- 11 hours ago
Category
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Short filmTranscript
00:00:00How did you get in here?
00:00:01I gave him the keys.
00:00:02Carl?
00:00:03I mean, what are you doing here so late?
00:00:05And what's that guy doing with my stuff?
00:00:07Tasha, Tasha, Tasha.
00:00:09You're always asking the wrong questions.
00:00:14What the hell is going on?
00:00:16Do you really think you're that thick, Tasha?
00:00:19Your husband and I decided that you're no longer needed here anymore.
00:00:23Raina's gonna take over your role at the company.
00:00:25She's already proven she can do everything you can, but better.
00:00:29I'll have a letter of termination and divorce paper sent over to your new address,
00:00:33wherever that ends up being.
00:00:35What should I do with this, boss?
00:00:37Give me that new plebe. I know exactly what to do with it.
00:00:44Is that clear enough for you, Tasha?
00:00:46Your company and your husband both belong to me now.
00:00:54No, you can't just fire me. I'm a shareholder at this company.
00:00:58Are you, are you still a shareholder at this company, are you?
00:01:01You know, actually, your debt is mortgaged with your shares,
00:01:04so you actually owe this company about 200 million.
00:01:07I never took out any loans that large.
00:01:09Oh, Tasha, you were always so gallible.
00:01:13A word of advice for the future?
00:01:15Don't give the keys to the kingdom to your assistant,
00:01:18no matter how trustworthy your feeble brain think they might be.
00:01:23Security! Security! We have a vagrant in the lobby, and she might become hostile.
00:01:28Stop, stop acting. I'll just leave on my own.
00:01:37Look, there's no glamour. There's no glory.
00:01:42It's just blood, guts, fear, and misery.
00:01:45Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:49I know that the type of money you make in just a few days,
00:01:52I can't make that in ten years working as a stick.
00:01:55But at least you're guaranteed to be alive in ten years.
00:01:57In my world, you're not guaranteed to be alive in ten days, let alone ten minutes sometimes.
00:02:02Yo, yo, man. Stop lecturing me.
00:02:05Are you gonna give me the gun or not?
00:02:08I'm sorry, but no.
00:02:10I'm not gonna let you get killed.
00:02:13Man, what the fuck you got me here for then?
00:02:16Shit.
00:02:17Oh, I guess you didn't hear.
00:02:34The repo guy, he came and towed your car away.
00:02:38Ugh.
00:02:39Said it was, like, collateral for a loan.
00:02:42Of course, I made the call and arranged everything.
00:02:47My pleasure.
00:02:49You despicable trash.
00:02:51You know, I was gonna give you a ride, you know,
00:02:55seeming that we were married for so long,
00:02:57but walking the streets at night kinda suits you.
00:03:00So, enjoy.
00:03:03Go to hell.
00:03:12Go to hell.
00:03:13Woo!
00:03:14Woo!
00:03:15No!
00:03:15No!
00:03:16No!
00:03:17No!
00:03:18No!
00:03:37Miss?
00:03:38Just go away. All right. I don't need your cheap sympathy right now. Miss your friends gone. I
00:03:44Just want to offer my cab services
00:03:49Yeah, I'm I'm sorry I have a cab is just what I need right now all right great come on board
00:04:08Sorry, I I don't have any cash right now. Um, give me a minute. I'll go grab some from inside here
00:04:26Just proof. I'm not trying to skip out on the fair
00:04:38You have some nerve coming back here
00:04:41I never wanted my son to marry you in the first place and now that he's finally come to his senses and kicked you to the curb
00:04:48You think that you can just waltz right back into his house?
00:04:52his house
00:04:54My father left me this house
00:04:57And I know you're senile, but I'm sure you
00:05:01Remember when you practically begged me to let you and Carl live here. I
00:05:04I always knew you were a nasty little hussy
00:05:13Who the hell are you?
00:05:15This is a personal matter, so you should really mind your own business and stay outside actually
00:05:21This is my boyfriend
00:05:23So if it's a personal matter for me, it's a personal matter for him
00:05:29What you think your son's the only one capable of having secrets
00:05:34I
00:05:36I
00:05:38I
00:05:40I
00:05:42I
00:05:44I
00:05:46I
00:05:48I
00:05:49I
00:05:50I
00:05:52I
00:05:54I
00:05:56It was really nice to know that there is still good people out there that would help a total stranger.
00:06:03Have a good night.
00:06:04Alright, you too.
00:06:26Where's my necklace?
00:06:51Here. Just proof I'm not trying to skip out on the fair.
00:06:56Ahhhh.
00:07:22How does a fancy broad like you find yourself in a place like this?
00:07:25Who the hell are you? Get out now!
00:07:27All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.
00:07:33I'm calling the police!
00:07:37I'm calling the police!
00:07:39How about I give you a better idea?
00:07:41You and I are gonna have some good old fashioned fun tonight!
00:07:53If I ever see you around here again you're dead! Get out of here!
00:08:05Get out of here!
00:08:07Hey.
00:08:09Oh, I'm so glad you're here.
00:08:13Where did you get this necklace?
00:08:17My father gave that to me.
00:08:25You better not be lying to me.
00:08:27I'm not lying.
00:08:29I know.
00:08:30I know.
00:08:31I know.
00:08:32He made that with his own hands.
00:08:33It has my name on the back.
00:08:38It's really you?
00:08:39Hey.
00:08:49How are you feeling?
00:08:53How did...
00:08:55How did you...
00:08:57You left your bag in my car.
00:08:59How did you know where to find me?
00:09:01I have my ways.
00:09:05Hey, listen.
00:09:07I know it's none of my business.
00:09:09But it's not safe for you here.
00:09:11With everything that's happened in the last 24 hours, this is...
00:09:15All I can afford.
00:09:17Listen, I have an extra room at my place.
00:09:19Maybe you can just come stay with me.
00:09:23Welcome home.
00:09:53I really feel like my luck's starting to change.
00:09:56I mean, you've literally rescued me over and over today.
00:10:00I know what it's like.
00:10:02I've been rescued before.
00:10:04Um, I'm sorry.
00:10:05I...
00:10:06I don't think I can make rent right away, but, um...
00:10:10You could sell this ring and then...
00:10:13You should cover me for a few months.
00:10:15At least until I'm back on my feet.
00:10:17I thought he was a really rich guy.
00:10:19Why did he get you such a small diamond?
00:10:22It's not a very good cut, either.
00:10:25Okay.
00:10:27Never mind.
00:10:28I...
00:10:29Can just...
00:10:30No, it's fine.
00:10:31I'm just saying.
00:10:32I mean, you deserve a better ring than this.
00:10:52No, babe.
00:11:02Stop.
00:11:03It's late.
00:11:04Okay?
00:11:05You're still thinking about her.
00:11:07Who?
00:11:08Tasha?
00:11:09Are you kidding me?
00:11:11Then why are you wearing the wedding ring?
00:11:13Did you forget what she and her father did to you?
00:11:15I will never forget what she and her father did to me.
00:11:19But that has nothing to do with you.
00:11:21So why don't you stop mouthing off about shit that you know nothing about
00:11:24and let me handle my own affairs.
00:11:26Let me handle my own affairs.
00:11:56Mary?
00:11:57What?
00:11:58Hey, what's going on?
00:11:59My daughter's missing.
00:12:00What?
00:12:01What?
00:12:02Hey, what's going on?
00:12:07My daughter's missing.
00:12:10What?
00:12:11Tasha.
00:12:12You shouldn't have barged in like this.
00:12:14If Carl finds out...
00:12:15No, I don't care about Carl right now, okay?
00:12:19What?
00:12:24Tasha.
00:12:25You shouldn't have barged in like this.
00:12:27If Carl finds out...
00:12:28Carl finds out. No, I don't care about Carl right now, okay? Where's my daughter? Where's Anna?
00:12:34I sent her away.
00:12:37No. You have no right. Actually, as Carl's new wife and Anna's legal guardian, I have
00:12:45all the rights to do whatever I want with my stepdaughter. What?
00:12:51We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:00You think you're getting custody?
00:13:06On one hand, we have a mother drowning in deaths with no place to live.
00:13:12On the other hand, we have a wealthy and well-respected father who happens to be the CEO
00:13:19of the world-renowned pro group. Who do you think the court will side with?
00:13:32Oh, what's going on?
00:13:33Oh, Carl. Carl, it's okay.
00:13:36Tasha was understandably upset about the situation. You know, I don't blame her for being a bitch.
00:13:41You trespass on my property, assault my wife in her own home?
00:13:46Tasha, I have put up with your outrageous behavior for years, but don't you dare subject
00:13:50Raina to that kind of abuse. You don't understand. Raina sent Anna away.
00:13:55She did what any good mother would. I want to know where my daughter is right now.
00:14:00New Zealand. Getting medical care from one of the best cardiology departments in the world.
00:14:05And remind me, what have you done for your daughter lately? Abandon her? To go shack up with some
00:14:12cab driver boyfriend? You idiot! I found those cardiologists in New Zealand.
00:14:18Scheduling those appointments was the last thing I had Raina do when she was still my assistant!
00:14:22Tasha, Tasha, you disgust me. Trying to take credit for this wonderful woman's kind gesture
00:14:28to your own sick daughter. I'm going to make sure Anna stays far, far away from you so there's no
00:14:33possibility of her ever becoming anything like you.
00:14:42You backstabbing, homewrecking, bitch! I advise you stay far away from my daughter and I.
00:14:53By the way, the deeds still list me as the rightful owner to this house. So the two of you have no
00:15:03right to keep me from coming back here. Do you understand? Calm down. You can forge my signature,
00:15:08you can take my money, take my house, but you will never have a shred of the intelligence that I have.
00:15:15Tasha, you have made your point. I think it would be-
00:15:17Ah! You deserve that too! You should have told me about Anna a long time ago.
00:15:25Oh, don't stop at my account. Please, continue.
00:15:31Miss Big Shot, don't you forget that you still owe 200 million dollars. And 20 millions of that is owned
00:15:38to me, personally. In fact, I'm going to call my lawyer and see to it that if you don't pay
00:15:43right away, you're never going to see your daughter ever again and you'll end up in doctor's prison.
00:15:50Ciao.
00:15:55Go ahead and check it out. But after your accounts and make sure this is all legit.
00:15:58I don't want you two jackasses hunting my girlfriend money ever again. Got it?
00:16:02Oh, and by the way, we're going to go ahead and take Anna in the future too. Don't worry Carl,
00:16:14I'll be a better father to her than you ever can be. Tasha, you'll regret this.
00:16:19Thanks again, Kerr, today. For pretending to be my boyfriend.
00:16:35Was all that money real? As real as it comes.
00:16:38Where'd you get all that money? I robbed a couple jewelry stores for him to find you.
00:16:44Are you serious? No, I'm just joking. It was my dad's. Don't worry, it wasn't stolen or robbed or
00:16:52anything. But hey listen, from now on I want you to think of me as your creditor, okay? I don't want
00:16:59you to worry about owing money to those scumbags. From now on you'll just owe money to me. As long as
00:17:05you're okay with that. I could be okay with it. As long as you can satisfy one small request.
00:17:11What kind of request? My only request is that you just relax, okay? Why don't you just take a load off.
00:17:30Why don't you start by telling me a story, you know, about the last time it was when you were happy.
00:17:41You know, I just, I never in a million years could imagine that Carl would betray me like this.
00:17:58Now I have nothing.
00:17:58Well, I mean, you always have me and, you know, other things.
00:18:11I can't hear you. You're, you're whispering.
00:18:24I can't hear you.
00:18:50Carl, you know, Tasha's probably screwing around with that new boyfriend of hers.
00:18:58That bitch.
00:19:01Honey, you know, you promised to put me in touch with the curator at the Fitz Gallery.
00:19:05I'm telling you, forget about the Fitz Gallery, okay? The people who are running it are crooks.
00:19:11But I want my paintings to be showcased in the most prestigious venue possible.
00:19:15I know, I know, and I said I would help you find other galleries, remember?
00:19:21Just stop nagging me about it, okay?
00:19:25Thank you. You're a little angel.
00:19:37It's okay. Just sleep in.
00:19:56Well, this is certainly going to make things more complicated.
00:20:00So you want to pretend last night never happened?
00:20:08I thought we had a good thing going on between us.
00:20:12I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:16Yeah, but that was just something I said to make my husband jealous.
00:20:21You mean your ex-husband?
00:20:24Yeah, ex.
00:20:26Yeah.
00:20:29But I mean, you and I, you know I can't start a new relationship right now.
00:20:37So everything you said last night?
00:20:40We were just caught up in the heat of the moment.
00:20:44Heat of the moment.
00:20:45So it was all just bullshit.
00:20:46Why? To get me into bed with you?
00:20:51Just to have a one night stand?
00:20:54Because you miss being with your damn husband?
00:21:10So everything you said last night?
00:21:12Get a hold of yourself.
00:21:19You just got divorced.
00:21:22You're not going to play mind games with men anymore.
00:21:26Hey.
00:21:29I wasn't sure what you like, so I just made a little bit of everything.
00:21:35You made all this?
00:21:37Yeah.
00:21:42So what do you think?
00:21:48It's delicious.
00:21:54I mean, you deserve to have some of your awesome breakfast too.
00:21:59Hey, you're not going to maybe sit here and eat this alone, are you?
00:22:02You've got some sauce right here.
00:22:15All that for some sauce, huh?
00:22:18Are you kidding me?
00:22:25Hello?
00:22:25Mommy, I miss you so much.
00:22:28Anna.
00:22:28Mommy, I miss you so much.
00:22:31What's going on, Anna?
00:22:37Okay.
00:22:38Both of your resumes look excellent.
00:22:41I have a question.
00:22:44If you spilled a glass of milk in the ocean, how would you get it back?
00:22:49What does that question have to do with our work?
00:22:51Well, I suppose you could contain the section of the ocean with the spilled milk, and then collect that sample, add a centrifugal force, and there's probably a good chance of separation.
00:23:07So, at our company, we are always trying to make the impossible possible, and for that we need people who can think on their feet, derive solutions, no matter how outlandish the task at hand may seem.
00:23:23I mean, I think we're going to do that.
00:23:25I don't know.
00:23:27I don't know.
00:23:29I don't know.
00:23:31I don't know.
00:23:33I don't know.
00:23:35I don't know.
00:23:37I don't know.
00:23:39I don't know.
00:23:41I don't know.
00:23:43I don't know.
00:23:45Congratulations, Miss Michaels.
00:23:46Welcome to the Eastwood Corporation.
00:23:47If you don't mind me asking, why didn't I get the job?
00:24:05Mrs. Roberts, maybe you should focus on fixing your own family problems first, before you
00:24:12start to look for work again.
00:24:16We don't want to make enemies with the Crow Group.
00:24:26So I guess you didn't get it?
00:24:32I just don't understand why Carl hates me so much.
00:24:38I mean he doesn't want me to work for his company, but he doesn't want me to work for any other
00:24:41company either.
00:24:42Look, you don't need that corporate job anyways.
00:24:45Yeah?
00:24:46What else can I do?
00:24:48I mean, I thought you were an artist, now a painter.
00:24:52How'd you know about that?
00:24:54You brought an easel.
00:24:55It's just a hobby.
00:25:00I gave it up.
00:25:02I don't paint anymore.
00:25:03Okay, well, if you don't love to paint anymore, then why bring an easel with you?
00:25:15I haven't painted in years.
00:25:16I'm sure it'll be just like riding a bike.
00:25:20Once you start, it'll all come back to you.
00:25:24That's my account.
00:25:29Why are they assigning it to someone else?
00:25:31Fine, fine.
00:25:32Just get me some damn answers and give me a call back soon, okay?
00:25:35Carl, this took me three months.
00:25:40I'm sorry, I just got some bad news at work.
00:25:45It's ruined now.
00:25:46Fine.
00:25:47Start over.
00:25:48You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:25:55You're a remarkable woman, Tasha, okay?
00:26:00And if the charlatan snobs in the art world can't see that, then screw them, okay?
00:26:06If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:11And then you could put whatever paintings you want in them, right?
00:26:14Painting's my passion.
00:26:17What if we put painting on the side, just for a little while,
00:26:24and you could come join me at the company?
00:26:26Because together, we'd be unstoppable.
00:26:31And right now, I am drowning.
00:26:34Your dad and his partners have no faith in me.
00:26:38I need you.
00:26:41Look, you love me, don't you?
00:26:47Of course I do.
00:26:51Okay, that doesn't matter.
00:26:53Do this one thing for me.
00:26:55This one little thing.
00:26:57Please.
00:26:58Finish.
00:27:00Yeah.
00:27:01Go ahead.
00:27:02I need you.
00:27:03I'm not.
00:27:04I have no Set Facilities.
00:27:05Get me.
00:27:06Okay.
00:27:07I need you.
00:27:08Go ahead.
00:27:09Get me, get me, go ahead.
00:27:14Wait, don't you know?
00:27:16No.
00:27:17No.
00:27:18There's nothing.
00:27:19Yeah?
00:27:20Right.
00:27:21No.
00:27:22Yeah?
00:27:23One minute.
00:27:24Finished!
00:27:26Yep.
00:27:32That is amazing.
00:27:36I honestly never thought I'd paint again.
00:27:38Well that would have been a shame.
00:27:40You're easily one of the most talented artists I've ever met.
00:27:54We're honored that you chose our gallery to showcase your work.
00:28:04I am curious about one thing, if you don't mind me asking.
00:28:08The subject in your paintings, your muse, is he your lover?
00:28:14Oh. No.
00:28:16He's just a friend of mine.
00:28:20But his gaze.
00:28:22The way he looks out to you in these paintings.
00:28:24There's so much tenderness and affection in his eyes.
00:28:33Is Ken really in love with me?
00:28:35He's so young though.
00:28:37At his age, he probably doesn't even know what love is.
00:28:40Oh, sorry, you're in the way.
00:28:44Actually, you're in my way.
00:28:50I'm trying to get into my home.
00:28:54Is this your new girlfriend?
00:28:56I've never seen you with anyone like this before.
00:28:59Ken's my roommate.
00:29:01Now, if you'll please step aside so I can get in.
00:29:08Call me again if you need anything, okay?
00:29:10Bye.
00:29:14Hey, what are you doing home so early?
00:29:16Are they gonna showcase your work?
00:29:18Sorry if I interrupted something, but as your roommate, I don't really think I need to tell you if I'm coming or going.
00:29:24So, if you have something private to do, just do it in your room.
00:29:26I never said you need to tell me when you're coming or going, I'm just saying.
00:29:29Fine, you don't need to explain.
00:29:31Just, I just want to be alone.
00:29:38What?
00:29:39What?
00:29:44I'm so sorry, sir. She just barged in without permission.
00:29:47It's okay.
00:29:49Miss Roberts, please. Grab a seat.
00:29:52We signed a contract. Why can't you show my paintings now?
00:29:56I'm afraid I don't have the answers you're looking for.
00:29:58You want to know what happened? Ask Karl Crow.
00:30:00I want my paintings back. Right now.
00:30:06Well, they're probably somewhere in the warehouse. They haven't been thrown away yet.
00:30:12You've already searched the entire warehouse 10 times. If you haven't found what you're looking for, it's not here.
00:30:29You better hope I find what I'm looking for, or I'm going to make this entire gallery compensate me, and then I'm going to sue you, and you'll be the first to lose your job.
00:30:50Yeah, that's great, lady. Go ahead and sue. I'm sure things will go exactly the way you described it.
00:30:59I'mirei Brutas, you'll be the first?
00:31:07Really, you're done? Bye.
00:31:12I'm sorry. I truly hope I find you a few people who have come out and ask me.
00:31:19I'm ahhhhh.
00:31:24commitments.
00:31:26you really care about her keep your voice down she's had a long day also you can't just come
00:31:50over here so casually in the future casually are you kicking me out you didn't mind my coming
00:31:57over so casually when you had me digging through your body for bullets you men are cold as hell
00:32:02I think my lucky stars I'm a lesbian look I just can't have her finding out about the work that
00:32:07we do okay are you serious about her yeah have you thought about the consequences if your dad
00:32:15finds out look no you and I have been best friends for over 20 years okay and my dad has taught me
00:32:23everything that I know I think maybe it's time I just figured things out on my own and you know
00:32:29exactly what I went through last time I'm not gonna lose her again don't worry Anna mommy's
00:32:40gonna find a way to bring you home soon all the evidence is here it's exactly what you thought
00:32:51let me know if you want me to find out more
00:32:55Carl let's meet
00:33:11oh wow it's not every day a famous painter
00:33:25comes to visit to what do I owe the pleasure the company I supposedly borrowed money from
00:33:31it's a shell company owned by you so what all our operations are legal you signed the documents
00:33:42you borrowed the money all you can do now is pay it back you know I don't think you actually want me
00:33:53to pay back the loans you were just looking for an excuse to have me back in your life
00:34:00you're obsessed with me this is just your sick way to dominate me and make me surrender to you
00:34:07I'm just getting even for the years I spent in your father's shadow the years of belittlement and
00:34:14him treating me like a clown my father hired you when no one else would not my fault that insecure
00:34:25petty took his support as belittling I wouldn't upset me if I were you remember I'm your creditor now
00:34:35two months that's all I can give you to pay me back the remainder 180 million
00:34:41what are you doing here I was just in the neighborhood thought I'd give you a ride home
00:34:55hi um hey this is Ken's roommate we're gonna be dropping them off before we head home yeah hey
00:35:13listen I didn't introduce you last time but this is my best friend Nell and her girlfriend Maria
00:35:17Nell and I have been nothing more than friends since we were kids she's not into men she never has
00:35:28been and her and I are nothing more than just platonic friends all right I'm sorry I jumped to
00:35:36conclusions the other day it's okay I just didn't want you to get the wrong idea
00:35:40look I I appreciate it I really do I just I I still think you and I are better off just as friends
00:35:54just why why why maybe because I'm just getting over a failed marriage
00:36:09because I owe an unthinkable amount of money and I have no idea how I'm gonna pay it back
00:36:16I also have no idea how I'm gonna get my daughter back
00:36:21and and getting into a relationship with you that's just something I can't do right now
00:36:27love has brought me nothing but pain okay so just please just leave it
00:36:39do you have any other paintings
00:36:55yeah I have several what are you looking for
00:37:06I would like to buy them all I love your painting style it is so unique I own a large
00:37:14gallery and I would like to establish a long-term collaboration with you thank you for your kind
00:37:20words about my paintings but I have been in some trouble lately and it's probably best if I don't
00:37:27involve your gallery
00:37:32none of this matters to me
00:37:34if someone wishes to cause me trouble well just let me try
00:37:38I mean it has to be a mistake
00:37:48or a prank or a cruel practical joke I mean it seems pretty authentic to me
00:37:56it has their seal and your name and address are like clearly written on it so
00:38:01it looks authentic
00:38:05but how would they have seen my paintings
00:38:09I don't know maybe one of those auction sites that you've been posting your work on
00:38:14I mean you're incredibly talented so anybody who's seen your work would automatically recognize it
00:38:20I own a large gallery and I would love to establish a long-term collaboration
00:38:29it's him it's him the guy who been on my paintings he must be the owner of the Fitz gallery
00:38:37well in that case we better get going
00:38:39where?
00:38:40gotta go get you a dress
00:38:42can't have you showing up to the Fitzgala in rags
00:38:50babe which one do you like more this one or this one
00:38:54I need to be the hottest girl at the Fitzgala
00:38:57everything just looks so good on you honey
00:39:02so just pick whichever one you want
00:39:05I gotta take a call okay?
00:39:07wrap this up you twitch
00:39:09I'll take them both
00:39:17wow
00:39:18I used to buy dresses like this all the time without even thinking about the money
00:39:22but
00:39:23I can't afford something like this now
00:39:26you know
00:39:28you know what
00:39:29consider it a congratulatory gift for me
00:39:32alright
00:39:33and when you make it big in the art world you can just pay me back
00:39:38oh hi excuse me
00:39:39yeah my friend would like to try on this dress
00:39:41oh your friend has amazing taste
00:39:44this dress is actually a limited edition
00:39:46each one handcrafted by hand and therefore entirely unique
00:39:49truly a work of art
00:39:51well how fitting that's gonna be worn by a very talented artist
00:39:54I'll have someone on the team bring it out to you
00:39:57Veronica
00:39:58please bring the limited edition
00:40:00thank you
00:40:01what limited edition?
00:40:05Tasha
00:40:07do you really think you can afford this dress?
00:40:12you can afford this dress?
00:40:18please
00:40:20Reyna
00:40:21I don't think you need to worry about Tasha's finances
00:40:23okay?
00:40:24we established that last time
00:40:27hey you
00:40:28get over here
00:40:30I'm gonna pay twice what it's worth
00:40:32but I want this dress
00:40:33ma'am this dress is four thousand dollars
00:40:35did I ask you how much it cost?
00:40:37you pluritarian scum
00:40:39just shut your mouth and add it to my bill
00:40:41she's willing to pay double
00:40:43I'll double her offer and I'll pay sixteen
00:40:46okay sir
00:40:47sold
00:40:48thirty two thousand
00:40:49you know what?
00:40:52she wants to dress so bad let her have it
00:40:55you can put all the jewels you want on a pigeon
00:40:57but it'll never be a peacock
00:40:58I'll show you who's a pigeon
00:41:00you little bitch
00:41:02how dare you assault me?
00:41:03Tasha
00:41:04are you okay?
00:41:07what is going on here?
00:41:08what's going on is that your crazy bitch wife
00:41:10pushed Tasha to the ground
00:41:12I swear to god
00:41:14they're all lying
00:41:15I never touched her
00:41:16I saw everything
00:41:17this gentleman and his girlfriend were very nice
00:41:19and politely inquired about a dress
00:41:21and suddenly your wife appears and attacks her for no reason
00:41:24shut your mouth you little lying asshole
00:41:26you know what?
00:41:27why don't you just call security before this crazy maniac hits somebody else
00:41:29wait a second
00:41:30Reyna
00:41:31what actually happened here?
00:41:32what's going on?
00:41:33why don't you believe me?
00:41:34don't you?
00:41:36do we just call 911
00:41:38are you blind?
00:41:39oh Tasha can you stop this bullshit?
00:41:41you know what Reyna can you just stay away?
00:41:43can I get someone down here?
00:41:44room A122
00:41:45no no that's not necessary we are leaving right now let's go
00:41:48oh but
00:41:49okay you've embarrassed us both enough for one day okay let's go
00:41:53let's go
00:42:02wherever Reyna goes trouble sure to follow
00:42:06it is nice to see a better taste of her own medicine though
00:42:08yeah it's a shame though you would have looked really great on that dress
00:42:12don't worry about that I have a solution
00:42:27what are you gonna do with all this stuff?
00:42:29I'm gonna design my own dress and wear it to the gala
00:42:32are you sure there's enough time?
00:42:33have some faith in me
00:42:35I graduated with honors in design and fine art
00:42:39I got this
00:42:41alright
00:42:42how do I look?
00:43:01how do I look?
00:43:05how do I look?
00:43:12what is
00:43:13is something wrong?
00:43:14is it
00:43:15is it too much?
00:43:16should I change something?
00:43:17no
00:43:18no
00:43:20you look
00:43:21that dress
00:43:22like
00:43:24that is one of the most beautiful dresses I've ever seen
00:43:30but there's something missing
00:43:33should I
00:43:34resale the beads?
00:43:36no
00:43:38I have a gift for you
00:43:40something to
00:43:41complete the whole look
00:43:49just try harder you idiot
00:43:50Mrs. Crowe
00:43:51I am doing everything I can
00:43:53I don't know what more I can do
00:43:56you're calling me fat?
00:43:57of course not
00:43:59you're not fat at all
00:44:01it's the dress
00:44:02it's not made for a woman's body
00:44:05just shut up and do it
00:44:07babe
00:44:09just put on another dress
00:44:10you're gonna be late
00:44:12I spent
00:44:13so much money on this dress
00:44:15I am wearing
00:44:16this dress
00:44:17I can't it's
00:44:23it's too much
00:44:27no
00:44:29it was made for you
00:44:31I can't it's
00:44:33it's too much
00:44:34no
00:44:36it was made for you
00:44:38I can't wait to see what you've brought to the auction
00:44:41can we have a little hint?
00:44:43well
00:44:45actually
00:44:46I brought some of my very own paintings to auction tonight
00:44:49what's wrong?
00:44:50it's just Tasha Roberts
00:44:51my husband's dreadful ex-wife
00:44:53I'm tired of seeing her sorry face everywhere
00:44:55you know she's also a horrible person
00:44:56if it is an everyone's favorite white collar criminal turned
00:44:57white collar criminal turned
00:45:02me a little hint
00:45:03and I'm tired of seeing her sorry face everywhere
00:45:06if I have a little hint
00:45:08well actually
00:45:10I brought some of my very own paintings to auction tonight
00:45:14what's wrong?
00:45:16you know she's also a horrible person if it isn't everyone's favorite white
00:45:23collar criminal turned homeless vagrant Tasha Roberts so the other day when you
00:45:30were trying to buy this dress with that working-class thug boyfriend of yours
00:45:35you were trying to come here are you sure you were even invited
00:45:41I'm sorry are you working the security details we need to show you my invitation
00:45:47honey I'm just trying to look out for you okay I want to spare you the
00:45:52embarrassment of being kicked out when everybody finds out that you are not
00:45:56invited you mean like how you were kicked out of the mall I see you still quite
00:46:02don't understand your place in the world you think you're fucking Cinderella or
00:46:07something and life is a fairy tale but don't worry I'll help you figure it all
00:46:14out what's wrong with you can't just see people are walking through Rina this time
00:46:20you've gone too far stop shouting you dreadful oh these were supposed to be
00:46:25auctioned tonight well if it is of any consolation I don't think the wine has
00:46:29reduced their value of very much at all now you can go and cry to your fairy gut
00:46:35mother oh I think the auction is starting well I'll see you there
00:46:43toodles
00:46:51for our first auction item I'd like to welcome is Rina Crow to the stage with
00:46:56her collection of original paintings
00:47:15as you can see Miss Rina Crow's style is very unconventional certainly these works
00:47:21defy easy categorization and yet there are touches of whimsy and an almost
00:47:27playful quality about them as depicted here through the bold use of a duck as a
00:47:32central figure it's a dog it's a dog not a duck you buffoon oh yes of course a dog
00:47:41a dog seen through a very unique prism portrayed as only an artist of Rina's caliber could possibly
00:47:49portray it now that we have familiarized ourselves with the art and the artist let's start the bidding
00:47:55the starting price will be fifty thousand dollars do I hear fifty
00:47:59thousand dollars anyone fifty thousand dollars do I hear sixty thousand dollars
00:48:06anyone fifty thousand dollars going once fifty thousand going twice sold sold for
00:48:15fifty thousand dollars and now we'll invite our second artist for the evening Miss Tasha Roberts who
00:48:27will also be presenting a series of paintings Miss Tasha Roberts where are your paintings I don't have my
00:48:42paintings tonight um but I will be auctioning off this dress
00:49:01wow it's beautiful
00:49:03stupendous I've never seen a dress so beautiful
00:49:10a stunning work of art indeed there's no need for me to say another word about this masterpiece
00:49:19everyone in the audience can clearly see the extraordinary talent and extraordinary artistry
00:49:25let's start the bidding at fifty thousand dollars fifty five thousand seventy five thousand ninety thousand
00:49:31a hundred thousand
00:49:38fifty thousand
00:49:40two hundred and fifty thousand dollars going once two hundred and fifty thousand going twice
00:49:46And the dress was sold for $250,000.
00:49:56Is that the heart of some necklace that sold for $200 million a few months ago in a big deal?
00:50:02Impossible.
00:50:03How can that lowly peasant possibly afford it?
00:50:06It must be a fake.
00:50:10Thank you so much for your bid, Ms. Winslow.
00:50:12I'm going to design a few custom pieces in your size and design them to your elegance and style.
00:50:19Have you ever considered creating your own clothing brand?
00:50:24Your creations are so extraordinary.
00:50:28You should really share your talent with the rest of the world.
00:50:31Thank you. I never considered it, but I certainly will now.
00:50:35Hi. I'd be careful if I were you.
00:50:38I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.
00:50:46What are you talking about right now?
00:50:48This woman is a phony and a con artist.
00:50:51For as long as I worked with her, she's done nothing but defraud and cheat the people she's done business with.
00:50:57And let me make it clear.
00:50:58For everybody that wants to do business with this woman,
00:51:02they won't be allowed to do business with the Crow Group.
00:51:06Is that so?
00:51:06Well, let it be known that if anybody refuses to work with Ms. Tasha Roberts
00:51:14because of the baseless rumors and lies being spread by Ms. Raina Crow,
00:51:18you will no longer be welcomed back to the Fitz Gallery.
00:51:22That's the curator of the Fitz Gallery.
00:51:26Not just the curator. He's also the director of the Fitz Foundation.
00:51:32The curator?
00:51:32Is he the man who bought my paintings?
00:51:36Why does he seem so familiar?
00:51:41Ms. Tasha Roberts is my guest of honor tonight.
00:51:43I invited her personally.
00:51:45So if anybody treats her with the slightest bit of disrespect,
00:51:49they'll be asked to leave and never again invite her back to the Fitz Gallery.
00:51:51As the director of this esteemed organization,
00:51:55am I interested to know that your guest of honor is wearing a cheap replica of a priceless work heart.
00:52:03She is not to be trusted.
00:52:06I'm assuming you mean her diamonds.
00:52:08What evidence do you have to prove that it's not real?
00:52:10Well, the real heart of the sun has the initials of the craft man engraved in the joint between the gemstone and the pendant.
00:52:19So Tasha, would you indulge us all and show us if what you're wearing is a genuine article or a cheap knockoff?
00:52:27This was just given to me by a friend.
00:52:30I never claimed it was the real heart of the sun.
00:52:33I don't want to embarrass him by having people pour over it for imperfections.
00:52:39So it's a forgery.
00:52:41You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:52:48Ms. Roberts.
00:52:51You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:52:58Ms. Roberts, you have nothing to fear from this woman.
00:53:01Just show her the necklace.
00:53:03And I'll personally see to it that there are no despairing comments about its craftsmanship or quality.
00:53:08And the question has to be asked whether it is the true heart of the sun.
00:53:19See, just like...
00:53:21What?
00:53:24How is this possible?
00:53:25I do say...
00:53:30This engraving looks entirely authentic to me.
00:53:35This is indeed the one and only heart of the sun.
00:53:38Well, that settles it then.
00:53:39This necklace is authentic.
00:53:41From now on, no one will be permitted to question or harass my guest of honor.
00:53:45Now, if everyone is satisfied, can we please get back to tonight's festivities?
00:53:50Cheers.
00:53:51Cheers.
00:54:00Ken, you have a lot of explaining to do.
00:54:04Okay, what's wrong?
00:54:06I can't accept this necklace.
00:54:08And I can't give you what you want.
00:54:11Do you even know what I want?
00:54:13I don't want to know.
00:54:16We can just be friends, nothing more.
00:54:19Tasha, you're just afraid.
00:54:21You're just afraid of going after what your heart truly desires.
00:54:25And I just think you're afraid of just being true to yourself.
00:54:29You're the last person that should be lecturing anybody on the truth.
00:54:34Who are you?
00:54:36What do you do?
00:54:37Is this even your house?
00:54:39I mean...
00:54:40How do you own a necklace that's 200 million dollars?
00:54:47I just...
00:54:47See, you...
00:54:48You don't even respect me enough to tell me the truth.
00:54:53But you...
00:54:53You expect me to jump into a relationship with you?
00:54:58You could be a total stranger.
00:55:01I have no idea who you are.
00:55:04Tasha, I want to tell you.
00:55:05I do.
00:55:06But...
00:55:07I just can't right now.
00:55:10Alright?
00:55:10Like, maybe in the future when we can sit down and...
00:55:12No, Ken, there is no future for us.
00:55:14Not if you can't tell me one thing about yourself that isn't a lie.
00:55:20When you find someone that you really love and trust...
00:55:23You let them in.
00:55:25But that person won't be me.
00:55:32It won't be me.
00:55:48Are you okay?
00:55:52Director Fitz, I had a wonderful time at the gala.
00:55:56Thank you for supporting me and standing up for me.
00:56:00I wasn't bothered by the way the other guests treated me.
00:56:04I've endured far worse.
00:56:09Lovely. I'm glad to hear it.
00:56:11I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.
00:56:17Think of it as a sort of artist residency.
00:56:20Would you be interested in such an opportunity?
00:56:23This dress is every bit as exquisite as I expected it to be. Thank you, my dear.
00:56:36You're very welcome.
00:56:37Have you given any more thought to my proposal?
00:56:41If you wish to start a clothing brand, I would be more than happy to invest whatever you require to get started.
00:56:49It's a very gracious offer, but I just have to ask.
00:56:53I mean, there are so many other talented designers.
00:56:56Why do you have such faith in my abilities?
00:56:58It's not just me, you know.
00:57:00The curator of the Fitz Gallery has never been seen in public before the gala last night.
00:57:07And everyone in attendance was certain that the only reason he chose to make an appearance was because of you, his guest of honor.
00:57:19That was his first appearance ever?
00:57:20Indeed.
00:57:21His very first and only time to appear in the flesh.
00:57:25Before this, he was a figure of myth and mystery.
00:57:30Many people doubted he existed at all.
00:57:33But all because of you, he chose to grace us with his presence last night.
00:57:39Seems like a marvelous young man, don't you think?
00:57:42He certainly had a charm about him.
00:57:44Oh, undoubtedly.
00:57:46You know, many people flock to the Fitz Gallery for more than just the art.
00:57:51They want to learn all about the enigmatic young curator.
00:57:56Really? I mean, what's so interesting about him?
00:57:59Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections
00:58:07to become the top venue for fine art in just two years?
00:58:12I mean, I heard rumors, something about foul play, but I always just assumed they were baseless.
00:58:18Those rumors have quite a bit of truth to them.
00:58:21Seems like the Miller crime family is actually behind the Fitz Foundation.
00:58:27The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
00:58:36He seemed like such a gentleman. I just, I find it hard to believe that he ever was involved in something so sordid.
00:58:42You must never judge a Brooklyn's cover, my dear girl.
00:58:47Even people close to us may be harboring many secrets.
00:58:51We never really know what's going on inside.
00:58:54You got that right. I learned that lesson the hard way.
00:58:58Let me be frank. I have tremendous faith in you.
00:59:03Thank you, Mr. Wenglow, but I think it's dear.
00:59:07All my friends call me Laura.
00:59:12This is in a check.
00:59:14For five million dollars.
00:59:16She'd help you get your clothing brand started.
00:59:20Shall we become business partners in addition to being friends?
00:59:24Director Fitz, I'd like to work with you.
00:59:41It would be my honor, Miss Tasha Roberts.
00:59:45Fly away with me. Take you high, soaring. See your smile. It's my only dream.
01:00:01Staring out into the sea. Waves come crashing up to me.
01:00:09My toes slip into the sand. Dream that I'm with you.
01:00:18Staring out into the sea. Waves come crashing up to me.
01:00:26My toes slip into the sand. Dream that I'm with you.
01:00:34Congratulations, Miss Roberts. We expect a huge success from your art exhibition.
01:00:50Thank you. Thank you.
01:01:04You're looking at her. You're obsessed with her.
01:01:09Didn't she humiliate me enough the other night at the gala?
01:01:12But no, now I have to watch my husband stare at her picture.
01:01:16Well, maybe if you didn't give her the opportunity to humiliate you.
01:01:20So it's my fault now?
01:01:22Oh wait, let me guess. Maybe it's my fault too when the two of you broke up.
01:01:25Okay.
01:01:27Reyna, I've been thinking. I don't think this is working.
01:01:31I want a divorce.
01:01:35Brutto figlio di puttana.
01:01:38You used me to push Tash out of your company, take her property,
01:01:41and now you cast me aside like what? A used piece of garbage?
01:01:46I won't allow this.
01:01:48Mark my words, Karl Kroh.
01:01:50You will regret this.
01:01:53I'm spending too much time around Ken.
01:02:07He's dominating all my thoughts.
01:02:10I have to distance myself from him.
01:02:12For my own sanity.
01:02:14Is there nothing I can do to get you to stay?
01:02:29I'm sorry.
01:02:33But no.
01:02:34You and I, our relationship, we'll just keep going in circles.
01:02:43But thank you for everything you've done for me.
01:02:47I have a little bit of money now, so you should be able to pay off your loan soon.
01:02:52And long talks, an awkward silence, late nights, walking through the garden, running with your hand in mine.
01:03:12This is what happens when you steal from the Millers.
01:03:26Please.
01:03:27Let me go.
01:03:31I promise you'll never see me again.
01:03:33Here.
01:03:39What do you got here?
01:03:41Right this way.
01:03:43Boss!
01:03:45I found this one peeking around the corner.
01:03:47Not sure how long this little bitch has been watching, but I'm pretty sure she tried to call the cops.
01:03:56Don't worry boss.
01:03:57I got a knife with her name on it.
01:03:59We can dump her body with the other guy.
01:04:03No.
01:04:06Let her go.
01:04:08What?
01:04:09Didn't you hear what I said?
01:04:10She's seen everything.
01:04:11Let her go before I rip off your fucking arms and throw them in the river.
01:04:23Walk away.
01:04:24This doesn't mean anything to you.
01:04:26Is this what you couldn't tell me about?
01:04:29Boss, you know this woman?
01:04:32You're gonna kill him.
01:04:34Call the police then.
01:04:35See if they can save his life.
01:04:36No!
01:04:37Don't call the police, you stupid bitch!
01:04:42My world is more cruel than you can possibly imagine.
01:04:44So since you didn't want to get involved, just walk away.
01:04:47Hey, babe.
01:04:48What do you want for breakfast?
01:04:52Hey, babe.
01:04:53What do you want for breakfast?
01:04:54Hey, babe.
01:04:55What do you want for breakfast?
01:04:57Hey, babe.
01:04:58What do you want for breakfast?
01:04:59Hey, babe.
01:05:00What do you want for breakfast?
01:05:03Hey, babe.
01:05:04What do you want for breakfast?
01:05:05Hey, babe.
01:05:06Hey, babe.
01:05:07What do you want for breakfast?
01:05:08Hey, babe.
01:05:09Hey babe, what do you want for breakfast?
01:05:35My world is more cruel than you can possibly imagine.
01:05:38Since you didn't want to get involved, just walk away.
01:05:42I never imagined that Ken could be such a dangerous and violent man.
01:05:46There must be something or someone forcing him to do all of this.
01:05:51Even people close to us may be harboring many secrets.
01:05:56We never really know what's going on inside.
01:05:59Forget it. This has nothing to do with me.
01:06:02I decided to leave Ken, so I have to do my best not to look back.
01:06:08Tasha, let's talk.
01:06:26Your pro-magnet boyfriend. Is he not joining us?
01:06:30It's all over. I'm not with him anymore.
01:06:36Where's Reyna?
01:06:38Reyna was a mistake.
01:06:41That's all over too.
01:06:43Tasha, um...
01:06:44I want you back.
01:06:50I can't stop thinking about us.
01:06:53You were right. You belong in my life.
01:06:56So, if you just sign those documents, then you can come back to me.
01:07:02Come back to the house. We can carry on like none of this ever happened.
01:07:07I can give you your old job back. That'll be fun. Working together again.
01:07:11And then all that debt you owe me will be wiped clean.
01:07:13You, uh, need a pen?
01:07:21You think I'd get back with you after everything you put me through?
01:07:24Let me through.
01:07:29Here is...
01:07:31A hundred million dollars.
01:07:33I'll pay the rest on time and...
01:07:36For your agreement...
01:07:42Take these documents and...
01:07:45Shove them right up your ass.
01:07:48You disgust me, Carl.
01:07:51You should think about Anna.
01:07:53Do you really want her growing up without a mother?
01:07:56With all her health problems, she could really use your support.
01:07:59Don't dare talk about Anna.
01:08:01She'll be with me soon.
01:08:03Then I'll never let her out of my sight again.
01:08:05She needs her mother and her father.
01:08:07Not a father like you, she doesn't.
01:08:09She'd be better off with no father at all.
01:08:18I'm sorry, am I interrupting?
01:08:23Are you texting a new boyfriend already?
01:08:26Can it wait?
01:08:28I'm not done talking here.
01:08:30You're pathetic, Carl.
01:08:32Okay, Tasha.
01:08:34Ta...
01:08:36Tasha!
01:08:40Hey, Tasha.
01:08:42Tasha, come back.
01:08:44Where are you going? This place is disgusting.
01:08:45Ta... Come on, Tasha!
01:08:48Don't you remember the happy times?
01:08:49Come on, we can have that again!
01:08:51Think of Anna!
01:08:52Think of me!
01:08:53Please!
01:08:54Sorry folks.
01:09:00The end of the line for you.
01:09:04Sorry folks, it's the end of the line for you.
01:09:21No hard feelings, but we gotta do what the people who pay us tell us to do.
01:09:27Who's paying you?
01:09:28I'll give you a hint. A very beautiful woman paid us a small fortune to make sure you two
01:09:36would make sure you two don't make it.
01:09:40Reina.
01:09:41That fucking bitch. Do you know who I am? I'm Carl Crow, the CEO of the Crow Group.
01:09:49What if she's paying you?
01:09:50I'll pay double, okay?
01:09:51Yeah, yeah.
01:09:52You're gonna pay me double.
01:09:53I guess you haven't heard the news, buddy.
01:09:56See, I don't think you have the means to outbid your pretty little friend.
01:10:02Oh, that back-stepping slut!
01:10:06Please, pack up the phone.
01:10:08You trying to phone a friend?
01:10:10That's a big no-no, sweetheart.
01:10:12That's breaking the rules.
01:10:16Sweetie, don't waste the little time you have left trying to call for help.
01:10:21It won't do you any good.
01:10:24No one.
01:10:25They can help you now.
01:10:28Three hours, where is Tasha?
01:10:34Hey, Nell.
01:10:36Hey, listen, I need you to do me a favor.
01:10:38Yeah, I need you to pull out the city's surveillance system in the area and find all the footage.
01:10:43Yeah, no, something's wrong.
01:10:56What are you doing?
01:10:58We have to get out of here.
01:11:02You should just go.
01:11:14Save yourself, leave me.
01:11:17It's what I deserve.
01:11:20I'm not gonna leave you.
01:11:23I'm not that type of person.
01:11:30Come on, let's go.
01:11:34Come down here.
01:11:35Wait until they come in.
01:11:42Hey, Tasha.
01:11:46I'm so sorry.
01:11:49Now's not the time for that.
01:11:53All in.
01:12:18Looks like we got ourselves a suicidal prick here, fellas.
01:12:21I can't think of any other reason why somebody would kick in a door that's got Vincent Santorelli on the other side of it.
01:12:30Oh shit.
01:12:32Boss.
01:12:34I didn't realize it was you.
01:12:38These your guys?
01:12:40Where the fuck are they?
01:12:42You better find them. Quick!
01:12:44Wait!
01:13:00Now it's your turn.
01:13:01You
01:13:20Now it's your turn
01:13:22Pretty little thing like you I was gonna make it painless, but I guess you didn't want that all the same
01:13:27Hey, who's this fucking monkey lower your fucking gun baby. What the fuck is going on you fucking down?
01:13:35Yo lower your fucking gun
01:13:37Are you
01:13:39You Ken Miller, how can that be what the fuck is going on Ken Miller the one and the same
01:13:47Miller crime family that monopolizes all the underground trade in all of North America
01:13:55It's you
01:13:57You
01:14:03You know what you have to do
01:14:07Boss please my brother rules are rules
01:14:13I
01:14:15Was pushing you away as can and
01:14:29Growing closer to you as fits
01:14:31I'm sorry Tasha, but there's just nothing I can do don't make you happy
01:14:41And I just
01:14:43I just can't win over your heart
01:14:45Is Ken Miller always this loving with the hostages he rescues or is it's just special treatment reserved for his lovers
01:14:58Tasha
01:15:00Tasha I love you my heart has belonged to you and only you for the past 15 years
01:15:0515 years
01:15:1115 years
01:15:12No, we just met a few months ago
01:15:15We met 15 years ago
01:15:17We met 15 years ago
01:15:22You went to Marr middle school
01:15:24Yeah
01:15:25Yeah
01:15:26And you saved my life there
01:15:36Stand up chicken and hit us back
01:15:38Isn't that what your dad does for a living beat people up
01:15:41I'm not my dad
01:15:43You and your father are both scum
01:15:46Let's teach this little and thug a lesson
01:15:48Yeah, idiot
01:15:49Get up and show us what you got
01:15:50Hey
01:15:51Hey, hey, hey, hey, hey, hey, stop
01:15:53That's enough, that's enough
01:15:54It's none of your business Robert
01:15:55Get out of here Robert
01:15:56Hey, stop
01:15:58Go home, I'll call your parents, go
01:16:01Oh crap crap
01:16:08Ever since I saw you that night in the cab with that necklace on
01:16:13Ever since I saw you that night in the cab with that necklace on, I just, I knew I found
01:16:24you.
01:16:25Look, this isn't just some feeling for me, okay?
01:16:30This is, this is everything to me.
01:16:32Like, you are everything to me.
01:16:35No matter what happens between us, I will always care about you.
01:16:40And maybe, one day we can make it work in a different way, right?
01:16:54I just need some time to process this.
01:17:05Okay?
01:17:06And after that, maybe we can pick up where we left off that first night you spent here?
01:17:16Maybe.
01:17:17You play your cards, right?
01:17:24Does everything look good to you, my artist?
01:17:38Thanks for everything.
01:17:40That doesn't sound very convincing.
01:17:43Is there anything you want to change?
01:17:45No.
01:17:46I just, I never got around to asking why you wanted to start an art gallery in the first
01:17:50place.
01:17:51Honestly?
01:17:52Just to get to you.
01:17:53See, I thought if I owned the world's greatest art museum that one day you might find your
01:17:58way in here and, I don't know, that I might find you.
01:18:05What is this?
01:18:06Yeah.
01:18:07So this is one thing.
01:18:08I know that I can find you.
01:18:09We have a suite of things I can find by, but I can find you.
01:18:12Please do a suite of things that I can find you in the next month since 2014,
01:18:14and then turn around to your point of view.
01:18:17This is a of the challenges that you can find out.
01:18:19How are my life everyday facing by your life?
01:18:22What are you doing?
01:18:23How are we living in this world?
01:18:25What are you doing?
01:18:26What are you doing?
01:18:27How are you doing?
01:18:28How are you going to do?
01:18:29I want to see what kind of woman this is that has ensnared my son.
01:18:42I doubt she's worthy of joining the Miller family.
01:18:46As you wish, sir, I will make the arrangements.
01:18:53Honestly, just to get to you.
01:18:56See, I thought if I owned the world's greatest art museum
01:18:58that one day you might find your way in here,
01:19:00and I don't know, that I might find you.
01:19:04Okay, okay.
01:19:06Just concentrate on painting.
01:19:08Don't think about him.
01:19:26Who are you?
01:19:28Miss Tasha Roberts,
01:19:31Mortimer Miller would like to speak with you privately at his home.
01:19:36Come here.
01:19:38Take a look.
01:19:43She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:49She's young, beautiful, well-educated.
01:19:54I think she'll make a fine wife for my son, Ken.
01:19:56With all due respect, sir.
01:20:02I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:20:10Choose you.
01:20:11Not a chance.
01:20:12You're no match for my son.
01:20:18Now you owe money to the Crow Group.
01:20:24I'm going to pay your debt.
01:20:32And in return, you will agree to never see my son again.
01:20:37It's our decision whether we want to be together or not.
01:20:44Your son and I love each other.
01:20:45There's nothing in this world that can keep us apart.
01:20:49Tasha, do you want us to be together?
01:20:54It's impossible.
01:20:56Father.
01:20:56I forbid it.
01:20:58Father, this is the love of my life.
01:21:00I can't lose her again.
01:21:01I'd rather leave the family business.
01:21:05Then leave if you wish.
01:21:07But she will never have my approval, ever.
01:21:10And she'll never be a part of the Miller family as long as I live.
01:21:14You'll come running back.
01:21:16Without the Miller family power and money,
01:21:19You'll accomplish nothing.
01:21:24You're making a big mistake.
01:21:27Choosing this old hag instead of family.
01:21:41Ken, where are you?
01:21:43Why aren't you back yet?
01:21:44Oh, you're still awake?
01:22:06Who did this to you?
01:22:08Don't worry about me.
01:22:09I'm fine.
01:22:10There's nothing out of the ordinary.
01:22:14Hey, babe.
01:22:25Yeah, no, I'm just right outside.
01:22:30You son of a bitch.
01:22:32You're making me cut my own brother's hand.
01:22:35Now you think you can betray the Miller family,
01:22:39walk away scot-free?
01:22:41Not a fucking chance.
01:22:42This guy means nothing to the Miller family now.
01:22:46He's worthless.
01:22:48Helpless.
01:22:50You're absolutely nothing now.
01:22:52Let's make him feel the pain
01:22:54that my brother felt.
01:22:56Come on, boys.
01:22:57Stop.
01:23:21Stop hurting him!
01:23:22Stop.
01:23:44Stop.
01:23:44Stop at once.
01:23:51You insolent fools!
01:24:01Son.
01:24:05You know how hard it is for me to admit that I made a mistake.
01:24:11But today the two of you have proved me wrong beyond a shadow of a doubt.
01:24:17Tasha.
01:24:19You are the perfect woman for my son.
01:24:24Go.
01:24:27Be together.
01:24:29You approve?
01:24:31You have my blessing.
01:24:35From this day onward,
01:24:37you have nothing more to do with the legal activities of the family.
01:24:42But,
01:24:45you'll always be a miller.
01:24:48As will she.
01:24:49No shame.
01:24:50Have you seen any more?
01:24:51Just be for free.
01:24:52You should resources on the ground.
01:24:54You do not have to do anything from this family.
01:24:56Get off me!
01:25:16Stop!
01:25:17Useless, impotent man-child!
01:25:20The crowd group is bankrupt!
01:25:22That hurt!
01:25:23Getting involved with you is the worst decision I could have made
01:25:26in my life!
01:25:27Get off!
01:25:28This is all your fault!
01:25:29You spent every single thing that we had!
01:25:31Now we have nothing left!
01:25:32No company, no house, no money, not even a dime!
01:25:36And it's all because of you, you greedy cow!
01:25:39Don't you-don't-
01:25:40Hey, hey, hey, hey!
01:25:47The late Mrs. Miller was a beautiful woman, sir.
01:25:52Yes.
01:25:56Back then, my wife protected me from every danger that befell our family.
01:26:03And today, my son found the perfect woman that I said I'd do the same for him.
01:26:11He was a lucky man.
01:26:25Wow!
01:26:26You look so beautiful!
01:26:28No, you-you can't be here right now!
01:26:31Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:34Kim, can you promise me one thing?
01:26:38I can promise you two if you'd like.
01:26:41I'm serious.
01:26:44I want you to walk away from the family business.
01:26:47There's a city called Ostia.
01:26:51It's on the southwest side of Rome by the ocean.
01:26:53What?
01:26:54You know what I found over there?
01:26:57I found you an art teaching job at a public school.
01:27:01I already took tickets.
01:27:02I leave in the morning.
01:27:03You're sending me away?
01:27:04No.
01:27:05I opened my own restaurant.
01:27:06It's just down the street.
01:27:07I want one more thing.
01:27:08I enrolled Anna at the school they're going to be teaching at.
01:27:11I think she's going to really love it over there.
01:27:12So you really are walking away?
01:27:13Yeah.
01:27:14I got some socks.
01:27:41I'm going to be walking away.
01:27:42Told you.
01:27:43I got some socks.
01:27:44To my testing.
01:27:45You really are walking away.
01:27:46I got some socks.
01:27:47I'll see you next time.
01:27:48I want you to walk away.
01:27:50You're walking away.
01:27:51I'm walking away.
01:27:52I'm walking away.
01:27:53I'm walking away.
01:27:54I'm walking away.
01:28:08I'm walking away.
01:28:09Transcription by CastingWords
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