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Short filmTranscript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're that thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce papers sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plebe. I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Tasha, your company and your husband both belong to me now.
00:00:59No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company? Are you?
00:01:11You know, actually, your debt is mortgaged with your shares, so you actually owe this company about 200 million.
00:01:17I never took out any loans that large.
00:01:19Oh, Tasha, you were always so gallible.
00:01:23A word of advice for the future?
00:01:25Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:33Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:38Stop acting. I'll just leave on my own.
00:01:47Look, there's no glamour. There's no glory. It's just blood, guts, fear, and misery.
00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:59I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:05But at least you're guaranteed to be alive in 10 years. In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:12Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:18I'm sorry, but no. I'm not gonna let you get killed.
00:02:23Man, what the fuck you got me here for then? Shit.
00:02:27Oh, I guess you didn't hear. The repo guy. He came and towed your car away.
00:02:49Ugh. Said it was, like, collateral for a loan. Of course, I made the call and arranged everything. My pleasure.
00:03:00You despicable trash.
00:03:02You know, I was gonna give you a ride, you know, seeming that we were married for so long, but walking the streets at night kinda suits you. So, enjoy.
00:03:14Go to hell.
00:03:19Go to hell.
00:03:47Miss?
00:03:48Just go away, alright? I don't need your cheap sympathy right now.
00:03:52Miss, your friend's gone. I just want to offer my cab services.
00:03:59Yeah, I'm sorry. A cab is just what I need right now.
00:04:05Alright, great. Come on board.
00:04:06Sorry, I... I don't have any cash right now. Um...
00:04:11Give me a minute. I'll go grab some from inside.
00:04:20Here. Just proof I'm not trying to skip out on the fair.
00:04:21I'm sorry. I'm sorry. I don't have any cash right now. Um...
00:04:22Give me a minute. I'll go grab some from inside.
00:04:35Here. Just proof I'm not trying to skip out on the fair.
00:04:39You have some nerve coming back here. I never wanted my son to marry you in the first place. And now that he's finally come to his senses and kicked you to the curb, you think that you can just waltz right back into his house?
00:05:02His house? My father left me this house. And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.
00:05:15I always knew you were a nasty little hussy.
00:05:23Who the hell are you? This is a personal matter, so you should really mind your own business and stay outside.
00:05:29Actually, this is my boyfriend. So if it's a personal matter for me, it's a personal matter for him.
00:05:38Okay.
00:05:39What? You think your son's the only one capable of having secrets?
00:05:43Hey, thanks again for today. I know that's a weird position to put you in.
00:06:04Sorry?
00:06:05It is really nice to know that there is still good people out there that would help a total stranger.
00:06:14Have a good night.
00:06:15Alright, you too.
00:06:35Alright, you too.
00:06:59Where's my necklace?
00:07:00Here. Just proof I'm not trying to skip out on the fair.
00:07:30How does a fancy broad like you find yourself in a place like this?
00:07:36Who the hell are you? Get out now!
00:07:38All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.
00:07:47I'm calling the police!
00:07:50How about I give you a better idea?
00:08:01You and I are gonna have some good old-fashioned fun tonight.
00:08:13If I ever see you around here again, you're dead! Get out of here!
00:08:19Hey.
00:08:21Oh, I'm so... I'm so glad you're here.
00:08:27Where did you get this necklace?
00:08:30My father gave that to me.
00:08:36You better not be lying to me.
00:08:39I'm not lying.
00:08:42He made that with his own hands. It has my name on the back.
00:08:49It's really you?
00:09:00Hey.
00:09:03How are you feeling?
00:09:07How did... how did you...
00:09:10Lift your bag in my car.
00:09:12How did you know where to find me?
00:09:15I have my ways.
00:09:20Hey, listen. I know it's none of my business.
00:09:23But it's not safe for you here.
00:09:25With everything that's happened in the last 24 hours, this is...
00:09:29All I can afford.
00:09:30Listen, I have an extra room in my place. Maybe...
00:09:35You can just come stay with me.
00:09:36Just come stay with me.
00:09:37You can continue.
00:09:38You will be right.
00:09:41Welcome home.
00:09:42Welcome home.
00:10:04I really feel like my luck's starting to change.
00:10:07I mean, you've literally rescued me over and over today.
00:10:12I know what it's like.
00:10:13I've been rescued before.
00:10:15Um, I'm sorry, I...
00:10:17I don't think I can make rent right away, but, um...
00:10:21We could sell this ring and then...
00:10:24It should cover me for a few months.
00:10:26At least until I'm back on my feet.
00:10:28I thought he was a really rich guy.
00:10:30Why did he choose such a small diamond?
00:10:34It's not a very good cut, either.
00:10:37Okay. Never mind. I can just...
00:10:41No, it's fine. I'm just saying.
00:10:44I mean, you deserve a better ring than this.
00:10:47No, babe. Stop. It's late. Okay?
00:10:50No, babe. Stop. It's late. Okay?
00:10:55You're still thinking about her.
00:10:57Who? Tasha?
00:10:58Are you kidding me?
00:11:00Then why are you wearing the wedding ring?
00:11:02Did you forget what she and her father did to you?
00:11:03I will never forget what she and her father did to me.
00:11:05But that has nothing to do with you.
00:11:08So why don't you stop mouthing off about shit,
00:11:10that you know nothing about and let me handle my own affairs.
00:11:13Stop. It's late, okay?
00:11:16You're still thinking about her.
00:11:18Who, Tasha?
00:11:20Are you kidding me?
00:11:21Then why are you wearing the wedding ring?
00:11:24Did you forget what she and her father did to you?
00:11:26I will never forget what she and her father did to me.
00:11:30But that has nothing to do with you.
00:11:32So why don't you stop mouthing off about shit that you know nothing about
00:11:35and let me handle my own affairs.
00:11:43Mary?
00:12:11Mary?
00:12:14What?
00:12:19Hey, what's going on?
00:12:20My daughter's missing.
00:12:21What?
00:12:34Tasha, you shouldn't have barged in like this.
00:12:37If Carl finds out...
00:12:38No, I don't care about Carl right now, okay?
00:12:41Where's my daughter? Where's Anna?
00:12:43I sent her away.
00:12:48You have no right.
00:12:49Actually, as Carl's new wife and Anna's legal guardian, I have all the rights to do whatever I want with my stepdaughter.
00:12:59What?
00:13:00We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:09You think you're getting custody?
00:13:11You think you're getting custody?
00:13:13I'm dreaming.
00:13:15Ah, no.
00:13:16No.
00:13:17Right, in one hand.
00:13:18On one hand, we have a mother drowning in debt with no place to live...
00:13:21Hmm...
00:13:22On the other hand, we have a wealthy and well-respected father
00:13:27who happens to be the CEO of the world-renowned Pro Group.
00:13:31Who do you think the court will side with?
00:13:41Oh, what's going on?
00:13:43Oh, Carl!
00:13:45Carl, it's okay.
00:13:46Tasha was understandably upset about the situation.
00:13:48You know, I don't blame her for what happened.
00:13:51You trespass on my property? Assault my wife in her own home?
00:13:55Tasha, I have put up with your outrageous behavior for years,
00:13:58but don't you dare subject Reyna to that kind of abuse!
00:14:01You don't understand. Reyna sent Anna away!
00:14:04She did what any good mother would.
00:14:06I want to know where my daughter is right now!
00:14:09New Zealand.
00:14:11Getting medical care from one of the best cardiology departments in the world.
00:14:15And remind me, what have you done for your daughter lately, hmm?
00:14:19Abandon her? To go shack up with some cab driver boyfriend?
00:14:23You idiot!
00:14:24I found those cardiologists in New Zealand.
00:14:27Scheduling those appointments was the last thing I had Reyna do when she was still my assistant!
00:14:32Tasha, Tasha, you disgust me.
00:14:34Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:39I'm gonna make sure Anna stays far, far away from you so there's no possibility of her ever becoming anything like you.
00:14:51You...
00:14:53Backstabbing...
00:14:54Homewrecking...
00:14:56Bitch!
00:14:57I advise you stay far away from my daughter and I.
00:15:06By the way, the deed still lists me as the rightful owner to this house.
00:15:10So the two of you have no right to keep me from coming back here. Do you understand?
00:15:14Calm down.
00:15:15You can forge my signature, you can take my money, take my house, but you will never have a shred of the intelligence that I got.
00:15:24Tasha, you have made your point. I think it would be...
00:15:28You deserve that too! You should have told me about Anna a long time ago!
00:15:32Oh, don't stop at my account. Please, continue.
00:15:40Miss Big Shot, don't you forget that you still owe 200 million dollars.
00:15:45And 20 millions of that is owned to me, personally.
00:15:49In fact, I'm going to call my lawyer and see to it that if you don't pay right away,
00:15:53you're never going to see your daughter ever again and you'll end up in debtor's prison.
00:15:58Ciao.
00:16:04Go ahead and check it out.
00:16:05But after your accountant, make sure this is all legit.
00:16:07I don't want you two jackasses hunting my girl for money ever again.
00:16:10Got it?
00:16:16Oh!
00:16:17By the way, we're going to go ahead and take Anna in the future too.
00:16:21Don't worry, Carl. I'll be a better father to her than you ever can be.
00:16:26Tasha.
00:16:28You'll regret this.
00:16:33Thanks again, Kerr. Today.
00:16:37For pretending to be my boyfriend.
00:16:42Mm-hmm.
00:16:45Was all that money real?
00:16:47As real as it comes.
00:16:49Where'd you get all that money?
00:16:51I robbed a couple of jewelry stores before I came to find you.
00:16:55Are you serious?
00:16:56No. I'm just joking. It was my dad's.
00:17:00Don't worry. It wasn't stolen or robbed or anything.
00:17:03But hey, listen.
00:17:04From now on, I want you to think of me as your creditor.
00:17:07Okay?
00:17:08I don't want you to worry about owing money to those scumbags.
00:17:11From now on, you'll just throw money to me.
00:17:13As long as you're okay with that.
00:17:16I could be okay with it.
00:17:18As long as you can satisfy one small request.
00:17:23What kind of request?
00:17:24My only request is that you just relax.
00:17:36Okay?
00:17:38Why don't you just take a load off.
00:17:40Why don't you start by telling me a story, you know, about the last time it was when you were happy.
00:17:44You know, I just, I never in a million years could imagine that Carl would betray me like this.
00:18:03I have nothing.
00:18:04Well, I mean, you always have me and, you know, other things.
00:18:17I can't hear you. You're whispering.
00:18:47You know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:08That bitch.
00:19:10Honey, you know, you promised to put me in touch with the curator at the Fitzgallery.
00:19:14I'm telling you, forget about the Fitzgallery, okay?
00:19:17The people who are running it are crooks.
00:19:20But I want my paintings to be showcased in the most prestigious venue possible.
00:19:25I know, I know.
00:19:26And I said I would help you find other galleries.
00:19:29Remember?
00:19:30Just stop nagging me about it.
00:19:33Okay?
00:19:34Okay.
00:19:37You're a little angel.
00:19:44It's okay.
00:19:45Just sleep in.
00:19:46Well, it's certainly going to make things more complicated.
00:20:09So you want to pretend last night never happened?
00:20:18I thought we had a good thing going on between us.
00:20:21I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:25Yeah, but that was just something I said to make my husband jealous.
00:20:31You mean your ex-husband?
00:20:34Yeah.
00:20:35Ex.
00:20:36Yeah.
00:20:38But I mean, you and I...
00:20:42You know I can't start a new relationship right now.
00:20:44So everything you said last night?
00:20:49We were just caught up in the heat of the moment.
00:20:53Heat of the moment.
00:20:55So it was all just bullshit.
00:20:57Why?
00:20:58To get me into bed with you?
00:21:00Just to have a one night stand?
00:21:03Because you miss being with your damn husband?
00:21:05Your damn husband?
00:21:20So everything you said last night?
00:21:25Get older yourself.
00:21:26You just got divorced.
00:21:32You're not going to play mind games with men anymore.
00:21:35Hey.
00:21:39I wasn't sure what you liked, so...
00:21:41I just made a little bit of everything.
00:21:45You made all this?
00:21:46Yeah.
00:21:47So what do you think?
00:21:58It's delicious.
00:22:04I mean, you deserve to have some of your awesome breakfast too.
00:22:08Hey.
00:22:10You're not going to maybe sit here and eat this alone, are you?
00:22:17You've got some sauce right here.
00:22:25All that for some sauce, huh?
00:22:27Are you kidding me?
00:22:34Hello?
00:22:36Mommy, I miss you so much.
00:22:38Anna?
00:22:40Mommy, I miss you so much.
00:22:42What's going on?
00:22:43Okay.
00:22:48Both of your resumes look excellent.
00:22:50I have a question.
00:22:54If you spilled a glass of milk in the ocean,
00:22:57how would you get it back?
00:22:59What does that question have to do with our work?
00:23:02Well, uh...
00:23:04I suppose you could contain
00:23:07the section of the ocean with the spilled milk,
00:23:09and then collect that sample,
00:23:12add a centrifugal force,
00:23:14and there's probably a good chance of separation.
00:23:18So at our company,
00:23:20we are always trying to make the impossible possible.
00:23:23And for that, we need people who can think on their feet.
00:23:26Derive solutions.
00:23:28No matter how...
00:23:30outlandish the task at hand they see.
00:23:33Hello?
00:23:43Uh-huh.
00:23:45Okay.
00:23:53Congratulations, Miss Michaels.
00:23:55Welcome to the Eastwood Corporation.
00:23:57If you don't mind me asking,
00:24:11why didn't I get the job?
00:24:14Mrs. Roberts,
00:24:16maybe you should focus on fixing your own family problems first,
00:24:21before you start to look for work again.
00:24:23We don't want to make enemies with the Crow Group.
00:24:40So I guess you didn't get it?
00:24:43I just don't understand why Carl hates me so much.
00:24:47I mean, he doesn't want me to work for his company,
00:24:49but he doesn't want me to work for any other company either.
00:24:51Look, you don't need that corporate job anyways.
00:24:55Yeah?
00:24:57What else can I do?
00:24:59I mean, I thought you were an artist.
00:25:01Now a painter.
00:25:02How'd you know about that?
00:25:04You brought an easel.
00:25:09It's just a hobby.
00:25:12I gave it up.
00:25:14I don't paint anymore.
00:25:15Okay, well, if you don't love to paint anymore, then why bring an easel with you?
00:25:26I haven't painted in years.
00:25:28I'm sure it'll be just like riding a bike.
00:25:31Once you start, it'll all come back to you.
00:25:33That's my account. Why are they assigning it to someone else?
00:25:41Fine, fine. Just get me some damn answers and give me a call back soon, okay?
00:25:48Carl, this took me three months.
00:25:50I'm sorry, I just got some bad news at work.
00:25:55It's ruined now.
00:25:57Why?
00:25:58Start over.
00:26:00You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:26:06You're a remarkable woman, Tasha.
00:26:10Okay, and if the charlatan snobs in the art world can't see that, then screw them, okay?
00:26:16If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:22And then you could put whatever paintings you want in them, right?
00:26:25Painting's my passion.
00:26:29What if we put painting on the side, just for a little while,
00:26:33and you could come join me at the company?
00:26:37Because together, we'd be unstoppable.
00:26:42And right now, I am drowning.
00:26:45Your dad and his partners have no faith in these.
00:26:50I need you.
00:26:52Look, you love me, don't you?
00:27:00Of course I do.
00:27:01You're dead.
00:27:02Okay, that doesn't matter.
00:27:04Do this one thing for me.
00:27:06This one little thing.
00:27:08Please.
00:27:09Where have I?
00:27:10I need you.
00:27:11You're dead.
00:27:12My nose.
00:27:13Here.
00:27:14You need you.
00:27:15It's over there.
00:27:17There may be you.
00:27:18When you have two hands and she gets on the side,
00:27:19I need you.
00:27:20We're just waiting to fix that.
00:27:22I need you.
00:27:23I need you.
00:27:24Let me know.
00:27:25You're the one thing for me.
00:27:26I need you.
00:27:27One thing for me.
00:27:29What?
00:27:30What?
00:27:31What?
00:27:32What?
00:27:33How is it?
00:27:35No.
00:27:36Spider, it's over there.
00:27:37Yep.
00:27:43That is amazing.
00:27:46Thank you. I honestly never thought I'd paint again.
00:27:49Well, that would have been a shame. You're easily one of the most talented artists I've ever met.
00:28:07We're honored that you chose our gallery to showcase your work. I am curious about one thing, if you don't mind me asking.
00:28:18The subject in your paintings, your muse, is he your lover?
00:28:23Oh. No. He's just a friend of mine.
00:28:30But his gaze, the way he looks out to you in these paintings, there's so much tenderness and affection in his eyes.
00:28:43Is Ken really in love with me? He's so young, though. At his age, he probably doesn't even know what love is.
00:28:51Oh, sorry. You're in the way.
00:28:55Actually, you're in my way.
00:29:00I'm trying to get into my home.
00:29:04Is this your new girlfriend?
00:29:07I've never seen you with anyone like this before.
00:29:10Ken's my roommate.
00:29:11Now, if you'll please step aside so I can get in.
00:29:18Call me again if you need anything, okay? Bye.
00:29:24Hey, what are you doing home so early? Are they gonna showcase your work?
00:29:28Sorry if I interrupted something, but as your roommate, I don't really think I need to tell you if I'm coming or going.
00:29:34So, if you have something private to do, just do it in your room.
00:29:37I never said you need to tell me when you're coming or going. I'm just saying.
00:29:40Fine. You don't need to explain. Just... I just want to be alone.
00:29:43What?
00:29:54I'm so sorry, sir. She just barged in without permission.
00:29:57It's okay.
00:29:59Miss Roberts, please. Grab a seat.
00:30:02We signed a contract. Why can't you show my paintings now?
00:30:05I'm afraid I don't have the answers you're looking for.
00:30:08You want to know what happened? Ask Karl Kroh.
00:30:13I want my paintings back. Right now.
00:30:17Well, they're probably somewhere in the warehouse. They haven't been thrown away yet.
00:30:22You've already searched the entire warehouse ten times.
00:30:23If you haven't found what you're looking for, it's not here.
00:30:28You better hope I find what I'm looking for, or I'm going to make this entire gallery compensate me.
00:30:31And then I'm going to search the entire warehouse ten times. If you haven't found what you're looking for, it's not here.
00:30:36You better hope I find what I'm looking for, or I'm going to make this entire gallery compensate me.
00:30:42And then I'm going to sue you, and you'll be the first to lose your job.
00:30:45Yeah, that's great, lady. Go ahead and sue. I'm sure things will go exactly the way you described it.
00:30:50I'm sure things will go exactly the way you described it.
00:31:20I'm trying to find what happened.
00:31:22I'll walk out with you.
00:31:24I'll stay back.
00:31:25I'm looking forward to your video.
00:31:27I'm looking forward to it.
00:31:31You're going to see your time.
00:31:33Why are you doing it?
00:31:35I'm looking forward to it.
00:31:36I'm looking forward to it.
00:31:38I'm looking forward to it.
00:31:40It's asaid.
00:31:42You're looking forward to it.
00:31:45I'm looking forward to it.
00:31:46You really care about her.
00:31:55Shh, keep your voice down.
00:31:57She's had a long day.
00:31:59Also, you can't just come over here so casually in the future.
00:32:03Casually?
00:32:04Are you kicking me out?
00:32:06You didn't mind my coming over so casually when you had me digging through your body for bullets.
00:32:11You men are cold as hell.
00:32:13I think my lucky star is I'm a lesbian.
00:32:14Look, I just can't have her finding out about the work that we do, okay?
00:32:18Are you serious about her?
00:32:21Yeah.
00:32:22Have you thought about the consequences if your dad finds out?
00:32:27Look, no.
00:32:28You and I have been best friends for over 20 years, okay?
00:32:32And my dad has taught me everything that I know.
00:32:35I think maybe it's time I just figure things out on my own.
00:32:38And you know exactly what I went through last time.
00:32:42I'm not going to lose her again.
00:32:44Don't worry, Anna.
00:32:49Mommy's going to find a way to bring you home soon.
00:32:59All the evidence is here.
00:33:00It's exactly what you thought.
00:33:03Let me know if you want me to find out more.
00:33:05Carl, let's meet.
00:33:21Carl, let's meet.
00:33:21Oh, wow.
00:33:31It's not every day a famous painter comes to visit.
00:33:35To what do I owe the pleasure?
00:33:37The company I supposedly borrowed money from.
00:33:42It's a shell company owned by you.
00:33:46So what?
00:33:48All our operations are legal, you signed the documents, you borrowed the money.
00:33:53All you can do now is pay it back.
00:33:58You know, I don't think you actually want me to pay back the loans.
00:34:04But you were just looking for an excuse to have me back in your life.
00:34:10You're obsessed with me.
00:34:13This is just your sick way to dominate me and make me surrender to you.
00:34:17I'm just getting even.
00:34:19For the years I spent in your father's shadow.
00:34:22The years of belittlement and him treating me like a clown.
00:34:26My father hired you when no one else would.
00:34:31Not my fault that your insecure petty took his support as belittling.
00:34:39I wouldn't upset me if I were you.
00:34:42Remember, I'm your creditor now.
00:34:45Two months.
00:34:47That's all I can give you to pay me back the remainder.
00:34:49A hundred and eighty million.
00:35:01What are you doing here?
00:35:02I was just in the neighborhood.
00:35:04Thought I'd give you a ride home.
00:35:06Hey.
00:35:07Who is this?
00:35:08This is Ken's roommate.
00:35:09We're going to be dropping them off before we head home.
00:35:22Hey listen, I didn't introduce you last time, but this is my best friend Nell and her girlfriend Maria.
00:35:27Nell and I have been nothing more than friends since we were kids.
00:35:35She's not into men, and she never has been.
00:35:38And her and I are nothing more than just platonic friends.
00:35:41Alright?
00:35:42I'm sorry I jumped to conclusions the other day.
00:35:46It's okay.
00:35:47I just didn't want you to get the wrong idea.
00:35:54Look, I...
00:35:56I appreciate it.
00:35:57I really do.
00:35:58I just...
00:35:59I...
00:36:00I still think you and I are better off just as friends.
00:36:05Just...
00:36:07Why?
00:36:12Why?
00:36:13Maybe because I'm just getting over a failed marriage.
00:36:20Because I owe an unthinkable amount of money and I have no idea how I'm going to pay it back.
00:36:27I also have no idea how I'm going to get my daughter back.
00:36:32And getting into a relationship with you, that's just something I can't do right now.
00:36:37Love has brought me nothing but pain, okay?
00:36:39So just, please, just leave it.
00:36:43Do you have any other paintings?
00:37:04Do you have any other paintings?
00:37:05Yeah, I have several.
00:37:06What are you looking for?
00:37:07I would like to buy them all.
00:37:08I love your painting style.
00:37:09It is so unique.
00:37:10I own a large gallery and I would like to establish a long-term collaboration with you.
00:37:11Thank you for your kind words about my paintings, but...
00:37:12I've been in some trouble lately and it's probably best if I don't involve your gallery.
00:37:13None of this matters to me.
00:37:14None of this matters to me.
00:37:15I have several.
00:37:16I have several.
00:37:17What are you looking for?
00:37:18I would like to buy them all.
00:37:19I love your painting style.
00:37:20It is so unique.
00:37:21I own a large gallery and I would like to establish a long-term collaboration with you.
00:37:26Thank you for your kind words about my paintings, but...
00:37:27I have been in some trouble lately and it's probably best if I don't involve your gallery.
00:37:39None of this matters to me.
00:37:43If someone wishes to cause me trouble, well, just let me try.
00:37:54I mean, it has to be a mistake.
00:37:59Or a prank or a cruel practical joke.
00:38:03I mean, it seems pretty authentic to me.
00:38:05It has their seal and your name and address are, like, clearly written on it, so...
00:38:14It looks authentic.
00:38:16But how would they have seen my paintings?
00:38:20I don't know.
00:38:21Maybe one of those auction sites that you've been posting your work on?
00:38:24I mean, you're incredibly talented, so anybody who's seen your work would automatically recognize it.
00:38:29I own a large gallery and I would love to establish a long-term collaboration.
00:38:39It's him.
00:38:41It's him.
00:38:42The guy who's been on my paintings.
00:38:44He must be the owner of the Fitz Gallery.
00:38:46Well, in that case, we better get going.
00:38:49Where?
00:38:50Gotta go get you a dress.
00:38:51Can't have you showing up to the Fitz Gallery in rags.
00:38:54Thanks.
00:38:59Babe?
00:39:00Which one do you like more?
00:39:02This one?
00:39:03Or this one?
00:39:04I need to be the hottest girl at the Fitz Gala.
00:39:09Everything just looks so good on you, honey.
00:39:12So, just pick whichever one you want.
00:39:15I gotta take a call, okay?
00:39:18Wrap this up, you twitch.
00:39:19I'll take them both.
00:39:24Wow.
00:39:29I used to buy dresses like this all the time without even thinking about the money, but...
00:39:33I can't afford something like this now.
00:39:37You know what?
00:39:39Consider it a congratulatory gift for me.
00:39:42Alright?
00:39:43And when you make it big in the art world, you can just pay me back.
00:39:48Oh, hi. Excuse me.
00:39:49Yeah, my friend would like to try on this dress.
00:39:51Oh, your friend has amazing tastes.
00:39:53This dress is actually a limited edition.
00:39:55Each one handcrafted by hand and therefore entirely unique.
00:39:59Truly a work of art.
00:40:00Well, how fitting that's gonna be worn by a very talented artist.
00:40:04I'll have someone on the team bring it out to you.
00:40:07Veronica, please bring the limited edition.
00:40:10What limited edition?
00:40:15Tasha?
00:40:17Do you really think you can afford this dress?
00:40:23You can afford this dress?
00:40:27Please.
00:40:29Reyna, I don't think you need to worry about Tasha's finances, okay?
00:40:32We established that last time.
00:40:34Hey, you. Get over here.
00:40:38I'm gonna pay twice what it's worth.
00:40:41But I want this dress.
00:40:42Ma'am, this dress is $4,000.
00:40:44Did I ask you how much it cost, you pluritarian scum?
00:40:47Just shut your mouth and add it to my bill.
00:40:50She's willing to pay double.
00:40:51I'll double her offer and I'll pay $16.
00:40:55Okay, sir. Sold.
00:40:57$32,000.
00:40:59You know what?
00:41:01If she wants to dress so bad, let her have it.
00:41:04You can put all the jewels you want on a pigeon, but it'll never be a peacock.
00:41:08I'll show you who's a pigeon, you little bitch.
00:41:11How dare you assault me!
00:41:13Tasha, are you okay?
00:41:17What is going on here?
00:41:18What's going on is that your crazy bitch wife pushed Tasha to the ground.
00:41:22I swear to God, they're all lying.
00:41:24I never touched her.
00:41:25I saw everything.
00:41:26This gentleman and his girlfriend were very nice and politely inquired about a dress and suddenly your wife appears and attacks her for no reason.
00:41:33Shut your mouth, you little lying asshole!
00:41:36You know what? Why don't you just call security before this crazy maniac hits somebody else?
00:41:39Wait a second, Reyna. What actually happened here? What's going on?
00:41:43Why don't you believe me? I told you.
00:41:45Don't we just call 911.
00:41:48Are you blind? Oh Tasha, can you stop this bullshit?
00:41:50You know what Reyna, can you just stay away?
00:41:52Can I get someone down here? Room A122?
00:41:55No, no, that's not necessary. We are leaving right now. Let's go.
00:41:58No, but-
00:41:59Okay! You've embarrassed us both enough for one day, okay? Let's go!
00:42:02Wherever Reyna goes, trouble's sure to follow.
00:42:14It is nice to see her get a taste of her own medicine though.
00:42:17Yeah. It's a shame though. You would have looked really great in that dress.
00:42:22Heh.
00:42:25Don't worry about that. I have a solution.
00:42:36What are you gonna do with all this stuff?
00:42:37I'm gonna design my own dress and wear it to the gala.
00:42:41Are you sure there's enough time?
00:42:42Have some faith in me.
00:42:44I graduated with honors in design and fine art.
00:42:48I got this.
00:42:50Alright.
00:42:51How do I look?
00:43:10How do I look?
00:43:14How do I look?
00:43:16What? Is something wrong? Is it too much? Should I change something?
00:43:27No. No.
00:43:29You look-
00:43:31That dress, like-
00:43:33That is one of the most beautiful dresses I've ever seen.
00:43:39But there's something missing.
00:43:43Should I resell the beads?
00:43:46No.
00:43:47I have a gift for you.
00:43:49Something to complete the whole look.
00:43:58Just try harder, you idiot!
00:44:00Mrs. Crowe.
00:44:01I am doing everything I can.
00:44:03I-I-I don't know what more I can do.
00:44:05You're calling me fat?
00:44:07Of course not.
00:44:08You're not fat at all.
00:44:10It's the dress.
00:44:11It's not made for a woman's body.
00:44:13Just shut up and do it!
00:44:16Babe.
00:44:18Just put on another dress.
00:44:20You're gonna be late.
00:44:22I spent so much money on this dress.
00:44:24I am wearing this dress!
00:44:26I-I can't. It's-
00:44:27It's too much.
00:44:28No.
00:44:29It was made for you.
00:44:30I-I can't. It's-
00:44:31It's too much.
00:44:32No.
00:44:33It was made for you.
00:44:35I-I can't wait to see what you've brought to the auction.
00:44:36Can we have a little hint?
00:44:37I-I can't wait to see what you've brought to the auction.
00:44:38Can we have a little hint?
00:44:39Well, actually-
00:44:40I-I can't wait to see what you've brought to the auction.
00:44:41Can we have a little hint?
00:44:42Well, actually, I brought some of my very nice clothes.
00:44:43I-I can't wait to see what you've brought to the auction.
00:44:44I can't wait to see what you've brought to the auction.
00:44:45I-I can't. It's-I can't wait to see what you've brought to the auction.
00:44:50Can we have a little hint?
00:44:52Well, actually, I brought some of my very own paintings to auction tonight.
00:45:11What's wrong?
00:45:14what's wrong just tasha roberts my husband's dreadful ex-wife
00:45:23i'm tired of seeing her sorry face everywhere you know she's also a horrible person
00:45:31if it isn't everyone's favorite white collar criminal turned homeless vagrant tasha roberts
00:45:38so the other day when you were trying to buy this dress with that um working class thug
00:45:44boyfriend of yours you were trying to come here are you sure you were even invited
00:45:53i'm sorry are are you working the security details do we need to show you my invitation
00:45:58honey i'm just trying to look out for you okay i want to spare you the embarrassment of being
00:46:04kicked out when everybody finds out that you are not invited you mean like how you were kicked out
00:46:09of them all i see you still quite don't understand your place in the world you think you're
00:46:16cinderella or something and life is a fairy tale but don't worry i'll help you figure it all out
00:46:26what's wrong with you can't you see people are walking through reena this time you've gone too far
00:46:32stop shouting you dreadful oh these were supposed to be auctioned tonight well if it is of any
00:46:37consolation i don't think the wine has reduced their value of very much at all now you can go and cry to
00:46:44your fairy gut mother oh i think the auction's starting well i'll see you there toodles
00:47:02for our first auction item i'd like to welcome miss reina crow to the stage
00:47:06with her collection of original paintings
00:47:25as you can see miss reina crow's style is very unconventional certainly these works defy easy
00:47:33categorization and yet there are touches of whimsy and an almost playful quality about them as
00:47:39depicted here through the bold use of a duck as a central figure it's a dog what it's a dog not a
00:47:47duck you buffoon oh yes of course a dog seen through a very unique prism portrayed as only an artist of
00:47:57reina's caliber could possibly portray it now that we have familiarized ourselves with the art and the
00:48:04artist let's start the bidding the starting price will be fifty thousand dollars do i hear fifty thousand
00:48:09dollars anyone fifty thousand dollars do i hear sixty thousand dollars anyone fifty thousand dollars going
00:48:21once fifty thousand going twice sold sold for fifty thousand dollars
00:48:32and now we'll invite our second artist for the evening miss tasha roberts who will also be
00:48:37presenting a series of paintings
00:48:48miss tasha roberts where are your paintings i don't have my paintings tonight um but i will be auctioning off
00:48:57this dress
00:49:07so
00:49:11wow it's beautiful
00:49:14stupendous i've never seen a dress so beautiful
00:49:20oh stupendous i've never seen a dress so beautiful a stunning work of art indeed there's no need for me to
00:49:28say another word about this masterpiece everyone in the audience can clearly see the extraordinary talent
00:49:33and extraordinary artistry let's start the bidding at fifty thousand dollars fifty five thousand
00:49:38seventy five thousand ninety thousand a hundred thousand one hundred fifty thousand two hundred and fifty
00:49:47thousand
00:49:47$250,000 going once, $250,000 going twice.
00:49:54Gold! This beautiful jacket is gold for $250,000.
00:50:06Is that the Heart of Sun Magnus that sold for $200,000,000 a few months ago?
00:50:10Impossible. How can that lowly peasant possibly afford it?
00:50:15It must be a fake.
00:50:20Thank you so much for your bid, Miss Winslow.
00:50:23I'm going to design a few custom pieces in your size and design them to your elegance and style.
00:50:29Have you ever considered creating your own clothing brand?
00:50:34Your creations are so extraordinary. You should really share your talent with the rest of the world.
00:50:40Thank you. I never considered it, but I certainly will now.
00:50:45Hi. I'd be careful if I were you.
00:50:48I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.
00:50:55What are you talking about right now?
00:50:57This woman is a phony and a con artist.
00:51:00For as long as I worked with her, she's done nothing but the fraud and cheat the people she's done business with.
00:51:07And let me make it clear. For everybody that wants to do business with this woman, they won't be allowed to do business with the Crow Group.
00:51:15Is that so?
00:51:16Well, let it be known that if anybody refuses to work with Miss Tasha Roberts because of the baseless rumors and lies being spread by Miss Raina Crowe, you will no longer be welcomed back to the Fitz Gallery.
00:51:30That's the curator of the Fitz Gallery.
00:51:33That's the curator of the Fitz Gallery.
00:51:35Not just the curator, he's also the director of the Fitz Foundation.
00:51:39The curator? Is he the man who bought my paintings? Why does he seem so familiar?
00:51:47Miss Tasha Roberts is my guest of honor tonight, alright? I invited her personally.
00:51:55So if anybody treats her with the slightest bit of disrespect, they'll be asked to leave and never again invited back to the Fitz Gallery.
00:52:02As the director of this esteemed organization, am I interested to know that your guest of honor is wearing a cheap replica of a priceless work of art.
00:52:12She is not to be trusted.
00:52:15I'm assuming you mean her diamonds. What evidence do you have to prove that it's not real?
00:52:20Well, the real Heart of the Sun has the initials of the Craftman engraved in the joint between the gemstone and the pendant.
00:52:28So Tasha, would you indulge us all and show us if what you're wearing is a genuine article or a cheap knockoff?
00:52:37This was just given to me by a friend. I never claimed it was the real Heart of the Sun.
00:52:43But I don't want to embarrass him by having people pour over it for imperfections.
00:52:48So it's a forgery. You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:52:56Miss Roberts, you have nothing to fear from this woman. Just show her the necklace. And I'll personally see to it that there are no despairing comments about its craftsmanship or quality. And the question has to be asked whether it is the true Heart of the Sun.
00:53:09See, just like... What? How is this possible?
00:53:28I do say, this engraving looks entirely authentic to me. This is indeed the one and only Heart of the Sun.
00:53:47Well, that settles it then. This necklace is authentic. From now on, no one will be permitted to question or harass my guest of honor.
00:53:55Now, if everyone is satisfied, can we please get back to tonight's festivities?
00:54:00Thank you. Cheers.
00:54:10Ken, you have a lot of explaining to do.
00:54:13Okay, what's wrong?
00:54:15I can't accept this necklace. And I can't give you what you want.
00:54:21Do you even know what I want?
00:54:23I don't want to know. We can just be friends, nothing more.
00:54:28Tasha, you're just afraid. You're just afraid of going after what your heart truly desires.
00:54:35And I just think you're afraid of just being true to yourself.
00:54:39You're the last person that should be lecturing anybody on the truth.
00:54:42Who are you? What do you do? Is this even your house? I mean...
00:54:50How do you own a necklace that's 200 million dollars?
00:54:56I just...
00:54:57See, you... you don't even respect me enough to tell me the truth.
00:55:02You... you expect me to jump into a relationship with you?
00:55:06You could be a total stranger.
00:55:10I have no idea who you are.
00:55:13Tasha, I want to tell you. I do. But...
00:55:17I... I just can't right now.
00:55:20Alright? Like, maybe in the future when we can sit down and...
00:55:22No, Ken, there is no future for us.
00:55:25Not if you can't tell me one thing about yourself that isn't a lie.
00:55:30When you find someone that you really love and trust,
00:55:33you let them in.
00:55:41But that person won't be me.
00:55:58Are you okay?
00:56:00Director Fitz, I had a wonderful time at the Gala.
00:56:06Thank you for supporting me and standing up for me.
00:56:10I wasn't bothered by the way the other guests treated me.
00:56:14I've endured far worse.
00:56:19Lovely. I'm glad to hear it.
00:56:20I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.
00:56:27Think of it as a sort of artist's residency.
00:56:30Would you be interested in such an opportunity?
00:56:31This dress is every bit as exquisite as I expected it to be.
00:56:44Thank you, my dear.
00:56:46You're very welcome.
00:56:48Have you given any more thought to my proposal?
00:56:50If you wish to start a clothing brand, I would be more than happy to invest whatever you require to get started.
00:57:00It's a very gracious offer, but I just, I have to ask. I mean, there are so many other talented designers. Why do you have such faith in my abilities?
00:57:08It's not just me, you know. The curator of the Fitz Gallery has never been seen in public before the gala last night.
00:57:18And everyone in attendance was certain that the only reason he chose to make an appearance was because of you, his guest of honor.
00:57:26That was his first appearance ever?
00:57:31Indeed. His very first and only time to appear in the flesh.
00:57:35Before this, he was a figure of myth and mystery.
00:57:39Many people doubted he existed at all.
00:57:43But all because of you, he chose to grace us with his presence last night.
00:57:49Seems like a marvelous young man, don't you think?
00:57:52He certainly had a charm about him.
00:57:54Oh, undoubtedly. You know, many people flock to the Fitz Gallery for more than just the art.
00:58:01They want to learn all about the enigmatic young curator.
00:58:06Really? I mean, what's so interesting about him?
00:58:09Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections to become the top venue for fine art in just two years?
00:58:21I mean, I heard rumors, something about foul play, but I always just assumed they were baseless.
00:58:29Those rumors have quite a bit of truth to them.
00:58:31It seems like the Miller crime family is actually behind the Fitz Foundation.
00:58:38The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
00:58:46He seemed like such a gentleman. I just, I find it hard to believe that he ever was involved in something so sordid.
00:58:52You must never judge a Brooklyn's cover, my dear girl.
00:58:57Even people close to us may be harboring many secrets.
00:59:02We never really know what's going on inside.
00:59:05You got that right. I learned that lesson the hard way.
00:59:08Let me be frank. I have tremendous faith in you.
00:59:14Thank you, Mr. Wingo, but I think it's...
00:59:16Dear, all my friends call me Laura.
00:59:22This is a good shack.
00:59:24For five million dollars.
00:59:26It should help you get your clothing brand started.
00:59:28Shall we become business partners in addition to being friends?
00:59:47Director Fitz, I'd like to work with you.
00:59:51It would be my honor, Miss Tasha Roberts.
00:59:53Fly away, with me. Take you high, soaring. See your smile, it's my only dream.
01:00:11Staring out into the sea. Waves come crashing up to me.
01:00:19My toes slip into the sand.
01:00:24Dream that I'm with you.
01:00:28Staring out into the sea.
01:00:32Waves come crashing up to me.
01:00:36My toes slip into the sand.
01:00:40Dream that I'm with you.
01:00:43I'm with you.
01:00:44I'm with you.
01:00:55Congratulations, Miss Roberts. We expect a huge success from your art exhibition.
01:01:00Thank you. Thank you.
01:01:01You're looking at her. You're obsessed with her.
01:01:19Didn't she humiliate me enough the other night at the gala?
01:01:21But no, now I have to watch my husband stare at her picture.
01:01:26Well, maybe if you didn't give her the opportunity to humiliate you.
01:01:30So it's my fault now?
01:01:32Oh wait, let me guess. Maybe it's my fault too when the two of you broke up.
01:01:35Okay.
01:01:37Reyna, I've been thinking.
01:01:40I don't think this is working.
01:01:41I want a divorce.
01:01:44Brutal filla di puttana.
01:01:48You used me to push Tash out of your company, take her property, and now you cast me aside like what? A used piece of garbage?
01:01:56I won't allow this.
01:01:58Mark my words, Karl Kroh.
01:02:01You will regret this.
01:02:11I'm spending too much time around Ken.
01:02:18He's dominating all my thoughts.
01:02:21I have to distance myself from him.
01:02:23For my own sanity.
01:02:36Is there nothing I can do to get you to stay?
01:02:38I'm sorry.
01:02:42I'm sorry.
01:02:44But no.
01:02:47You and I, our relationship will just keep going in circles.
01:02:54But thank you for everything you've done for me.
01:02:58I have a little bit of money now, so you should be able to pay off your loan soon.
01:03:02And long talks, and awkward silence, waiting nights, walking through the garden, running, with your hand in mine.
01:03:21And some.
01:03:30This is what happens when you steal from the Millers.
01:03:37Please, let me go.
01:03:42Promise you'll never see me again.
01:03:49What do you got here?
01:03:51I'm writing this over here.
01:03:53Boss!
01:03:55I found this one peeking around the corner.
01:03:58Not sure how long this little bitch has been watching, but I'm pretty sure she tried to call the cops.
01:04:01Don't worry boss, I got a knife with her name on it.
01:04:09We can dump her body with the other guy.
01:04:16No, let her go.
01:04:18What? Didn't you hear what I said? She's seen everything.
01:04:21Let her go before I rip off your fucking arms and throw them in the river.
01:04:24Walk away. This doesn't mean anything to you.
01:04:35Is this what you couldn't tell me about?
01:04:38Boss, you know this woman?
01:04:42You're gonna kill him.
01:04:44Call the police then. See if they can save his life.
01:04:47No! Don't call the police, you stupid bitch!
01:04:49My world is more cruel than you can possibly imagine.
01:04:54So since you didn't want to get involved, just walk away.
01:05:19Hey babe.
01:05:21What do you want for breakfast?
01:05:22My world is more cruel than you can possibly imagine.
01:05:29Since you didn't want to get involved, just walk away.
01:05:46A great place with us.
01:05:48My world is more cruel than you can possibly imagine.
01:05:49involved, just walk away. I never imagined that Ken could be such a dangerous and
01:05:55violent man. There must be something or someone forcing him to do all of this.
01:06:01Even people close to us may be harboring many secrets. We never really know what's
01:06:07going on inside. Forget it. This has nothing to do with me. I decided to leave
01:06:13Ken, so I have to do my best not to look back.
01:06:29Tasha, let's talk.
01:06:38Your pro-magnet boyfriend. Is he not joining us?
01:06:43It's all over. I'm not with him anymore. Where's Reyna?
01:06:48Reyna was a mistake. That's all over too.
01:06:53Tasha, I want you back. I can't stop thinking about us. You were right, you belong in my life.
01:07:05So, if you just sign those documents, then you can come back to me. Come back to the house.
01:07:14We can carry on like none of this ever happened. I can give you your old job back.
01:07:19That'll be fun, working together again. And then all that debt you owe me will be wiped clean.
01:07:24You, uh, you have?
01:07:31You think I'd get back with you after everything you put me through?
01:07:35Here is a hundred million dollars. I'll pay the rest on time and for your agreement, take these documents and shove them right up your ass.
01:07:58You disgust me, Carl.
01:08:01You should think about Anna. Do you really want her growing up without a mother? With all her health problems, she could really use your support.
01:08:08Don't you dare talk about Anna. She'll be with me soon. Then I'll never let her out of my sight again.
01:08:14She needs her mother and her father.
01:08:16Not a father like you, she doesn't. She'd be better off with no father at all.
01:08:21I'm sorry, am I interrupting? Are you texting a new boyfriend already? Can it wait? I'm not done talking here.
01:08:40You're pathetic, Carl.
01:08:42Hey, Tasha. T- Tasha.
01:08:47Hey, Tasha. Tasha, come back. Where are you going? This place is disgusting. T- Come on, Tasha.
01:08:57Don't you remember the happy times? Come on, we can have that again.
01:09:01Think of Anna. Think of me. Please. I love-
01:09:04Hey! Hey! Hey!
01:09:17Sorry, folks. It's the end of the line for you. No hard feelings. But, we gotta do what the people who pay us tell us to do.
01:09:36Who's paying you? Hmm. I'll give you a hint. A very beautiful woman paid us a small fortune to make sure you two would-
01:09:46To make sure you two don't make it.
01:09:48Reina. That fucking bitch. Do you know who I am?
01:09:54I'm Carl Crow. Hmm? The CEO of the Crow Group.
01:09:58What if she's paying you? I'll pay double, okay? Yeah, yeah.
01:10:01You pay me double. I guess you haven't heard the news, buddy.
01:10:04See, I don't think you have the means to outbid your pretty little friend.
01:10:09Oh, that back-stepping slut!
01:10:16Please, pack up the phone.
01:10:18You trying to phone a friend? That's a big no-no, sweetheart. That's breaking the rules.
01:10:26Sweetie. Don't waste the little time you have left trying to call for help. It won't do you any good. No one.
01:10:37I'm gonna help you now.
01:10:42Three hours? Where's Tasha?
01:10:45Hey, Nell. Hey, listen. I need you to do me a favor.
01:10:49Yeah, I need you to pull out the city surveillance system in the area and find all the footage.
01:10:55Yeah, no. Something's wrong.
01:10:56Something's wrong.
01:11:07What are you doing?
01:11:09We have to get out of here.
01:11:11You should just go. Save yourself. Leave me. It's what I deserve.
01:11:28I'm not gonna leave you. I'm not that type of person.
01:11:40Come on. Let's go.
01:11:44Come down here. Wait until they come in.
01:11:46Hey, Tasha.
01:11:56I'm so sorry.
01:11:59Now's not the time for that.
01:12:00I want the time for that.
01:12:18All in.
01:12:19Looks like we got ourselves a suicidal prick here, fellas.
01:12:32I can't think of any other reason why somebody would kick in the door that's got Vincent Santorelli on the other side of it.
01:12:37Oh shit.
01:12:42Boss.
01:12:44I didn't realize it was you.
01:12:48These your guys?
01:12:50Where the fuck are they?
01:12:53You better find them. Quick!
01:12:54Quick!
01:13:10Now it's your turn.
01:13:24Pretty little thing like you, I was gonna make it painless.
01:13:26But I guess you didn't want that.
01:13:28All the same.
01:13:30Hey, who's this fucking monkey?
01:13:31Lower your fucking gun.
01:13:32Vinny, what the fuck is going on?
01:13:33You're fucking deaf.
01:13:34Yo, lower your fucking gun.
01:13:36Are you...
01:13:38Are you Ken Miller?
01:13:39How can that be? What the fuck is going on?
01:13:41Ken Miller.
01:13:42The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
01:14:05It's you.
01:14:13You know what you have to do.
01:14:17Boss.
01:14:18Please.
01:14:20He's my brother.
01:14:22Rules are rules.
01:14:37I was pushing you away as Ken and...
01:14:41Growing closer to you as Fitz.
01:14:46I'm sorry Tasha, but...
01:14:48There's just nothing I can do that will make you happy.
01:14:52And I just...
01:14:53I just can't win over your heart.
01:15:00Is Ken Miller always this loving with the hostages he rescues?
01:15:05Or is this just special treatment reserved for his lovers?
01:15:10Tasha, I love you.
01:15:11My heart has belonged to you, and only you, for the past 15 years.
01:15:2015 years?
01:15:23No, we just met a few months ago.
01:15:26We met 15 years ago.
01:15:28You went to Marr Middle School?
01:15:34Yeah.
01:15:36And you saved my life there.
01:15:37Stand up, chicken!
01:15:38And hit us back!
01:15:39Isn't that what your dad does for a living?
01:15:40Beat people up?
01:15:41I'm not my dad!
01:15:42You and your father are both scum!
01:15:43Let's teach this little and thug a lesson!
01:15:44Yeah, idiot!
01:15:45Get up and show us what you've got!
01:15:46Hey!
01:15:48Hey!
01:15:49Hey!
01:15:50Hey!
01:15:51Hey!
01:15:52Hey!
01:15:53Hey!
01:15:54Hey!
01:15:55Stop!
01:15:56That's enough!
01:15:57That's enough!
01:15:58It's none of your business, Robert!
01:15:59Get out of here, Robert!
01:16:00Hey!
01:16:01Stop!
01:16:02Go home!
01:16:03I'll call your parents!
01:16:04Go!
01:16:05Oh crap!
01:16:06Oh crap!
01:16:27Ever since I saw you that night in the cab with that necklace on, I just, I knew I found
01:16:30you.
01:16:31I just I knew I found you look this isn't just some feeling okay this is this is
01:16:41everything to me like you are everything to me no matter what happens between us
01:16:47I'll always care about you and maybe one day we can make it work in a different way
01:17:01I just need some time to process this
01:17:14okay and after that maybe we can pick up where we left off that first night you spent here
01:17:24maybe
01:17:27you play your cards right
01:17:30does everything look good to you my artist yeah thanks for everything that doesn't sound very
01:17:53convincing is is there anything you want to change no I just I never got around to asking
01:17:58why you wanted to start an art gallery in the first place honestly just to get to you see I thought if
01:18:06I own the world's greatest art museum that one day you might find your way in here and I don't know
01:18:11that I might find you
01:18:16so
01:18:21I want to see what kind of woman this is that hasn't spared my son.
01:18:51I doubt she's worthy of joining a Miller family.
01:18:56As you wish, sir, I will make the arrangements.
01:19:01Honestly, it's to get to you.
01:19:05See, I thought if I own the world's greatest art museum that one day you might find your
01:19:09way in here and I don't know, that I might find you.
01:19:14Okay, okay.
01:19:16Just concentrate on painting.
01:19:18Don't think about him.
01:19:20Who are you?
01:19:38Ms. Tasha Roberts, Mortimer Miller would like to speak with you privately at his home.
01:19:46Come here.
01:19:48Take a look.
01:19:53She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:58She's young, beautiful, well educated.
01:20:04I think she'll make a fine wife for my son, Ken.
01:20:07With all due respect, sir.
01:20:12I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:20:19Choose you.
01:20:20Choose you.
01:20:21Not a chance.
01:20:22You're no match for my son.
01:20:26Choose you.
01:20:27Excuse you.
01:20:29Now you owe money to The Crow group.
01:20:36I'm going to pay your debt.
01:20:43I'll agree to never see my son again.
01:20:50It's our decision whether we want to be together or not.
01:20:54Your son and I love each other.
01:20:56There's nothing in this world that can keep us apart.
01:21:00Natasha, do you want us to be together?
01:21:04It's impossible.
01:21:06Father.
01:21:07I forbid it!
01:21:08Father, this is the love of my life.
01:21:10I can't lose her again.
01:21:12I'd rather leave the family business.
01:21:14Then leave if you wish.
01:21:16But she will never have my approval, ever.
01:21:19And she'll never be a part of the Miller family as long as I live.
01:21:23You'll come running back.
01:21:25Without the Miller family power and money,
01:21:30you'll accomplish nothing.
01:21:33You're making a big mistake.
01:21:36Choosing this old hag
01:21:41instead of family.
01:21:51Ken, where are you?
01:21:52Why aren't you back yet?
01:21:58Oh, you're still awake?
01:21:59Who did this to you?
01:22:17Don't worry about me, I'm fine.
01:22:19It's nothing out of the ordinary.
01:22:21Hey, babe.
01:22:34Yeah, no, I'm just right outside.
01:22:35You son of a bitch.
01:22:36You make me cut my own brother's hand.
01:22:37Now you think you can betray the Miller family?
01:22:38Walk away scot-free?
01:22:39Not a fucking chance.
01:22:40This guy means nothing to the Miller family now.
01:22:42He's worthless.
01:22:43Helpless.
01:22:44You're absolutely nothing now.
01:22:45Let's make him feel the pain that my brother felt.
01:22:49Come on, boys.
01:22:50Come on, boys.
01:22:51Oh, fuck.
01:22:52Oh, fuck.
01:22:53Oh, fuck.
01:22:54Oh, fuck.
01:22:55Oh, fuck.
01:22:56Oh, fuck.
01:22:57Oh, fuck.
01:22:58Oh, fuck.
01:22:59Oh, fuck.
01:23:00Oh, fuck.
01:23:01Oh, fuck.
01:23:02Oh, fuck.
01:23:03Oh, fuck.
01:23:04Oh, fuck.
01:23:05Oh, fuck.
01:23:06Oh, fuck.
01:23:07Oh, fuck.
01:23:08Oh, fuck.
01:23:09Oh, fuck.
01:23:10Oh, fuck.
01:23:11Oh, fuck.
01:23:12Oh, fuck.
01:23:13Oh, fuck.
01:23:14Oh, fuck.
01:23:15Oh, fuck.
01:23:16Oh, fuck.
01:23:17Oh, fuck.
01:23:18Stop! Stop hitting him!
01:23:34Stupid bitch.
01:23:37Stop!
01:23:48Stop at once, you insolent fools!
01:24:11Son, you know how hard it is for me to admit that I made a mistake?
01:24:18But today, the two of you have proved me wrong beyond a shadow of a doubt.
01:24:25Tasha, you are the perfect woman for my son.
01:24:32Go.
01:24:35Be together.
01:24:38You approve?
01:24:40You have my blessing.
01:24:43From this day onward, you have nothing more to do with illegal activities in the family.
01:24:50But, you'll always be a miller.
01:24:56Come on.
01:24:58As will she?
01:25:00Get off me!
01:25:01Stop!
01:25:02Useless, impotent man-child!
01:25:07The crowd group is bankrupt!
01:25:08That hurt!
01:25:09Getting involved with you is the worst decision I could have made in my life!
01:25:14Get off!
01:25:15This is all your fault!
01:25:16You spent every single thing that we had!
01:25:17Now we have nothing left!
01:25:18No company, no house, no money, not even a dime!
01:25:20And it's all because of you, you greedy cow!
01:25:24Get off me!
01:25:26You useless, impotent man-child!
01:25:29The crowd group is bankrupt!
01:25:32Getting involved with you is the worst decision I could have made in my life!
01:25:36Give off! This is all your fault!
01:25:38You spent every single thing that we had!
01:25:40Now we have nothing left!
01:25:42No company, no house, no money, not even a dime!
01:25:46And it's all because of you, you greedy cow!
01:25:48Don't you, don't!
01:25:54The late Mrs. Miller was a beautiful woman, sir.
01:26:02Yes.
01:26:06Back then, my wife protected me from every danger that befell our family.
01:26:12And today, my son found the perfect woman that doesn't do the same for him.
01:26:20He's a lucky man.
01:26:24Wow, you look so beautiful.
01:26:38No, you can't be here right now!
01:26:40Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:44Ken, can you promise me one thing?
01:26:48I can promise you two if you like.
01:26:50I'm serious.
01:26:52I want you to walk away from the family business.
01:26:56There's a city called Ostia.
01:27:00It's on the southwest side of Rome by the ocean.
01:27:02What?
01:27:04You know what I found over there?
01:27:06I found you an art teaching job.
01:27:08I had a public school.
01:27:10I already took tickets.
01:27:12I leave in the morning.
01:27:14You're sending me away?
01:27:16No.
01:27:18I opened my own restaurant.
01:27:20It's just down the street.
01:27:22Oh, and one more thing.
01:27:24I enrolled Anna at the school they're going to be teaching at.
01:27:28I think she's going to really love it over there.
01:27:30I think she's going to really love it over there.
01:27:34So you really are walking away?
01:27:36Yeah.
01:27:38You got some socks.
01:27:42You got some socks.
01:27:44You got some socks.
01:27:46Maybe your phone is left.
01:27:47You're walking away?
01:27:48No.
01:27:50No.
01:27:52No.
01:27:54No.
01:27:56No.
01:27:57No.
01:28:00No.
01:28:01No.
01:28:03No.
01:28:06No.
01:28:07No.
01:28:08No.
01:28:09No.
01:28:10No.
01:28:11Transcription by CastingWords
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