00:00Les images secrètes de Mission Impossible.
00:02On pensait avoir tout vu, mais certaines scènes n'ont jamais atteint l'écran.
00:07Et croyez-nous, elles valent le détour.
00:09A l'occasion de la sortie de Mission Impossible de Final Reckoning,
00:12on a eu accès à des images exclusives du tournage.
00:15Bienvenue dans les coulisses d'un film où chaque plan défie les limites du possible.
00:19Christopher McQuarrie, réalisateur de la saga, et Tom Cruise dévoilent et commentent des plans spectaculaires.
00:30We chose the aircraft, an 80-year-old stearman.
00:34We developed camera technology.
00:37That camera covers looking in this direction.
00:39Tom and I had to develop the choreography of the sequence.
00:43We're going to do roll, loops, hammerheads.
00:51We can do this now.
00:54Okay, we can do it.
00:56When Tom is on the wing, we have to communicate by hand signal
00:59because the winds are about 100 to 140 miles an hour.
01:03Stop, stop, stop, stop.
01:05Now I come up, and I'm pulling up, and now I grab it, and I try to hold it steady.
01:10The airplane's pitching.
01:12It starts going over.
01:14We are pushing it to that next level.
01:17Chaque plan est une mission à part entière.
01:20And you were totally right about the fight on this.
01:23And we're like, how do we do this? That hurt.
01:25That hurt a lot.
01:25By the way, that was your gag.
01:27Just talk about that treadmill gag, which seems like it's a throwaway thing.
01:33It was very clever.
01:34And I remember coming in and watching you guys rehearsing it.
01:36I was like, this was genius in how the treadmill went from being just the story.
01:42It actually becomes a character in the fight.
01:44It becomes like a weapon.
01:45To hit that treadmill and do it.
01:46I was like, I'm not wearing any pads.
01:48I was like, I love this.
01:49This is so fun.
01:50This is where suddenly you realize Tapisa is not who you thought she was.
01:54He's a very resourceful character.
01:55Now, the score here.
01:58Putting music into this sequence.
01:59It was a big debate for a long time.
02:01It had to be propulsive.
02:03And it had to be organic.
02:06The balance between music and score.
02:10Music and sound, rather.
02:11How much of this fight to be in and knowing what, when to cut away.
02:22How much, in which paint.
02:23Like each shot going where.
02:25Pushing, keeping the progression of the fire of the characters.
02:29Not losing.
02:30Look how much is going on here.
02:32Look at every frame here.
02:33Spinning plates.
02:34This is a really important.
02:35And then when to come back to Ethan.
02:36When to stay here.
02:37Look at that.
02:38And, and, and you remember earlier versions of this.
02:41We were cutting away from Ethan for way too long.
02:44We had to constantly create delays.
02:47That hurt.
02:48That hurts a lot.
02:49None of this does not hurt.
02:51You just want to do one take and that's it.
02:53Because there's no pads.
02:54There's nothing going.
02:55Look at this.
02:56That's all for real.
02:57L'envers du décor.
02:59We found this amazing location in the United Kingdom.
03:03Middleton Mine.
03:04And when we looked at the terrain, we recognized that this is not going to be our
03:08usual street vehicle.
03:09This is going to require something more rugged.
03:12Okay, here we go.
03:13Let's go.
03:14Let's go.
03:15Okay, get it.
03:16Action.
03:20This car chase, it was probably one of the hardest locations to film in because of elements
03:26that the mine brought.
03:27It was temperature.
03:28It was the ground itself.
03:31The dust.
03:32And we decided to have a much more open vehicle.
03:38And we wanted to see Tom.
03:41You could see all of Tom while he was driving it.
03:44And it created a real sense of exposure.
03:46It created a sense of danger.
03:49I'm in the car.
03:51Now Mike's hitting me, correct?
03:53Yep.
03:54Go hard.
03:54Go hard.
03:55Go hard.
03:55On comprend mieux pourquoi Mission Impossible reste une référence du genre, des images inédites,
04:14une équipe qui flirte avec l'impossible et un résultat qui, encore une fois, tient toutes
04:20ses promesses.
04:20Visit us.
04:21Go hard.
04:21Go hard.
04:22Talk to us.
04:235 minutes.
04:235 minutes.
04:24Think to us.
04:24Refuse.
04:32Go hand me.
04:32Go.
04:33Go hand me.
04:35Go hand me.
04:36Bye.
04:37Come along.
04:38Bye.
04:39Bye.
04:40Bye.
04:41Bye.
04:42More window vaccination.
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