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00:01Maria!
00:04Yolena!
00:07Yolena!
00:08Did you see with whom she danced?
00:10There were many.
00:12But mostly with the artist.
00:15Verones?
00:17Well, he danced with nearly everyone.
00:21And you.
00:25You reek of cognac, you see.
00:27And vomit.
00:29Yolena!
00:43Siri!
00:59Helena, is that you in there?
01:04Yolena!
01:08Yolena!
01:10Oh, my God.
01:40Dear Yolina, don't be scared.
01:57You're home now.
02:10Well, well, well.
02:14I'll be damned if it isn't the pastor.
02:16We've been crying together.
02:18Can you hear me?
02:22Quiet!
02:22It's here!
02:23Be quiet.
02:24Get out of here.
02:25It's the sheriff.
02:26What has happened to you?
02:30Stop.
02:31Stop.
02:31Stop.
02:32Stop.
02:35You're scaring.
02:37Listen to me.
02:37I won't have this nonsense.
02:47Yolina, look me in the eye and answer me.
02:51Was it the bear that did this?
02:56We don't have all day.
02:57Was it the killer bear or wasn't it?
02:59Not yes or no?
03:00She nodded.
03:09You see that?
03:10Mikkelsen?
03:12Uh, yes.
03:14Yeah.
03:15Well, I thought the killer bear had been caught.
03:18It would have been the wrong one.
03:20But see, see that?
03:21Those are finger marks.
03:25Someone's held on to her.
03:27The same way you just did.
03:28Those could easily be from bear claws.
03:33Yolina.
03:34Dear child.
03:37Please tell us.
03:39Who attacked you in the forest?
03:42Tell us anything.
03:49It was a man.
03:51Do you recognize him?
04:11Was he big or small?
04:13What was he wearing?
04:16Answer me, woman.
04:17Mr. Bride.
04:17This resembles the other assault.
04:23Hilda von Neinen was also dragged into a barn and nearly strangled to death.
04:27Strangled?
04:28Sheriff, surely you could see the marks on her throat.
04:30Ah, you see them
04:51Sheriff, you need to start taking this seriously
04:55She's the second victim this summer
04:58How many more girls should have to pay her
05:01It's about time
05:03You quit your meddling
05:05Do you hear me?
05:09What happened to her?
05:11Josie
05:11Maria
05:12They're all useless
05:22Useless
05:25Father
05:28Okay, let's get to work
05:36This dress is you, Lina
05:40Semen stains
05:56On the inside of the dress
05:58And here
06:02That's fat and tar
06:04Where could it be from?
06:14I recognize it
06:15From the church
06:17Could be blue crease
06:21For polishing your Sunday shoes
06:24The stain is on the inside of the dress
06:30Why is that?
06:36He pulled it up
06:37And sat on top of her
06:40Well done, Josie
06:41There's a button missing here
06:49Look at this
06:53Blood
06:56Not this day in shape
06:57The drops have spattered
07:00So they must have drifts from a certain height
07:03Yes, see that
07:06The blood hasn't fully permeated the fabric
07:09Why could that be?
07:12It must have come from elsewhere
07:14From the assailant
07:16Yes, that wretch must have gotten hurt
07:21Yes
07:26We were just investigating
07:28Here
07:32Please don't wash the dress
07:36Until the sheriff has had a look
07:37But he's already left
07:40Then do as you want
07:44It probably won't matter anyhow
07:47Do you think we could speak to you, Lina, again?
07:52I won't pressure her
07:53But I might be able to offer her some comfort and relief
07:56Maria
08:11Would you mind joining us inside?
08:15What?
08:15Why should she go in with you?
08:17What do you need from Maria?
08:20Miss Pelica
08:20I think Lina needs a friend right now
08:26There's no hurry
08:31She's going to be all right
08:42She just needs a bit of rest
08:45Did she say anything
08:48When you found her?
08:50Was there anyone nearby?
08:52And yesterday
08:56The dance
08:57Were you together then?
09:01Did you notice
09:02Any particular person
09:03Trying to court you, Lina?
09:09The artist
09:09He kissed her
09:11And after the dance
09:18What did you do?
09:20I went home
09:21Alone?
09:23Yes
09:23You Lina?
09:29I really don't know
09:30I went home alone
09:32Come in
09:40You bore your cross
09:47Sweet Jesus
09:50The walk of death
09:54You travel
09:55The anguish in my heart is great
10:04Witness my hardship
10:07And my suffering
10:07And forgive me
10:09And forgive me of my sins
10:10And forgive me of my sins
10:10And forgive me of my sins
10:27Sweet you Lina
10:32What happened out there?
10:43Can you describe it to Maria?
10:44I see a wound here on your right temple.
11:08Mind if I push your hair back?
11:14Did somebody pull your hair?
11:25Then he tried to strangle you, right?
11:33What happened?
11:35Did he let go?
11:42You hit him.
11:44The hairpin.
11:56You stabbed him with your hairpin.
12:01Can you show me where?
12:06Here.
12:08On his left shoulder.
12:09Thank you, Jolina.
12:13This is very helpful information.
12:18Did you recognize him?
12:19He had his face covered up with a piece of cloth.
12:38Sleep beside her tonight and have Sia regard the house.
12:41You preach about such sins every Sunday.
12:56This is different.
12:59Rape and murder.
13:01Has the devil come to lash out at the revival?
13:09Could it be that you think too highly of yourself?
13:15Is your work so significant that the devil would put a lustful murderer in your way?
13:20or anything...
13:21Get out of ammo.
13:21Give it to me.
13:23No!
13:23We'll do it!
13:23No!
13:31No!
13:32I don't know.
14:02I don't know.
14:32I don't know.
15:02I don't know.
15:03I don't know.
15:04I don't know.
15:06I don't know.
15:07I don't know.
15:08I don't know.
15:09I don't know.
15:10I don't know.
15:11I don't know.
15:12I don't know.
15:13I don't know.
15:14I don't know.
15:15I don't know.
15:16I don't know.
15:17I don't know.
15:18I don't know.
15:19I don't know.
15:20I don't know.
15:21I don't know.
15:22I don't know.
15:23I don't know.
15:24I don't know.
15:25I don't know.
15:26I don't know.
15:27I don't know.
15:28I don't know.
15:29I don't know.
15:30I don't know.
15:31I don't know.
15:32I don't know.
15:33I don't know.
15:34I don't know.
15:35I don't know.
15:36I don't know.
15:37I don't know.
15:38I don't know.
15:39I don't know.
15:40I don't know.
15:41We'll inherit the farm.
15:42You and I will have a good life there.
15:44Maria, I promise to take good care of you.
15:47I don't want you to.
15:50And you know that.
15:52But I'll make a good husband.
15:55I promise you that.
15:58No, Rope.
15:59I'm not going to marry you.
16:02Then who will marry you if not me?
16:05Is it the lap boy?
16:08I saw you two dancing together.
16:13That sneaky little bastard.
16:16Get away from me.
16:17Get away from me.
16:19Get away from me.
16:35How was the girl faring?
16:43I don't think she can see any visitors today.
16:46I understand.
16:47But that's actually not the reason we came.
16:49The dog did a fine job of locating Eulena yesterday.
16:52Do you take her hunting?
16:54For birds, sometimes.
16:59Is it alright if I borrow her for a while?
17:01Ha!
17:02Ha!
17:03Ha!
17:04Ha!
17:05Ha!
17:06Ha!
17:07Ha!
17:08Ha!
17:09Ha!
17:10Ha!
17:11Ha!
17:12Ha!
17:13Ha!
17:14Ha!
17:15Has the sheriff been here yet?
17:16Both him and the parish constable.
17:18Ha!
17:19Ha!
17:20I'd suggest leaching her now.
17:22Ha!
17:23Ha!
17:24Ha!
17:25Ha!
17:26Ha!
17:27Ha!
17:28Ha!
17:29Ha!
17:30What's that?
17:32You lean a sweat.
17:35Zeke.
17:36Zeke.
17:37Siri, Zeke.
17:41Veronias?
17:42Hmm?
17:43You were at the dance, weren't you?
17:45Mm-hmm.
17:48It was a fascinating little diversion.
17:51What do you think happened to that girl?
17:56Well, uh...
17:58Considering the circumstances,
18:00it seems fairly obvious.
18:02Dance and alcohol can easily make the blood run hotter.
18:13If only you knew what it's like living up here.
18:16My husband was crazy enough to bring us here,
18:19but I often wonder if maybe I'm crazier for staying.
18:23I imagine it must feel rather isolating
18:25when you're used to a certain level of sophistication.
18:30Why is it that you're still unmarried, sir, if I may?
18:41I haven't found the right one, unfortunately.
18:44There's something over here.
18:56Do you recognize this?
19:16Yes.
19:17That's Julina's hairpin.
19:18Blood.
19:21She used this to stab him.
19:23To stab him?
19:24Yes.
19:25And it saved her life.
19:27Can I keep this for now?
19:28Look here.
19:45See this?
19:48It's from her clothing.
19:49Yeah.
19:50He ripped her collar to grab her throat.
19:56I'm sorry.
19:57He...
19:57He assaulted her here.
20:02He might have been waiting to ambush once you came from the dance.
20:14Where would you have hid, Yussi?
20:16If you were the assailant.
20:17The breakage is fresh.
20:40Why would one cut off a branch?
20:42Think, Yussi.
20:43Perhaps to get a better view.
20:49Did he sit here and wait, then?
21:04Look here.
21:07Pencil shaving?
21:08Yeah.
21:09He sharpened his pencil.
21:10He sat here in route and waited for his victim.
21:16Or he was drawing.
21:27Thanks, both of you.
21:29Don't let any strangers come near you, Lina.
21:31No.
21:36Come, Sir, let's go.
21:37Let's go.
21:40The assailant uses bootcrate.
21:43And given the Arctic belle heather we found in the hay bar, we know he's been in the mountains fairly recently.
21:48The artist has been to Tromsay.
21:51Really?
21:52When?
21:53I don't know.
21:55But he said so.
21:58Hmm.
21:58If he came here from there, then he passed through the mountains.
22:07Something I've been wondering about.
22:09The assailant covers his face.
22:11Why do you think?
22:13He doesn't want to be recognized, which could indicate that his victims know him.
22:18But after assaulting them, he tries to kill them.
22:20Why bother covering his face, then?
22:24Could it be that he's afraid of confronting his victims face to face?
22:28And he hides behind the mask because...
22:31Because he's a sensitive soul.
22:33See this here?
22:55Cigar.
22:58It appears that our dear artist has been resting here.
23:02He's been with someone.
23:03He's been with someone.
23:14Amen.
23:16My son is...
23:22Amen.
23:26Amen.
23:27Amen.
23:29Amen.
23:29Amen.
23:29Amen.
23:30Amen.
23:31Amen.
23:32Amen.
23:32Amen.
23:33Amen.
23:33Amen.
23:33Amen.
23:33I'd like to stay and think this over a bit.
23:55Could you make your way back alone?
24:03I'd like to stay and think this over a bit.
24:33I'd like to stay and think this over a bit.
25:03I'd like to speak to my mother right now.
25:13Maria, what are you doing here?
25:15Did you tell Rope I would marry him?
25:17All this loose living of yours must be stopped.
25:25Please, Mother, I'm begging you.
25:26I don't want to be with him.
25:27Rope is a good man.
25:29He's very strong and hardworking.
25:31But, Mother, I hate him.
25:33Well, I found a way to love your father.
25:36You'll do as I did.
25:37Somehow you'll find a way.
25:38Okay, get on with it.
25:44Come on, Mother.
25:45Come on.
25:46Come on.
25:51Come on.
25:51Come on.
26:21A bear under the bed?
26:35I was fighting the Prince of Darkness.
26:42He wants to destroy all we've accomplished.
26:45But we stand our ground.
26:48Yeah.
26:48But we feel his presence each day.
26:53He walks beside me.
26:56And I'm afraid I can't stop him.
27:01When a fox hides in the den, he has to be smoked out.
27:07So say that you know he's in there.
27:09He might get scared and flee.
27:13Or he might make a mistake.
27:15Good day.
27:43Faster.
27:43Hello there, Lindemar.
27:46Back at work now?
27:48Was your commerce journey a successful one?
27:51It was, thanks.
27:52A great amount was accomplished.
27:54Oh, excellent.
27:56My UC has become quite the avid writer.
27:59So we're in need of a couple of pens for him, or pencils even better.
28:03Naturally.
28:03I have two kinds on offer.
28:08This one here is hard.
28:10This one is a bit softer.
28:13Very good.
28:15I'll take one of each, then.
28:17One of each?
28:19Yes, if you don't mind.
28:21And some boot grease.
28:23You have any?
28:24Boot grease.
28:25I certainly do.
28:28Ah.
28:32Let's see here.
28:34And quarter.
28:35Quarter.
28:46Price seems a bit high.
28:47But with grease of that quality, you'll always walk dry shot.
28:51Ah, is that so?
28:52I even use it myself.
28:55What do you know?
28:56Oh, the pastor here is looking to buy some boot grease.
29:00Perhaps the sheriff would be able to attest to the quality.
29:04How is the investigation coming along?
29:08The culprit seems to have been a vagrant passing by.
29:10That so?
29:12They've been spotted wandering through the area.
29:14Oh, I see.
29:14But tell me, this vagrant, could this fellow possibly afford such fine boot grease?
29:19What?
29:22There were traces of this on Yolina's clothes.
29:26Sheriff, you inspected her clothes, right?
29:29Of course I inspected them.
29:30Yeah?
29:31Then you must also be aware that the assailant was wounded.
29:35The assailant was?
29:37Yes, a stab wound.
29:40Yolina managed to stab the man in his left shoulder such that her clothes were bloodied.
29:48With this.
29:56Yes, it might be good for the villagers to hear what happened.
30:00We could check whether anyone has a fresh stab wound.
30:04Yes.
30:04And I believe that Yolina will be able to identify the man as soon as she recovers.
30:09Even if that man masked his face.
30:12I'm in charge of this investigation, Pastor.
30:16Not you.
30:18Father.
30:23Father.
30:24Why did you tell them everything?
30:27Evil hides itself in lies, you see.
30:30The merciless light of the truth is the only thing that can dispel it.
30:33The merciless light of the truth is the only thing that can dispel it.
31:03The merciless light of the truth is the only thing that can dispel it.
31:33There is a custom in the Holy Land that three animals were sacrificed to atone for the sins of man.
31:40A bull was slaughtered in atonement for the sins of the ministers.
31:46A buck was also slaughtered for the Lord.
31:51And the blood from both of them was smeared on another buck that was expelled to the desert, bearing the sins of the people.
32:00So this scapegoat atoned for all their wrongs, and so Jesus Christ died for us on the cross.
32:06And so it has come to pass here.
32:11But here in Cengiz, the scapegoat is a bear.
32:16Two girls are violated, stricken to the ground, tormented.
32:21And we kill a bear.
32:22But the Lord Almighty will not be fooled.
32:29He knows that the assailant lives among us.
32:36He may even be here in church today.
32:38Let us pray for his soul.
32:52Let us pray for forgiveness.
32:55For we are all sinners.
32:56Turn to your neighbors.
33:01Confess your sins to them.
33:03Do it now.
33:04Unburden your hearts.
33:06Turn to each other.
33:09Accept your good neighbor's confessions.
33:11Welcome them.
33:12Unburden your heart.
33:14Make room for the Lord.
33:17Make room for God.
33:19Yes.
33:20Yes.
33:20Make room for God.
33:22Accept your neighbor's confession.
33:23Make room for God.
33:28Now deliver him from the devil.
33:31Deliver him from the devil and welcome him to the glory of the Almighty.
33:34Jim, confess your sin if you are a true Christian.
33:40That's enough.
33:44You're disgraceful, all of you.
33:47Can't you see what he's doing here?
33:49That man calls himself a minister of the Lord.
33:53He takes advantage of the terrible fates of these poor girls.
33:58He does.
33:59And he derides those who would fight for the redemption of these two girls.
34:04That's right.
34:05He does.
34:06Yes.
34:06And how come?
34:07Because what he wants is to divide us.
34:10Like the worst kind of despot.
34:13Divide.
34:15And disrupt.
34:15Miss Sheridan.
34:17I'm speaking now.
34:19How dare you accuse the good people of Cengiz when everybody knows full well the kind of damage a lowly vagrant can cause.
34:27A lowly vagrant?
34:29Yes.
34:30All the evidence indicates that poor Yolina Elias' daughter was assaulted by a coward.
34:36But it is hardly an appropriate topic for our service.
34:39Madam Sheridan.
34:40Well, Cengiz has had enough of you.
34:46I've reported you to the church, and I've demanded that you be stripped of your title and your duties.
34:52On what grounds?
34:54You'll find out soon enough.
34:55From now on, I will no longer be attending your so-called church services.
35:03And I expect everyone here to do the same as me.
35:11Goodbye.
35:13Anyone who supports Cengiz, leave now.
35:15I'll see you next time.
35:45You are welcome back when you're ready to face Jesus Christ.
36:14It's going to be okay.
36:15Let's do it.
36:26I want to leave here.
36:29If we can do it.
36:32Well, I know that we can do it, only not.
36:37Tilda will guide us when things get difficult.
36:41I know she's with us.
36:44Tell me.
36:45Tell me how we would do it.
36:49First, we go south toward the coast.
36:54Then we'll stay on the farms.
36:58And we'll work there, too.
37:00And we'll be together.
37:02Forever.
37:03And eventually, we'll find a boat bound for America.
37:15America.
37:16Maria.
37:26Maria.
37:28Maria, you don't need to sleep here anymore.
37:32Thank you for your help.
37:35The pastor tells me he wants to speak with you.
37:37Come in.
37:47Come in.
37:52Yes.
37:54Have a seat.
37:54I've asked Yusie to take notes, if that's all right.
38:05About the dance we had last Saturday.
38:08There's nothing wrong with dancing.
38:12Did you worry?
38:13I'd say there was.
38:15I know that many people here talk of my severity, but I was actually quite fond of dancing in my youth.
38:21Well, but one should be wary of the dangers.
38:26Dancing may awaken one's carnal lust.
38:32Once temperature rises, just like after a sauna, then one might try to cool oneself down.
38:39May I ask, Maria, you say you walked home alone, and you didn't see Yulina on your way?
38:49No.
38:55You see, you said that you saw Mr. Baronius kiss Yulina.
39:02It wasn't him.
39:06Pardon?
39:07He's not the one who assaulted Yulina.
39:12And how do you figure that?
39:26Well, perhaps we'll revisit this later.
39:29Thanks for the talk.
39:30By the way, I, uh, can I show you, uh, something before you go?
39:40We've planted our first solanum.
39:43I think the meadow needs cutting.
39:45The berries are poisonous, and you eat the root straight out of the ground.
40:08It tastes heavenly with a little butter.
40:09Mr. Baronius knows how to arouse interest in a woman.
40:13He doesn't need to resort to violence.
40:19But the shopkeeper...
40:22Landmark?
40:24What happened?
40:26He made love with Yulina.
40:28But she didn't want to.
40:32He did?
40:33It was because of the dead.
40:35Her father drank himself to death, and he'd bought the liquor on credit.
40:40Landmark wanted what he was owed, and he threatened to take the cottage.
40:44The sheriff helped him.
40:46She whored herself, so her mother and brother wouldn't be robbed of their home.
40:50Master, please don't mention this to anyone.
40:57No, of course I won't.
40:59Hilda's mother doesn't know.
41:04It could be...
41:07that Hilda said no.
41:09In the end...
41:11and...
41:12He had his way with her.
41:16And Yulina?
41:17Has he hurt her?
41:18No.
41:20He's a swine.
41:22A goddamn swine.
41:23He's a swine.
41:50The stones are still hot.
41:58Come in!
42:07Nice indeed, nice indeed.
42:10This sauna is truly God's greatest gift in ever.
42:12Take off your clothes.
42:24I should go home.
42:26I'm tired.
42:28This will suit you well, then.
42:31Nothing is more invigorating.
42:33Another time.
42:34You see.
42:56Look at me when I speak to you.
42:58Look at me when I speak to you.
42:58You talk to Maria?
43:07She explained why she didn't think Peronius assaulted Yulina.
43:11Who's that?
43:12Some men are skilled at winning a woman.
43:13Why won't you undress?
43:29Isn't shyness virtuous?
43:30There mustn't be shyness between father and son.
43:34And shame is another thing.
43:35Is there anything you're keeping from me, Yuzi?
43:45No.
43:47It was you who sat behind the uprooted tree in the forest, wasn't it?
43:50I saw a crushed Mars Labrador tea.
43:56You're the only one who uses it to ward off mosquitoes.
44:00You sat inspired on the artist and Maria making love.
44:04The cigar gave him away, and you gave her away.
44:07Don't think I haven't noticed your cold stares, Yuzi.
44:10I know that you're fond of her.
44:12Since the dance, all I've seen is jealousy in your eyes.
44:15I saw them.
44:23I'm sorry.
44:27You must have felt hurt.
44:31That she chose another.
44:39What did you do then?
44:44I went home.
44:46Did you really?
44:50Then, Jelena, you saw nothing.
44:55The attack happened not far from where you were.
45:02Father, I sensed your anguish when we examined the scene of the assault.
45:06I saw your fear when I found the hairpin,
45:08and I recognized it from the bog when we found Hilda.
45:11Father, surely you don't.
45:16I haven't done anything.
45:18Oh, almighty Lord, let it not be so.
45:20I haven't done anything.
45:22Thank God.
45:25He's a man.
45:26He's a man.
45:26He's a man.
45:27Yeah.
45:28He said, you'll get a friend.
45:29He's a man.
45:29He's a man.
45:29I need you to tell me, Yuzi.
45:32Did she stab you?
45:34Did she stab you with her hairpin?
45:35Did she stab you with her hairpin?
46:07Use me.
46:15Oh, forgive me.
46:25Siri?
46:31Siri?
46:35Siri?
46:37Siri?
46:38Siri?
46:39Siri?
46:40Siri?
46:41Siri?
46:42Siri?
46:43Siri?
46:44Siri?
46:45Siri?
46:46Siri?
46:47Siri?
46:48Siri?
46:49Siri?
46:50Siri?
46:51Siri?
46:52Siri?
46:53Siri?
46:54Siri?
46:55Siri?
46:56Siri?
46:57Siri?
47:28Terry.
47:55No.
47:56No, no.
47:57Yolita!
47:58No!
47:59No!
48:00No, no!
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