- 2 days ago
Category
🎥
Short filmTranscript
00:00:00How did you get in here?
00:00:01I gave him the keys.
00:00:02Carl?
00:00:03I mean, what are you doing here so late?
00:00:05And what's that guy doing with my stuff?
00:00:07Tasha, Tasha, Tasha.
00:00:09You're always asking the wrong questions.
00:00:14What the hell is going on?
00:00:16Do you really think you're that thick, Tasha?
00:00:19Your husband and I decided that you're no longer needed here anymore.
00:00:23Raina's gonna take over your role at the company.
00:00:25She's already proven she can do everything you can, but better.
00:00:29I'll have a letter of termination and divorce paper sent over to your new address,
00:00:33wherever that ends up being.
00:00:35What should I do with this, boss?
00:00:37Give me that new plebe. I know exactly what to do with it.
00:00:44Is that clear enough for you, Tasha?
00:00:46Your company and your husband both belong to me now.
00:00:54No, you can't just fire me. I'm a shareholder at this company.
00:00:58Are you, are you still a shareholder at this company, are you?
00:01:01You know, actually, your debt is mortgaged with your shares,
00:01:04so you actually owe this company about 200 million.
00:01:07I never took out any loans that large.
00:01:09Oh, Tasha, you were always so gallible.
00:01:13A word of advice for the future?
00:01:15Don't give the keys to the kingdom to your assistant,
00:01:18no matter how trustworthy your feeble brain think they might be.
00:01:23Security! Security! We have a vagrant in the lobby, and she might become hostile.
00:01:28Stop, stop acting. I'll just leave on my own.
00:01:37Look, there's no glamour. There's no glory.
00:01:42It's just blood, guts, fear, and misery.
00:01:45Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:49I know that the type of money you make in just a few days,
00:01:52I can't make that in ten years working as a stick.
00:01:55But at least you're guaranteed to be alive in ten years.
00:01:57In my world, you're not guaranteed to be alive in ten days, let alone ten minutes sometimes.
00:02:02Yo, yo, man. Stop lecturing me.
00:02:05Are you gonna give me the gun or not?
00:02:08I'm sorry, but no.
00:02:10I'm not gonna let you get killed.
00:02:13Man, what the fuck you got me here for then?
00:02:16Shit.
00:02:17Oh, I guess you didn't hear.
00:02:34The repo guy, he came and towed your car away.
00:02:38Ugh.
00:02:39Said it was, like, collateral for a loan.
00:02:42Of course, I made the call and arranged everything.
00:02:47My pleasure.
00:02:49You despicable trash.
00:02:51You know, I was gonna give you a ride, you know,
00:02:55seeming that we were married for so long,
00:02:57but walking the streets at night kinda suits you.
00:03:00So, enjoy.
00:03:03Go to hell.
00:03:12Miss?
00:03:14Just go away, all right?
00:03:40all right i don't need your cheap sympathy right now miss your friend's gone i just want to offer
00:03:45my cab services yeah i'm i'm sorry a a cab is just what i need right now all right great come on board
00:04:10sorry i i don't have any cash right now um give me a minute i'll go grab some from inside
00:04:24here just proof i'm not trying to skip out on the fair
00:04:28you have some nerve coming back here i never wanted my son to marry you in the first place
00:04:44and now that he's finally come to his senses and kicked you to the curb you think that you can just
00:04:49waltz right back into his house his house my father left me this house
00:04:56and i know you're senile but i'm sure you remember when you practically begged me to let you and carl
00:05:04live here i always knew you were a nasty little hussy
00:05:13who the hell are you this is a personal matter so you should really mind your own business and stay
00:05:18outside actually this is my boyfriend so if it's a personal matter for me
00:05:26it's a personal matter for him okay what you think your son's the only one capable of having secrets
00:05:45that's what you think your son's the only one capable of having secrets that you're going to have to
00:05:47have a good night all right you too
00:06:01Have a good night.
00:06:05Alright, you too.
00:06:31Where's my necklace?
00:06:51Here.
00:06:53Just proof I'm not trying to skip out on the fair.
00:07:01I don't know what I'm trying to do is introduce myself, and you treat me like this.
00:07:31Like some dog shit you found stuck to your shoes.
00:07:37I'm calling the police!
00:07:40How about I give you a better idea?
00:07:42You and I are going to have some good old-fashioned fun tonight.
00:07:54If I ever see you around here again, you're dead!
00:08:05Get out of here!
00:08:06Hey.
00:08:07I'm so glad you're here.
00:08:12Where did you get this necklace?
00:08:16My father gave that to me.
00:08:17You better not be lying to me.
00:08:18I'm not lying.
00:08:19He made that with his own hands.
00:08:20It has my name on the back.
00:08:23It's really you?
00:08:24Hey.
00:08:25Hey.
00:08:26How are you feeling?
00:08:26Hey.
00:08:27How are you feeling?
00:08:28Good.
00:08:29Good.
00:08:30Good.
00:08:31Good.
00:08:32How did you...
00:08:33How did...
00:08:34How did you...
00:08:35You left your bag in my car.
00:08:36How did you know where to find me?
00:09:01How did you know where to find me?
00:09:05I have my ways.
00:09:09Hey, listen. I know it's none of my business, but it's not safe for you here.
00:09:14With everything that's happened in the last 24 hours, this is all I can afford.
00:09:22Listen, I have an extra room at my place. Maybe you can just come stay with me.
00:09:31Welcome home.
00:09:35I really feel like my luck's starting to change.
00:09:40I mean, you've literally rescued me over and over today.
00:09:45I'm sorry.
00:09:47I'm sorry.
00:09:48I'm sorry.
00:09:49I'm sorry.
00:09:50I'm sorry.
00:09:51I'm sorry.
00:09:52I'm sorry.
00:09:53I'm sorry.
00:09:54I'm sorry.
00:09:55I'm sorry.
00:09:56I'm sorry.
00:09:57I'm sorry.
00:09:58I'm sorry.
00:09:59I don't think I can make rent right away, but you could sell this ring and then it should cover me for a few months.
00:10:04At least until I'm back on my feet.
00:10:05I thought he was a really rich guy.
00:10:06Why did he get you such a small diamond?
00:10:08It's not a very good cut either.
00:10:09Okay.
00:10:10No.
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00:10:30No.
00:10:31It's fine.
00:10:32I'm just saying.
00:10:33You deserve a better ring than this.
00:10:56No, babe.
00:10:57Stop.
00:10:58It's late.
00:10:59Okay?
00:11:00You're still thinking about her.
00:11:01Who?
00:11:02Tasha?
00:11:03Are you kidding me?
00:11:04Then why are you wearing the wedding ring?
00:11:05Did you forget what she and her father did to you?
00:11:06I will never forget what she and her father did to me.
00:11:07But that has nothing to do with you.
00:11:08So why don't you stop mouthing off about shit that you know nothing about and let me handle
00:11:11my own affairs.
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00:11:56Mary?
00:12:04What?
00:12:08Hey, what's going on?
00:12:10My daughter's missing.
00:12:11What?
00:12:12Tasha, you shouldn't have barged in like this. If Carl finds out-
00:12:28No, I don't care about Carl right now, okay? Where's my daughter? Where's Anna?
00:12:33I sent her away.
00:12:35No.
00:12:37You have no right.
00:12:39Actually, as Carl's new wife and Anna's legal guardian, I have all the rights to do whatever I want with my stepdaughter.
00:12:50What?
00:12:54We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:12:59You think you're getting custody?
00:13:02I'm dreaming.
00:13:04No.
00:13:05On one hand, we have a mother drowning in death with no place to live.
00:13:11On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned pro-group.
00:13:21Who do you think the court will side with?
00:13:31Oh, what's going on?
00:13:32Oh, Carl!
00:13:34Carl, it's okay.
00:13:35Tasha was understandably upset about the situation. You know, I don't blame her for that.
00:13:40What happened?
00:13:41You trespass on my property? Assault my wife in her own home?
00:13:45Tasha, I have put up with your outrageous behavior for years, but don't you dare subject Reina to that kind of abuse!
00:13:51You don't understand. Reina sent Anna away!
00:13:54She did what any good mother would.
00:13:56I want to know where my daughter is right now!
00:13:59New Zealand.
00:14:00Getting medical care from one of the best cardiology departments in the world.
00:14:05And remind me, what have you done for your daughter lately?
00:14:08Hmm?
00:14:09Abandon her?
00:14:10To go shack up with some cab driver boyfriend?
00:14:13You idiot!
00:14:14I found those cardiologists in New Zealand.
00:14:17Scheduling those appointments was the last thing I had Reina do when she was still my assistant!
00:14:22Tasha, Tasha, you disgust me.
00:14:24Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:29I'm gonna make sure Anna stays far, far away from you so there's no possibility of her ever becoming anything like you.
00:14:41You...
00:14:43Backstabbing...
00:14:45Homewrecking...
00:14:46Bitch!
00:14:48I advise you stay far away from my daughter and I.
00:14:53By the way, the deed still lists me as the rightful owner to this house.
00:15:00So the two of you have no right to keep me from coming back here. Do you understand?
00:15:04Calm down.
00:15:05You can forge my signature. You can take my money. Take my house.
00:15:10But you will never have a shred of the intelligence that I have.
00:15:14Tasha, you have made your point. I think it would be...
00:15:16You deserve that too! You should have told me about Anna a long time ago!
00:15:22Oh, don't stop at my account. Please. Continue.
00:15:30Miss Big Shot, don't you forget that you still owe 200 million dollars.
00:15:35And 20 millions of that is owned to me personally.
00:15:39In fact, I'm going to call my lawyer and see to it that if you don't pay right away,
00:15:43you're never going to see your daughter ever again and you'll end up in debtor's prison.
00:15:48Ciao.
00:15:50Go ahead and check it out.
00:15:56But after your accountant, make sure this is all legit.
00:15:58I don't want you two jackasses counting my girl for money ever again.
00:16:00Got it?
00:16:02Oh, and by the way, we're going to go ahead and take Anna in the future too.
00:16:12Don't worry, Carl. I'll be a better father to her than you ever can be.
00:16:16Tasha, you'll regret this.
00:16:19Thanks again, Kerr. Today.
00:16:27For pretending to be my boyfriend.
00:16:31Was all that money real?
00:16:36As real as it comes.
00:16:38Why'd you get all that money?
00:16:40I robbed a couple jewelry stores before I came to find you.
00:16:44Are you serious?
00:16:46No, I'm just joking.
00:16:48It was my dad's.
00:16:50Don't worry, it wasn't stolen or robbed or anything.
00:16:52But hey listen, from now on I want you to think of me as your creditor.
00:16:56Okay?
00:16:57I don't want you to worry about owing money to those scumbags.
00:17:00From now on you'll just owe money to me.
00:17:03As long as you're okay with that?
00:17:06I could be okay with it.
00:17:07As long as you can satisfy one small request.
00:17:10What kind of request?
00:17:14My only request is that you just relax.
00:17:25Okay?
00:17:26Why don't you just take a load off.
00:17:29Why don't you start by telling me a story, you know, about the last time it was when you were happy.
00:17:34You know, I just, I never in a million years could imagine that Carl would betray me like this.
00:17:54I have nothing.
00:17:55Well, I mean, you always have me and, you know, other things.
00:18:09I can't hear you.
00:18:10You're whispering.
00:18:11I can't hear you.
00:18:12You're whispering.
00:18:13You're whispering.
00:18:14I can't hear you.
00:18:15I can't hear you.
00:18:16Cause it all seems clear.
00:18:18I know.
00:18:20I can't hear you.
00:18:52Oh, Carl. You know, Tasha's probably screwing around with that new boyfriend of hers.
00:18:58That bitch.
00:19:01Honey, you know, you promised to put me in touch with the curator at the Fitzgallery.
00:19:05I'm telling you, forget about the Fitzgallery, okay? The people who are running it are crooks.
00:19:11But I want my paintings to be showcased in the most prestigious venue possible.
00:19:15I know, I know. And I said I would help you find other galleries. Remember?
00:19:20Just stop nagging me about it, okay?
00:19:27You're a little angel.
00:19:28It's okay. Just sleep in.
00:19:50Well, this is certainly going to make things more complicated.
00:20:02So you want to pretend last night never happened?
00:20:04I thought we had a good thing going on between us.
00:20:12I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:16Yeah, but that was just something I said to make my husband jealous.
00:20:22You mean your ex-husband?
00:20:23I mean, you and I, you know I can't start a new relationship right now.
00:20:37So everything you said last night?
00:20:40We were just caught up in the heat of the moment.
00:20:44Heat of the moment.
00:20:45So it was all just bullshit?
00:20:46Why? To get me into bed with you?
00:20:51Just to have a one-night stand?
00:20:54Because you miss being with your damn husband?
00:21:10So everything you said last night?
00:21:12Get a hold of yourself.
00:21:19You just got divorced.
00:21:22You're not going to play mind games with men anymore.
00:21:26Hey.
00:21:29I wasn't sure what you like, so...
00:21:31I just made a little bit of everything.
00:21:35You made all this?
00:21:37Yeah.
00:21:42I mean, you deserve to have some of your awesome breakfast, too.
00:21:59Hey.
00:22:00You're not going to make me sit here and eat this alone, are you?
00:22:02All that for some sauce, huh?
00:22:18Are you kidding me?
00:22:25Hello?
00:22:26Mommy, I miss you so much.
00:22:28Anna.
00:22:29Mommy, I miss you so much.
00:22:30Honey, what's going on?
00:22:33Anna.
00:22:37Okay.
00:22:38Both of your resumes look excellent.
00:22:41I have a question.
00:22:44If you spilled a glass of milk in the ocean,
00:22:47how would you get it back?
00:22:49What does that question have to do with our work?
00:22:51Well, uh, I suppose you could contain, uh, the section of the ocean with the spilled milk
00:23:00and then collect that sample at a centrifugal force
00:23:04and there's probably a good chance of separation.
00:23:07So, at our company, we are always trying to make the impossible possible.
00:23:13And for that, we need people who can think on their feet.
00:23:17Derive solutions.
00:23:19No matter how outlandish the task at hand may seem.
00:23:23Oh, hello?
00:23:28Uh-huh.
00:23:36Okay.
00:23:44Congratulations, Ms. Michaels.
00:23:45Welcome to the Eastwood Corporation.
00:23:47If you don't mind me asking,
00:24:01why didn't I get the job?
00:24:05Mrs. Roberts,
00:24:06maybe you should focus on fixing your own family problems first
00:24:11before you start to look for work again.
00:24:13We don't want to make enemies with the Crow Group.
00:24:30So, I guess you didn't get it.
00:24:34I just don't understand why Carl hates me so much.
00:24:37I mean, he doesn't want me to work for his company,
00:24:40but he doesn't want me to work for any other company either.
00:24:42Look, you don't need that corporate job anyways.
00:24:46Yeah?
00:24:47What else can I do?
00:24:49I mean, I thought you were an artist.
00:24:51Now a painter.
00:24:52What did you know about that?
00:24:54You brought an easel.
00:24:59It's just a hobby.
00:25:02I gave it up.
00:25:03I don't paint anymore.
00:25:05Okay, well,
00:25:09if you don't love to paint anymore,
00:25:11then why bring an easel with you?
00:25:16I haven't painted in years.
00:25:19I'm sure it'll be just like riding a bike.
00:25:21Once you start,
00:25:23it'll all come back to you.
00:25:24That's my account.
00:25:30Why are they assigning it to someone else?
00:25:32Fine, fine.
00:25:33Just get me some damn answers
00:25:34and give me a call back soon, okay?
00:25:39Carl, this took me three months.
00:25:42I'm sorry.
00:25:43I just got some bad news at work.
00:25:45It's ruined now.
00:25:47Fine.
00:25:48Start over.
00:25:50You know,
00:25:51it kills me
00:25:51to see you squander
00:25:53your intelligence and talent
00:25:54on these useless paintings.
00:25:58You're a remarkable woman, Tasha.
00:26:00Okay?
00:26:01And if the charlatan snobs
00:26:03in the art world can't see that,
00:26:04then screw them, okay?
00:26:07If you put your focus elsewhere,
00:26:09we could be rich enough
00:26:10to buy ten art galleries.
00:26:12And then you could put
00:26:13whatever paintings you want in them, right?
00:26:16Painting's my passion.
00:26:18What if we put painting
00:26:21on the side
00:26:22just for a little while
00:26:24and you could come join me
00:26:26at the company?
00:26:27Because together, we...
00:26:29we'd be unstoppable.
00:26:32And right now,
00:26:33I am drowning.
00:26:35Your dad and his partners
00:26:37have no faith in me.
00:26:40I need you.
00:26:42Look.
00:26:46You love me.
00:26:48Don't you?
00:26:51Of course I do.
00:26:53Okay, that doesn't matter.
00:26:55Do this one thing for me.
00:26:56This one little thing.
00:26:58Please.
00:26:59Fly away with me.
00:27:12Take you high.
00:27:14Sorry.
00:27:16See you smile.
00:27:18It's my only dream.
00:27:23Steering out into the sea.
00:27:26Finished.
00:27:28Yeah.
00:27:33That is amazing.
00:27:37I honestly never thought
00:27:39I'd paint again.
00:27:40Well, that would have been a shame.
00:27:41You're easily one of the most
00:27:42talented artists I've ever met.
00:27:44Waves come crashing under me.
00:27:47Sorry.
00:27:48I don't...
00:27:49We're honored that you chose our gallery
00:28:04to showcase your work.
00:28:05I am curious about one thing,
00:28:07if you don't mind me asking.
00:28:09The subject in your paintings,
00:28:11your muse,
00:28:12is he your lover?
00:28:14Oh.
00:28:16No.
00:28:18He's just a friend of mine.
00:28:21But his gaze,
00:28:22the way he looks out to you
00:28:24in these paintings,
00:28:25there's so much tenderness
00:28:27and affection in his eyes.
00:28:34Is Ken really in love with me?
00:28:36He's so young, though.
00:28:38At his age,
00:28:38he probably doesn't even know
00:28:40what love is.
00:28:42Oh, uh, sorry.
00:28:43You're in the way.
00:28:46Actually, you're in my way.
00:28:50Actually, you're in my way.
00:28:52I'm trying to get into my home.
00:28:55Is this your new girlfriend?
00:28:58I've never seen you
00:28:59with anyone like this before.
00:29:01Ken's my roommate.
00:29:02Now, if you'll please step aside
00:29:04so I can get in.
00:29:09Call me again if you need anything.
00:29:10Okay?
00:29:11Bye.
00:29:15Hey, what are you doing home so early?
00:29:17Are they going to showcase your work?
00:29:19Sorry if I interrupted something,
00:29:21but as your roommate,
00:29:22I don't really think I need to tell you
00:29:24if I'm coming or going.
00:29:25So if you have something private to do,
00:29:26just do it in your room.
00:29:27I never said you need to tell me
00:29:29when you're coming or going.
00:29:30I'm just saying.
00:29:30Fine, you don't need to explain.
00:29:32Just,
00:29:33I just want to be alone.
00:29:39What?
00:29:44I'm so sorry, sir.
00:29:46She just barged in without permission.
00:29:48It's okay.
00:29:50Miss Roberts, please.
00:29:51Grab a seat.
00:29:53We signed a contract.
00:29:54Why can't you show my paintings now?
00:29:57I'm afraid I don't have the answers
00:29:58you're looking for.
00:29:59You want to know what happened?
00:30:00Ask Karl Kroh.
00:30:04I want my paintings back.
00:30:06Right now.
00:30:09Well,
00:30:10they're probably somewhere in the warehouse.
00:30:12They haven't been thrown away yet.
00:30:13They haven't been thrown away yet.
00:30:13You've already searched the entire warehouse ten times.
00:30:40If you haven't found what you're looking for,
00:30:42it's not here.
00:30:43You better hope I find what I'm looking for
00:30:44or I'm going to make this entire gallery
00:30:46compensate me
00:30:47and then I'm going to sue you
00:30:49and you'll be the first to lose your job.
00:30:52Yeah, that's great, lady.
00:30:53Go ahead and sue.
00:30:54I'm sure things will go exactly
00:30:55the way you described it.
00:30:56Exactly.
00:30:56The way you described it.
00:31:28You really care about her.
00:31:45Shh, keep your voice down.
00:31:47She's had a long day.
00:31:49Also, you can't just come over here so casually in the future.
00:31:52Casually?
00:31:54Are you kicking me out?
00:31:56You didn't mind my coming over so casually when you had me digging through your body for bullets.
00:32:01You men are cold as hell.
00:32:03I think my lucky star is on the last band.
00:32:05Look, I just can't have her finding out about the work that we do, okay?
00:32:08Are you serious about her?
00:32:11Yeah.
00:32:12Have you thought about the consequences if your dad finds out?
00:32:15Look, now, you and I have been best friends for over 20 years, okay?
00:32:22And my dad has taught me everything that I know.
00:32:25I think maybe it's time I just figure things out on my own.
00:32:28And you know exactly what I went through last time.
00:32:32I'm not gonna lose her again.
00:32:33Don't worry, Anna.
00:32:39Mommy's gonna find a way to bring you home soon.
00:32:49All the evidence is here.
00:32:50It's exactly what you thought.
00:32:53Let me know if you want me to find out more.
00:32:55Carl, let's meet.
00:33:11Oh, wow.
00:33:21It's not every day a famous painter comes to visit.
00:33:26To what do I owe the pleasure?
00:33:28The company I supposedly borrowed money from.
00:33:33It's a shell company owned by you.
00:33:37So what?
00:33:38All our operations are legal.
00:33:40You signed the documents.
00:33:42You borrowed the money.
00:33:44All you can do now is pay it back.
00:33:49You know, I don't think you actually want me to pay back the loans.
00:33:55You were just looking for an excuse to have me back in your life.
00:34:01You're obsessed with me.
00:34:03This is just your sick way to dominate me and make me surrender to you.
00:34:07I'm just getting even.
00:34:09For the years I spent in your father's shadow.
00:34:13The years of belittlement and him treating me like a clown.
00:34:16My father hired you when no one else would.
00:34:20Not my fault that your insecure petty took his support as belittling.
00:34:30I wouldn't upset me if I were you.
00:34:33Remember, I'm your creditor now.
00:34:36Two months.
00:34:38That's all I can give you to pay me back the remainder of $180 million.
00:34:41What are you doing here?
00:34:53I was just in the neighborhood.
00:34:55Thought I'd give you a ride home.
00:34:56Hi.
00:35:01Um, hey.
00:35:02Who is this?
00:35:06Uh, this is Ken's roommate.
00:35:09We're going to be dropping them off before we head home.
00:35:11Yeah, hey, listen, I didn't introduce you last time, but this is my best friend, Nell, and her girlfriend, Maria.
00:35:23Nell and I have been nothing more than friends since we were kids.
00:35:26She's not into men, and she never has been, and her and I are nothing more than just platonic friends.
00:35:32Alright?
00:35:34I'm sorry I jumped to conclusions the other day.
00:35:37It's okay.
00:35:39I just didn't want you to get the wrong idea.
00:35:41Oh, look, I appreciate it.
00:35:48I really do.
00:35:48I just, I still think you and I are better off just as friends.
00:35:55Just, why?
00:36:03Why?
00:36:05Maybe because I'm just getting over a failed marriage.
00:36:09Because I owe an unthinkable amount of money and I have no idea how I'm gonna pay it back.
00:36:16I also have no idea how I'm gonna get my daughter back.
00:36:22And getting into a relationship with you?
00:36:25That's just something I can't do right now.
00:36:28Love has brought me nothing but pain, okay?
00:36:30Okay, so just, please, just, leave it.
00:36:33Do you have any other paintings?
00:36:34Do you have any other paintings?
00:36:46Do you have any other paintings?
00:36:56Yeah, I have several.
00:37:04What are you looking for?
00:37:06I would like to buy them all.
00:37:09I love your painting style.
00:37:11It is so unique.
00:37:12I own a large gallery and I would like to establish a long-term collaboration with you.
00:37:19Thank you for your kind words about my paintings, but I've been in some trouble lately and it's
00:37:25probably best if I don't involve your gallery.
00:37:32None of this matters to me.
00:37:33If someone wishes to cause me trouble, well, just let me try.
00:37:45I mean, it has to be a mistake.
00:37:50Or a prank or a cruel practical joke.
00:37:54I mean, it seems pretty authentic to me.
00:37:56It has their seal and your name and address are like clearly written on it, so.
00:38:03It looks authentic.
00:38:07But how would they have seen my paintings?
00:38:11I don't know, maybe one of those auction sites that you've been posting your work on?
00:38:14I mean, you're incredibly talented, so anybody who's seen your work would automatically recognize it.
00:38:25I own a large gallery and I would love to establish a long-term collaboration.
00:38:30It's him.
00:38:31It's him, the guy who's been on my paintings.
00:38:35He must be the owner of the Fitz Gallery.
00:38:38Well, in that case, we better get going.
00:38:39Where?
00:38:41Gotta go get you a dress.
00:38:42I can't have you showing up to the Fitz Gala in rags.
00:38:50Babe, which one do you like more?
00:38:52This one or this one?
00:38:54I need to be the hottest girl at the Fitz Gala.
00:38:59Everything just looks so good on you, honey.
00:39:03So just pick whichever one you want.
00:39:06I gotta take a call, okay?
00:39:08Wrap this up, you twitch.
00:39:10I'll take them both.
00:39:10I used to buy dresses like this all the time without even thinking about the money, but
00:39:24I can't afford something like this now.
00:39:26You know what?
00:39:30Consider it a congratulatory gift for me, all right?
00:39:33And when you make it big in the art world, you can just pay me back.
00:39:38Oh, hi, excuse me.
00:39:39Yeah, my friend would like to try on this dress.
00:39:42Oh, your friend has amazing tastes.
00:39:44This dress is actually a limited edition, each one handcrafted by hand and therefore entirely unique.
00:39:50Truly a work of art.
00:39:51Well, how fitting that's going to be worn by a very talented artist.
00:39:54I'll have someone on the team bring it out to you.
00:39:58Veronica, please bring the limited edition.
00:40:04What limited edition?
00:40:07Tasha, do you really think you can afford this dress?
00:40:14You can afford this dress?
00:40:18Please.
00:40:18Raina, I don't think you need to worry about Tasha's finances, okay?
00:40:23We established that last time.
00:40:27Hey, you.
00:40:28Get over here.
00:40:30I'm going to pay twice what it's worth, but I want this dress.
00:40:33Ma'am, this dress is $4,000.
00:40:35Did I ask you how much it cost, you pluritarian scum?
00:40:39Just shut your mouth and add it to my bill.
00:40:41She's willing to pay double.
00:40:43I'll double her offer and I'll pay $16.
00:40:46Okay, sir.
00:40:47Sold.
00:40:47$32,000.
00:40:49You know what?
00:40:52She wants to dress so bad, let her have it.
00:40:55You can put all the jewels you want on a pigeon, but it'll never be a peacock.
00:40:58I'll show you who's a pigeon, you little bitch.
00:41:02How dare you assault me?
00:41:03Tasha, are you okay?
00:41:04What is going on here?
00:41:08What's going on is that your crazy bitch wife pushed Tasha to the ground.
00:41:12I swear to god, they're all lying.
00:41:15I never touched her.
00:41:16I saw everything.
00:41:17This gentleman and his girlfriend were very nice and politely inquired about a dress,
00:41:21and suddenly your wife appears and attacks her for no reason.
00:41:24Shut your mouth, you little lying asshole.
00:41:26You know what?
00:41:27Why don't you just call security before this crazy maniac hits somebody else?
00:41:30Wait a second, Reyna.
00:41:31What actually happened here?
00:41:32What's going on?
00:41:33Why don't you believe me?
00:41:34Don't you?
00:41:36Do I just call 911?
00:41:38Are you blind?
00:41:39Oh, Tasha, can you stop this bullshit?
00:41:41Well, you know what, Reyna, can you just stay away?
00:41:43Can I get someone down here?
00:41:44Room A122?
00:41:45No, no, that's not necessary.
00:41:47We are leaving right now.
00:41:48Let's go.
00:41:48Okay, you've embarrassed us both enough for one day.
00:41:52Okay, let's go.
00:42:02Wherever Reyna goes, trouble's sure to follow.
00:42:06It is nice to see you get a taste of her own medicine, though.
00:42:09Yeah, it's a shame, though.
00:42:11You would have looked really great on that dress.
00:42:16Don't worry about that.
00:42:17I have a solution.
00:42:26What are you going to do with all this stuff?
00:42:29I'm going to design my own dress and wear it to the gala.
00:42:32Are you sure there's enough time?
00:42:33Have some faith in me.
00:42:35I graduated with honors in design and fine art.
00:42:39I got this.
00:42:41All right.
00:42:41How do I look?
00:43:04How do I look?
00:43:05What?
00:43:12Is something wrong?
00:43:14Is it too much?
00:43:15Should I change something?
00:43:17No.
00:43:18No.
00:43:18No.
00:43:20You look.
00:43:21That dress.
00:43:22Like, that is one of the most beautiful dresses I've ever seen.
00:43:26But there's something missing.
00:43:33Should I resell the beads?
00:43:35No.
00:43:37I have a gift for you.
00:43:38I have a gift for you.
00:43:40Something to complete the whole look.
00:43:42Just try harder, you idiot.
00:43:50Mrs. Crowe, I am doing everything I can.
00:43:53I don't know what more I can do.
00:43:56You're calling me fat?
00:43:57Of course not.
00:43:59You're not fat at all.
00:44:01It's the dress.
00:44:02It's not made for a woman's body.
00:44:05Just shut up and do it!
00:44:07Babe, just put on another dress.
00:44:10You're going to be late.
00:44:11I spent so much money on this dress.
00:44:15I am wearing this dress!
00:44:35I can't.
00:44:38It's too much.
00:44:40No.
00:44:41It was made for you.
00:44:45I can't wait to see what you've brought to the auction.
00:44:54Can we have a little hint?
00:44:56Well, actually, I brought some of my very own paintings to auction tonight.
00:45:04What's wrong?
00:45:06Tasha Roberts.
00:45:08My husband's dreadful ex-wife.
00:45:11I'm tired of seeing her sorry face everywhere.
00:45:16You know, she's also a horrible person.
00:45:21If it isn't everyone's favorite white-collar criminal turned homeless vagrant, Tasha Roberts.
00:45:27So, the other day, when you were trying to buy this dress with that, um, working-class thug boyfriend of yours, you were trying to come here?
00:45:37Are you sure you were even invited?
00:45:39I'm sorry, are you working the security details?
00:45:46Do I need to show you my invitation?
00:45:48Honey, I'm just trying to look out for you.
00:45:50Okay?
00:45:51I want to spare you the embarrassment of being kicked out when everybody finds out that you are not invited.
00:45:58You mean like how you were kicked out of the mall?
00:45:59I see. You still quite don't understand your place in the world.
00:46:04You think you're fucking Cinderella or something, and life is a fairy tale.
00:46:10But don't worry. I'll help you figure it all out.
00:46:16What's wrong with you?
00:46:17You can't just see people are walking through.
00:46:19Oh, Reena, this time you've gone too far!
00:46:21Stop shouting, you dreadful oaf.
00:46:24These were supposed to be auctioned tonight!
00:46:25Well, if it is of any consolation, I don't think the wine has reduced their value of very much at all.
00:46:32Now you can go and cry to your fairy gut mother.
00:46:37Loser.
00:46:39Oh, I think the auction's starting.
00:46:41Well, I'll see you there.
00:46:43Toodles!
00:46:52For our first auction item, I'd like to welcome Ms. Reyna Crow to the stage with her collection of original paintings.
00:47:15As you can see, Ms. Reyna Crow's style is very unconventional.
00:47:20Certainly, these works defy easy categorization, and yet there are touches of whimsy and an almost
00:47:28playful quality about them, as depicted here through the bold use of a duck as a central figure.
00:47:34It's a dog.
00:47:35What?
00:47:36It's a dog, not a duck, you buffoon.
00:47:38Oh, yes, of course. A dog.
00:47:42Seen through a very unique prism.
00:47:45Portrayed as only an artist of Reyna's caliber could possibly portray it.
00:47:50Now that we have familiarized ourselves with the art and the artist, let's start the bidding.
00:47:55The starting price will be $50,000.
00:47:57Do I hear $50,000?
00:48:01Anyone?
00:48:03$50,000. Do I hear $60,000?
00:48:08Anyone?
00:48:09$50,000 going once, $50,000 going twice.
00:48:14Sold! Sold for $50,000.
00:48:16And now we'll invite our second artist for the evening, Ms. Tasha Roberts, who will also be
00:48:27presenting a series of paintings.
00:48:38Ms. Tasha Roberts, where are your paintings?
00:48:40I don't have my paintings tonight, but I will be auctioning off this dress.
00:48:57Oh, wow. It's beautiful.
00:49:03Stupendous. I've never seen a dress so beautiful.
00:49:10Oh, stupendous. I've never seen a dress so beautiful.
00:49:14A stunning work of art, indeed.
00:49:17There's no need for me to say another word about this masterpiece.
00:49:19Everyone in the audience can clearly see the extraordinary talent and extraordinary artistry.
00:49:25Let's start the bidding at $50,000.
00:49:27$55,000.
00:49:28$75,000.
00:49:30$90,000.
00:49:31$100,000.
00:49:34$150,000.
00:49:36$250,000.
00:49:40$250,000 going once, $250,000 going twice.
00:49:45Gold! This beautiful dress was sold for $250,000.
00:49:48$250,000.
00:49:56Is that the heart of some necklace that sold for $200,000 a few months ago in a big deal?
00:50:02Impossible. How can that lowly peasant possibly afford it? It must be a fake.
00:50:07Thank you so much for your bid, Miss Winslow.
00:50:13I'm going to design a few custom pieces in your size and design them to your elegance and style.
00:50:20Have you ever considered creating your own clothing brand?
00:50:24Your creations are so extraordinary. You should really share your talent with the rest of the world.
00:50:31Thank you. I never considered it, but I certainly will now.
00:50:34Hi. I'd be careful if I were you.
00:50:39I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.
00:50:46What are you talking about right now?
00:50:48This woman is a phony and a con artist.
00:50:51For as long as I worked with her, she's done nothing but defraud and cheat the people she's done business with.
00:50:57And let me make it clear. For everybody that wants to do business with this woman,
00:51:01they won't be allowed to do business with the Crow Group.
00:51:05Is that so?
00:51:06Well, let it be known that if anybody refuses to work with Miss Tasha Roberts because of the
00:51:14baseless rumors and lies being spread by Miss Raina Crow, you will no longer be welcomed back to the
00:51:20Fitz Gallery.
00:51:22That's the curator of the Fitz Gallery.
00:51:24Not just the curator. He's also the director of the Fitz Foundation.
00:51:32The curator? Is he the man who bought my paintings? Why does he seem so familiar?
00:51:38Miss Tasha Roberts is my guest of honor tonight. All right? I invited her personally. So if anybody
00:51:46treats her with the slightest bit of disrespect, they'll be asked to leave and never again invite
00:51:50it back to the Fitz Gallery.
00:51:51As the director of this esteemed organization, am I interested to know that your guest of honor is
00:51:58wearing a cheap replica of a priceless work art. She is not to be trusted.
00:52:05I'm assuming you mean her diamonds. What evidence do you have to prove that it's not real?
00:52:11Well, the real heart of the sun has the initials of the craft man engraved in the joint between
00:52:16the gemstone and the pendant. So Tasha, would you indulge us all and show us if what you're wearing
00:52:23is a genuine article or a cheap knockoff?
00:52:27This was just given to me by a friend. I never claimed it was the real heart of the sun.
00:52:33I don't want to embarrass him by having people pour over it for imperfections.
00:52:39So it's a forgery. You were so happy to have everyone believe it was the real thing until I
00:52:44challenged you and called your bluff.
00:52:48Miss Roberts.
00:52:49You have nothing to fear from this woman. Just show her the necklace. And I'll personally see to it that
00:53:04there are no despairing comments about its craftsmanship or quality. And the question has to be asked whether
00:53:10it is the true heart of the sun.
00:53:19See, just like...
00:53:22What? How is this possible?
00:53:25I do say, this engraving looks entirely authentic to me. This is indeed the one and only heart of the sun.
00:53:38Well, that settles it then. This necklace is authentic. From now on, no one will be permitted
00:53:43to question or harass my guest of honor. Now, if everyone is satisfied, can we please get back to tonight's festivities?
00:54:00Ken, you have a lot of explaining to do.
00:54:02Okay. What's wrong?
00:54:06I can't accept this necklace. And I can't give you what you want.
00:54:12Do you even know what I want?
00:54:13I don't want to know. We can just be friends, nothing more.
00:54:18Tasha, you're just afraid. You're just afraid of going after what your heart truly desires.
00:54:25And I just think you're afraid of just being true to yourself.
00:54:28You're the last person that should be lecturing anybody on the truth.
00:54:32Who are you? What do you do? Is this even your house? I mean...
00:54:41How do you own a necklace that's 200 million dollars?
00:54:47I just...
00:54:47See, you... you don't even respect me enough to tell me the truth.
00:54:53But you... you expect me to jump into a relationship with you?
00:54:56Ken? You could be a total stranger. I have no idea who you are.
00:55:04Tasha, I want to tell you. I do. But... I just can't right now.
00:55:10All right? Like, maybe in the future when we can sit down and...
00:55:12Ken, there is no future for us. Not if you can't tell me one thing about yourself that isn't a lie.
00:55:20When you find someone that you really love and trust, you let them in.
00:55:25But that person won't be me.
00:55:44Are you okay?
00:55:49Director Fitz, I had a wonderful time at the gala.
00:55:56Thank you for supporting me and standing up for me.
00:56:00I wasn't bothered by the way the other guests treated me.
00:56:04I've endured far worse.
00:56:09Lovely. I'm glad to hear it.
00:56:12I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.
00:56:17Think of it as a sort of artist residency.
00:56:20Would you be interested in such an opportunity?
00:56:30This dress is every bit as exquisite as I expected it to be.
00:56:35Thank you, my dear.
00:56:37You're very welcome.
00:56:38Have you given any more thought to my proposal?
00:56:42If you wish to start a clothing brand, I would be more than happy to invest whatever you require to get started.
00:56:50It's a very gracious offer, but I just... I have to ask. I mean, there are so many other talented designers.
00:56:57Why do you have such faith in my abilities?
00:56:59It's not just me, you know.
00:57:01The curator of the Fitz Gallery has never been seen in public before the gala last night.
00:57:08And everyone in attendance was certain that the only reason he chose to make an appearance was because of you, his guest of honor.
00:57:19That was his first appearance ever?
00:57:20Indeed.
00:57:22His very first and only time to appear in the flesh.
00:57:26Before this, he was a figure of myth and mystery.
00:57:30Many people doubted he existed at all.
00:57:33But all because of you, he chose to grace us with his presence last night.
00:57:39Seems like a marvelous young man, don't you think?
00:57:42He certainly had a charm about him.
00:57:44Oh, undoubtedly.
00:57:45You know, many people flock to the Fitz Gallery for more than just the art.
00:57:51They want to learn all about the enigmatic young curator.
00:57:55Really?
00:57:57I mean, what's so interesting about him?
00:58:00Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections to become the top venue for fine art in just two years?
00:58:11I mean, I heard rumors.
00:58:14Something about foul play, but I always just assumed they were baseless.
00:58:18Those rumors have quite a bit of truth to them.
00:58:21It seems like the Miller crime family is actually behind the Fitz Foundation.
00:58:28The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
00:58:37He seemed like such a gentleman.
00:58:39I just, I find it hard to believe that he ever was involved in something so sordid.
00:58:43You must never judge a Brooklyn's cover, my dear girl.
00:58:48Even people close to us may be harboring many secrets.
00:58:52We never really know what's going on inside.
00:58:55You got that right.
00:58:56I learned that lesson the hard way.
00:58:59Let me be frank.
00:59:01I have tremendous faith in you.
00:59:04Thank you, Mr. Winslow, but I think it's dear.
00:59:07All my friends call me Laura.
00:59:12This is a check.
00:59:14For five million dollars.
00:59:16It should help you get your clothing brand started.
00:59:21Shall we become business partners in addition to being friends?
00:59:26Director Fitz, I'd like to work with you.
00:59:42It would be my honor, Miss Tasha Roberts.
00:59:46Fly away with me
00:59:50Take you high
00:59:52I am soaring
00:59:54To your smile
00:59:56It's my only dream
01:00:02Staring out into the sea
01:00:06Waves come crashing up to me
01:00:10My toes slip into the sand
01:00:14Dream that I'm with you
01:00:18Staring out into the sea
01:00:20Waves come crashing up to me
01:00:22Waves come crashing up to me
01:00:24My toes slip into the sand
01:00:26My toes slip into the sand
01:00:28Dream that I'm with you
01:00:45Congratulations, Miss Roberts.
01:00:47We expect a huge success from your art exhibition
01:00:50Thank you
01:00:51Thank you
01:01:04You're looking at her
01:01:07You're obsessed with her
01:01:09Didn't she humiliate me enough the other night at the gala?
01:01:11But no, now I have to watch my husband stare at her picture
01:01:16Well, maybe if you didn't give her the opportunity to humiliate you
01:01:21So it's my fault now?
01:01:22Oh wait, let me guess
01:01:23Maybe it's my fault too when the two of you broke up
01:01:25Okay
01:01:27Raina, I've been thinking
01:01:30I don't think this is working
01:01:33I want a divorce
01:01:34I don't think this is working
01:01:35I don't think this is working
01:01:35I don't think this is working
01:01:36I don't think this is working
01:01:36I don't think this is working
01:01:38I don't think this is working
01:01:38You used me to push Tash out of your company
01:01:41Take her property
01:01:42And now you cast me aside like what?
01:01:44A used piece of garbage?
01:01:46I won't allow this
01:01:49Mark my words, Karl Kroh
01:01:51You will regret this
01:01:52I'm spending too much time around Ken
01:02:08He's dominating all my thoughts
01:02:11I have to distance myself from him
01:02:13For my own sanity
01:02:22As if nothing I can do to get you to stay
01:02:32I'm sorry
01:02:34But no
01:02:37You and I, our relationship will just keep going in circles
01:02:44But thank you for everything you've done for me
01:02:48I have a little bit of money now so
01:02:49You should be able to pay off your loan soon
01:03:19This is what happens when you steal from the Millers
01:03:27Please
01:03:28Let me go
01:03:32I promise you'll never see me again
01:03:40What do we got here?
01:03:41Right this way
01:03:44Boss
01:03:45I found this one peeking around the corner
01:03:47I'm not sure how long this little bitch has been watching
01:03:50But I'm pretty sure she tried to call the cops
01:03:56Don't worry boss
01:03:57I got a knife with her name on it
01:03:59We can dump her body with the other guy
01:04:06No, let her go
01:04:08What? Didn't you hear what I said?
01:04:09She's seen everything
01:04:11Let her go before I rip off your fucking arms and throw them in the river
01:04:17Walk away, this doesn't mean anything to you
01:04:26Is this what you couldn't tell me about?
01:04:29Boss, you know this woman?
01:04:33You're gonna kill him
01:04:34Call the police then
01:04:35See if they can save his life
01:04:37No
01:04:37Don't call the police, you stupid bitch
01:04:42My world is more cruel than you can possibly imagine
01:04:45So since you didn't want to get involved
01:04:47Just walk away
01:05:07Hey, what do you want for breakfast?
01:05:12My world is more cruel than you can possibly imagine
01:05:38So since you didn't want to get involved
01:05:40Just walk away
01:05:42I never imagined that Ken could be such a dangerous and violent man
01:05:46There must be something or someone forcing him to do all of this
01:05:52Even people close to us may be harboring many secrets
01:05:56We never really know what's going on inside
01:06:00Forget it
01:06:00This has nothing to do with me
01:06:02I decided to leave Ken so I have to do my best not to look back
01:06:09You're a pro-magnet boyfriend
01:06:31Is he not joining us?
01:06:33It's all over
01:06:34I'm not with him anymore
01:06:36Where's Reyna?
01:06:38Reyna was a mistake
01:06:41That's all over too
01:06:43Tasha
01:06:44Um
01:06:47I want you back
01:06:50I can't stop thinking about us
01:06:53You were right
01:06:53You belong in my life
01:06:55So if you just sign those documents then you can come back to me
01:07:03Come back to the house
01:07:04We can carry on like none of this ever happened
01:07:06I can give you your old job back
01:07:09That'll be fun working together again
01:07:11And then all that debt you owe me will be wiped clean
01:07:14You uh
01:07:15Need a pet?
01:07:16You think I'd get back with you after everything you put me through?
01:07:29Here is a hundred million dollars
01:07:33I'll pay the rest on time and for your agreement
01:07:37Take these documents and
01:07:46Shove them right up your ass
01:07:49You disgust me Carl
01:07:51You should think about Anna
01:07:53Do you really want her growing up without a mother?
01:07:56With all her health problems she could really use your support
01:07:58Don't dare talk about Anna
01:08:01She'll be with me soon
01:08:03Then I'll never let her out of my sight again
01:08:05She needs her mother and her father
01:08:06Not a father like you she doesn't
01:08:09She'd be better off with no father at all
01:08:22I'm sorry am I interrupting?
01:08:24Are you are you texting a new boyfriend already?
01:08:27Can it wait?
01:08:29I'm not done talking here
01:08:31You're pathetic Carl
01:08:32Hey Tasha
01:08:35Ta-
01:08:37Tasha
01:08:40Hey Tasha
01:08:42Tasha come back
01:08:43Where are you going?
01:08:44This place is disgusting
01:08:46Come on Tasha
01:08:48Don't you remember the happy times?
01:08:49Come on we can have that again
01:08:51Think of Anna
01:08:52Think of me please
01:08:54I love
01:08:54Hey
01:08:55Hey
01:08:55Hey
01:08:56Hey
01:08:56Hey
01:08:56Sorry folks
01:09:17It's the end of the line for you
01:09:18No hard feelings
01:09:23But
01:09:24We gotta do what the people who pay us tell us to do
01:09:27Who's paying you?
01:09:30I'll give you a hint
01:09:31A very beautiful woman paid us a small fortune to make sure you two would
01:09:37Make sure you two don't make it
01:09:40Raina
01:09:40That fucking bitch
01:09:43Do you know who I am?
01:09:45I'm Carl Crow
01:09:47The CEO of the Crow Group
01:09:49What if she's paying you?
01:09:50I'll pay double
01:09:51Okay
01:09:51Yeah
01:09:52Yeah
01:09:52You're gonna pay me double
01:09:53I guess you haven't heard the news buddy
01:09:56See I don't think you have the means to outbid your pretty little friend
01:10:03Oh
01:10:03That backstemming slut
01:10:07Please pick up the phone
01:10:09You're trying to phone a friend?
01:10:11That's a big no-no sweetheart
01:10:13That's breaking the rules
01:10:17Sweetie
01:10:19Don't waste the little time you have left trying to call for help
01:10:22It won't do you any good
01:10:25No one
01:10:27They're gonna help you now
01:10:32Three hours where's Tasha?
01:10:34Hey Nell
01:10:37Hey listen I need you to do me a favor
01:10:40Yeah I need you to pull out the city's surveillance system in the area
01:10:43And find all the footage
01:10:45Yeah no something's wrong
01:10:46What are you doing?
01:10:59We have to get out of here
01:11:07Huh?
01:11:07Out?
01:11:07You should just go
01:11:15Save yourself leave me
01:11:17It's what I deserve
01:11:21I'm not gonna leave you
01:11:23I'm not that type of person
01:11:31Come on let's go
01:11:32Come down here
01:11:35Wait until they come in
01:11:42Hey Tasha
01:11:46I'm so sorry
01:11:47I'm sorry
01:11:50Now's not the time for that
01:12:09All in
01:12:18Looks like we got ourselves a suicidal prick here fellas
01:12:22I can't think of any other reason why somebody would kick in the door that's got Vincent Santorelli on the other side of it
01:12:30Oh shit
01:12:32Boss
01:12:35I didn't realize it was you
01:12:38These your guys?
01:12:41Where the fuck are they?
01:12:43You better find them
01:12:44Quick
01:12:47Oh my god
01:13:00Now it's your turn
01:13:01Oh my god
01:13:01Oh my god
01:13:14Now it's your turn
01:13:15Oh my god
01:13:15Oh my god
01:13:16Oh my god
01:13:16Oh my god
01:13:17Now it's your turn.
01:13:22Pretty little thing like you, I was going to make it painless.
01:13:25But I guess you didn't want that.
01:13:27All the same.
01:13:29Hey, who's this fucking monkey?
01:13:31Lower your fucking gun.
01:13:32Vinny, what the fuck is going on?
01:13:34You fucking downfield? Lower your fucking gun!
01:13:37Are you...
01:13:38Are you Ken Miller?
01:13:40How can that be? What the fuck is going on?
01:13:43Ken Miller.
01:13:45The one and the same.
01:13:47Miller crime family that monopolizes all the underground trade in all of North America.
01:13:55It's you.
01:14:03You know what you have to do.
01:14:06Boss, please.
01:14:10He's my brother.
01:14:12Rules are roses.
01:14:14I was pushing you away as Ken and growing closer to you as Fitz.
01:14:33I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:14:42And I just can't win over your heart.
01:14:45Is Ken Miller always this loving with the hostages he rescues?
01:14:54Or is this just special treatment reserved for his lovers?
01:15:00Tasha, I love you.
01:15:02My heart has belonged to you and only you for the past 15 years.
01:15:0615 years.
01:15:12No, we just met a few months ago.
01:15:16We met 15 years ago.
01:15:19You went to Marr Middle School.
01:15:25Yeah.
01:15:25And you saved my life, eh?
01:15:27Stand up, chicken, and hit us back!
01:15:38Isn't that what your dad does for a living?
01:15:41Beat people up?
01:15:42I'm not my dad.
01:15:45You and your father are both scum.
01:15:47Let's teach this little and thug a lesson.
01:15:49Yeah, idiot.
01:15:50Get up and show us what you've got!
01:15:54Hey!
01:15:56Hey, hey, hey, hey, hey, stop!
01:15:58That's enough, that's enough!
01:15:59It's none of your business, Robert.
01:16:01Get out of here, Robert!
01:16:02Hey, stop!
01:16:03Go home, I'll call your parents, go!
01:16:04Oh, crap!
01:16:05Crap!
01:16:05Crap!
01:16:08Ever since I saw you that night in the cab, with that necklace on, I just, I knew I found
01:16:24you.
01:16:26Look, this isn't just some feeling for me, okay?
01:16:30This is, this is everything to me.
01:16:33Like, you are everything to me.
01:16:35But no matter what happens between us, I will always care about you.
01:16:41And maybe, one day we can, make it work in a different way.
01:16:47I just need some time to process this.
01:17:06Okay.
01:17:08And after that, maybe we can pick up where we left off, that first night you spent here?
01:17:14Maybe.
01:17:15Maybe.
01:17:16Maybe.
01:17:17You play your cards, right?
01:17:18Maybe.
01:17:19You play your cards, right?
01:17:35Does everything look good to you, my artist?
01:17:37Yeah.
01:17:38Yeah.
01:17:40Thanks for everything.
01:17:42That doesn't sound very convincing, is, is there anything you want to change?
01:17:46No.
01:17:47I just, I never got around to asking why you wanted to start an art gallery in the first
01:17:52place.
01:17:53Honestly?
01:17:54Just to get to you.
01:17:55See, I thought if I owned the world's greatest art museum that one day you might find your way
01:17:59in here and, I don't know, that I might find you.
01:18:29I want to see what kind of woman this is that has ensnared my son.
01:18:43I doubt she's worthy of joining the Miller family.
01:18:46I want to see if I can.
01:18:47Just to get to you.
01:18:48See, I thought if I owned the world's greatest art museum that one day you might find your
01:19:01way in here and, I don't know, that I might find you.
01:19:04Okay, okay.
01:19:06Just concentrate on painting.
01:19:08Don't think about him.
01:19:09Who are you?
01:19:29Miss Tasha Roberts?
01:19:31Mortimer Miller would like to speak with you
01:19:33privately at his home.
01:19:36Come here.
01:19:36Take a look.
01:19:43She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:49She's young, beautiful, well-educated.
01:19:54I think she'll make a fine wife for my son, Ken.
01:19:57With all due respect, sir,
01:20:01I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:20:06Well, I'll choose you.
01:20:11Not a chance.
01:20:13You're no match for my son.
01:20:15Now, you owe money to the Crow Group.
01:20:26I'm going to pay your debt.
01:20:29And in return, you will agree to never see my son again.
01:20:40It's our decision whether we want to be together or not.
01:20:44Your son and I love each other.
01:20:46There's nothing in this world that can keep us apart.
01:20:49Tasha, do you want us to be together?
01:20:54It's impossible.
01:20:56Father.
01:20:56I forbid it.
01:20:58Father, this is the love of my life.
01:21:00I can't lose her again.
01:21:02I'd rather leave the family business.
01:21:05Then leave if you wish.
01:21:06But she will never have my approval, ever.
01:21:10And she'll never be a part of the Miller family as long as I live.
01:21:14You'll come running back.
01:21:16Without the Miller family power and money,
01:21:21you'll accomplish nothing.
01:21:24You're making a big mistake.
01:21:27Choosing this old hand instead of family.
01:21:33Ken, where are you?
01:21:43Why aren't you back yet?
01:21:48Oh, you're still awake?
01:22:03Who did this to you?
01:22:08Don't worry about me.
01:22:09I'm fine.
01:22:10It's nothing out of the ordinary.
01:22:24Hey, babe.
01:22:25Yeah, no.
01:22:26I'm just right outside.
01:22:30You son of a bitch.
01:22:33You're making me cut my own brother's hand.
01:22:35Now you think you can betray the Miller family?
01:22:38Walk away scot-free?
01:22:41Not a fucking chance.
01:22:43This guy means nothing to the Miller family now.
01:22:46He's worthless.
01:22:48Helpless.
01:22:50You're absolutely nothing now.
01:22:52Let's make him feel the pain
01:22:54that my brother felt.
01:22:56Come on, boys.
01:22:57Come on, boys.
01:22:57Come on.
01:23:03Stop.
01:23:12Stop hurting him!
01:23:24Stupid bitch.
01:23:26Stop.
01:23:27Stop.
01:23:28Stop.
01:23:28Stop.
01:23:29Stop.
01:23:30Stop.
01:23:31Stop.
01:23:31Stop.
01:23:32Stop at once, you insolent fools!
01:23:53Son, you know how hard it is for me to admit that I made a mistake?
01:24:10But today the two of you have proved me wrong beyond a shadow of a doubt.
01:24:17Tasha, you are the perfect woman for my son.
01:24:23Oh, be together.
01:24:29You approve?
01:24:31You have my blessing.
01:24:34From this day onward, you have nothing more to do with the legal activities of the family.
01:24:42But, you'll always be a miller, as will she.
01:24:53You have nothing more to do with the legal activities of the family.
01:24:59You have nothing more to do with the legal activities of the family.
01:25:03You have nothing more to do with the legal activities of the family.
01:25:09You have nothing more to do with the legal activities of the family.
01:25:15Get off me!
01:25:16You useless, impotent man-child!
01:25:19The crowd group is bankrupt!
01:25:21That hurt!
01:25:22Getting involved with you is the worst decision I could have made in my life!
01:25:26Get off!
01:25:27This is all your fault!
01:25:28You spent every single thing that we had!
01:25:30Now we have nothing left!
01:25:32No company!
01:25:33No house!
01:25:34No money!
01:25:35Not even a dime!
01:25:36And it's all because of you, you greedy cow!
01:25:38Don't you-
01:25:39Don't-
01:25:40Don't you-
01:25:47The late Mrs. Miller was a beautiful woman, sir.
01:25:52Yes.
01:25:56Back then, my wife protected me from every danger that befell our family.
01:26:03And today, my son found the perfect woman at us, and I did the same for him.
01:26:11He's a lucky man.
01:26:25Wow.
01:26:26You look so beautiful.
01:26:28No, you-
01:26:29You can't be here right now!
01:26:30Babe, I don't want to rush you, but-
01:26:32Everybody's waiting to see you.
01:26:36Kim, can you promise me one thing?
01:26:38I can promise you two, if you'd like.
01:26:41I'm serious.
01:26:44I want you to walk away from the family business.
01:26:50There's a city called Ostia.
01:26:51It's on the southwest side of Rome by the ocean.
01:26:55What?
01:26:57You know what I found over there?
01:27:00I found you in our teaching job at a public school.
01:27:02I already took tickets.
01:27:04I leave in the morning.
01:27:05You're sending me away?
01:27:07No.
01:27:08I opened my own restaurant.
01:27:10It's just down the street.
01:27:12Oh, one more thing.
01:27:15I enrolled Anna at the school they're going to be teaching at.
01:27:19I think she's going to really live it over there.
01:27:25So you really are walking away?
01:27:26Yeah.
01:27:32You got some socks.
01:27:33You got some socks.
01:27:34You got some socks.
01:27:35You got some socks.
01:27:36You got some socks.
01:27:37You got some socks.
01:27:38You got some socks.
01:27:39You got some socks.
01:27:40You got some socks.
01:27:41You got some socks.
01:27:42You got some socks.
01:27:43You got some socks.
01:27:44You got some socks.
01:27:45You got some socks.
01:27:46You got some socks.
01:27:47You got some socks.
01:27:48You got some socks.
01:27:49You got some socks.
01:27:50You got some socks.
01:27:51You got some socks.
01:27:52You got some socks.
01:27:53You got some socks.
01:27:54You got some socks.
01:27:55You got some socks.
01:27:56Transcription by CastingWords
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