శంభాలా సినిమా నేపథ్యంలో హీరో సుందీప్ కిషన్, హీరో ఆది సాయికుమార్తో సరదాగా సాగిన చిట్ చాట్ ప్రేక్షకులను అలరించింది. సినిమా విశేషాలు, నటీనటుల అనుభవాలు, షూటింగ్ సమయంలో జరిగిన సరదా సంఘటనలు ఈ ఇంటర్వ్యూలో ఆసక్తికరంగా ఉన్నాయి.
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NewsTranscript
00:00Hi, Hello, Welcome. So, Sandeep is here.
00:03Hmm.
00:03Archanan is here. So, welcome.
00:06That's not true. It's interesting.
00:08It's a country. Open.
00:10It's not.
00:10No, no.
00:11You did interview me and I did interview you.
00:14So, what did you do in the Shambhala team?
00:18Basically, you were trying to get you to do any opera.
00:22You were trying to get you to do any opera in the camera.
00:25You were trying to get you to do any opera in the camera.
00:27Third person was trying to get you to do any opera.
00:30Third person.
00:31I was trying to witness you.
00:33And he was trying to get you to do any opera.
00:36You were trying to do cinema interview, okay?
00:38Yeah, it was a personal interview.
00:40It was a personal interview.
00:41You know, the Shambhala was on the 25th release.
00:44Shambhala was on the 25th release.
00:45He was on the 25th release.
00:47Now, we can talk about the exact details of the Shambhala.
00:50We can talk about the content that we are interested in.
00:53Done.
00:54So, we will talk about Shambhala.
00:56We will talk about Shambhala.
00:58Okay, back to this.
01:00I was waiting for you.
01:02I was waiting for you.
01:05I was waiting for you for 40 days.
01:08So, when you reply to a message, you will reply.
01:12So, I will check that.
01:15I will double check that you don't have to do anything.
01:21But I will say, before you, early.
01:23I was waiting for you.
01:23Even a little closer to the interview.
01:26But with a friend of all, you will tell me.
01:28No, it's for him.
01:30No, I can do anything.
01:31I can do anything.
01:32Let me go and do it.
01:33I can do anything.
01:34So, I will tell you something to do here.
01:35There's a feeling there.
01:36So, finally, we're going to go to Vivaag.
01:38Yeah.
01:38I think I'm going to go mentally.
01:40I'm going to go back here.
01:41I think you're going to go back here.
01:43I'm going to go back here.
01:44No, no, no, that's what I'm talking about.
01:46We're in a Japanese location, we're driving in two hours.
01:49We don't have to worry about it.
01:51We're going to go to Shambhala village.
01:52So, we're going to go to a village set-up.
01:54We're going to go to a village set-up.
01:55Super.
01:56Let's go to a village with snacks, sir.
01:58About Shambhala, what's most exciting about Shambhala for you guys?
02:02You know, Sandeep is like well-wish and he's always been there for me.
02:11So, I'm going to do a good theatrical film.
02:14I'm going to do a theatrical experience.
02:17I'm waiting for a lot of time.
02:19So, I think Shambhala is a content-driven film.
02:22So, I'm going to do content-driven, but it's pure songs, item songs,
02:29and I'm going to do comedy-tracks, it's a pure content-driven film.
02:33So, I'm going to do it.
02:35I'm going to talk a little bit more about it.
02:36That's right, you're interesting.
02:37I'm going to talk to a regular interview with you guys.
02:40I'm going to talk to you guys.
02:42No, no, no, no.
02:43You're going to talk to you guys.
02:45I'm going to talk to you guys.
02:46I'm going to talk to you guys.
02:48Tell me.
02:49You're going to talk to Shambhala.
02:51I'm going to talk to you guys, it's a pure content-driven film.
02:54It's content-driven, this genre, specifically.
02:57You can tell Shambhala the genre of Shambhala.
03:00Shambhala is a mythological film, fantasy film, horror film, thriller, mystery era.
03:04It's not there.
03:06So, this is Shambhala genre?
03:08It's Shambhala genre, yeah.
03:09It's a mix of everything, basically.
03:10Yeah, it's a mix of everything.
03:10It has horror, it has mythology, it has some devotional touch.
03:15It has some drama.
03:17Emotionally, it's charged.
03:19So, I think a mix of everything is Shambhala.
03:21But, okay, horror is a little bit stronger in the cinema.
03:23Strong horror.
03:24I'm a horror film, but it's an exciting element.
03:28I'm a huge fan.
03:29I am a huge fan, too.
03:30I always believe in the cinema,
03:34it's something that makes me feel the emotion.
03:39In the horror films, it's a big deal.
03:41It's a big deal, it's a big deal.
03:44Exactly.
03:45So, it's kind of very beautiful to even go through that experience.
03:47So, in lockdown, I think I finished every horror film in the OTT platform, I think.
03:53I don't know.
03:54See, I have that problem.
03:55I have a problem.
03:56I have a problem.
03:57I have a problem.
03:58I have a problem.
03:59I have a problem.
04:00Beyond that, interestingly, last year, at one point,
04:04it was a horror film that was produced and it was almost a horror film.
04:07It was a horror film.
04:08I have a problem.
04:09I have a problem.
04:10I have a problem.
04:11I have a problem.
04:12I have a problem.
04:13I have a problem.
04:14I have a problem.
04:15I have a problem.
04:16I have a problem.
04:17I have a problem.
04:18So, somewhere, I have to look at the genre of Aadhi genre.
04:22So, I thought I would be very new to see him in that.
04:24I think in the beginning of our careers,
04:26I think it would be Aadhi.
04:31So, I have a problem with funny interviews.
04:34So, now, I am going to do a college first and I am going to be engineering.
04:40That's why I am going to do it.
04:42I don't know what I am going to do.
04:44I am going to go to free seats and then I am going to do a BBMB.
04:48So, I am going to do a job in my life.
04:50Also, he has told me once that I am going to do a job in my life.
04:56That's right.
04:57Okay.
04:58So, I am going to be very easy to do it.
05:00Okay.
05:01You are not going to be angry.
05:02No.
05:03No.
05:04You are not going to be angry.
05:05I am going to be angry with you.
05:06He is a family man.
05:07Okay.
05:08No.
05:09He is not going to be angry.
05:10He is not going to be angry with you.
05:11You are going to be angry with him.
05:13I am sure.
05:14This is reality.
05:15Okay, let's see.
05:16I am going to be angry with you.
05:19Okay.
05:20So, it is very easy to irritate and I love it.
05:22So, I am going to be a first year in my career.
05:24I am going to be a good job.
05:25For a month, within budget, everything is perfect, clean.
05:28I am not going to be angry with him.
05:30I am not going to be angry with him.
05:31I am not going to be angry with him.
05:32Then, I am going to be a budget for about 25.
05:34I am going to be angry with him that I am going to be in the conventional college.
05:36This is a task.
05:38It's a task.
05:39At that time, you can't eat any food at night at 10 hours in the training session.
05:44Weirdly, the diet.
05:45If you are a man who is doing a diet,
05:48what is your trainer?
05:50Boiled eggs.
05:51You can eat a little bit in grams.
05:53You can eat a diet.
05:55You can eat it.
05:56You can eat it.
05:57You can eat it as a trainer.
05:59You can eat it.
06:00You can eat it.
06:02Legally, it's not even okay to have 17 scoops of protein supplements a day.
06:07At that point, you can call my sister.
06:11My sister is calling me.
06:13My phone is like,
06:14I'm a doctor.
06:15I'm a doctor.
06:17Sir, I don't like this.
06:19I want to eat tandoori, chapati,
06:22chicken biryani,
06:24vanilla ice cream with cashew nuts.
06:26Really?
06:27One kilo vanilla ice cream with cashew nuts.
06:30I used to be very slim,
06:32so I want to put some mazrumas.
06:34So, thank you.
06:35That was interesting in life.
06:38My nurse told me that
06:40Pravasgurnej dialogue, chatharbathi dialogue
06:42is sitting full of interval well.
06:44That Alice told me.
06:45He told me.
06:46There Кон Transport.
06:47He told me his day to getelle él.
06:49He told us to shoot and he shoot him.
06:52But I know it's OK.
06:53He is about today.
06:54Half a day without 이건.
06:55The Dal CPA is talking about chatharbashi.
06:56It's interesting from Chatharbashi,
06:57but I was talking about exactly the Dal Jonah club.
06:58Only this is the same.
06:59She tells you exactly the topic.
07:00Which tells me.
07:01You know, I was like, hey, oh, thank you.
07:03I can't say, well, thank you.
07:07So, sir, I'm here on the channel.
07:10I want to know who's going to be in the cinema,
07:12and how they can be in the cinema,
07:14and also the people who are there.
07:16Even if they have a movie,
07:18they can't have a movie.
07:20And they don't know why you should be in the cinema.
07:23If you can do it, just tell me that you want to do it.
07:26I know it's making my favorite song,
07:28I know.
07:29Parare, parare.
07:30You too, it's Stalin.
07:32You've got to do the dance.
07:34Parare, parare, pa pa pa pa parare.
07:38I did that in dance class.
07:40For the first time in my class, one of us…
07:44Am I, you and Nihala are a friend.
07:47So, when I had her friends, she would go through the back trip and go to Godamith.
07:51She would play Nihala and go to Godamith.
07:54I wouldn't say anything!
07:56I would praise God to God by yourself.
07:59I think it's the same thing.
08:02Sorry.
08:02I'm not going to do anything else, but Nihal is going to be extreme.
08:06Nihal is going to be extreme.
08:09I think he's doing that skydiving and stuff.
08:12He's going to be extreme.
08:14Actually, she's getting bored. Let's get to you.
08:15Let's talk to you.
08:17Chittu, Bangalore, how are you?
08:18I'm not going to talk to you about them.
08:21I'm not going to talk to them about them.
08:24Until and unless I speak to them,
08:25I'm not going to talk to them about them.
08:27I'm not going to talk to them in Tamil.
08:29I'm going to talk to them in Tamil.
08:31Why? I'm not going to talk to them.
08:33I say, I'm not going to talk to them in Tamil.
08:36But if you're a little while, I'm so busy, I think.
08:38I know your dad?
08:39Yes, my dad.
08:40Pretty much.
08:41So, that's it.
08:42What's up for our heads?
08:44But we're going to talk to them about their stories.
08:48Chalamet is a little bit north, but a little bit about him.
08:50Let's hear yourンダイ?
08:51Sometimes.
08:52How many are you?
08:54Sometimes.
08:54I don't want to see Hindi cinema as well, but I don't have the worst experience in my life.
09:00I don't want to see Hindi.
09:02No, I don't want to see it anymore. I don't want to see it.
09:03Okay.
09:04I want to ask you a question about all the dialogue.
09:08I'm going to ask you a dialogue.
09:10What is the highlight of this?
09:12And now it's easy. It's going to be subtitled.
09:16This is the highlight of this.
09:17I'm going to audition for Hindi cinema.
09:20I'm going to meet you and I'm going to audition for Hindi cinema.
09:23Okay, super. I'm going to be a prepper.
09:25This is my hero IP.
09:26This is my early stage.
09:28I'm going to be a prepper and I'm going to be a prepper.
09:30I'm going to be a prepper and I'm going to be a dub in Hindi.
09:34Why are you talking about Hindi?
09:35I'm going to be a dub in cinema.
09:38Yeah, yeah, yeah.
09:38I'm going to be a dub.
09:41I don't know what I'm talking about.
09:44Actually, it's interesting to me that Shambhala is from the first time.
09:48I'm going to show you a genre.
09:50I was going to shoot in a set of Shambhala.
09:53You were attending a set of Shambhala part of the show.
09:56That's right.
09:57They were also going to show you a train set of Netflix.
10:01That's what I could talk about during this show.
10:03Why am I talking about the train set of people watching the show?
10:07Because it's very interesting to me.
10:09I quit watching Netflix set of shows.
10:11But at the same time, you'd be filmed in Shambhala.
10:13What is your schedule?
10:16We have to schedule a lot.
10:18But we have to schedule a lot.
10:21Because we don't have to schedule a lot.
10:23We have to schedule a lot.
10:24We have to schedule a lot.
10:26We have to schedule a lot.
10:28So, we used to wait until it grows.
10:30You know, even the schedule.
10:31Then, we used to plan our schedule.
10:32No, we also had to schedule a month for a month.
10:36We have to wait for a month and shoot.
10:39Sorry, Ranu.
10:40Why do you say that?
10:41Your mind, you'll don't sleep.
10:43Why don't you tell me I'm going to call my individual.
10:45Sorry, Yo!
10:46Is there a diet?
10:47Is there a diet?
10:48You know, Yippoon, it's a diet.
10:50No, you don't want to shoot it.
10:52You don't want to shoot it.
10:54I'm very excited.
10:56Personally, I would like to ask your thought to you.
10:59I'm thinking about it.
11:01As a funny part of myself,
11:03I don't understand it immediately.
11:06You don't understand it immediately.
11:08More than anything else,
11:09We have a lot of confidence in our excitement and joy.
11:13That is giving me a lot of joy.
11:15And I would like to say, Mahmool is a very good producer.
11:19He is a good producer.
11:20He is a very good producer, right?
11:23Yeah, yeah.
11:23He is a good producer and a lot of producer.
11:25He is a very typical distributor.
11:31He is a very good producer.
11:32So, if he is a good producer,
11:35he is a good producer and producer.
11:37He is not a good producer.
11:39So, immediately, we have a phone call.
11:41Ray, I am happy for you.
11:43I am glad he is coming the right way.
11:45So, I am the other person.
11:47And I think he has a lot of hard work.
11:51And he did the direction course.
11:55Two years later, he has a lot of pre-work.
12:00First, he is a good producer.
12:00And now, you are the first time.
12:03You are the first interviewer.
12:04No, I am the first interviewer.
12:05You are the first interviewer.
12:06First, he is a good producer.
12:08So, the first interviewer is excited the right person doing his first interview.
12:10So, he is a good producer.
12:11In the meantime, I don't think he is givingexemple of his first interview,
12:13You are the first interviewer.
12:14That's backdink.
12:15They are bad
12:25I was like, you should say, you should be a little bit.
12:28You should be a little bit.
12:29You should be a little bit.
12:33That's why I am here.
12:34Sensor.
12:37So that's why I was saying, okay,
12:40it's a little bit.
12:41It's like a bit.
12:42I said, I'm going to say,
12:44if you have 4 hours,
12:45I'm going to say, okay.
12:47A plus B is equal to A plus B whole square.
12:49I'm going to say that.
12:50I'm going to say that.
12:52But this is a very ambitious script.
12:54So, Dean, let's talk about it.
12:57It shouldn't be a sector of audience.
13:02Let's talk about it.
13:03You know, when we talk about the audience,
13:08it's automatic.
13:11It's because you enjoy the family.
13:14It's because you enjoy the family, you enjoy the family.
13:17It's a tiny bit of horror.
13:20Your release date is a great date.
13:22December 25th is a great date for these kind of films.
13:25It's a long weekend, right?
13:27It's a long weekend.
13:29It runs well.
13:30More than anything else, the genre of culture,
13:33that's a big advantage you guys have.
13:35You know, it's not a genre or it's not a genre.
13:38I don't like it, but it's more emotional.
13:41It's not a genre, I could say.
13:46I don't like it.
13:48I don't like it.
13:51Govinda, Govinda, Anji, Devi Putridu.
13:54I'm so proud of you.
13:57I was so proud of you.
13:57At the time of the theater, I had a whirlpool.
14:00I was so proud of you.
14:02I was so proud of you.
14:03I was so proud of you.
14:04I was so proud of you.
14:06I was so proud of you.
14:07I was so proud of you.
14:07I was so proud of you.
14:08I liked that film so much.
14:10So I thought it was a little...
14:11Fantasy touch.
14:12Yes.
14:13Something a little over the super.
14:15I think it's a bit of extreme drama.
14:17You know what?
14:19I was so proud of you.
14:21I was so proud of you.
14:27I was so proud of you.
14:32you can get non-fledged product, and you can get it,
14:37you can get it in the middle.
14:38You can get it in the middle, but you can get logistics work out,
14:41and you can get a little bit of airlines and get it done.
14:45But you can get a regular airline cancel.
14:47I can get a ticket from the market.
14:49You can get it in the middle of the market,
14:51and get a ticket from the market.
14:54So, what I told you about,
14:57but the first thing I knew, I was trying to make my business
14:58so I was probably okay with the producer.
15:01There is a little visual span, so it's not a film budget, it's not a film.
15:05They are all very passionate producers.
15:07They are all ears, Rashi Khargar, Mahindar.
15:10So, I ask, sir, how do you compromise?
15:14But once you get it, then you get it.
15:17But people also have passion. No problem, chat down.
15:2160% IP, actually, it's not a budget.
15:24But how do you compromise?
15:27They are all passionate and even publicity vision.
15:31They are doing their best.
15:32So, I think Shining Pictures is a great band,
15:36and you can also do it.
15:38That's what I think.
15:39You've got a lot of attention to the cinema.
15:41That's it.
15:42That's it.
15:43That's it.
15:44That's it.
15:45That's it.
15:46That's it.
15:48So, when you were growing up, you would have seen yourself in
15:51J Ali, J Ali, J Ali, Ravali,
15:54that genre of films in a complete ceremony.
15:56What is that kind of film that you wanted to do?
15:58As an actor, I want to explore all the characters.
16:01But, I was always dreaming about such kind of a character.
16:06Because, everyone enjoyed the character.
16:08And also, this is set up in the 1980s backdrop.
16:11So, in the 1980s, I want to make it.
16:14The colour combination of the saree,
16:16jewelry, you know, I was very excited.
16:18You got a lipstick mask on a day.
16:19You're going to make it a little bit like lipstick.
16:20It's very easy.
16:21Now, I want to end it for a long time.
16:22And it's getting a little bit.
16:23Ain't it?
16:24I got lipstick in here.
16:25By the 1980s, I think,
16:28very nice period.
16:29Yes.
16:30It's exciting for her to get a long time,
16:31and I have your own colour combination in the same period.
16:33No.
16:34Even the same.
16:35The same thing I've made for her!
16:36You're doing the same thing.
16:37She's trying to think about it.
16:38So, you have to...
16:39You're also being an actor.
16:40Yeah.
16:41Okay, tell me more about the character.
16:42Specifically, what did you like about the character?
16:44What do you like about it?
16:45She's a very traditional character.
16:47So, it's called a Poojaarik Kutra.
16:49So, in that investigation, how is she dealing with that?
16:54We have a full superstition.
16:57Until and unless he sees anything.
17:01Then, science is our character.
17:03We are.
17:04So, science is our character.
17:06A plus B all square is our character.
17:08A plus B all square is our character.
17:10A plus B all square is our character.
17:13A square plus 2A plus C square.
17:16C square.
17:17D square.
17:18Arjun.
17:19You're a character.
17:22You're a lot of customers.
17:23You're a lot of research.
17:24You're a lot of customers.
17:26You're a lot of customers.
17:27You're a lot of science.
17:29Yes.
17:30So, Mahu, you are the three of us who are developing.
17:35You're a full science.
17:38So, how do we balance it?
17:40Or, the first thing.
17:41So, the second thing is a story.
17:44There you go.
17:45You're a lot of people.
17:46Of course.
17:47But as a female.
17:48Do you have a better experience in life?
17:49Yes.
17:50Do you have a better experience?
17:51Yes.
17:52Yes, yes.
17:53Do you do it?
17:54Do you have a nice interview?
17:55No.
17:56But you can play it in the movie?
17:57Yes.
17:58You can play it in Chick-Mungal.
17:59Yes, yes.
18:00I can play it in the movie.
18:01You can play it in the movie.
18:02Yes, I can play it in the movie.
18:03Yes, I can play it in the movie.
18:04You can play it in the movie.
18:05Yes.
18:06You don't have any doubt. You don't have any idea.
18:09No, no.
18:10No, no.
18:11Actually, we had a place in Chikmang,
18:13only one year.
18:14We had too much to go.
18:16That's why we had a lot of horror stories.
18:18So, our family, daddy's friends family,
18:21we all had to do this.
18:23So, generally, we all had to do the horror stories.
18:25We all had to do this.
18:28We all had to do this.
18:30We had to do this.
18:32We had to do it.
18:33So, we had to do the car.
18:35I have a car with my dad's friends and family
18:38So, we have the same reason
18:40Then we have to take a car on the road
18:42and we have to take the car on the road
18:46and then we have to get the experience
18:48and we have to take the initial plan
18:50So, we have to take the car on the road
18:54The thing is that I want to take the car on the road
18:57I am going to do it
18:59Let me tell you
19:01Let me tell you
19:02I am going to do it
19:04I was like, wow, I don't know what to do.
19:06I don't know how to experience it.
19:08Literally, I was like,
19:09I saw a lorry coming in.
19:12Then, I was like,
19:14I was like, I don't know where to go.
19:16I was like, I'm going to go and get my home.
19:18Then, I was like, it's the most haunted place.
19:21Then, I was like, I'm going to go to the next three marks.
19:24Then, I was like, I'm going to go to the next three lines.
19:26No pain, nothing.
19:28Everyone is like, I'm going to go.
19:30I'm not going to go.
19:32I was like, I'm like,
19:34I will watch the story while we see a climax.
19:36I'm looking for a movie like,
19:38You're like, I'm scared.
19:40Actually, I will watch this interview.
19:42I will watch this interview first.
19:44Like, I'm going home.
19:46I didn't want to go home.
19:48I didn't want to go home.
19:50The first time, with my meeting,
19:52I would have known,
19:54Who is that question?
19:56I was to send him all the haunted places.
19:58It's haunted places.
19:59They're like, there's a science college here in Kairatabad.
20:03I see she's like, I'm a kid.
20:05He's a good teacher.
20:06I've done my job.
20:07I'll give you a good job.
20:09I'll give you an email for the right to see if there's an online job.
20:11Okay, that's it.
20:12It's been an interesting journey.
20:14Yes, man.
20:15Have you been doing a long time?
20:17Have you been doing a long time?
20:18I've been doing a long time.
20:19When you've done this last week, I've been doing a great job.
20:22From the first film, there was a great job.
20:23No, not a great job.
20:24Of course, there was a great job.
20:25No, it was a great job.
20:26I was looking for a shooting and it was just a release.
20:29And in fact, I had two dreams of Manod launch.
20:32I was dreaming,
20:33I was thinking, every day I was a proper first film.
20:36I was a solo hero.
20:38I was looking for a proper launch, of course.
20:39I was looking for a full audience.
20:41I was looking for auditions.
20:43I was doing two dreams of the film fair.
20:46They were my two dreams.
20:49I was not in the debut of Prashthanam.
20:52So, Manod was after that.
20:53I still remember that Manod's launch,
20:56That's why it's like a launch.
20:58You can't see that in the same way, it's like a launch.
21:01Okay?
21:03It's like a launch.
21:04Chirinjira, Enkiteshira, Bharat Krishna and Nagarjuna.
21:06Okay?
21:07That's why it's like a lot of extreme times.
21:13Okay?
21:14You can tell me about my Guruji Manuad and Prabhasana Guru.
21:16Some of them are a little influenced by Alu Arjuna in terms of his styling or physics at that point.
21:23But individually, I think he liked NTR a lot.
21:26Yeah.
21:26He's got a lot of influence.
21:28He's got a lot of influence.
21:29And he's got a lot of influence in the gym.
21:32He's got lucky.
21:33I'm irritated at that point.
21:36He's got a lot of influence.
21:38He's got a lot of influence.
21:40Okay, okay.
21:41I've been talking about an interview.
21:43I've been talking about him and I've never seen him.
21:47He's a lot of cool-headed guy and he's a very calm guy.
21:50So, he's a lot of lines.
21:51You know, he's a good guy.
21:51He's a good guy.
21:53He's a good guy.
21:54In the last one year, I'm a good guy.
21:56In the last one year, I'm completely shut down.
21:59It's a touch-it.
22:00I'm going to bypass him.
22:01Yeah, touch-it.
22:01He's got a lot of influence.
22:03He's got a lot of influence.
22:04Nice, touch-it.
22:05It's not been there, but I think somewhere, it is also growing years.
22:09I think we were all what uplainter.
22:1010-11, 10-11, 10-11.
22:12High age, I guess, you shoot up faster.
22:16And also experience.
22:17For example, in Prasthana, two of the most valuable advices I got from Saikumar, Vancouver.
22:24First-day shoot, he's done this.
22:27He's done this.
22:28He's done this.
22:29He's done this.
22:30Yeah, yeah, he's done this.
22:31He's done this.
22:32He's not afraid of this.
22:33He's not even going to be a psycho man.
22:35Yeah.
22:36That's super.
22:37We're all discussed.
22:38Two advices.
22:39So, in Prasthana's cinema race, I was like a personal makeup man or a room.
22:45He's got a guest in the room.
22:47He's got a guest in the room.
22:48He's got a group.
22:50He's got a toilet.
22:53He's got a combined bathroom.
22:56So, a friend must be 21 or something.
22:59He's got a rest room in the department.
23:03He's got a rest room in the room.
23:05At some point, he had a phone and co-director.
23:09I was very arrogant.
23:11We were talking about the phone and he was talking a lot of abusive.
23:16I was saying that when we were talking about the phone,
23:18I didn't come to the hospital, he was shooting at 6 minutes.
23:22I was going to start a shooting.
23:24I was looking for the camera and taking it off the camera.
23:27I was going to stop it.
23:29So, I was thinking about it.
23:31Okay.
23:31I was thinking about it.
23:33He's not going to stop it.
23:35and I said, I'm scared, I'm scared.
23:37Then, I said, this is a Givash,
23:38and I say, I'm going to test this,
23:40so that's how I'm going.
23:41What I told my uncle,
23:44is that I'm not scared of acting,
23:45and I'm scared of some.
23:50Now, that's my point of view.
23:52I'm sure you'll see my police,
23:54you're not sure.
23:56But a 21-year-old brain responds very differently.
23:59This is an abusive model.
24:01I'm not sure if you have seen these two times,
24:03but interestingly,
24:04These were the two great advices which Sae Ankle gave me.
24:07If you have a camera,
24:09you can get a little bit of a healthy,
24:11and you can get a little bit of a fear.
24:12Well, in an interview,
24:16I said,
24:18I said, I don't want to see anything.
24:19I think he has that low, but I think he has that low.
24:21That's a good point.
24:24If you want to see me,
24:25if you want to see some friends,
24:26you can get into it.
24:27I don't know.
24:29If things go a little upside down,
24:31he'll get triggered.
24:32He's going to get triggered.
24:34So,
24:35when you talk about that,
24:36then the topic is like,
24:38I'm going to get a little bit of a joke.
24:39I'm going to get a little bit of a joke.
24:41So I was like, okay, fine.
24:43Sir, I was going to get back to my house.
24:44I was waiting.
24:45As I said,
24:47I'm going to launch the stage.
24:48So, I'm going to launch the stage.
24:52I'm going to make a medal.
24:53Okay?
24:54I'm going to make a medal.
24:55I'm going to make a medal.
24:57Let's give a guide.
24:57Let's give a round of a round.
24:58Okay.
24:59I told you a little bit.
25:00I told you a little bit.
25:02I told you a little bit.
25:04They're going to make a lot of a look.
25:05So, I told you that the stage is going to get a little reset.
25:06I told you it was going to be a little reset.
25:07And,
25:07I told you,
25:07I received a little bit of aalinia.
25:08So, the stage was going to get started.
25:09Where does that mean?
25:10Oh, my God.
25:11When I look at my face, I'm going to be able to do it.
25:14I'm not going to be able to do it.
25:15I'm not going to be able to do it.
25:17As it is, I'm going to be able to do it.
25:18Oh, the thick ones. Metal ones.
25:23Where is the doctor?
25:25When I went to Benetton shopping, I went to the gym for Benetton.
25:31Yes.
25:31So we had a lot of our firsts together.
25:34So in that time, I was able to do it in the cinema.
25:37I was ready to do it almost fine.
25:38It was a very big film.
25:40When I launched it, I was able to do it.
25:42So there was an audition for Manod.
25:43I was able to say, why?
25:45I was able to do it in the production meeting.
25:49No, but I was able to do it.
25:50But there are videos that I have to do it.
25:52Yes, that's why I have to do it.
25:55But this was a very big film.
25:56And if we all think about what's going on,
25:59if we cut the film, Manod is going to be able to do it,
26:02we are going to be able to do it.
26:04We are going to be able to do it in the film.
26:07Wow.
26:07Okay.
26:08So it drives back a lot of...
26:20Like even back in the day, maybe I don't know if he's ever gotten to see this.
26:23His only agenda always used to be,
26:25so he's going to be able to do it in the film.
26:27He's going to be able to do it in the film.
26:29He's going to be able to do it in the film.
26:31So somewhere his intent has only been there.
26:33So it's very interesting that way.
26:35Okay, let's go to Shambhala.
26:37I'm going to be able to do it in the film.
26:38You're going to be able to do it in the film.
26:40I'm going to be able to do it in the film.
26:41I'm not going to be able to do it in the film.
26:43I like him personally a lot.
26:44Yeah, yeah.
26:44But I think Shri Choo's live instrumentation is all about it.
26:48It's very unique.
26:48No.
26:49No.
26:50How did he do it in the film?
26:51Almost 3-4 months, he said.
26:53Backgrounds.
26:544 months, backgrounds.
26:55Yeah.
26:561st week he did it in the film.
26:574 months he did it in the film.
26:58No.
26:59He spent a lot of time.
27:00No, no.
27:01He spent this teasing.
27:02Made it here.
27:03No, no.
27:04I think he's going to be able to do it in June.
27:08In June, he didn't use it.
27:09He started to do it in the time.
27:10He started to do it in the cricket match.
27:12He started to do it in the film.
27:14He started to do it in the film.
27:15He started to do it in the film.
27:17He started to do it in the film.
27:18So, but at the same time, Tanu got the time.
27:21He's very busy.
27:22But beyond that, Shri Choo's very committed.
27:23Yeah.
27:24He was a very committed technician.
27:25Tanu said that he was committed.
27:27He was a good character and he has done a good character.
27:33He has done a good character.
27:34He has done a good character.
27:35He's a good character.
27:36The main jump scares, he's very confident.
27:38He's got a lot of people to get packed out.
27:40Yeah.
27:41For sure.
27:42I strongly believe that audience can do this film.
27:45He's a good character.
27:47He's a good actor.
27:48He's very good actor.
27:49I enjoy it.
27:50So, I'll show you the show.
27:52I'll show you the audience in the theatre.
27:54What's your plan for Sigma?
27:55Sigma is March.
27:56Summer.
27:57I don't know.
27:58What did you plan on this year?
28:00Sigma marks out the film.
28:02Summer?
28:03Yeah, summer.
28:04We are done with the film.
28:05Post production is done.
28:06I will release it.
28:09Vijay and Superstar Vijayegar.
28:13That's the reaction.
28:14Sanjay, Sanjay.
28:15So, the film is done.
28:17So, I will dubbing.
28:19Dubbing is done.
28:20Post production is done.
28:21I will score.
28:22I will shoot?
28:23Yeah.
28:24We just have one day of patchwork.
28:25Maybe.
28:26I will give you one day of patchwork.
28:28Otherwise, it will be done.
28:29Nice.
28:30This is the last three months.
28:34So, we have been taking a lot of holidays.
28:36That's the Netflix show.
28:37The Netflix show is next year.
28:39They haven't really said it is there.
28:41Then, we will start with power.
28:42Next month, we will start with power.
28:44Plan.
28:45December 25th, a great theatrical experience.
28:49So, yeah.
28:50From my previous films.
28:51From this film.
28:52From this film.
28:53I think you won't be disappointed.
28:58So, please come to the theaters on December 25th.
29:01And give us a good theatrical hit.
29:04It's definitely not a regular templated cinema.
29:07And it's a very good season for all.
29:10It's a very good season for this, you know, horror thriller kind of genre.
29:14It's a different and honest attempt from our team.
29:18And I hope and wish you would love us.
29:21Appreciate our work.
29:22And if you're disappointed, come with zero expectations.
29:25And I'm pretty sure, we are very confident that, you know, you're going to be very thrilled.
29:30So, this is December 25th.
29:31See you in theaters.
29:32My friend and I wish you that.
29:34Adi is a very sincere actor.
29:36He is a very sincere actor.
29:37He is a very sincere actor.
29:38He is a very sincere actor.
29:39He is a very sincere actor.
29:40He is a very sincere actor.
29:41He knows that.
29:42I think the entire family has always been someone who has always been someone who has always been in cinema.
29:47Usually, there is a PR or a strategy.
29:50But he doesn't know that.
29:51He doesn't know that.
29:52He doesn't know that.
29:53He doesn't know that.
29:54So, I admire the fact that,
29:56I admire the fact that,
29:57I love the creativity and enjoy creativity.
30:02So, I think the beauty of that will show in Shambhala.
30:05And for you also,
30:07You gave us a new narrative.
30:09When did you come to Shambhala?
30:11And you are a very pretty Telugu girl from Bangalore.
30:13All the best.
30:14Hope you do well.
30:15How do you do it?
30:16I'm sure you do it.
30:17I'm sure.
30:18I'm sure.
30:20Look.
30:2125th December.
30:22Shambhala in theatres.
30:24Adi and Archana.
30:25A and A.
30:26That's all.
30:27Yeah.
30:28And thanks to Sandeep for doing this.
30:30Yeah.
30:31So grateful.
30:32What is your gift?
30:33No.
30:34You are a gift.
30:35No, no, no, no.
30:36You are a gift.
30:37You are a gift.
30:38You can say something.
30:39You are a gift.
30:40I asked you to ask you to ask me.
30:41You are a lot of questions.
30:42You are a friend.
30:43You are a friend.
30:44You are a friend.
30:45And I have a clear to you.
30:47I have a clear to you.
30:48You will have to ask me to give me a Rolex watch.
30:49I'm not sure.
30:50I'm not sure.
30:51You are a gift.
30:52I'm not sure.
30:53How is it?
30:54How is it?
30:55Okay.
30:56Done.
30:57You are a good one.
30:58Done.
30:59That's it.
31:00You will take your old face.
31:01I will get you to your old brother and get you.
31:04I will take your old grandmother.
31:05Okay.
31:06We will take the old wife to my old wife.
31:07Okay.
31:08So good.
31:09We will take the old wife.
31:10We will take her to the old wife.
31:11You are now together.
31:12Bye!
31:13Welcome to the old wife.
31:14You are the old wife.
31:16Thanks for your old wife.
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