00:00Hi guys, welcome to INS.
00:02Thank you, Ji.
00:03This is so much for me.
00:06Literally, if it means excitement.
00:08I'm Bengali, Punjabi.
00:10Bear with me.
00:12You can say that,
00:14I can't say that,
00:16I can't say that.
00:18I can't say that,
00:20I can't say that,
00:22I can't say that.
00:24I want to know that
00:26for both of you,
00:28what is this moment in your life?
00:32In the meantime,
00:34it's released on Diwali.
00:36I really want to know that
00:38we are really happy.
00:40I mean,
00:42I mean,
00:44I'm very happy.
00:46I'm very happy.
00:48I want to know that.
00:50I don't want to know that.
00:52I mean,
00:54I'm very happy.
00:56I'm very happy.
00:58And,
01:00I'm very happy.
01:02Over the top,
01:04out of the box.
01:06I mean,
01:08every moment,
01:10every moment,
01:12every moment,
01:14every moment,
01:16every moment,
01:18in Diwali,
01:20I'm very happy.
01:22And,
01:24the national award,
01:26double,
01:28double dose of Gote Gote Chats.
01:30Next question is,
01:32when a film,
01:34a national award,
01:36a huge responsibility,
01:38duo with Harjita.
01:40So,
01:42responsibility has doubled in your shoulders,
01:44considering the first part has already won a national award.
01:46And,
01:47you also,
01:48the first part has already won a national award,
01:50you also won a national award.
01:52So,
01:53responsibility and pressure?
01:54No,
01:55no,
01:56it's not like that.
01:57It's so much that,
01:58a film will be very happy,
01:59people will appreciate it.
02:00That's the only national award.
02:02But,
02:03I don't think,
02:04I don't think,
02:05that it's a national award for the film.
02:07I don't think,
02:08that it's a national award for the film.
02:09I try it only,
02:10that it's a good film.
02:11I mean,
02:12many people,
02:13only for national award for the film.
02:15That's the same thing.
02:16I don't think,
02:17that it's a national award.
02:18I don't think,
02:19I don't think,
02:20I don't think,
02:21that it's a national award.
02:22I mean,
02:23it's a very big award.
02:24Right?
02:25And,
02:26when I met the first film of Harjita,
02:27I thought,
02:28you were there,
02:29in London,
02:30shooting 83 in London.
02:31So,
02:32you were there,
02:33sitting on one side,
02:34standing there,
02:35like,
02:36Kabir sir,
02:37Keredgird,
02:38because,
02:39our friend,
02:40Adinath Kothari,
02:41who was there,
02:42who was there,
02:43who was there,
02:44who was a national award.
02:45I,
02:46and Ranveer Pajji,
02:47both stood on the ground,
02:48in the center of the ground,
02:49and,
02:50and,
02:51I said,
02:52what happened?
02:53Ranveer Pajji said,
02:54he got a national award.
02:55I said,
02:56okay.
02:57I said,
02:58how big is it?
02:59I said,
03:00obviously,
03:01that's how big is it.
03:03Obviously,
03:04that's how big is it.
03:05I said,
03:06I said,
03:07that's me.
03:08I said,
03:09that's two films.
03:10I said,
03:11that's one of Harjita,
03:12that's one of my child artists.
03:13Seriously?
03:14I said,
03:15that's one of my kids,
03:16and then,
03:17I said,
03:18that's how big is it.
03:19I said,
03:20that's how big is it.
03:21I said,
03:22that's how big is it.
03:23I said,
03:24that's how big is it.
03:25Actually,
03:26it is a big thing.
03:27National Award for the National Award,
03:28you are the only one that you are from a certain region and you have this.
03:32It is a big achievement.
03:33Because the other awards are like,
03:34if you go, you will get to the other awards.
03:36Otherwise,
03:38you will get to the court,
03:39you will get to the court,
03:40you will get to the court.
03:41Otherwise,
03:42if you haven't won,
03:43you will get to the nomination.
03:44So,
03:45this is the thing,
03:46the main thing.
03:47But,
03:48that pressure is now on your shoulders,
03:49because the first part is already made.
03:50No,
03:51that is also true.
03:52That does not actually happen.
03:54No,
03:55The thing is this process too cannot happen,
03:57This doesn't work for your brain,
03:58the mind is like youant for your brain to be aware that it will get to be able to get it,
04:03that it will get to be able to get the first piece and that to get to be able to get it.
04:05The most important thing now
04:06when you are in aeryther and direct sure,
04:08Practically, what is the first thing about the actor and the director of the audience?
04:12The first thing is that the producer will come to the office for the first thing
04:15and the first thing will become 4, the other appreciation and secondary things.
04:20All the things that can come to the audience and the director can come to the audience.
04:24If we get the appreciation, we don't need the appreciation, we need money.
04:28Because then the producer will repeat, then he will come.
04:31Practical math is that every person, someone says that we have to make films for society,
04:36they don't have to make films for society, they don't have to make films for society.
04:44Otherwise, you make a good film, give a good message,
04:48and the first work is actually cinema or theatre.
04:54If you can make a good message, meaningful message, you can make a good film,
04:59you can make a good film, otherwise you will be the first work of entertainment.
05:01And the other priority for every producer is that they will make a good film.
05:09I have seen all of your teaser and trailer, and it's so funny and so cute,
05:13and also empowering at the same time.
05:16But when we talk about marriage, everything is on peak.
05:20I think everything is on peak.
05:22I think it's a good moment.
05:23But for a man, or for you guys, what is your time for marriage?
05:28It's a good moment.
05:29It's a good moment.
05:30It's a good moment.
05:31It's a good moment.
05:32It's a good moment.
05:33It's a good moment.
05:34It's a good moment.
05:35It's a good moment.
05:36It's a good moment.
05:37Like the first time we died, Gode Gode Cha.
05:39Maybe someone told us about that in Punjab,
05:42in Punjab, in all of India,
05:44when it was in the 1890s,
05:46because she did not go to Bilderberg.
05:48She was just a cool moment.
05:50Because she was passing in different scenarios.
05:53Because in Sindhi was a good moment.
05:55There are some people who put it away.
05:57Sometimes there was a dot com.
05:58But it usually does not go.
05:59It's in the film.
06:00There is no one.
06:01It's actually going.
06:02There are people who were moving on the lookout.
06:04And then, at the beginning of the start,
06:06we'll take the ladies and take it away from a dark thing.
06:10It will be a security purpose after that.
06:12He would have thought about it.
06:16But our film was the first one,
06:19because it was a different issue.
06:23So emotional angle was also the film.
06:27This film was the point of view.
06:28This is the point of view.
06:30Today's experience needs to be a man.
06:33Because the main work of married men is the main.
06:37The main work.
06:40Even an artist, Dadu, the artist is like,
06:43they can't do a girl.
06:45You have asked me,
06:47I need to do a girl,
06:48she wants to do a girl,
06:50she wants to do a girl,
06:52so that's the work.
06:53So, we also have to sing a girl.
06:55We need to sing a girl,
06:57we need to sing a girl,
06:59we need to sing a girl.
07:00So, that's a problem.
07:02And this film is my part of the reason,
07:04that this is a girl's point of view.
07:06But in general,
07:08what do you enjoy your fun ?
07:12How many celebrations happened ?
07:14We are начинаcer.
07:16We are начинаcer.
07:17We are начинаcer, friends, brothers and sisters.
07:19Me is great to me.
07:20I am all the champions.
07:22We get so accomplished in my own work.
07:24It's like...
07:25the same day we started.
07:27But today I was in the first time
07:30we went to the marriage palace,
07:32we used to go back andX.
07:35We ate too.
07:37There was a job in one week.
07:41Like, if the husband is married or husband's wife is married,
07:45then he was a job in the 10-10 days.
07:48Then he had to go to school and then he had to go to school.
07:52Then he had to go to school and go to the trally,
07:56and he had to go to school and go to school.
07:59I didn't think that was a good thing.
08:02I think it's easy to get married, but I don't want to divorce.
08:09What is the most exciting part of a wedding for you?
08:25Can you tell me about your wedding?
08:28What Amy told me is that you have a life in 3-4 days.
08:37You all get together with each other.
08:41You are very emotional.
08:43You have a father, a wife, a father, a father.
08:48You don't even know who you are.
08:50You also have a lot of people.
08:52You all get to know who you are.
08:55It's very good.
08:57You have a lot of new things.
09:00You have a lot of excitement.
09:03You have a lot of children.
09:05You have a lot of fun.
09:06You have a lot of fun.
09:07You have a lot of fun.
09:08You have a lot of fun.
09:09You have a lot of fun.
09:10You have a lot of fun.
09:11You have a lot of fun.
09:12You have a lot of fun.
09:13You are a lot of fun.
09:14You have a lot of fun.
09:15You are a lot of fun.
09:17You've got to know who you are.
09:18Sir, would you say that he is a lucky charm, like you know, you have done a film with Harjita
09:24So, lucky charm
09:26So, how do you believe the national award?
09:28No, it doesn't happen, I mean, the national award needs to be blockbuster, it needs to be good
09:34It needs to be good, it needs to be good
09:37But sir, if there is a good film, it doesn't need to be a box office, it needs to be good
09:41I mean, we don't need those things, we need to be good
09:45Challenges are more happy, because the person has put their money
09:49Just like in a good-good job, there has also been recovery, the producers have also got money
09:54And the appreciation is also made, and the national award is also made
09:57So, you don't need appreciation for all the people, you also need money
10:02Sir?
10:03It's a good person, it means it's happy, you know, this is, this is, this is
10:08So, you are very clear with your mind and your heart
10:12There is a happiness inside
10:14So, but the person has a positive thing, everything is a happiness in your life
10:19It's a happiness, you are happy, it's happy, it's happy, it's happy, it's happy
10:24But the person is positive
10:26And now, how do you feel about it, Dadu?
10:28How do you feel about it, Dadu?
10:30I'll tell you
10:31This is the question today, I'll ask you, sir
10:34And Dadu, I mean, how do you feel about it?
10:38How do you think about your nature?
10:40I'll tell you this
10:42He's like a little bit
10:44He's like a little bit
10:46He's like a little bit
10:48He's like a little bit
10:50He's like a little bit
10:52Sir, I have to ask you a question before I go to him
10:54Sir, I have done a lot of research
10:56I know where you started from
10:58In Mumbai
11:00You struggled
11:02Lightman, Cinematographer
11:04Did beautiful films like
11:06You did a cinematography
11:10You did a job
11:12You did a jungle
11:14And today you are making films
11:16Your first experience
11:18As a cinematographer
11:20Or a director
11:22When you saw your camera
11:24What was your experience?
11:26How do you explain this?
11:28One, I didn't struggle
11:30I didn't struggle
11:32Struggle is two number words
11:34Struggle is two number words
11:36Struggle is two number words
11:38It's true, people don't believe
11:40I was thinking about it
11:42I have to do this
11:44After this
11:45After this
11:46After this
11:47After this
11:48After this
11:49I was not sure
11:50I was only working
11:52I had to make respect
11:54I had a good work
11:55And I had to do the best
11:56Like in my childhood
11:58I used to say Kaka
12:00And then Dado
12:01I used to feel good
12:02That I always do the best
12:04So, Jesus said
12:07The God, the God
12:08The God the God
12:10The God the God
12:11The God of God
12:12The God of God
12:13You can do it
12:14I have to do it
12:15I didn't want to make a camera
12:17I was named as a light man as an assistant.
12:20I didn't make anyone like this.
12:22I wanted to make it.
12:25I wanted to make it.
12:27The person who was not able to make it.
12:29He was a focus puller, he didn't make it.
12:32Dadu got a focus puller.
12:35He said, take it, take it.
12:37He said, don't take it.
12:40Dadu took the first take.
12:42Then Dadu became a DOP.
12:44The cameraman also made a job.
12:46I said, I don't want to operate.
12:48I can't do it.
12:50I can do it.
12:52It was the God of God.
12:54But that has failed.
12:55The director is the same.
12:57The director is the same.
12:59The director is the same.
13:01The director is the same.
13:03The director is the same.
13:05My friend was the production director.
13:07He said, Dadu, you do this.
13:09You do this.
13:11Why don't you do this?
13:13I didn't call each other.
13:15I didn't call everything on my own.
13:16I didn't call everything on my own.
13:18God gave me everything.
13:19I am lucky, I am happy.
13:21I am happy.
13:22You do this.
13:23So, dada, what's the direction of point of view,
13:24isn't it?
13:25I don't know.
13:26That's how I wrote this together.
13:27If you write all the projects,
13:28or you can generate projects,
13:30you have a perfect director.
13:32So that's the work.
13:33People feel good.
13:34They know what to do.
13:36But he became a director.
13:39Dadu has a proper involvement in everything.
13:42Even songs, energies, all things.
13:45Dadu knows me, Dadu knows what I can best.
13:49Even in the songs.
13:50In the act, Dadu knows that we can have less energy.
13:54In the songs, Dadu also knows that I've read up two songs.
13:58So before, we were stuck, we were not in the studio,
14:02and I didn't know anything.
14:03Then I told him, Dadu said,
14:05I didn't know anything,
14:06I didn't have energy.
14:07So I was stuck.
14:09So that means,
14:10he has a proper involvement in everything.
14:13And he has a knowledge of that.
14:15He has an experience.
14:16I have to ask you a last question,
14:18because he is not giving me a question.
14:20So, last question.
14:24You are one of the biggest stars Punjab has.
14:28And of course, India also,
14:29because you have made so many branch out.
14:31Over the years, Punjabi cinema has evolved.
14:34But how has it evolved or what did you have to leave behind as an actor to evolve as a great Punjabi actor?
14:40I mean, obviously, day by day, everything is happening.
14:44I mean, if you look at the phone,
14:46the iPhone has also been starring.
14:48So, everything will be up to date.
14:50And our film was already 2 crores.
14:52Now, our film is 100 crores.
14:53Hopefully, it will be 200 crores.
14:55It will have to be 500 crores.
14:57It will be 500 crores when we will make films in our cultural history.
15:02Even the film will make R&G Singh.
15:04We will make it.
15:05We will make it.
15:06And we will keep up to date.
15:07And the plan of my mind is just this legacy.
15:11We will make it.
15:12We will leave it.
15:13We will leave it.
15:14Our juniors and children,
15:16our kids.
15:17We will be talking about
15:1920-30 years ago, in my mind, I don't have anything to do with it.
15:29In regional cinema and Bollywood, there is only one of the money that is made in mehengyville.
15:38There is a certain region in Punjab.
15:47So, these are the two things.
15:50I don't have any questions.
15:52I have a lot of answers.
15:55Sir, I love this trio of B.Prag, Jani and you.
16:00When will it happen?
16:02We will do it next year.
16:05One of them, Jani's call for a film.
16:08Hopefully, we will do a film in Kismatiya Sufna.
16:12Obviously, they will do it in their films.
16:15So, we will do it with them.
16:18Hopefully, we will do the work.
16:21Thank you, Jani.
16:22Thank you so much.
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