- 2 days ago
Category
🎥
Short filmTranscript
00:00:00I was asking the wrong questions.
00:00:04What the hell is going on?
00:00:06Do you really think you're death thick, Tasha?
00:00:09Your husband and I decided that you're no longer needed here anymore.
00:00:13Reyna's gonna take over your role at the company.
00:00:15She's already proven she can do everything you can, but better.
00:00:19I'll have a letter of termination and divorce paper sent over to your new address,
00:00:23wherever that ends up being.
00:00:25What should I do with this, boss?
00:00:27Give me that, you plebe. I know exactly what to do with it.
00:00:33Is that clear enough for you, Tasha?
00:00:35Your company and your husband both belong to me now.
00:00:43No, you can't just fire me. I'm a shareholder at this company.
00:00:47Are you still a shareholder at this company, are you?
00:00:50You know, actually, your debt is mortgaged with your shares,
00:00:53so you actually owe this company about $200 million.
00:00:56I never took out any loans that large.
00:00:59Oh, Tasha, you were always so gallible.
00:01:02A word of advice for the future?
00:01:04Don't give the keys to the kingdom to your assistant,
00:01:07no matter how trustworthy your feeble brain think they might be.
00:01:12Security! Security! We have a vagrant in the lobby, and she might become hostile.
00:01:18Stop acting. I'll just leave on my own.
00:01:25Look, there's no glamour. There's no glory. It's just blood, guts, fear, and misery.
00:01:35Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:39I know that the type of money you make in just a few days, I can't make that in ten years working as a stick.
00:01:45But at least you're guaranteed to be alive in ten years. In my world, you're not guaranteed to be alive in ten days, let alone ten minutes sometimes.
00:01:52Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:01:58I'm sorry, but no. I'm not gonna let you get killed.
00:02:03Man, what the fuck you got me here for then? Shit.
00:02:21Oh, I guess you didn't hear. The repo guy, he came and towed your car away.
00:02:28Ugh. Said it was, like, collateral for a loan. Of course, I made the call and arranged everything. My pleasure.
00:02:39You despicable trash.
00:02:42You know, I was gonna give you a ride, you know, seeming that we were married for so long,
00:02:47but walking the streets at night kinda suits you. So, enjoy.
00:02:53Go to hell.
00:02:58Miss?
00:03:27Miss?
00:03:28Just go away, alright? I don't need your cheap sympathy right now.
00:03:32Miss, your friend's gone. I just want to offer my cab services.
00:03:39Yeah, I'm sorry. A cab is just what I need right now.
00:03:45Alright, great. Come on board.
00:03:57Sorry, I don't have any cash right now.
00:04:12Give me a minute. I'll go grab some from inside.
00:04:15Here. Just proof I'm not trying to skip out on the fair.
00:04:27You have some nerve coming back here.
00:04:31I never wanted my son to marry you in the first place.
00:04:34And now that he's finally come to his senses and kicked you to the curb,
00:04:38you think that you can just waltz right back into his house?
00:04:42His house?
00:04:44My father left me this house.
00:04:47And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.
00:04:55I always knew you were a nasty little hussy.
00:05:03Who the hell are you?
00:05:05This is a personal matter, so you should really mind your own business and stay outside.
00:05:09Actually, this is my boyfriend.
00:05:13So if it's a personal matter for me, it's a personal matter for him.
00:05:18Okay.
00:05:19What?
00:05:20You think your son's the only one capable of having secrets?
00:05:25Hello?
00:05:26How can we help you?
00:05:27How can we help you?
00:05:28How can I help you?
00:05:29How can I help you?
00:05:30How can I help you?
00:05:31How can I help you?
00:05:32So let's see.
00:05:33Well, today, we're all going to help you.
00:05:34How will you help you?
00:05:35How can I help you?
00:05:36I can help you.
00:05:37How can I help you, managing your son?
00:05:38Hey, thanks again for today.
00:05:40I know that's a weird position to put you in.
00:05:43It's all right.
00:05:44It's alright.
00:05:46It is really nice to know that there are still good people out there that would help a total stranger.
00:05:54Have a good night.
00:05:55Alright, you too.
00:06:14Where's my necklace?
00:06:39Here.
00:06:42Just proof I'm not trying to skip out on the fair.
00:07:12How does a fancy broad like you find yourself in a place like this?
00:07:16Who the hell are you? Get out now!
00:07:18All I'm trying to do is introduce myself and you'll treat me like some dog shit you found stuck to your shoes.
00:07:26I'm calling the police!
00:07:30How about I give you a better idea?
00:07:32You and I are gonna have some good old fashioned fun tonight.
00:07:44If I ever see you around here again you're dead! Get out of here!
00:07:58Hey.
00:08:00Oh, I'm so glad you're here.
00:08:04Where did you get this necklace?
00:08:08My father gave that to me.
00:08:16You better not be lying to me.
00:08:18I'm not lying.
00:08:20I know.
00:08:21He made that with his own hands.
00:08:22It has my name on the back.
00:08:24It's really you?
00:08:26Hey.
00:08:27How are you feeling?
00:08:28How did... how did you...
00:08:32You left your bag in my car.
00:08:34How did you know where to find me?
00:08:42I have my ways.
00:08:44Hey, listen.
00:08:46I know it's none of my business,
00:08:48but it's not safe for you here.
00:08:50No, I'm not lying to me.
00:08:52I'm not lying to you.
00:08:54I'm not lying to you.
00:08:56I'm lying to you.
00:08:57I'm lying to you.
00:08:58You're lying to me.
00:09:00You're lying to me.
00:09:01You're lying to me.
00:09:02I'm lying to you.
00:09:03But it's not safe for you here.
00:09:04With everything that's happened in the last 24 hours, this is all I can afford.
00:09:12Listen, I have an extra room at my place. Maybe you can just come stay with me.
00:09:33Welcome home.
00:09:44I really feel like my luck's starting to change.
00:09:47I mean, you've literally rescued me over and over today.
00:09:51I know what it's like. I've been rescued before.
00:09:55Um, I'm sorry. I don't think I can make rent right away, but...
00:10:00Um, you could sell this ring and then it should cover me for a few months.
00:10:06At least until I'm back at my feet.
00:10:08I thought he was a really rich guy.
00:10:10Why did he choose such a small diamond?
00:10:14It's not a very good cut, either.
00:10:17Okay. Never mind. I can just...
00:10:21No, it's fine. I'm just saying.
00:10:24You deserve a better ring than this.
00:10:30No, babe. Stop.
00:10:54It's late. Okay?
00:10:55You're still thinking about her.
00:10:58Who? Tasha?
00:11:00Are you kidding me?
00:11:02Then why are you wearing the wedding ring?
00:11:04Did you forget what she and her father did to you?
00:11:06I will never forget what she and her father did to me.
00:11:10But that has nothing to do with you.
00:11:12So why don't you stop mouthing off about shit that you know nothing about
00:11:16and let me handle my own affairs.
00:11:17What you is?
00:11:47Mary?
00:11:51What?
00:11:59Hey, what's going on?
00:12:01My daughter's missing.
00:12:03What?
00:12:05Tasha, you shouldn't have barged in like this. If Carl finds out-
00:12:19No, I don't care about Carl right now, okay?
00:12:21Where's my daughter? Where's Anna?
00:12:23I sent her away.
00:12:28You have no right.
00:12:30Actually, as Carl's new wife and Anna's legal guardian,
00:12:34I have all the rights to do whatever I want with my stepdaughter.
00:12:40What?
00:12:44We never settled custody,
00:12:46so just skip the theatrics and tell me where my daughter is.
00:12:50You think you're getting custody?
00:12:53Stai sognando.
00:12:55On one hand, we have a mother drowning in death with no place to live.
00:13:01On the other hand, we have a wealthy and well-respected father
00:13:07who happens to be the CEO of the world-renowned pro-group.
00:13:11Who do you think the court will side with?
00:13:21Oh, what's going on?
00:13:23Oh, Carl!
00:13:24Carl, it's okay.
00:13:25Tasha was understandably upset about the situation.
00:13:28You know, I don't blame her for that.
00:13:31You trespass on my property? Assault my wife in her own home?
00:13:35Tasha, I have put up with your outrageous behavior for years,
00:13:38but don't you dare subject Raina to that kind of abuse!
00:13:41You don't understand. Raina sent Anna away!
00:13:44She did what any good mother would.
00:13:47I want to know where my daughter is right now!
00:13:49New Zealand.
00:13:51Getting medical care from one of the best cardiology departments in the world.
00:13:55And remind me, what have you done for your daughter lately?
00:13:58Hmm?
00:13:59Abandon her?
00:14:00To go shack up with some cab driver boyfriend?
00:14:03You idiot!
00:14:04I found those cardiologists in New Zealand.
00:14:07Scheduling those appointments was the last thing I had Raina do when she was still my assistant!
00:14:12Tasha, Tasha, you disgust me.
00:14:14Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:19I'm gonna make sure Anna stays far, far away from you,
00:14:22so there's no possibility of her ever becoming anything like you.
00:14:31You...
00:14:33Backstabbing...
00:14:35Homewrecking...
00:14:37Bitch!
00:14:38I advise you stay far away from my daughter and I.
00:14:46By the way, the deeds still list me as the rightful owner to this house.
00:14:50So the two of you have no right to keep me from coming back here. Do you understand?
00:14:54Calm down.
00:14:55You can forge my signature, you can take my money, take my house, but you will never have a shred of the intelligence that I have.
00:15:04Tasha, you have made your point.
00:15:06I think it would be...
00:15:08You deserve that too!
00:15:10You should have told me about Anna a long time ago!
00:15:16Oh, don't stop at my account.
00:15:18Please, continue.
00:15:20Miss Big Shot, don't you forget that you still owe 200 million dollars.
00:15:26And 20 millions of that is owned to me, personally.
00:15:30In fact, I'm going to call my lawyer and see to it that if you don't pay right away,
00:15:34you're never going to see your daughter ever again and you'll end up in debtor's prison.
00:15:39Oh, ciao.
00:15:45Go ahead and check it out.
00:15:46But after your accountant, make sure this is all legit.
00:15:48I don't want you two jackasses counting my girlfriend money ever again.
00:15:51Got it?
00:15:57Oh!
00:15:58And by the way, we're going to go ahead and take Anna in the future too.
00:16:02Don't worry, Carl.
00:16:03I'll be a better father to her than you ever can be.
00:16:06Tasha, you'll regret this.
00:16:13Thanks again, Kerr, today.
00:16:17For pretending to be my boyfriend.
00:16:25Was all that money real?
00:16:27As real as it comes.
00:16:29Where'd you get all that money?
00:16:31I robbed a couple of jewelry stores for him to find you.
00:16:34Are you serious?
00:16:37No, I'm just joking.
00:16:39It was my dad's.
00:16:40Don't worry, it wasn't stolen or robbed or anything.
00:16:43But hey, listen.
00:16:45From now on, I want you to think of me as your creditor.
00:16:47Okay?
00:16:48I don't want you to worry about owing money to those scumbags.
00:16:51From now on, you'll just throw money to me.
00:16:54As long as you're okay with that.
00:16:56I could be okay with it.
00:16:58As long as you can satisfy one small request.
00:17:03What kind of request?
00:17:04My only request is that you just relax.
00:17:16Okay?
00:17:18Why don't you just take a load off.
00:17:20Why don't you start by telling me a story, you know, about the last time it was when you were happy.
00:17:24You know, I just, I never in a million years could imagine that Carl would betray me like this.
00:17:44Now I have nothing.
00:17:50Well, I mean, you always have me and, you know, other things.
00:17:58I can't hear you. You're whispering.
00:18:02You're whispering.
00:18:32Carl.
00:18:33You know, Tasha's probably screwing around with that new boyfriend of hers.
00:18:49That bitch.
00:18:51Honey, you know, you promised to put me in touch with the curator at the Fitz Gallery.
00:18:56I'm telling you, forget about the Fitz Gallery, okay?
00:18:58The people who are running it are crooks.
00:18:59But I want my paintings to be showcased in the most prestigious venue possible.
00:19:05I know, I know.
00:19:06And I said I would help you find other galleries.
00:19:09Remember?
00:19:11Just stop nagging me about it.
00:19:13Okay?
00:19:15Okay.
00:19:18You're a little angel.
00:19:29It's okay.
00:19:30Just sleep in.
00:19:31It's okay.
00:19:32Just sleep in.
00:19:33Well, this is certainly going to make things more complicated.
00:19:36So you want to pretend last night never happened?
00:19:37I thought we had a good thing going on between us.
00:19:42I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:19:43Yeah, but that was just something I said to make my husband jealous.
00:19:44You mean your ex-husband?
00:19:45You mean your ex-husband?
00:19:46Yeah.
00:19:47I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:19:50Yeah.
00:19:51Yeah.
00:19:52Yeah.
00:19:53But that was just something I said to make my husband jealous.
00:19:57You mean your ex-husband?
00:19:58Yeah.
00:19:59Ex.
00:20:00Yeah.
00:20:01Yeah.
00:20:02But I mean, you've been going around the last couple of days telling everybody I was your
00:20:04boyfriend.
00:20:05Yeah.
00:20:06But that was just something I said to make my husband jealous.
00:20:11You mean your ex-husband?
00:20:13Yeah.
00:20:14Ex.
00:20:15Yeah.
00:20:16But I mean, you...
00:20:19and I...
00:20:21I...
00:20:22You know I can't start a new relationship right now.
00:20:26So everything you said last night?
00:20:29We were just caught up in the heat of the moment.
00:20:33Heat of the moment.
00:20:35So it was all just bullshit?
00:20:37Why?
00:20:38To get me into bed with you?
00:20:40Just to have a one night stand?
00:20:42Because you miss being with your damn husband?
00:20:46So everything you said last night?
00:21:01Get a hold of yourself.
00:21:05Get a hold of yourself.
00:21:09You just got divorced.
00:21:12You're not gonna play mind games with men anymore.
00:21:15Hey.
00:21:19I wasn't sure what you liked, so...
00:21:21I just made a little bit of everything.
00:21:25You made all this?
00:21:26Yeah.
00:21:34So what do you think?
00:21:38It's delicious.
00:21:44I mean...
00:21:45You deserve to have some of your awesome breakfast too.
00:21:47Hey.
00:21:48You're not gonna make me sit here and eat this alone, are you?
00:21:56You've got some sauce right here.
00:22:06All that for some sauce, huh?
00:22:07Are you kidding me?
00:22:08Are you kidding me?
00:22:15Hello?
00:22:16Mommy, I miss you so much.
00:22:18Anna.
00:22:19Mommy, I miss you so much.
00:22:20Anna, honey?
00:22:21What?
00:22:22What's going on?
00:22:23Anna...
00:22:27Okay.
00:22:28Both of your resumes look excellent.
00:22:31I have a question.
00:22:33If you spilled a glass of milk in the ocean,
00:22:37how would you get it back?
00:22:39What does that question have to do with our work?
00:22:42Well, uh...
00:22:44I suppose you could contain
00:22:47the section of the ocean with the spilled milk,
00:22:51and then collect that sample,
00:22:53add a centrifugal force,
00:22:55and there's probably a good chance of separation.
00:22:59So at our company,
00:23:00we are always trying to make the impossible possible.
00:23:03And for that, we need people
00:23:05who can think on their feet.
00:23:07Derive solutions.
00:23:09No matter how...
00:23:11outlandish the task at hand may seem.
00:23:18Hello?
00:23:24Uh-huh.
00:23:26Okay.
00:23:30Congratulations, Ms. Michaels.
00:23:35Welcome to the Eastwood Corporation.
00:23:49If you don't mind me asking,
00:23:51why didn't I get the job?
00:23:53Good job.
00:23:55Mrs. Roberts,
00:23:57maybe you should focus on fixing your own family problems first,
00:24:01before you start to look for work again.
00:24:06We don't want to make enemies with the Crow Group.
00:24:08So I guess you didn't get it?
00:24:11I just don't understand why Carl hates me so much.
00:24:14I mean, he doesn't want me to work for his company,
00:24:15but he doesn't want me to work for any other company either.
00:24:17Look, you don't need that corporate job anyways.
00:24:18Yeah?
00:24:19What else can I do?
00:24:20I mean, I thought you were an artist,
00:24:21now a painter.
00:24:22What'd you know about that?
00:24:23You brought an easel.
00:24:24It's just a hobby.
00:24:25I gave it up.
00:24:26I just don't understand why Carl hates me so much.
00:24:28I mean, he doesn't want me to work for his company,
00:24:29but he doesn't want me to work for any other company either.
00:24:33Look, you don't need that corporate job anyways.
00:24:36Yeah?
00:24:37What else can I do?
00:24:39I mean, I thought you were an artist,
00:24:41now a painter.
00:24:42What'd you know about that?
00:24:44You brought an easel.
00:24:45It's just a hobby.
00:24:50I gave it up.
00:24:53I don't paint anymore.
00:24:58Okay, well, if you don't love to paint anymore,
00:25:00then why bring an easel with you?
00:25:05I haven't painted in years.
00:25:08I'm sure it'll be just like riding a bike.
00:25:10Once you start, it'll all come back to you.
00:25:15That's my account.
00:25:19Why are they assigning it to someone else?
00:25:22Fine, fine.
00:25:23Just get me some damn answers
00:25:24and give me a call back soon, okay?
00:25:29Carl, this took me three months.
00:25:32I'm sorry.
00:25:33I just got some bad news at work.
00:25:36It's ruined now.
00:25:37Fine.
00:25:38Start over.
00:25:40You know, it kills me
00:25:41to see you squander your intelligence and talent
00:25:44on these useless paintings.
00:25:48You're a remarkable woman, Tasha.
00:25:50Okay?
00:25:51And if the charlatan snobs in the art world can't see that,
00:25:54then screw them, okay?
00:25:57If you put your focus elsewhere,
00:25:59we could be rich enough to buy ten art galleries.
00:26:02And then you could put whatever paintings you want in them, right?
00:26:06Painting's my passion.
00:26:07What if we put painting on the side?
00:26:13Just for a little while.
00:26:15And you could come join me at the company.
00:26:17Because together, we...
00:26:20We'd be unstoppable.
00:26:22And right now, I am drowning.
00:26:25Your dad and his partners have no faith in these.
00:26:28I need you.
00:26:30I need you.
00:26:32Look.
00:26:36You love me.
00:26:37Don't you?
00:26:40Of course I do.
00:26:42Okay then, just...
00:26:44Do this one thing for me.
00:26:46This one little thing.
00:26:48Please.
00:26:49I need you.
00:27:16Finished?
00:27:18Yep.
00:27:20That is amazing.
00:27:27I honestly never thought I'd paint again.
00:27:30Well, that would have been a shame.
00:27:31You're easily one of the most talented artists I've ever met.
00:27:49We're honored that you chose our gallery to showcase your work.
00:27:55I am curious about one thing, if you don't mind me asking.
00:27:59The subject in your paintings, your muse, is he your lover?
00:28:04Oh.
00:28:06No.
00:28:08He's just a friend of mine.
00:28:10But his gaze, the way he looks out to you in these paintings, there's so much tenderness and affection in his eyes.
00:28:18Is Ken really in love with me?
00:28:19He's so young though.
00:28:20He's so young though.
00:28:21At his age, he probably doesn't even know what love is.
00:28:22Oh, sorry, you're in the way.
00:28:23Actually, you're in my way.
00:28:24Actually, you're in my way.
00:28:28I'm trying to get into my home.
00:28:29Is this your new girlfriend?
00:28:30I've never seen you with anyone like this before.
00:28:31Ken's my roommate.
00:28:32Now, if you'll please step aside so I can get in.
00:28:33Call me again if you need anything.
00:28:35Okay?
00:28:36Bye.
00:28:37Bye.
00:28:38Bye.
00:28:39Bye.
00:28:40Bye.
00:28:41Bye.
00:28:42Bye.
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00:29:00Bye.
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00:29:23Bye.
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00:29:29Bye.
00:29:30Bye.
00:29:31Bye.
00:29:32I'm so sorry, sir. She just barged in without permission.
00:29:38It's okay.
00:29:40Miss Roberts, please, grab a seat.
00:29:42We signed a contract. Why can't you show my paintings now?
00:29:47I'm afraid I don't have the answers you're looking for.
00:29:49You want to know what happened? Ask Karl Crow.
00:29:54I want my paintings back. Right now.
00:29:59Well, they're probably somewhere in the warehouse.
00:30:02They haven't been thrown away yet.
00:30:28You've already searched the entire warehouse ten times.
00:30:30If you haven't found what you're looking for, it's not here.
00:30:33You better hope I find what I'm looking for,
00:30:35or I'm going to make this entire gallery compensate me,
00:30:37and then I'm going to sue you, and you'll be the first to lose your job.
00:30:42Yeah, that's great, lady. Go ahead and sue.
00:30:44I'm sure things will go exactly the way you described it.
00:30:46I'm sure you have to look at it.
00:30:58I know.
00:31:29You really care about her.
00:31:35Shh, keep your voice down.
00:31:37She's had a long day.
00:31:39Also, you can't just come over here so casually in the future.
00:31:42Casually?
00:31:44Are you kicking me out?
00:31:46You didn't mind my coming over so casually when you had me digging through your body for bullets.
00:31:51You men are cold as hell.
00:31:53I think my lucky star is on the lesbian.
00:31:55Look, I just can't have her finding out about the work that we do, okay?
00:31:57Are you serious about her?
00:32:01Yeah.
00:32:02Have you thought about the consequences if your dad finds out?
00:32:07Look, no.
00:32:08You and I have been best friends for over 20 years, okay?
00:32:12And my dad has taught me everything that I know.
00:32:15I think maybe it's time I just figure things out on my own.
00:32:18And you know exactly what I went through last time.
00:32:21I'm not going to lose her again.
00:32:28Don't worry, Anna.
00:32:29Mommy's going to find a way to bring you home soon.
00:32:39All the evidence is here.
00:32:40It's exactly what you thought.
00:32:41Let me know if you want me to find out more.
00:32:59Carl.
00:33:00Let's meet.
00:33:01Oh, wow.
00:33:12It's not every day a famous painter comes to visit.
00:33:16To what do I owe the pleasure?
00:33:18The company I supposedly borrowed money from.
00:33:23It's a shell company owned by you.
00:33:26So what?
00:33:29All our operations are legal.
00:33:30You signed the documents.
00:33:32You borrowed the money.
00:33:34All you can do now
00:33:35is pay it back.
00:33:39You know,
00:33:40I don't think you actually want me to pay back the loans.
00:33:45You were just
00:33:46looking for an excuse
00:33:48to have me back in your life.
00:33:51You're obsessed with me.
00:33:52This is just your sick way
00:33:55to dominate me
00:33:56and make me surrender to you.
00:33:57I'm just getting even.
00:33:59For the years I spent
00:34:01in your father's shadow.
00:34:03The years of belittlement
00:34:04and him treating me like a clown.
00:34:06My father hired you
00:34:08when no one else would.
00:34:12Not my fault that
00:34:13your insecure petty
00:34:15took his support as belittling.
00:34:18I wouldn't upset me
00:34:21if I were you.
00:34:23Remember,
00:34:24I'm your creditor now.
00:34:26Two months.
00:34:28That's all I can give you
00:34:29to pay me back
00:34:29the remainder
00:34:30$180 million.
00:34:41What are you doing here?
00:34:43I was just in the neighborhood.
00:34:45Thought I'd give you a ride home.
00:34:46Hi.
00:34:50Um,
00:34:51hey.
00:34:52Who is this?
00:34:56Uh,
00:34:56this is Ken's roommate.
00:34:59We're going to be
00:35:00dropping them off
00:35:00before we head home.
00:35:03Yeah, hey, listen.
00:35:04I didn't introduce you last time,
00:35:05but this is my best friend,
00:35:06Nell,
00:35:06and her girlfriend, Maria.
00:35:13Nell and I have been
00:35:13nothing more than friends
00:35:14since we were kids.
00:35:16She's not into men,
00:35:17and she never has been,
00:35:19and her and I
00:35:19are nothing more
00:35:20than just platonic friends.
00:35:22All right?
00:35:24I'm sorry.
00:35:25I jumped to conclusions
00:35:26the other day.
00:35:27It's okay.
00:35:29I just didn't want you
00:35:29to get the wrong idea.
00:35:30look, I...
00:35:35I appreciate it.
00:35:38I really do.
00:35:38I just...
00:35:40I still think you and I
00:35:41are better off
00:35:43just as friends.
00:35:45Just...
00:35:46why?
00:35:48Why?
00:35:48Maybe because I'm
00:35:57just getting over
00:35:58a failed marriage.
00:36:01Because I owe
00:36:02an unthinkable amount
00:36:03of money
00:36:03and I have no idea
00:36:05how I'm going to pay it back.
00:36:07I also have no idea
00:36:09how I'm going to get
00:36:09my daughter back.
00:36:11and getting
00:36:13into a relationship
00:36:14with you,
00:36:15that's just something
00:36:15I can't do right now.
00:36:18Love has brought me
00:36:19nothing but pain,
00:36:20okay?
00:36:20So just,
00:36:21please,
00:36:21just leave it.
00:36:22Do you have any
00:36:45other paintings?
00:36:52Yeah,
00:36:53I have several.
00:36:55What are you looking for?
00:36:58I would like to buy
00:36:59them all.
00:37:00I love your painting
00:37:01style.
00:37:02It is so unique.
00:37:03I own a large gallery
00:37:04and I would like to
00:37:05establish a long-term
00:37:06collaboration with you.
00:37:09Thank you for your
00:37:10kind words about my
00:37:11paintings,
00:37:11but I've been in
00:37:14some trouble lately
00:37:15and it's probably best
00:37:16if I don't involve
00:37:17your gallery.
00:37:18None of this matters
00:37:23to me.
00:37:24If someone wishes
00:37:25to cause me trouble,
00:37:26well,
00:37:27just let me try.
00:37:34I mean,
00:37:35it has to be a mistake.
00:37:39Or a prank,
00:37:41or a cruel,
00:37:43practical joke.
00:37:44I mean,
00:37:44it seems pretty
00:37:45authentic to me.
00:37:46It has her seal
00:37:47and your name
00:37:48and address
00:37:49are clearly written
00:37:50on it,
00:37:51so it looks authentic.
00:37:57But how would
00:37:58they have seen
00:37:58my paintings?
00:38:01I don't know,
00:38:01maybe one of those
00:38:02auction sites
00:38:03that you've been
00:38:03posting your work on?
00:38:04I mean,
00:38:05you're incredibly talented,
00:38:06so anybody who's
00:38:07seen your work
00:38:08would automatically
00:38:09recognize it.
00:38:10I own a large gallery
00:38:16and I would love
00:38:17to establish
00:38:17a long-term collaboration.
00:38:20It's him.
00:38:22It's him.
00:38:23The guy
00:38:24who bid on my paintings.
00:38:25He must be the owner
00:38:26of the Fitz Gallery.
00:38:27Well, in that case,
00:38:28we better get going.
00:38:29Where?
00:38:31Gotta go get you a dress.
00:38:32Can't have you
00:38:33showing up
00:38:33to the Fitz Gallery
00:38:34in rags.
00:38:34Babe,
00:38:41which one
00:38:41do you like more?
00:38:42This one
00:38:43or this one?
00:38:45I need to be
00:38:46the hottest girl
00:38:46at the Fitz Gala.
00:38:49Everything just, uh,
00:38:51looks so good
00:38:52on you, honey,
00:38:53so, um,
00:38:53just pick whichever
00:38:54one you want.
00:38:56I gotta take a call,
00:38:57okay?
00:38:58Wrap this up,
00:38:59you twitch.
00:39:00I'll take them both.
00:39:01Okay.
00:39:01Wow.
00:39:09I used to buy
00:39:10dresses like this
00:39:10all the time
00:39:11without even
00:39:11thinking about the money,
00:39:13but I can't afford
00:39:15something like this now.
00:39:18You know what?
00:39:20Consider it a
00:39:20congratulatory gift
00:39:21for me,
00:39:22all right?
00:39:23And when you make it
00:39:24big in the art world,
00:39:25you can just pay me back.
00:39:28Oh, hi.
00:39:29Excuse me.
00:39:30Yeah, my, uh,
00:39:30friend would like
00:39:31to try on this dress.
00:39:32Oh, your friend
00:39:33has amazing tastes.
00:39:34This dress is actually
00:39:35a limited edition,
00:39:36each one handcrafted
00:39:37by hand and therefore
00:39:39entirely unique.
00:39:40Truly a work of art.
00:39:41Well, how fitting
00:39:41that's gonna be worn
00:39:42by a very talented artist.
00:39:44I'll have someone
00:39:45on the team
00:39:45bring it out to you.
00:39:48Veronica,
00:39:49please bring
00:39:49the limited edition.
00:39:54What limited edition?
00:39:57Tasha?
00:39:58Do you really think
00:40:00you can afford
00:40:00this dress?
00:40:04You can afford
00:40:05this dress?
00:40:08Please.
00:40:10Reyna,
00:40:11I don't think you need
00:40:11to worry about
00:40:12Tasha's finances,
00:40:13okay?
00:40:14We established that
00:40:14last time.
00:40:17Hey, you.
00:40:18Get over here.
00:40:20I'm gonna pay
00:40:21twice what it's worth,
00:40:22but I want this dress.
00:40:24Ma'am,
00:40:24this dress is $4,000.
00:40:25Did I ask you
00:40:26how much it cost,
00:40:27you pluritarian scum?
00:40:29Just shut your mouth
00:40:29and add it to my bill.
00:40:31She's willing to pay double.
00:40:33I'll double her offer
00:40:34and I'll pay $16,000.
00:40:36Okay, sir.
00:40:37Sold.
00:40:38$32,000.
00:40:39You know what?
00:40:42If she wants
00:40:42to dress so bad,
00:40:43let her have it.
00:40:45You can put all
00:40:46the jewels you want
00:40:46on a pigeon,
00:40:47but it'll never be
00:40:48a peacock.
00:40:48I'll show you
00:40:49as a pigeon,
00:40:50you little bitch.
00:40:51How dare you
00:40:52assault me?
00:40:53Tasha,
00:40:54are you okay?
00:40:57What is going on here?
00:40:59What's going on
00:40:59is that your crazy
00:41:00bitch wife
00:41:01pushed Tasha
00:41:01to the ground.
00:41:02I swear to God,
00:41:04they're all lying.
00:41:05I never touched her.
00:41:06I saw everything.
00:41:07This gentleman
00:41:08and his girlfriend
00:41:08were very nice
00:41:09and politely inquired
00:41:10about a dress
00:41:11and suddenly your wife
00:41:12appears and attacks her
00:41:13for no reason.
00:41:14Shut your mouth,
00:41:15you little lying asshole.
00:41:17You know what?
00:41:17Why don't you just call
00:41:17security before this
00:41:18crazy maniac
00:41:19hit somebody else?
00:41:20Wait a second,
00:41:20Reyna.
00:41:21What actually
00:41:21happened here?
00:41:22What's going on?
00:41:23Why don't you believe
00:41:24me?
00:41:24Don't you?
00:41:26Don't you just
00:41:26call 911?
00:41:28Are you blind?
00:41:29Oh, Tasha,
00:41:30can you stop
00:41:30this bullshit?
00:41:31You know what,
00:41:31Reyna,
00:41:31can you just stay away?
00:41:33Can I get someone
00:41:34down here?
00:41:34Room A, 122?
00:41:35No, no,
00:41:36that's not necessary.
00:41:37We are leaving
00:41:37right now.
00:41:38Let's go.
00:41:39Bro, but...
00:41:39Okay,
00:41:40you've embarrassed
00:41:41us both enough
00:41:41for one day,
00:41:42okay?
00:41:43Let's go!
00:41:48Wherever Reyna goes,
00:41:53trouble's sure to follow.
00:41:56It is nice to see
00:41:57a better taste
00:41:57of her own medicine,
00:41:58though.
00:41:59Yeah.
00:42:00It's a shame,
00:42:00though.
00:42:01You would have looked
00:42:01really great
00:42:02in that dress.
00:42:06Don't worry about that.
00:42:07I have a solution.
00:42:16What are you going
00:42:17to do with all
00:42:17this stuff?
00:42:19I'm going to design
00:42:20my own dress
00:42:20and wear it to the gala.
00:42:22Are you sure
00:42:22there's enough time?
00:42:23Have some faith in me.
00:42:25I graduated with
00:42:26honors in design
00:42:27and fine art.
00:42:29I got this.
00:42:30All right.
00:42:50How do I look?
00:42:54How do I look?
00:43:00What?
00:43:02Is something wrong?
00:43:04Is it too much?
00:43:06Should I change something?
00:43:07No.
00:43:08No.
00:43:09You look...
00:43:11That dress,
00:43:12like...
00:43:14That is one of the
00:43:14most beautiful dresses
00:43:15I've ever seen.
00:43:19But there's
00:43:20something missing.
00:43:23Should I
00:43:24resale the beads?
00:43:26No.
00:43:28I have a gift for you.
00:43:30Something to
00:43:31complete the whole look.
00:43:38Just try harder,
00:43:40you idiot!
00:43:40Mrs. Crowe,
00:43:41I am doing
00:43:42everything I can.
00:43:43I don't know
00:43:44what more I can do.
00:43:46You're calling me fat?
00:43:47Of course not.
00:43:49You're not fat
00:43:50at all.
00:43:51It's the dress.
00:43:52It's not made
00:43:53for a woman's body.
00:43:54Just shut up
00:43:56and do it!
00:43:57Babe,
00:43:59just put on
00:43:59another dress.
00:44:00You're gonna be late.
00:44:02I spent
00:44:03so much money
00:44:04on this dress.
00:44:05I am wearing
00:44:06this dress!
00:44:07I can't.
00:44:26It's...
00:44:27It's too much.
00:44:30No.
00:44:31It was made
00:44:32for you.
00:44:41I can't wait
00:44:42to see what
00:44:43you've brought
00:44:43to the auction.
00:44:44Can we have
00:44:45a little hint?
00:44:46Well,
00:44:47actually,
00:44:48I brought
00:44:48some of my
00:44:49very own paintings
00:44:51to auction tonight.
00:44:54What's wrong?
00:44:56Just Tasha Roberts.
00:44:57my husband's
00:44:59dreadful ex-wife.
00:45:02I'm tired
00:45:03of seeing
00:45:04her sorry face
00:45:05everywhere.
00:45:06You know,
00:45:07she's also
00:45:08a horrible person.
00:45:10If it isn't
00:45:11everyone's favorite
00:45:13white-collar criminal
00:45:14turned homeless
00:45:15vagrant,
00:45:16Tasha Roberts.
00:45:18So,
00:45:19the other day
00:45:20when you were
00:45:20trying to buy
00:45:21this dress
00:45:21with that
00:45:22working-class
00:45:24thug boyfriend
00:45:24of yours,
00:45:25you were trying
00:45:26to come here?
00:45:27Are you sure
00:45:28you were even
00:45:29invited?
00:45:33I'm sorry,
00:45:33are you working
00:45:35with the security
00:45:35details?
00:45:36Do I need
00:45:36to show you
00:45:37my invitation?
00:45:38Honey,
00:45:39I'm just trying
00:45:39to look out
00:45:39for you,
00:45:40okay?
00:45:41I want to
00:45:41spare you
00:45:42the embarrassment
00:45:42of being
00:45:43kicked out
00:45:44when everybody
00:45:45finds out
00:45:45that you
00:45:46are not
00:45:46invited.
00:45:48You mean
00:45:48like how
00:45:48you were
00:45:49kicked out
00:45:49of the mall?
00:45:50I see.
00:45:51You still
00:45:52quite don't
00:45:52understand
00:45:53your place
00:45:54in the world.
00:45:55You think
00:45:55you're
00:45:55fucking
00:45:56Cinderella
00:45:57or something
00:45:58and life
00:45:58is a fairy
00:45:59tale.
00:46:00But don't
00:46:00worry,
00:46:02I'll help
00:46:02you figure
00:46:03it all
00:46:04out.
00:46:06What's wrong
00:46:06with you?
00:46:07Can't you see
00:46:08people are
00:46:08walking through?
00:46:10Rena,
00:46:10this time
00:46:10you've
00:46:11gone too
00:46:11far!
00:46:12Stop
00:46:12shouting,
00:46:13you dreadful
00:46:13oath.
00:46:14These were
00:46:14supposed to
00:46:14be auctioned
00:46:15tonight.
00:46:15Well,
00:46:16if it is
00:46:16of any
00:46:17consolation,
00:46:18I don't
00:46:18think the
00:46:19wine has
00:46:19reduced
00:46:19their value
00:46:20of very
00:46:21much
00:46:21at all.
00:46:22Now
00:46:23you can
00:46:23go and
00:46:24cry
00:46:24to your
00:46:25fairy gut
00:46:25mother.
00:46:27Oh,
00:46:29I think
00:46:30the auction
00:46:30is starting.
00:46:32Well,
00:46:32I'll see
00:46:32you there.
00:46:34Toodles!
00:46:42For our
00:46:42first auction
00:46:43item,
00:46:43I'd like to
00:46:44welcome
00:46:44Ms.
00:46:44Reina Crow
00:46:45to the
00:46:45stage
00:46:46with her
00:46:47collection
00:46:47of
00:46:48original
00:46:48paintings.
00:46:49As you
00:47:06can see,
00:47:06Ms.
00:47:06Reina Crow's
00:47:07style is
00:47:08very
00:47:08unconventional.
00:47:10Certainly,
00:47:11these works
00:47:11defy
00:47:12easy
00:47:13categorization,
00:47:14and yet
00:47:14there are
00:47:15touches of
00:47:16whimsy
00:47:16and an
00:47:17almost
00:47:17playful
00:47:18quality
00:47:19about them,
00:47:19as depicted
00:47:20here through
00:47:20the bold
00:47:21use of
00:47:21a duck
00:47:22as a
00:47:22central
00:47:23figure.
00:47:24It's a
00:47:24dog.
00:47:25What?
00:47:26It's a
00:47:26dog,
00:47:27not a
00:47:27duck,
00:47:27you
00:47:27buffoon.
00:47:28Oh,
00:47:28yes,
00:47:29of course,
00:47:30a dog,
00:47:32seen through
00:47:33a very
00:47:34unique
00:47:34prism,
00:47:35portrayed as
00:47:36only an
00:47:36artist of
00:47:37Reina's
00:47:37caliber could
00:47:38possibly
00:47:39portray it.
00:47:40Now that
00:47:41we have
00:47:41familiarized
00:47:42ourselves
00:47:42with the
00:47:43art and
00:47:44the
00:47:44artist,
00:47:44let's
00:47:44start the
00:47:45bidding.
00:47:45The starting
00:47:46price will
00:47:46be $50,000.
00:47:48Do I
00:47:48hear $50,000?
00:47:51Anyone?
00:47:53$50,000.
00:47:55Do I
00:47:55hear $60,000?
00:47:58Anyone?
00:47:59$50,000
00:48:00going once,
00:48:01$50,000
00:48:02going twice.
00:48:04Sold!
00:48:05Sold
00:48:05for $50,000.
00:48:12And now
00:48:13we'll invite
00:48:13our second
00:48:14artist for
00:48:14the evening
00:48:15Ms. Tasha
00:48:16Roberts,
00:48:17who will
00:48:17also be
00:48:17presenting
00:48:18a series
00:48:19of paintings.
00:48:28Ms. Tasha
00:48:28Roberts,
00:48:29where are
00:48:29your paintings?
00:48:30I don't
00:48:31have my
00:48:32paintings
00:48:32tonight,
00:48:33but I
00:48:36will be
00:48:36auctioning off
00:48:37this dress.
00:48:37stupendous.
00:48:38I've never
00:48:53seen a dress so
00:48:56beautiful.
00:49:00Oh,
00:49:01stupendous.
00:49:01I've never
00:49:02seen a dress
00:49:03so beautiful.
00:49:05A stunning
00:49:05work of art,
00:49:06indeed.
00:49:07There's no need
00:49:07for me to say
00:49:08another word
00:49:08about this
00:49:09masterpiece.
00:49:09Everyone in
00:49:10the audience
00:49:10can clearly see
00:49:11the extraordinary
00:49:12talent and
00:49:13extraordinary
00:49:14artistry.
00:49:15Let's start the
00:49:16bidding at $50,000.
00:49:17$55,000.
00:49:18$75,000.
00:49:20$90,000.
00:49:21$100,000.
00:49:22$150,000.
00:49:25$250,000.
00:49:29$250,000 going
00:49:31once,
00:49:32$250,000 going
00:49:33twice.
00:49:35Gold!
00:49:35This beautiful
00:49:36dress is sold
00:49:37for $250,000.
00:49:46Is that the
00:49:47heart of sun
00:49:47necklace that
00:49:48sold for $200,000,000
00:49:49a few months ago
00:49:50in a big note?
00:49:51Impossible.
00:49:53How can that
00:49:53lowly peasant
00:49:54possibly afford it?
00:49:55It must be a fake.
00:50:00Thank you so much
00:50:01for your bid,
00:50:02Miss Wenzelow.
00:50:03I'm going to
00:50:04design a few
00:50:05custom pieces
00:50:05in your size
00:50:06and design them
00:50:07to your elegance
00:50:08and style.
00:50:09Have you ever
00:50:10considered creating
00:50:12your own clothing
00:50:13brand?
00:50:14Your creations
00:50:16are so extraordinary.
00:50:18You should really
00:50:19share your talent
00:50:19with the rest
00:50:20of the world.
00:50:22I never considered
00:50:23it, but I certainly
00:50:23will now.
00:50:26Hi.
00:50:27I'd be careful
00:50:28if I were you.
00:50:29I personally
00:50:29wouldn't put any
00:50:30faith into someone
00:50:31that wears cheap
00:50:32replicas of famous
00:50:34pieces of jewelry.
00:50:36What are you
00:50:37talking about right now?
00:50:38This woman
00:50:39is a phony
00:50:39and a con artist.
00:50:41For as long
00:50:41as I worked with her,
00:50:42she's done nothing
00:50:43but defraud
00:50:44and cheat
00:50:45the people
00:50:45she's done business
00:50:46with.
00:50:47And let me make it clear.
00:50:48For everybody
00:50:49that wants to do business
00:50:50with this woman,
00:50:52they won't be allowed
00:50:53to do business
00:50:54with the Crow Group.
00:50:56Is that so?
00:51:00Well, let it be known
00:51:01that if anybody
00:51:02refuses to work
00:51:03with Miss Tasha Roberts
00:51:04because of the
00:51:04baseless rumors
00:51:05and lies
00:51:06being spread
00:51:06by Miss Raina Crow,
00:51:08you will no longer
00:51:09be welcomed back
00:51:10to the Fitz Gallery.
00:51:12That's the curator
00:51:13of the Fitz Gallery.
00:51:16Not just the curator,
00:51:17he's also the director
00:51:18of the Fitz Foundation.
00:51:22The curator?
00:51:23Is he the man
00:51:24who bought my paintings?
00:51:26Why does he seem
00:51:27so familiar?
00:51:31Miss Tasha Roberts
00:51:32is my guest of honor tonight.
00:51:33I invited her personally.
00:51:35So if anybody
00:51:36treats her
00:51:36with the slightest bit
00:51:37of disrespect,
00:51:39they'll be asked to leave
00:51:39and never again
00:51:40invite her back
00:51:41to the Fitz Gallery.
00:51:42As the director
00:51:43of this esteemed organization,
00:51:45am I interested to know
00:51:46that your guest of honor
00:51:48is wearing a cheap replica
00:51:50of a priceless work of art.
00:51:53She is not to be trusted.
00:51:56I'm assuming you mean
00:51:57her diamonds.
00:51:58What evidence do you have
00:51:59to prove that it's not real?
00:52:01Well, the real
00:52:02Heart of the Sun
00:52:03has the initials
00:52:04of the Craftman
00:52:04engraved in the joint
00:52:06between the gemstone
00:52:07and the pendant.
00:52:08So Tasha,
00:52:09would you indulge us all
00:52:10and show us
00:52:11if what you're wearing
00:52:13is a genuine article
00:52:14or a cheap knockoff?
00:52:17This was just
00:52:18given to me
00:52:19by a friend.
00:52:20I never claimed
00:52:22it was the real
00:52:22Heart of the Sun.
00:52:23I don't want
00:52:25to embarrass him
00:52:25by having people
00:52:27pour over it
00:52:27for imperfections.
00:52:29So it's a forgery.
00:52:31You were so happy
00:52:32to have everyone
00:52:33believe it was
00:52:34the real thing
00:52:34until I challenged you
00:52:35and called your bluff.
00:52:38Miss Roberts.
00:52:42You were so happy
00:52:43to have everyone
00:52:44believe it was
00:52:44the real thing
00:52:45until I challenged you
00:52:46and called your bluff.
00:52:48Miss Roberts,
00:52:49you have nothing
00:52:50to fear from this woman.
00:52:51Just show her the necklace.
00:52:53And I'll personally
00:52:54see to it
00:52:54that there are
00:52:54no despairing comments
00:52:55about its craftsmanship
00:52:57or quality.
00:52:58And the question
00:52:59has to be asked
00:53:00whether it is
00:53:00the true Heart of the Sun.
00:53:09See?
00:53:10Just like...
00:53:11What?
00:53:14How is this possible?
00:53:15I do say
00:53:20this engraving
00:53:21looks entirely
00:53:22authentic to me.
00:53:25This is indeed
00:53:26the one and only
00:53:27Heart of the Sun.
00:53:28Well, that settles it then.
00:53:29This necklace
00:53:30is authentic.
00:53:31From now on,
00:53:32no one will be permitted
00:53:33to question
00:53:34or harass
00:53:35my guest of honor.
00:53:36Now, if everyone
00:53:37is satisfied,
00:53:38can we please get back
00:53:39to tonight's festivities?
00:53:40Cheers.
00:53:40Ken, you have
00:53:51a lot of explaining
00:53:52to do.
00:53:54Okay, what's wrong?
00:53:56I can't accept
00:53:57this necklace.
00:53:58And I can't
00:54:00give you what you want.
00:54:01Do you even know
00:54:02what I want?
00:54:03I don't want to know.
00:54:06We can just be friends,
00:54:07nothing more.
00:54:09Tasha, you're just
00:54:09afraid.
00:54:11You're just afraid
00:54:11of going after
00:54:12what your heart
00:54:12truly desires.
00:54:15And I just think
00:54:16you're afraid
00:54:16of just being
00:54:17true to yourself.
00:54:19You're the last person
00:54:20that should be lecturing
00:54:21anybody on the truth.
00:54:24Who are you?
00:54:26What do you do?
00:54:27Is this even your house?
00:54:29I mean,
00:54:30how do you own
00:54:31a necklace
00:54:32that's 200 million dollars?
00:54:37See, you...
00:54:38You don't even
00:54:39respect me enough
00:54:41to tell me the truth.
00:54:43What, you expect me
00:54:44to jump into
00:54:45a relationship
00:54:46with you?
00:54:48You could be
00:54:48a total stranger.
00:54:51I have no idea
00:54:52who you are.
00:54:54Tasha, I want to tell you.
00:54:55I do.
00:54:56But...
00:54:56I just can't right now.
00:55:00All right?
00:55:00Like, maybe in the future
00:55:02when we can sit down and...
00:55:02No, Ken, there is
00:55:03no future for us.
00:55:04Not if you can't tell me
00:55:07one thing about yourself
00:55:08that isn't a lie.
00:55:10When you find someone
00:55:11that you really love
00:55:12and trust,
00:55:14you let them in.
00:55:21But that person
00:55:22won't be me.
00:55:23Are you okay?
00:55:39Are you okay?
00:55:42Director Fitz,
00:55:43I had a wonderful time
00:55:45at the gala.
00:55:46Thank you for
00:55:47supporting me
00:55:48and standing up for me.
00:55:49I wasn't bothered
00:55:51by the way
00:55:51the other guests
00:55:52treated me.
00:55:54I've endured far worse.
00:55:59Lovely.
00:56:00I'm glad to hear it.
00:56:02I would like to
00:56:02exclusively showcase
00:56:03your work
00:56:04at the Fitz Gallery
00:56:05for the foreseeable future.
00:56:07Think of it
00:56:08as a sort of
00:56:08artist's residency.
00:56:10Would you be interested
00:56:11in such an opportunity?
00:56:19This dress
00:56:21is every bit
00:56:22as exquisite
00:56:23as I expected
00:56:24it to be.
00:56:25Thank you,
00:56:26my dear.
00:56:27You're very welcome.
00:56:28Have you given
00:56:29any more thought
00:56:30to my proposal?
00:56:32If you wish
00:56:33to start
00:56:33a clothing brand,
00:56:35I would be
00:56:35more than happy
00:56:36to invest
00:56:37whatever you require
00:56:39to get started.
00:56:40It's a very gracious offer,
00:56:41but I just,
00:56:43I have to ask.
00:56:44I mean,
00:56:44there are so many
00:56:45other talented designers.
00:56:47Why do you have
00:56:47such faith
00:56:48in my abilities?
00:56:49It's not just me,
00:56:50you know.
00:56:51The curator
00:56:52of the Fitz Gallery
00:56:54has never been seen
00:56:55in public
00:56:56before the gala
00:56:57last night.
00:56:58And everyone
00:56:59in attendance
00:57:00was certain
00:57:00that the only reason
00:57:02he chose to make
00:57:03an appearance
00:57:03was because of you,
00:57:05his guest of honor.
00:57:09That was his
00:57:09first appearance ever?
00:57:11Indeed.
00:57:12His very first
00:57:13and only time
00:57:14to appear in the flesh.
00:57:16Before this,
00:57:16he was a figure
00:57:17of myth
00:57:18and mystery.
00:57:20Many people
00:57:20doubted he existed
00:57:21at all.
00:57:23But all because of you,
00:57:25he chose to grace us
00:57:26with his presence
00:57:28last night.
00:57:29Seems like a marvelous
00:57:30young man,
00:57:31don't you think?
00:57:32He certainly had
00:57:33a charm about him.
00:57:35Oh, undoubtedly.
00:57:36You know,
00:57:37many people flock
00:57:38to the Fitz Gallery
00:57:39for more than just
00:57:40the art.
00:57:41They want to learn
00:57:42all about the
00:57:43enigmatic young curator.
00:57:45Really?
00:57:47I mean,
00:57:47what's so interesting
00:57:48about him?
00:57:50Have you ever
00:57:51wondered how
00:57:52the Fitz Gallery
00:57:53has managed
00:57:53to surpass
00:57:54all of the
00:57:56established art
00:57:57collections
00:57:57to become
00:57:58the top venue
00:57:59for fine art
00:58:00in just two years?
00:58:02I mean,
00:58:02I heard rumors,
00:58:04something about
00:58:05foul play,
00:58:06but I always
00:58:07just assumed
00:58:07they were baseless.
00:58:08Those rumors
00:58:09have quite a bit
00:58:11of truth to them.
00:58:12Seems like
00:58:13the Miller crime family
00:58:15is actually
00:58:16behind the
00:58:17Fitz Foundation.
00:58:18The one and the same
00:58:20Miller crime family
00:58:22that monopolizes
00:58:23all the underground
00:58:24trade in all
00:58:25of North America.
00:58:27He seems like
00:58:28such a gentleman.
00:58:29I just,
00:58:29I find it hard
00:58:30to believe that he
00:58:31ever was involved
00:58:32in something so sordid.
00:58:33You must never
00:58:34judge a Brook White's
00:58:35cover,
00:58:36my dear girl.
00:58:37Well, even people
00:58:39close to us
00:58:39may be harboring
00:58:40many secrets.
00:58:42We never really
00:58:43know what's going
00:58:44on inside.
00:58:45You got that right.
00:58:47I learned that
00:58:48lesson the hard way.
00:58:49Let me be frank.
00:58:51I have tremendous
00:58:53faith in you.
00:58:54Thank you,
00:58:55Mr. Wingo,
00:58:56but I think it's
00:58:56dear.
00:58:57All my friends
00:58:58call me Laura.
00:59:02This is a shack.
00:59:04For five million
00:59:05dollars.
00:59:05She'd help you
00:59:07get your clothing
00:59:07brand started.
00:59:11Shall we become
00:59:12business partners
00:59:12in addition to
00:59:13being friends?
00:59:28Director Fitz,
00:59:29I'd like to work
00:59:30with you.
00:59:31It would be my
00:59:32honor,
00:59:33Ms. Tasha Roberts.
00:59:34Fly away
00:59:37with me
00:59:40Take you high
00:59:42Soaring
00:59:44See your smile
00:59:46It's my only dream
00:59:49Staring out into the sea
00:59:55Waves come crashing
00:59:57up to me
00:59:59My toes slip into the sand
01:00:03Dream that I'm with you
01:00:07Staring out into the sea
01:00:11Waves come crashing
01:00:14up to me
01:00:15My toes slip into the sand
01:00:20Dream that I'm with you
01:00:24Congratulations, Ms. Roberts.
01:00:37We expect a huge success
01:00:38from your art exhibition.
01:00:42You're looking at her
01:00:55You're obsessed with her
01:00:58Didn't she humiliate me enough
01:01:00the other night at the gala?
01:01:01But no, now I have to watch
01:01:04my husband stare
01:01:05her picture
01:01:06Well, maybe if you
01:01:08didn't give her the opportunity
01:01:09to humiliate you
01:01:10So it's my fault now?
01:01:12Oh, wait, let me guess
01:01:13Maybe it's my fault too
01:01:14when the two of you broke up
01:01:15Okay
01:01:16Raina
01:01:18I've been thinking
01:01:19I don't think this is working
01:01:21I want a divorce
01:01:24You used me
01:01:29to push Tash out of your company
01:01:31take her property
01:01:32and now you cast me aside
01:01:34like what?
01:01:34A used piece of garbage?
01:01:36I won't allow this
01:01:38Mark my words, Karl Crow
01:01:40You will regret this
01:01:43I'm spending too much time
01:01:57around Ken
01:01:57He's dominating all my thoughts
01:02:00I have to distance myself from him
01:02:02for my own sanity
01:02:13As if nothing I can do
01:02:17to get you to stay
01:02:18I'm sorry
01:02:23But no
01:02:25You and I
01:02:28our relationship
01:02:29will just
01:02:29keep going in circles
01:02:32But thank you
01:02:35for everything you've done for me
01:02:37I have a little bit of money now
01:02:39So
01:02:40You should be able to pay off
01:02:41your loan soon
01:02:42And long talks
01:02:47And awkward silence
01:02:49Wait nights
01:02:51Walking through the garden
01:02:53Running
01:02:55With your hand in mine
01:02:58And so
01:03:02This is what happens
01:03:15when you steal
01:03:16from the Millers
01:03:17Please
01:03:17Let me go
01:03:19I promise you'll never see me again
01:03:23What do you got here?
01:03:31Right this way
01:03:32Boss
01:03:34I found this one
01:03:36peeking around the corner
01:03:37Not sure how long
01:03:39this little bitch
01:03:39has been watching
01:03:40but I'm pretty sure
01:03:41she tried to call the cops
01:03:42Don't worry boss
01:03:47I got a knife
01:03:48with her name on it
01:03:49We can dump her body
01:03:50with the other guy
01:03:51No
01:03:56Let her go
01:03:57What?
01:03:58Didn't you hear what I said?
01:03:59She's seen everything
01:04:00Let her go
01:04:02before I rip off
01:04:02your fucking arms
01:04:03and throw them in the river
01:04:04Walk away
01:04:14This doesn't mean anything to you
01:04:15Is this what you couldn't
01:04:17tell me about?
01:04:19Boss
01:04:19You know this woman?
01:04:21You're gonna kill him
01:04:24Call the police then
01:04:25See if they can save his life
01:04:26No
01:04:27Don't call the police
01:04:29You stupid bitch
01:04:30My world is more cruel
01:04:33than you can possibly imagine
01:04:34So since you didn't want
01:04:35to get involved
01:04:36Just walk away
01:04:37Hey babe
01:05:00What do you want for breakfast?
01:05:02My world is more cruel
01:05:14than you can possibly imagine
01:05:15My world is more cruel than you can possibly imagine
01:05:27So since you didn't want to get involved
01:05:29Just walk away
01:05:31I never imagined that Ken could be such a dangerous and violent man
01:05:36There must be something
01:05:37There must be something
01:05:37There's someone
01:05:38forcing him to do all of this
01:05:39Even people close to us
01:05:43may be harboring
01:05:44many secrets
01:05:45We never really know
01:05:47what's going on inside
01:05:48Forget it
01:05:50This has nothing to do with me
01:05:52I decided to leave Ken
01:05:53So I have to do my best
01:05:55not to look back
01:05:56Tasha
01:06:10Let's talk
01:06:11You're a pro-magnet boyfriend
01:06:21Is he not joining us?
01:06:23It's all over
01:06:24I'm not with him anymore
01:06:25Where's Reyna?
01:06:28Reyna was a mistake
01:06:30That's all over too
01:06:32Tasha
01:06:34I want you back
01:06:38I can't stop thinking about us
01:06:42You were right
01:06:43You belong in my life
01:06:45So if you just
01:06:48sign those documents
01:06:50then you can come back to me
01:06:52Come back to the house
01:06:54We can carry on like none of this ever happened
01:06:56I can give you your old job back
01:06:59That'll be fun
01:07:00Working together again
01:07:01And then all that debt you owe me
01:07:03will be wiped clean
01:07:04You, uh
01:07:05You pet?
01:07:08You think I'd get back with you
01:07:13after everything you put me through?
01:07:19Here is
01:07:20a hundred million dollars
01:07:22I'll pay the rest on time
01:07:25and
01:07:25for your agreement
01:07:27Take these documents
01:07:34and
01:07:34shove them right up your ass
01:07:38You disgust me, Carl
01:07:40You should think about Anna
01:07:42Do you really want her growing up without a mother?
01:07:46With all her health problems
01:07:47she could really use your support
01:07:48Don't dare talk about Anna
01:07:50She'll be with me soon
01:07:52Then I'll never let her out of my sight again
01:07:55She needs her mother and her father
01:07:56Not a father like you she doesn't
01:07:58She'd be better off with no father at all
01:08:01I'm sorry, am I interrupting?
01:08:14Are you texting a new boyfriend already?
01:08:17Can it wait?
01:08:19I'm not done talking here
01:08:20You're pathetic, Carl
01:08:22Hey Tasha
01:08:24Ta-
01:08:25Tasha
01:08:27Hey Tasha
01:08:31Tasha, come back
01:08:33Where are you going?
01:08:34This place is disgusting
01:08:35Ta- come on, Tasha
01:08:37Don't you remember the happy times?
01:08:40Come on, we can have that again
01:08:41Think of Anna
01:08:42Think of me, please
01:08:44I la-
01:08:44Hey
01:08:45Hey
01:08:46Hey
01:08:46Sorry folks
01:09:05It's the end of the line for you
01:09:08No hard feelings
01:09:11But
01:09:13We gotta do what the people who pay us tell us to do
01:09:16Who's paying you?
01:09:20I'll give you a hint
01:09:21A very beautiful woman paid us a small fortune to make sure you two would
01:09:26Make sure you two don't make it
01:09:29Raina
01:09:30That fucking bitch
01:09:32Do you know who I am?
01:09:35I'm Carl Crow
01:09:36The CEO of the Crow Group
01:09:39What if she's paying you?
01:09:40I'll pay double, okay?
01:09:41Yeah
01:09:42I'll pay me double
01:09:43I guess you haven't heard the news, buddy
01:09:45See, I don't think you have the means to outbid your pretty little friend
01:09:50Oh, that back-stepping slut
01:09:55Please, pack up the phone
01:09:58You trying to phone a friend?
01:10:01That's a big no-no, sweetheart
01:10:02That's breaking the rules
01:10:04Sweetie
01:10:07Don't waste the little time you have left trying to call for help
01:10:11It won't do you any good
01:10:13No one
01:10:15They can help you now
01:10:18Three hours, where's Tasha?
01:10:26Hey, Nell
01:10:26Hey, listen, I need you to do me a favor
01:10:29Yeah, I need you to pull out the city surveillance system in the area
01:10:32And find all the footage
01:10:34Yeah, no, something's wrong
01:10:37What are you doing?
01:10:49We have to get out of here
01:10:51You should just go
01:11:03Save yourself, leave me
01:11:06It's what I deserve
01:11:08I'm not gonna leave you
01:11:12I'm not that type of person
01:11:15Come on, let's go
01:11:22Come down here
01:11:25Wait until they come in
01:11:27Hey, Tasha
01:11:33I'm so sorry
01:11:37Now's not the time for that
01:11:41All in
01:11:59Looks like we got ourselves a suicidal prick here, fellas
01:12:11I can't think of any other reason why somebody would kick in a door
01:12:15That's got Vincent Santorelli on the other side of it
01:12:17Oh shit
01:12:21Boss
01:12:23I didn't realize it was you
01:12:26These your guys?
01:12:30Where the fuck are they?
01:12:33You better find them
01:12:34Quick
01:12:34Now it's your turn
01:12:51Now it's your turn
01:13:11Pretty little thing like you
01:13:13I was gonna make it painless
01:13:14But I guess you didn't want that
01:13:16All the same
01:13:17Hey, who's this fucking monkey?
01:13:21Lower your fucking gun
01:13:22Vinny, what the fuck is going on?
01:13:24You fucking deaf
01:13:25Yo, lower your fucking gun
01:13:26Are you
01:13:27Are you Ken Miller?
01:13:30How can that be?
01:13:31What the fuck is going on?
01:13:33Ken Miller
01:13:34The one and the same
01:13:37Miller crime family
01:13:39That monopolizes all the underground trade
01:13:41In all of North America
01:13:43It's you
01:13:51You know what you have to do
01:13:54Boss
01:13:57Please
01:13:58He's my brother
01:14:01Rules are rules
01:14:04I was pushing you away as Ken
01:14:19And growing closer to you as Fitz
01:14:23I'm sorry Tasha
01:14:27But
01:14:27There's just nothing I can do
01:14:30That'll make you happy
01:14:31And I just
01:14:33I just can't win over your heart
01:14:35Is Ken Miller always this loving with
01:14:43The hostages he rescues?
01:14:45Or is
01:14:45It's just special treatment
01:14:47Reserved for his lovers?
01:14:50Tasha, I love you
01:14:51My heart has belonged to you
01:14:53And only you
01:14:54For the past 15 years
01:14:5615 years?
01:15:03No, we just met a few months ago
01:15:05We met 15 years ago
01:15:09You went to Marr Middle School
01:15:14Yeah
01:15:15And you saved my life there
01:15:21Stand up, chicken
01:15:27And hit us back
01:15:28Isn't that what your dad does for a living?
01:15:31Beat people up?
01:15:33I'm not my dad
01:15:34You and your father are both scum
01:15:37Let's teach this little and thug a lesson
01:15:39Yeah, idiot
01:15:40Get up and show us what you got
01:15:42Hey
01:15:44Hey, hey, hey, hey, hey
01:15:47Stop
01:15:48That's enough, that's enough
01:15:49It's none of your business, Robert
01:15:51Get out of here, Robert
01:15:52Hey, stop
01:15:53Go home
01:15:53I'll call your parents, go
01:15:54Oh, crap
01:15:55Crap, crap
01:15:55Ever since I saw you that night in the cab
01:16:10With that necklace on
01:16:11I just, I knew I found you
01:16:14Look, this isn't just some feeling
01:16:18For me
01:16:19Okay
01:16:19This is
01:16:20This is everything to me
01:16:22Like, you
01:16:23Are everything to me
01:16:25No matter what happens between us
01:16:27I'll always care about you
01:16:30And maybe
01:16:32One day we can
01:16:33Make it work in a different way
01:16:37I just need some time to process this
01:16:54Okay
01:16:57And after that
01:16:59Maybe we can pick up where we left off
01:17:02That first night you spent here
01:17:04Maybe
01:17:07You play your cards, right?
01:17:10Does everything look good to you, my artist?
01:17:27Yeah
01:17:28Thanks for everything
01:17:31That doesn't sound very convincing
01:17:33Is there anything you want to change?
01:17:35No
01:17:36I just, I never got around to asking why you wanted to start an art gallery in the first place
01:17:41Honestly, just to get to you
01:17:44See, I thought if I owned the world's greatest art museum that one day you might find your way in here
01:17:49And I don't know
01:17:50That I might find you
01:18:22I want to see what kind of woman this is that has ensnared my son.
01:18:32I doubt she's worthy of joining the Miller family.
01:18:36As you wish, sir, I will make the arrangements.
01:18:43Honestly, just to get to you.
01:18:46See, I thought if I owned the world's greatest art museum that one day you might find your way in here.
01:18:50And I don't know, that I might find you.
01:18:54Okay, okay.
01:18:56Just concentrate on painting.
01:18:58Don't think about him.
01:18:59Who are you?
01:19:19Miss Tasha Roberts?
01:19:20Miss Mortimer Miller would like to speak with you privately at his home.
01:19:24Come here.
01:19:28Take a look.
01:19:33She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:39She's young, beautiful, well-educated.
01:19:43I think she'll make a fine wife for my son, Ken.
01:19:47With all due respect, sir.
01:19:52I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:19:59Choose you.
01:20:01Not a chance.
01:20:03You're no match for my son.
01:20:05Now, you owe money to the Crow Group.
01:20:16I'm going to pay your debt.
01:20:22And in return, you will agree to never see my son again.
01:20:27It's our decision whether we want to be together or not.
01:20:34Your son and I love each other.
01:20:36There's nothing in this world that can keep us apart.
01:20:40Tasha.
01:20:41You want us to be together?
01:20:44It's impossible.
01:20:46Father.
01:20:46I forbid it.
01:20:48Father, this is the love of my life.
01:20:50I can't lose her again.
01:20:52I'd rather leave the family business.
01:20:55Then leave if you wish.
01:20:56But she will never have my approval, ever.
01:21:00And she'll never be a part of the Miller family as long as I live.
01:21:04You'll come running back.
01:21:06Without the Miller family power and money,
01:21:11you'll accomplish nothing.
01:21:14You're making a big mistake.
01:21:17Choosing this old hand instead of family.
01:21:26Ken, where are you?
01:21:33Why aren't you back yet?
01:21:38Oh, you're still awake?
01:21:39Who did this to you?
01:21:58Don't worry about me.
01:21:59I'm fine.
01:22:00It's nothing out of the ordinary.
01:22:01Hey, babe.
01:22:15Yeah, no, I'm just right outside.
01:22:16You son of a bitch.
01:22:23You're making me cut my own brother's hand.
01:22:25Now you think you can betray the Miller family?
01:22:29Walk away scot-free?
01:22:31Not a fucking chance.
01:22:33This guy means nothing to the Miller family now.
01:22:36He's worthless.
01:22:38Helpless.
01:22:40You're absolutely nothing now.
01:22:41Let's make him feel the pain that my brother felt.
01:22:46Come on, boys.
01:22:47Stop.
01:23:11Stop hurting him!
01:23:14Stupid bitch.
01:23:15Stop!
01:23:17Stop!
01:23:39Stop at once, you insolent fools!
01:23:43Stop!
01:23:45Stop!
01:23:47Stop!
01:23:51Son.
01:23:55You know how hard it is for me to admit that I made a mistake?
01:24:00But today the two of you have proved me wrong beyond a shadow of a doubt.
01:24:07Tasha.
01:24:09You are the perfect woman for my son.
01:24:11Oh, be together.
01:24:19You approve?
01:24:21You have my blessing.
01:24:24From this day onward,
01:24:27you'll have nothing more to do with the legal activities of the family.
01:24:32But,
01:24:34you'll always be a miller.
01:24:38As will she.
01:24:41Oh, be together.
01:24:42Oh, be together.
01:24:43Oh, be together.
01:24:44Oh, be together.
01:25:05Get off me!
01:25:06Stop!
01:25:07Useless!
01:25:08Implotent!
01:25:09Man!
01:25:10Your crowd group is bankrupt!
01:25:11That hurt!
01:25:12Getting involved with you is the worst decision I could have made in my life!
01:25:16Get off!
01:25:17This is all your fault!
01:25:18You spent every single thing that we had!
01:25:20Now we have nothing left!
01:25:21No company, no house, no money, not even a dime!
01:25:25And it's all because of you, you greedy cow!
01:25:28Don't you!
01:25:29Don't you-
01:25:37The late Mrs. Miller was a beautiful woman, sir.
01:25:42Yes.
01:25:43Back then, my wife protected me from every danger that befell our family.
01:25:50And today, my son found the perfect woman in us and I did the same for him.
01:25:57He's a lucky man.
01:26:13Wow, you look so beautiful.
01:26:17No, you can't be here right now.
01:26:20Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:24Ken, can you promise me one thing?
01:26:27I can promise you two if you like.
01:26:30I'm serious.
01:26:33I want you to walk away from the family business.
01:26:38There's a city called Ostia.
01:26:41It's on the southwest side of Rome by the ocean.
01:26:44What?
01:26:46You know what I found over there?
01:26:49I found you an art teaching job at a public school.
01:26:52I already took tickets.
01:26:54I leave in the morning.
01:26:56You're sending me away?
01:26:57No.
01:26:58I opened my own restaurant.
01:27:00It's just down the street.
01:27:03Oh, one more thing.
01:27:06I enrolled Anna at the school they're going to be teaching at.
01:27:09I think she's going to really love it over there.
01:27:13So you really are walking away?
01:27:16Yeah.
01:27:21You got some socks.
01:27:36So you probably will meet you guys.
01:27:38At the beginning of your life in your life.
01:27:39Come in.
01:27:40Hmm.
01:27:41Especially because you you see them that you've got to be wrong with.
01:27:42I'm kind of nailing you in leaving them to somewhere in the desert.
01:27:43Once you're in this 관� list.
01:27:44You got the needle in the woods.
01:27:45You're right.
01:27:46Not soon.
01:27:47You're not hungry right.
01:27:48Also if you're busheline high in die.
01:27:49You're well not hungry.
01:27:50Now maybe you're lying.
01:27:51I guess he's a little neighbor.
01:27:53Maybe this is a tower?
01:27:55If you'recken a meeting in the empowerment side of the world.
01:27:57Can I see?
01:27:59So you will transform yourself?
01:28:00You'll have an image of yourself.
01:28:01So that you will see Syndrome.
01:28:02You will look right up for one HEY.
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