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00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're that thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce papers sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plebe. I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Tasha, your company and your husband both belong to me now.
00:00:59No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company? Are you?
00:01:11You know, actually, your debt is mortgaged with your shares, so you actually owe this company about 200 million.
00:01:17I never took out any loans that large.
00:01:19Oh, Tasha, you were always so gallible.
00:01:23A word of advice for the future?
00:01:25Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:33Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:38Stop acting. I'll just leave on my own.
00:01:47Look, there's no glamour. There's no glory. It's just blood, guts, fear, and misery.
00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:59I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:05But at least you're guaranteed to be alive in 10 years. In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:12Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:18I'm sorry, but no. I'm not gonna let you get killed.
00:02:23Man, what the fuck you got me here for then? Shit.
00:02:27Oh, I guess you didn't hear. The repo guy. He came and towed your car away.
00:02:49Ugh. Said it was, like, collateral for a loan. Of course, I made the call and arranged everything. My pleasure.
00:03:00You despicable trash.
00:03:02You know, I was gonna give you a ride, you know, seeming that we were married for so long, but walking the streets at night kinda suits you. So, enjoy.
00:03:14Go to hell.
00:03:19Go to hell.
00:03:47Miss?
00:03:48Just go away, alright? I don't need your cheap sympathy right now.
00:03:52Miss, your friend's gone. I just want to offer my cab services.
00:03:59Yeah, I'm sorry. A cab is just what I need right now.
00:04:05Alright, great. Come on board.
00:04:06Sorry, I... I don't have any cash right now. Um...
00:04:11Give me a minute. I'll go grab some from inside.
00:04:20Here. Just proof I'm not trying to skip out on the fair.
00:04:21I'm sorry. I'm sorry. I don't have any cash right now. Um...
00:04:22Give me a minute. I'll go grab some from inside.
00:04:35Here. Just proof I'm not trying to skip out on the fair.
00:04:39You have some nerve coming back here. I never wanted my son to marry you in the first place. And now that he's finally come to his senses and kicked you to the curb, you think that you can just waltz right back into his house?
00:05:02His house? My father left me this house. And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.
00:05:15I always knew you were a nasty little hussy.
00:05:23Who the hell are you? This is a personal matter, so you should really mind your own business and stay outside.
00:05:29Actually, this is my boyfriend. So if it's a personal matter for me, it's a personal matter for him.
00:05:38Okay.
00:05:39What? You think your son's the only one capable of having secrets?
00:05:43Hey, thanks again for today. I know that's a weird position to put you in.
00:06:04Sorry?
00:06:05It is really nice to know that there is still good people out there that would help a total stranger.
00:06:14Have a good night.
00:06:15Alright, you too.
00:06:35Where's my necklace?
00:06:48It's here.
00:06:50Just proof I'm not trying to see you.
00:06:53Where's my necklace?
00:07:00Here. Just proof I'm not trying to skip out on the fair.
00:07:23How does a fancy broad like you find yourself in a place like this?
00:07:36Who the hell are you? Get out now!
00:07:39All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.
00:07:46I'm calling the police!
00:07:50How about I give you a better idea?
00:08:01You and I are gonna have some good old fashioned fun tonight.
00:08:13If I ever see you around here again you're dead! Get out of here!
00:08:17Hey.
00:08:22I'm so glad you're here.
00:08:27Where did you get this necklace?
00:08:30My father gave that to me.
00:08:36You better not be lying to me.
00:08:38I'm not lying.
00:08:41He made that with his own hands. It has my name on the back.
00:08:48It's really you?
00:08:49It's really you?
00:09:00Hey.
00:09:03How you feeling?
00:09:07How did... how did you...
00:09:10You left your bag in my car.
00:09:11How did you know where to find me?
00:09:16I have my ways.
00:09:20Hey listen.
00:09:21I know it's none of my business.
00:09:23But it's not safe for you here.
00:09:25With everything that's happened in the last 24 hours this is...
00:09:28All I can afford.
00:09:29Listen, I have an extra room at my place. Maybe...
00:09:32You can just come stay with me.
00:09:35Welcome home.
00:09:58Welcome home.
00:09:59I really feel like my luck is starting to change.
00:10:07I mean you've literally rescued me over and over today.
00:10:11I know what it's like.
00:10:13I've been rescued before.
00:10:15Um, I'm sorry. I...
00:10:17I don't think I can make rent right away.
00:10:20But um...
00:10:22You can sell this ring and then...
00:10:24You should cover me for a few months.
00:10:26At least until I'm back on my feet.
00:10:27I thought he was a really rich guy.
00:10:30Why did he choose such a small diamond?
00:10:34It's not a very good cut either.
00:10:37Okay.
00:10:39Never mind. I...
00:10:41Can just...
00:10:42No, it's fine. I'm just saying.
00:10:44You deserve a better reign than this.
00:10:57No, babe. Stop.
00:10:58It's late. Okay?
00:11:00You're still thinking about her.
00:11:02Who? Tasha?
00:11:04Are you kidding me?
00:11:05Then why are you wearing the wedding ring?
00:11:07Did you forget what she and her father did to you?
00:11:09I will never forget what she and her father did to me.
00:11:11But that has nothing to do with you.
00:11:12So why don't you stop mouthing off about shit that you know nothing about and let me handle my own affairs.
00:11:14I will never forget what she and her father did to me.
00:11:18But that has nothing to do with you.
00:11:20So why don't you stop mouthing off about shit that you know nothing about and let me handle my own affairs.
00:11:25I will never forget what she and her father did to me.
00:11:28I will never forget what she and her father did to me.
00:11:31But that has nothing to do with you.
00:11:33So why don't you stop mouthing off about shit that you know nothing about and let me handle my own affairs.
00:11:54What?
00:12:12Mary?
00:12:15What?
00:12:20Hey, what's going on?
00:12:22My daughter's missing.
00:12:23Tasha, you shouldn't have barged in like this. If Carl finds out-
00:12:39No, I don't care about Carl right now, okay?
00:12:42Where's my daughter? Where's Anna?
00:12:44I sent her away.
00:12:47No.
00:12:49You have no right.
00:12:50Actually, as Carl's new wife and Anna's legal guardian, I have all the rights to do whatever I want with my stepdaughter.
00:13:01What?
00:13:02We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:11You think you're getting custody?
00:13:12You're in custody?
00:13:13You're in custody.
00:13:14You're in custody.
00:13:16On one hand, we have a mother drowning in death with no place to live.
00:13:22On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned Crow Group.
00:13:31Who do you think the court will side with?
00:13:34Who do you think the court will side with?
00:13:40Oh, what's going on?
00:13:43Oh, Carl!
00:13:45Carl, it's okay.
00:13:46Tasha was understandably upset about the situation. You know, I don't blame her for what happened.
00:13:52You trespass on my property? Assault my wife in her own home?
00:13:57Tasha, I have put up with your outrageous behavior for years, but don't you dare subject Reina to that kind of abuse!
00:14:03You don't understand. Reina sent Anna away!
00:14:06She did what any good mother would.
00:14:08I want to know where my daughter is right now!
00:14:10New Zealand. Getting medical care from one of the best cardiology departments in the world.
00:14:16And remind me, what have you done for your daughter lately?
00:14:20Abandon her? To go shack up with some cab driver boyfriend?
00:14:24You idiot! I found those cardiologists in New Zealand.
00:14:28Scheduling those appointments was the last thing I had Reina do when she was still my assistant!
00:14:33Tasha, Tasha, you disgust me.
00:14:34Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:40I'm gonna make sure Anna stays far, far away from you so there's no possibility of her ever becoming anything like you.
00:14:52You...
00:14:54Backstabbing.
00:14:56Homewrecking.
00:14:58Bitch!
00:14:59I advise you stay far away from my daughter and I.
00:15:07By the way, the deed still lists me as the rightful owner to this house.
00:15:12So the two of you have no right to keep me from coming back here. Do you understand?
00:15:16Calm down.
00:15:18You can forge my signature, you can take my money, take my house, but you will never have a shred of the intelligence that I have.
00:15:25Tasha, you have made your point. I think it'll be-
00:15:27Ah!
00:15:29You deserve that too!
00:15:31You should have told me about Anna a long time ago!
00:15:36Oh, don't stop at my account.
00:15:39Please, continue.
00:15:41Miss Big Shot, don't you forget that you still owe 200 million dollars.
00:15:46And 20 millions of that is owned to me, personally.
00:15:50In fact, I'm going to call my lawyer and see to it that if you don't pay right away, you'll never going to see your daughter ever again and you'll end up in debtor's prison.
00:16:01Ciao.
00:16:02Go ahead and check it out.
00:16:06But after your accountant, make sure this is all legit.
00:16:08I don't want you two jackasses counting my girl for money ever again.
00:16:11Got it?
00:16:17Oh!
00:16:19By the way, we're going to go ahead and take Anna in the future too.
00:16:22Don't worry, Carl. I'll be a better father to her than you ever can be.
00:16:27Tasha.
00:16:29You'll regret this.
00:16:34Thanks again, Kerr.
00:16:36Today.
00:16:38For pretending to be my boyfriend.
00:16:43Mm-hmm.
00:16:45Was all that money real?
00:16:48As real as it comes.
00:16:50Where'd you get all that money?
00:16:52I robbed a couple jewelry stores before I came to find you.
00:16:55Are you serious?
00:16:58No, I'm just joking.
00:17:00It was my dad's.
00:17:01Don't worry, it wasn't stolen or robbed or anything.
00:17:04But hey, listen.
00:17:06From now on, I want you to think of me as your creditor.
00:17:08Okay?
00:17:09I don't want you to worry about owing money to those scumbags.
00:17:11From now on, you'll just throw money to me.
00:17:14As long as you're okay with that?
00:17:17I could be okay with it.
00:17:19As long as you can satisfy one small request.
00:17:24What kind of request?
00:17:32My only request is that you just relax.
00:17:37Okay?
00:17:38Why don't you just take a load off.
00:17:41Why don't you start by telling me a story, you know, about the last time it was when you were happy.
00:17:45You know, I just, I never in a million years could imagine that Carl would betray me like this.
00:18:04I have nothing.
00:18:08Well, I mean, you always have me and, you know, other things and...
00:18:11I can't hear you. You're whispering.
00:18:12I can't hear you. You're whispering.
00:18:13I can't hear you. You're whispering.
00:18:14I can't hear you. You're whispering.
00:18:18I can't hear you. I can't hear you. You're whispering.
00:18:25Well...
00:18:26I can't hear you, you're whispering.
00:18:30And you're whispering.
00:18:32I know you're whispering.
00:18:36I can't hear you, you wasé”, how can I say?
00:18:39I'm crying.
00:18:41I told you poor you are younger than me.
00:18:44I was not.
00:18:47He thought, really, you're laughing.
00:18:48Carl, you know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:08That bitch.
00:19:11Honey, you know, you promised to put me in touch with the curator at the Fitzgallery.
00:19:15I'm telling you, forget about the Fitzgallery, okay?
00:19:18The people who are running it are crooks.
00:19:20But I want my paintings to be showcased in the most prestigious venue possible.
00:19:25I know, I know.
00:19:27And I said I would help you find other galleries, remember?
00:19:31Just stop nagging me about it.
00:19:33Okay?
00:19:34Okay.
00:19:37You're a little angel.
00:19:48It's okay.
00:19:49Just sleep in.
00:19:50Well, it's certainly going to make things more complicated.
00:19:55So you want to pretend last night never happened?
00:20:02I thought we had a good thing going on between us.
00:20:03I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:09Yeah, but that was just something I said to make my husband jealous.
00:20:16You mean your ex-husband?
00:20:17Yeah.
00:20:18Ex.
00:20:19Yeah.
00:20:20Ex.
00:20:21Yeah.
00:20:22Ex.
00:20:23Ex.
00:20:24Ex.
00:20:25Ex.
00:20:26Yeah.
00:20:27Ex.
00:20:28Ex.
00:20:29Ex.
00:20:30Ex.
00:20:31Ex.
00:20:32Ex.
00:20:33Ex.
00:20:34Yeah, ex.
00:20:36Yeah.
00:20:39But I mean, you and I are...
00:20:41You know I can't start a new relationship right now.
00:20:47So everything you said last night?
00:20:50We were just caught up in the heat of the moment.
00:20:54Heat of the moment.
00:20:55So it was all just bullshit.
00:20:58Why?
00:20:58To get me into bed with you?
00:21:01Just to have a one-night stand?
00:21:04Because you miss being with your damn husband?
00:21:20So everything you said last night?
00:21:25Get a hold of yourself.
00:21:29You just got divorced.
00:21:30You're not going to play mind games with men anymore.
00:21:36Hey.
00:21:39I wasn't sure what you liked, so...
00:21:42I just made a little bit of everything.
00:21:45You made all this?
00:21:47Yeah.
00:21:47So what do you think?
00:21:58It's delicious.
00:22:04I mean, you deserve to have some of your awesome breakfast, too.
00:22:09Hey.
00:22:10You're not going to maybe sit here and eat this alone, are you?
00:22:13All that for some sauce, huh?
00:22:28Are you kidding me?
00:22:35Hello?
00:22:35Mommy, I miss you so much.
00:22:38Anna.
00:22:39Mommy, I miss you so much.
00:22:40Anna, honey?
00:22:41What?
00:22:42What's going on?
00:22:43Anna...
00:22:43Okay.
00:22:48Both of your resumes look excellent.
00:22:51I have a question.
00:22:54If you spilled a glass of milk in the ocean,
00:22:57how would you get it back?
00:22:58What does that question have to do with our work?
00:23:02Well, uh...
00:23:04I suppose you could contain
00:23:06the section of the ocean with the spilled milk
00:23:10and then collect that sample
00:23:12at a centrifugal force
00:23:14and there's probably a good chance of separation.
00:23:18So at our company,
00:23:20we are always trying to make the impossible possible.
00:23:23And for that, we need people
00:23:24who can think on their feet.
00:23:26Derive solutions.
00:23:29No matter how...
00:23:30outlandish the task at hand they see.
00:23:38Hello?
00:23:43Uh-huh.
00:23:46Okay.
00:23:46Congratulations, Ms. Michaels.
00:23:56Welcome to the Eastwood Corporation.
00:24:09If you don't mind me asking,
00:24:12why didn't I get the job?
00:24:13Uh-huh.
00:24:15Mrs. Roberts.
00:24:18Maybe you should focus on
00:24:19fixing your own family problems first
00:24:21before you start to look for work again.
00:24:26We don't want to make enemies with the Crow Group.
00:24:29So I guess you didn't get it?
00:24:44I just don't understand why Carl hates me so much.
00:24:48I mean, he doesn't want me to work for his company,
00:24:50but he doesn't want me to work for any other company either.
00:24:53Look, you don't need that corporate job anyways.
00:24:55Yeah?
00:24:57What else can I do?
00:24:59I mean, I thought you were an artist,
00:25:01now a painter.
00:25:02How'd you know about that?
00:25:04You brought an easel.
00:25:09It's just a hobby.
00:25:12I gave it up.
00:25:13I don't paint anymore.
00:25:15Okay, well,
00:25:19if you don't love to paint anymore,
00:25:21then why bring an easel with you?
00:25:26I haven't painted in years.
00:25:29I'm sure it'll be just like riding a bike.
00:25:31Once you start,
00:25:33it'll all come back to you.
00:25:34That's my account.
00:25:40Why are they assigning it to someone else?
00:25:42Fine, fine.
00:25:43Just get me some damn answers
00:25:44and give me a call back soon, okay?
00:25:49Carl, this took me three months.
00:25:52I'm sorry.
00:25:53I just got some bad news at work.
00:25:56It's ruined now.
00:25:57Why?
00:25:58Start over.
00:25:58You know, it kills me
00:26:01to see you squander
00:26:03your intelligence and talent
00:26:04on these useless paintings.
00:26:08You're a remarkable woman, Tasha.
00:26:11Okay?
00:26:11And if the charlatan snobs
00:26:13in the art world can't see that,
00:26:14then screw them, okay?
00:26:17If you put your focus elsewhere,
00:26:19we could be rich enough
00:26:20to buy ten art galleries.
00:26:22And then you could put
00:26:23whatever paintings you want in them, right?
00:26:26Painting's my passion.
00:26:28What if we put painting
00:26:31on the side
00:26:32just for a little while
00:26:34and you could come join me
00:26:36at the company?
00:26:38Because together, we...
00:26:40we'd be unstoppable.
00:26:42And right now, I am drowning.
00:26:45Your dad and his partners
00:26:47have no faith in these.
00:26:50I need you.
00:26:52Look,
00:26:53you love me,
00:26:57don't you?
00:26:58Of course I do.
00:27:03Okay,
00:27:03but just...
00:27:03Do this one thing for me.
00:27:07This one little thing.
00:27:08Please.
00:27:09Please.
00:27:09Fly away
00:27:19with me
00:27:21Take you high
00:27:23sorry
00:27:25To smile
00:27:27It's my only dream
00:27:30Steering out into the sea
00:27:36Finished.
00:27:37Finished.
00:27:38Yep.
00:27:43That is amazing.
00:27:47I...
00:27:47I honestly never thought
00:27:49I'd paint again.
00:27:50Well, that would have been a shame.
00:27:51You're easily one of the most
00:27:52talented artists I've ever met.
00:27:54Waves don't crash in front of me
00:27:57I'm sorry
00:27:58We're honored that you chose our gallery to showcase your work.
00:28:15I am curious about one thing, if you don't mind me asking.
00:28:18The subject in your paintings, your muse, is he your lover?
00:28:23Oh, no, uh, he's just a friend of mine.
00:28:30But his gaze, the way he looks out to you in these paintings, there's so much tenderness and affection in his eyes.
00:28:38Is Ken really in love with me?
00:28:45He's so young though.
00:28:46At his age, he probably doesn't even know what love is.
00:28:49Oh, uh, sorry, you're in the way.
00:28:53Actually, you're in my way.
00:28:56Actually, you're in my way.
00:28:59Actually, you're in my way.
00:29:01I'm trying to get into my home.
00:29:03Is this your new girlfriend?
00:29:06I've never seen you with anyone like this before.
00:29:09Ken's my roommate.
00:29:11Now, if you'll please step aside so I can get in.
00:29:18Call me again if you need anything, okay?
00:29:20Bye.
00:29:24Hey, what are you doing home so early?
00:29:26Are they gonna showcase your work?
00:29:28Sorry if I interrupted something, but as your roommate, I don't really think I need to tell you if I'm coming or going.
00:29:34So, if you have something private to do, just do it in your room.
00:29:37I never said you need to tell me when you're coming or going, I'm just saying.
00:29:39No, it's fine.
00:29:40You don't need to explain.
00:29:41Just...
00:29:42I just wanna be alone.
00:29:48What?
00:29:49What?
00:29:54I'm so sorry, sir.
00:29:55She just barged in without permission.
00:29:57It's okay.
00:29:59Ms. Roberts, please.
00:30:00Grab a seat.
00:30:02We signed a contract.
00:30:03Why can't you show my paintings now?
00:30:06I'm afraid I don't have the answers you're looking for.
00:30:08You wanna know what happened?
00:30:09Ask Karl Crow.
00:30:10I want my paintings back.
00:30:15Right now.
00:30:17Well, they're probably somewhere in the warehouse.
00:30:21They haven't been thrown away yet.
00:30:22You've already searched the entire warehouse ten times.
00:30:23If you haven't found what you're looking for, it's not here.
00:30:28You better hope I find what I'm looking for, or I'm gonna make this entire gallery compensate me.
00:30:45And then I'm gonna search the entire warehouse ten times.
00:30:49If you haven't found what you're looking for, it's not here.
00:30:52You better hope I find what I'm looking for, or I'm gonna make this entire gallery compensate me.
00:30:57And then I'm gonna sue you, and you'll be the first to lose your job.
00:31:01Yeah, that's great, lady.
00:31:02Go ahead and sue.
00:31:03I'm sure things will go exactly the way you described it.
00:31:27You really care about her?
00:31:28Shh.
00:31:29Keep your voice down.
00:31:30She's had a long day.
00:31:31Also, you can't just come over here so can't.
00:31:32You really care about her?
00:31:33Shh.
00:31:34Keep your voice down.
00:31:35She's had a long day.
00:31:36Also, you can't just come over here so casually in the future.
00:31:40Casually?
00:31:41Are you kicking me out?
00:31:42You didn't mind my coming over so casually when you had me digging through your body for bullets.
00:31:44Look, I just-
00:31:46You men are cold as hell.
00:31:49You really care about her.
00:31:55Shh, keep your voice down.
00:31:57She's had a long day.
00:31:59Also, you can't just come over here so casually in the future.
00:32:02Casually?
00:32:04Are you kicking me out?
00:32:06You didn't mind my coming over so casually when you had me digging through your body for bullets.
00:32:11You men are cold as hell.
00:32:13I think my lucky star is on the last band.
00:32:15Look, I just can't have her finding out about the work that we do, okay?
00:32:17Are you serious about her?
00:32:21Yeah.
00:32:22Have you thought about the consequences if your dad finds out?
00:32:27Look, no.
00:32:28You and I have been best friends for over 20 years, okay?
00:32:32And my dad has taught me everything that I know.
00:32:35I think maybe it's time I just figure things out on my own.
00:32:38And you know exactly what I went through last time.
00:32:42I'm not going to lose her again.
00:32:47Don't worry, Anna.
00:32:49Mommy's going to find a way to bring you home soon.
00:32:59All the evidence is here.
00:33:00It's exactly what you thought.
00:33:03Let me know if you want me to find out more.
00:33:05Carl, let's meet.
00:33:21Oh, wow.
00:33:31It's not every day a famous painter comes to visit.
00:33:36To what do I owe the pleasure?
00:33:38The company I supposedly borrowed money from.
00:33:43It's a shell company owned by you.
00:33:46So what?
00:33:49All our operations are legal.
00:33:50You signed the documents.
00:33:52You borrowed the money.
00:33:54All you can do now is pay it back.
00:33:57You know, I don't think you actually want me to pay back the loans.
00:34:06You were just looking for an excuse to have me back in your life.
00:34:11You're obsessed with me.
00:34:13This is just your sick way to dominate me and make me surrender to you.
00:34:17I'm just getting even.
00:34:20For the years I spent in your father's shadow.
00:34:23The years of belittlement and him treating me like a clown.
00:34:26My father hired you when no one else would.
00:34:32Not my fault that your insecure petty took his support as belittling.
00:34:40I wouldn't upset me if I were you.
00:34:43Remember, I'm your creditor now.
00:34:46Two months.
00:34:48That's all I can give you to pay me back the remainder of $180 million.
00:34:56What are you doing here?
00:35:03I was just in the neighborhood.
00:35:05Thought I'd give you a ride home.
00:35:09Hi.
00:35:10Um, hey.
00:35:12Who is this?
00:35:13Uh, this is Ken's roommate.
00:35:19We're going to be dropping them off before we head home.
00:35:23Yeah, hey, listen.
00:35:24I didn't introduce you last time, but this is my best friend, Nell, and her girlfriend, Maria.
00:35:27Nell and I have been nothing more than friends since we were kids.
00:35:36She's not into men, and she never has been, and her and I are nothing more than just platonic friends.
00:35:42Alright?
00:35:44I'm sorry.
00:35:45I jumped to conclusions the other day.
00:35:47It's okay.
00:35:49I just didn't want you to get the wrong idea.
00:35:50Oh, look, I appreciate it.
00:35:58I really do.
00:35:58I just, I still think you and I are better off just as friends.
00:36:05Just, why?
00:36:13Why?
00:36:16Maybe because I'm just getting over a failed marriage?
00:36:19Because I owe an unthinkable amount of money, and I have no idea how I'm going to pay it back.
00:36:27I also have no idea how I'm going to get my daughter back.
00:36:32And getting into a relationship with you, that's just something I can't do right now.
00:36:38Love has brought me nothing but pain, okay?
00:36:40So just, please, just leave it.
00:36:49Do you have any other paintings?
00:37:06Yeah, I have several.
00:37:15What are you looking for?
00:37:18I would like to buy them all.
00:37:20I love your painting style.
00:37:22It is so unique.
00:37:23I own a large gallery, and I would like to establish a long-term collaboration with you.
00:37:29Thank you for your kind words about my paintings, but I've been in some trouble lately, and it's probably best if I don't involve your gallery.
00:37:38None of this matters to me.
00:37:44If someone wishes to cause me trouble, well, just let me try.
00:37:54I mean, it has to be a mistake.
00:37:58Or a prank, or a cruel, practical joke.
00:38:04I mean, it seems pretty authentic to me.
00:38:06It has their seal, and your name and address are, like, clearly written on it, so...
00:38:13It looks authentic.
00:38:17But how would they have seen my paintings?
00:38:21I don't know, maybe one of those auction sites that you've been posting your work on?
00:38:24Well, I mean, you're incredibly talented, so anybody who's seen your work would automatically recognize it.
00:38:35I own a large gallery, and I would love to establish a long-term collaboration.
00:38:40It's him.
00:38:42It's him.
00:38:43The guy who's been on my paintings.
00:38:45He must be the owner of the Fitz Gallery.
00:38:47Well, in that case, we better get going.
00:38:49Where?
00:38:51Gotta go get you a dress.
00:38:52I can't have you showing up to the Fitz Gala in rags.
00:39:00Babe?
00:39:01Which one do you like more?
00:39:02This one, or this one?
00:39:05I need to be the hottest girl at the Fitz Gala.
00:39:09Everything just, uh, looks so good on you, honey.
00:39:13So, um, just pick whichever one you want.
00:39:16I gotta take a call, okay?
00:39:18Wrap this up your twitch.
00:39:20I'll take them both.
00:39:22Wow.
00:39:23I used to buy dresses like this all the time without even thinking about the money, but...
00:39:33I can't afford something like this now.
00:39:38You know what?
00:39:40Consider it a congratulatory gift for me.
00:39:42Alright?
00:39:43And when you make it big in the art world, you can just pay me back.
00:39:48Oh, hi.
00:39:49Excuse me.
00:39:50Yeah, my, uh, friend would like to try on this dress.
00:39:52Oh, your friend has amazing tastes.
00:39:54This dress is actually a limited edition.
00:39:56Each one handcrafted by hand and therefore entirely unique.
00:40:00Truly a work of art.
00:40:01Well, how fitting that's gonna be worn by a very talented artist.
00:40:04I'll have someone on the team bring it out to you.
00:40:06Veronica, please bring the limited edition.
00:40:14What limited edition?
00:40:17Tasha?
00:40:18Do you really think you can afford this dress?
00:40:24You can afford this dress?
00:40:28Please.
00:40:29Raina, I don't think you need to worry about Tasha's finances, okay?
00:40:34We established that last time.
00:40:37Hey, you.
00:40:38Get over here.
00:40:40I'm gonna pay twice what it's worth.
00:40:42But I want this dress.
00:40:44Ma'am, this dress is $4,000.
00:40:45Did I ask you how much it cost, you pluritarian scum?
00:40:49Just shut your mouth and add it to my bill.
00:40:51She's willing to pay double.
00:40:53I'll double her offer and I'll pay $16,000.
00:40:56Okay, sir.
00:40:57Sold.
00:40:58$32,000.
00:40:59You know what?
00:41:02If she wants to dress so bad, let her have it.
00:41:05You can put all the jewels you want on a pigeon, but it'll never be a peacock.
00:41:09I'll show you who's a pigeon, you little bitch.
00:41:11How dare you assault me?
00:41:13Tasha, are you okay?
00:41:17What is going on here?
00:41:19What's going on is that your crazy bitch wife pushed Tasha to the ground.
00:41:22I swear to God, they're all lying.
00:41:25I never touched her.
00:41:26I saw everything.
00:41:27This gentleman and his girlfriend were very nice and politely inquired about a dress and suddenly your wife appears and attacks her for no reason.
00:41:33Shut your mouth, you little lying asshole.
00:41:37You know what?
00:41:37Why don't you just call security before this crazy maniac hits somebody else?
00:41:40Wait a second, Reyna.
00:41:41What actually happened here?
00:41:42What's going on?
00:41:43Why don't you believe me?
00:41:44I told you.
00:41:46Don't just call 911.
00:41:47Are you blind?
00:41:49Oh, Tasha, can you stop this bullshit?
00:41:51You know what, Reyna, can you just stay away?
00:41:53Can I get someone down here?
00:41:54Room A, one, two, two.
00:41:56No, no, that's not necessary.
00:41:57We are leaving right now.
00:41:58Let's go.
00:41:59No, but...
00:41:59Okay, you've embarrassed us both enough for one day, okay?
00:42:03Let's go.
00:42:12Wherever Reyna goes, trouble's sure to follow.
00:42:16It is nice to see her get a taste of her own medicine, though.
00:42:18Yeah, it's a shame, though.
00:42:21You would have looked really great in that dress.
00:42:26Don't worry about that.
00:42:27I have a solution.
00:42:36What are you going to do with all this stuff?
00:42:39I'm going to design my own dress and wear it to the gala.
00:42:42Are you sure there's enough time?
00:42:44Have some faith in me.
00:42:45I graduated with honors in design and fine art.
00:42:48I got this.
00:42:51All right.
00:43:10How do I look?
00:43:14How do I look?
00:43:18What?
00:43:22Is...
00:43:22Is something wrong?
00:43:24Is it...
00:43:25Is it too much?
00:43:26Should I change something?
00:43:27No, no.
00:43:29You look...
00:43:31The dress, like...
00:43:34That is one of the most beautiful dresses I've ever seen.
00:43:36But there's something missing.
00:43:43Should I resell the beads?
00:43:46No.
00:43:48I have a gift for you.
00:43:50Something to...
00:43:51Complete the whole look.
00:43:52Just try harder, you idiot.
00:44:00Mrs. Crowe, I am doing everything I can.
00:44:03I don't know what more I can do.
00:44:06You're calling me fat?
00:44:07Of course not.
00:44:09You're not fat at all.
00:44:11It's the dress.
00:44:12It's not made for a woman's body.
00:44:15Just shut up and do it!
00:44:17Babe.
00:44:19Just put on another dress.
00:44:20You're gonna be late.
00:44:22I spent so much money on this dress.
00:44:25I am wearing this dress!
00:44:27I can't.
00:44:46It's...
00:44:47It's too much.
00:44:50No.
00:44:51It was made for you.
00:44:57I can't wait to see what you've brought to the auction.
00:45:04Can we have a little hint?
00:45:06Well, actually, I brought some of my very own paintings to auction tonight.
00:45:14What's wrong?
00:45:16It's just Tasha Roberts.
00:45:18My husband's dreadful ex-wife.
00:45:22I'm tired of seeing her sorry face everywhere.
00:45:25You know, she's also a horrible person.
00:45:30If it isn't everyone's favorite wide-collar criminal turned homeless vagrant, Tasha Roberts.
00:45:38So, the other day, when you were trying to buy this dress with that, um, working-class thug boyfriend of yours,
00:45:45you were trying to come here?
00:45:47Are you sure you were even invited?
00:45:49I'm sorry.
00:45:53Are you working the security details?
00:45:56Do I need to show you my invitation?
00:45:58Honey, I'm just trying to look out for you.
00:46:00Okay?
00:46:01I want to spare you the embarrassment of being kicked out when everybody finds out that you are not invited.
00:46:07You mean, like, how you were kicked out of the mall?
00:46:10I see.
00:46:11You still quite don't understand your place in the world.
00:46:15You think you're fucking Cinderella or something, and life is a fairy tale.
00:46:20But don't worry.
00:46:21I'll help you figure it all out.
00:46:26What's wrong with you?
00:46:27Can't you see?
00:46:28People are walking through.
00:46:30Rina, this time you've gone too far!
00:46:32Stop shouting, you dreadful O.
00:46:34These were supposed to be auctioned tonight.
00:46:36Well, if it is of any consolation, I don't think the wine has reduced their value of very much at all.
00:46:42Now you can go and cry to your fairy gut mother.
00:46:47What's wrong with you, sir?
00:46:48Oh, I think the auction's starting.
00:46:51Well, I'll see you there.
00:46:54Toodles!
00:47:02For our first auction item, I'd like to welcome Ms. Rina Crowe to the stage with her collection of original paintings.
00:47:18As you can see, Ms. Rina Crowe's style is very unconventional.
00:47:30Certainly, these works defy easy categorization, and yet there are touches of whimsy and an almost playful quality about them,
00:47:39as depicted here through the bold use of a duck as a central figure.
00:47:43It's a dog.
00:47:45What?
00:47:45It's a dog, not a duck, you buffoon.
00:47:48Oh, yes, of course.
00:47:50A dog.
00:47:52Seen through a very unique prism.
00:47:55Portrayed as only an artist of Rina's caliber could possibly portray it.
00:48:00Now that we have familiarized ourselves with the art and the artist, let's start the bidding.
00:48:05The starting price will be $50,000.
00:48:08Do I hear $50,000?
00:48:11Anyone?
00:48:13$50,000.
00:48:15Do I hear $60,000?
00:48:18Anyone?
00:48:19$50,000 going once, $50,000 going twice.
00:48:24Sold!
00:48:25Sold for $50,000.
00:48:26And now we'll invite our second artist for the evening, Ms. Tasha Roberts, who will also
00:48:37be presenting a series of paintings.
00:48:48Ms. Tasha Roberts, where are your paintings?
00:48:50I don't have my paintings tonight, but I will be offering them.
00:48:56I'm going to auction off this dress.
00:49:09Wow, it's beautiful.
00:49:14Stupendous.
00:49:14I've never seen a dress so beautiful.
00:49:20Oh, stupendous.
00:49:22I've never seen a dress so beautiful.
00:49:25A stunning work of art, indeed.
00:49:27There's no need for me to say another word about this masterpiece.
00:49:29Everyone in the audience can clearly see the extraordinary talent and extraordinary artistry.
00:49:35Let's start the bidding at $50,000.
00:49:37$55,000.
00:49:38$75,000.
00:49:40$90,000.
00:49:41$100,000.
00:49:43$150,000.
00:49:45$250,000 going once, $250,000 going twice.
00:49:55Gold!
00:49:55This beautiful dress is gold for $250,000.
00:49:58Is that the heart of Sun, like this, that sold for $200,000 a few months ago in a bid now?
00:50:12Impossible.
00:50:13How can that lowly peasant possibly afford it?
00:50:16It must be a fake.
00:50:17Thank you so much for your bid, Ms. Winslow.
00:50:23I'm going to design a few custom pieces in your size and design them to your elegance and style.
00:50:29Have you ever considered creating your own clothing brand?
00:50:34Your creations are so extraordinary.
00:50:38You should really share your talent with the rest of the world.
00:50:42I never considered it, but I certainly will now.
00:50:46Hi.
00:50:47I'd be careful if I were you.
00:50:49I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.
00:50:56What are you talking about right now?
00:50:58This woman is a phony and a con artist.
00:51:01For as long as I worked with her, she's done nothing but defraud and cheat the people she's done business with.
00:51:07And let me make it clear.
00:51:08For everybody that wants to do business with this woman, they won't be allowed to do business with the Crow Group.
00:51:16Is that so?
00:51:16Well, let it be known that if anybody refuses to work with Ms. Tasha Roberts because of the baseless rumors and lies being spread by Ms. Raina Crowe, you will no longer be welcomed back to the Fitz Gallery.
00:51:31That's the curator of the Fitz Gallery.
00:51:36Not just the curator.
00:51:37He's also the director of the Fitz Foundation.
00:51:42The curator?
00:51:43Is he the man who bought my paintings?
00:51:46Why does he seem so familiar?
00:51:48Ms. Tasha Roberts is my guest of honor tonight, all right? I invited her personally.
00:51:55So if anybody treats her with the slightest bit of disrespect, they'll be asked to leave and never again invite her back to the Fitz Gallery.
00:52:01As the director of this esteemed organization, am I interested to know that your guest of honor is wearing a cheap replica of a priceless work of art.
00:52:13She is not to be trusted.
00:52:15I'm assuming you mean her diamonds.
00:52:18What evidence do you have to prove that it's not real?
00:52:21Well, the real heart of the sun has the initials of the craft man engraved in the joint between the gemstone and the pendant.
00:52:28So, Tasha, would you indulge us all and show us if what you're wearing is a genuine article or a cheap knockoff?
00:52:37This was just given to me by a friend. I never claimed it was the real heart of the sun. I don't want to embarrass him by having people pour over it for imperfections.
00:52:49So, it's a forgery. You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:52:58Miss Roberts, you have nothing to fear from this woman. Just show her the necklace and I'll personally see to it that there are no despairing comments about its craftsmanship or quality and the question has to be asked whether it is the true heart of the sun.
00:53:28See, just like...
00:53:32What? How is this possible?
00:53:39I do say, this engraving looks entirely authentic to me.
00:53:45This is indeed the one and only heart of the sun.
00:53:48Well, that settles it then. This necklace is authentic.
00:53:51From now on, no one will be permitted to question or harass my guest of honor.
00:53:56Now, if everyone is satisfied, can we please get back to tonight's festivities?
00:54:10Ken, you have a lot of explaining to do.
00:54:12Okay, what's wrong?
00:54:14I can't accept this necklace.
00:54:17And I can't give you what you want.
00:54:20Do you even know what I want?
00:54:22I don't want to know.
00:54:24We can just be friends, nothing more.
00:54:27Tasha, you're just afraid.
00:54:29You're just afraid of going after what your heart truly desires.
00:54:33And I just think you're afraid of just being true to yourself.
00:54:37You're the last person that should be lecturing anybody on the truth.
00:54:43Who are you?
00:54:45What do you do?
00:54:46Is this even your house?
00:54:48I mean...
00:54:50How do you own a necklace that's 200 million dollars?
00:54:56I just...
00:54:57See, you...
00:54:58You don't even respect me enough to tell me the truth.
00:55:02You...
00:55:03You expect me to jump into a relationship with you?
00:55:05You could be a total stranger.
00:55:10I have no idea who you are.
00:55:13Tasha, I want to tell you. I do.
00:55:15But...
00:55:17I just can't right now.
00:55:19Alright?
00:55:20Like, maybe in the future...
00:55:21No, Ken, there is no future for us.
00:55:24Not if you can't tell me one thing about yourself that isn't a lie.
00:55:28When you find someone that you really love and trust...
00:55:33You let them in.
00:55:40But that person won't be me.
00:55:42Are you okay?
00:55:57Are you okay?
00:56:01Director Fitz, I had a wonderful time at the gala.
00:56:05Thank you for supporting me and standing up for me.
00:56:09I wasn't bothered by the way the other guests treated me.
00:56:13I've endured far worse.
00:56:15Lovely.
00:56:20I'm glad to hear it.
00:56:21I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.
00:56:27Think of it as a sort of artist residency.
00:56:30Would you be interested in such an opportunity?
00:56:31This dress is every bit as exquisite as I expected it to be.
00:56:45Thank you, my dear.
00:56:46You're very welcome.
00:56:48Have you given any more thought to my proposal?
00:56:52If you wish to start a clothing brand, I would be more than happy to invest whatever you require to get started.
00:56:59It's a very gracious offer, but...
00:57:02I just, I have to ask.
00:57:03I mean, there are so many other talented designers.
00:57:06Why do you have such faith in my abilities?
00:57:09It's not just me, you know.
00:57:11The curator of the Fitz Gallery has never been seen in public before the gala last night.
00:57:18And everyone in attendance was certain that the only reason he chose to make an appearance was because of you.
00:57:25His guest of honor.
00:57:26That was his first appearance ever?
00:57:30Indeed.
00:57:32His very first and only time to appear in the flesh.
00:57:35Before this, he was a figure of myth and mystery.
00:57:39Many people doubted he existed at all.
00:57:43But all because of you, he chose to grace us with his presence last night.
00:57:49Seems like a marvelous young man, don't you think?
00:57:51He certainly had a charm about him.
00:57:54Oh, undoubtedly.
00:57:56You know, many people flock to the Fitz Gallery for more than just the art.
00:58:01They want to learn all about the enigmatic young curator.
00:58:05Really? I mean, what's so interesting about him?
00:58:08Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections to become the top venue for fine art in just two years?
00:58:21I mean, I heard rumors, something about foul play, but I always just assumed they were baseless.
00:58:28Those rumors have quite a bit of truth to them.
00:58:32Seems like the Miller crime family is actually behind the Fitz Foundation.
00:58:37The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
00:58:46He seems like such a gentleman. I just...
00:58:49I find it hard to believe that he ever was involved in something so sordid.
00:58:53You must never judge a Brooklyn's cover, my dear girl.
00:58:57Even people close to us may be harboring many secrets.
00:59:02We never really know what's going on inside.
00:59:04You got that right.
00:59:07I learned that lesson the hard way.
00:59:09Let me be frank.
00:59:11I have tremendous faith in you.
00:59:14Thank you, Miss Wingo, but I think it's dear.
00:59:17All my friends call me Laura.
00:59:22This is in a shack.
00:59:24For five million dollars.
00:59:26It should help you get your clothing brand started.
00:59:30Shall we become business partners in addition to being friends?
00:59:47Director Fitz. I'd like to work with you.
00:59:51It would be my honor, Miss Tasha Roberts.
00:59:53Robert
01:00:23Dream that I'm with you
01:00:28Staring out into the sea
01:00:31Waves come crashing up to me
01:00:36My toes slipping into the sand
01:00:40Dream that I'm with you
01:00:53Congratulations, Miss Roberts
01:00:57We expect a huge success from your art exhibition
01:01:00Thank you
01:01:01You're looking at her
01:01:16You're obsessed with her
01:01:18Didn't she humiliate me enough the other night at the gala?
01:01:21But no, now I have to watch my husband stare at her picture
01:01:26Well, maybe if you didn't give her the opportunity to humiliate you
01:01:30So it's my fault now?
01:01:32Oh, wait, let me guess
01:01:33Maybe it's my fault too when the two of you broke up
01:01:35Okay
01:01:36Raina, I've been thinking
01:01:39I don't think this is working
01:01:41I want a divorce
01:01:44Brutal filla di putana
01:01:48You used me to push Tasha out of your company
01:01:51Take her property
01:01:52And now you cast me aside like what?
01:01:54A youth piece of garbage?
01:01:56I won't allow this
01:01:58Mark my words, Karl Crow
01:02:00You will regret this
01:02:03I'm spending too much time around Ken
01:02:17He's dominating all my thoughts
01:02:20I have to distance myself from him
01:02:22For my own sanity
01:02:24Is there nothing I can do to get you to stay?
01:02:38I'm sorry
01:02:39I'm sorry
01:02:43But no
01:02:45You and I, our relationship
01:02:49We'll just keep going in circles
01:02:52But thank you
01:02:55For everything you've done for me
01:02:57I have a little bit of money now
01:02:59So you should be able to pay off your loan soon
01:03:02And long talks
01:03:07And awkward silence
01:03:09Wait nights
01:03:11Walking through the garden
01:03:13Running
01:03:15With your hand in mine
01:03:19Is some
01:03:22This is what happens when you steal from the Millers
01:03:37Please
01:03:37Let me go
01:03:39I promise you'll never see me again
01:03:43What do you got here?
01:03:51I'm writing this for you
01:03:52Boss
01:03:54I found this one peeking around the corner
01:03:57I'm not sure how long this little bitch has been watching
01:04:00But I'm pretty sure she tried to call the cops
01:04:02Don't worry boss
01:04:07I got a knife with her name on it
01:04:09We can dump her body with the other guy
01:04:11No, let her go
01:04:17What?
01:04:19Didn't you hear what I said?
01:04:19She's seen everything
01:04:20Let her go
01:04:22Before I rip off your fucking arms
01:04:23And throw them in the river
01:04:24Walk away
01:04:34This doesn't mean anything to you
01:04:35Is this what you couldn't tell me about?
01:04:39Boss
01:04:39You know this woman?
01:04:41You're gonna kill him
01:04:44Call the police then
01:04:45See if they can save his life
01:04:46No
01:04:47Don't call the police
01:04:49You stupid bitch
01:04:50My world is more cruel than you can possibly imagine
01:04:54So since you didn't want to get involved
01:04:56Just walk away
01:04:57Hey babe
01:05:20What do you want for breakfast?
01:05:22My world is more cruel than you can possibly imagine
01:05:36My world is more cruel than you can possibly imagine
01:05:47So since you didn't want to get involved
01:05:50Just walk away
01:05:51I never imagined that Ken could be such a dangerous and violent man
01:05:56There must be something or someone forcing him to do all of this
01:05:59Even people close to us may be harboring many secrets
01:06:05We never really know what's going on inside
01:06:08Forget it
01:06:10This has nothing to do with me
01:06:12I decided to leave Ken
01:06:14So I have to do my best not to look back
01:06:16You're a pro-magnet boyfriend, is he not joining us?
01:06:29Tasha, let's talk
01:06:32Your pro-magnet boyfriend, is he not joining us?
01:06:43It's all over, I'm not with him anymore
01:06:45Where's Reyna?
01:06:48Reyna was a mistake
01:06:50That's all over too
01:06:52Tasha
01:06:54I want you back
01:06:58I can't stop thinking about us
01:07:02You were right, you belong in my life
01:07:05So if you just sign those documents
01:07:10Then you can come back to me
01:07:12Come back to the house
01:07:14We can carry on like none of this ever happened
01:07:16I can give you your old job back
01:07:19That'll be fun, working together again
01:07:21And then all that debt you owe me will be wiped clean
01:07:24You, uh, need a pet?
01:07:28You think I'd get back with you after everything you put me through?
01:07:39Here is
01:07:40A hundred million dollars
01:07:42I'll pay the rest on time
01:07:45And
01:07:45For your agreement
01:07:47Take these documents
01:07:54And
01:07:54Shove them right up your ass
01:07:58You disgust me, Carl
01:08:01You should think about Anna
01:08:02Do you really want her growing up without a mother?
01:08:06With all her health problems, she could really use your support
01:08:09Don't dare talk about Anna
01:08:10She'll be with me soon
01:08:12Then I'll never let her out of my sight again
01:08:15She needs her mother and her father
01:08:16Not a father like you, she doesn't
01:08:18She'd be better off with no father at all
01:08:31I'm sorry, am I interrupting?
01:08:33Are you, are you texting a new boyfriend already?
01:08:36Can it wait?
01:08:38I'm not done talking here
01:08:40You're pathetic, Carl
01:08:42Okay, Tasha
01:08:44Ta-
01:08:45Tasha
01:08:47Hey, Tasha
01:08:50Tasha, come back
01:08:52Where are you going?
01:08:53This place is disgusting
01:08:55Ta- come on, Tasha
01:08:57Don't you remember the happy times?
01:08:58Come on, we can have that again
01:09:00Think of Anna
01:09:01Think of me, please
01:09:03I'm like
01:09:04Hey
01:09:05Hey
01:09:06Hey
01:09:07Hey
01:09:24Sorry folks
01:09:26It's the end of the line for you
01:09:30No hard feelings
01:09:32But we gotta do what the people who pay us tell us to do.
01:09:36Who's paying you?
01:09:39I'll give you a hint.
01:09:41A very beautiful woman paid us a small fortune to make sure you two would...
01:09:46Make sure you two don't make it.
01:09:49Reyna.
01:09:50That fucking bitch.
01:09:52Do you know who I am?
01:09:54I'm Karl Crow.
01:09:56The CEO of the Crow Group.
01:09:58What if she's paying you?
01:10:00I'll pay double, okay?
01:10:01Yeah, yeah.
01:10:02You pay me double.
01:10:03I guess you haven't heard the news, buddy.
01:10:06See, I don't think you have the means to outbid your pretty little friend.
01:10:12Oh, that backstabbing slut!
01:10:16Please, pack up the phone.
01:10:18You trying to phone a friend?
01:10:20That's a big no-no, sweetheart.
01:10:22That's breaking the rules.
01:10:26Sweetie.
01:10:28Don't waste the little time you have left trying to call for help.
01:10:32It won't do you any good.
01:10:34No one...
01:10:36is gonna help you now.
01:10:42Three hours, where's Tasha?
01:10:44Hey, Nell.
01:10:46Hey, listen, I need you to do me a favor.
01:10:48Yeah, I need you to pull up the city surveillance system in the area and find all the footage.
01:10:54Yeah, no, something's wrong.
01:11:06What are you doing?
01:11:08Well, you have to get out of here.
01:11:16Huh?
01:11:21You should just...
01:11:22go.
01:11:24Save yourself.
01:11:25Leave me.
01:11:26It's what I deserve.
01:11:28I'm not gonna leave you.
01:11:30I'm not that type of person.
01:11:40Come on, let's go.
01:11:44Come down here.
01:11:45Wait until they come in.
01:11:46Hey, Tasha.
01:11:52I'm so sorry.
01:11:56Now's not the time for that.
01:12:00Time for that.
01:12:18All in.
01:12:20Looks like we got ourselves a suicidal prick here, fellas.
01:12:30I can't think of any other reason why somebody would kick in the door that's got Vincent Santorelli on the other side of it.
01:12:40Oh shit.
01:12:42Boss.
01:12:44I didn't realize it was you.
01:12:48These your guys?
01:12:50Where the fuck are they?
01:12:52You better find them.
01:12:53Quick!
01:13:10Now it's your turn.
01:13:20Pretty little thing like you, I was gonna make it painless.
01:13:21But I guess you didn't want that.
01:13:22All the same.
01:13:23Hey, who's this fucking monkey?
01:13:24Lower your fucking gun.
01:13:25Vinny, what the fuck is going on?
01:13:26Vinny, what the fuck is going on?
01:13:27You fucking deaf?
01:13:28Yo, lower your fucking gun.
01:13:29Are you...
01:13:30Are you...
01:13:31Are you Ken Miller?
01:13:32How can that be?
01:13:33What the fuck is going on?
01:13:34Ken Miller.
01:13:35The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
01:13:42It's you.
01:13:43It's you.
01:13:45You know what you have to do.
01:13:46Are you Ken Miller?
01:13:50How can that be? What the fuck is going on?
01:13:53Ken Miller.
01:13:55The one and the same Miller crime family
01:13:59that monopolizes all the underground trade
01:14:02in all of North America.
01:14:05It's you.
01:14:13You know what you have to do.
01:14:16Boss, please.
01:14:20He's my brother.
01:14:22Rules are rules.
01:14:36I was pushing you away as Ken
01:14:39and growing closer to you as Fitz.
01:14:43I'm sorry, Tasha, but
01:14:47there's just nothing I can do
01:14:50that will make you happy.
01:14:52And I just can't win over your heart.
01:15:00Is Ken Miller always this loving
01:15:02with the hostages he rescues,
01:15:05or is this just special treatment
01:15:07reserved for his lovers?
01:15:08Tasha, I love you.
01:15:12My heart has belonged to you
01:15:13and only you
01:15:14for the past 15 years.
01:15:2115 years?
01:15:23No, we just met a few months ago.
01:15:25We met 15 years ago.
01:15:32You went to Marr Middle School.
01:15:35Yeah.
01:15:36And you saved my life there.
01:15:46Stand up, chicken,
01:15:47and hit us back.
01:15:49Isn't that what your dad does for a living?
01:15:51Beat people up?
01:15:52I'm not my dad.
01:15:55You and your father are both scum.
01:15:57Let's teach this little and thug a lesson.
01:15:59Yeah, idiot.
01:16:00Get up and show us what you've got.
01:16:04Hey.
01:16:06Hey, hey, hey, hey, hey, stop.
01:16:08That's enough, that's enough.
01:16:09It's none of your business, Robert.
01:16:11Get out of here, Robert.
01:16:12Hey, stop.
01:16:13Go home.
01:16:13I'll call your parents.
01:16:14Go.
01:16:14Oh, crap.
01:16:15Crap.
01:16:15Crap.
01:16:15Crap.
01:16:15Crap.
01:16:15Crap.
01:16:15Crap.
01:16:15Crap.
01:16:15Crap.
01:16:15Crap.
01:16:15Crap.
01:16:16Crap.
01:16:16Crap.
01:16:17Crap.
01:16:18Crap.
01:16:18Crap.
01:16:18Crap.
01:16:19Crap.
01:16:19Crap.
01:16:19Crap.
01:16:22Ever since I saw you that night in the cab with that necklace on, I just, I knew I found
01:16:34you.
01:16:35Look, this isn't just some feeling for me, okay?
01:16:40This is, this is everything to me.
01:16:43Like, you are everything to me.
01:16:46No matter what happens between us, I will always care about you.
01:16:50And maybe, one day we can, make it work in a different way.
01:17:09I just need some time to process this.
01:17:14Okay.
01:17:16Okay.
01:17:17And after that, maybe we can pick up where we left off, that first night you spent here?
01:17:26Maybe.
01:17:27Maybe.
01:17:28Yeah, you play your cards...
01:17:29You play your cards, right?
01:17:30does everything look good to you my artist yeah thanks for everything that doesn't sound very
01:17:53convincing is there anything you want to change no i just i never got around to asking why you
01:17:59wanted to start an art gallery in the first place honestly just to get to you see i thought if i
01:18:06own the world's greatest art museum that one day you might find your way in here and i don't know
01:18:11that i might find you
01:18:29i want to see what kind of woman this is that has ensnared my son
01:18:50honestly just to get to you see i thought if i own the world's greatest art museum that
01:19:08one day you might find your way in here and i don't know that i might find you
01:19:12okay okay just concentrate on painting don't think about him
01:19:19who are you
01:19:37miss tasha roberts mortimer miller would like to speak with you privately at his home
01:19:44come here take a look
01:19:49she's an heiress to the largest chain of luxury hotels in the western hemisphere
01:19:58she's young beautiful well educated i think she'll make a fine wife for my son ken
01:20:06with all due respect sir
01:20:10i believe that it's up to ken to decide who he wants to spend the rest of his life with
01:20:16and i'll choose you not a chance you're no match for my son
01:20:30now you owe money to the crow group
01:20:37I'm going to pay your debt, and in return you will agree to never see my son again.
01:20:51It's our decision whether we want to be together or not.
01:20:54Your son and I love each other.
01:20:57There's nothing in this world that can keep us apart.
01:21:00Tasha, do you want us to be together?
01:21:04It's impossible.
01:21:06Father.
01:21:07I forbid it.
01:21:08Father, this is the love of my life.
01:21:10I can't lose her again.
01:21:12I'd rather leave the family business.
01:21:15Then leave if you wish.
01:21:17But she will never have my approval, ever.
01:21:20And she'll never be a part of the Miller family as long as I live.
01:21:24You'll come running back without the Miller family power and money.
01:21:31You'll accomplish nothing.
01:21:34You're making a big mistake.
01:21:37Choosing this old hag instead of family.
01:21:43Ken, where are you?
01:21:53Why aren't you back yet?
01:21:54Oh, you're still awake?
01:21:59Who did this to you?
01:22:00Don't worry about me.
01:22:01I'm fine.
01:22:02There's nothing out of the ordinary.
01:22:06Hey, babe.
01:22:07Who did this to you?
01:22:18Don't worry about me, I'm fine.
01:22:20It's nothing out of the ordinary.
01:22:34Hey, babe.
01:22:35Yeah, no, I'm just right outside.
01:22:37You son of a bitch.
01:22:42You make me cut my own brother's hand.
01:22:45Now you think you can betray the Miller family,
01:22:49walk away scot-free?
01:22:51Not a fucking chance.
01:22:53This guy means nothing to the Miller family now.
01:22:56He's worthless.
01:22:58Helpless.
01:23:00He's absolutely nothing now.
01:23:02Let's make him feel the pain
01:23:04that my brother felt.
01:23:05Come on, boys.
01:23:10Come on.
01:23:11Come on.
01:23:12Come on.
01:23:12Come on.
01:23:13Stop.
01:23:17Stop hurting him.
01:23:19Stop.
01:23:19Stop hurting him.
01:23:34Stupid bitch.
01:23:36Stop.
01:23:37Stop at once, you insolent fools.
01:24:03You know how hard it is for me to admit that I made a mistake.
01:24:18But today the two of you have proved me wrong beyond a shadow of a doubt.
01:24:25Tasha, Tasha, you are the perfect woman for my son.
01:24:34Go.
01:24:36Be together.
01:24:37You approve?
01:24:41You have my blessing.
01:24:44From this day onward,
01:24:47you have nothing more to do with the legal activities of the family.
01:24:52But,
01:24:53you'll always be a Miller,
01:24:56as will she.
01:24:59You know how to do with the law enforcement.
01:25:18What do you do with the law enforcement agency?
01:25:20You are the perfect man.
01:25:21Come on.
01:25:22Come on.
01:25:22Come on.
01:25:22Come on.
01:25:22Come on.
01:25:23Come on.
01:25:24Come on.
01:25:24Come on.
01:25:24Come on.
01:25:24Come on.
01:25:25Get off me.
01:25:26You.
01:25:26Get stuck.
01:25:27Useless, impotent man-child!
01:25:30The crowd group is bankrupt!
01:25:32It hurt!
01:25:33Getting involved with you is the worst decision I could have made in my life!
01:25:36Give it off! This is all your fault!
01:25:38You spent every single thing that we had!
01:25:41Now we have nothing left!
01:25:42No company, no house, no money, not even a dime!
01:25:46And it's all because of you, you greedy cow!
01:25:48Don't you? Don't!
01:25:50Hey, hey, hey!
01:25:57The late Mrs. Miller was a beautiful woman, sir.
01:26:02Yes.
01:26:06Back then, my wife protected me from every danger that befell our family.
01:26:13And today, my son found the perfect woman that I said I'd do the same for him.
01:26:21He's a lucky man.
01:26:27Wow, you look so beautiful.
01:26:37No, you can't be here right now!
01:26:40Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:43Ken, can you promise me one thing?
01:26:47I can promise you two if you like.
01:26:49I'm serious.
01:26:51I want you to walk away from the family business.
01:26:59There's a city called Ostia.
01:27:01It's on the southwest side of Rome by the ocean.
01:27:05What?
01:27:06You know what I found over there?
01:27:09I found you an art teaching job.
01:27:11I had a public school.
01:27:13I ordered tickets.
01:27:14I leave in the morning.
01:27:16You're sending me away?
01:27:17No.
01:27:19I opened my own restaurant.
01:27:21It's just down the street.
01:27:24Oh, and one more thing.
01:27:26I enrolled Anna at the school they're going to be teaching at.
01:27:30I think she's going to really love it over there.
01:27:34So you really are walking away?
01:27:36Yeah.
01:27:37Yeah.
01:27:42You got some socks.
01:28:07From way to the city.
01:28:10My name is Dorian Frost.
01:28:11I hope it's over there.
01:28:12Pay attention to the city in Bellevue.
01:28:13Show me where you are.
01:28:14You got some źæå¼.
01:28:15There's only Crevfe.
01:28:16I'm happy.
01:28:17You got some wine.
01:28:18We have food with the park and it's over there.
01:28:19You're going to really enjoy that little girl.
01:28:21You're likekimus!
01:28:23Theģ“ģ¼lder in home!
01:28:26They have a nightmare at the chpanel.
01:28:29How did you lose some disease at the Santa's Hollow?
01:28:32You got some junk, too?
01:28:33And hopefully they'll try to get some milk.
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