmai,

10:20directed by Rahul Ravindran.

10:22Oh, damn.

10:24It's true.

10:27Is it true?

10:28It's true.

10:29Definitely not.

10:30I can't write.

10:32Just need to clarify.

10:34No.

10:35Actually, that thought really came to my mind also.

10:39In the script, I thought,

10:41because what Rashmika said,

10:44a man can write something like this.

10:45I really thought, okay,

10:46is it he writing or is it you writing?

10:48Not writing writing, but at least have that discussion together.

10:53Yeah.

10:54If I can write so much,

10:55I would have won my first national award several years ago.

10:58But it's still not happening.

10:59Sorry, he's won it anyway.

11:01So, yeah.

11:02So, yeah.

11:03Chinmai Raas Hindi Thay Kaadu.

11:04In fact,

11:05Chinmai,

11:06when I saw a screenplay,

11:07when I saw a screenplay,

11:08I had a lot of pressure.

11:10Yeah.

11:11Oh!

11:12Oh!

11:13Oh!

11:14Oh!

11:15Oh!

11:16Oh!

11:17You aren't gonna write.

11:21You'reиц many anything.

11:22Orнутry.

11:23He replied,

11:24in fact Axan why'd you call the schadhu?

11:25Because I 카메라 pamph reci,

11:27when I see a subtitle,

11:28he will be watching like this.

11:30I'm like,

11:30can I read in peace?

11:32Ok!

11:33He'd be like,

11:34Ashton,

11:35you were twitching your eye,

11:36your eyelash was fluttering,

11:38a little muscle was moving,

11:40can I try my mind?

11:41Yeah,

11:42I do not like,

11:43The twitching is happening,

11:44just because I don't know

11:46I'm like, so much pressure.

11:47Why do you say that?

11:48I said, I don't know dude, all of this is a little involuntary.

11:54So, it's impossible for me.

11:56I'm talking about script, a story, a discussion,

12:01that pressure.

12:03It's not possible in our house.

12:06So, after that, I will go and watch it in the theatre.

12:11So, one average audience, who will react to me,

12:16who will react to me, who will react to me,

12:18who will react to me.

12:20And I will read the film.

12:22Oh no, no, no, no, no.

12:24So, nevertheless, just clarify, I have nothing to do with his work.

12:29And I don't ask him also.

12:31So, that's how it works.

12:32See, I think you will love it.

12:35I think you will love it.

12:40I think you will have opinions on it.

12:44As in, like, yeah, you will like it,

12:49but you will have opinions on it.

12:50Is what I think.

12:51Nice.

12:52I think you will have opinions on it.

12:54In a good way, you know, I think a lot of people

12:59are going to walk away with a lot of opinions in their mind,

13:02which is also a great thing.

13:03I think it's a great thing.

13:04It's a great thing.

13:05Listen to me, Manum,

13:06I think you will have opinions on it.

13:07See, he can talk to you and talk about it,

13:10if you can talk about it,

13:12talk about it,

13:13discuss your debate about it.

13:15Yeah.

13:15That happens, fantastic.

13:16But he also told me that,

13:18I've got some opinions on it.

13:20And I think that funny when you think about him,

13:23there is a lot of basic opinions on it,

13:25have a lot of tension on it in the cinema.

13:26I can't take tension even in Cinderella room.

13:28Exactly like me. I like watching animated things. No-brainer.

13:32Love story, interval point,

13:34what do you want to call Kalustara Kalavarana?

13:36That type of basic audience.

13:38Cinderella story,

13:40you don't have to do stepmother.

13:42You don't have to do next time,

13:44because you don't have to do marches,

13:46so I can't deal with any of these cliffhangers, none of this.

13:50So Ellie, straight to Wikipedia,

13:52that type of audience.

13:54Yeah.

13:56So that type of audience.

13:58Probably below average, because even

14:00everybody else will be like,

14:02I'd like to see the film 120,

14:04suspense, whatever the director wants you to feel.

14:06He feels like that,

14:08but I don't want all of that.

14:10I want to do everything beforehand.

14:12And that takes us to, yes.

14:14If you don't have tension,

14:16suspense,

14:18you don't have to do a date,

14:20I want to do a whole thing.

14:22I want to do a whole thing.

14:24I want to do a whole thing.

14:26I want to do a whole thing.

14:28I want to do a whole thing.

14:30And everyone in the theater

14:32has a couple seats.

14:34So the audience will be there.

14:36If you say,

14:38I want to start the movie.

14:40So I want to do it.

14:42I want to do a whole thing.

14:44I want to do a whole thing.

14:46I want to do a whole thing.

14:48I want to do a whole thing.

14:50I want to do a whole thing.

14:52I want to do a whole thing.

14:54Oh, shit.

14:56You're hot.

14:58I became the daughter for him.

15:00He didn't ask for that.

15:02Oh my god.

15:04You became Vikram for a while.

15:06Oh my god.

15:08It's very cool.

15:10Fact or Stereotype?

15:12So now you have some questions.

15:14Also, you know,

15:16collated by our team.

15:18So you have guns.

15:20So you don't have guns.

15:22So in general,

15:24I'll give you a question.

15:26You will only speak with your guns.

15:28So,

15:29I will shoot you.

15:31I will give you a question.

15:34Fact or Stereotype.

15:36And you will only speak with your guns.

15:38So,

15:40Stereotype,

15:42I will shoot you.

15:44I will shoot you.

15:46What is the fact or fact?

15:48I will explain.

15:50I would like Deekshid Garu also to...

15:52I will shoot you.

15:54I will shoot you.

15:56I will shoot you.

15:58I will shoot you.

16:00But anyway,

16:01Deekshid Garu.

16:02I will start with you.

16:04First love is the purest.

16:05Fact or Stereotype?

16:07Stereotype.

16:08First love is what?

16:09Is it the purest?

16:11Oh, okay.

16:12I mean, it's not a question.

16:13It's a statement.

16:14First love is the purest.

16:15Andi,

16:16How do you think about the love?

16:17Andi,

16:19I will tell you.

16:21I disagree with this.

16:23But I completely agree.

16:25First love is the purest.

16:27Andi,

16:28Maybe it's the excitement.

16:29And all that makes you remember things.

16:32But it's not the purest one.

16:34That nostalgia is pure.

16:35Nostalgia is pure.

16:36The last one is the purest.

16:38The last one is the purest.

16:40I like that.

16:41Nice.

16:42You should.

16:43You should.

16:44You should.

16:45You should.

16:46All the cringe questions.

16:47So that everybody can titify me in the comments.

16:48But anyway.

16:49Men are logical and women are emotional in relationships.

16:51Rahul Garu.

16:52Rahul Garu.

16:53I am not a purest.

16:54Girl.

16:55I am not a purest.

16:56You should.

16:57But what can you say so many people who are extremely positive and emotional?

16:59I have seen so many of them who are extremely emotional.

17:00I think that these people have changed because of their birth.

17:01By the way,

17:02So that everybody can titify me in the comments.

17:03Anywho.

17:04Men are logical and women are emotional.

17:05Rahul Garu.

17:06Rahul Garu.

17:07I have seen so many women who are purely practical and logical, I have seen so many men who are extremely emotional.

17:17I think those things, I don't think it has anything to do with gender.

17:26Right.

17:27Tashmika Garu, jealousy is equal to love.

17:31How?

17:32Yeah.

17:33Now is the time you take on the guns.

17:35Then you have to...

17:36I don't understand that.

17:39It's a stereotype.

17:40Jealousy is not a problem.

17:42So that stereotype is a fact.

17:45I don't relate.

17:47It's a part of love.

17:48It's not equal love.

17:49Little jealousy is equal.

17:51As in it's not all love.

17:53It's all love.

17:54It's a part of one part.

17:55Love is so many things that you feel for one person.

17:57Correct.

17:58Correct.

17:59It's like a mixture of God knows how many things.

18:03Yes.

18:04Yes.

18:05Yes.

18:06Yes.

18:07I don't know how many things.

18:08Yes.

18:09Yes.

18:10Yes.

18:11Yes.

18:12Yes.

18:13Yes.

18:14Yes.

18:15Yes.

18:16Yes.

18:17Yes.

18:18Yes.

18:19Yes.

18:20Yes.

18:21Yes.

18:22Yes.

18:23Yes.

18:24Yes.

18:25Yes.

18:26Yes.

18:27Yes.

18:28Yes.

18:29Yes.

18:30Yes.

18:31Yes.

18:32In general, most of us will say that the eyes are puffy.

18:39So, if you suffer, you will not be able to suffer?

18:42Correct.

18:43You will not be able to suffer.

18:45Interesting concept.

18:47I think women suffer more internally than men.

18:53I don't know if that is stereotypical, that statement that I have given.

18:57But I completely disagree with the fact that people say

19:01that men suffer more than women when a relationship is broken or whatever.

19:06That is not true.

19:07Now,

19:08Amma Ilakanna,

19:09Abba Elu Ekkova Possessive.

19:11Tell me.

19:12You tell me.

19:13Google me.

19:14I need you to see me.

19:15I need you to see me.

19:16Come back in.

19:19Because you are seeing him.

19:20I was like, okay, question for him.

19:24Amma Ilakanna, Abba Elu Ekkova Possessive.

19:28No, and it is, I always believe it depends on person to person.

19:32Amma Ilakanna,

19:33Amma Ilakanna,

19:34Amma Ilakanna,

19:35Amma Ilakanna,

19:36Amma Ilakanna,

19:37Amma Ilakanna,

19:38Amma Ilakanna,

19:39Amma Ilakanna,

19:40Would you be more possessive than your girlfriend?

19:42I don't know.

19:43I have to meet a girlfriend first for that.

19:44Baba!

19:45You choose from a girlfriend.

19:47Yes,

19:49These will be girlfriends I put to do.

19:52As for all,

19:53My heart is breaking.

19:54I think he is not telling us,

19:55but he has a girlfriend.

19:56No, no, no, I do.

19:57I would certainly say it.

19:59Why will I not say it?

20:00Hey, well done!

20:01Proud of you.

20:02How of you.

20:03Yes, thank you for sharing this season with me.

20:05Or no.

20:08Did you immediately stop pressure from the deep truth crushed now?

20:11No sir, you're the naughty uncle.

20:14Yeah.

20:16Unknown we love you, uncle.

20:18You might become Miss Vishpersfieldr in front of the street.

20:20You have to be the relationship, Gro singers.

20:23So yourude in front of the girl front?

20:24No, don't worry No.

20:26Was it one of the best films I really mean, that is your future?

20:29No.

20:30No?

20:31Abba ila karna, amma ila ekkwa breakups cheeshta aru. Rahul karu, mir cha pati.

20:37Abba ila karna, amma ila ekkwa breakups cheeshta aru.

20:40Ava nandi.

20:41I think I am going to agree with that.

20:43It's obviously, prati case ke applicable kaadugaani.

20:48Like I said, ipadu ye relationship hai na, fortunately or unfortunately or whatever it is,

20:54however you look at it, the end of any relationship in our society is marriage.

20:58And I generally notice that, girls face more pressure if the family doesn't accept it.

21:07Family, Abba ila aksept cheeshta aru, amma ila ekkwa pressure onttethi.

21:12So, dhaan valla a pressure, anandai oor range in a pressure bedutta aru.

21:16Dhaan valla, abba ila edo oka point lho, apod kalla wala chadu hai pwoi indi,

21:21chetlokko udhyaogu mundi anandai, kana kaa udhulyeshi, naak naa girlfriende pelli jeskoa anandai,

21:26valla baihduko udhulyeshi rao achu.

21:28In koincha maa dheiriyam unttuundi.

21:29A dheiriyam unttuundi.

21:30A dheiriyam unttuundi, amma ila e anthei dheiriyam unttuundi.

21:32A dheiriyam unttuundi, amma ila e anthei dheiriyam unttuundi.

21:33Anni houses lo anandai.

21:34Anni chala families lo anandai dheiriyam unttuundi, amma ila ekkwa poorthi jeskoonu.

21:37Valla ki job unttu di.

21:39Ima jane little heart cinema joosam.

21:42There is this beautiful dialogue where the girl says maanam decide jesedhe ade ade ade ade ade ade ade ade.

21:48So, amma il kudu unttu di.

21:49Kani iku ekkwa nein joosindai ithe.

21:50Valla amidha pressure ekkwa uundudum valla.

21:52Valla almost kouncham hands tight uundudum valla.

21:56Tappaka vera daar ila eka implose a pinabba.

22:00So, in a weird backhanded way it's true.

22:03Not for the reason that most people think that stereotype is true.

22:06So, yeah.

22:07And in kudu jeepttu anandai.

22:08Again, this goes into stereotype territory.

22:10I definitely agree.

22:12I definitely agree.

22:14If you look at him,

22:16Abba ilu, amma ilu pressure valla kondi sarilu break up jeskoonu.

22:19Aandai yepidu, yela handle jayel, ee n'tan ee.

22:22Abba ilu ee n'tan ee.

22:23Abba ilu ee n'tan ee,

22:24ii drama ooddan,

22:25chala sarilu kadala kasalu,

22:26completely checkotai untar a relationship lo nunchi.

22:29Asalu, preame balance uundudu in kada.

22:31Vakki uundudu.

22:32Kani break up jeppele edu.

22:33Aandai yepidu kona deli edu.

22:35Abba ilu ka problem.

22:36Aandai andar kaadu kaini,

22:37Abba ilu ka problem ee uunttadi.

22:38Kondi sarilu.

22:39Aandai, diikshidgaru.

22:40Aandai yepidu.

22:41Aandai yepidu.

22:42Aandai yepidu.

22:43Aandai yepidu.

22:44Anandai yepidu.

22:45Beadaan payah ceppile edu.

22:46Ammai yepidu.

22:47Ituraan ka wait chester iu.

22:48Kari ammai yepidu.

22:49Naa yepidu.

22:50Naa fustdy relationship ko thea.

22:51Nenu check out chep amiga chyba.

22:52Ammai gotinu check out chep.

22:53Anandai yije hindi.

22:55Kari nellae yepidu k明白 ku Studio.

22:56Kari inenya.

22:57Kari eme and 38 who Shopify hi损 aga

23:04The gentleman is saying this. Wow, wow.

23:07I mean, after 2000s, they will soon start, actually 25 years ago, so they have reached an age where they will be in relationships.

23:16We know that. But in the 80s and 90s, one of them will say that.

23:20If you look at the cinema, if you look at the books, if you look at the family,

23:24then after that, after a breakup, you are a womanizer, you are a child.

23:32You are a girl. You are a girl.

23:34You are a girl.

23:35You are a girl.

23:36You are a girl.

23:38You say that.

23:40You have to be on the cinema.

23:42You say that.

23:44That's how he is.

23:46So, you...

23:48After that, after that, you are a girl,

23:52if you are a girl, you will be able to do something.

23:54And that's the question mentally, the 80s and 90s boys.

23:57I know that.

23:59People think that this is how it is. After a point, it will be like this only. So, this is how it is going to be.

24:04All the conclusions are going to be.

24:05The relationship is officially exciting.

24:07Yeah, after that, the honeymoon period is coming.

24:11So, probably, that is also the reason.

24:14Interesting.

24:15But looking at you both, I feel like that honeymoon face has never...

24:19Wow!

24:20You can't say anything.

24:22You can't say anything.

24:24You can't say anything.

24:25You're bored of me.

24:27You're bored of me.

24:29You're bored of me.

24:31I just created that.

24:34That was a spark.

24:37Okay.

24:39Ammayilu okay, saakha.

24:41Ammayilu efforts petta-dam.

24:43A-pest-taro.

24:44Meera, saakha.

24:45Ammayilu okay, saakha.

24:48Ammayilu okay, saakha.

24:50Ammayilu okay, saakha.

24:52Ammayilu efforts petta-dam.

24:55Ammayilu okay, saakha.

24:57Ammayilu efforts petta-dam.

24:58A-pest-taro.

24:59Stereotype a factor.

25:01Depends on which stage of relationship kada.

25:05I feel like once they're married or...

25:10I got into trouble for saying something like this in an interview.

25:15I always said that women or men can change for each other if they truly want to.

25:23And if they love each other enough, the change will happen.

25:27It's not like one has to change another.

25:29But they'll just merge to become one person.

25:32Right.

25:33Where no more does it feel like an effort.

25:35Right.

25:36So it purely depends on the stage.

25:39So...

25:40Naka ithe...

25:42Life loo, a stage lo on na aru.

25:46Relationships loo, a stage lo on na aru.

25:48Daan paranga it depends.

25:50I mean, naka impastin.

25:51Effekt petta poh te ainti.

25:53Manam love language enter kada.

25:54Manam love express kaya se vidana maari pohthun.

25:56Exactly.

25:57The way you express is...

25:58Nuu jeppo aante.

25:59Appadunsi apidu varuko.

26:00Do you feel less loved or anything?

26:02Less loved?

26:03No, no.

26:04Definitely not.

26:05Mati kya ravao.

26:06Okas eke nare.

26:07Interview no ainti question ainti.

26:08Marei book hai pohthun.

26:10But no.

26:11See, there you go.

26:12You almost asked for it.

26:14Okanli okkaru.

26:15Control chaedam love va.

26:16Is that a sign of love?

26:18No, auntie.

26:19Bulletin is also.

26:21I'll do that.

26:22Tish kya am?

26:24Tish kya am.

26:25Most unhealthy thing.

26:26Unhealthy thing.

26:27Yeah.

26:28Yeah.

26:29Control chaedam love va.

26:31I think that's how the end starts.

26:33How the end starts.

26:34Correct.

26:35Sustainable rate aadhu.

26:36E relationship,

26:37E relationship,

26:38E relationship survive jayottsch.

26:39E crisis ne kira survive jayottsch gani,

26:41E relationship,

26:42E relationship,

26:43E relationship.

26:44E relationship,

26:45E relationship,

26:46E relationship,

26:47E relationship.

26:52And I feel like

26:54yakkada start aathai yyantte,

26:57yalla maathlaadalo,

26:58e means kawaalo,

26:59and the problem is women also this is no like women does it only for men or men only do it for women

27:15so it's it's those things and those things become toxic over over time long time yeah

27:21yeah I think she'll make a good girlfriend you're single no right now well I am a good girlfriend

27:31yes she's a very good girlfriend oh oh okay I didn't say anything well girlfriend yeah

27:38yeah exactly film with the focus on the video film children

27:43how excited are you about this deep out I am very very excited about this

27:59in the country you're specifically asking about this the power

28:03okay

28:14rahul garu considering what a huge star uh rasmika is uh did you feel burdened I I also believe it okay

28:24no no what what you are a big star and antha facial expressions so did you actually feel

28:30uh she is really one of the top stars in this country today so did you feel burdened working

28:37with somebody of her stature uh um okay day vision low pressure feel hey and then day

28:44na guruthundi uh rasmika mana set ki and first day of shoot girlfriend first day of shoot animal

28:52release high okay seven eight days low tanuma set cost in the first time so okay

28:56uh

29:02uh

29:04uh

29:06uh

29:08uh

29:10uh

29:12uh

29:14uh

29:16One thing is, we don't have a doubt.

29:18We're like, we're in a bandhia hit.

29:22Next cinema, we're going to present a lot of real and rooted in Rasmukha.

29:27It's not a real thing.

29:30One of these is a family background.

29:34We're going to shop in a room and dress.

29:38We're going to discuss the costume designer Shravia.

29:43When I started this animal cinema release, I started a bit of a fear.

29:47I started a bit of a hit.

29:49I started a bit of a hit.

29:51And I started a bit of a aesthetic.

29:53I started a bit of a doubt.

29:57No, this is clearly a conscious creative choice.

30:00I started a bit of a fear.

30:05I genuinely felt this pressure a lot.

30:09I remember Shravia also told me,

30:13I used to tell her,

30:14I used to talk about shops that I used to take whatever shops.

30:19I was like,

30:20I was like,

30:21First day, I would do costume trials.

30:24Because she was travelling around the country promoting animal.

30:27And then she came straight to her side.

30:28First day of shoot.

30:29That morning she landed, came straight to her side.

30:31So Shravia, I started a little bit of a proper heroine type dress.

30:38And then to tell her,

30:39You would like to go to Rashmika ,

30:40first take this dress.

30:41When you found the reaction,

30:43after that,

30:44you want to do dresses,

30:46and you would like to do the present in Rashmika,

30:48that dress you would like to do it.

30:49That dress is stupid.

30:50At first day of shoot,

30:51front of the shot,

30:52many plain dresses that he built the same way to make her,

30:54And and both of them had the confidence revealed.

30:56So I don't think that you would like to do it.

30:58You know what happened?

31:00My child,

31:01I didn't even know.

31:02I don't even know.

31:04So, all this happened.

31:05So, I was like,

31:05I was like,

31:06I can't do anything with it.

31:07I can't do anything with the end of the dress.

31:10First day,

31:11that morning,

31:13I was like,

31:14I don't know what Shravia did in the caravan.

31:16Strategically,

31:17my first end of the dress is stupid.

31:19Rasmika.

31:20Rasmika looked at me and said,

31:22Okay, this is for the first scene.

31:23Okay, okay, okay.

31:25I said,

31:26Shravia, if you don't mind,

31:27I just want to discuss the scene with the director.

31:30Shravia left.

31:32She looked at me and she said,

31:34This character shouldn't be dressed like this.

31:36No, sette kaalei.

31:37I was like,

31:38Amma, talli, noo.

31:40Noo, aslanu.

31:41Jeehye sammanji.

31:42Ape, aappudu.

31:43Tieneramaita.

31:45We are normal.

31:46In this cinema,

31:47we have to present all these characters.

31:49We have to look at the dresses.

31:51This is how she should look.

31:52I was like,

31:53Okay, this girl is smart.

31:55She understands narrative.

31:57She understands character.

31:58She understands stories.

32:00Rasmika will tell you how good she is.

32:02You know, he is such a warm person.

32:06Dekshita hai hai.

32:07Khaani, aaa...

32:09My conversation started, no?

32:12Khaani, aaa...

32:14Khaani, aaa...

32:16Intensity...

32:17Kallu to...

32:18Intensity...

32:19Khaani, aaa...

32:20Khaani, aaa...

32:21Khaani, aaa...

32:22Khaani, aaa...

32:24Khaani, aaa...

32:25Khaani, aaa...

32:26Khaani, aaa...

32:27Khaani, aaa...

32:28Khaani, aaa...

32:29Khaani, aaa...

32:30Khaani, aaa...

32:31Khaani, aaa...

32:33Khaani, aaa...

32:34Khaani, aaa...

32:35Khaani, aaa...

32:36Khaani, aaa...

32:37Khaani, aaa...

32:38Khaani, aaa...

32:39Khaani, aaa...

32:40Khaani, aaa...

32:41Khaani, aaa...

32:42Khaani, aaa...

32:43Khaani, aaa...

32:44Khaani, aaa...

32:45Khaani, aaa...

32:46Khaani, aaa...

32:47Khaani, aaa...

32:48Khaani, aaa...

32:49Khaani, aaa...

32:50Khaani, aaa...

32:51Khaani, aaa...

32:52Khaani, aaa...

32:53Khaani, aaa...

32:54Khaani, aaa...

32:55Khaani, aaa...

32:56Khaani, aaa...

32:57Khaani, aaa...

32:58Lovely.

32:59Partnership with Will Iddar Madjalu,

33:01Baa baa baa, asharu.

33:02Manamayi said,

33:03It's just,

33:04It's a,

33:05Re, I think,

33:06Cinema,

33:07I think everyone's thinking that we're getting to know it,

33:09But,

33:10I think the cinema's still getting to know it,

33:11And I think the same thing that we're getting to know it.

33:13I think that we're getting to know it.

33:14The emotional intensity,

33:16It bursts with life.

33:19It's also the time to ask everyone to know it.

33:21Rasmika is so happy to see it,

33:23But,

33:24I think it's a good thing.

33:25But,

33:26But everybody is going to come out and say, my god, both of them are amazing in the film.

33:30That I am so confident of.

33:31Because if you choose the audience, you can choose the audience.

33:34What was it like for you working with her?

33:36All right.

33:37I was ready.

33:38Yes.

33:39All right.

33:40All right.

33:41All right.

33:42All right.

33:43All right.

33:44All right.

33:45But again, the artists, they are also comforted.

33:48And when I came to the sets and when I saw Rashmika for the first time, I really felt

33:53like stardom, adhani, I didn't feel any of that.

33:58One percent.

33:59One percent.

34:00One percent.

34:01I was doing two, three films at a time.

34:09But she was doing some ten films at a time, I guess.

34:11And I didn't see her sleep.

34:13I think we all know this.

34:15And she doesn't eat anything.

34:20And sometimes, she and her, she'll make everyone eat.

34:24She loves to feed everyone.

34:26I do have the tendency.

34:27She doesn't eat but.

34:29So, all this is there and one thing shocked is, somewhere we are talking, we are shooting

34:352 o'clock that accident sequence.

34:36The very beginning accident sequence.

34:38We are shooting and it extended till 2 o'clock.

34:40And she is talking to her trainer to come trainer at 2 o'clock or 3 o'clock somewhat.

34:44And she is saying, no, no, no, no, I will go work out and then I will go to another set,

34:50not sleep.

34:51Another set.

34:52Another set.

34:53Yeah.

34:54I remember that.

34:55She is that hard working.

34:56I like that.

34:57Okay.

34:58Hesham Gurunchi.

34:59So, Hesham is actually also one of my favourite composers.

35:01So, what would you do Hesham in this movie compose?

35:05I don't want to approach it to Hesham because I didn't release Hesham in this movie.

35:11In that movie, the first single was a bit of a bit.

35:15It hadn't had gone big or become a big hit or anything like that.

35:18At that point, I had heard work from a private album and a small cinema.

35:25I had that time when I was watching a particular song and got a contact number and got samples.

35:35When I was watching the same time and got a bad music, it was hit in the next place.

35:43The song was suddenly, it was sensationally.

35:46It was hit by Hesham at Hesham, and it was hit by musically, and I remember that.

35:53If you don't want to talk about it or whatever and all that

35:57When we were talking about it, my girlfriend just came to me

36:02And I had released many musical blockbusters, many albums hit

36:07So suddenly we signed almost a newcomer

36:10And by the time my cinema started, I was already working with one of the hottest musical talents in the south

36:16So it was a very interesting experience for me

36:18So he's a guy with so much soul

36:21He's almost like a baby

36:23He's almost like a baby

36:25He has a very emotional soul

36:28And I think that his soul is intact

36:31I think that his music has a purity and magic

36:35That purity is almost intact

36:42Finally, what did you do in the theatres?

36:47It's an intense, honest, emotional experience

36:51I think that our partners

36:55I think we can understand each other better

36:57I think we can understand each other better and understand each other

37:09And more importantly, we have a massive personal connection in this cinema

37:15I think we can understand each other

37:17Geetha Arts is a legacy production house

37:19And in this country

37:21Some of the best films are in the country

37:23And in cinema history

37:27The name Geetha Arts carries such a lot of respect and greatness I would say

37:37So Elantiohka production house law

37:39Me film especially The Girlfriend

37:41Your script

37:43And along with Dheeraj Mughalineni Entertainment

37:46So how has it been working with a legacy like this?

37:50Intense personal story

37:52Intense personal film

37:54Intense personal film

37:56Geetha Arts

37:57From the beginning

37:59They have been so supportive of this story

38:01And that his story is in the story

38:03His story is in the story

38:04I can tell Arvindar

38:06His story is in the story

38:08And Vidyagaru

38:10First of the story

38:12I think she has been one of the champions for the script

38:14That no

38:15His story is in the story

38:16His story is in the cinema

38:17Vidyagaru

38:18And Dheeraj Mughalineni in Japan

38:20It is the first stage of the story

38:21In various circumstances

38:22In various circumstances

38:23As a result

38:24The script is in Dheeraj Mughalineni

38:25The script is in Dheeraj Mughalineni

38:26The script is in Dheeraj Mughalineni

38:27So yeah

38:28It's

38:29I have a great greed

38:30In this cinema

38:32I am a mainstream producer

38:34I am a mainstream producer

38:36I am a financial might producer

38:38Through Baitik

38:39And I have a reach

38:40So

38:41I am very very happy

38:43I am very happy

38:44I am so proud to have the girlfriend

38:46As one such

38:48You know

38:49And

38:50It's not generally that

38:52You are confident enough

38:53That everyone will be able to deliver this film

38:57As such

38:58I know that Gita Arts is there

39:02For the safe cushioning

39:04I know Rahul is there

39:06Who has these emotions and respect for

39:10People's emotions

39:12So

39:13Correct Vidana

39:14Vidana

39:15And also

39:16I have a co-star

39:17Who is

39:18Like just

39:19Pushing me

39:20To do my best

39:21So

39:22It encourages me to do a film

39:25Like The Girlfriend

39:27So

39:28For me

39:29That's why I keep saying

39:30Emphasizing on the fact

39:31That The Girlfriend

39:32Girlfriend

39:33Is a very important story

39:34To be told

39:35And

39:36Choose it

39:38Choose it

39:39End

39:40Loh

39:41It's almost like

39:43You can also do this

39:44And

39:45That feeling

39:46I have not done

39:47I choose it

39:48This day

39:49I have not done

39:50Unpished

39:51And

39:52I have not done

39:53Performed

39:54So

39:55This is

39:56The Girlfriend

39:57For me

39:58I think

39:59After the 1st or 2nd schedule

40:01Arvinsar

40:03Call

40:05You

40:06Call

40:07You

40:08Call

40:09You

40:10Call

40:11You

40:12Call

40:13And

40:14He is like

40:15No, no, no

40:16He kind of liked

40:17What he saw

40:18In the first video

40:19Shoot

40:20And

40:21Edit

40:22So

40:23It's just true

40:24He's like

40:25And

40:39Who is this boy?

40:40He's the only producer till now

40:41During the shoot of the film

40:42Who gave me an advance for the next film

40:44Wow

40:45Yay, congratulations

40:46He's the only producer

40:48See

40:49Because we all have that fear as an artist when we come from a background where we don't have a cinema background, so we are like, what is next? What is the future?

41:00We don't have to do that anymore. If you work hard and if you are consistent, you will meet people and also when Allorven sir gave me an advance, it's not just an advance for me.

41:15It was a lot of hope and like confidence on myself that, okay, I came out of the vital role and I was acting a lot.

41:27And it's, okay, thanks. But coming from a man like him, like who has been in the industry for a longer time and you have seen everyone,

41:37coming from him, it really meant a lot for me during that time. Like I really needed it. So I'm very, very thankful for this opportunity.

41:44Interestingly, nobody, none of us come from a film background. Yeah, yeah, yeah. So first generation industry. Yeah.

41:51We need a legacy. Come on, baby.

41:56We need a great relationship with the VINTON director Sandharaki and I'll tell you what I want.

42:00I hope that I'm looking for my eyes. She really advanced. She's already advanced to the Geetha Arts.

42:04So we need interesting scripts. If you want to tell you, the producer to the Geetha Arts,

42:08she says, first generation, the great script will show you the best to see the Deekshit.

42:10Oh, nice. Smart. So, theatres lo girlfriend indi kujh udali.

42:16The girlfriend film lo chala matters guru nchi, manam actually touch upon jeshna manali.

42:25But the most important and the most triggering topic ain't ante, is he or she your type?

42:36Ante, that's something which we have never so far said in cinema or anywhere in our country.

42:44I could be completely wrong gani, idai te mana film lo mana one strong point.

42:55Compatibility, guru nchi kuda, it's something, touch upon jeshna manali, how do you know if that person is right for you?

43:07How do you know if this person is right for you or not too?

43:10Like, because we have met so many people and at some point you're in a relationship with them or friendship with them or any of the things.

43:19Any of the things. Kani, this story is also not just about relationships, there are friendships in the film.

43:26So, daan guru nchi kuda, we have spoken a lot about. So, it's like I said, it's going to trigger a lot of thoughts.

43:34It's going to build conversations after watching the film.

43:38A lot of people, silence kuda rauchu. Because they're still thinking about, they're still processing what they watched in the film.

43:46So, it's a very thought triggering film. And I feel like sometimes when you are dealing with a lot in your life and everything,

43:56you come to a cinema and you want to enter into a different world. Correct.

44:00Now, here's a film which is so real and so rooted that it provokes these little thoughts that you have.

44:08I'm not saying our cinema is something which is like completely different where, you know, it's going to be like action and dance and all of that.