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Transcript

00:00:00Hey, what are you doing with my stuff? How'd you get in here?

00:00:11I gave him the keys.

00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?

00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.

00:00:24What the hell is going on?

00:00:26Do you really think you're that thick, Tasha?

00:00:29Your husband and I decided that you're no longer needed here anymore.

00:00:33Reyna's gonna take over your role at the company.

00:00:35She's already proven she can do everything you can, but better.

00:00:39I'll have a letter of termination and divorce papers sent over to your new address,

00:00:43wherever that ends up being.

00:00:45What should I do with this, boss?

00:00:47Give me that new plebe. I know exactly what to do with it.

00:00:53Is that clear enough for you, Tasha?

00:00:55Tasha, your company and your husband both belong to me now.

00:00:59No, you can't just fire me. I'm a shareholder at this company.

00:01:07Are you still a shareholder at this company? Are you?

00:01:11You know, actually, your debt is mortgaged with your shares, so you actually owe this company about 200 million.

00:01:17I never took out any loans that large.

00:01:19Oh, Tasha, you were always so gallible.

00:01:23A word of advice for the future?

00:01:25Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.

00:01:33Security! Security! We have a vagrant in the lobby and she might become hostile.

00:01:38Stop acting. I'll just leave on my own.

00:01:47Look, there's no glamour. There's no glory. It's just blood, guts, fear, and misery.

00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?

00:01:59I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.

00:02:05But at least you're guaranteed to be alive in 10 years. In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.

00:02:12Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?

00:02:18I'm sorry, but no. I'm not gonna let you get killed.

00:02:23Man, what the fuck you got me here for then? Shit.

00:02:27Oh, I guess you didn't hear. The repo guy. He came and towed your car away.

00:02:49Ugh. Said it was, like, collateral for a loan. Of course, I made the call and arranged everything. My pleasure.

00:03:00You despicable trash.

00:03:02You know, I was gonna give you a ride, you know, seeming that we were married for so long, but walking the streets at night kinda suits you. So, enjoy.

00:03:14Go to hell.

00:03:19Go to hell.

00:03:47Miss?

00:03:48Just go away, alright? I don't need your cheap sympathy right now.

00:03:52Miss, your friend's gone. I just want to offer my cab services.

00:03:59Yeah, I'm sorry. A cab is just what I need right now.

00:04:05Alright, great. Come on board.

00:04:06Sorry, I... I don't have any cash right now. Um...

00:04:11Give me a minute. I'll go grab some from inside.

00:04:20Here. Just proof I'm not trying to skip out on the fair.

00:04:21I'm sorry. I'm sorry. I don't have any cash right now. Um...

00:04:22Give me a minute. I'll go grab some from inside.

00:04:35Here. Just proof I'm not trying to skip out on the fair.

00:04:39You have some nerve coming back here. I never wanted my son to marry you in the first place. And now that he's finally come to his senses and kicked you to the curb, you think that you can just waltz right back into his house?

00:05:02His house? My father left me this house. And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.

00:05:15I always knew you were a nasty little hussy.

00:05:23Who the hell are you? This is a personal matter, so you should really mind your own business and stay outside.

00:05:29Actually, this is my boyfriend. So if it's a personal matter for me, it's a personal matter for him.

00:05:38Okay.

00:05:39What? You think your son's the only one capable of having secrets?

00:05:43Hey, thanks again for today. I know that's a weird position to put you in.

00:06:04Sorry?

00:06:05It is really nice to know that there is still good people out there that would help a total stranger.

00:06:14Have a good night.

00:06:15Alright, you too.

00:06:35Let me help you.

00:06:57Where's my necklace?

00:06:59Nicholas, here, just proof I'm not trying to skip out on the fair.

00:07:29How does a fancy broad like you find yourself in a place like this?

00:07:36Who the hell are you? Get out now!

00:07:38All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.

00:07:47I'm calling the police!

00:07:50How about I give you a better idea?

00:07:59You and I are gonna have some good old-fashioned fun tonight.

00:08:13If I ever see you around here again, you're dead! Get out of here!

00:08:19Hey.

00:08:21Oh, I'm so... I'm so glad you're here.

00:08:26Where did you get this necklace?

00:08:30My father gave that to me.

00:08:36You better not be lying to me.

00:08:39I'm not lying.

00:08:42He made that with his own hands. It has my name on the back.

00:08:49It's really you?

00:08:55Hey.

00:09:00How you feeling?

00:09:07How did... how did you...

00:09:10You left your bag in my car.

00:09:12How did you know where to find me?

00:09:16I have my ways.

00:09:17Hey, listen.

00:09:20I know it's none of my business.

00:09:23But it's not safe for you here.

00:09:25With everything that's happened in the last 24 hours, this is...

00:09:28all I can afford.

00:09:33Listen, I have an extra room at my place. Maybe...

00:09:36you can just come stay with me.

00:09:37Actual50.

00:09:44To be continued...

00:09:47Welcome home.

00:09:49How did you go?

00:09:53How did you go?

00:09:56I really feel like my luck is starting to change.

00:10:01I really feel like my luck's starting to change.

00:10:07I mean, you've literally rescued me over and over today.

00:10:11I know what it's like.

00:10:13I've been rescued before.

00:10:15Um, I'm sorry.

00:10:16I don't think I can make rent right away, but you could sell this ring and then it should

00:10:24cover me for a few months, at least until I'm back on my feet.

00:10:28I thought he was a really rich guy.

00:10:31Why did you choose such a small diamond?

00:10:34It's not a very good cut, either.

00:10:37Okay.

00:10:38Never mind.

00:10:39I can just...

00:10:41No, it's fine.

00:10:42I'm just saying.

00:10:44You deserve a better reign than this.

00:10:46No, babe.

00:11:13Stop.

00:11:14It's late, okay?

00:11:16You're still thinking about her.

00:11:19Who?

00:11:19Tasha?

00:11:20Are you kidding me?

00:11:22Then why are you wearing the wedding ring?

00:11:24Did you forget what she and her father did to you?

00:11:26I will never forget what she and her father did to me.

00:11:30But that has nothing to do with you.

00:11:32So why don't you stop mouthing off about shit that you know nothing about and let me handle

00:11:36my own affairs.

00:11:37Thanks for joining.

00:11:46Bye.

00:11:55Bye.

00:11:59Bye.

00:12:01Bye.

00:12:02Bye.

00:12:03Bye.

00:12:05Bye.

00:12:06Bye.

00:12:07Mary?

00:12:14What?

00:12:19Hey, what's going on?

00:12:21My daughter's missing.

00:12:22What?

00:12:22Tasha, you shouldn't have barged in like this.

00:12:38If Carl finds out...

00:12:39No, I don't care about Carl right now, okay?

00:12:41Where's my daughter?

00:12:43Where's Anna?

00:12:44I sent her away.

00:12:46No.

00:12:48You have no right.

00:12:49What? Actually, as Carl's new wife and Anna's legal guardian, I have all the rights to

00:12:56do whatever I want with my stepdaughter.

00:13:01What?

00:13:04We never settled custody, so just skip the theatrics and tell me where my daughter is.

00:13:10You think you're getting custody?

00:13:13Stai sognando.

00:13:14On one hand, we have a mother drowning in death with no place to live.

00:13:22On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned

00:13:31pro group.

00:13:32Who do you think the court will side with?

00:13:35Me.

00:13:36Oh, what's going on?

00:13:43Oh, Carl.

00:13:45Carl, it's okay.

00:13:46Tasha was understandably upset about the situation.

00:13:49You know, I don't blame her for what happened.

00:13:51You trespass on my property?

00:13:53Assault my wife in her own home?

00:13:56Tasha, I have put up with your outrageous behavior for years, but don't you dare subject

00:14:00Raina to that kind of abuse.

00:14:02You don't understand.

00:14:03Raina sent Anna away.

00:14:05She did what any good mother would.

00:14:07I want to know where my daughter is right now.

00:14:10New Zealand.

00:14:11Getting medical care from one of the best cardiology departments in the world.

00:14:16And remind me, what have you done for your daughter lately?

00:14:19Hmm?

00:14:20Abandon her?

00:14:21To go shack up with some cab driver boyfriend?

00:14:24You idiot!

00:14:24I found those cardiologists in New Zealand.

00:14:28Scheduling those appointments was the last thing I had Raina do when she was still my

00:14:32assistant.

00:14:32Tasha, Tasha, you disgust me.

00:14:35Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.

00:14:40I'm going to make sure Anna says far, far away from you so there's no possibility of

00:14:44her ever becoming anything like you.

00:14:46You backstabbing, homewrecking bitch.

00:14:58I advise you stay far away from my daughter and I.

00:15:05By the way, the deed still lists me as the rightful owner to this house.

00:15:11So the two of you have no right to keep me from coming back here.

00:15:14Do you understand?

00:15:15Calm down.

00:15:16You can forge my signature.

00:15:18You can take my money.

00:15:20Take my house.

00:15:20But you will never have a shred of the intelligence that I have.

00:15:25Tasha, you have made your point.

00:15:26I think it would be...

00:15:27You deserve that too!

00:15:30You should have told me about Anna a long time ago!

00:15:35Oh, don't stop at my account.

00:15:39Please, continue.

00:15:41Miss Big Shot, don't you forget that you still owe

00:15:44two hundred million dollars.

00:15:46And twenty millions of that is owned to me, personally.

00:15:50In fact, I'm going to call my lawyer and see to it that if you don't pay right away,

00:15:54you'll never going to see your daughter ever again and you'll end up in debtor's prison.

00:15:59Ciao.

00:16:01Go ahead and check it out.

00:16:06But after your accountant, make sure this is all legit.

00:16:08I don't want you two jackasses hunting my girl for money ever again.

00:16:11Got it?

00:16:12Oh, and by the way, we're going to go ahead and take Anna in the future, too.

00:16:22Don't worry, Carl.

00:16:24I'll be a better father to her than you ever can be.

00:16:27Tasha, you'll regret this.

00:16:29Thanks again, Kerr, today, for pretending to be my boyfriend.

00:16:43Mm-hmm.

00:16:45Was all that money real?

00:16:47As real as it comes.

00:16:49Where'd you get all that money?

00:16:52I robbed a couple of jewelry stores before I came to find you.

00:16:55Are you serious?

00:16:56No, I'm just joking.

00:16:59It was my dad's.

00:17:01Don't worry, it wasn't stolen or robbed or anything.

00:17:04But hey, listen.

00:17:05From now on, I want you to think of me as your creditor.

00:17:07Okay?

00:17:09I don't want you to worry about owing money to those scumbags.

00:17:11From now on, you'll just throw money to me.

00:17:14As long as you're okay with that?

00:17:17I could be okay with it.

00:17:18As long as you can satisfy one small request.

00:17:23What kind of request?

00:17:25My only request is that you just relax.

00:17:37Okay?

00:17:38Why don't you just take a load off.

00:17:40Why don't you start by telling me a story, you know, about the last time it was when you were happy.

00:17:45Okay.

00:17:45You know, I just...

00:17:59I never in a million years could imagine that Carl would betray me like this.

00:18:07I have nothing.

00:18:08Well, I mean, you always have me and, you know, other things and...

00:18:20I can't hear you.

00:18:22You're whispering.

00:18:23I can't hear you.

00:18:44I can't have nothing.

00:18:48Carl, you know, Tasha's probably screwing around with that new boyfriend of hers.

00:19:08That bitch.

00:19:11Honey, you know, you promised to put me in touch with the curator at the Fitzgallery.

00:19:15I'm telling you, forget about the Fitzgallery, okay?

00:19:18The people who are running it are crooks.

00:19:21But I want my paintings to be showcased in the most prestigious venue possible.

00:19:25I know, I know.

00:19:27And I said I would help you find other galleries.

00:19:30Remember?

00:19:31Just stop nagging me about it.

00:19:33Okay?

00:19:34Okay.

00:19:37You're a little angel.

00:19:48It's okay.

00:19:59Just sleep in.

00:20:06Well, it's certainly going to make things more complicated.

00:20:10So you want to pretend last night never happened?

00:20:18I thought we had a good thing going on between us.

00:20:22I mean, you've been going around the last couple of days telling everybody I was your boyfriend.

00:20:25Yeah, but that was just something I said to make my husband jealous.

00:20:32You mean your ex-husband?

00:20:34Yeah.

00:20:35Ex.

00:20:36Yeah.

00:20:39But I mean, you and I, you know I can't start a new relationship right now.

00:20:45So everything you said last night?

00:20:50We were just caught up in the heat of the moment.

00:20:54Heat of the moment.

00:20:55So it was all just bullshit.

00:20:58Why?

00:20:58To get me into bed with you?

00:21:01Just to have a one night stand?

00:21:04Because you miss being with your damn husband?

00:21:15So everything you said last night?

00:21:25Get a hold of yourself.

00:21:29You just got divorced.

00:21:32You're not going to play mind games with men anymore.

00:21:36Hey.

00:21:39I wasn't sure what you like, so I just made a little bit of everything.

00:21:45You made all this?

00:21:47Yeah.

00:21:54So what do you think?

00:21:58It's delicious.

00:22:04I mean, you deserve to have some of your awesome breakfast, too.

00:22:09Hey.

00:22:10You're not going to maybe sit here and eat this alone, are you?

00:22:15All that for some sauce, huh?

00:22:28Franchising me?

00:22:35Hello?

00:22:36Mommy, I miss you so much.

00:22:38Anna.

00:22:39Mommy, I miss you so much.

00:22:40Anna, honey?

00:22:41What?

00:22:42What's going on?

00:22:43Anna.

00:22:45Okay.

00:22:48Both of your resumes look excellent.

00:22:51I have a question.

00:22:54If you spilled a glass of milk in the ocean, how would you get it back?

00:22:59What does that question have to do with our work?

00:23:01Well, uh, I suppose you could contain the section of the ocean with the spilled milk, and then collect that sample, add a centrifugal force, and there's probably a good chance of separation.

00:23:17So at our company, we are always trying to make the impossible possible, and for that we need people who can think on their feet, derive solutions, no matter how outlandish the task at hand may seem.

00:23:33Hello?

00:23:48Uh-huh.

00:23:48Okay.

00:23:48Congratulations, Miss Michaels.

00:23:51Congratulations, Ms. Michaels. Welcome to the Eastwood Corporation.

00:24:08If you don't mind me asking, why didn't I get the job?

00:24:14Mrs. Roberts, maybe you should focus on fixing your own family problems first.

00:24:21Before you start to look for work again.

00:24:26We don't want to make enemies with the Crow Group.

00:24:40So I guess you didn't get it?

00:24:43I just don't understand why Carl hates me so much.

00:24:47I mean, he doesn't want me to work for his company, but he doesn't want me to work for any other company.

00:24:52Look, you don't need that corporate job anyways.

00:24:55Yeah? What else can I do?

00:24:58I mean, I thought you were an artist, now a painter.

00:25:02How'd you know about that?

00:25:04You brought an easel.

00:25:08It's just a hobby.

00:25:11I gave it up. I don't paint anymore.

00:25:14I don't paint anymore.

00:25:17Okay, well, if you don't love to paint anymore, then why bring an easel with you?

00:25:25I haven't painted in years.

00:25:28I'm sure it'll be just like riding a bike. Once you start, it'll all come back to you.

00:25:34That's my account. Why are they assigning it to someone else?

00:25:41Fine, fine. Just get me some damn answers and give me a call back soon, okay?

00:25:46Carl, this took me three months.

00:25:50I'm sorry, I just got some bad news at work.

00:25:55It's ruined now.

00:25:57Fine. Start over.

00:25:59You know, it kills me to see you squander your intelligence and talent on these useless paintings.

00:26:05You're a remarkable woman, Tasha.

00:26:10Okay, and if the charlatan snobs in the art world can't see that, then screw them, okay?

00:26:16If you put your focus elsewhere, we could be rich enough to buy ten art galleries.

00:26:22And then you could put whatever paintings you want in them, right?

00:26:25Painting's my passion.

00:26:29What if we put painting on the side, just for a little while,

00:26:33and you could come join me at the company?

00:26:37If it was together, we'd be unstoppable.

00:26:42And right now, I am drowning.

00:26:45Your dad and his partners have no faith in me.

00:26:50I need you.

00:26:52Look, you love me, don't you?

00:27:00Of course I do.

00:27:01Yeah.

00:27:02Okay, that doesn't matter.

00:27:04Do this one thing for me.

00:27:06This one little thing.

00:27:08Please.

00:27:09I'll see you next time.

00:27:10See you next time.

00:27:11Done!

00:27:35Have you been doing it?

00:27:36Finished.

00:27:37Yep.

00:27:43That is amazing.

00:27:46Thank you. I honestly never thought I'd paint again.

00:27:49Well, that would have been a shame. You're easily one of the most talented artists I've ever met.

00:28:06We're honored that you chose our gallery to showcase your work. I am curious about one thing, if you don't mind me asking.

00:28:19The subject in your paintings, your muse, is he your lover?

00:28:24Oh. No. He's just a friend of mine.

00:28:29But his gaze, the way he looks out to you in these paintings, there's so much tenderness and affection in his eyes.

00:28:43Is Ken really in love with me? He's so young, though. At his age, he probably doesn't even know what love is.

00:28:51Oh, uh, sorry. You're in the way.

00:28:55Actually, you're in my way.

00:28:59I'm trying to get into my home.

00:29:04Is this your new girlfriend?

00:29:07I've never seen you with anyone like this before.

00:29:10Ken's my roommate.

00:29:11Now, if you'll please step aside so I can get in.

00:29:18Call me again if you need anything, okay? Bye.

00:29:24Hey, what are you doing home so early? Are they gonna showcase your work?

00:29:29Sorry if I interrupted something, but as your roommate, I don't really think I need to tell you if I'm coming or going.

00:29:34So, if you have something private to do, just do it in your room.

00:29:37I never said you need to tell me when you're coming or going. I'm just saying.

00:29:39No, it's fine. You don't need to explain. Just... I just want to be alone.

00:29:43What?

00:29:53I'm so sorry, sir. She just barged in without permission.

00:29:57It's okay.

00:29:59Miss Roberts, please. Grab a seat.

00:30:01We signed a contract. Why can't you show my paintings now?

00:30:06I'm afraid I don't have the answers you're looking for.

00:30:08You want to know what happened? Ask Karl Crow.

00:30:13I want my paintings back. Right now.

00:30:16Right now.

00:30:19Well, they're probably somewhere in the warehouse. They haven't been thrown away yet.

00:30:47You've already searched the entire warehouse ten times. If you haven't found what you're looking for, it's not here.

00:30:52You better hope I find what I'm looking for, or I'm going to make this entire gallery compensate me.

00:30:57And then I'm going to sue you, and you'll be the first to lose your job.

00:31:01Yeah, that's great, lady. Go ahead and sue. I'm sure things will go exactly the way you described it.

00:31:05EYAAA

00:31:21EYAAA

00:31:26You really care about her?

00:31:55Shh, keep your voice down. She's had a long day. Also, you can't just come over here so casually in the future.

00:32:02Casually? Are you kicking me out? You didn't mind my coming over so casually when you had me digging through your body for bullets.

00:32:10You men are cold as hell. I think my lucky star is I'm a lesbian.

00:32:14Look, I just can't have her finding out about the work that we do, okay?

00:32:18Are you serious about her?

00:32:20Yeah.

00:32:22Have you thought about the consequences if your dad finds out?

00:32:27Look, no. You and I have been best friends for over 20 years, okay?

00:32:32And my dad has taught me everything that I know.

00:32:35I think maybe it's time I just figured things out on my own. And you know exactly what I went through last time.

00:32:42I'm not gonna lose her again.

00:32:47Don't worry, Anna. Mommy's gonna find a way to bring you home soon.

00:32:58All the evidence is here. It's exactly what you thought.

00:33:02Let me know if you want me to find out more.

00:33:18Carl. Let's meet.

00:33:21Oh, wow. It's not every day a famous painter comes to visit. To what do I owe the pleasure?

00:33:37The company I supposedly borrowed money from. It's a shell company owned by you.

00:33:46So what? All our operations are legal. You signed the documents. You borrowed the money. All you can do now is pay it back.

00:33:59You know, I don't think you actually want me to pay back the loans.

00:34:05You were just looking for an excuse to have me back in your life. You're obsessed with me. This is just your sick way to dominate me and make me surrender to you.

00:34:17I'm just getting even. For the years I spent in your father's shadow. The years of belittlement and him treating me like a clown.

00:34:26My father hired you when no one else would. Not my fault that your insecure petty took his support as belittling.

00:34:39I wouldn't upset me if I were you. Remember, I'm your creditor now.

00:34:46Two months. That's all I can give you to pay me back the remainder of $180 million.

00:34:51What are you doing here? I was just in the neighborhood. Thought I'd give you a ride home.

00:35:09Hi. Um, hey. Who is this?

00:35:13Um, this is Ken's roommate. We're gonna be dropping them off before we head home.

00:35:22Yeah, hey listen. I didn't introduce you last time, but this is my best friend Nell and her girlfriend Maria.

00:35:32Nell and I have been nothing more than friends since we were kids.

00:35:35She's not into men. She never has been. And her and I are nothing more than just platonic friends. Alright?

00:35:43I'm sorry. I jumped to conclusions the other day.

00:35:47It's okay. I just didn't want you to get the wrong idea.

00:35:50Look, I... I appreciate it. I really do. I just... I still think you and I are better off just as friends.

00:36:05Just... Why?

00:36:08Maybe because I'm just getting over a failed marriage.

00:36:20Because I owe an unthinkable amount of money and I have no idea how I'm gonna pay it back.

00:36:26I also have no idea how I'm gonna get my daughter back.

00:36:30And... and getting into a relationship with you? That's just something I can't do right now.

00:36:37Love has brought me nothing but pain, okay? So just... please... just... leave it.

00:37:00Do you have any other paintings?

00:37:05Yeah. I have several. What are you looking for?

00:37:16I would like to buy them all. I love your painting style. It is so unique.

00:37:23I own a large gallery and I would like to establish a long-term collaboration with you.

00:37:27Thank you for your kind words about my paintings, but...

00:37:32I've been in some trouble lately and it's probably best if I don't involve your gallery.

00:37:42None of this matters to me.

00:37:44If someone wishes to cause me trouble, well... just let me try.

00:37:48I mean... it has to be a mistake.

00:37:59Or a prank, or... a cruel practical joke.

00:38:04I mean, it seems pretty authentic to me. It has their seal and... your name and address are, like, clearly written on it, so...

00:38:10It looks authentic.

00:38:16But how would they have seen my paintings?

00:38:20I don't know. Maybe one of those auction sites that you've been posting your work on?

00:38:24I mean, you're incredibly talented, so... anybody who's seen your work would automatically recognize it.

00:38:29I own a large gallery and I would love to establish a long-term collaboration.

00:38:39It's him. It's him. The guy who's been on my paintings. He must be the owner of the Fitz Gallery.

00:38:47Well, in that case, we better get going.

00:38:49Where?

00:38:51Gotta go get you a dress. I can't have you showing up to the Fitz Gallery in rags.

00:38:54Babe? Which one do you like more? This one, or this one? I need to be the hottest girl at the Fitz Gala.

00:39:09Everything just, uh, looks so good on you, honey. So, um, just pick whichever one you want. I gotta take a call, okay?

00:39:18Wrap this up, you twitch. I'll take them both.

00:39:24Wow. I used to buy dresses like this all the time without even thinking about the money, but...

00:39:34I can't afford something like this now.

00:39:38You know what? Consider it a congratulatory gift for me. Alright? And when you make it big in the art world, you can just pay me back.

00:39:46Oh, hi. Excuse me. Yeah, my, uh, friend would like to try on this dress.

00:39:52Oh, your friend has amazing tastes. This dress is actually a limited edition. Each one handcrafted by hand and therefore entirely unique. Truly a work of art.

00:40:00Well, how fitting that's gonna be worn by a very talented artist.

00:40:04I'll have someone on the team bring it out to you.

00:40:07Veronica, please bring the limited edition. Thank you.

00:40:14Well, limited edition.

00:40:17Tasha?

00:40:19Do you really think you can afford this dress?

00:40:24You can afford this dress?

00:40:28Please.

00:40:29Raina, I don't think you need to worry about Tasha's finances, okay?

00:40:33We established that last time.

00:40:37Hey, you. Get over here.

00:40:39I'm gonna pay twice what it's worth.

00:40:42But I want this dress.

00:40:44Ma'am, this dress is $4,000.

00:40:45Did I ask you how much it cost, you pluritarian scum?

00:40:49Just shut your mouth and add it to my bill.

00:40:51She's willing to pay double.

00:40:53I'll double her offer and I'll pay $16,000.

00:40:56Okay, sir. Sold.

00:40:5732,000.

00:40:59You know what?

00:41:01If she wants to dress so bad, let her have it.

00:41:04You can put all the jewels you want on a pigeon, but it'll never be a peacock.

00:41:08I'll show you who's a pigeon, you little bitch.

00:41:11How dare you assault me?

00:41:13Tasha, are you okay?

00:41:17What is going on here?

00:41:19What's going on is that your crazy bitch wife pushed Tasha to the ground.

00:41:22I swear to God, they're all lying. I never touched her.

00:41:25I saw everything. This gentleman and his girlfriend were very nice and politely inquired about a dress and suddenly your wife appears and attacks her for no reason.

00:41:33Shut your mouth, you little lying asshole.

00:41:36You know what? Why don't you just call security before this crazy maniac hits somebody else?

00:41:40Wait a second, Reyna. What actually happened here? What's going on?

00:41:42Why don't you believe me? I told you.

00:41:45Do we just call 911?

00:41:48Are you blind? Oh, Tasha, can you stop this bullshit?

00:41:51You know what, Reyna, can you just stay away?

00:41:53Can I get someone down here? Room A122?

00:41:55No, no, that's not necessary. We are leaving right now. Let's go.

00:41:59No, but-

00:42:00You've embarrassed us both enough for one day, okay? Let's go!

00:42:11Wherever Reyna goes, trouble's sure to follow.

00:42:15It is nice to see her get a taste of her own medicine, though.

00:42:18Yeah. It's a shame, though. You would have looked really great in that dress.

00:42:25Don't worry about that. I have a solution.

00:42:36What are you gonna do with all this stuff?

00:42:38I'm gonna design my own dress and wear it to the gala.

00:42:42Are you sure there's enough time?

00:42:43Have some faith in me. I graduated with honors in design and fine art. I got this.

00:42:50Alright.

00:43:10How do I look?

00:43:14How do I look?

00:43:21What? Is-

00:43:23Is something wrong? Is it-

00:43:24Is it too much? Should I change something?

00:43:27No, no.

00:43:29You look-

00:43:31That dress, like-

00:43:33That is one of the most beautiful dresses I've ever seen.

00:43:39But there's something missing.

00:43:40Should I resell the beads?

00:43:41No.

00:43:43I have a gift for you.

00:43:44Something to complete the whole look.

00:43:50Destroy harder, you idiot!

00:43:51Mrs. Crowe.

00:43:52I am doing everything I can. I-I-I don't know what more I can do.

00:44:05You're calling me fat?

00:44:07Of course not.

00:44:09You're not fat at all.

00:44:11It's the dress. It's not made for a woman's body.

00:44:14Just shut up and do it!

00:44:17Babe.

00:44:19Just put on another dress.

00:44:20You're gonna be late.

00:44:22I spent so much money on this dress.

00:44:25I am wearing this dress!

00:44:26I-I can't. It's-

00:44:29It's too much.

00:44:31No.

00:44:33It was made for you.

00:44:35I-I can't. It's-

00:44:37It's too much.

00:44:39No.

00:44:41It was made for you.

00:44:42I-I can't. It's-

00:44:44It's too much.

00:44:46No.

00:44:47It was made for you.

00:44:49I can't wait to see what you've brought to the auction.

00:44:51Can we have a little hint?

00:44:53Well, actually, I brought some of my very own paintings to auction tonight.

00:44:59What's wrong?

00:45:17It's Tasha Roberts.

00:45:20My husband's dreadful ex-wife.

00:45:23I'm tired of seeing her sorry face everywhere.

00:45:27also a horrible person. If it isn't everyone's favorite wide-collar criminal

00:45:34turned homeless vagrant Tasha Roberts. So the other day when you were trying to

00:45:40buy this dress with that working-class thug boyfriend of yours, you were trying

00:45:46to come here? Are you sure you were even invited?

00:45:52I'm sorry, are you working the security detail? Do I need to show you my

00:45:57invitation? Honey, I'm just trying to look out for you, okay? I want to spare you

00:46:02the embarrassment of being kicked out when everybody finds out that you are

00:46:06not invited. You mean like how you were kicked out of the mall? I see. You still

00:46:12quite don't understand your place in the world. You think you're fucking Cinderella

00:46:17or something and life is a fairy tale. But don't worry, I'll help you figure it all

00:46:24out. What's wrong with you? Can't you see? People are walking through.

00:46:30Reena, this time you've gone too far! Stop shouting, you dreadful O. These were

00:46:34supposed to be auctioned tonight! Well, if it is of any consolation, I don't think the

00:46:39wine has reduced their value of very much at all. Now you can go and cry to your

00:46:45fairy gut mother. Oh, I think the auction is starting. Well, I'll see you there. Toodles!

00:47:02For our first auction item, I'd like to welcome Ms. Reena Crow to the stage with her collection

00:47:07of original paintings.

00:47:24As you can see, Ms. Reena Crow's style is very unconventional. Certainly these works

00:47:31defy easy categorization, and yet there are touches of whimsy and an almost playful quality

00:47:38about them, as depicted here through the bold use of a duck as a central figure.

00:47:43It's a dog.

00:47:44What?

00:47:45It's a dog, not a duck, you buffoon!

00:47:48Oh yes, of course. A dog. Seen through a very unique prism. Portrayed as only an artist

00:47:56of Reena's caliber could possibly portray it. Now that we have familiarized ourselves with

00:48:03the art and the artist, let's start the bidding. The starting price will be $50,000.

00:48:08Do I hear $50,000?

00:48:11Anyone?

00:48:13$50,000. Do I hear $60,000?

00:48:17Anyone?

00:48:19$50,000 going once, $50,000 going twice.

00:48:23Sold! Sold for $50,000.

00:48:32And now we'll invite our second artist for the evening, Ms. Tasha Roberts, who will also

00:48:37be presenting a series of paintings.

00:48:48Ms. Tasha Roberts, where are your paintings?

00:48:50I don't have my paintings tonight, but I will be auctioning off this dress.

00:49:09Wow! It's beautiful! Stupendous! I've never seen a dress so beautiful!

00:49:16A stunning work of art indeed! There's no need for me to say another word about this masterpiece. Everyone in the audience can clearly see the extraordinary talent and extraordinary artistry. Let's start the bidding at $50,000.

00:49:23$55,000!

00:49:24$55,000! $75,000! $90,000! $100,000!

00:49:33and extraordinary artistry.

00:49:35Let's start the bidding at $50,000.

00:49:37$55,000.

00:49:39$75,000.

00:49:41$90,000.

00:49:43$100,000.

00:49:45$150,000.

00:49:47$250,000.

00:49:49$250,000 going once.

00:49:53$250,000 going twice.

00:49:55Gold! This beautiful dress is gold for $250,000.

00:50:03Is that the heart of Sun, I guess, that sold for $200,000,000 a few months ago in a bid now?

00:50:11Impossible.

00:50:13How can that lowly peasant possibly afford it?

00:50:15It must be a fake.

00:50:21Thank you so much for your bid, Miss Winslow.

00:50:23I'm gonna design a few custom pieces in your size and design them to your elegance and style.

00:50:29Have you ever considered creating your own clothing brand?

00:50:34I mean, your creations are so extraordinary.

00:50:38You should really share your talent with the rest of the world.

00:50:41Thank you. I never considered it, but I certainly will now.

00:50:46Hi.

00:50:47I'd be careful if I were you.

00:50:49I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.

00:50:56What are you talking about right now?

00:50:58This woman is a phony and a con artist.

00:51:01For as long as I worked with her, she's done nothing but defraud and cheat the people she's done business with.

00:51:07And let me make it clear.

00:51:08For everybody that wants to do business with this woman, they won't be allowed to do business with the Crow Group.

00:51:15Is that so?

00:51:16Well, let it be known that if anybody refuses to work with Miss Tasha Roberts because of the baseless rumors and lies being spread by Miss Raina Crowe, you will no longer be welcomed back to the Fitz Gallery.

00:51:30That's the curator of the Fitz Gallery.

00:51:33Not just the curator. He's also the director of the Fitz Foundation.

00:51:39The curator? Is he the man who bought my paintings? Why does he seem so familiar?

00:51:47Miss Tasha Roberts is my guest of honor tonight, alright? I invited her personally.

00:51:55So if anybody treats her with the slightest bit of disrespect, they'll be asked to leave and never again invited back to the Fitz Gallery.

00:52:02As the director of this esteemed organization, am I interested to know that your guest of honor is wearing a cheap replica of a priceless work of art.

00:52:13She is not to be trusted.

00:52:16I'm assuming you mean her diamonds. What evidence do you have to prove that it's not real?

00:52:21Well, the real Heart of the Sun has the initials of the Craft Man engraved in the joint between the gemstone and the pendant.

00:52:28So Tasha, would you indulge us all and show us if what you're wearing is a genuine article or a cheap knockoff?

00:52:37This was just given to me by a friend. I never claimed it was the real Heart of the Sun.

00:52:44I don't want to embarrass him by having people pour over it for imperfections.

00:52:49So it's a forgery. You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.

00:52:58Miss Roberts, you have nothing to fear from this woman. Just show her the necklace.

00:53:01And I'll personally see to it that there are no despairing comments about its craftsmanship or quality.

00:53:05And the question has to be asked whether it is the true Heart of the Sun.

00:53:08See, just like, what? How is this possible?

00:53:10nothing to fear from this woman, just show her the necklace, and I'll personally see

00:53:14to it that there are no despairing comments about its craftsmanship or quality, and the

00:53:19question has to be asked whether it is the true heart of the sun.

00:53:30See, just like...

00:53:32What?

00:53:34How is this possible?

00:53:36I do say, this engraving looks entirely authentic to me.

00:53:45This is indeed the one and only heart of the sun.

00:53:48Well that settles it then.

00:53:50This necklace is authentic.

00:53:52From now on, no one will be permitted to question or harass my guest of honor.

00:53:56Now, if everyone is satisfied, can we please get back to tonight's festivities?

00:54:06Ken, you have a lot of explaining to do.

00:54:13Okay, what's wrong?

00:54:15I can't accept this necklace, and I can't give you what you want.

00:54:21Do you even know what I want?

00:54:23I don't want to know.

00:54:26We can just be friends, nothing more.

00:54:28Tasha, you're just afraid.

00:54:30You're just afraid of going after what your heart truly desires.

00:54:36And I just think you're afraid of just being true to yourself.

00:54:39You're the last person that should be lecturing anybody on the truth.

00:54:44Who are you?

00:54:46What do you do?

00:54:47Is this even your house?

00:54:49I mean, how do you own a necklace that's 200 million dollars?

00:54:55See, you don't even respect me enough to tell me the truth.

00:55:04You expect me to jump into a relationship with you?

00:55:08You could be a total stranger.

00:55:11I have no idea who you are.

00:55:14Tasha, I want to tell you, I do, but I just can't right now, all right?

00:55:21Like maybe in the future when we can sit down and-

00:55:22When there is no future for us, not if you can't tell me one thing about yourself that

00:55:28isn't a lie.

00:55:30When you find someone that you really love and trust, you let them in.

00:55:37But that person won't be me.

00:55:52Are you okay?

00:56:02Director Fitz, I had a wonderful time at the gala.

00:56:06Thank you for supporting me and standing up for me.

00:56:10I wasn't bothered by the way the other guests treated me.

00:56:14I've endured far worse.

00:56:19Lovely, I'm glad to hear it.

00:56:22I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.

00:56:27Think of it as a sort of artist residency.

00:56:30Would you be interested in such an opportunity?

00:56:40This dress is every bit as exquisite as I expected it to be.

00:56:45Thank you, my dear.

00:56:47You're very welcome.

00:56:48Have you given any more thought to my proposal?

00:56:51If you wish to start a clothing brand, I would be more than happy to invest whatever you require

00:56:59to get started.

00:57:00It's a very gracious offer, but I just, I have to ask.

00:57:04I mean, there are so many other talented designers.

00:57:07Why do you have such faith in my abilities?

00:57:09It's not just me, you know.

00:57:11The curator of the Fitz Gallery has never been seen in public before the gala last night.

00:57:18And everyone in attendance was certain that the only reason he chose to make an appearance was

00:57:24because of you, his guest of honor.

00:57:29That was his first appearance ever?

00:57:31Indeed.

00:57:32His very first and only time to appear in the flesh.

00:57:36Before this, he was a figure of myth and mystery.

00:57:40Many people doubted he existed at all.

00:57:42But all because of you, he chose to grace us with his presence last night.

00:57:49Seems like a marvelous young man, don't you think?

00:57:52He certainly had a charm about him.

00:57:54Oh, undoubtedly.

00:57:56You know, many people flock to the Fitz Gallery for more than just the art.

00:58:01They want to learn all about the enigmatic young curator.

00:58:07Really?

00:58:07I mean, what's so interesting about him?

00:58:09Have you ever wondered how the Fitz Gallery has managed to surpass

00:58:15all of the established art collections to become the top venue for fine art in just two years?

00:58:22I mean, I heard rumors, something about foul play, but I always just assumed they were baseless.

00:58:28Well, those rumors have quite a bit of truth to them.

00:58:32Seems like the Miller crime family is actually behind the Fitz Foundation.

00:58:38The one and the same Miller crime family that monopolizes all the underground trade in all of North America.

00:58:46Well, he seemed like such a gentleman. I just, I find it hard to believe that he ever was involved in something so sordid.

00:58:53You must never judge a Brooklyn's cover, my dear girl.

00:58:58Even people close to us may be harboring many secrets.

00:59:02We never really know what's going on inside.

00:59:05You got that right.

00:59:06I learned that lesson the hard way.

00:59:09Let me be frank.

00:59:11I have tremendous faith in you.

00:59:14Thank you, Mr. Wingo, but I think it's dear.

00:59:17All my friends call me Laura.

00:59:22This is a good shack.

00:59:24For five million dollars.

00:59:25It should help you get your clothing brand started.

00:59:31Shall we become business partners in addition to being friends?

00:59:34Director Fitz, I'd like to work with you.

00:59:52It would be my honor, Miss Tasha Roberts.

01:00:02I am soaring to your smile.

01:00:06It's my only dream.

01:00:12Staring out into the sea.

01:00:16Waves come crashing up to me.

01:00:20My toes slip into the sand.

01:00:24Dream that I'm with you.

01:00:27Staring out into the sea.

01:00:29I am waving with me.

01:00:32Waves come crashing up to me.

01:00:35Soaring my toes slip into the sand.

01:00:40It's my only dream.

01:00:41Dream that I'm with you.

01:00:43Waves come crashing up to me.

01:00:55Congratulations, Miss Roberts.

01:00:57We expect a huge success from your art exhibition.

01:01:01You're looking at her.

01:01:17You're obsessed with her.

01:01:19Didn't she humiliate me enough the other night at the gala?

01:01:21But no, now I have to watch my husband stare at her picture.

01:01:27Well, maybe if you didn't give her the opportunity to humiliate you.

01:01:31So it's my fault now?

01:01:32Oh wait, let me guess.

01:01:33Maybe it's my fault too when the two of you broke up.

01:01:35Okay.

01:01:37Raina, I've been thinking.

01:01:40I don't think this is working.

01:01:41I want a divorce.

01:01:48You used me to push Tasha out of your company, take her property, and now you cast me aside like

01:01:54what, a huge piece of garbage?

01:01:56I won't allow this.

01:01:59Mark my words, Karl Kroh.

01:02:01You will regret this.

01:02:11I'm spending too much time around Ken.

01:02:18He's dominating all my thoughts.

01:02:21I have to distance myself from him.

01:02:23For my own sanity.

01:02:36Is there nothing I can do to get you to stay?

01:02:42I'm sorry, but no.

01:02:47You and I, our relationship will just keep going in circles.

01:02:54But thank you for everything you've done for me.

01:02:58I have a little bit of money now, so you should be able to pay off your loan soon.

01:03:02And long talks, an awkward silence, wait nights, walking through the garden, running with your hand in mine.

01:03:18This is what happens when you steal from the Millers.

01:03:37Please, let me go.

01:03:42I promise you'll never see me again.

01:03:43I promise you'll never see me again.

01:03:50What do you got here?

01:03:51I'm writing this over here.

01:03:54Boss!

01:03:56I found this one peeking around the corner.

01:03:58Not sure how long this little bitch has been watching, but I'm pretty sure she tried to call the cops.

01:04:02Don't worry boss, I got a knife with her name on it.

01:04:09We can dump her body with the other guy.

01:04:11No, let her go.

01:04:17What? Didn't you hear what I said? She's seen everything.

01:04:20Let her go before I rip off your fucking arms and throw them in the river.

01:04:24Walk away. This doesn't mean anything to you.

01:04:36Is this what you couldn't tell me about?

01:04:39Boss, you know this woman?

01:04:43You're gonna kill him.

01:04:43Please.

01:04:44Call the police then. See if they can save his life.

01:04:47No! Don't call the police, you stupid bitch!

01:04:50My world is more cruel than you can possibly imagine.

01:04:55So since you didn't want to get involved, just walk away.

01:05:07Hey babe, what do you want for breakfast?

01:05:31My world is more cruel than you can possibly imagine.

01:05:48So since you didn't want to get involved, just walk away.

01:05:52I never imagined that Ken could be such a dangerous and violent man.

01:05:56There must be something or someone forcing him to do all of this.

01:05:59Even people close to us may be harboring many secrets.

01:06:06We never really know what's going on inside.

01:06:10Forget it. This has nothing to do with me.

01:06:12I decided to leave Ken, so I have to do my best not to look back.

01:06:29You're a pro-magnet boyfriend. Is he not joining us?

01:06:42It's all over. I'm not with him anymore.

01:06:47Where's Reyna?

01:06:47Reyna was a mistake. That's all over too.

01:06:52Tasha, I want you back.

01:07:00I can't stop thinking about us.

01:07:03You were right. You belong in my life.

01:07:05So if you just sign those documents, then you can come back to me.

01:07:13Come back to the house. We can carry on like none of this ever happened.

01:07:17I can give you your old job back. That'll be fun, working together again.

01:07:21And then all that debt you owe me will be wiped clean.

01:07:24You, uh, need a pen?

01:07:32You think I'd get back with you after everything you put me through?

01:07:39Here is a hundred million dollars.

01:07:42I'll pay the rest on time, and if you're agreement,

01:07:53take these documents and shove them right up your ass.

01:07:59You disgust me, Carl.

01:08:01You should think about Anna.

01:08:03Do you really want her growing up without a mother?

01:08:06With all her health problems, she could really use your support.

01:08:08Don't dare talk about Anna.

01:08:11She'll be with me soon, then I'll never let her out of my sight again.

01:08:15She needs her mother and her father.

01:08:16Not a father like you, she doesn't.

01:08:19She'd be better off with no father at all.

01:08:32I'm sorry, am I interrupting?

01:08:34Are you texting a new boyfriend already?

01:08:37Can it wait?

01:08:38I'm not done talking here.

01:08:41You're pathetic, Carl.

01:08:44Okay, Tasha.

01:08:47Tasha.

01:08:50Hey, Tasha.

01:08:52Tasha, come back.

01:08:54Where are you going?

01:08:54This place is disgusting.

01:08:56Come on, Tasha.

01:08:58Don't you remember the happy times?

01:08:59Come on, we can have that again.

01:09:01Think of Anna.

01:09:02Think of me, please.

01:09:03I love you.

01:09:04Hey.

01:09:05Hey.

01:09:06Hey.

01:09:24Sorry, folks.

01:09:25Thanks.

01:09:25It's the end of the line for you.

01:09:31No hard feelings.

01:09:33But, we gotta do what the people who pay us tell us to do.

01:09:37Who's paying you?

01:09:38I'll give you a hint.

01:09:42A very beautiful woman paid us a small fortune to make sure you two would make sure you two don't make it.

01:09:50Raina.

01:09:50That fucking bitch.

01:09:53Do you know who I am?

01:09:55I'm Carl Crow.

01:09:57The CEO of the Crow Group.

01:09:59What if she's paying you?

01:10:00I'll pay double, okay?

01:10:01Yeah, yeah.

01:10:02You pay me double.

01:10:03I guess you haven't heard the news, buddy.

01:10:06See, I don't think you have the means to outbid your pretty little friend.

01:10:13Oh, that back-stepping slut!

01:10:17Please, pick up the phone.

01:10:19You trying to phone a friend?

01:10:21That's a big no-no, sweetheart.

01:10:23That's breaking the rules.

01:10:27Sweetie.

01:10:29Don't waste the little time you have left trying to call for help.

01:10:32It won't do you any good.

01:10:35No one.

01:10:37They're gonna help you now.

01:10:42Three hours.

01:10:43Where's Tasha?

01:10:44Hey, Nell.

01:10:47Hey, listen.

01:10:48I need you to do me a favor.

01:10:50Yeah, I need you to pull out the city surveillance system in the area and find all the footage.

01:10:55Yeah, no.

01:10:56Something's wrong.

01:10:56What are you doing?

01:11:09We have to get out of here.

01:11:11You should just go, save yourself, leave me.

01:11:27It's what I deserve.

01:11:28I'm not gonna leave you.

01:11:34I'm not that type of person.

01:11:41Come on, let's go.

01:11:42Come down here.

01:11:45Wait until they come in.

01:11:52Hey, Tasha.

01:11:56I'm so sorry.

01:11:57Now's not the time for that.

01:12:19All in.

01:12:28Looks like we got ourselves a suicidal prick here, fellas.

01:12:32I can't think of any other reason why somebody would kick in the door that's got Vincent Santorelli on the other side of it.

01:12:40Oh, shit.

01:12:42Boss.

01:12:45I didn't realize it was you.

01:12:48These your guys?

01:12:51Where the fuck are they?

01:12:52You better find them.

01:12:54Quick.

01:13:10Now it's your turn.

01:13:22Pretty little thing like you, I was gonna make it painless, but I guess you didn't want that.

01:13:37All the same.

01:13:40Hey, who's this fucking monkey?

01:13:41Lower your fucking gun.

01:13:42Vinny, what the fuck is going on?

01:13:44You're fucking deaf.

01:13:45Yo, lower your fucking gun.

01:13:47Are you?

01:13:49Are you Ken Miller?

01:13:50Hey, how can that be?

01:13:51What the fuck is going on?

01:13:53Ken Miller.

01:13:55The one and the same Miller crime family that monopolizes all the underground trade in all of North America.

01:14:06It's you.

01:14:13You know what you have to do.

01:14:17Boss, please.

01:14:20He's my brother.

01:14:21He's my brother.

01:14:22Rules are rules.

01:14:37I was pushing you away as Ken and growing closer to you as Fitz.

01:14:43I'm sorry, Tasha, but there's just nothing I can do that will make you happy.

01:14:52And I just can't win over your heart.

01:14:55Is Ken Miller always this loving with the hostages he rescues, or is this just special treatment reserved for his lovers?

01:15:08Tasha, I love you.

01:15:11I love you.

01:15:12My heart has belonged to you, and only you, for the past fifteen years.

01:15:21Fifteen years?

01:15:23No, we just met a few months ago.

01:15:27We met fifteen years ago.

01:15:29You went to Marr Middle School?

01:15:35Yeah.

01:15:36And you saved my life there.

01:15:37Stand up, chicken, and hit us back.

01:15:48Isn't that what your dad does for a living?

01:15:51Beat people up?

01:15:52I'm not my dad.

01:15:55You and your father are both scum.

01:15:57Let's teach this little and thug a lesson.

01:15:59Yeah, idiot.

01:16:00Get up and show us what you've got.

01:16:04Hey.

01:16:06Hey, hey, hey, hey, hey, stop.

01:16:08That's enough, that's enough.

01:16:09It's none of your business, Robert.

01:16:11Get out of here, Robert.

01:16:12Hey, stop, go home.

01:16:13I'll call your parents, go.

01:16:14Oh, crap.

01:16:15Ever since I saw you that night in the cab, with that necklace on,

01:16:33I just, I knew I found you.

01:16:36Look, this isn't just some feeling for me, okay?

01:16:40This is, this is everything to me.

01:16:43Like, you are everything to me.

01:16:45No matter what happens between us,

01:16:48I'll always care about you.

01:16:51And maybe one day we can make it work in a different way.

01:16:57I just need some time to process this.

01:17:16Okay.

01:17:18And after that,

01:17:21maybe we can pick up where we left off,

01:17:22that first night you spent here?

01:17:26Maybe.

01:17:29You play your cards, right?

01:17:44Does everything look good to you, my artist?

01:17:46Yeah.

01:17:50Thanks for everything.

01:17:52That doesn't sound very convincing.

01:17:53Is there anything you want to change?

01:17:55No.

01:17:57I just, I never got around to asking why you

01:17:59wanted to start an art gallery in the first place.

01:18:02Honestly, just to get to you.

01:18:05See, I thought if I owned the world's greatest art museum that

01:18:08one day you might find your way in here, and

01:18:10I don't know, that I might find you.

01:18:12To be a part of the world.

01:18:42I want to see what kind of woman this is that has ensnared my son.

01:18:52I doubt she's worthy of joining the Miller family.

01:18:56As you wish, sir, I will make the arrangements.

01:19:03Honestly, it's still good to you.

01:19:06See, I thought if I own the world's greatest art museum that one day you might find your way in here.

01:19:10And I don't know, that I might find you.

01:19:14Okay, okay.

01:19:16Just concentrate on painting.

01:19:18Don't think about him.

01:19:36Who are you?

01:19:39Miss Tasha Roberts.

01:19:41Mortimer Miller would like to speak with you privately at his home.

01:19:46Come here.

01:19:48Take a look.

01:19:53She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.

01:19:59She's young, beautiful, well-educated.

01:20:04I think she'll make a fine wife for my son, Ken.

01:20:06With all due respect, sir.

01:20:12I believe that it's up to Ken to decide who he wants to spend the rest of his life with.

01:20:16Choose you.

01:20:20Not a chance.

01:20:22You're no match for my son.

01:20:25Now, you owe money to the Crow Group.

01:20:34I'm going to pay your debt.

01:20:39And in return, you will agree to never see my son again.

01:20:48It's our decision whether we want to be together or not.

01:20:53Your son and I love each other.

01:20:55There's nothing in this world that can keep us apart.

01:20:59Tasha, do you want us to be together?

01:21:04It's impossible.

01:21:06Father.

01:21:06I forbid it.

01:21:08Father, this is the love of my life.

01:21:10I can't lose her again.

01:21:11I'd rather leave the family business.

01:21:15Then leave if you wish.

01:21:17But she will never have my approval, ever.

01:21:20And she'll never be a part of the Miller family as long as I live.

01:21:24You'll come running back.

01:21:26Without the Miller family power, money,

01:21:31you'll accomplish nothing.

01:21:34You're making a big mistake.

01:21:37Choosing this old hag.

01:21:40You're making a big mistake.

01:21:42Instead of family.

01:21:51Ken, where are you?

01:21:53Why aren't you back yet?

01:21:58Oh, you're still awake?

01:22:10Who did this to you?

01:22:18Don't worry about me.

01:22:19I'm fine.

01:22:20It's nothing out of the ordinary.

01:22:22Hey, babe.

01:22:35Yeah, no, I'm just right outside.

01:22:36You son of a bitch.

01:22:43You're making me cut my own brother's hand.

01:22:45Now you think you can betray the Miller family,

01:22:49walk away scot-free?

01:22:50Not a fucking chance.

01:22:53This guy means nothing to the Miller family now.

01:22:56He's worthless.

01:22:58Helpless.

01:23:00You're absolutely nothing now.

01:23:02Let's make him feel the pain

01:23:04that my brother felt.

01:23:06Come on, boys.

01:23:07Stop.

01:23:31Stop hurting him.

01:23:32You stupid bitch.

01:23:36Stop!

01:23:37Stop!

01:23:59Stop at once!

01:24:01You insolent fools!

01:24:11Son.

01:24:14You know how hard it is for me to admit that I made a mistake?

01:24:20But today the two of you have proved me wrong beyond a shadow of a doubt.

01:24:27Tasha.

01:24:27Tasha, you are the perfect woman for my son.

01:24:34Go.

01:24:36Be together.

01:24:39You approve?

01:24:41You have my blessing.

01:24:42From this day onward, you have nothing more to do with the legal activities of the family.

01:24:50But you'll always be a miller, as will she.

01:24:59Get off me!

01:25:17You useless, impotent man-child! The Krog Group is bankrupt!

01:25:32Getting involved with you is the worst decision I could have made in my life!

01:25:37This is all your fault! You spent every single thing that we had!

01:25:41Now we have nothing left! No company, no house, no money, not even a dime!

01:25:46And it's all because of you, you greedy cow! Don't you-don't-

01:25:57The late Mrs. Miller was a beautiful woman, sir.

01:26:02Yes. Back then, my wife protected me from every danger that befell our family.

01:26:11And today, my son found the perfect woman in us and I did the same for him.

01:26:18He's a lucky man.

01:26:22Wow. You look so beautiful.

01:26:37No, you can't be here right now!

01:26:40Babe, I don't want to rush you, but everybody's waiting to see you.

01:26:43Kim, can you promise me one thing?

01:26:47I can promise you two if you'd like.

01:26:50I'm serious.

01:26:54I want you to walk away from the family business.

01:26:59There's a city called Ostia. It's on the southwest side of Rome by the ocean.

01:27:03What?

01:27:04You know what I found over there?

01:27:08Found you an art teaching job at a public school.

01:27:12I would do tickets, leave them in the morning.

01:27:14You're sending me away?

01:27:16No.

01:27:18I opened my own restaurant.

01:27:20It's just down the street.

01:27:21Oh, and one more thing.

01:27:26I enrolled Anna at the school they're going to be teaching at.

01:27:29I think she's going to really live it over there.

01:27:34So you really are walking away?

01:27:36Yeah.

01:27:41You got some socks.

01:27:51I'm sorry.

01:27:54I did that.

01:28:02Okay, let's see.

01:28:08Bye for now!

01:28:10You guys can see him out there.

01:28:14Bye for now.

01:28:16Bye.

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