- 6 months ago
Here’s my review of the film Tenebrae.
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Short filmTranscript
00:00hey guys welcome back to another cult movie review with me Beau here on the
00:18film scene investigation channel thanks for checking out the video in today's
00:24review I'm gonna be taking a look at the Dario Argento 1982 film Tenebrae before
00:33we get into it guys if you haven't already please do consider subscribing to
00:37the channel all the support is greatly appreciated so Tenebrae from 1982 was
00:46written and directed by the Italian filmmaker Dario Argento and starred
00:52actor Anthony Franciosa in the lead role now for those who don't know this movie
01:00was actually banned here in the UK back in 1984 as part of the whole censorship
01:08fiasco the BBFC deemed Tenebrae too harmful for public consumption and it was
01:19prohibited from being solved in video stores crazy enough the ban actually
01:25lasted until 1999 then finally the movie did get released on video and DVD so
01:35yeah for me growing up I wasn't too aware of this film I didn't see it on the
01:43shelves and yeah it was never like on TV or anything like that it was only in the
01:51mid-2000s once the film had acquired a wide release did I actually come across it
01:59when it comes to the films plot it followed the American author Peter Neil who is
02:07played by actor Anthony Franciosa the writer had just released his new book
02:13entitled Tenebrae and traveled to Rome to promote it once Peter arrived in Italy a
02:21series of gruesome murders took place that actually connected back to him you
02:29see pages of Peters new book Tenebrae had been found at the various murder
02:35scenes and even though Peter wasn't directly involved his assistance was
02:41needed to help track down the killer captain Gimani played by actor Gileano
02:47Gemma was tasked with the investigation to try and track down who was
02:53responsible Gimani knew that the killer was a big admirer of Peter Nils and thought
03:01that Peter could subsequently be in danger and be next on the killers hit list once
03:08Peter found out what was going on he quite rightly was shocked but of course assisted the detectives
03:17in a hope to try and prevent more murders from happening as the killings continued the TV host
03:25Cristiano Bertie became one of the prime suspects in the case due to his intense interest in Peter's new book
03:35Bertie who had his very own TV show invited Peter Neil on to promote the book and once the two met
03:45it was quite clear that Bertie had a strong admiration for the material
03:51as soon as I saw Bertie yeah I gathered he had some sort of involvement I didn't think he was the
04:02actual killer but just with his mannerisms and his vocal delivery the character definitely seemed a little
04:13shady. Bertie would actually end up being one of the victims which only added more confusion to the investigation
04:24I mean yeah everything kind of pointed towards Cristiano Bertie being the main guy involved but
04:33once he was taken out yeah I for one was kind of confused about where the story was going
04:42with the added plot twist the true identity of the killer remained unknown up until the bloody
04:50climactic ending now I don't really do spoiler alerts but if you haven't seen this film yet and you don't
04:59want to know who the killer is skip ahead now so ultimately it turned out that there were two different
05:07killers responsible for the gruesome murders the first was indeed the tv host Cristiano Bertie a man who had
05:17become obsessed with Peter's writings the second killer turned out to be none other than Peter Neil himself
05:28the author was dealing with some deep personal trauma and ended up killing Bertie in his own home with an axe
05:39through the various conversations with the detectives Peter actually worked out who the killer was
05:46but instead of going to the police and reporting what he'd found he actually decided to kill Bertie and take over
05:54the mantle I mean it was quite a revelation kind of finding out actually what had gone on and who
06:02was responsible and through a series of flashbacks we actually saw how Peter's trauma all came about
06:11when he was a teenager and got rejected by a girl he was made a laughing stock in front of his friends
06:20and that rejection stayed with Peter all those years after a personal trauma that he kept to himself
06:31and funneled his anger through his writings
06:35now having the killer turn out to be Peter Neil himself
06:40was definitely an interesting twist and it actually surprised me
06:45I couldn't put my finger on who exactly was responsible but uh
06:52yeah Peter Neil was not one of my suspicions
06:56and the actual reveal itself with the camera slowly panning up to towards Peter
07:04yeah it was uh brilliantly executed
07:07when it comes to performances I really thought that uh the actor Anthony Franciosa did a marvellous job
07:15he was the right age and had the perfect look to play this charming educated writer
07:24from his natural charisma to his upbeat personality the Peter Neil character
07:32didn't seem the type of guy that could carry out such brutality he gave us the audience this
07:41false sense of security pretending to be this innocent man who wouldn't hurt anyone
07:47I for one was fooled so yeah great casting choice and a great performance from the actor
07:56while watching Tenebrae I did notice how Dario Argento used the film to
08:04critique the influence the media has specifically the tabloid press
08:10this we saw this play out through how Peter's book Tenebrae was directly linked to the gruesome murders
08:19which then subsequently raised questions over the responsibility artists have and their work in
08:27society Argento himself had been criticized in the past for his you know violent material that he'd released
08:35so in a way the Peter Neil character was an extension of the director and I guess it could be argued that
08:47Tenebrae is actually quite a reflective film that has a message for its critics
08:56now it's fair to say that Tenebrae was a very stylized and elegant looking film from the hotel rooms to the
09:10minimalist houses it all was very aesthetically pleasing to the eye more specifically the efforts of the
09:20cinematographer Luciano Tavalli need to be commended here for a moment Tavalli who had previously worked
09:28with Argento on the movie Suspiria was very innovative with his use of light and colour Tavalli decided to
09:39move away from the dark shadowy aesthetic typically seen in the horror genre and decided to instead
09:50use a illuminating colour palette that was a real contrast to the gruesome bloody murders that we saw
09:58on screen I found the whole look very refreshing and credit to the cinematographer for his brilliant
10:07creative input as I mentioned earlier Tenebrae was unjustly banned here in the UK for its supposed
10:18violent nature but if you ask me I found the film to be more scary than grotesque you had this psychopath
10:31running around Rome killing these people and nobody knowing the true identity of who it was
10:39and that to me was a lot more unnerving now before we get to dislikes there's one particular scene I want
10:48to bring up which was the murder of the character Elsa at the start of the film we saw this young woman Elsa
10:57going home when she was accosted by this creepy weirdo guy who was just hanging out on the street it was
11:04strange because the guy kind of came out of nowhere and suddenly yeah he was uh harassing Elsa but
11:12luckily she was able to get away she was able to make it home but once she looked out the window she
11:20saw the guy again outside trying to break in so this guy just kept banging on the window and Elsa
11:27slowly backed away then out of nowhere this hand just grabbed her it caught me off guard and uh yeah
11:35it was a brilliant misdirection Elsa ended up getting killed and having the various pages of tenebrae
11:43shoved in her mouth yeah it was a very uh horrific way to go but I credit Argento for the way he
11:53built up the mystery surrounding the killer I need to also take a moment to commend the tenebrae's
12:00soundtrack which I thought was a major highlight for the film produced by some of the members of the
12:07band goblin the music I guess would be best described as this ethereal synth score in some ways you could
12:18say that it's kind of dated now but it definitely suited the film's vibe at times the music was kind of
12:29moody and atmospheric but once something dramatic happened the music then kicked into high gear
12:37the electronic and rock elements blended really well together and it resulted in a memorable soundtrack
12:46that really complemented the film's tension and pace and so dislikes for tenebrae from 1982
12:56my biggest dislike for the film would have to be believe it or not the tenebrae opening titles now to many
13:05people this probably wouldn't bother them but given how kind of innovative and beautiful looking the film
13:14was I did think that the title sequence was rather lackluster it consisted of a static shot of a fire
13:25and we saw the pages of the tenebrae book burning while I liked the sentiment behind it
13:33I was expecting something a bit more dynamic and uninterrupted kind of two minute sequence that just
13:42saw this fire kind of kept going we saw the titles going across I mean there was nothing wrong with it but
13:50uh yeah I mean in contrast to the rest of the film it was uh it was very poor there wasn't even
13:59any camera movement or cutaways to a close-up of the fire it was just this static shot and um you know with how the
14:08rest of the film turned out I can only assume that the title sequence was this last minute put together
14:16thing that just kind of happened to many watching this they probably wouldn't care but for me going
14:24back and watching the title sequence again in comparison to the rest of the film yeah it just
14:30kind of stuck out like a sore thumb and so ratings for tenebrae from 1982 I am going to be rating this
14:38movie a solid six out of ten no doubt tenebrae was a very well made movie and in my opinion one of
14:51Dario Argento's finest works at times I was a little perplexed and confused about where the narrative was
15:00going but eventually everything came together and I was thoroughly impressed the plot twists and
15:09misdirections were as much part of the storytelling as the murders themselves I like the fact that both
15:19killers were driven by personal vendettas and psychological issues rather than any supernatural
15:27motive it added a sense of realism and grounded the audience's perception of the characters I also
15:37found tenebrae to be an important commentary on the interplay between art and violence the movies blend of
15:46suspense horror and intellectual discourse made for a compelling study on the broader implications of
15:58storytelling if you've seen tenebrae please let me know your thoughts in the comments section below
16:05is this Dario Argento's best film for me I think it could be and well that's all from me today guys I will
16:13be back next week with another cult movie review don't forget to subscribe if you haven't already
16:18of course take care and I'll see you all next week
16:25bye
16:48you
16:59you
17:01you
17:05you
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